| A Call to Arms | Beirut | | 1 | 0:18 | Instrument |
| Aboriginal | 日野皓正 | | | 12:22 | Instrument |
| After the Rain | Accra Trane Station | | | 5:10 | Instrument |
| Bamboo Village | William Parker / Coen Aalberts / Klaas Hekman | | | 4:42 | Instrument |
| Blessed | William Parker / Coen Aalberts / Klaas Hekman | | | 4:57 | Instrument |
| Boat Peoples | Deadline | | | 7:03 | Instrument |
| Ching Söörtükchülerining Yryzy ("Song of the Caravan Drivers") | Huun‐Huur‐Tu | | | 5:34 | Instrument (als „conch shell”) |
| Conch Shell Horn on New Year's Eve in Positano, Italy | unidentified participants | | | 0:57 | Instrument (als „conch shell horn”) |
| Conche Shell Horn (Papa Sataua, Savaii) | [unknown] | | | 0:50 | Instrument (als „conche”) |
| Corcovado | Steve Turre | | | 7:18 | Instrument (als „shells”) |
| Crescent | Accra Trane Station | | | 14:37 | Instrument |
| Cultivation | William Parker / Coen Aalberts / Klaas Hekman | | | 5:11 | Instrument |
| Danza de San Roque de Hío | Milladoiro | | 5 | 4:03 | Instrument (als „cunchas”) |
| Deep Spirit | William Parker / Coen Aalberts / Klaas Hekman | | | 2:18 | Instrument |
| Doo Root | Deadline | | | 3:44 | Instrument |
| El venadito | Lila Downs | | | 2:30 | Instrument (als „caracol / sea shell”) |
| Epilog | Ougenweide | | | 1:02 | Instrument (als „Tritonshörner”) |
| Eshten Charlyyry Berge ("It's hard to be parted from a friend") | Huun‐Huur‐Tu | | | 6:35 | Instrument (als „conch shell”) |
| Family Voice | William Parker / Coen Aalberts / Klaas Hekman | | | 5:06 | Instrument |
| Four Sticks | Sones de México Ensemble Chicago | | | 4:32 | Instrument (als „conch shell”) |
| Great Horned Howl | Deep Listening Band | | | 19:02 | Instrument |
| Growl Howl | Deep Listening Band | | | 15:33 | Instrument |
| Himalaya | Javier Bergia | | | 4:02 | Instrument |
| Host for the Anointed | William Parker / Coen Aalberts / Klaas Hekman | | | 2:21 | Instrument |
| Inlets | Glenn Freeman | | 5 | 7:00 | Instrument |
| Inlets (excerpt) | John Cage, John David Fullemann, Mel Mercier, Peadar Mercier | | | 10:17 | Instrument |
| Invocation | Silkroad Ensemble | | | 0:36 | Instrument |
| Islands | Eje Thelin | | | 2:15 | Instrument |
| Jai Hanuman! | L. Subramaniam | | | 3:41 | Instrument |
| Jamming in London | Master Musicians of Jajouka feat. Bachir Attar | | | 4:11 | Instrument (als „conch shell”) |
| Joyous and Delightful | William Parker / Coen Aalberts / Klaas Hekman | | | 6:47 | Instrument |
| Kannon 1 | Sunn O))) | | | 12:50 | Instrument |
| Kannon 2 | Sunn O))) | | | 9:09 | Instrument |
| Kannon 3 | Sunn O))) | | | 11:26 | Instrument |
| La llorona | Lila Downs | | | 4:35 | Instrument (als „caracol / sea shell”) |
| La sandunga | Lila Downs | | | 4:13 | Instrument (als „caracol / sea shell”) |
| Langue d’amour | Laurie Anderson | | | 6:18 | Instrument (als „electronic conches”) |
| Leaning Into the Afternoon | David Piltch | | | 4:52 | Instrument |
| Listen to the Sky | William Parker / Coen Aalberts / Klaas Hekman | | | 5:13 | Instrument |
| Little Ocean Pearl | Wyland Blues Planet Band | | | 4:45 | Instrument |
| Live at Zwingli-Kirche - A | Feedbackorchester | | | 27:08 | Instrument |
| Live at Zwingli-Kirche - B | Feedbackorchester | | | 21:41 | Instrument |
| Lost River | Mickey Hart | | | 2:58 | Instrument (als „conch shell”) |
| Monkey’s Paw | Laurie Anderson | | | 4:33 | Instrument |
| Naila | Lila Downs | | | 3:11 | Instrument (als „caracol / sea shell”) |
| Nanook | Jac Berrocal / David Fenech / Vincent Epplay | | | 1:30 | Instrument (als „Tibetan conch”) |
| Nibaldi Isle | Kenny Clarke, Andrew Cyrille, Milford Graves & Famoudou Don Moye | | | 10:50 | Instrument (als „conch shells”) |
| Nike | Pauline Oliveros / Stuart Dempster / Panaiotis | | | 10:37 | Instrument |
| Nunnyunnini | Brian Reitzell | | | 4:23 | Instrument |
| Offering to the Guru Drakmar | Lamas and Monks of the Four Great Orders | | | 6:11 | Instrument (als „2 dung-dkar”) |
| Ofrenda | Lila Downs | | | 3:09 | Instrument (als „caracol / sea shell”) |
| Old Man River | Malachi Thompson and Africa Brass | | | 12:18 | Instrument (als „conch shell”) |
| Phol ende Uuodan | Ougenweide | | | 5:12 | Instrument (als „Tritonshörner”) |
| Pobre changuita | Lila Downs | | | 2:13 | Instrument (als „caracol / sea shell”) |
| Procession at Pisac | [unknown] | | | 1:40 | Instrument |
| Resolution | Accra Trane Station | | | 2:25 | Instrument |
| Sabor a mí | Lila Downs | | | 4:18 | Instrument (als „caracol / sea shell”) |
| Sacred Prayers | William Parker / Coen Aalberts / Klaas Hekman | | | 5:10 | Instrument |
| Skraellingernes første møde med Nordboerne | Polar Jungle Orchestra | | | 6:40 | Instrument (als „Tibetan conch”) |
| Temple Caves | Mickey Hart | | | 3:15 | Instrument (als „conch shell”) |
| Tengo miedo de quererte | Lila Downs | | | 3:53 | Instrument (als „caracol / sea shell”) |
| The Business of Here | Steve Swell’s Nation of We Orchestra | | | 1:12:00 | Instrument (als „shells”) |
| The Cat’s Dream | Christina Kubisch | | | 18:02 | Instrument (als „sea shell trumpet”) |
| The Elders at the Edge of the World, Part 1 | William Parker / Coen Aalberts / Klaas Hekman | | | 4:07 | Instrument |
| The Elders at the Edge of the World, Part 2 | William Parker / Coen Aalberts / Klaas Hekman | | | 7:45 | Instrument |
| The Flute Reaches Out | William Parker / Coen Aalberts / Klaas Hekman | | | 4:00 | Instrument |
| The Prophet | Stefon Harris | | | 7:07 | Instrument |
| The World’s Fastest Train | William Parker / Coen Aalberts / Klaas Hekman | | | 3:44 | Instrument |
| Tibet | Jac Berrocal | | | 1:43 | Instrument |
| Toque de ánimas | Concheros de la Ciudad de México | | | 1:22 | Instrument (als „concha”) |
| Town Haul | Deep Listening Band | | | 14:51 | Instrument |
| Tritons Ruf | Ougenweide | | | 0:48 | Instrument (als „Tritonshörner”) |
| Two³ and 108 | Glenn Freeman, Tamami Tono, Chance Philharmonic | | 5 | 43:30 | Instrument |
| Two³: 1. | Glenn Freeman, Tamami Tono | | 5 | 11:40 | Instrument |
| Two³: 2. | Glenn Freeman, Tamami Tono | | 5 | 13:00 | Instrument |
| Two³: 3. | Glenn Freeman, Tamami Tono | | 5 | 14:40 | Instrument |
| Two³: 4. | Glenn Freeman, Tamami Tono | | 5 | 12:45 | Instrument |
| Two³: 5. | Glenn Freeman, Tamami Tono | | 5 | 10:15 | Instrument |
| Two³: 6. | Glenn Freeman, Tamami Tono | | 5 | 11:40 | Instrument |
| Two³: 7. | Glenn Freeman, Tamami Tono | | 5 | 12:25 | Instrument |
| Two³: 8. | Glenn Freeman, Tamami Tono | | 5 | 10:20 | Instrument |
| Two³: 8. (excerpt) | Glenn Freeman, Tamami Tono | | 5 | 4:53 | Instrument |
| Two³: 9. | Glenn Freeman, Tamami Tono | | 5 | 13:45 | Instrument |
| Two³: 10. | Glenn Freeman, Tamami Tono | | 5 | 10:30 | Instrument |
| Udu Chant | Mickey Hart | | | 3:41 | Instrument (als „conch shell”) |
| Un poco más | Lila Downs | | | 4:15 | Instrument (als „caracol / sea shell”) |
| Underground Overlays (excerpt) | Stuart Dempster, Chad Kirby, Takehisa Kosugi | | | 15:30 | Instrument |
| Valle Místico (Ruben’s Song) | Conor Oberst | | 2 | 0:49 | Instrument |
| Vancouver | Violent Femmes | | 2 | 2:14 | Instrument |
| Verdeguea y grana | La Musgaña | | | 4:46 | Instrument |
| Yunu yucu ninu | Lila Downs | | | 3:18 | Instrument (als „caracol / sea shell”) |
| Yurumei | Aurelio | | | 3:51 | Instrument |