| A Virgen que de Deus Madre (C. 322) | The Renaissance Players | | | 3:57 | instrument (als “mandora”) |
| Bok-Espok | Kepa Junkera | | | 4:26 | instrument |
| Como poden per sas culpas (C. 166) | The Renaissance Players | | | 8:16 | instrument (als “mandora”) |
| Como somos per conssello (C. 119) | The Renaissance Players | | | 10:07 | instrument (als “mandora”) |
| Concerto in D for Lute, Strings and Basso Continuo: Allegro | Karl Nyhlin, New Dutch Academy, Simon Murphy | | | 2:11 | instrument (als “gallichon”) |
| Concerto in D for Lute, Strings and Basso Continuo: Largo | Karl Nyhlin, New Dutch Academy, Simon Murphy | | | 4:44 | instrument (als “gallichon”) |
| Concerto in D for Lute, Strings and Basso Continuo: Without Tempo Indication | Karl Nyhlin, New Dutch Academy, Simon Murphy | | | 3:18 | instrument (als “gallichon”) |
| Da que Deus mamou (C. 77) | The Renaissance Players | | | 4:21 | instrument (als “mandora”) |
| Golovinmusiken: [Allegro] | Höör Barock, Dan Laurin | | | 0:59 | instrument (als “mandora”) |
| Golovinmusiken: [Allegro] | Höör Barock, Dan Laurin | | | 2:09 | instrument (als “mandora”) |
| Golovinmusiken: [Allegro] | Höör Barock, Dan Laurin | | | 1:12 | instrument (als “mandora”) |
| Golovinmusiken: [Allegro] | Höör Barock, Dan Laurin | | | 0:54 | instrument (als “mandora”) |
| Golovinmusiken: [Allegro] | Höör Barock, Dan Laurin | | | 6:33 | instrument (als “mandora”) |
| Golovinmusiken: [Allegro] | Höör Barock, Dan Laurin | | | 2:09 | instrument (als “mandora”) |
| Golovinmusiken: [Andante] | Höör Barock, Dan Laurin | | | 2:58 | instrument (als “mandora”) |
| Golovinmusiken: [Aria] | Höör Barock, Dan Laurin | | | 1:54 | instrument (als “mandora”) |
| Golovinmusiken: [Aria] | Höör Barock, Dan Laurin | | | 1:50 | instrument (als “mandora”) |
| Golovinmusiken: [Bourrée] | Höör Barock, Dan Laurin | | | 1:00 | instrument (als “mandora”) |
| Golovinmusiken: [Bourrée] | Höör Barock, Dan Laurin | | | 1:00 | instrument (als “mandora”) |
| Golovinmusiken: [Comodo] | Höör Barock, Dan Laurin | | | 0:58 | instrument (als “mandora”) |
| Golovinmusiken: [Gavotte] | Höör Barock, Dan Laurin | | | 1:20 | instrument (als “mandora”) |
| Golovinmusiken: [Gavotte] | Höör Barock, Dan Laurin | | | 1:36 | instrument (als “mandora”) |
| Golovinmusiken: [Gigue] | Höör Barock, Dan Laurin | | | 1:40 | instrument (als “mandora”) |
| Golovinmusiken: [L’istesso tempo] | Höör Barock, Dan Laurin | | | 1:04 | instrument (als “mandora”) |
| Golovinmusiken: [Larghetto] | Höör Barock, Dan Laurin | | | 3:06 | instrument (als “mandora”) |
| Golovinmusiken: [Lento] | Höör Barock, Dan Laurin | | | 1:52 | instrument (als “mandora”) |
| Golovinmusiken: [Loure] | Höör Barock, Dan Laurin | | | 2:34 | instrument (als “mandora”) |
| Golovinmusiken: [Menuet] | Höör Barock, Dan Laurin | | | 2:32 | instrument (als “mandora”) |
| Golovinmusiken: [Ouverture] | Höör Barock, Dan Laurin | | | 2:13 | instrument (als “mandora”) |
| Golovinmusiken: [Ouverture] | Höör Barock, Dan Laurin | | | 1:51 | instrument (als “mandora”) |
| Golovinmusiken: [Presto] | Höör Barock, Dan Laurin | | | 0:51 | instrument (als “mandora”) |
| Golovinmusiken: [Presto] | Höör Barock, Dan Laurin | | | 0:43 | instrument (als “mandora”) |
| Golovinmusiken: [Presto] | Höör Barock, Dan Laurin | | | 1:14 | instrument (als “mandora”) |
| Golovinmusiken: [Siciliano] | Höör Barock, Dan Laurin | | | 2:55 | instrument (als “mandora”) |
| Graucholorfen | Hedningarna | | | 6:15 | instrument (als “bass mandora”) |
| In Yonder Grove: If thy too cruel bow be bent | Charivari Agréable | | | 4:05 | instrument (als “mandora”) |
| Mandora: Chanson “Amours que porra” | Early Music Consort of London, David Munrow | | | 1:23 | instrument (als “mandora”) |
| Návdi / Fasa | Hedningarna | | | 7:58 | instrument (als “bass mandora”) |
| Non sofre Santa Maria (C. 159) | The Renaissance Players | | | 5:06 | instrument (als “mandora”) |
| Parthia V in B-flat major | Davide Rebuffa | | | 9:27 | instrument (als “gallichone”) |
| Parthia VI in G minor | Davide Rebuffa | | | 8:48 | instrument (als “gallichone”) |
| Parthia XI in C minor | Davide Rebuffa | | | 6:10 | instrument (als “gallichone”) |
| Parthia XII in C major | Davide Rebuffa | | | 6:14 | instrument (als “gallichone”) |
| Parthia XV in G minor | Davide Rebuffa | | | 10:09 | instrument (als “gallichone”) |
| Parthia XVI in D minor | Davide Rebuffa | | | 6:34 | instrument (als “gallichone”) |
| Praludio | Davide Rebuffa | | | 2:01 | instrument (als “gallichone”) |
| Santa Maria amar (C. 7) | The Renaissance Players | | | 7:33 | instrument (als “mandora”) |
| Santa Maria strela do dia (C. 100) | The Renaissance Players | | | 4:02 | instrument (als “mandora”) |
| Sinphonia I in C major | Davide Rebuffa | | | 7:22 | instrument (als “gallichone”) |
| Sinphonia IX in B-flat major | Davide Rebuffa | | | 13:30 | instrument (als “gallichone”) |
| Sinphonia VII in C major | Davide Rebuffa | | | 8:51 | instrument (als “gallichone”) |
| Skåne | Hedningarna | | | 4:17 | instrument (als “bass mandora”) |
| Sonata I in C major: Allegro | Terrell Stone | | | 1:29 | instrument (als “gallichone”) |
| Sonata I in C major: Allegro | Terrell Stone | | | 2:00 | instrument (als “gallichone”) |
| Sonata I in C major: Andante | Terrell Stone | | | 2:01 | instrument (als “gallichone”) |
| Sonata I in C major: Menuet e Trio da capo | Terrell Stone | | | 1:52 | instrument (als “gallichone”) |
| Sonata I in C major: Preludio | Terrell Stone | | | 1:39 | instrument (als “gallichone”) |
| Sonata II in G major: Allegro | Terrell Stone | | | 2:37 | instrument (als “gallichone”) |
| Sonata II in G major: Andante | Terrell Stone | | | 2:03 | instrument (als “gallichone”) |
| Sonata II in G major: Gigue | Terrell Stone | | | 2:26 | instrument (als “gallichone”) |
| Sonata III in B-flat major: Adagio | Terrell Stone | | | 2:48 | instrument (als “gallichone”) |
| Sonata III in B-flat major: Allegro | Terrell Stone | | | 3:03 | instrument (als “gallichone”) |
| Sonata III in B-flat major: Gigue | Terrell Stone | | | 2:52 | instrument (als “gallichone”) |
| Sonata in G major, WKO 147: Adagio | Charivari Agréable | | | 1:55 | instrument (als “mandora”) |
| Sonata in G major, WKO 147: Allegro moderato | Charivari Agréable | | | 4:46 | instrument (als “mandora”) |
| Sonata in G major, WKO 147: Romance | Charivari Agréable | | | 2:30 | instrument (als “mandora”) |
| Sonata in G major, WKO 147: Rondeau | Charivari Agréable | | | 1:43 | instrument (als “mandora”) |
| Sonata IV in F major: Adagio | Terrell Stone | | | 2:24 | instrument (als “gallichone”) |
| Sonata IV in F major: Allegro | Terrell Stone | | | 2:16 | instrument (als “gallichone”) |
| Sonata IV in F major: Allegro | Terrell Stone | | | 2:28 | instrument (als “gallichone”) |
| Sonata IV in F major: Menuet e Trio da capo | Terrell Stone | | | 1:45 | instrument (als “gallichone”) |
| Sonata IX in B major: Adagio | Terrell Stone | | | 2:14 | instrument (als “gallichone”) |
| Sonata IX in B major: Allegro | Terrell Stone | | | 1:23 | instrument (als “gallichone”) |
| Sonata IX in B major: Allegro | Terrell Stone | | | 2:31 | instrument (als “gallichone”) |
| Sonata IX in B major: Gigue | Terrell Stone | | | 3:07 | instrument (als “gallichone”) |
| Sonata IX in B major: Menuet e Trio da capo | Terrell Stone | | | 2:27 | instrument (als “gallichone”) |
| Sonata no. 1 in G major: Adagio | Charivari Agréable | | | 1:56 | instrument (als “mandora”) |
| Sonata no. 1 in G major: Allegretto | Charivari Agréable | | | 3:49 | instrument (als “mandora”) |
| Sonata no. 1 in G major: Allegro | Charivari Agréable | | | 2:03 | instrument (als “mandora”) |
| Sonata V in B-flat major: Allegro | Terrell Stone | | | 1:28 | instrument (als “gallichone”) |
| Sonata V in B-flat major: Aria | Terrell Stone | | | 3:10 | instrument (als “gallichone”) |
| Sonata V in B-flat major: Gigue | Terrell Stone | | | 3:31 | instrument (als “gallichone”) |
| Sonata V in B-flat major: Menuet e Trio da capo | Terrell Stone | | | 1:49 | instrument (als “gallichone”) |
| Sonata VI in G major: Aria | Terrell Stone | | | 1:53 | instrument (als “gallichone”) |
| Sonata VI in G major: Entrée | Terrell Stone | | | 1:08 | instrument (als “gallichone”) |
| Sonata VI in G major: Finale I /II | Terrell Stone | | | 1:45 | instrument (als “gallichone”) |
| Sonata VI in G major: Menuet | Terrell Stone | | | 1:01 | instrument (als “gallichone”) |
| Sonata VI in G major: Scherzo | Terrell Stone | | | 0:53 | instrument (als “gallichone”) |
| Sonata VII in C major: Allegro | Terrell Stone | | | 2:23 | instrument (als “gallichone”) |
| Sonata VII in C major: Allegro | Terrell Stone | | | 1:21 | instrument (als “gallichone”) |
| Sonata VII in C major: Andante | Terrell Stone | | | 1:29 | instrument (als “gallichone”) |
| Sonata VIII in G major: Entrée | Terrell Stone | | | 2:26 | instrument (als “gallichone”) |
| Sonata VIII in G major: Gavotta | Terrell Stone | | | 0:59 | instrument (als “gallichone”) |
| Sonata VIII in G major: Gigue | Terrell Stone | | | 1:36 | instrument (als “gallichone”) |
| Sonata VIII in G major: Menuet | Terrell Stone | | | 0:50 | instrument (als “gallichone”) |
| Täss’ on nainen | Hedningarna | | | 4:28 | instrument |
| The Maid of the Mill: Trust me wou’d you taste true pleasure | Charivari Agréable | | | 5:20 | instrument (als “mandora”) |