| # | Title | Artist | Rating | Length |
|---|
| 1 | Relax | Frankie Goes to Hollywood | 4.05 | 3:58 |
| 2 | Don’t You Want Me | The Human League | 3.85 | 3:58 |
| 3 | Tainted Love- engineer:
- Paul Hardiman
- producer:
- Mike Thorne
- mixer:
- Harvey Goldberg
- electronic instruments and other instruments:
- Dave Ball
- background vocals:
- Vicious Pink
- vocals:
- Marc Almond
- phonographic copyright (℗) by:
- Mercury Records Ltd. (London) (in 1981)
- recorded at:
- Advision Studios in Fitzrovia, Camden , Westminster, London , England, United Kingdom
- music videos:
- Tainted Love by Soft Cell
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 5), Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 8), New York Post: 100 Greatest Covers (2007) (number: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (number: 33) and Billboard: The 500 Best Pop Songs (number: 46)
- cover recording of:
- Tainted Love
- lyricist and composer:
- Ed Cobb
- publisher:
- Burlington Music Co., Ltd. and Embassy Music Corporation
- sub-publisher:
- ミュージック・セールス
| Soft Cell | 3.9 | 2:41 |
| 4 | Girls on Film | Duran Duran | 3.7 | 3:28 |
| 5 | Take on Me | a‐ha | 4.5 | 3:47 |
| 6 | Everybody Wants to Rule the World | Tears for Fears | 3.9 | 4:10 |
| 7 | Karma Chameleon- engineer:
- Simon Frith, Simon Humphrey, Gordon Milne and Mike Ross‐Trevor
- producer:
- Steve Levine
- mixer:
- Steve Levine and Jon Moss
- bass guitar:
- Mikey Craig (in 1983)
- drums (drum set) and percussion:
- Jon Moss (in 1983)
- electric sitar, guitar, keyboard, piano and sitar:
- Roy Hay (in 1983)
- guest harmonica:
- Judd Lander (in 1983)
- guest keyboard:
- Phil Pickett (in 1983)
- background vocals:
- Helen Terry (in 1983)
- lead vocals:
- Boy George (in 1983)
- phonographic copyright (℗) by:
- Virgin Records Ltd. (in 1983, in 2002, in 2003)
- recorded at:
- CBS Studios in London , England, United Kingdom (in 1983) and Red Bus Studios in London , England, United Kingdom (in 1983)
- music videos:
- Karma Chameleon by Culture Club
- recording of:
- Karma Chameleon (in 1983)
- writer:
- Mikey Craig , George O’Dowd, Roy Hay , Jon Moss and Phil Pickett
- publisher:
- BMG Music Publishing Ltd., Copyright Control , EMI Virgin Music Ltd. , EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. , Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. and BMG VM Music Ltd. (from 2013-05 to present)
| Culture Club | 4 | 4:13 |
| 8 | Kids in America- recording engineer:
- Jeo (from 1980 until 1981)
- programming:
- Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
- engineer:
- Steve Stewart
- producer:
- Ricky Wilde
- additional keyboard:
- Nick Priessnitz (from 1980 until 1981)
- bass guitar:
- Martin Russell (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
- drums (drum set):
- Bernhard Hahn (from 1980 until 1981), Chris North (from 1980 until 1981) and Tobias Wörner (from 1980 until 1981)
- guitar:
- Thomas Hahn (from 1980 until 1981), Charlotte Hatherley (from 1980 until 1981), Francis Lickerish (from 1980 until 1981), Steve Stewart (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
- keyboard:
- Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981), Robert John Godfrey (from 1980 until 1981), Calvin Hayes (from 1980 until 1981), Derek von Krogh (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
- background vocals:
- D. Janz (from 1980 until 1981), M. Janz (from 1980 until 1981), N. Janz (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
- lead vocals:
- Charlotte Hatherley (from 1980 until 1981) and Kim Wilde (from 1980 until 1981)
- vocals:
- Kim Wilde (from 1980 until 1981)
- phonographic copyright (℗) by:
- Cherry Red Records Ltd. , EMI Records Ltd. (in 1981, in 1996, in 2001), EMI France (in 1993) and EMI Records Limited (in 2006)
- recorded at:
- Amira Studio (from 1980 until 1981), RAK Studios in London , England, United Kingdom (from 1980 until 1981), Soundmastaz Studios (from 1980 until 1981), Studio 77 in Stuttgart, Baden-Württemberg, Germany (from 1980 until 1981) and The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
- mixed at:
- Jeopark in Buchholz, Niedersachsen , Germany, RAK Studios in London , England, United Kingdom and Studio 77 in Stuttgart, Baden-Württemberg, Germany
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 55)
- recording of:
- Kids in America (from 1980 until 1981)
- writer:
- Marty Wilde and Ricky Wilde
- publisher:
- All Nations Music, EMI Music Publishing , Finchley Music Corp., RAK Publishing Ltd. and Rickim Music Ltd.
| Kim Wilde | 4.35 | 3:26 |
| 9 | Stand and Deliver | Adam and the Ants | 5 | 3:09 |
| 10 | Ballroom Blitz | The Sweet | 4.6 | 4:04 |
| 11 | Virginia Plain- engineer:
- Andy Hendriksen (in 1972-03)
- producer:
- Peter Sinfield
- bass:
- Rik Kenton (in 1972-03)
- arranger:
- Roxy Music
- phonographic copyright (℗) by:
- E.G. Records Ltd. (in 1972), Virgin EG Records Ltd. (in 1972), Virgin EMI Records (in 1999) and Virgin Records Ltd. (in 1999)
- recorded at:
- Command Studios in London , England, United Kingdom (in 1972-03)
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 3) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 348)
- recording of:
- Virginia Plain (in 1972-03)
- lyricist and composer:
- Bryan Ferry
- arranger:
- Roxy Music
- publisher:
- BMG Music Publishing Ltd., BMG Songs Ltd., Careers‐BMG Music Publishing, E.G. Music Inc., E.G. Music Ltd. , TRO-Total Music, Inc. and Buggane Music, Ltd. (in 1972)
| Roxy Music | 3.65 | 2:58 |
| 12 | Rockin’ All Over the World- assistant engineer:
- Kevin Whyte
- engineer:
- John Eden , Barry Hammond and Simon Sullivan
- producer:
- Status Quo and Pip Williams
- phonographic copyright (℗) by:
- Mercury Records Ltd. (in 1977), Mercury Records Ltd. (London) (in 1977), Mercury Records Ltd. (UK) (in 1977), Phonogram Ltd. (in 1977), Phonogram Ltd. (London) (in 1977, in 1988) and Polydor Ltd. (UK) (in 1992)
- recorded at:
- Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom (on 1992-08-30), Studio Bohus in Kungälv Municipality , Västra Götaland , Sweden (on 1992-08-30) and Sutton Park in Birmingham, West Midlands, England, United Kingdom (on 1992-08-30)
- mixed at:
- Mayfair Studios in London , England, United Kingdom
- music videos:
- Rockin All Over the World by Status Quo
- cover recording of:
- Rockin’ All Over the World (on 1992-08-30)
- lyricist and composer:
- John Fogerty
- publisher:
- Copyright Control , Greasy King Music, Hornall Brothers Music , Intersong , Intersong Music Ltd., Rondor Musikverlag GmbH, Universal Music Publishing AB , Universal/MCA Music Publishing Pty Ltd, Warner Bros. Music Ltd. , Wenaha Music, Wenaha Music Company and Intersong Ltd. (in 1977)
| Status Quo | 4 | 3:36 |
| 13 | All by Myself- synclavier programming:
- Simon Franglen
- additional engineer:
- Felipe Elgueta and David Reitzas
- assistant engineer:
- Paul Boutin, Osie Bowe and Larry Schalit
- engineer and mixer:
- Humberto Gatica
- producer:
- David Foster
- assistant mixer:
- Chris Brooke
- bass:
- Marc Langis
- drums (drum set):
- Dominique Messier
- guitar:
- André Coutu and Michael Thompson
- keyboard:
- Yves Frulla and Claude Lemay
- percussion:
- Paul Picard
- piano:
- David Foster
- lead vocals:
- Céline Dion
- strings arranger:
- Bill Ross
- arranger:
- David Foster
- produced for:
- Chartmaker Inc.
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States, Compass Point in Nassau, Bahamas and The Record Plant in Midtown Manhattan, New York, New York, United States
- mixed at:
- Westlake Studios in West Hollywood, California, United States
- cover recording of:
- All by Myself (in 1996)
- lyricist:
- Eric Carmen
- composer:
- Eric Carmen and Sergei Rachmaninov
- publisher:
- Sony Music Publishing (Japan), Inc., A Division (ended), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control , Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. , Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. and ワーナー・チャペル音楽出版 Synch事業部
- is based on:
- Let’s Pretend
- is based on:
- Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
| Céline Dion | 5 | 4:01 |
| 14 | Bleeding Love | Leona Lewis | 4 | 4:02 |
| 15 | The Promise | Girls Aloud | 2.35 | 4:05 |
| 16 | Black Magic | Little Mix | | 3:32 |
| 17 | What Makes You Beautiful | One Direction | 3 | 3:20 |
| 18 | Sorry | Justin Bieber | 4 | 3:22 |
| 19 | How Deep Is Your Love- phonographic copyright (℗) by:
- BMG Records (UK) Limited (in 1996)
- cover recording of:
- How Deep Is Your Love
- writer:
- Barry Gibb, Maurice Gibb and Robin Gibb
- publisher:
- Abigail Music, BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Songs of Universal, Inc. , Universal Music Careers, Universal Music Publishing International MGB Ltd., Warner Chappell Music Ltd. and Gibb Brothers Music (in 1977)
- sub-publisher:
- Universal Music Publishing Group Japan , シンコーミュージック・エンタテイメント , ワーナー・チャペル音楽出版 Synch事業部 , 香港商華納音樂出版有限公司台灣分公司 , ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
| Take That | | 3:43 |
| 20 | Someone You Loved | Lewis Capaldi | 3.05 | 3:03 |
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