How Blue Can You Get?

~ Release by B.B. King (see all versions of this release, 3 available)

Tracklist

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1▼Medium: 1964-1971
#TitleRatingLength
1Everyday I Have the Blues
producer:
Johnny Pate
bass:
Leo Lauchie (on 1964-11-21)
drums (drum set):
Sonny Freeman (on 1964-11-21)
guitar:
B.B. King (on 1964-11-21)
piano:
Duke Jethro (on 1964-11-21)
tenor saxophone:
Johnny Board (on 1964-11-21) and Bobby Forte (saxophonist) (on 1964-11-21)
trumpet:
Kenny Sands (on 1964-11-21)
vocals:
B.B. King (on 1964-11-21)
recorded at:
Regal Theater in Chicago, Illinois, United States (on 1964-11-21)
live cover recording of:
Everyday I Have the Blues (on 1964-11-21)
writer:
Aaron ‘Pinetop’ Sparks (1930s blues & boogie-woogie pianist) (in 1935) and Milton Sparks (in 1935)
revised by:
Peter Chatman
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), BMG Platinum Songs, Fort Knox Music Co, Fort Knox Music Inc., Golden State Songs, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label), Trio Music Co., Inc., Trio Music Company and Tristan Music Ltd.
3:08
2Sweet Little Angel
producer:
Johnny Pate
bass:
Leo Lauchie (on 1964-11-21)
drums (drum set):
Sonny Freeman (on 1964-11-21)
guitar:
B.B. King (on 1964-11-21)
piano:
Duke Jethro (on 1964-11-21)
tenor saxophone:
Johnny Board (on 1964-11-21) and Bobby Forte (saxophonist) (on 1964-11-21)
trumpet:
Kenny Sands (on 1964-11-21)
vocals:
B.B. King (on 1964-11-21)
recorded at:
Regal Theater in Chicago, Illinois, United States (on 1964-11-21)
live recording of:
Sweet Little Angel (on 1964-11-21)
writer:
Jules Bihari and B.B. King
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Powerforce Music, Sounds Of Lucille, Inc. and Universal/MCA Music Ltd. (not for release label use!)
is based on:
Black Angel Blues
3:45
3Please Love Me
producer:
Johnny Pate
bass:
Leo Lauchie (on 1964-11-21)
drums (drum set):
Sonny Freeman (on 1964-11-21)
guitar:
B.B. King (on 1964-11-21)
piano:
Duke Jethro (on 1964-11-21)
tenor saxophone:
Johnny Board (on 1964-11-21) and Bobby Forte (saxophonist) (on 1964-11-21)
trumpet:
Kenny Sands (on 1964-11-21)
vocals:
B.B. King (on 1964-11-21)
recorded at:
Regal Theater in Chicago, Illinois, United States (on 1964-11-21)
live recording of:
Please Love Me (on 1964-11-21)
writer:
B.B. King and Jules Taub
publisher:
BMG Music Publishing Ltd., Careers–BMG Music Publishing, Inc. and Powerforce Music
2:58
4You Upset Me
producer:
Johnny Pate
bass:
Leo Lauchie (on 1964-11-21)
drums (drum set):
Sonny Freeman (on 1964-11-21)
guitar:
B.B. King (on 1964-11-21)
piano:
Duke Jethro (on 1964-11-21)
tenor saxophone:
Johnny Board (on 1964-11-21) and Bobby Forte (saxophonist) (on 1964-11-21)
trumpet:
Kenny Sands (on 1964-11-21)
vocals:
B.B. King (on 1964-11-21)
recorded at:
Regal Theater in Chicago, Illinois, United States (on 1964-11-21)
live recording of:
You Upset Me Baby (on 1964-11-21)
writer:
Riley B. King and Jules Taub
publisher:
BMG Music Publishing Ltd. and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
2:25
5Gambler's Blues
producer:
Johnny Pate and Louis Zito (producer)
bass:
Louis Satterfield (on 1966-11-05)
drums (drum set):
Sonny Freeman (on 1966-11-05)
guitar:
B.B. King (on 1966-11-05)
organ:
Duke Jethro (on 1966-11-05)
tenor saxophone:
Bobby Forte (saxophonist) (on 1966-11-05)
trumpet:
Kenny Sands (on 1966-11-05)
vocals:
B.B. King (on 1966-11-05)
recorded at:
International Club in Chicago, Illinois, United States (on 1966-11-05)
live recording of:
Gambler's Blues (on 1966-11-05)
writer:
King and Taub
publisher:
LZMC
4:45
6Buzz Me
producer:
Johnny Pate and Louis Zito (producer)
bass:
Louis Satterfield (on 1966-11-05)
drums (drum set):
Sonny Freeman (on 1966-11-05)
guitar:
B.B. King (on 1966-11-05)
organ:
Duke Jethro (on 1966-11-05)
tenor saxophone:
Bobby Forte (saxophonist) (on 1966-11-05)
trumpet:
Kenny Sands (on 1966-11-05)
vocals:
B.B. King (on 1966-11-05)
recorded at:
International Club in Chicago, Illinois, United States (on 1966-11-05)
live cover recording of:
Buzz Me (on 1966-11-05)
writer:
Dave Dexter, Jr. and Fleecie Moore
publisher:
Cherio Corp.
4:10
7Baby Get Lost
producer:
Johnny Pate and Louis Zito (producer)
bass:
Louis Satterfield (on 1966-11-05)
drums (drum set):
Sonny Freeman (on 1966-11-05)
guitar:
B.B. King (on 1966-11-05)
organ:
Duke Jethro (on 1966-11-05)
tenor saxophone:
Bobby Forte (saxophonist) (on 1966-11-05)
trumpet:
Kenny Sands (on 1966-11-05)
vocals:
B.B. King (on 1966-11-05)
recorded at:
International Club in Chicago, Illinois, United States (on 1966-11-05)
live cover recording of:
Baby Get Lost (on 1966-11-05)
writer:
Leonard Feather and Billy Moore, Jr. (40s American jazz pianist/arranger/composer)
publisher:
Modern Age Music Co.
4:09
8Blind Love
producer:
Johnny Pate and Louis Zito (producer)
bass:
Louis Satterfield (on 1966-11-05)
drums (drum set):
Sonny Freeman (on 1966-11-05)
guitar:
B.B. King (on 1966-11-05)
organ:
Duke Jethro (on 1966-11-05)
tenor saxophone:
Bobby Forte (saxophonist) (on 1966-11-05)
trumpet:
Kenny Sands (on 1966-11-05)
vocals:
B.B. King (on 1966-11-05)
recorded at:
International Club in Chicago, Illinois, United States (on 1966-11-05)
live recording of:
Blind Love (on 1966-11-05)
writer:
B.B. King and Jules Taub
publisher:
BMG Music Publishing Ltd. and Sounds Of Lucille, Inc.
3:32
9Don't Answer the Door
producer:
Bill Szymczyk
bass:
Val Patillo (in 1969-03)
drums (drum set):
Sonny Freeman (in 1969-03)
guitar:
B.B. King (in 1969-03)
organ:
Charles Bowles (in 1969-03)
saxophone:
Lee Gatling (in 1969-03)
trumpet:
Patrick Williams (trumpeter) (in 1969-03)
vocals:
B.B. King (in 1969-03)
recorded at:
The Village Gate in Greenwich Village, New York, New York, United States (in 1969-03)
live cover recording of:
Don’t Answer the Door (in 1969-03)
writer:
Jimmy Johnson (Chicago blues guitarist)
publisher:
Fordyce Publishing Co and Mercedes Music
5:59
10Please Accept My Love
producer:
Bill Szymczyk
bass:
Val Patillo (in 1969-03)
drums (drum set):
Sonny Freeman (in 1969-03)
guitar:
B.B. King (in 1969-03)
organ:
Charles Bowles (in 1969-03)
saxophone:
Lee Gatling (in 1969-03)
trumpet:
Patrick Williams (trumpeter) (in 1969-03)
vocals:
B.B. King (in 1969-03)
recorded at:
The Village Gate in Greenwich Village, New York, New York, United States (in 1969-03)
live cover recording of:
Please Accept My Love (in 1969-03)
lyricist and composer:
Clarence Garlow
publisher:
Kamar Music and Universal Music Careers
2:39
11Worry, Worry
engineer:
Aaron Baron (engineer)
producer:
Bill Szymczyk
alto saxophone:
Booker Walker (on 1970-09-10)
bass:
Wilbert Freeman (on 1970-09-10)
drums (drum set):
Sonny Freeman (on 1970-09-10)
guitar and lead vocals:
B.B. King (on 1970-09-10)
piano:
Ron Levy (American electric blues musician and composer) (on 1970-09-10)
tenor saxophone:
Louis Hubert (on 1970-09-10)
trumpet:
John Browning (trumpet player) (on 1970-09-10)
phonographic copyright (℗) by:
Geffen Records (in 1971)
recorded at:
Cook County Jail in Chicago, Illinois, United States (on 1970-09-10)
live recording of:
Worry, Worry (on 1970-09-10)
writer:
Davis Plumber and Jules Taub
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
9:52
12How Blue Can You Get?
engineer:
Aaron Baron (engineer)
producer:
Bill Szymczyk
alto saxophone:
Booker Walker (on 1970-09-10)
bass:
Wilbert Freeman (on 1970-09-10)
drums (drum set):
Sonny Freeman (on 1970-09-10)
guitar and lead vocals:
B.B. King (on 1970-09-10)
piano:
Ron Levy (American electric blues musician and composer) (on 1970-09-10)
tenor saxophone:
Louis Hubert (on 1970-09-10)
trumpet:
John Browning (trumpet player) (on 1970-09-10)
phonographic copyright (℗) by:
Geffen Records (in 1971)
recorded at:
Cook County Jail in Chicago, Illinois, United States (on 1970-09-10)
live cover recording of:
How Blue Can You Get? (on 1970-09-10)
writer:
Jane Feather
composer:
Leonard Feather
publisher:
Burlington Music Co., Ltd., Melva Pub. Co. and Modern Age Music
5:14
13Eyesight to the Blind
alto saxophone:
Earl Turbinton, Jr. (on 1971-03-06)
bass:
Wilton Freeman (on 1971-03-06)
drums (drum set):
Sonny Freeman (on 1971-03-06)
guitar:
B.B. King (on 1971-03-06)
piano:
Ron Levy (American electric blues musician and composer) (on 1971-03-06)
tenor saxophone:
Louis Hubert (on 1971-03-06)
trombone:
Joseph Burton (on 1971-03-06)
trumpet:
John Browning (trumpet player) (on 1971-03-06)
vocals:
B.B. King (on 1971-03-06)
recorded at:
Sankei Hall in Kōjimachi, Chiyoda (Chiyoda-ku), Tokyo, Japan (on 1971-03-06)
live cover recording of:
Eyesight to the Blind (on 1971-03-06)
lyricist and composer:
Sonny Boy Williamson (Aleck “Sonny Boy Williamson” Miller, 1912–1965)
publisher:
Algonquin Music Inc., Arc Music Corp. (U.S. rock & blues publisher), EMI Music Publishing Ltd. (PRS‐affiliated) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
4:05
14Chains and Things
alto saxophone:
Earl Turbinton, Jr. (on 1971-03-06)
bass:
Wilton Freeman (on 1971-03-06)
drums (drum set):
Sonny Freeman (on 1971-03-06)
guitar:
B.B. King (on 1971-03-06)
piano:
Ron Levy (American electric blues musician and composer) (on 1971-03-06)
tenor saxophone:
Louis Hubert (on 1971-03-06)
trombone:
Joseph Burton (on 1971-03-06)
trumpet:
John Browning (trumpet player) (on 1971-03-06)
vocals:
B.B. King (on 1971-03-06)
recorded at:
Sankei Hall in Kōjimachi, Chiyoda (Chiyoda-ku), Tokyo, Japan (on 1971-03-06)
live recording of:
Chains and Things (on 1971-03-06)
writer:
Dave Clark (record promoter and musical consultant who worked with B.B. King) and B.B. King
publisher:
Duchess Music Corporation (BMI-affiliated), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Pamco Music Inc. and Sounds Of Lucille, Inc.
5:42
15Sweet Sixteen
alto saxophone:
Earl Turbinton, Jr. (on 1971-03-06)
bass:
Wilton Freeman (on 1971-03-06)
drums (drum set):
Sonny Freeman (on 1971-03-06)
guitar:
B.B. King (on 1971-03-06)
piano:
Ron Levy (American electric blues musician and composer) (on 1971-03-06)
tenor saxophone:
Louis Hubert (on 1971-03-06)
trombone:
Joseph Burton (on 1971-03-06)
trumpet:
John Browning (trumpet player) (on 1971-03-06)
vocals:
B.B. King (on 1971-03-06)
recorded at:
Sankei Hall in Kōjimachi, Chiyoda (Chiyoda-ku), Tokyo, Japan (on 1971-03-06)
live recording of:
Sweet Sixteen (on 1971-03-06)
writer:
Joe Josea and B.B. King
publisher:
Modern Music Publishing Co., Inc., Progressive Music (publisher) and Sidney A. Seidenberg Music Ltd.
5:58
16The Thrill Is Gone
alto saxophone:
Earl Turbinton, Jr. (on 1971-03-06)
bass:
Wilton Freeman (on 1971-03-06)
drums (drum set):
Sonny Freeman (on 1971-03-06)
guitar:
B.B. King (on 1971-03-06)
piano:
Ron Levy (American electric blues musician and composer) (on 1971-03-06)
tenor saxophone:
Louis Hubert (on 1971-03-06)
trombone:
Joseph Burton (on 1971-03-06)
trumpet:
John Browning (trumpet player) (on 1971-03-06)
vocals:
B.B. King (on 1971-03-06)
recorded at:
Sankei Hall in Kōjimachi, Chiyoda (Chiyoda-ku), Tokyo, Japan (on 1971-03-06)
live recording of:
The Thrill Is Gone (1951 blues song) (on 1973-03-06)
writer:
Roy Hawkins (in 1951) and Rick Darnell (in 1951)
publisher:
BMG Music Publishing, Inc., Carlin Music Corporation, Grosvenor House Music, Modern Music Publishing Co., Inc., Pamco Music Inc., Powerforce Music, Sounds Of Lucille, Inc. and Universal Music Careers
5:51
2▼Medium: 1976-1994
#TitleArtistRatingLength
1Let the Good Times Roll
producer:
Esmond Edwards
baritone saxophone:
Jerome Richardson (in 1976-03)
bass:
Rudy Aikels (in 1976-03) and Louis Villery (in 1976-03)
drums (drum set):
Harold Potier (in 1976-03) and John Starks (in 1976-03)
guitar:
Milton Hopkins (in 1976-03), Johnny Jones (Nashville R&B/blues guitarist & bandleader) (in 1976-03), B.B. King (in 1976-03) and Ray Parker Jr. (in 1976-03)
organ:
James Toney (in 1976-03)
piano:
Robert Anderson (Pianist and keyboardist) (in 1976-03)
tenor saxophone:
Red Holloway (in 1976-03)
trombone:
Garnett Brown (in 1976-03) and Benny Powell (in 1976-03)
trumpet:
Albert Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (in 1976-03), Oscar Brashear (in 1976-03) and Snooky Young (in 1976-03)
vocals:
Bobby Bland (in 1976-03) and B.B. King (in 1976-03)
arranger:
Johnny Pate
phonographic copyright (℗) by:
Geffen Records (in 1976) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1976)
recorded at:
Cocoanut Grove in Los Angeles, California, United States (in 1976-03)
mixed at:
ABC Recording Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California, United States
live cover recording of:
Let the Good Times Roll (in 1976-03)
writer:
Fleecie Moore (in 1946) and Sam Theard (in 1946)
publisher:
Rytvoc, Inc. (ASCAP), Theard Swanson Publishing and Warock Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
B.B. King feat. Bobby Bland35:33
2I Got Some Help I Don't Need
co-producer:
Howie Leder
executive producer:
Sidney A. Seidenberg
baritone saxophone:
Edgar Synigal (on 1979-11-30)
bass:
Russell Jackson (Blues guitarist/bassist) (on 1979-11-30)
drums (drum set):
Calep Emphrey (on 1979-11-30)
guitar:
Leonard Gill (on 1979-11-30), Jon Jones (guitarist) (on 1979-11-30) and B.B. King (on 1979-11-30)
keyboard:
Phil Blackman (on 1979-11-30)
percussion:
Naná Vasconcelos (on 1979-11-30)
tenor saxophone:
Hilton Joseph (on 1979-11-30)
trombone:
Steve Sherard (on 1979-11-30)
trumpet:
Willie Cook (US jazz trumpeter) (on 1979-11-30), Larry Lalanne (on 1979-11-30) and Calvin Owens (on 1979-11-30)
vocals:
B.B. King (on 1979-11-30)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1980)
recorded at:
University of Mississippi in Oxford, Mississippi, United States (on 1979-11-30)
live recording of:
I Got Some Help I Don’t Need (on 1979-11-30)
writer:
Dave Clark (record promoter and musical consultant who worked with B.B. King) and B.B. King
publisher:
Pamco Music Inc.
B.B. King5:14
3Caladonia
co-producer:
Howie Leder
executive producer:
Sidney A. Seidenberg
baritone saxophone:
Edgar Synigal (on 1979-11-30)
bass:
Russell Jackson (Blues guitarist/bassist) (on 1979-11-30)
drums (drum set):
Calep Emphrey (on 1979-11-30)
guitar:
Leonard Gill (on 1979-11-30), Jon Jones (guitarist) (on 1979-11-30) and B.B. King (on 1979-11-30)
keyboard:
Phil Blackman (on 1979-11-30)
percussion:
Naná Vasconcelos (on 1979-11-30)
tenor saxophone:
Hilton Joseph (on 1979-11-30)
trombone:
Steve Sherard (on 1979-11-30)
trumpet:
Willie Cook (US jazz trumpeter) (on 1979-11-30), Larry Lalanne (on 1979-11-30) and Calvin Owens (on 1979-11-30)
vocals:
B.B. King (on 1979-11-30)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1980)
recorded at:
University of Mississippi in Oxford, Mississippi, United States (on 1979-11-30)
live cover recording of:
Caldonia (What Makes Your Big Head Hard?) (on 1979-11-30)
lyricist and composer:
Louis Jordan (US jazz, blues and r&b musician and songwriter) and Fleecie Moore
publisher:
Chappell Morris Ltd., Cherio Corp. and Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) (on 1945-04-16)
B.B. King2:48
4Night Life
executive producer:
Wilton Felder, Stix Hooper and Joe Sample
bass:
James Jamerson, Jr. (from 1981-09-09 until 1981-09-13)
drums (drum set):
Stix Hooper (from 1981-09-09 until 1981-09-13)
guitar:
Barry Finnerty (from 1981-09-09 until 1981-09-13), B.B. King (from 1981-09-09 until 1981-09-13) and David T. Walker (from 1981-09-09 until 1981-09-13)
keyboard:
Joe Sample (from 1981-09-09 until 1981-09-13)
percussion:
Efraim Logreira (from 1981-09-09 until 1981-09-13)
saxophone:
Wilton Felder (from 1981-09-09 until 1981-09-13)
vocals:
B.B. King (from 1981-09-09 until 1981-09-13)
performer:
The Crusaders (US jazz group) (from 1981-09-09 until 1981-09-13)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1981-09-09 until 1981-09-13)
live cover recording of:
Night Life (Willie Nelson) (from 1981-09-09 until 1981-09-13)
writer:
Walt Breeland (American songwriter), Paul Buskirk and Willie Nelson
publisher:
Glad Music Co., Pappy Daily Music, Sony/ATV Songs (SOCAN), Sony/ATV Tree Publishing and Glad Music Publishing (in 1962)
B.B. King feat. The Crusaders6:46
5Never Make a Move Too Soon
executive producer:
Wilton Felder, Stix Hooper and Joe Sample
bass:
James Jamerson, Jr. (from 1981-09-09 until 1981-09-13)
drums (drum set):
Stix Hooper (from 1981-09-09 until 1981-09-13)
guitar:
Barry Finnerty (from 1981-09-09 until 1981-09-13), B.B. King (from 1981-09-09 until 1981-09-13) and David T. Walker (from 1981-09-09 until 1981-09-13)
keyboard:
Joe Sample (from 1981-09-09 until 1981-09-13)
percussion:
Efraim Logreira (from 1981-09-09 until 1981-09-13)
saxophone:
Wilton Felder (from 1981-09-09 until 1981-09-13)
vocals:
B.B. King (from 1981-09-09 until 1981-09-13)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1982)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1981-09-09 until 1981-09-13)
live cover recording of:
Never Make a Move Too Soon (from 1981-09-09 until 1981-09-13)
writer:
Will Jennings and Nesbert Hooper, Jr.
publisher:
Four Knights Music, Four Knights Music Co., Irving Music, Inc. and Status Cymbal Music (BMI-affiliated)
B.B. King feat. The Crusaders3:43
6All Over Again (I've Got a Mind to Give Up Living)
executive producer:
Wilton Felder, Stix Hooper and Joe Sample
bass:
James Jamerson, Jr. (from 1981-09-09 until 1981-09-13)
drums (drum set):
Stix Hooper (from 1981-09-09 until 1981-09-13)
guitar:
Barry Finnerty (from 1981-09-09 until 1981-09-13), B.B. King (from 1981-09-09 until 1981-09-13) and David T. Walker (from 1981-09-09 until 1981-09-13)
keyboard:
Joe Sample (from 1981-09-09 until 1981-09-13)
percussion:
Efraim Logreira (from 1981-09-09 until 1981-09-13)
saxophone:
Wilton Felder (from 1981-09-09 until 1981-09-13)
vocals:
B.B. King (from 1981-09-09 until 1981-09-13)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1981-09-09 until 1981-09-13)
live recording of:
I’ve Got a Mind to Give Up Living (from 1981-09-09 until 1981-09-13)
lyricist and composer:
B.B. King
B.B. King feat. The Crusaders6:49
7Please Send Me Someone to Love
co-producer:
Tisha Fein (producer)
executive producer:
Ken Ehrlich (US TV producer & director) and Sidney A. Seidenberg
producer:
Ken Ehrlich (US TV producer & director)
baritone saxophone:
Edgar Synigal (on 1987-04-15)
bass:
Michael Doster (on 1987-04-15)
drums (drum set):
Calep Emphrey (on 1987-04-15)
guitar:
B.B. King (on 1987-04-15) and Leon Warren (on 1987-04-15)
harmonica:
Paul Butterfield (on 1987-04-15)
piano:
Eugene Carrier (piano) (on 1987-04-15)
tenor saxophone:
Walter King (horn) (on 1987-04-15)
trumpet:
James Bolden (American trumpeter) (on 1987-04-15)
vocals:
B.B. King (on 1987-04-15) and Gladys Knight (on 1987-04-15)
performer:
Gladys Knight
recorded at:
Ebony Showcase Theater in Los Angeles, California, United States (on 1987-04-15)
live cover recording of:
Please Send Me Someone to Love (on 1987-04-15)
lyricist and composer:
Percy Mayfield (until 1950)
publisher:
ATV Music
B.B. King feat. Gladys Knight4:11
8Nobody Loves Me but My Mother
executive producer:
Sidney A. Seidenberg
producer:
Trade Martin
baritone saxophone:
Edgar Synigal (on 1990-05-25)
bass:
Michael Doster (on 1990-05-25)
drums (drum set):
Calep Emphrey (on 1990-05-25)
guitar:
B.B. King (on 1990-05-25) and Leon Warren (on 1990-05-25)
piano:
Eugene Carrier (piano) (on 1990-05-25)
tenor saxophone:
Walter King (horn) (on 1990-05-25)
trumpet:
James Bolden (American trumpeter) (on 1990-05-25)
vocals:
B.B. King (on 1990-05-25)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1990)
recorded at:
San Quentin State Prison in Marin County, California, United States (on 1990-05-25)
live recording of:
Nobody Loves Me but My Mother (on 1990-05-25)
writer:
B.B. King
publisher:
Pamco Music Inc.
B.B. King8:12
9When Love Comes to Town
executive producer:
Dave Grusin (American pianist and score composer), Larry Rosen and Sidney A. Seidenberg
producer:
Josiah Gluck, Carl Griffin (Senior entertainment and music executive - label head - A&R director - Producer - Mixing Engineer) and Sidney A. Seidenberg
alto saxophone:
Jeff Clayton (saxophonist and flautist) (on 1990-11-10) and Jerry Dodgion (on 1990-11-10)
bass:
Ray Brown (jazz bassist) (on 1990-11-10)
drums (drum set):
Harold Jones (jazz drummer) (on 1990-11-10)
guitar:
Kenny Burrell (on 1990-11-10) and B.B. King (on 1990-11-10)
piano:
Gene Harris (on 1990-11-10)
tenor saxophone:
Plas Johnson (on 1990-11-10), Ralph Moore (jazz tenor saxophonist) (on 1990-11-10) and Gary Smulyan (on 1990-11-10)
trombone:
George Bohanon (on 1990-11-10), Robin Eubanks (on 1990-11-10), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1990-11-10) and Urbie Green (on 1990-11-10)
trumpet:
Glenn Drewes (a trumpet player) (on 1990-11-10), Harry “Sweets” Edison (on 1990-11-10), James Morrison (flugel / trumpet player) (on 1990-11-10) and Joe Mosello (on 1990-11-10)
vocals:
B.B. King (on 1990-11-10)
performer:
Gene Harris and the Philip Morris Superband (on 1990-11-10)
recorded at:
Apollo Theater in Harlem, New York, New York, United States (on 1990-11-10)
live cover recording of:
When Love Comes to Town (on 1990-11-10)
lyricist:
Bono (singer of U2)
composer:
U2 (Irish rock band)
publisher:
Blue Mountain Music Ltd, Mother Music, PolyGram International Music Publishing B.V. and Taiyo Music Inc.
B.B. King4:47
10Paying the Cost to Be the Boss
executive producer:
Dave Grusin (American pianist and score composer), Larry Rosen and Sidney A. Seidenberg
producer:
Josiah Gluck, Carl Griffin (Senior entertainment and music executive - label head - A&R director - Producer - Mixing Engineer) and Sidney A. Seidenberg
alto saxophone:
Jeff Clayton (saxophonist and flautist) (on 1990-11-10) and Jerry Dodgion (on 1990-11-10)
bass:
Ray Brown (jazz bassist) (on 1990-11-10)
drums (drum set):
Harold Jones (jazz drummer) (on 1990-11-10)
guitar:
Kenny Burrell (on 1990-11-10) and B.B. King (on 1990-11-10)
piano:
Gene Harris (on 1990-11-10)
tenor saxophone:
Plas Johnson (on 1990-11-10), Ralph Moore (jazz tenor saxophonist) (on 1990-11-10) and Gary Smulyan (on 1990-11-10)
trombone:
George Bohanon (on 1990-11-10), Robin Eubanks (on 1990-11-10), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1990-11-10) and Urbie Green (on 1990-11-10)
trumpet:
Glenn Drewes (a trumpet player) (on 1990-11-10), Harry “Sweets” Edison (on 1990-11-10), James Morrison (flugel / trumpet player) (on 1990-11-10) and Joe Mosello (on 1990-11-10)
vocals:
B.B. King (on 1990-11-10)
performer:
Gene Harris and the Philip Morris Superband (on 1990-11-10)
recorded at:
Apollo Theater in Harlem, New York, New York, United States (on 1990-11-10)
live recording of:
Paying the Cost to Be the Boss (on 1990-11-10)
lyricist and composer:
B.B. King
publisher:
Duchess Music Corporation (BMI-affiliated), Songs of Universal, Inc. (BMI) and Universal Music Careers
B.B. King2:27
11Ain't Nobody's Business
executive producer:
Steve Galloway (jazz trombonist) and Sidney A. Seidenberg
producer:
Denny Diante
mixer:
Elliot Scheiner
bass:
Michael Doster (on 1993-02-18)
drums (drum set):
Calep Emphrey (on 1993-02-18)
guitar:
B.B. King (on 1993-02-18) and Leon Warren (on 1993-02-18)
keyboard:
James Toney (on 1993-02-18)
percussion:
Tony Coleman (drummer) (on 1993-02-18)
saxophone:
Melvin Jackson (US jazz trumpeter + saxophonist) (on 1993-02-18) and Walter King (horn) (on 1993-02-18)
trumpet:
James Bolden (American trumpeter) (on 1993-02-18)
vocals:
Ruth Brown (on 1993-02-18) and B.B. King (on 1993-02-18)
performer:
Ruth Brown
recorded at:
B.B. King’s Blues Club in Memphis, Tennessee, United States (on 1993-02-18)
live cover recording of:
Ain’t Nobody’s Business (Porter Grainger/Everett Robbins song) (on 1993-02-18)
writer:
Porter Grainger and Everett Robbins
B.B. King feat. Ruth Brown9:23
12T-Bone Shuffle
executive producer:
Steve Galloway (jazz trombonist) and Sidney A. Seidenberg
producer:
Denny Diante
mixer:
Elliot Scheiner
bass:
Michael Doster (on 1993-02-18)
drums (drum set):
Calep Emphrey (on 1993-02-18)
guitar:
B.B. King (on 1993-02-18), Joe Louis Walker (on 1993-02-18) and Leon Warren (on 1993-02-18)
keyboard:
James Toney (on 1993-02-18)
percussion:
Tony Coleman (drummer) (on 1993-02-18)
saxophone:
Melvin Jackson (US jazz trumpeter + saxophonist) (on 1993-02-18) and Walter King (horn) (on 1993-02-18)
trumpet:
James Bolden (American trumpeter) (on 1993-02-18)
vocals:
B.B. King (on 1993-02-18) and Joe Louis Walker (on 1993-02-18)
performer:
Joe Louis Walker
recorded at:
B.B. King’s Blues Club in Memphis, Tennessee, United States (on 1993-02-18)
live cover recording of:
T-Bone Shuffle (on 1993-02-18)
lyricist and composer:
T‐Bone Walker (US blues musician & songwriter, 1910–1975)
publisher:
Progressive Music (publisher)
B.B. King feat. Joe Louis Walker6:41
13Rock Me Baby
bass:
Michael Doster (on 1994-03-27)
drums (drum set):
Calep Emphrey (on 1994-03-27)
guitar:
B.B. King (on 1994-03-27) and Leon Warren (on 1994-03-27)
keyboard:
James Toney (on 1994-03-27)
percussion:
Tony Coleman (drummer) (on 1994-03-27)
saxophone:
Melvin Jackson (US jazz trumpeter + saxophonist) (on 1994-03-27) and Walter King (horn) (on 1994-03-27)
trumpet:
James Boland (on 1994-03-27)
vocals:
B.B. King (on 1994-03-27)
recorded at:
Rosengarten in Mannheim, Baden-Württemberg, Germany (on 1994-03-27)
live recording of:
Rock Me Baby (on 1994-03-27)
writer:
Joe Josea and B.B. King
publisher:
Careers–BMG Music Publishing, Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), Powerforce Music, Sidney A. Seidenberg Music Ltd., Universal Music Careers, BMG Music (in 1994) and Modern Sparta Music Ltd. (in 1994)
is based on:
Rockin’ and Rollin’
B.B. King6:21

Credits

Release

ASIN:US: B000002P0Z [info]