The Jazz Station

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

5 Jewel Cases in a cardboard slipcase. Individual cat#s: DIBCD001, DIBCD002, DIBCD003, DIBCD004, DIBCD005

Annotation last modified on 2025-07-12 20:02 UTC.

Tracklist

1CD: The Jazz Station, Volume 1
2CD: The Jazz Station, Volume 2
3CD: The Jazz Station, Volume 3
4CD: The Jazz Station, Volume 4
5CD: The Jazz Station, Volume 5
#TitleArtistRatingLength
1Cheryl
recording of:
Cheryl
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
publisher:
Atlantic Music Corp/BMI (BMI)
Charlie Parker2:56
2Groovin’ High
recording of:
Groovin’ High
composer:
Dizzy Gillespie, Frank Paparelli and Charlie Parker (aka “Bird”, jazz alto saxophonist)
Dizzy Gillespie2:42
3A Night in Tunisia
cover recording of:
Night in Tunisia (instrumental)
composer:
Dizzy Gillespie and Frank Paparelli
publisher:
Universal‐MCA Music Publishing (US)
Miles Davis6:13
4Naima
double bass:
Jimmy Garrison (on 1965-07-27)
drums (drum set):
Elvin Jones (jazz drummer) (on 1965-07-27)
piano:
McCoy Tyner (jazz pianist) (on 1965-07-27)
tenor saxophone:
John Coltrane (on 1965-07-27)
recorded at:
Festival Mondial du Jazz Antibes, Juans-les-Pins in Antibes, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, France (on 1965-07-27)
live recording of:
Naima (original instrumental version) (on 1965-07-27)
composer:
John Coltrane
named after artist:
Juanita Naima Grubbs
publisher:
Jowcol Music
John Coltrane7:07
5MinorityCannonball Adderley7:43
6Bluebird
recording of:
Bluebird
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
Charlie Parker2:58
7’round Midnight
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
alto saxophone:
Edmond Gregory (American jazz musician) (on 1947-11-21)
double bass:
Robert Paige (jazz bassist) (on 1947-11-21)
drums (drum set):
Art Blakey (on 1947-11-21)
piano:
Thelonious Monk (on 1947-11-21)
trumpet:
George Taitt (on 1947-11-21)
recorded at:
WOR Studios in New York, New York, United States (on 1947-11-21)
instrumental recording of:
’Round Midnight (on 1947-11-21)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Thelonious Monk3:12
8Blue Train
alto saxophone:
Eric Dolphy (on 1961-11-23)
double bass:
Reggie Workman (on 1961-11-23)
drums (drum set):
Elvin Jones (jazz drummer) (on 1961-11-23)
piano:
McCoy Tyner (jazz pianist) (on 1961-11-23)
tenor saxophone:
John Coltrane (on 1961-11-23)
recorded at:
Stockholms konserthus (Stockholm Concert Hall, Konserthuset Stockholm) in Stockholm, Stockholms län (Stockholm county), Sweden (on 1961-11-23)
live recording of:
Blue Train (on 1961-11-23)
composer:
John Coltrane
publisher:
Jowcol Music
John Coltrane9:03
9Scrapple From the Apple
recording of:
Scrapple From the Apple
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
translator:
Harrie Geelen
part of:
The Real Book (compilation of jazz standards, Volume I)
Charlie Parker3:03
10Ornithology
recording of:
Ornithology
composer:
Benny Harris and Charlie Parker (aka “Bird”, jazz alto saxophonist)
publisher:
Marada Music Ltd.
Miles Davis3:00
11The Peanut Vendor
The Stan Kenton Orchestra2:07
12So Long Eric
recording of:
So Long Eric
composer:
Charles Mingus
Charles Mingus4:34
13Morpheus
recording of:
Morpheus
composer:
John Lewis (pianist, member of Modern Jazz Quartet)
Miles Davis2:22
14You’d Be So Nice to Come Home To
recorded in:
New York, New York, United States (on 1955-07-29)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-07-29)
baritone saxophone:
Cecil Payne (on 1955-07-29)
cornet:
Nat Adderley (on 1955-07-29)
double bass:
Paul Chambers (US jazz bassist) (on 1955-07-29)
drums (drum set):
Kenny Clarke (on 1955-07-29)
flute and tenor saxophone:
Jerome Richardson (on 1955-07-29)
piano:
John Williams (American jazz pianist) (on 1955-07-29)
trombone:
J. Johnson (jazz/bop trombonist/session leader) (on 1955-07-29)
arranger:
Quincy Jones
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955), HHO Licensing (in 2005, in 2008) and Xelon Productions (in 2010)
instrumental cover recording of:
You’d Be So Nice to Come Home To (on 1955-07-29)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
instrumental recording of:
You’d Be So Nice to Come Home To (on 1955-07-29)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
recording of:
You’d Be So Nice to Come Home To
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Cannonball Adderley3:44
154 on 6
Wes Montgomery6:29
16Carabunta
Herbie Mann3:41
17Chekeetah
recording of:
Chekeetah
Chet Baker8:33