111 Years of Deutsche Grammophon: The Collectors’ Edition

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

"In 1984, Bernstein decided to re-record the musical, conducting his own music for the first time. Generally known as the "operatic version" of West Side Story, it stars Kiri Te Kanawa as Maria, José Carreras as Tony, Tatiana Troyanos as Anita, Kurt Ollmann as Riff, and Marilyn Horne as the offstage voice who sings "Somewhere". It won a Grammy Award for Best Musical Show Album in 1985 and the recording process was filmed as a documentary."
source: http://en.wikipedia.org/wiki/West_Side_Story#Recordings

Other versions of this cast recording include:
complete versions:
Leonard Bernstein Conducts West Side Story (disc 1) (16 tracks)
Leonard Bernstein Conducts West Side Story (disc 2) (11 tracks, plus 6 bonus tracks from On the Waterfront), and
Leonard Bernstein Conducts West Side Story (single disc, 27 tracks)
(Bernstein, Leonard; Kiri Te Kanawa (Maria); José Carreras (Tony); Tatiana Troyanos (Anita); Kurt Ollmann (Riff); Marilyn Horne (offstage, "Somewhere"); Nina Bernstein (Maria in dialogues); Alexander Bernstein (Tony in dialogues); 09/07/84: NYC, RCA Studio
Deutsche Grammophon 4152531; CD: 4152532 GH2)
highlights version:
Leonard Bernstein Conducts West Side Story: Highlights (15 tracks)
(Bernstein, Leonard; West Side Story (Selections); Kiri Te Kanawa (Maria); José Carreras (Tony); Tatiana Troyanos (Anita); Kurt Ollmann (Riff); Marilyn Horne (offstage, "Somewhere"); Nina Bernstein (Maria in dialogues); Alexander Bernstein (Tony in dialogues); 09/07/84: NYC, RCA Studio
Deutsche Grammophon ; CD: 4159632 GH; 4478982 GH)

full vocal performer list:
A-rab - Peter Thom
Action - David Livingston
Anita - Tatiana Troyanos
Baby John - Stephen Bogardus
Bernardo - Richard Harrell
Consuelo - Stella Zambalis
Diesel - Marty Nelson
Francisca - Angelina Réaux
Maria - Kiri Te Kanawa
Riff - Kurt Ollmann
Rosalia - Louise Edeiken
Snowboy - Todd Lester
Tony - José Carreras
Dialogue - Maria - Nina Bernstein
Dialogue - Tony - Alexander Bernstein

numbers of CD:
477 8167 CD Box Set
477 8473 CD 1
477 8379 CD 2
477 8380 CD 3
477 8381 CD 4
477 8382 CD 5
477 8383 CD 6
477 8385 CD 7
477 8386 CD 8
477 8387 CD 9
477 8388 CD 10
477 8389 CD 11
477 8390 CD 12
477 8391 CD 13
477 8392 CD 14
477 8393 CD 15
477 8394 CD 16
477 8395 CD 17
477 8396 CD 18
477 8397 CD 19
477 8398 CD 20
477 8399 CD 21
477 8400 CD 22
477 8401 CD 23
477 8402 CD 24
477 8403 CD 25
477 8404 CD 26
477 8405 CD 27
477 8406 CD 28
477 8407 CD 29
477 8408 CD 30
477 8409 CD 31
477 8410 CD 32
477 8411 CD 33
477 8412 CD 34
477 8413 CD 35
477 8414 CD 36
477 8415 CD 37
477 8416 CD 38
477 8417 CD 39
477 8418 CD 40
477 8419 CD 41
477 8420 CD 42
477 8421 CD 43
477 8422 CD 44
477 8423 CD 45
477 8424 CD 46
477 8425 CD 47
477 8426 CD 48
477 8427 CD 49
477 8428 CD 50
477 8429 CD 51
477 8430 CD 52
477 8431 CD 53
477 8432 CD 54
477 8433 CD 55

Front cover photograph by Ken Veeder.

This release is disc 6 of 111 Years of Deutsche Grammophon: The Collector's Edition, a 55-CD limited edition set and is not an individual release.

"In 1984, Bernstein decided to re-record the musical, conducting his own music for the first time. Generally known as the "operatic version" of West Side Story, it stars Kiri Te Kanawa as Maria, José Carreras as Tony, Tatiana Troyanos as Anita, Kurt Ollmann as Riff, and Marilyn Horne as the offstage voice who sings "Somewhere". It won a Grammy Award for Best Musical Show Album in 1985 and the recording process was filmed as a documentary."
source: http://en.wikipedia.org/wiki/West_Side_Story#Recordings

Other versions of this cast recording include:
complete versions:
Leonard Bernstein Conducts West Side Story (disc 1) (16 tracks)
Leonard Bernstein Conducts West Side Story (disc 2) (11 tracks, plus 6 bonus tracks from On the Waterfront), and
Leonard Bernstein Conducts West Side Story (single disc, 27 tracks)
(Bernstein, Leonard; Kiri Te Kanawa (Maria); José Carreras (Tony); Tatiana Troyanos (Anita); Kurt Ollmann (Riff); Marilyn Horne (offstage, "Somewhere"); Nina Bernstein (Maria in dialogues); Alexander Bernstein (Tony in dialogues); 09/07/84: NYC, RCA Studio
Deutsche Grammophon 4152531; CD: 4152532 GH2)
highlights version:
Leonard Bernstein Conducts West Side Story: Highlights (15 tracks)
(Bernstein, Leonard; West Side Story (Selections); Kiri Te Kanawa (Maria); José Carreras (Tony); Tatiana Troyanos (Anita); Kurt Ollmann (Riff); Marilyn Horne (offstage, "Somewhere"); Nina Bernstein (Maria in dialogues); Alexander Bernstein (Tony in dialogues); 09/07/84: NYC, RCA Studio
Deutsche Grammophon ; CD: 4159632 GH; 4478982 GH)

full vocal performer list:
A-rab - Peter Thom
Action - David Livingston
Anita - Tatiana Troyanos
Baby John - Stephen Bogardus
Bernardo - Richard Harrell
Consuelo - Stella Zambalis
Diesel - Marty Nelson
Francisca - Angelina Réaux
Maria - Kiri Te Kanawa
Riff - Kurt Ollmann
Rosalia - Louise Edeiken
Snowboy - Todd Lester
Tony - José Carreras
Dialogue - Maria - Nina Bernstein
Dialogue - Tony - Alexander Bernstein

IX. Forschungsbereich "Das Schaffen Johann Sebastian Bachs"
similar to the release CD 53
"From 111 years of Deutsche Grammophon" (original editor)
https://www.discogs.com/de/Various-111-Years-Of-Deutsche-Grammophon-The-Collectors-Edition/release/2070889
and
https://www.discogs.com/de/Johann-Sebastian-Bach-Helmut-Walcha-Toccata-Und-Fuge-D-Moll-BWV-565-Pr%C3%A4ludium-Und-Fuge-Es-Dur-BWV-5/release/2558165

title from
Verlag: Archiv Produktion, Des musikhistorischen Studios der Deutschen Grammophon,
Erscheinungsjahr: 1951

Annotation last modified on 2024-09-19 17:01 UTC.

Tracklist

1▶CD: Abbado - Brahms - Hungarian Dances
2▶CD: Amadeus Quartet - Beethoven
3▶CD: Argerich - Chopin - Préludes
4▶CD: Barenboim - Ravel
5▶CD: Benedetti Michelangeli - Debussy
6▶CD: Bernstein - West Side Story
7▶CD: Böhm - Mozart - Requiem
8▶CD: Boulez - Stravinsky
9▶CD: Carmignola - Vivaldi
10▶CD: Domingo - Giulini - Opera Gala
11▶CD: Dudamel - Mahler 5
12▶CD: Emerson String Quartet - Bach - The Art of Fugue
13▶CD: Fischer-Dieskau - Schubert - Winterreise
14▶CD: Fournier - Bach - Cello Suites (Disc 1)
15▶CD: Fournier - Bach - Cello Suites (Disc 2)
16▶CD: Fricsay - Verdi - Requiem
17▶CD: Furtwängler - Schumann & Haydn
18▶CD: Gardiner - Monteverdi - Vespers (Disc 1)
19▶CD: Gardiner - Monteverdi - Vespers (Disc 2)
20▶CD: Gilels - Beethoven - Sonatas
21▶CD: Goebel - Baroque Favourites
22▶CD: Grimaud - Credo
23▶CD: Hahn - Bach - Concertos
24▶CD: Horowitz in Moscow
25▶CD: Jochum - Orff - Carmina Burana
26▶CD: Karajan - Beethoven 9
27▶CD: Kempff - Beethoven - Concertos
28▶CD: Kleiber - Beethoven 5 & 7
29▶CD: Kožená - Handel - Ah! mio cor
30▶CD: Kubelik - Dvořák 8 & 9
31▶CD: Lang Lang - Tchaikovsky & Mendelssohn
32▶CD: Maazel - Mendelssohn 4 & 5
33▶CD: Maisky - Adagio
34▶CD: Markevitch - Berlioz - Symphonie fantastique
35▶CD: McCreesh - Praetorius - Christmas Mass
36▶CD: Minkowski - Rameau - Une symphonie imaginaire
37▶CD: Mutter - Brahms
38▶CD: Netrebko - Opera Arias
39▶CD: Oistrakh - Tchaikovsky
40▶CD: von Otter - Lamenti
41▶CD: Pinnock - Vivaldi - The Four Seasons
42▶CD: Pires - Chopin - Nocturnes (Disc 1)
43▶CD: Pires - Chopin - Nocturnes (Disc 2)
44▶CD: Pogorelich - Scarlatti - Sonatas
45▶CD: Pollini - Chopin - Études
46▶CD: Quasthoff - German Opera Arias
47▶CD: Karl Richter - Bach - B minor Mass (Disc 1)
48▼CD: Karl Richter - Bach - B minor Mass (Disc 2)
#TitleArtistRatingLength
1Mass in B Minor: XIII. Chor: Credo in Unum Deum
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (in 1961-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:40
2Mass in B Minor: XIV. Chor: Credo in Unum Deum / Patrem Omnipotentem
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (in 1961-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:09
3Mass in B Minor: XV. Duett / Et in Unum Dominum
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
alto vocals:
Hertha Töpper (mezzo soprano) (in 1961-02, in 1961-04)
soprano vocals:
Maria Stader (soprano) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
performer:
Maria Stader (soprano) (in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (in 1961-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:26
4Mass in B Minor: XVI. Chor: Et Incarnatus Est
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (in 1961-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:41
5Mass in B Minor: XVII. Chor: Crucifixus
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (in 1961-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:05
6Mass in B Minor: XVIII. Chor: Et Resurrexit
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (in 1961-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:28
7Mass in B Minor: XIX. Arie: Et in Spiritum Sanctum
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (in 1961-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:38
8Mass in B Minor: XX. Chor: Confiteor Unum Baptisma
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (in 1961-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:06
9Mass in B Minor: XXI. Chor: Et Exspecto Resurrectionem
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (in 1961-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:14
10Mass in B Minor: XXII. Chor: Sanctur
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (in 1961-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:47
11Mass in B Minor: XXIII. Chor: Osanna in Excelsis
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (in 1961-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:55
12Mass in B Minor: XXIV. Arie: Benedictus, Qui Venit
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
tenor vocals:
Ernst Haefliger (tenor) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (in 1961-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:56
13Mass in B Minor: XXV. Chor: Osanna in Excelsis (2)
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (in 1961-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:56
14Mass in B Minor: XXVI. Arie: Agnus Dei
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
alto vocals:
Hertha Töpper (mezzo soprano) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 1961-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:36
15Mass in B Minor: XXVII. Chor: Dona Nobis Pacem
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (in 1961-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:25
49▶CD: Sviatoslav Richter - Rachmaninov
50▶CD: Rostropovich - Dvořák & Tchaikovsky
51▶CD: Terfel - The Vagabond
52▶CD: Villazón - Cielo e mar
53▶CD: Walcha - Bach
54▶CD: Wunderlich - Schumann - Dichterliebe
55▶CD: Zimerman - Liszt - Concertos

Credits

Release

phonographic copyright (℗) by:Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (from 1985 to present)
Discogs:https://www.discogs.com/release/2070889 [info]
https://www.discogs.com/release/2070909 [info]
https://www.discogs.com/release/2074449 [info]
https://www.discogs.com/release/2078189 [info]
https://www.discogs.com/release/2078711 [info]
https://www.discogs.com/release/2078853 [info]
https://www.discogs.com/release/2108446 [info]
https://www.discogs.com/release/2324953 [info]
https://www.discogs.com/release/2325118 [info]
https://www.discogs.com/release/2325192 [info]
https://www.discogs.com/release/2326952 [info]
https://www.discogs.com/release/2328981 [info]
https://www.discogs.com/release/2330757 [info]
https://www.discogs.com/release/2330766 [info]
https://www.discogs.com/release/2331929 [info]
https://www.discogs.com/release/2463981 [info]
https://www.discogs.com/release/2465433 [info]
https://www.discogs.com/release/2505443 [info]
https://www.discogs.com/release/2530525 [info]
https://www.discogs.com/release/2532713 [info]
https://www.discogs.com/release/2534232 [info]
https://www.discogs.com/release/2535539 [info]
https://www.discogs.com/release/2537645 [info]
https://www.discogs.com/release/2538895 [info]
https://www.discogs.com/release/2538929 [info]
https://www.discogs.com/release/2544196 [info]
https://www.discogs.com/release/2544200 [info]
https://www.discogs.com/release/2544493 [info]
https://www.discogs.com/release/2544704 [info]
https://www.discogs.com/release/2544724 [info]
https://www.discogs.com/release/2544763 [info]
https://www.discogs.com/release/2544972 [info]
https://www.discogs.com/release/2546762 [info]
https://www.discogs.com/release/2548536 [info]
https://www.discogs.com/release/2549129 [info]
https://www.discogs.com/release/2549156 [info]
https://www.discogs.com/release/2549639 [info]
https://www.discogs.com/release/2549705 [info]
https://www.discogs.com/release/2549826 [info]
https://www.discogs.com/release/2549910 [info]
https://www.discogs.com/release/2550314 [info]
https://www.discogs.com/release/2553971 [info]
https://www.discogs.com/release/2554011 [info]
https://www.discogs.com/release/2555995 [info]
https://www.discogs.com/release/2557604 [info]
https://www.discogs.com/release/2557651 [info]
https://www.discogs.com/release/2557745 [info]
https://www.discogs.com/release/2558082 [info]
https://www.discogs.com/release/2558116 [info]
https://www.discogs.com/release/2558165 [info]
https://www.discogs.com/release/2558196 [info]
https://www.discogs.com/release/12520236 [info]
ASIN:DE: B002DZX95I [info]
DE: B00000613W [info]
other databases:https://www.musik-sammler.de/media/788734/ [info]
discography entry:https://www.deutschegrammophon.com/en/cat/4577042 [info]
https://www.deutschegrammophon.com/en/cat/4778167 [info]

Release group

includes:21 Ungarische Tänze (Hungarian Dances) by Johannes Brahms (German composer); Wiener Philharmoniker (Vienna Philharmonic), Claudio Abbado (conductor)
24 Préludes, op. 28 by Frédéric Chopin (composer); Martha Argerich (Argentine pianist)
Adagio by Mischa Maisky (cellist), Orchestre de Paris, Semyon Bychkov (conductor)
Ah! mio cor: Handel Arias by George Frideric Handel (German‐British baroque composer); Magdalena Kožená (mezzo-soprano), Venice Baroque Orchestra, Andrea Marcon (Italian conductor & keyboardist)
Boléro / La Valse / Pavane pour une infante défunte / Daphnis et Chloé: Suite no. 2 by Ravel (Maurice Ravel, French composer); Orchestre de Paris, Daniel Barenboim (pianist and conductor)
Carmina Burana (1967 recording) by Carl Orff (composer); Gundula Janowitz (soprano), Gerhard Stolze (German tenor), Dietrich Fischer‐Dieskau (baritone), Chor (Chorus of the German Opera Berlin) und Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin), Eugen Jochum (conductor)
Christmette by Michael Praetorius (composer and organist); Gabrieli Consort & Players (UK early music ensemble), Paul McCreesh (conductor)
Cielo e mar by Rolando Villazón (tenor)
Concertos by Bach (Johann Sebastian Bach, German Baroque period composer & musician); Hilary Hahn (violinist), Los Angeles Chamber Orchestra, Jeffrey Kahane (pianist and conductor)
Concertos for Violin, Strings and Continuo by Antonio Vivaldi (Italian baroque composer and violinist); Giuliano Carmignola (violinist), Venice Baroque Orchestra, Andrea Marcon (Italian conductor & keyboardist)
Credo by Hélène Grimaud (French pianist), Swedish Radio Symphony Orchestra and Choir (Swedish Radio Choir), Esa-Pekka Salonen (conductor and composer)
Die Stimme: Deutsche Opernarien by Thomas Quasthoff (bass-baritone), Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin), Christian Thielemann (German conductor)
Dvořák: Cellokonzert / Tschaikowsky: Rokoko‐Variationen by Dvořák (Antonín Dvořák, composer), Tschaikowsky (Pyotr Ilyich Tchaikovsky, Russian romantic composer); Berliner Philharmoniker (Berlin Philharmonic Orchestra), Mstislav Rostropovich (cellist/conductor), Herbert von Karajan (conductor)
Études op. 10 & op. 25 by Chopin (Frédéric Chopin, composer); Maurizio Pollini (pianist)
First Piano Concertos by Tchaikovsky (Pyotr Ilyich Tchaikovsky, Russian romantic composer), Mendelssohn (Felix Mendelssohn, composer); Lang Lang (Chinese pianist), Chicago Symphony Orchestra, Daniel Barenboim (pianist and conductor)
Gala Opera Concert by Los Angeles Philharmonic, Carlo Maria Giulini (conductor), Plácido Domingo (tenor)
Horowitz in Moscow by Vladimir Horowitz (Ukrainian‐American pianist and composer)
Klavierkonzerte nos. 1 & 2 / Totentanz by Franz Liszt (Hungarian composer, pianist and conductor); Boston Symphony Orchestra, Seiji Ozawa (conductor and composer), Krystian Zimerman (pianist)
Klavierkonzerte Nos. 4 & 5 by Beethoven (Ludwig van Beethoven, German composer); Wilhelm Kempff (pianist), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Ferdinand Leitner (conductor)
Lamenti by Anne Sofie von Otter (mezzo-soprano)
Le quattro stagioni / Concerto for Oboe and Violin RV 548 / Concerto for 2 Violins RV 516 by Antonio Vivaldi (Italian baroque composer and violinist); The English Concert, Simon Standage (English violinist and conductor), Trevor Pinnock (conductor / harpsichord)
Messe in h‐moll by Johann Sebastian Bach (German Baroque period composer & musician); Münchener Bach‐Chor (Munich Bach Choir), Münchener Bach‐Orchester (Munich Bach Orchestra), Karl Richter (conductor/ choir master/ organist/ harpsichordist)
Nocturnes by Chopin (Frédéric Chopin, composer); Maria João Pires (pianist)
Opera Arias by Anna Netrebko (soprano), Wiener Philharmoniker (Vienna Philharmonic), Gianandrea Noseda (conductor)
Orgelwerke BWV 525, 552, 565, 645-650, 768 by Johann Sebastian Bach (German Baroque period composer & musician); Helmut Walcha (German organist)
Pachelbel: Kanon & Gigue / J.S. Bach / Handel / Vivaldi by Musica Antiqua Köln (Musica Antiqua Cologne), Reinhard Goebel (violinist and conductor)
Pétrouchka / Le Sacre du printemps by Stravinsky (Igor Stravinsky, Russian composer); The Cleveland Orchestra, Pierre Boulez (composer and conductor)
Piano Concerto no. 2 / 6 Préludes by Sergei Rachmaninoff (Russian composer); Warsaw National Philharmonic Orchestra (The Warsaw National Philharmonic Orchestra), Stanisław Wisłocki (conductor), Sviatoslav Richter (pianist)
Préludes, Vol. I / Images by Claude Debussy (French composer); Arturo Benedetti Michelangeli (pianist)
Quartette op.59 nr.1, op.131 by Ludwig van Beethoven (German composer); Amadeus Quartet
Requiem by Mozart (Wolfgang Amadeus Mozart, classical composer); Wiener Philharmoniker (Vienna Philharmonic), Karl Böhm (Austrian conductor), Edith Mathis (soprano), Julia Hamari (Hungarian mezzo-soprano), Wiesław Ochman (tenor), Karl Ridderbusch (operatic bass)
Requiem (1953 Berlin recording) by Giuseppe Verdi (Italian opera composer); Ferenc Fricsay (conductor)
Schumann: Dichterliebe / Schubert, Beethoven: Lieder by Schumann (Robert Schumann, German classical composer), Schubert (Franz Schubert, composer), Beethoven (Ludwig van Beethoven, German composer); Fritz Wunderlich (operatic tenor), Hubert Giesen (pianist)
Schumann: Symphony no. 4 / Haydn: Symphony no. 88 by Robert Schumann (German classical composer), Joseph Haydn (composer); Berliner Philharmoniker (Berlin Philharmonic Orchestra), Wilhelm Furtwängler (conductor)
Sechs Suiten für Violoncello solo, BWV 1007–1012 (1960 recording) by Johann Sebastian Bach (German Baroque period composer & musician); Pierre Fournier (cellist)
Sonaten by Domenico Scarlatti (composer); Ivo Pogorelich (pianist)
Sonaten: Waldstein / Les Adieux / Appassionata by Beethoven (Ludwig van Beethoven, German composer); Emil Gilels (pianist)
Symphonie fantastique by Hector Berlioz (French composer); Orchestre Lamoureux (Lamoureux Orchestra), Igor Markevitch (conductor)
Symphonie no. 9 / Ouvertüre »Coriolan« by Beethoven (Ludwig van Beethoven, German composer); Berlin Philharmonic Orchestra, Herbert von Karajan (conductor)
Symphonien nos. 5 & 7 by Beethoven (Ludwig van Beethoven, German composer); Wiener Philharmoniker (Vienna Philharmonic), Carlos Kleiber (conductor)
Symphonien nos. 8 & 9 »Aus der Neuen Welt« by Dvořák (Antonín Dvořák, composer); Berliner Philharmoniker (Berlin Philharmonic Orchestra), Rafael Kubelík (conductor)
Symphony no. 4 in A major, op. 90 “Italian” / Symphony no. 5 in D major, op. 107 “Reformation” by Felix Mendelssohn (composer); Berliner Philharmoniker (Berlin Philharmonic Orchestra), Lorin Maazel (conductor)
Symphony no. 5 by Mahler (composer); Simón Bolívar Youth Orchestra of Venezuela (Simón Bolívar Symphony Orchestra), Gustavo Dudamel (conductor and violinist)
Tchaikovsky: Violin Concerto / Wieniawski: Études‐Caprices / Sarasate: Navarra by Tchaikovsky (Pyotr Ilyich Tchaikovsky, Russian romantic composer), Wieniawski (Polish composer and violinist), Sarasate (violinist and composer); David Oistrakh (violinist)
The Art of Fugue by Bach (Johann Sebastian Bach, German Baroque period composer & musician); Emerson String Quartet
The Vagabond by Bryn Terfel (bass‐baritone opera singer), Malcolm Martineau (pianist)
Une symphonie imaginaire by Jean-Philippe Rameau (French composer of the Baroque era); Les Musiciens du Louvre, Marc Minkowski (bassoonist and conductor)
Vespro della Beata Vergine by Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player); John Eliot Gardiner
Violinkonzert / Doppelkonzert by Johannes Brahms (German composer); Anne‐Sophie Mutter (violinist), Antônio Meneses (Brazilian cellist), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
West Side Story (1984 studio cast) by Leonard Bernstein (American conductor, composer, pianist); Kiri Te Kanawa (soprano), José Carreras (Spanish tenor), Tatiana Troyanos (mezzo-soprano), Kurt Ollmann (baritone), Marilyn Horne (American operatic mezzo-soprano)
Winterreise (1971 recording) by Schubert (Franz Schubert, composer); Dietrich Fischer‐Dieskau (baritone), Gerald Moore (pianist)
part of:111 Years of Deutsche Grammophon celebratory compilations (order: 2)