The Complete EMI Recordings 1946–1984, Volume 2: Opera & Vocal

~ Release by Herbert von Karajan (see all versions of this release, 7 available)

Tracklist

1▶CD: Opera Arias (1947)
2▶CD: Choruses / Rosenkavalier And Salome Excerpts.
3▶CD: Die Zauberflöte (Orquesta Filarmónica de Viena)
4▶CD: Die Zauberflöte (Orquesta Filarmónica de Viena)
5▶CD: Le Nozze di Figaro, Acts 1 and 2 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
6▶CD: Le Nozze di Figaro, Acts 3 and 4 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
7▶CD: Salome (Wiener Philharmoniker)
8▶CD: Salome (Wiener Philharmoniker)
9▶CD: Aida, Act 1 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
10▶CD: Aida, Act 2 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
11▶CD: Aida, Acts 3 and 4 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
12▶CD: Mass in B minor (Orchester und Singverein der Gesellschaft der Musikfreunde in Wien)
13▶CD: Mass in B minor (Orchester und Singverein der Gesellschaft der Musikfreunde in Wien)
14▶CD: Ein deutsches Requiem, Op. 45 (Wiener Philharmoniker)
15▶CD: Missa Solemnis in D major
16▶CD: Missa Solemnis in D major, Mozart, Strauss
17▶CD: Hänsel und Gretel (Choirs of Loughton High School for Girls and Bancroft’s School, Philharmonia Orchestra)
18▶CD: Hänsel und Gretel (Choirs of Loughton High School for Girls and Bancroft’s School, Philharmonia Orchestra)
19▶CD: Così fan tutte (Philharmonia Orchestra & Chorus)
20▶CD: Così fan tutte (Philharmonia Orchestra & Chorus)
21▶CD: Così fan tutte (Philharmonia Orchestra & Chorus)
22▶CD: Arias and Orchestral Music – 1954
23▶CD: Die Fledermaus (Philharmonia Orchestra & Chorus)
24▶CD: Die Fledermaus (Philharmonia Orchestra & Chorus)
25▶CD: Ariadne auf Naxos: Prologue and Opera: Beginning (Philharmonia Orchestra)
26▶CD: Ariadne auf Naxos: Opera: Conclusion (Philharmonia Orchestra)
27▶CD: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft’s School)
28▶CD: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft’s School)
29▶CD: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft’s School)
30▶CD: Falstaff (Philharmonia Orchestra & Chorus)
31▶CD: Falstaff (Philharmonia Orchestra & Chorus)
32▶CD: Fidelio (Berliner Philharmoniker)
33▶CD: Fidelio (Berliner Philharmoniker)
34▶CD: Missa Solemnis in D major
35▶CD: Ein deutsches Requiem, Op. 45
36▶CD: Pelléas et Mélisande (Berliner Philharmoniker)
37▶CD: Pelléas et Mélisande (Berliner Philharmoniker)
38▶CD: Pelléas et Mélisande (Berliner Philharmoniker)
39▶CD: Die Jahreszeiten (Chor der Deutschen Oper Berlin & Berlin Philharmoniker)
40▶CD: Die Jahreszeiten (Chor der Deutschen Oper Berlin & Berlin Philharmoniker)
41▶CD: Don Carlo (1884 4 Act Version)
42▶CD: Don Carlo (1884 4 Act Version)
43▶CD: Don Carlo (1884 4 Act Version)
44▶CD: Otello (Berliner Philharmoniker)
45▶CD: Otello (Berliner Philharmoniker)
46▶CD: Il Trovatore (Berliner Philharmoniker)
47▶CD: Il Trovatore (Berliner Philharmoniker)
48▶CD: Der Fliegende Holländer, Acts 1 and 2 (Konzertvereinigung Wiener Staatsopernchor, Berliner Philharmoniker)
49▶CD: Der Fliegende Holländer, Acts 2 and 3 (Konzertvereinigung Wiener Staatsopernchor, Berliner Philharmoniker)
50▶CD: Lohengrin, Acts 1 and 2 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
51▶CD: Lohengrin, Act 2 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
52▶CD: Lohengrin, Acts 2 and 3 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
53▶CD: Die Meistersinger von Nürnberg, Act 1 (Bayreuth Festival Chorus and Orchestra)
54▶CD: Die Meistersinger von Nürnberg, Acts 1 and 2 (Bayreuth Festival Chorus and Orchestra)
55▶CD: Die Meistersinger von Nürnberg, Act 3 (Bayreuth Festival Chorus and Orchestra)
56▶CD: Die Meistersinger von Nürnberg, Act 3 (Bayreuth Festival Chorus and Orchestra)
57▶CD: Die Meistersinger von Nürnberg, Act 1 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
58▶CD: Die Meistersinger von Nürnberg, Acts 1 and 2 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
59▶CD: Die Meistersinger von Nürnberg, Act 3 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
60▶CD: Die Meistersinger von Nürnberg, Act 3 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
61▶CD: Tristan und Isolde, Act 1 (Berliner Philharmoniker)
62▶CD: Tristan und Isolde, Acts 1 and 2 (Berliner Philharmoniker)
63▶CD: Tristan und Isolde, Acts 2 and 3 (Berliner Philharmoniker)
64▶CD: Tristan und Isolde, Act 3 (Berliner Philharmoniker)
65▶CD: Die Walküre, Act 3 (Orchester der Bayreuther Festspiele 1951)
66▶CD: Lucia Di Lammermoor, Acts 1 and 2 (Coro del Teatro alla Scala di Milano, RIAS Sinfonie‐Orchester Berlin)
67▶CD: Lucia Di Lammermoor, Acts 3 and 4 (Coro del Teatro alla Scala di Milano, RIAS Sinfonie‐Orchester Berlin)
68▶CD: Madama Butterfly, Acts 1 and 2 (Coro del Teatro alla Scala di Milano)
69▼CD: Madama Butterfly, Act 2 (Coro del Teatro alla Scala di Milano)
#TitleArtistRatingLength
1Madama Butterfly: Act II. "A voi però giurerei fede costante"
producer:
Walter Legge (British classical producer)
baritone vocals [Sharpless]:
Mario Borriello (baritone) (from 1955-08-01 until 1955-08-06)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (from 1955-08-01 until 1955-08-06)
tenor vocals [Goro]:
Renato Ercolani (tenor) (from 1955-08-01 until 1955-08-06)
tenor vocals [Yamadori]:
Mario Carlin (tenor) (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (conductor) (from 1955-08-01 until 1955-08-06)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto II. “A voi però giurerei fede costante” (Yamadori, Sharpless, Goro, Butterfly) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:33
2Madama Butterfly: Act II. "Ora a noi"
producer:
Walter Legge (British classical producer)
baritone vocals [Sharpless]:
Mario Borriello (baritone) (from 1955-08-01 until 1955-08-06)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (conductor) (from 1955-08-01 until 1955-08-06)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto II. “Ora a noi” … “Amico, cercherete” … “Qui troncarla conviene” (Sharpless, Butterfly) (letter scene) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini6:10
3Madama Butterfly: Act II. "E questo? e questo?"
producer:
Walter Legge (British classical producer)
baritone vocals [Sharpless]:
Mario Borriello (baritone) (from 1955-08-01 until 1955-08-06)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (conductor) (from 1955-08-01 until 1955-08-06)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto II. “È questo? È questo?” (Butterfly, Sharpless) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini2:25
4Madama Butterfly: Act II. "Che tua madre dovrà"
producer:
Walter Legge (British classical producer)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (conductor) (from 1955-08-01 until 1955-08-06)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto II. “Che tua madre dovrà” (Butterfly) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:32
5Madama Butterfly: Act II. "Io scendo al piano"
producer:
Walter Legge (British classical producer)
baritone vocals [Sharpless]:
Mario Borriello (baritone) (from 1955-08-01 until 1955-08-06)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (conductor) (from 1955-08-01 until 1955-08-06)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto II. “Io scendo al piano” (Sharpless, Butterfly) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini1:42
6Madama Butterfly: Act II. "Vespa! Rospo maledetto!"
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Suzuki]:
Lucia Danieli (mezzo-soprano) (from 1955-08-01 until 1955-08-06)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (from 1955-08-01 until 1955-08-06)
tenor vocals [Goro]:
Renato Ercolani (tenor) (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (conductor) (from 1955-08-01 until 1955-08-06)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto II. “Vespa! Rospo maledetto!” (Suzuki, Butterfly, Goro) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini1:59
7Madama Butterfly: Act II. "Una nave da guerra"
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Suzuki]:
Lucia Danieli (mezzo-soprano) (from 1955-08-01 until 1955-08-06)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (conductor) (from 1955-08-01 until 1955-08-06)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto II. “Il cannone del porto! Una nave da guerra…” (Suzuki, Butterfly) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II. “Il cannone del porto!” (Butterfly, Suzuki) (Flower Duet, complete)
Giacomo Puccini2:30
8Madama Butterfly: Act II. "Scuoti quella fronda di ciliegio"
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Suzuki]:
Lucia Danieli (mezzo-soprano) (from 1955-08-01 until 1955-08-06)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (conductor) (from 1955-08-01 until 1955-08-06)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto II. “Scuoti quella fronda di ciliegio” (Butterfly, Suzuki) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini5:14
9Madama Butterfly: Act II. "Or vienmi ad adornar"
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Suzuki]:
Lucia Danieli (mezzo-soprano) (from 1955-08-01 until 1955-08-06)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (conductor) (from 1955-08-01 until 1955-08-06)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto II. “Or vienmi ad adornar” (Butterfly, Suzuki) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini5:09
10Madama Butterfly: Act II. Coro a bocca chiusa
producer:
Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (conductor) (from 1955-08-01 until 1955-08-06)
chorus master:
Norberto Mola (chorus master) (from 1955-08-01 until 1955-08-06)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:00
11Madama Butterfly: Act II. "Oh eh! Oh eh! Oh eh!"
producer:
Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (conductor) (from 1955-08-01 until 1955-08-06)
chorus master:
Norberto Mola (chorus master) (from 1955-08-01 until 1955-08-06)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto III. “Oh eh! Oh eh!” (Voci dei marinai) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini7:27
12Madama Butterfly: Act II. "Già il sole!"
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Suzuki]:
Lucia Danieli (mezzo-soprano) (from 1955-08-01 until 1955-08-06)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (conductor) (from 1955-08-01 until 1955-08-06)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto III. “Già il sole!” (Suzuki, Butterfly) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini2:01
13Madama Butterfly: Act II. "Povera Butterfly!"
producer:
Walter Legge (British classical producer)
baritone vocals [Sharpless]:
Mario Borriello (baritone) (from 1955-08-01 until 1955-08-06)
mezzo-soprano vocals [Suzuki]:
Lucia Danieli (mezzo-soprano) (from 1955-08-01 until 1955-08-06)
tenor vocals [B.F. Pinkerton]:
Nicolai Gedda (tenor) (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (conductor) (from 1955-08-01 until 1955-08-06)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto III. “Povera Butterfly!” (Suzuki) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini2:48
14Madama Butterfly: Act II. "Io so che alle sue pene"
producer:
Walter Legge (British classical producer)
baritone vocals [Sharpless]:
Mario Borriello (baritone) (from 1955-08-01 until 1955-08-06)
mezzo-soprano vocals [Suzuki]:
Lucia Danieli (mezzo-soprano) (from 1955-08-01 until 1955-08-06)
tenor vocals [B.F. Pinkerton]:
Nicolai Gedda (tenor) (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (conductor) (from 1955-08-01 until 1955-08-06)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto III. “Io so che alle sue pene” (Sharpless, Suzuki, Pinkerton) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini4:02
15Madama Butterfly: Act II. "Addio, fiorito asil"
producer:
Walter Legge (British classical producer)
baritone vocals [Sharpless]:
Mario Borriello (baritone) (from 1955-08-01 until 1955-08-06)
tenor vocals [B.F. Pinkerton]:
Nicolai Gedda (tenor) (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (conductor) (from 1955-08-01 until 1955-08-06)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto III. “Addio, fiorito asil” (Pinkerton, Sharpless) (Pinkerton’s Farewell) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini1:55
16Madama Butterfly: Act II. "Glielo dirai?"
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Lucia Danieli (mezzo-soprano) and Luisa Villa (mezzo-soprano)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1955)
conductor:
Herbert von Karajan (conductor) (in 1955)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto III. “Glielo dirai?” (Kate, Suzuki) (in 1955)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini2:14
17Madama Butterfly: Act II. "Che vuol da me?"
producer:
Walter Legge (British classical producer)
baritone vocals [Sharpless]:
Mario Borriello (baritone) (from 1955-08-01 until 1955-08-06)
mezzo-soprano vocals [Kate Pinkerton]:
Luisa Villa (mezzo-soprano) (from 1955-08-01 until 1955-08-06)
mezzo-soprano vocals [Suzuki]:
Lucia Danieli (mezzo-soprano) (from 1955-08-01 until 1955-08-06)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (conductor) (from 1955-08-01 until 1955-08-06)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto III. “Quella donna? Che vuol da me?” (Butterfly) (non‐standard aria) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini5:41
18Madama Butterfly: Act II. "Come una mosca prigioniera"
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Suzuki]:
Lucia Danieli (mezzo-soprano) (from 1955-08-01 until 1955-08-06)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (conductor) (from 1955-08-01 until 1955-08-06)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto III. “Come una mosca prigioniera” (Suzuki, Butterfly) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini2:53
19Madama Butterfly: Act II. "Con onor muore"
producer:
Walter Legge (British classical producer)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (from 1955-08-01 until 1955-08-06)
tenor vocals [B.F. Pinkerton]:
Nicolai Gedda (tenor) (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (conductor) (from 1955-08-01 until 1955-08-06)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto III. “Con onor muore … Tu? Tu? Piccolo Iddio” (Butterfly, Pinkerton) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini5:20
70▶CD: Il Trovatore, Acts 1 and 2 (Coro del Teatro alla Scala di Milano)
71▶CD: Il Trovatore, Acts 3 and 4 (Coro del Teatro alla Scala di Milano)

Credits

Release group

includes:Ariadne auf Naxos (1954 studio cast) by Richard Strauss (German composer); Schwarzkopf (German-born Austrian/British soprano), Seefried (soprano), Streich (soprano), Schock (tenor), Prey (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
Così fan tutte (1954 studio cast) by Mozart (Wolfgang Amadeus Mozart, classical composer); Elisabeth Schwarzkopf (German-born Austrian/British soprano), Nan Merriman (mezzo-soprano), Léopold Simoneau (tenor), Rolando Panerai (baritone), Sesto Bruscantini (bass-baritone), Lisa Otto (soprano), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
Die Fledermaus (1955 studio cast) by Johann Strauss II (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son); Herbert von Karajan (conductor), Schwarzkopf (German-born Austrian/British soprano), Gedda (tenor), Streich (soprano), Krebs (tenor), Kunz (baritone), Christ (Austrian tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) & Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
Die Zauberflöte (1950 studio cast) by Mozart (Wolfgang Amadeus Mozart, classical composer); Dermota (tenor), Seefried (soprano), Kunz (baritone), Lipp (soprano), Weber (operatic bass), London (bass-baritone), Singverein Der Musikfreunde Wien, Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
Falstaff (1956 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Tito Gobbi (baritone), Luigi Alva (tenor), Rolando Panerai (baritone), Tomaso Spataro (tenor), Renato Ercolani (tenor), Nicola Zaccaria (operatic bass), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Anna Moffo (soprano), Nan Merriman (mezzo-soprano), Fedora Barbieri (mezzo-soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Herbert von Karajan (conductor)
Hänsel und Gretel (1953 studio cast) by Humperdinck (German composer); Herbert von Karajan (conductor), Grümmer (soprano), Schwarzkopf (German-born Austrian/British soprano), Schürhoff (german operatic soprano), Metternich (baritone), von Ilosvay (contralto), Felbermayer (soprano), Choirs of Loughton High School & Bancroft’s School, Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
Otello (1973-74 studio cast) by Giuseppe Verdi (Italian opera composer); Jon Vickers (tenor), Mirella Freni (soprano), Peter Glossop (baritone), Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)