Soul Hour

~ Release by Dee Dee, Barry & The Movements (see all versions of this release, 1 available)

Tracklist

1▼12" Vinyl
#TitleRatingLength
A1Get Out of My Life Woman
recording engineer:
Willy Fruth (from 1968-04-16 until 1968-04-17)
producer:
Joachim E. Berendt
bass:
Peter Giske
drums (drum set) [drums]:
Wolfgang Paap
guitar:
Ron Bryer
saxophone:
Barney Wilen
vocals:
Dee-Dee McNeil
arranger:
Joel Vandroogenbroeck (Belgian jazz/prog/library music artist)
recorded at:
Tonstudio Max Lussi in Basel, Basel-Stadt, Switzerland (from 1968-04-16 until 1968-04-17)
cover recording of:
Get Out of My Life, Woman
lyricist and composer:
Allen Toussaint
publisher:
Ardmore and Beechwood Ltd. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
5:05
A2Summertime
recording engineer:
Willy Fruth (from 1968-04-16 until 1968-04-17)
producer:
Joachim E. Berendt
bass:
Peter Giske
guitar:
Ron Bryer
membranophone:
Wolfgang Paap
saxophone:
Barney Wilen
vocals:
Dee-Dee McNeil
arranger:
Joel Vandroogenbroeck (Belgian jazz/prog/library music artist)
recorded at:
Tonstudio Max Lussi in Basel, Basel-Stadt, Switzerland (from 1968-04-16 until 1968-04-17)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
4:09
A3Soultime
recording engineer:
Willy Fruth (from 1968-04-16 until 1968-04-17)
producer:
Joachim E. Berendt
bass:
Peter Giske
guitar:
Ron Bryer
membranophone:
Wolfgang Paap
saxophone:
Barney Wilen
vocals:
Dee-Dee McNeil
arranger:
Joel Vandroogenbroeck (Belgian jazz/prog/library music artist)
recorded at:
Tonstudio Max Lussi in Basel, Basel-Stadt, Switzerland (from 1968-04-16 until 1968-04-17)
recording of:
Soultime
lyricist and composer:
Joel Vandroogenbroeck (Belgian jazz/prog/library music artist)
3:44
A4Funky-Funky Broadway
recording engineer:
Willy Fruth (from 1968-04-16 until 1968-04-17)
producer:
Joachim E. Berendt
bass:
Peter Giske
guitar:
Ron Bryer
membranophone:
Wolfgang Paap
saxophone:
Barney Wilen
vocals:
Dee-Dee McNeil
arranger:
Joel Vandroogenbroeck (Belgian jazz/prog/library music artist)
recorded at:
Tonstudio Max Lussi in Basel, Basel-Stadt, Switzerland (from 1968-04-16 until 1968-04-17)
cover recording of:
Funky Broadway
lyricist and composer:
Arlester “Dyke” Christian
6:20
B1Midnight Hour
recording engineer:
Willy Fruth (from 1968-04-16 until 1968-04-17)
producer:
Joachim E. Berendt
bass:
Peter Giske
guitar:
Ron Bryer
membranophone:
Wolfgang Paap
saxophone:
Barney Wilen
vocals:
Dee-Dee McNeil
arranger:
Joel Vandroogenbroeck (Belgian jazz/prog/library music artist)
recorded at:
Tonstudio Max Lussi in Basel, Basel-Stadt, Switzerland (from 1968-04-16 until 1968-04-17)
cover recording of:
In the Midnight Hour
writer:
Steve Cropper and Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. and Irving Music, Inc.
4:30
B2It's Allright
recording engineer:
Willy Fruth (from 1968-04-16 until 1968-04-17)
producer:
Joachim E. Berendt
bass:
Peter Giske
drums (drum set):
Wolfgang Paap
guitar:
Ron Bryer
saxophone:
Barney Wilen
vocals:
Dee-Dee McNeil
arranger:
Joel Vandroogenbroeck (Belgian jazz/prog/library music artist)
recorded at:
Tonstudio Max Lussi in Basel, Basel-Stadt, Switzerland (from 1968-04-16 until 1968-04-17)
cover recording of:
It’s All Right
lyricist and composer:
Curtis Mayfield
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Curtom Publishing Co Inc (from 1963 to ????)
3:02
B3Willow Weep for Me
recording engineer:
Willy Fruth (from 1968-04-16 until 1968-04-17)
producer:
Joachim E. Berendt
bass:
Peter Giske
guitar:
Ron Bryer
membranophone:
Wolfgang Paap
saxophone:
Barney Wilen
vocals:
Dee-Dee McNeil
arranger:
Joel Vandroogenbroeck (Belgian jazz/prog/library music artist)
recorded at:
Tonstudio Max Lussi in Basel, Basel-Stadt, Switzerland (from 1968-04-16 until 1968-04-17)
cover recording of:
Willow Weep for Me
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
5:07
B4Hold On, I'm Coming
recording engineer:
Willy Fruth (from 1968-04-16 until 1968-04-17)
producer:
Joachim E. Berendt
bass:
Peter Giske
guitar:
Ron Bryer
membranophone:
Wolfgang Paap
saxophone:
Barney Wilen
vocals:
Dee-Dee McNeil
arranger:
Joel Vandroogenbroeck (Belgian jazz/prog/library music artist)
recorded at:
Tonstudio Max Lussi in Basel, Basel-Stadt, Switzerland (from 1968-04-16 until 1968-04-17)
cover recording of:
Hold On, I’m Comin’
writer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
publisher:
Cotillion Music Inc. (BMI), East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. (publisher) and Warner Bros. Music (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:30

Credits

Release

flute and organ:Joel Vandroogenbroeck (Belgian jazz/prog/library music artist)
vocals:Barry Window