Classical 2012

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Vesperae solennes de confessore for soloists, chorus & orchestra, K. 339: Laudate Dominum
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1998-06)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo‐soprano) (in 1998-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1998-06)
conductor:
Myung-Whun Chung (pianist and conductor) (in 1998-06)
chorus master:
Roberto Gabbiani (chorus master) (in 1998-06)
recorded at:
Auditorium Conciliazione in Roma (Rome), Roma, Lazio, Italy (in 1998-06)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum (in 1998-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1780)
part of:
Vesperae solennes de confessore, K. 339
Wolfgang Amadeus Mozart5:04
2Prelude for piano No.6 in G minor, Op. 23/5
piano:
Lang Lang (Chinese pianist) (in 2004-12)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-12)
recording of:
10 Preludes, op. 23: No. 5 in G minor: Alla marcia (in 2004-12)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1901)
part of:
10 Preludes, op. 23
Sergei Rachmaninoff4:27
3Carmen: La fleur que tu m'avais jetée
tenor vocals:
Andrea Bocelli (tenor)
orchestra:
Orchestre philharmonique de Radio France
conductor:
정명훈 (Myung-Whun Chung, pianist and conductor)
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (in 2010)
composer:
Georges Bizet (French composer) (in 1875)
librettist:
Ludovic Halévy (French librettist) (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
Georges Bizet3:44
4Orfeo, chamber cantata for soprano, strings & continuo, Op. 2/4: Nel chiuso centro
soprano vocals:
Анна Нетребко (Anna Netrebko, soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
Giovanni Battista Pergolesi2:05
5Suite española No. 1, for piano, Op. 47, B. 7: Granada
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) (in 2010-10)
engineer:
Daniel Kemper (in 2010-10) and Rainer Maillard (in 2010-10)
executive producer:
Dr. Alexander Buhr
producer:
Sid McLauchlan (engineer/producer)
editor:
Michael Lewin (pianist)
guitar:
Miloš Karadaglić (classical guitarist) (in 2010-10)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 2010-10)
recording of:
Suite española no. 1, op. 47: I. Granada (Serenata) (catch-all for arrangements)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Suite española no. 1, op. 47: I. Granada (Serenata) (for solo piano)
Isaac Albéniz5:54
6Adriana Lecouvreur, opera: La dolcissima effigie
tenor vocals:
Jonas Kaufmann (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
Francesco Cilea2:29
7Symphony No. 5 in E minor, Op. 64: 3. Valse. Allegro moderato
orchestra:
Orquesta Sinfónica Simón Bolívar (Simón Bolívar Symphony Orchestra) (in 2008-01)
conductor:
Gustavo Dudamel (conductor and violinist) (in 2008-01)
recorded at:
Sala Simón Bolivar (CASPM) in Caracas, Venezuela (in 2008-01)
live recording of:
Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato (in 2008-01)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
recording of:
Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Peter Ilich Tchaikovsky6:19
8Suor Angelica, opera: Senza mamma, o bimbo, tu sei morto
soprano vocals:
Renée Fleming (soprano)
orchestra:
Orchestra Sinfonica di Milano Giuseppe Verdi (Symphony Orchestra of Milan Giuseppe Verdi)
conductor:
Marco Armiliato (conductor)
recording of:
Suor Angelica: “Senza mamma, o bimbo, tu sei morto!” (Suor Angelica)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A.
part of:
Suor Angelica
Giacomo Puccini4:31
9Symphony No. 8 in F major, Op. 93: 2. Allegretto scherzando
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Riccardo Chailly (conductor)
recording of:
Symphony no. 8 in F major, op. 93: II. Allegretto scherzando
composer:
Ludwig van Beethoven (German composer) (in 1812)
part of:
Symphony no. 8 in F major, op. 93
Ludwig van Beethoven3:42
10Rigoletto, opera: La donna è mobile
tenor vocals:
Rolando Villazón (tenor)
orchestra:
Prague Philharmonia
conductor:
Daniele Callegari (conductor)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2010)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi2:12
11Nocturne for piano in C sharp minor
piano:
Benjamin Grosvenor (pianist)
Fryderyk Chopin3:48
12Carmen, opera: Près des remparts de Séville
mezzo-soprano vocals:
Elīna Garanča (Latvian operatic lyric mezzo-soprano)
tenor vocals:
Roberto Alagna (tenor)
orchestra:
Orchestra Sinfonica Nazionale della RAI (RAI National Symphony Orchestra, formed in 1994, merging the four former RAI orchestras of Turin, Rome, Naples, and Milan)
conductor:
Karel Mark Chichon (conductor)
recording of:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet4:40
13Dance of the Blessed Spirits (Melody), arrangement (from "Orfeo ed Euridice")
producer:
Michel Glotz
flute:
Karlheinz Zöller (flutist) (from 1983-09-28 until 1983-09-30)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1983-09-28 until 1983-09-30)
conductor:
Herbert von Karajan (conductor) (from 1983-09-28 until 1983-09-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1983-09-28 until 1983-09-30)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1984)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1983-09-28 until 1983-09-30)
recording of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version) (from 1983-09-28 until 1983-09-30)
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
part of:
Orpheus und Eurydike: Akt II (German version)
Christoph Willibald Gluck6:47
14Les Pêcheurs de perles, opera in 3 acts: Je crois entendre encore
recording engineer:
Ingmar Haas (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor/engineer/producer)
tenor vocals:
Joseph Calleja (tenor) (from 2005-05-16 until 2005-05-21)
orchestra:
Academy of St Martin in the Fields (from 2005-05-16 until 2005-05-21)
conductor:
Carlo Rizzi (conductor) (from 2005-05-16 until 2005-05-21)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Gaumont (film company) (in 2021)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2005-05-16 until 2005-05-21)
recording of:
Les Pêcheurs de perles : Acte I. No. 4 Romance « Je crois entendre encore » (Nadir) (from 2005-05-16 until 2005-05-21)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte I
Georges Bizet3:22
15Missa "Ecco Si Beata Giorno" - Agnus Dei II
Alessandro Striggio3:48
16Piano Concerto No. 1 in D flat major, Op. 10: 2. Andante assai
recording engineer:
Arthur Lilley (engineer), Philip Wade (engineer) and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1974-01)
orchestra:
London Symphony Orchestra (in 1974-01)
conductor:
André Previn (pianist, conductor, composer, arranger) (in 1974-01)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1975) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1975)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-01)
recording of:
Piano Concerto no. 1 in D-flat major, op. 10: II. Andante assai (in 1974-01)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (from 1911 until 1912)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Piano Concerto no. 1 in D-flat major, op. 10
Sergey Rachmaninov4:39
17Core 'ngrato (Catari), for voice & orchestra
recording engineer:
James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1985-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1985-07)
conductor:
Giancarlo Chiaramello (in 1985-07)
arranger:
Giancarlo Chiaramello
phonographic copyright (℗) by:
Dala Luma
recorded at:
Chiesa di San Giorgio (Palazzo in Bologna) (in 1985-07)
recording of:
Core ’ngrato (Catarì, Catarì) (Original for voice & orchestra) (in 1985-07)
lyricist:
Riccardo Cordiferro (in 1911)
composer:
Salvatore Cardillo (Italian-American composer) (in 1911)
publisher:
Ed. G. Ricordi & Cia. SpA (Italian publisher)
Salvatore Cardillo4:55
18Clair de lune, for piano (Suite Bergamasque No. 3), L. 75/3
piano:
Itamar Golan (pianist)
violin:
Janine Jansen (Dutch violinist and violist)
recording of:
Suite bergamasque : III. Clair de lune (catch-all for arrangements)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
arrangement of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
Claude Debussy4:22
19Wiegenlied ("Guten Abend, gut Nacht"), song for voice & piano, Op. 49/4
bass-baritone vocals:
Bryn Terfel (bass‐baritone opera singer)
orchestra:
London Symphony Orchestra
conductor:
Barry Wordsworth (conductor)
recording of:
5 Lieder, op. 49: Nr. 4. Wiegenlied (catch‐all for arrangements)
composer:
Johannes Brahms (German composer)
arrangement of:
5 Lieder, op. 49: Nr. 4. Wiegenlied “Guten Abend, gute Nacht” (original for voice and piano)
recording of:
5 Lieder, op. 49: Nr. 4. Wiegenlied “Guten Abend, gute Nacht” (original for voice and piano)
lyricist:
"Des Knaben Wunderhorn" ([traditional], special purpose artist) and Georg Scherer (author and publisher of German folk songs, fables, sayings and riddles.)
composer:
Johannes Brahms (German composer) (in 1868)
dedicated to:
Bertha Faber
premiered at:
[concert] (1869-12-22)
publisher:
N. Simrock (in 1874)
version of:
Fünf Lieder für eine Stimme, op. 49: Nr. 4, Wiegenlied “Guten Abend, gut’ Nacht” (early one-verse version)
part of:
5 Lieder, op. 49
Johannes Brahms2:04
20Radetzky-Marsch, for orchestra, Op. 228
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Franz Welser‐Möst (conductor)
recording of:
Radetzky‐Marsch, op. 228 (Radetzky March, op. 228)
composer:
Johann Strauss (Johann Strauss I, Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (in 1848)
dedicated to:
Joseph Radetzky von Radetz
premiered at:
Wasserglacis in Wien (Vienna), Austria (on 1848-08-31)
part of:
Works of Johann Strauss Sr. by opus number (number: op. 228)
Johann Strauss I3:25
2▼CD
#TitleArtistRatingLength
1Das Land Des Lächelns (The Land of Smiles), Operetta in 3 Acts (Revision of "Die Gelbe Jacke"): Dein Ist Mein Ganzes Herz!
recording engineer:
James Lock (James Locke, engineer) (on 1990-07-07), John Pellowe (audio engineer) (on 1990-07-07) and Philip Siney (sound engineer) (on 1990-07-07)
producer:
Christopher Raeburn (producer)
editor:
Nigel Gayler
tenor vocals:
Plácido Domingo (tenor) (on 1990-07-07)
orchestra:
Orchestra del Maggio Musicale Fiorentino (on 1990-07-07) and Orchestra del Teatro dell’Opera di Roma (on 1990-07-07)
conductor:
Zubin Mehta (conductor) (on 1990-07-07)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1990)
recorded at:
Terme di Caracalla in Roma (Rome), Roma, Lazio, Italy (on 1990-07-07)
live recording of:
Das Land des Lächelns: Akt II. Nr. 11 „Dein ist mein ganzes Herz” (Sou-Chong) (on 1990-07-07)
lyricist:
Ludwig Herzer and Fritz Löhner-Beda (librettist, lyricist, writer)
composer:
Franz Lehár (composer)
publisher:
Glocken Verlag
part of:
Das Land des Lächelns: Akt II
Franz Lehár3:33
2Bachianas Brasileiras No. 5, for Voice & 8 Cellos, A. 389: Aria (Cantilena)
soprano vocals:
Patricia Petibon (soprano)
orchestra:
Orquesta Nacional de España (Spanish National Orchestra)
conductor:
Josep Pons (conductor)
recording of:
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) (for voice and cellos)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
part of:
Bachianas Brasileiras nº 5, W389 (for voice and cellos)
Heitor Villa‐Lobos5:36
3Berceuse for Piano in D Flat Major, Op. 57, CT. 7
piano:
Daniel Barenboim (pianist and conductor)
recording of:
Berceuse in D‐flat major, op. 57
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
dedicated to:
Elise Gavard
part of:
Works of Fryderyk Chopin by opus number (number: op. 57)
Fryderyk Chopin4:33
4Cantata No. 169, "Gott Soll Allein Mein Herze Haben," BWV 169 (BC A143): 2. Arioso
countertenor vocals:
Andreas Scholl (countertenor)
orchestra:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
conductor:
Julia Schröder (violinist)
recorded at:
Les Dominicains de Haute-Alsace in Guebwiller, Haut-Rhin, Grand Est (Great East), France
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": II. Arioso (Alt) "Gott soll allein mein Herze haben" (from 2011-01-23 until 2011-01-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
Johann Sebastian Bach2:50
5Rondo a Capriccio for Piano in G Major ("Rage Over a Lost Penny"), Op. 129
piano:
Alice Sara Ott (pianist)
recording of:
Rondo a capriccio for Piano in G major, op. 129 “The Rage Over the Lost Penny”: Allegro vivace
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 129)
Ludwig van Beethoven6:19
6Misa Criolla, for tenor, piano, chorus & orchestra: Kyrie
choir vocals:
Coro del Teatro Comunale di Bologna
tenor vocals:
Juan Diego Flórez (Peruvian operatic tenor)
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Michele Mariotti (conductor)
recording of:
Misa criolla: I. Kyrie
composer:
Ariel Ramírez (Argentinian composer, pianist and music director) (in 1964)
part of:
Misa criolla
Ariel Ramírez4:31
7Ständchen ("Leise Flehen Meine Lieder"), Song for Voice & Piano (Schwanengesang), D. 957/4
violin:
Nicola Benedetti (violinist)
orchestra:
Academy of St Martin in the Fields
conductor:
Kenneth Sillito (violinist)
recording of:
Schwanengesang, D. 957: IV. Ständchen (catch-all for arrangements)
composer:
Franz Schubert (composer)
arrangement of:
Schwanengesang, D. 957: IV. Ständchen (Leise flehen meine Lieder) (for voice and piano)
Franz Schubert4:13
8Die Fledermaus (The Bat), Operetta (RV 503): Mein Herr Marquis
soprano vocals:
Aleksandra Kurzak (soprano)
orchestra:
Orquestra de la Comunitat Valenciana
conductor:
Omer Meir Wellber
recording of:
Die Fledermaus: Akt II. Nr. 8b „Mein Herr Marquis, ein Mann wie Sie…“ (Adele, Chor) (Laughing song)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss II3:22
9Concerto for Violin, Strings & Continuo No. 1 in a Minor, BWV 1041: 1. Allegro Moderato
assistant engineer:
Sherri Hendrickson (in 2003-01)
engineer:
Marc Stedman (in 2003-01)
producer:
Thomas Frost (classical music producer)
violin:
Hilary Hahn (violinist) (in 2003-01)
orchestra:
Los Angeles Chamber Orchestra (in 2003-01)
conductor:
Jeffrey Kahane (pianist and conductor) (in 2003-01)
balance engineer:
Tom Lazarus (in 2003-01)
recorded at:
Zipper Hall in Los Angeles, California, United States (in 2003-01)
recording of:
Violin Concerto in A minor, BWV 1041: I. Allegro (in 2003-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in A minor, BWV 1041
Johann Sebastian Bach3:24
10Tito Manlio (I), Opera in 3 Acts, RV 738: Sonno, Se Pur Sei Sonno
producer:
Arend Prohmann (producer / editor)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2008-10)
orchestra:
Venice Baroque Orchestra (in 2008-10)
conductor:
Andrea Marcon (Italian conductor & keyboardist) (in 2008-10)
recorded at:
Kulturzentrum Grand Hotel: Gustav-Mahler-Saal in Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (in 2008-10)
recording of:
Tito Manlio, RV 738-A: Atto III, Scena I. Aria. "Sonno, se pur sei sonno" (Manlio) (in 2008-10)
lyricist:
Matteo Noris
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (from 1718 until 1719)
part of:
Tito Manlio, RV 738: Atto III
Antonio Vivaldi2:53
11Consolation, for Piano No. 3 in D Flat Major "Lento Placido", S. 172/3 (LW A111a/2/2)
producer:
Peter Wadland (producer) (from 1985-03 to present)
piano:
Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (in 1985-03)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1985-03)
recording of:
Consolation in D‐flat major, S. 172 no. 3: Lento placido (in 1985-03)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Consolations, S. 172
Franz Liszt3:51
12Rusalka, Opera, B. 203 (Op. 114): Mesícku Na Nebi Hlubokém (Song to the Moon)
piano:
Eric Schneider (pianist)
soprano vocals:
Anna Prohaska (soprano)
recording of:
Rusalka, op. 114: Song to the Moon (catch-all for arrangements)
composer:
Antonín Dvořák (composer)
arrangement of:
Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) (Rusalka, op. 114, B. 203: Act 1. "Song to the Moon", Song to the Moon)
Antonín Dvořák5:00
13La Traviata, Opera: Act 1. Prelude
assistant recording engineer:
Adam Chignell (in 1994-12) and Ian Watson (editor/engineer/producer) (in 1994-12)
recording engineer:
John Dunkerley (engineer) (in 1994-12), Simon Eadon (classical music engineer) (in 1994-12) and Michael Mailes (engineer) (in 1994-12)
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor/engineer/producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1994-12)
conductor:
Sir Georg Solti (conductor) (in 1994-12)
recorded at:
Royal Opera House (“Covent Garden”) in London (Greater London), England, United Kingdom (in 1994-12)
live recording of:
La traviata: Preludio (in 1994-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
La traviata
part of:
La traviata (english lyrics)
part of:
La traviata (french lyrics)
part of:
La Traviata (aka Violetta, german lyrics)
part of:
Violetta (La traviata) (german lyrics)
recording of:
La traviata: Preludio
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
La traviata
part of:
La traviata (english lyrics)
part of:
La traviata (french lyrics)
part of:
La Traviata (aka Violetta, german lyrics)
part of:
Violetta (La traviata) (german lyrics)
Giuseppe Verdi3:35
14I Vespri Siciliani, Opera (Les Vêpres Siciliennes): Mercè, Dilette Amiche
soprano vocals [Elena]:
Angela Gheorghiu (Romanian soprano)
orchestra:
Orchestra Sinfonica di Milano Giuseppe Verdi (Symphony Orchestra of Milan Giuseppe Verdi)
conductor:
Riccardo Chailly (conductor)
recording of:
I vespri siciliani: Atto V. Bolero “Mercè, dilette amiche” (Elena)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Charles Duveyrier and Eugène Scribe
translator:
Arnaldo Fusinato
part of:
I vespri siciliani: Atto V
Giuseppe Verdi4:03
15The Sleeping Beauty, Ballet, Op. 66: Valse. La Belle Au Bois Dormant
orchestra:
Симфонический оркестр Мариинского театра (Mariinsky Theatre Orchestra, fka Kirov Orchestra till 1992)
conductor:
Валерий Гергиев (Valery Gergiev, conductor)
recording of:
The Sleeping Beauty, op. 66: Acte I, no. 6. Valse
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte I
Peter Ilich Tchaikovsky4:47
16Werther, Lyric Drama in 4 Acts: Pourquoi Me Réveiller, Ô Souffle Du Printemps?
tenor vocals:
Giuseppe Di Stefano (tenor) (in 1959)
orchestra:
Tonhalle‐Orchester Zürich
conductor:
Franco Patanè (conductor)
recording of:
Werther : Acte III. « Toute mon âme est là ! » – « Pourquoi me réveiller ? » (Werther) (in 1959)
composer:
Jules Massenet (French Romantic composer)
librettist:
Édouard Blau (Librettist), Georges Hartmann (librettist) and Paul Milliet (Librettist)
part of:
Werther : Acte III (Charlotte et Werther)
Jules Massenet3:09
17Sicilienne and Rigaudon in the Style of Francoeur, for violin & piano
piano:
Paul Coker (pianist) (from 1995-04-08 until 1995-04-09)
violin:
Joshua Bell (violinist) (from 1995-04-08 until 1995-04-09)
recorded at:
Saint George’s, Bristol (Brandon Hill) in Bristol, England, United Kingdom (from 1995-04-08 until 1995-04-09)
recording of:
Sicilienne et Rigaudon (in the style of François Francœur) (from 1995-04-08 until 1995-04-09)
composer:
Fritz Kreisler (Austrian‐American violinist and composer) (in 1910)
Fritz Kreisler4:01
18Work (S): Lucrezia (Based on Fragments of the Aria Già Nel S)
soprano vocals:
Danielle de Niese (soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
James Morgan (composer, conductor, producer; co-founder of Morgan Pochin Music Productions)
partial recording of:
La Lucrezia, HWV 145: IX. Arioso "Gia nel seno comincia a compir"
composer:
George Frideric Handel (German‐British baroque composer) (in 1708-08)
part of:
La Lucrezia, HWV 145
recording of:
La Lucrezia, HWV 145: IX. Arioso "Gia nel seno comincia a compir"
composer:
George Frideric Handel (German‐British baroque composer) (in 1708-08)
part of:
La Lucrezia, HWV 145
Georg Friedrich Händel2:59
19Coppélia, Ou La Fille Aux Yeux D'Émail, Ballet: Valse
recording engineer:
James Locke (engineer)
producer:
John Mordler (producer)
clarinet:
Robert Gugolz
viola:
Ron Golan
violin:
Marcel Graveis
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1969-09)
recording of:
Coppélia : Tableau I, no. 1b. Valse (Valse lente)
composer:
Léo Delibes (French composer) (in 1870)
part of:
Coppélia : Tableau I
Léo Delibes2:05
20Martha, Opera: The Last Rose of Summer
soprano vocals:
Joan Sutherland (soprano)
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Martha: Akt II. „Letzte Rose“ (The Last Rose of Summer)
composer:
Friedrich von Flotow (composer)
part of:
Martha: Akt II
Friedrich von Flotow3:17

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ASIN:UK: B005I7OXEE [info]