Seventies Complete, Volume 1

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Australian 1 of 5 disc release by EMI 8148362

Australian 5 of 5 disc release by EMI 8148402

Australian 4 of 5 disc release by EMI 8148392

Australian 3 of 5 disc release by EMI 8148382

Australian 2 of 5 disc release by EMI 8148372

Annotazione modificata l'ultima volta il 2005-08-26 16:38 UTC.

Elenco tracce

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1▼CD: 1970-1974
#TitoloArtistaValutazioneDurata
1I’m the Leader of the Gang (I Am)
diritti fonografici (℗) detenuti da:
Snapper Music plc (parent company of Snapper Music) (nel 1973)
registrazione di:
I’m the Leader of the Gang (I Am!)
compositore:
Gary Glitter e Mike Leander
editore:
Dutchess (BMI, started c. 1949), MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Ltd. (UK sound recording / publishing company) e Universal/MCA Music Ltd. (not for release label use!)
Gary Glitter3.53:30
2Angel Face
produttore:
Mike Leander
batteria :
Pete Phipps
chitarra e voce principale:
Gerry Shephard
chitarra basso :
John Springate
diritti fonografici (℗) detenuti da:
Crimson Copyrights Ltd. (nel 1974)
registrazione di:
Angel Face
paroliere:
Gerry Shephard
compositore:
John Rossall (The Glitter Band)
editore:
EMI Tunes Ltd
The Glitter Band43:00
3I Hear You Knockin’
produttore:
Dave Edmunds
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1971)
registrazione cover di:
I Hear You Knocking
paroliere e compositore:
Dave Bartholomew e Pearl King
editore:
Commodore Music Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Francis, Day & Hunter Ltd., Succemelodier e World Music (publisher)
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Edmunds42:50
4Love Grows (Where My Rosemary Goes)
produttore:
Tony Macaulay
voce:
Tony Burrows (nel 1970)
diritti fonografici (℗) detenuti da:
Bell (50s-70s US/UK pop, later became Arista) (nel 1970) e Demon Music Group (nel 1970)
video musicali:
Love Grows (Where My Rosemary Goes) di Edison Lighthouse
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 40) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 416)
registrazione di:
Love Grows (Where My Rosemary Goes) (nel 1970)
autore:
Tony Macaulay e Barry Mason (English songwriter)
editore:
Barry Mason Music Ltd., BMG Music Publishing Ltd., Intersong Music Ltd. e Universal Music Publishing MGB Australia
Edison Lighthouse3.82:49
5Kung Fu Fighting
arrangiatore:
Gerry Shury
registrazione di:
Kung Fu Fighting
paroliere e compositore:
Carl Douglas
editore:
Carren Music (publisher) e 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
si basa su:
[Oriental Riff]
Carl Douglas4.23:11
6Spirit in the Sky
produttore:
Erik Jacobsen
diritti fonografici (℗) detenuti da:
Reprise Records (nel 1969), Seven Arts Records, Inc. (not a label) (nel 1969) e Transtone Productions (nel 1970)
parte di:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 5), Billboard Year-End Hot 100 singles of 1970 (numero: 22) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 333)
registrazione di:
Spirit in the Sky (nel 1969)
paroliere e compositore:
Norman Greenbaum
editore:
Great Honesty Music Inc., Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) e Westminster Music Ltd.
Norman Greenbaum4.054:00
7The Locomotion
produttore:
Todd Rundgren
registrazione cover di:
The Loco‐Motion (aka Locomotion) (nel 1974)
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (fino al 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (dal 1962 a oggi) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Grand Funk Railroad52:47
8Draggin’ the Line
registrazione di:
Draggin’ the Line
autore:
Tommy James (American musician, singer, songwriter and record producer) e Bob King (US vocalist/guitarist for The Soul Stirrers)
editore:
Big Seven Music (nel 1971)
Tommy James and the Shondells2:48
9I Can See Clearly Now
registrazione di:
I Can See Clearly Now
paroliere e compositore:
Johnny Nash (US reggae/pop singer-songwriter)
editore:
Cayman Music, CP Masters B V, Dovan Music, Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Artemis Music Limited, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Johnny Nash2:42
10Sacha
registrazione di:
Sacha
autore:
Roger Cook (US‐based British singer, songwriter and producer), Roger Greenaway e Jerry Lordan
editore:
PolyGram Music Publishing
Hank Marvin3:19
11American Pie, Part 1
tecnico:
Tom Flye
banjo e chitarra acustica :
Don McLean (il 1971-05-26)
basso :
Bob Rothstein (il 1971-05-26)
batteria e percussione :
Roy Markowitz (il 1971-05-26)
chitarra elettrica :
David Spinozza (il 1971-05-26)
marimba e vibrafono :
Mike Mainieri (il 1971-05-26)
pianoforte :
Paul Griffin (American pianist, session musician) (il 1971-05-26)
pianoforte elettrico :
Ray Colcord (il 1971-05-26)
cori:
West 44th Street Rhythm and Noise Choir (il 1971-05-26)
voce:
Bob Rothstein (il 1971-05-26) e Don McLean (il 1971-05-26)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1971), EMI (EMI Records, or EMI Music only if there is no other imprint) (nel 1971) e United Artists Records (for bootlegs and counterfeit) (nel 1971)
registrazione parziale di:
American Pie (il 1971-05-26)
paroliere e compositore:
Don McLean
editore:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd e Yahweh Tunes, Inc.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean54:13
12Venus
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 33)
registrazione di:
Venus (Shocking Blue (I’m Your Venus)) (nel 1969)
paroliere e compositore:
Robbie van Leeuwen
editore:
ATV Music Ltd., Dayglow Music (publisher) e The International Music Network
si basa su:
The Banjo Song
Shocking Blue4.153:04
13Melting Pot
registrazione di:
Melting Pot (Blue Mink Song)
autore:
Roger Cook (US‐based British singer, songwriter and producer) e Roger Greenaway
editore:
Cookaway Music Ltd. (PRS), Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) e Polygram Island Music Publishing
Blue Mink3:48
14I Did What I Did for Maria
registrazione di:
I Did What I Did for Maria
autore:
Peter Callander e Mitch Murray
Tony Christie3:28
15Tom Tom Turnaround
registrazione di:
Tom Tom Turnaround
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
Universal Music Publishing MGB Australia
New World3:20
16You Won’t Find Another Fool Like Me
registrazione di:
You Won’t Find Another Fool Like Me
autore:
Tony Macaulay e Geoff Stephens
The New Seekers3:13
17I Am Woman
arrangiatore ottoni e archi :
Jim Horn (saxophonist, hornist, flutist and oboist)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2006)
registrazione di:
I Am Woman (nel 1970)
paroliere:
Helen Reddy
compositore:
Ray Burton (Australian singer/songwriter)
editore:
Rondor Music e Rondor Music (Australia) Pty Ltd
Helen Reddy53:19
18Too Young to Be Married
registrazione di:
Too Young to Be Married
paroliere e compositore:
Tony Hicks
The Hollies3:54
19You’re So Vain
tecnico di registrazione:
Robin Geoffrey Cable (dal 1972-09 al 1972-10)
tecnico:
Robin Geoffrey Cable
produttore:
Richard Perry (producer)
basso :
Klaus Voorman (dal 1972-09 al 1972-10)
batteria :
Jim Gordon (US drummer with Derek and the Dominos) (dal 1972-09 al 1972-10)
chitarra :
Jimmy Ryan (American guitarist and singer/songwriter) (dal 1972-09 al 1972-10)
percussione :
Richard Perry (producer) (dal 1972-09 al 1972-10)
pianoforte e voce principale:
Carly Simon (dal 1972-09 al 1972-10)
voce di accompagnamento:
Mick Jagger (dal 1972-09 al 1972-10)
voce di accompagnamento aggiuntiva:
Carly Simon (dal 1972-09 al 1972-10) e Doris Troy (dal 1972-09 al 1972-10)
arrangiatore archi :
Carly Simon
orchestratore:
Paul Buckmaster
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984) e Rhino Entertainment Company (not for release label use!) (nel 2015)
registrata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito (dal 1972-09 al 1972-10)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 140) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 495)
registrazione di:
You’re So Vain (dal 1972-09 al 1972-10)
paroliere e compositore:
Carly Simon
editore:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) e Universal Music Publishing Group
Carly Simon4.554:19
20Ma belle amie
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 81)
registrazione di:
Ma belle amie
autore:
Hans van Eijck e Peter Tetteroo (Dutch singer and composer)
editore:
Hebbes Music Group Pty. Ltd.
Tee Set3:19
21Dancing on a Saturday Night
produttore:
Barry Blue (singer, producer, and songwriter)
diritti fonografici (℗) detenuti da:
Crimson Copyrights Ltd. (nel 1973) e Demon Music Group (nel 1973)
registrazione di:
Dancin’ (On a Saturday Night)
autore:
Barry Blue (singer, producer, and songwriter) e Lynsey de Paul
editore:
ATV Music Ltd., Sony/ATV Music Publishing (UK) Ltd. e Sony/ATV Music Publishing Australia Pty Ltd.
Barry Blue3:06
2▼CD: 1975-1977
#TitoloArtistaValutazioneDurata
1The Wild One
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
registrazione di:
The Wild One
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music, Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Universal Music–MGB Songs e シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.)
Suzi Quatro4.52:53
2Nutbush City Limits
produttore:
Ike Turner
voce principale:
Tina Turner
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1973) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2004)
registrazione di:
Nutbush City Limits
paroliere e compositore:
Tina Turner
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music e Valley Spring Music Corp.
Ike and Tina Turner3.752:58
3Shame Shame Shame
registrazione di:
Shame, Shame, Shame
paroliere e compositore:
Sylvia Robinson
editore:
IQ Music Ltd.
Shirley and Company4:13
4Magic Man
tecnico:
Mike Flicker e Rolf Hennemann
assistente produttore:
Howard Leese
produttore:
Mike Flicker
batteria :
Dave Wilson (Canadian drummer)
chitarra acustica e chitarra elettrica :
Roger Fisher (US rock guitarist) e Nancy Wilson (guitarist/singer of “Heart”)
chitarra basso :
Steve Fossen
chitarra elettrica e sintetizzatore :
Howard Leese
congas :
Ray Ayotte
percussione :
Mike Flicker
voce principale:
Ann Wilson (lead singer of Heart)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1976)
registrata presso e mixata presso:
Mushroom Studios in Vancouver, British Columbia (Columbia Britannica), Canada
registrazione di:
Magic Man
autore:
Ann Wilson (lead singer of Heart) e Nancy Wilson (guitarist/singer of “Heart”)
editore:
How About Music, Sony/ATV Tunes LLC (ASCAP), Universal Music Corp. (USA, affiliated with ASCAP) e Universal/MCA Music Publishing Pty Ltd
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Heart4.65:31
5Gotta Be the One
registrazione di:
Gotta Be the One
autore:
Pierre Tubbs
Maxine Nightingale2:56
6I Hate the Music
registrazione di:
I Hate the Music
autore:
Harry Vanda (Australian musician) e George Young (Australian musician and producer)
editore:
J. Albert & Son Pty. Ltd.
John Paul Young3:54
7Jump in My Car
diritti fonografici (℗) detenuti da:
Albert Productions (nel 1974, nel 1975)
registrazione di:
Jump in My Car
paroliere e compositore:
Ted Mulry
editore:
J. Albert & Son Pty. Ltd.
The Ted Mulry Gang3:06
8January
produttore:
Alan Parsons (of The Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975)
registrazione di:
January
orchestratore:
Andrew Powell (known for contributions to Alan Parsons Project)
paroliere e compositore:
David Paton (of Pilot)
editore:
EMI Music Publishing (do not use as a release label!) e Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Pilot33:31
9The Way You Do It
diritti fonografici (℗) detenuti da:
Mick Flinn (nel 1976)
registrazione di:
The Way That You Do It
autore:
Mick Flinn
editore:
Sony/ATV Music Publishing Australia Pty Ltd.
Pussyfoot3:08
10Living Next Door to Alice
produttore:
Mike Chapman (Australian producer and songwriter) e G. Kasper (German sound engineer & producer, "Mr. Cool")
produttore associato:
Nicky Chinn
diritti fonografici (℗) detenuti da:
Chinnichap Records Ltd. (nel 1976) e RAK Records Ltd. (nel 1976)
è stato produttore per:
Chinnichap (production company and publisher)
registrazione cover di:
Living Next Door to Alice (Original by New World)
paroliere:
Nicky Chinn
compositore:
Mike Chapman (Australian producer and songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Musik-Edition Discoton e Universal Music Publishers MGB Australia Pty Ltd
registrazione di:
Living Next Door to Alice (Original by New World)
paroliere:
Nicky Chinn
compositore:
Mike Chapman (Australian producer and songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Musik-Edition Discoton e Universal Music Publishers MGB Australia Pty Ltd
Smokie4.153:30
11Movie Star
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975) e EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) (nel 1976)
registrazione di:
Movie Star
paroliere e compositore:
Harpo (Swedish pop singer) (nel 1975)
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), RAK Publishing Ltd. e Warner/Chappell Music Scandinavia AB
Harpo53:22
12Black Superman (Muhammed Ali)
registrazione di:
Black Superman ‘Muhammed Ali’
autore:
Johnny Wakelin
Johnny Wakelin3:37
13Paloma blanca
registrazione di:
Paloma blanca
paroliere e compositore:
Hans Bouwens
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Holland B.V., Musik Unserer Zeit (publisher; do NOT use as release label), RMI (publisher) e EMI Music Holland B.V. (record company currently known as EMI Music Netherlands B.V. don't use as release label) (nel 1975)
The George Baker Selection3:25
14Lady in Blue
registrazione di:
Lady in Blue
autore:
Robert Danova (producer and songwriter) e Peter Yellowstone
editore:
Associated Music International Ltd.
Joe Dolan3:04
15Help Is on Its Way
assistente tecnico:
John Hodge (engineer)
tecnico:
Ross Cockle e Paul Grupp
produttore:
John Boylan e Little River Band
basso :
George McArdle (nel 1977-03)
batteria :
Derek Pellicci (nel 1977-03)
chitarra :
Beeb Birtles (nel 1977-03) e David Briggs (producer, guitarist of Little River Band) (nel 1977-03)
pianoforte :
Peter Sullivan (nel 1977-03)
voce:
Beeb Birtles (nel 1977-03), Graham Goble (nel 1977-03) e Glenn Shorrock (nel 1977-03)
diritti fonografici (℗) detenuti da:
EMI Music Australia (defunct holding company, not for release label use!) (nel 1972, nel 1977, nel 2002), EMI (Australia) Limited (not for release label use! EMI's AU subsidiary, active from May 1957 to late 1980s) (nel 1976, nel 1977), EMI Music Australia Pty. Limited (not for release label use!) (nel 1976, nel 1977), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1977), Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (nel 1977) e Capitol Records Ltd. (not for release label use; UK company) (nel 1989)
è stato produttore per:
Tumbleweed Productions
registrata presso:
Armstrong Audio/Video (later renamed AAV Studios) in Melbourne, Victoria, Australia e Armstrong Audio Video (later renamed AAV Studios) in Melbourne, Victoria, Australia (nel 1977-03)
mixata presso:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti
registrazione di:
Help Is on Its Way (nel 1977-03)
paroliere e compositore:
Glenn Shorrock
editore:
Australian Tumbleweed Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd., WB Music Corp. (1929–2019) e Wheatley Music Pty Ltd.
Little River Band3.354:03
16Bye Bye Baby
registrazione di:
Bye, Bye, Baby (Baby Goodbye)
autore:
Bob Crewe e Bob Gaudio
editore:
Ardmore and Beechwood Ltd., EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty. Limited (not for release label use!), Mushroom Music (Mushroom label’s publishing company), Saturday Music, Inc., Seasons Four Music Corp. e Seasons’ Four Music Inc.
Bay City Rollers2:43
17Mississippi
diritti fonografici (℗) detenuti da:
EMI Music Netherlands BV (EMI Group subsidiary 2000–2012, today under UMG, don't use as label) (nel 1975)
registrazione di:
Mississippi
paroliere e compositore:
Werner Theunissen
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) e EMI Music Publishing Australia Pty Ltd (not for release label use!)
Pussycat34:37
18Only Sixteen
produttore:
Ron Haffkine
registrazione cover di:
Only Sixteen
autore:
Barbara Campbell (collective songwriter pseudonym for Sam Cooke, Lou Adler and Herb Alpert)
editore:
ABKCO Music e Ardmore and Beechwood Ltd.
Dr Hook2:47
19You to Me Are Everything
produttore:
Ken Gold
diritti fonografici (℗) detenuti da:
Pye Records (nel 1976) e Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1976)
registrazione di:
You to Me Are Everything
autore:
Michael Denne e Ken Gold
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Screen Gems–EMI Music Ltd.
The Real Thing3.653:24
20Kiss and Say Goodbye
strumenti:
MFSB
voce di accompagnamento:
Carla Benson, Evette Benton, Barbara Ingram e The Manhattans (New Jersey vocal group, notable for “Kiss and Say Goodbye”)
voce parlata [spoken voice on 2nd lead]:
Winfred Lovett (Lovett Winfred Lorenzo)
voce principale [singing voice on 1st lead]:
Gerald Alston
registrazione di:
Kiss and Say Goodbye
paroliere e compositore:
Winfred Lovett (Lovett Winfred Lorenzo)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. e EMI Songs Ltd.
The Manhattans3.54:28
3▼CD: The Disco Era
#TitoloArtistaValutazioneDurata
1Y.M.C.A.
produttore:
Jacques Morali
produttore esecutivo:
Henri Belolo
edit di:
Y.M.C.A. (album version) di Village People
registrazione di:
Y.M.C.A.
paroliere:
Victor Edward Willis (member of the Village People)
compositore:
Jacques Morali
editore:
Can’t Stop Music (US work publisher, affiliated with BMI), EMI Music (do not use as release label! this is a music publisher), Harlem West Music Group, Scorpio Music (work publisher of "Scorpio Music") e Zomba Music Publishing Ltd.
The Village People4.153:43
2I Love to Love
registrazione cover di:
I Love to Love
paroliere:
Philo Jack Robinson (disco songwriter, producer, composer)
compositore:
James Bolden (French singer and songwriter)
editore:
Mautoglade Music, Robin Song Music (affiliated to SACEM) e Rolf Baierle Music
Tina Charles3:10
3That’s the Way I Like It
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975, nel 1976) e T.K. Records (Miami‐based disco label) (nel 1975)
edit di:
That’s the Way (I Like It) di KC and the Sunshine Band (US funk, R&B & disco band)
registrazione di:
That’s the Way (I Like It)
autore:
Harry Wayne Casey e Richard Finch
editore:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) e Mushroom Music (Mushroom label’s publishing company)
KC and the Sunshine Band4.33:08
4Disco Inferno
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1977) e WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (nel 1977)
registrazione di:
Disco Inferno
autore:
Leroy Green (disco/soul songwriter) e Ron Kersey
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), peermusic (publisher), Reservoir 416, Reservoir Media Management, Inc. e Six Strings Music
The Trammps53:37
5Rock Your Baby
voce:
George McCrae
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1974)
registrazione di:
Rock Your Baby
autore:
Harry Wayne Casey, Richard Finch e KC (Harry Wayne Casey of the Sunshine Band)
editore:
EMI Longitude Music e Peer Music (UK) Ltd.
George McCrae3.253:18
6We Are Family
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 444)
registrazione di:
We Are Family
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sister Sledge43:34
7Pop Muzik
registrazione di:
Pop Muzik
paroliere e compositore:
Robin Scott
editore:
BMG Music Publishing Ltd., Pop Muzik Limited e Union Square Music Publishing Ltd.
M3.53:22
8Boogie Wonderland
produttore:
Al McKay e Maurice White (Earth, Wind & Fire)
voce:
The Emotions (Chicago soul, disco and R&B female vocal group) (nel 1979)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1979) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1979)
campionamenti da:
I Am di Earth, Wind & Fire (nel 1979)
registrazione di:
Boogie Wonderland (nel 1979)
paroliere:
Allee Willis
compositore:
Jon Lind
editore:
EMI Blackwood Music Inc., EMI Songs Ltd., International Music Network, Irving Music (BMI) e Rondor Music (London) Ltd.
Earth Wind and Fire4.24:54
9Car Wash
registrazione di:
Car Wash
paroliere e compositore:
Norman Whitfield
editore:
Universal/MCA Music Ltd. (not for release label use!) e USI B Music Publishing
Rose Royce4.63:18
10Boogie Oogie Oogie
produttore:
Fonce Mizell e Larry Mizell
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978, nel 2002)
registrazione di:
Boogie Oogie Oogie
autore:
Janice Marie Johnson (Member of "A Taste of Honey") e Perry L. Kibble
editore:
Conducive Music, Inc. e On Time Music, Inc.
A Taste of Honey2.653:37
11Knock on Wood
diritti fonografici (℗) detenuti da:
Ariola America, Inc. (nel 1978)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 3) (numero: 6)
registrazione cover di:
Knock on Wood
autore:
Steve Cropper e Eddie Floyd
editore:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell North America
adattamento di:
Potkraj na les
Amii Stewart53:46
12The Best Disco in Town
registrazione di:
The Best Disco in Town (single version)
autore:
Henri Belolo, Phil Hurtt, Jacques Morali e Richie Rome (Richard V. Di Cicco (Producer, arranger, orchestra conductor & songwriter))
medley di:
Aquarela do Brasil
medley di:
Bad Luck
medley di:
Fly, Robin, Fly
medley di:
I Love Music
medley di:
Reach Out, I’ll Be There
medley di:
TSOP (The Sound of Philadelphia)
The Ritchie Family2:43
13Make Love to Me
registrazione di:
Make Love to Me
autore:
Mike Tinsley, Steve Voice e Peter Yellowstone
Kelly Marie4:17
14Get Up and Boogie
registrazione di:
Get Up and Boogie
paroliere:
Stephan Prager (songwriter, aka Michael Kunze)
compositore:
Sylvester Levay
Silver Convention4:02
15Le Freak
produttore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
direttore d'orchestra:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
arrangiatore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
parte di:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 10) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 391)
registrazione di:
Le Freak
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Sony Songs Inc., Tommy Jymi Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic3.25:32
16Play That Funky Music
basso elettrico e sintetizzatore :
Allen Wentz (Bass player for wild cherry)
chitarra elettrica :
Bryan Bassett (guitarist for Wild Cherry, Molly Hatchet and Foghat) e Robert W. Parissi (Rob Parissi)
membranofono :
Ronald Beitle (drummer for Wild Cherry)
voce aggiuntiva:
Bryan Bassett (guitarist for Wild Cherry, Molly Hatchet and Foghat), Ronald Beitle (drummer for Wild Cherry) e Allen Wentz (Bass player for wild cherry)
voce principale:
Robert W. Parissi (Rob Parissi)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976, nel 2002)
registrazione di:
Play That Funky Music (nel 1976)
paroliere e compositore:
Robert W. Parissi (Rob Parissi)
editore:
Bema Music (publisher), RWP Music, Sweet City Records Inc. e Universal/MCA Music Ltd. (not for release label use!)
Wild Cherry3.54:59
17Boogie Fever
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2002)
registrazione di:
Boogie Fever
autore:
Freddie Perren e Keni St. Lewis
editore:
PolyGram Music Publishing e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Sylvers43:31
18Heaven Must Be Missing an Angel
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1976)
edit di:
Heaven Must Be Missing an Angel di Tavares (US R&B, funk and soul music)
registrazione di:
Heaven Must Be Missing an Angel
autore:
Freddie Perren e Keni St. Lewis
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing International Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tavares43:37
19Disco Queen
produttore:
Mickie Most (English record producer)
registrazione di:
Disco Queen
autore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) e Tony Wilson (bassist/songwriter, member of Hot Chocolate)
editore:
EMI Music Publishing (PRS‐affiliated)
Hot Chocolate3:09
4▼CD: 1978-1979
#TitoloArtistaValutazioneDurata
1Heart of Glass
produttore:
Mike Chapman (Australian producer and songwriter)
diritti fonografici (℗) detenuti da:
Chrysalis Records, Inc. (not for release label use!) (nel 1978, nel 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1979) e EMI (EMI Records, or EMI Music only if there is no other imprint) (nel 1981)
registrazione di:
Heart of Glass
autore:
Deborah Harry e Chris Stein
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation e Rare Blue Music Inc (nel 1978)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.)
versione di:
Once I Had a Love
Blondie53:21
2My Sharona
basso :
Prescott Niles (nel 1979-04)
batteria :
Bruce Gary (nel 1979-04)
chitarra [lead guitar] :
Berton Averre (nel 1979-04)
chitarra [rhythm guitar] e voce principale:
Doug Fieger (in The Knack) (nel 1979-04)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979, nel 2002) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1979)
registrazione di:
My Sharona (nel 1979-04)
autore:
Berton Averre e Douglas Fieger (in The Knack)
editore:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia e Wise Brothers Music LLC
The Knack4.24:02
3Macho Man
produttore:
Jacques Morali
produttore esecutivo:
Henri Belolo
campana :
Felipe Rose
voce:
Alex Briley, David "Scar" Hodo, Glenn Hughes (singer for Village People), Randy Jones (Village People) e Felipe Rose
voce principale:
Victor Willis (Victor Edward Willis, member of the Village People)
direttore d'orchestra:
Horace Ott
arrangiatore ottoni e archi :
Horace Ott
diritti fonografici (℗) detenuti da:
Casablanca Record and FilmWorks, Inc. (not for release label use, for copyrights use only) (nel 1978)
è stato produttore per:
Can’t Stop Productions, Inc.
registrazione di:
Macho Man
autore:
Henri Belolo, Jacques Morali, Peter Whitehead e Victor Willis (Victor Edward Willis, member of the Village People)
editore:
Can’t Stop Music (US work publisher, affiliated with BMI) e EMI Music (do not use as release label! this is a music publisher)
Village People3:28
4Hot Child in the City
diritti fonografici (℗) detenuti da:
Chrysalis Records, Inc. (not for release label use!) (nel 1976, nel 1978), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1978) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1990)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 22)
registrazione di:
Hot Child in the City
autore:
Nick Gilder e Jim McCulloch (Canadian guitarist for Sweeney Todd/Nick Gilder)
editore:
Beechwood Music Canada e Beechwood Music Corp.
Nick Gilder53:11
5Free Me
tecnico:
Peter Gallen
produttore:
Gerry Bron e Ken Hensley
assistente tecnico di missaggio:
Julian Cooper (engineer) e John Gallen (UK music producer, recording & mix engineer.)
tecnico di missaggio:
Peter Gallen e Robert M. Corich (remastering engineer and record producer,) (dal 1990 al 2004-05)
arrangiatore:
Uriah Heep (British prog/hard rock)
diritti fonografici (℗) detenuti da:
Bronze Records Ltd. (nel 1977), Castle Copyrights Ltd. (nel 1977) e Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1977)
registrata presso:
Roundhouse Studios in London (Greater London), England, Regno Unito (dal 1977-07 al 1977-09)
registrazione di:
Free Me (dal 1977-07 al 1977-09)
paroliere e compositore:
Ken Hensley
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) e Umble Tunes Ltd.
Uriah Heep23:32
62 4 6 8 Motorway
produttore:
Vic Maile
basso :
Tom Robinson (British singer-songwriter, bassist and radio presenter) (il 1977-09-14)
batteria :
Dolphin Taylor (il 1977-09-14)
chitarra :
Danny Kustow (il 1977-09-14)
organo e pianoforte :
Mark Ambler (il 1977-09-14)
voce:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (il 1977-09-14)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977)
registrata presso:
Berwick Street Studios in Westminster, London (Greater London), England, Regno Unito (il 1977-09-14)
registrazione di:
2‐4‐6‐8 Motorway (il 1977-09-14)
paroliere e compositore:
Tom Robinson (British singer-songwriter, bassist and radio presenter)
editore:
Konkwest Music Limited
Tom Robinson Band43:21
7Lay Your Love on Me
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978), RAK Records (copyrights holder) (nel 1978) e RAK (nel 1979)
registrazione di:
Lay Your Love on Me
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music e Universal Music Publishing MGB Australia
Racey3:15
8It’s a Heartache
produttore:
Dave Mackay (producer), David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) e Steve Wolfe (producer, songwriter and guitar player)
basso :
Kevin Dunne
batteria e percussione :
Micky Gibbins (drummer for Badfinger)
chitarra acustica e voce di accompagnamento:
Steve Wolfe (producer, songwriter and guitar player)
voce:
Bonnie Tyler
diritti fonografici (℗) detenuti da:
Castle Copyrights Ltd. (nel 1977), RCA Ltd. (UK arm of RCA) (nel 1977), Sanctuary Copyrights Ltd. (nel 1977), Soundbarrier Ltd. (production company) (nel 1977, nel 1978) e Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (nel 1995)
è stato produttore per:
Soundbarrier Ltd. (production company)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 24)
registrazione di:
It’s a Heartache
autore:
Ronnie Scott (a British pop music promoter, group manager and songwriter) e Steve Wolfe (producer, songwriter and guitar player)
editore:
BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Lojo Music, Scott/Wolfe Songs Ltd., Universal Music Publishing International Ltd., Mighty Music (publisher) (nel 1977) e RAK Publishing (nel 1977)
Bonnie Tyler3.83:32
9Isn’t It Time
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1977)
registrazione di:
Isn’t It Time
autore:
Jack Conrad e Ray Kennedy (singer, songwriter, and record producer based in L.A.)
editore:
EMI Music (do not use as release label! this is a music publisher), Jacon Music, Seven Summits Music, Sony/ATV Melody, Sony/ATV Music Publishing Australia Pty Ltd. e X‐Ray Music
The Babys44:01
10Baker Street
basso :
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel) (nel 1977)
batteria :
Henry Spinetti (nel 1977)
chitarra [lead guitar] :
Hugh Burns (nel 1977)
chitarra [rhythm guitar] :
Nigel Jenkins (nel 1977)
percussione :
Glen LeFleur (nel 1977)
sassofono :
Raphael Ravenscroft (nel 1977)
tastiera :
Tommy Eyre (nel 1977)
voce principale:
Gerry Rafferty (nel 1977)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978, nel 1980), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1978) e United Artists Music and Records Group, Inc. (UAMARG, Inc.) (nel 1978)
registrata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito (nel 1977)
edit di:
Baker Street di Gerry Rafferty
registrazione di:
Baker Street (nel 1977)
paroliere e compositore:
Gerry Rafferty
editore:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) e Universal–Songs of PolyGram International, Inc.
Gerry Rafferty4.154:09
11Jack and Jill
registrazione di:
Jack & Jill
paroliere e compositore:
Ray Parker Jr.
editore:
EMI Music Publishing (do not use as a release label!) e Raydiola Music
Raydio4:32
12Baby It’s You
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1978)
registrazione di:
Baby It’s You (Promises song)
autore:
Benny Knauer (member of Promises) e Leslie Knauer
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!)
Promises3:53
13Computer Games
basso :
Don Martin (bassist and vocalist)
batteria :
Richard Hodgkinson
chitarra :
Kevin Stanton
tastiera :
Murray Burns
voce:
Steve Gilpin
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1979), Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (nel 1979), Sony Music Productions Pty. Ltd. (for copyrights use only) (nel 1979) e Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (nel 1980)
registrazione di:
Computer Games
paroliere:
Steve Gilpin e Kevin Stanton
compositore:
Murray Burns e Kevin Stanton
editore:
Blackwood Music Inc. (1953-02-07–1987-12-30), BMG Music, BMG Music Ltd., BMG Music Publishing Australia Pty Ltd, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs, EMI Songs Australia Pty. Ltd. e Universal Music Publishers MGB Australia Pty Ltd
MiSex4:02
14Dancing in the City
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978) e Harvest (UK based sub‐label of EMI, re‐activated in 2013 under Capitol Music Group in Hollywood, CA) (nel 1978)
registrazione di:
Dancing in the City (nel 1978)
autore:
Kit Hain e Julian Marshall
editore:
EMI Music Publishing (do not use as a release label!), Gallo Music Publishers, Hornall Brothers Music Ltd. (limited company) e Rondor Music (London) Ltd.
Marshall Hain3:49
15Stumblin’ In
voce ospite:
Suzi Quatro (US rock singer‐songwriter, multi‐instrumentalist & actress)
diritti fonografici (℗) detenuti da:
Chinnichap Records Ltd. (nel 1978)
parte di:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 4) e Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 8)
registrazione di:
Stumblin’ In
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Songs, Inc. e Musik-Edition Discoton
Suzi Quatro and Chris Norman4.653:58
16If I Had Words
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 45)
registrazione cover di:
If I Had Words
compositore:
Camille Saint‐Saëns (composer)
arrangiatore:
Jonathan Hodge
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!)
si basa su:
Symphony no. 3 in C minor “avec orgue”, op. 78: II. Allegro moderato — Presto — Maestoso — Allegro
Scott Fitzgerald and Yvonne Keeley23:55
17Are You Old Enough
basso :
Todd Hunter (Todd Stuart Hunter of Dragon)
batteria :
Kerry Jacobson
chitarra :
Robert Taylor (Singer-songwriter and guitarist)
tastiera :
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
voce:
Marc Hunter
diritti fonografici (℗) detenuti da:
Sony Music Productions Pty. Ltd. (for copyrights use only) e Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (nel 1976, nel 1978)
registrazione di:
Are You Old Enough
paroliere e compositore:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
editore:
EMI Songs e EMI Songs Australia Pty. Ltd.
Dragon4:04
18Ebony Eyes
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1977) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1977)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 96)
registrazione di:
Ebony Eyes
paroliere e compositore:
Bob Welch (early member of Fleetwood Mac)
editore:
Cigar Music, EMI Music Publishing Australia Pty Ltd (not for release label use!) e Glenwood Music Corp.
Bob Welch3:33
19Sad Eyes
diritti fonografici (℗) detenuti da:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1979) e EMI Records (a J-Pop division of Universal Music Japan, 2014–present. Do not use for American/European music!) (nel 2002)
registrazione di:
Sad Eyes
paroliere e compositore:
Robert John (US singer‐songwriter)
editore:
BMG Music Publishing, Inc., Careers–BMG Music Publishing, Inc., Chappell & Co., Chappell & Co., Inc. (USA), Six Continents Music Publishing Inc., Unichappell Music, Unichappell Music, Inc., Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Robert John4:14
5▼CD: Australia
#TitoloArtistaValutazioneDurata
1Love Is in the Air
produttore:
Harry Vanda (Australian musician) e George Young (Australian musician and producer)
diritti fonografici (℗) detenuti da:
Albert Productions (nel 1977, nel 1978), Scotti Brothers Records, Inc. (company behind Scotti Bros. Records) (nel 1978) e Volcano Entertainment III, L.L.C. (nel 1998)
registrazione di:
Love Is in the Air (nel 1978)
autore:
Harry Vanda (Australian musician) e George Young (Australian musician and producer)
editore:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd. e Warner/Chappell Music Ltd. (1996–2019)
John Paul Young33:28
2Eagle Rock
basso :
Wayne Duncan (Australian musician)
batteria :
Gary Young (Australian drummer)
chitarra :
Ross Hannaford e Ross Wilson (Australian singer-songwriter, guitarist and producer)
voce:
Ross Wilson (Australian singer-songwriter, guitarist and producer)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1971), Sparmac (nel 1971), Wizard (Australian rock) (nel 1971), Wizard Records (nel 1971) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1998)
registrazione di:
Eagle Rock
autore:
Ross Wilson (Australian singer-songwriter, guitarist and producer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company) e Mushroom Music Pty. Ltd.
Daddy Cool4:11
3Evie (Part 1)
registrazione parziale di:
Evie, Parts 1, 2 & 3
autore:
Harry Vanda (Australian musician) e George Young (Australian musician and producer)
editore:
Boomerang Investments Pty Limited e J. Albert & Son Pty. Ltd.
Stevie Wright4:03
4Most People I Know Think That I’m Crazy
diritti fonografici (℗) detenuti da:
Festival Records (Australian) (nel 1976)
registrazione di:
Most People I Know Think That I’m Crazy
paroliere e compositore:
Billy Thorpe
editore:
Mushroom Music (Mushroom label’s publishing company) e Mushroom Music Publishing
The Aztecs54:14
5I Just Want to Be Your Everything
produttore:
Albhy Galuten, Barry Gibb e Karl Richardson
voce di accompagnamento:
Barry Gibb
diritti fonografici (℗) detenuti da:
Peta Gibb (nel 1977)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1977)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 33)
registrazione di:
I Just Want to Be Your Everything
paroliere e compositore:
Barry Gibb
editore:
Stigwood Music, Inc.
Andy Gibb43:45
6Howzat
diritti fonografici (℗) detenuti da:
Festival Records (Australian) (nel 1976), Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (nel 1976) e Sherbet Record Productions (nel 1976)
registrazione di:
Howzat
autore:
Tony Mitchell (bass, songwriter, Australia) e Garth Porter
editore:
Heath Levy Music Ltd. (publisher), Rondor Music e Rondor Music (Australia) Pty Ltd
Sherbet23:47
7You
diritti fonografici (℗) detenuti da:
Wizard (Australian rock) (nel 1977) e Wizard Records (nel 1977)
registrazione di:
You
autore:
Tim Snow
editore:
EMI Music Publishing (do not use as a release label!) e EMI Music Publishing Australia Pty. Limited (not for release label use!)
Marcia Hines3:14
8In the Summertime
registrazione cover di:
In the Summertime
paroliere e compositore:
Ray Dorset
editore:
Associated Music International Ltd., Bovina Music Inc., Broadley Music (International) Ltd. (PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Our Music Ltd. (possibly aka Our Music Ltd., associated mostly with Mungo Jerry), Satellite Music Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Tunes LLC (ASCAP) e Universal Music Publishing (use ONLY if no country‐specific information is available)
The Mixtures2:39
9Boppin’ the Blues
diritti fonografici (℗) detenuti da:
Festival Records (Australian) (nel 1972)
registrazione cover di:
Boppin’ the Blues
compositore:
Curley Griffin (1950s rockabilly artist) (nel 1956) e Carl Perkins (American pioneer of rockabilly music) (nel 1956)
editore:
Aberbach (London) (publisher), Carl Perkins Music Inc., Hi-Lo Music Inc. (BMI-affiliated), MPL Music Publishing Inc., MPL UK Publishing, Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music) e Wren Music Co.
Blackfeather3:15
10Yellow River
registrazione cover di:
Yellow River
paroliere e compositore:
Jeff Christie
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Jigsaw2:33
11Hey St Peter
produttore:
Harry Vanda (Australian musician) e George Young (Australian musician and producer)
basso elettrico :
Les Karski (nel 1976)
batteria :
Ray Arnott (Australian drummer) (nel 1976)
chitarra elettrica :
Harry Vanda (Australian musician) (nel 1976) e George Young (Australian musician and producer) (nel 1976)
pianoforte :
Warren Morgan (nel 1976)
sintetizzatore e voce principale:
George Young (Australian musician and producer) (nel 1976)
voce:
Harry Vanda (Australian musician) (nel 1976)
diritti fonografici (℗) detenuti da:
Albert Productions (nel 1977, nel 1978) e J. Albert & Son Pty. Ltd. (nel 1977)
registrata presso:
Albert Studios (Australian studio, original King Street location, until 1985) in Sydney, New South Wales, Australia (nel 1976)
registrazione di:
Hey, St. Peter (nel 1976)
autore:
Harry Vanda (Australian musician) e George Young (Australian musician and producer)
editore:
J. Albert & Son Pty. Ltd.
Flash and the Pan44:19
12Emotion
produttore:
Albhy Galuten, Barry Gibb e Karl Richardson
sintetizzatore [synthesizers] :
James Newton Howard (American score composer)
voce:
Samantha Sang
voce di accompagnamento:
Barry Gibb e Robin Gibb
diritti fonografici (℗) detenuti da:
Private Stock Records (not for release label use, for copyrights relationships only; “Private Stock Records™ a division of 43 North Broadway, LLC”) (nel 1977) e Private Stock Records, Ltd. (not for release label use, for company relationships only) (nel 1978)
è stato produttore per:
CAM Productions (US)
registrata presso e remixata presso:
Criteria Sound in Miami, Florida, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 14)
registrazione cover di:
Emotion
autore:
Barry Gibb e Robin Gibb
editore:
Barry Gibb Music, Gibb Brothers Music, Stigwood Music, Unichappell Music, Universal Music Publishing MGB Australia e Warner/Chappell Music Australia Pty. Ltd.
Samantha Sang3.53:57
13Bony Moronie
registrazione cover di:
Boney Maroney
paroliere e compositore:
Lawrence E. Williams (1950s rocker)
editore:
ATV Music Ltd., EMI Music (do not use as release label! this is a music publisher), Sony/ATV Music Publishing (UK) Ltd. e Venice Music
Hush3:11
14My Little Angel
registrazione di:
My Little Angel (William Shakespeare song)
autore:
Harry Vanda (Australian musician) e George Young (Australian musician and producer)
editore:
J. Albert & Son Pty. Ltd.
William Shakespeare3:33
15Daddy Cool
registrazione cover di:
Daddy Cool
autore:
Bob Crewe e Frank Slay Jr.
editore:
Campbell Connelly
Drummond2:42
16Knock Knock Who’s There
registrazione cover di:
Knock Knock Who’s There
autore:
John Carter (songwriter & producer, b. 1942) e Geoff Stephens
Liv Maessen2:29
17Raindrops Keep Falling on My Head
produttore:
Howard Gable (Australian producer)
diritti fonografici (℗) detenuti da:
EMI Music Australia Pty. Limited (not for release label use!) (nel 1969)
registrazione cover di:
Raindrops Keep Fallin’ on My Head
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), New Hidden Valley Music Co., PW Arrangements, Rondor Music (Australia) Pty Ltd, Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd., WB Music Corp. (1929–2019), フジパシフィックミュージック (Fujipacific Music, Inc.) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
parte di:
The 42nd Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1969 winner)
John Farnham2:32
18The Banks of the Ohio
registrazione di:
Banks of the Ohio
autore:
[traditional] (special purpose artist)
editore:
Bienstock Publishing Company (ASCAP affiliated), Blue Gum Music, Ltd e John Farrar Music
parte di:
Roud Folk Song Index (numero: 157)
Olivia Newton‐John3:19
19I Am Pegasus
registrazione di:
I Am Pegasus
autore:
Ross Ryan
Ross Ryan3:49
20Two Little Boys
registrazione cover di:
Two Little Boys
paroliere:
Edward Madden
compositore:
Theodore F. Morse
Rolf Harris53:20
21Redback on the Toilet Seat
registrazione di:
The Redback on the Toilet Seat
paroliere e compositore:
Slim Newton
editore:
Yeldah Music
Slim Newton2:19

Accreditamenti

Pubblicazione

stampata a:Australia
fabbricata da e distribuito da:The EMI Music Group Australasia (not for release label use! manufacturer and distributor)
copyright (©) detenuto da e diritti fonografici (℗) detenuti da:EMI Music Australasia (nel 1997)
Discogs:https://www.discogs.com/release/4952953 [info]