| # | Title | Artist | Rating | Length |
|---|
| 1 | Go Your Own Way | Fleetwood Mac | 4 | 3:39 |
| 2 | What’s Love Got to Do With It- engineer and mixer:
- John Hudson
- producer:
- Terry Britten
- drums (drum set):
- Graham Jarvis
- guitar:
- Terry Britten
- keyboard:
- Nick Glennie‐Smith and Billy Livsey
- percussion:
- Simon Morton
- background vocals:
- Terry Britten and Tessa Niles
- lead vocals:
- Tina Turner
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1984), Parlophone Records Ltd. (in 1984, in 1997) and EMI Records Ltd. (in 2004)
- recorded at:
- Mayfair Studios in London , England, United Kingdom
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 134), Billboard: The 500 Best Pop Songs (number: 160) and Rolling Stone: 500 Greatest Songs of All Time (number: 309)
- recording of:
- What’s Love Got to Do With It
- writer:
- Graham Lyle and Terence Ernest Britten
- publisher:
- Hornall Brothers Music Ltd. , Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. , Goodsingle Limited (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
| Tina Turner | 4.05 | 3:46 |
| 3 | Iris | The Goo Goo Dolls | 4.15 | 4:49 |
| 4 | Edge of Seventeen | Stevie Nicks | 4.15 | 5:29 |
| 5 | Hungry Like the Wolf | Duran Duran | 4.15 | 3:40 |
| 6 | You’re So Vain- recording engineer:
- Robin Geoffrey Cable (from 1972-09 until 1972-10)
- engineer:
- Robin Geoffrey Cable
- producer:
- Richard Perry
- bass:
- Klaus Voorman (from 1972-09 until 1972-10)
- drums (drum set):
- Jim Gordon (from 1972-09 until 1972-10)
- guitar:
- Jimmy Ryan (from 1972-09 until 1972-10)
- percussion:
- Richard Perry (from 1972-09 until 1972-10)
- piano and lead vocals:
- Carly Simon (from 1972-09 until 1972-10)
- additional background vocals:
- Carly Simon (from 1972-09 until 1972-10) and Doris Troy (from 1972-09 until 1972-10)
- background vocals:
- Mick Jagger (from 1972-09 until 1972-10)
- strings arranger:
- Carly Simon
- orchestrator:
- Paul Buckmaster
- phonographic copyright (℗) by:
- Elektra Records (in 1972), Elektra/Asylum Records (in 1972), Elektra Entertainment (in 1978), WEA International Inc. (in 1984) and Rhino Entertainment Company (in 2015)
- recorded at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom (from 1972-09 until 1972-10)
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 100), Billboard: The 500 Best Pop Songs (number: 140) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 495)
- recording of:
- You’re So Vain (from 1972-09 until 1972-10)
- lyricist and composer:
- Carly Simon
- publisher:
- C’est Music, Quackenbush Music, Ltd. , Universal Music Corporation and Universal Music Publishing Group
| Carly Simon | 4.55 | 4:18 |
| 7 | Listen to the Music | The Doobie Brothers | 5 | 3:26 |
| 8 | Locked Out of Heaven- assistant recording engineer:
- Bob Mallory and Tyler Hartman
- recording engineer:
- alalal , Wayne Gordon, Ari Levine and Mark Ronson
- miscellaneous support:
- Mark Ronson (task: dj shit) and Artie Smith (task: gear & vibes)
- additional engineer:
- Charles Moniz
- producer:
- Jeff Bhasker, Emile Haynie , Mark Ronson and The Smeezingtons
- mixer:
- Manny Marroquin
- additional drums (drum set) [drums], additional effects [FX] and additional keyboard [keys]:
- Emile Haynie
- bass:
- Nick Movshon
- drums (drum set) [drums]:
- Homer Steinweiss
- guitar [guitars]:
- Bruno Mars
- keyboard [keyboards]:
- Jeff Bhasker
- vocals:
- Bruno Mars
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 2012) and WEA International Inc. (in 2012)
- recorded at:
- Avatar Studios in Hell's Kitchen, New York, New York, United States, Daptone Studios in Bushwick, New York, New York, United States and Levcon Studios in Hollywood, Los Angeles, California, United States
- mixed at:
- Larrabee Studios in North Hollywood, Los Angeles, California, United States
- part of:
- Billboard Year-End Hot 100 singles of 2013 (number: 11) and BILLIONS CLUB
- recording of:
- Locked Out of Heaven
- writer:
- Bruno Mars , Philip Lawrence and Ari Levine
- publisher:
- BMG Rights Management (US) LLC , Mars Force Music, Mars Force Songs, LLC, Music Famamanem LP, Northside Independent Music Publishing LLC, Roc Nation Music, Toy Plane Music, Universal Music Corp. and WB Music Corp.
| Bruno Mars | 4.15 | 3:53 |
| 9 | Take On Me | a‐ha | 4.5 | 3:44 |
| 10 | Brass in Pocket- additional recording engineer:
- Steve Nye
- engineer:
- Bill Price
- producer:
- Chris Thomas
- mixer:
- Michael Paul Stavrou
- phonographic copyright (℗) by:
- Warner Music UK Ltd. (in 1979, in 1987, in 2000)
- additionally recorded at:
- Air Studios in London , England, United Kingdom
- recorded at:
- Wessex Sound Studios in Highbury, Islington, London , England, United Kingdom
- mixed at:
- Air Studios in London , England, United Kingdom
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 89) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 389)
- recording of:
- Brass in Pocket
- writer:
- James Honeyman‐Scott and Chrissie Hynde
- publisher:
- ATV Music Ltd., Banks Clive Music, EMI Music Publishing , EMI Music Publishing Australia Pty Ltd , Hynde House of Hits Music and Modern Music Publishing Co., Inc.
| Pretenders | 4.15 | 3:05 |
| 11 | Everywhere | Fleetwood Mac | 4.1 | 3:43 |
| 12 | Here I Go Again- assistant engineer:
- Bryan New
- engineer:
- Guy Bidmead and Martin Birch
- producer and mixer:
- Martin Birch
- bass guitar:
- Neil Murray
- drums (drum set) and percussion:
- Ian Paice
- guitar:
- Bernie Marsden and Micky Moody
- keyboard:
- Jon Lord
- additional background vocals:
- Mel Galley
- background vocals:
- Micky Moody
- lead vocals:
- David Coverdale
- recorded at:
- Clearwell Castle in Gloucestershire, England, United Kingdom and Rock City Studios in Shepperton, Surrey, England, United Kingdom
- mixed at:
- Battery Studios in London , England, United Kingdom and Britannia Row in Islington, London , England, United Kingdom
- recording of:
- Here I Go Again
- writer:
- David Coverdale and Bernie Marsden
- publisher:
- Warner Chappell Music Ltd. (ended), EMI Music Publishing (WP) Ltd., EMI Music Publishing Scandinavia AB, Seabreeze Music Ltd., Songs of Windswept Pacific, Warner/Chappell Music Scandinavia AB, Windswept Pacific Music Ltd., Windswept Pacific Music Ltd. , WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- 渡辺音楽出版 , イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Whitesnake | 4 | 5:08 |
| 13 | Semi-Charmed Life | Third Eye Blind | 4.25 | 4:28 |
| 14 | Yellow | Coldplay | 3.25 | 4:26 |
| 15 | The Best | Tina Turner | 4 | 5:29 |
| 16 | Da Ya Think I’m Sexy- engineer:
- Andy Johns
- producer:
- Tom Dowd
- mixer:
- Tom Dowd and Andy Johns
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. and WEA Records B.V. (in 1978)
- music videos:
- Da Ya Think I'm Sexy? by Rod Stewart
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 301)
- recording of:
- Da Ya Think I’m Sexy?
- writer:
- Carmine Appice, Duane Hitchings and Rod Stewart
- publisher:
- Control , EMI April Music Inc., EMI Full Keel Music, EMI Music , EMI Music Publishing Ltd. , Nitestalk Music, Riva Music Ltd., Warner/Chappell Music, Inc., Warner/Chappell North America, WC Music Corp., ヤマハミュージックエンタテインメントホールディングス , ワーナー・チャペル音楽出版 Synch事業部 , イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
- version of:
- Taj Mahal
| Rod Stewart | 4.2 | 5:31 |
| 17 | Kiss From a Rose | Seal | 3.75 | 4:48 |
| 18 | Treasure- recording engineer:
- Ari Levine
- additional engineer:
- Charles Moniz
- producer:
- The Smeezingtons
- mixer:
- Manny Marroquin
- vocals:
- Bruno Mars
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 2012) and WEA International Inc. (in 2012)
- mixed at:
- Larrabee Studio in Los Angeles, California, United States
- engineered at:
- Levcon Studios in Hollywood, Los Angeles, California, United States
- part of:
- Billboard Year-End Hot 100 singles of 2013 (number: 30)
- recording of:
- Treasure
- writer:
- Phredley Brown, Christopher Irfane Khan, Philip Lawrence , Ari Levine, Bruno Mars and Thibaut Berland
- publisher:
- Because Éditions, BMG Gold Songs, Headbangers Publishing, Lickshot, Mars Force Music, Music Famamanem LP, Northside Independent Music Publishing LLC, Roc Nation Music, Toy Plane Music, Universal Music Corp. and WB Music Corp.
- is based on:
- Greedy for Treasure
| Bruno Mars | 3.5 | 2:58 |
| 19 | Drive- recording engineer:
- Nigel Green
- producer:
- The Cars and Robert John “Mutt” Lange
- mixer:
- Mike Shipley
- bass:
- Benjamin Orr
- drums (drum set):
- David Robinson
- guitar:
- Elliot Easton and Ric Ocasek
- keyboard:
- Greg Hawkes
- vocals:
- Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr
- phonographic copyright (℗) by:
- Elektra/Asylum Records (in 1984) and WEA International Inc. (in 1984)
- recorded at:
- Battery Studios in London , England, United Kingdom
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- music videos:
- Drive by The Cars
- recording of:
- Drive
- publisher:
- Ric Ocasek (in 1983)
- lyricist and composer:
- Ric Ocasek
- publisher:
- Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. , Universal‐MCA Music Publishing and Warner/Chappell Music Ltd.
| The Cars | 4 | 3:54 |
| 20 | Dreams | Fleetwood Mac | 4.25 | 4:17 |
| 21 | I Want to Know What Love Is- additional engineer:
- Josh Abbey, Larry Alexander , Jason Corsaro , Joe Ferla and Howie Lindeman
- assistant engineer:
- Bobby Cohen , Tim Crich and Scott "Abada" Mabuchi
- engineer:
- Frank Filipetti
- producer:
- Mick Jones and Alex Sadkin
- additional keyboard:
- Tom Bailey
- bass guitar:
- Rick Wills
- drums (drum set):
- Dennis Elliott
- electric guitar:
- Mick Jones
- additional vocals:
- Jennifer Holliday
- background vocals:
- Donnie Harper, Mick Jones and Rick Wills
- choir vocals:
- The New Jersey Mass Choir
- lead vocals:
- Lou Gramm
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1984), Warner Music International (in 1984), WEA International Inc. (in 1984, in 2018) and Rhino Entertainment Company (in 2009)
- additionally recorded at:
- Right Track Recording in Manhattan, New York, New York, United States
- recorded at:
- The Hit Factory in Manhattan, New York, New York, United States
- mixed at:
- Right Track Recording in Manhattan, New York, New York, United States
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 65), Billboard: The 500 Best Pop Songs (number: 205) and Rolling Stone: 500 Greatest Songs of All Time (number: 476)
- recording of:
- I Want to Know What Love Is
- lyricist and composer:
- Mick Jones
- publisher:
- Evansongs Ltd. , Somerset Songs Publishing Inc., Warner Brothers Music Ltd. , Warner Chappell Music , Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Foreigner | 3.95 | 5:04 |
| 22 | Right Down the Line- recording engineer:
- Barry Hammond
- producer:
- Hugh Murphy and Gerry Rafferty
- mixer:
- Declan O’Doherty
- bass:
- Gary Taylor
- drums (drum set):
- Henry Spinetti
- guitar family:
- Hugh Burns
- organ and piano:
- Tommy Eyre
- percussion:
- Glen LeFleur
- steel guitar:
- Brian Cole
- lead vocals:
- Gerry Rafferty
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1977), Parlophone Records Ltd. (in 1978) and United Artists Music and Records Group, Inc. (in 1978)
- recorded at:
- Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom
- mixed at:
- Advision Studios in Fitzrovia, Camden , Westminster, London , England, United Kingdom
- part of:
- Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 1)
- recording of:
- Right Down the Line
- lyricist and composer:
- Gerry Rafferty
- publisher:
- Stage Three Music Publishing Limited, Universal–Songs of PolyGram International, Inc. and Music of Stage Three (in 1978)
| Gerry Rafferty | 3.5 | 4:27 |
| 23 | Once in a Lifetime- additional engineer:
- Jack Nuber, John Potoker and Steven Stanley
- assistant engineer:
- Kendal Stubbs
- engineer:
- Dave Jerden
- producer:
- Brian Eno and Talking Heads
- mixer:
- David Byrne , Brian Eno, Dave Jerden and John Potoker
- bass:
- Tina Weymouth
- drums (drum set):
- Chris Frantz
- guitar and lead vocals:
- David Byrne
- keyboard:
- Jerry Harrison
- background vocals:
- Brian Eno and Nona Hendryx
- arranger:
- Talking Heads
- vocals arranger:
- David Byrne and Brian Eno
- phonographic copyright (℗) by:
- Sire Records Company (in 1980)
- additionally recorded at:
- Eldorado Studios in Burbank, California, United States and Sigma Sound Studios in New York, New York, United States
- recorded at:
- Compass Point Studios in Nassau, Bahamas, Eldorado Studios in Burbank, California, United States (lead vocals, background vocals) and Sigma Sound Studios in New York, New York, United States (lead vocals, background vocals)
- mixed at:
- Eldorado Studios in Burbank, California, United States
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 28), Helsingin Sanomat: 100 maailman parasta laulua (number: 35) and Indie 88: Top 500 Indie Rock Songs (number: 54)
- recording of:
- Once in a Lifetime
- lyricist:
- David Byrne
- composer:
- David Byrne , Brian Eno, Chris Frantz, Jerry Harrison and Tina Weymouth
- publisher:
- Bleu Disque Music Co. , Careers–BMG Music Publishing, Inc., E.G. Music Ltd. and Index Music
| Talking Heads | 4.35 | 4:19 |
| 24 | Castle on the Hill- programming:
- benny blanco
- engineer:
- Joe Rubel and Chris Sclafani
- producer:
- benny blanco and Ed Sheeran
- assistant mixer:
- Michael Freeman and Geoff Swan
- mixer:
- Mark “Spike” Stent
- bass:
- Pino Palladino
- drums (drum set):
- Leo Taylor
- guitar, mandolin, background vocals and lead vocals:
- Ed Sheeran
- keyboard:
- benny blanco and Thomas Bartlett
- piano:
- Thomas Bartlett
- phonographic copyright (℗) by:
- Asylum Records UK (in 2017) and Warner Music UK Limited (in 2024)
- recorded at:
- Gingerbread Man Studios in Suffolk, England, United Kingdom, Gingerbread Man Studios in London , England, United Kingdom, Matza Ball Studio in New York, New York, United States, RAK Recording Studios in London , England, United Kingdom and The Dwelling in New York, New York, United States
- mixed at:
- The Mix Suite in London , England, United Kingdom and The Mixsuite in Los Angeles, California, United States
- part of:
- Billboard Year-End Hot 100 singles of 2017 (number: 40)
- recording of:
- Castle on the Hill
- writer:
- Benjamin Levin and Ed Sheeran
- publisher:
- Ed Sheeran Limited, Please Don't Forget to Pay Me Music and Sony/ATV Music Publishing (UK) Ltd.
| Ed Sheeran | 3.7 | 4:21 |
| 25 | Last Request | Paolo Nutini | 3.35 | 3:40 |
| 26 | Paradise | Coldplay | 2.95 | 4:38 |
| 27 | Young Turks | Rod Stewart | 4.4 | 5:02 |
| 28 | Owner of a Lonely Heart- engineer:
- Gary Langan
- producer:
- Trevor Horn
- bass guitar:
- Chris Squire (in 1983)
- drums (drum set):
- Alan White (in 1983)
- guitar:
- Trevor Rabin (in 1983)
- keyboard:
- Tony Kaye (in 1983)
- lead vocals:
- Jon Anderson (in 1983)
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1983, in 2003) and WEA International Inc. (in 1983, in 2003)
- recorded at:
- Sarm Studios in Aldgate, Tower Hamlets, London , England, United Kingdom (in 1983)
- recording of:
- Owner of a Lonely Heart (in 1983)
- writer:
- Jon Anderson , Trevor Horn, Trevor Rabin and Chris Squire
- publisher:
- Affirmative Music , BMG Chrysalis Scandinavia AB , BMG Rights Management (UK) Ltd. , Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC , Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. , Tremander Songs, Unforgettable Songs , Unforgettable Songs Ltd., Warner Bros. Music , Warner Bros. Music Ltd. , Warner Chappell Music , Warner Chappell Music Ltd. , Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. , Warner/Chappell and Warner/Chappell North America Limited
- sub-publisher:
- エイベックス・ミュージック・パブリッシング 第7出版事業部 , ワーナー・チャペル音楽出版 Synch事業部 , フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
| Yes | 3.95 | 4:28 |
| 29 | Ironic | Alanis Morissette | 4 | 3:45 |
| 30 | Waiting for a Girl Like You | Foreigner | | 4:52 |
| 31 | Walking in Memphis | Marc Cohn | 4 | 4:12 |
| 32 | Werewolves of London | Warren Zevon | 4.9 | 3:29 |
| 33 | It’s My Life | Talk Talk | 3.75 | 3:52 |
| 34 | I Keep Forgettin (Every Time You’re Near) | Michael McDonald | 4.2 | 3:42 |
| 35 | Long Train Runnin’- engineer:
- Donn Landee
- producer:
- Ted Templeman
- congas, cymbal and timbales:
- Michael Hossack
- guest synthesizer:
- Malcolm Cecil and Robert Margouleff
- guitar:
- Jeff “Skunk” Baxter, Tom Johnston and Patrick Simmons
- harmonica:
- Tom Johnston
- keyboard, organ and piano:
- Bill Payne
- membranophone:
- John Hartman and Michael Hossack
- percussion:
- John Hartman and Ted Templeman
- steel guitar:
- Jeff “Skunk” Baxter
- synthesizer:
- Tom Johnston and Patrick Simmons
- vocals:
- John Hartman , Tom Johnston , Tiran Porter and Patrick Simmons
- bass arranger:
- Tiran Porter
- strings arranger:
- Nick de Caro
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (, in 1973) and WEA International Inc. (in 1973)
- recorded at:
- Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California, United States
- recording of:
- Long Train Runnin’
- lyricist and composer:
- Tom Johnston
- publisher:
- Warner–Tamerlane Publishing Corp. , Warner Bros. Music (in 1982) and Warner Chappell Music (in 1991)
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| The Doobie Brothers | 4.1 | 3:27 |
| 36 | Pencil Full of Lead | Paolo Nutini | | 2:26 |
| 37 | Feel It Still- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 2017) and WEA International Inc. (in 2017)
- music videos:
- Feel It Still by Portugal. The Man
- part of:
- Billboard Decade End Chart: Adult Contemporary Songs (number: 33), Billboard Year-End Hot 100 singles of 2018 (number: 33), Grammy Award: Best Pop Duo/Group Performance nominees (number: 2018 winner), Billboard Year-End Hot 100 singles of 2017 (number: 45), BILLIONS CLUB and Indie 88: Top 500 Indie Rock Songs (number: 386)
- recording of:
- Feel It Still
- writer:
- Robert Bateman , Zachary Scott Carothers, Frederick Gorman, John Baldwin Gourley, John Hill , Brian Holland , Eric Howk, Zoe Manville, Kyle O'Quin, Jason Wade Sechrist and Asa Taccone
- publisher:
- Warner–Tamerlane Publishing Corp.
- is based on:
- Please Mr. Postman
| Portugal. The Man | 4.15 | 2:42 |
| 38 | William, It Was Really Nothing | The Smiths | 4.5 | 2:11 |
| 39 | DARE | Gorillaz | 3.65 | 4:04 |
| 40 | Stars | Simply Red | 2.8 | 4:08 |
| 41 | Tush | ZZ Top | 4.65 | 2:13 |
| 42 | Geno | Dexys Midnight Runners | 3 | 3:27 |
| 43 | Golden Brown | The Stranglers | 4.4 | 3:26 |
| 44 | Everything I Own | Bread | 4.35 | 3:07 |
| 45 | Love Changes (Everything) | Climie Fisher | 3.9 | 4:28 |
| 46 | Ventura Highway | America | 4 | 3:31 |
| 47 | Babooshka- assistant engineer:
- John Barratt (from 1979-09 until 1980-05)
- engineer:
- Jon Kelly (from 1979-09 until 1980-05)
- producer:
- Kate Bush and Jon Kelly
- analog synthesizer [CS 80] and lead vocals:
- Kate Bush (from 1979-09 until 1980-05)
- balalaika:
- Paddy Bush (from 1979-09 until 1980-05)
- drums (drum set):
- Stuart Elliott (from 1979-09 until 1980-05)
- electric bass guitar:
- John Giblin (from 1979-09 until 1980-05)
- electric guitar:
- Brian Bath (from 1979-09 until 1980-05) and Alan Murphy (from 1979-09 until 1980-05)
- Rhodes piano [Fender Rhodes]:
- Max Middleton (from 1979-09 until 1980-05)
- background vocals:
- Paddy Bush (from 1979-09 until 1980-05) and Gary Hurst (from 1979-09 until 1980-05)
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1980), Novercia Ltd. (in 1980) and EMI America Records, Inc. (in 1982)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (from 1979-09 until 1980-05) and Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London , England, United Kingdom (from 1979-09 until 1980-05)
- recording of:
- Babooshka (from 1979-09 until 1980-05)
- lyricist and composer:
- Kate Bush
- publisher:
- EMI Music Publishing Ltd. and Kate Bush Music Ltd.
| Kate Bush | 3.55 | 3:29 |
| 48 | Sleeping Satellite | Tasmin Archer | 4 | 4:18 |
| 49 | Under the Bridge | Red Hot Chili Peppers | 4.3 | 4:24 |
| 50 | December, 1963 (Oh What a Night!) | Frankie Valli & The Four Seasons | | 3:21 |
| 51 | Love Shack- assistant engineer:
- Martin Kunitz
- engineer:
- Dave Cook
- producer:
- Don Was
- mixer:
- Tom Durack
- guest bass guitar:
- Sara Lee
- guest drums (drum set):
- Charley Drayton
- guest horn:
- Uptown Horns
- guitar:
- Keith Strickland
- keyboard:
- Kate Pierson
- vocals:
- Kate Pierson, Fred Schneider and Cindy Wilson
- phonographic copyright (℗) by:
- Reprise Records (in 1989)
- recorded at:
- Dreamland Studios in Hurley, New York, United States
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- additionally produced at:
- Bearsville Studios in Bearsville, New York, United States
- music videos:
- Love Shack by The B‐52’s
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 40), Billboard: The 500 Best Pop Songs (number: 41) and Rolling Stone: 500 Greatest Songs of All Time (number: 243)
- recording of:
- Love Shack
- writer:
- Kate Pierson, Fred Schneider , Keith Strickland and Cindy Wilson
- publisher:
- Man-Woman Together, Now!
| The B‐52s | 4.2 | 5:20 |
| 52 | So Young- recording engineer:
- Oliver Leiber and Barry Rudolph
- programming:
- Leo Pearson
- producer:
- Jim Corr and Oliver Lieber
- assistant mixer:
- Ryan Freeland
- mixer:
- Bob Clearmountain
- drums (drum set):
- Gota Yashiki, Groove Activator
- guitar:
- Anto Drennan
- lead vocals:
- Andrea Corr
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1997) and WEA International Inc. (in 1998)
- produced for:
- Noise Club, Inc.
- recorded at:
- Ollywood Studios in Hollywood, Los Angeles, California, United States
- mixed at:
- Mix This! Studio in Pacific Palisades, Los Angeles, California, United States
- recording of:
- So Young
- writer:
- Andrea Corr, Caroline Corr, Jim Corr and Sharon Corr
- publisher:
- Beacon Communications Music Co. (in 1997) and Songs of PolyGram International, Inc. (in 1997)
| The Corrs | 3.5 | 3:52 |
| 53 | Black Velvet | Alannah Myles | 4.5 | 4:47 |
| 54 | Summer Breeze | Seals & Crofts | 4.35 | 3:25 |
| 55 | Ridin’ Solo | Jason Derulo | 3.8 | 3:35 |
| 56 | I’m a Believer | The Monkees | | 2:47 |
| 57 | Stop Draggin’ My Heart Around | Stevie Nicks, Tom Petty and the Heartbreakers | 4.4 | 4:04 |
| 58 | I Believe in a Thing Called Love | The Darkness | 4.2 | 3:37 |
| 59 | Pack Up | Eliza Doolittle | 3.5 | 3:11 |
| 60 | Le Freak | Chic | 4.45 | 3:30 |
| 61 | Feel Good Inc | Gorillaz | 4.05 | 3:42 |
| 62 | I Say a Little Prayer- recording engineer:
- Tom Dowd (on 1968-04-17)
- producer:
- Jerry Wexler
- bass:
- Jerry Jemmott (on 1968-04-17)
- drums (drum set):
- Roger Hawkins (on 1968-04-17)
- guitar:
- Tommy Cogbill (on 1968-04-17)
- piano and lead vocals:
- Aretha Franklin (on 1968-04-17)
- background vocals:
- The Sweet Inspirations (on 1968-04-17)
- arranger:
- Tom Dowd and Arif Mardin
- phonographic copyright (℗) by:
- Warner Music UK Ltd. , Atlantic Recording Corporation (in 1968) and WEA International Inc. (in 1968)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1968-04-17)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 117)
- cover recording of:
- I Say a Little Prayer (on 1968-04-17)
- lyricist:
- Hal David
- composer:
- Burt Bacharach
- publisher:
- Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. and Windswept Pacific Music Ltd.
- part of:
- Baby It’s You!
| Aretha Franklin | 4.35 | 3:33 |
| 63 | H Gang | Donald Fagen | | 5:14 |
| 64 | Believe | Cher | 3.7 | 3:59 |
| 65 | For What It’s Worth | Buffalo Springfield | 4.25 | 2:33 |
| 66 | The Scientist | Coldplay | 4.1 | 5:09 |
| 67 | She’s Gone | Daryl Hall & John Oates | 3.65 | 5:13 |
| 68 | Don’t Get Me Wrong | Pretenders | 4.2 | 3:47 |
| 69 | Wuthering Heights | Kate Bush | | 3:25 |
| 70 | We Built This City- assistant engineer:
- Paul Ericksen
- engineer:
- Jeremy Smith
- producer:
- Jeremy Smith and Peter Wolf
- mixer:
- Bill Bottrell
- other vocals [DJ voice]:
- Les Garland (in 1985)
- arranger:
- Peter Wolf
- phonographic copyright (℗) by:
- BMG Music (in 1985) and RCA Records (in 1985)
- mixed at:
- Fantasy Studios in Berkeley, California, United States
- remixed at:
- The Soundcastle in Silver Lake, Los Angeles, California, United States
- recording of:
- We Built This City (in 1985)
- writer:
- Dennis Lambert, Martin Page, Bernie Taupin and Peter Wolf
- publisher:
- BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control , Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. , Universal Music–MGB Songs, Warner/Chappell Music Ltd. , Zomba Enterprises and Zomba Enterprises, Inc.
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Starship | 3.9 | 4:56 |
| 71 | Blue Monday | New Order | 3.7 | 7:30 |
| 72 | Psycho Killer- additional engineer:
- Matt Cohen
- engineer:
- Ed Stasium
- executive producer:
- Karen Ahmed and Robin Hurley
- producer:
- Tony Bongiovi, Lance Quinn and Talking Heads
- bass guitar:
- Tina Weymouth (from 1976 until 1977)
- drums (drum set):
- Chris Frantz (from 1976 until 1977)
- guitar:
- David Byrne (from 1976 until 1977) and Jerry Harrison (from 1976 until 1977)
- guitar and keyboard and keyboard:
- Jerry Harrison (from 1976 until 1977)
- lead vocals:
- David Byrne (from 1976 until 1977)
- vocals:
- Jerry Harrison (from 1976 until 1977)
- phonographic copyright (℗) by:
- Sire Records Inc. (in 1977)
- recorded at:
- Sundragon Studios in Flatiron District, New York, New York, United States (from 1976 until 1977)
- mixed at:
- Mediasound Studios in New York, New York, United States (in 2005)
- samples from:
- Lexicon Valley #190, "Beyond the Five Ws" by John McWhorter
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 108)
- recording of:
- Psycho Killer (from 1976 until 1977)
- lyricist:
- David Byrne , Chris Frantz and Tina Weymouth
- composer:
- David Byrne
- publisher:
- Bleu Disque Music Co., Inc. , Index Music, Inc., Warner Bros. Music Ltd. and Warner Chappell Music
| Talking Heads | 4.05 | 4:21 |
| 73 | Stay With Me | Faces | 4.5 | 4:39 |
| 74 | American Idiot | Green Day | 4.1 | 2:54 |
| 75 | When the Morning Comes | Daryl Hall & John Oates | 2.5 | 3:16 |
| 76 | Juice- programming and producer:
- Ricky Reed
- assistant engineer:
- Rouble Kapoor
- engineer:
- Bill Malina and Ethan Shumaker
- additional producer:
- Nate Mercereau
- assistant mixer:
- Scott Desmarais and Robin Florent
- mixer:
- Manny Marroquin
- bass guitar [bass] and guitar:
- Nate Mercereau and Ricky Reed
- drums (drum set) [drums] and percussion:
- Victor Indrizzo
- keyboard [keyboards]:
- Ricky Reed
- saxophone:
- Jesse McGinty
- trombone:
- Lemar Guillary
- trumpet:
- Michael Cordone
- background vocals:
- Asha Maura, Shelby Swain, Theron Thomas and Quinn Wilson
- lead vocals:
- Lizzo
- performer:
- Rouble Kapoor
- recorded at:
- Elysian Park in Echo Park, Los Angeles, California, United States and United Recording in Hollywood, Los Angeles, California, United States
- mixed at:
- Larrabee Studios in North Hollywood, Los Angeles, California, United States
- part of:
- TheNeedleDrop: Top 50 Singles of 2019 (number: 14)
- recording of:
- Juice
- writer:
- Eric Frederic, Melissa “Lizzo” Jefferson , Sean Small, Sam Sumser and Theron Thomas
- publisher:
- BMG Gold Songs, Frederic and Ried Music, Lizzo Music , Prescription Songs, Sam Sum Music, Sean Small Music, Songs from the Boardwalk, Sony/ATV Music Publishing, LLC , Sumser Music and TNT Explosive Publishing
| Lizzo | 3.7 | 3:15 |
| 77 | Ordinary World | Duran Duran | 4 | 4:19 |
| 78 | Hooked on a Feeling | Blue Swede, Björn Skifs | 4.05 | 2:52 |
| 79 | All Summer Long | Kid Rock | 3.3 | 4:57 |
| 80 | There Is a Light That Never Goes Out | The Smiths | 4.4 | 4:04 |
| 81 | I’m Yours | Jason Mraz | 3.8 | 4:02 |
| 82 | Rockabye- additional drum machine programming:
- Luke Patterson
- programming:
- Jack Patterson and Hal Ritson
- additional sound engineer:
- Hal Ritson
- sound engineer:
- Dann Pursey , Chris Laws and Anthony Leung
- audio engineer:
- Drew Smith and Tom AD Fuller
- producer:
- Steve Mac , Jack Patterson and Mark Ralph
- mixer:
- Jack Patterson and Mark Ralph
- cello:
- Grace Chatto
- drums (drum set):
- Luke Patterson
- keyboard:
- Steve Mac
- piano:
- Jack Patterson
- viola:
- James Boyd
- violin:
- Braimah Kanneh‐Mason and Beatrice Philips
- additional vocals:
- Kelly Barnes
- background vocals:
- Caroline Ailin and Grace Chatto
- lead vocals:
- Anne‐Marie and Sean Paul
- performer:
- Clean Bandit
- phonographic copyright (℗) by:
- Asylum Records (in 2016), Atlantic Records UK (in 2016) and Major Toms (in 2016)
- recorded at:
- Club Ralph in London , England, United Kingdom, Rokstone Studios in Parsons Green, Hammersmith and Fulham, London , England, United Kingdom and The Crypt Studio in Crouch End, Haringey, London , England, United Kingdom
- mixed at:
- Club Ralph in London , England, United Kingdom
- part of:
- Billboard Year-End Hot 100 singles of 2017 (number: 44) and BILLIONS CLUB
- recording of:
- Rockabye
- writer:
- Steve Mac , Ammar Malik, Jack Patterson , Sean Paul Henriques and Ina Wroldsen
- publisher:
- BMG Rights Management (UK) Ltd. , Dutty Rock Music, EMI April Music Inc., EMI Music Publishing Ltd. , Lotzah Balls Soup, Maru Cha Cha, Reservoir Reverb Music Publishing Ltd, Rokstone Music Ltd. and Where Da Katz At
| Clean Bandit, Sean Paul & Anne‐Marie | 3.15 | 4:10 |
| 83 | Gold | Spandau Ballet | 3.5 | 3:51 |
| 84 | You’re Beautiful | James Blunt | 4.15 | 3:29 |
| 85 | Baker Street (radio edit)- bass:
- Gary Taylor (in 1977)
- drums (drum set):
- Henry Spinetti (in 1977)
- guitar [lead guitar]:
- Hugh Burns (in 1977)
- guitar [rhythm guitar]:
- Nigel Jenkins (in 1977)
- keyboard:
- Tommy Eyre (in 1977)
- percussion:
- Glen LeFleur (in 1977)
- saxophone:
- Raphael Ravenscroft (in 1977)
- lead vocals:
- Gerry Rafferty (in 1977)
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1978, in 1980), Parlophone Records Ltd. (in 1978) and United Artists Music and Records Group, Inc. (in 1978)
- recorded at:
- Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom (in 1977)
- edit of:
- Baker Street by Gerry Rafferty
- recording of:
- Baker Street (in 1977)
- lyricist and composer:
- Gerry Rafferty
- publisher:
- B Music, Belfern Ltd., EMI Music Publishing , EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. , Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. , Universal Songs and Universal–Songs of PolyGram International, Inc.
| Gerry Rafferty | 4.15 | 4:08 |
| 86 | I’m Gonna Be (500 Miles) | The Proclaimers | 4 | 3:39 |
| 87 | 2002 | Anne‐Marie | 3.35 | 3:06 |
| 88 | Galway Girl- drum machine programming:
- Mike Elizondo
- assistant engineer:
- Brent Arrowood and Duncan Fuller
- engineer:
- Graham Archer , Adam Hawkins and Joe Rubel
- producer:
- Mike Elizondo
- assistant mixer:
- Michael Freeman and Geoff Swan
- mixer:
- Mark “Spike” Stent
- accordion:
- Sean Graham and Damian McKee
- acoustic guitar:
- Johnny McDaid
- bass synthesizer and keyboard:
- Mike Elizondo
- bodhrán:
- Eamon Murray
- drums (drum set):
- Trevor Lawrence, Jr.
- fiddle:
- Niamh Dunne
- guitar and lead vocals:
- Ed Sheeran
- piano:
- Liam Bradley and Mike Elizondo
- tin whistle:
- Brian Finnegan
- background vocals:
- Liam Bradley, Niamh Dunne, Sean Graham, Damian McKee, Eamon Murray, Ed Sheeran and Foy Vance
- phonographic copyright (℗) by:
- Asylum Records UK (in 2017) and Warner Music UK Limited (in 2024)
- recorded at:
- Can Am in Tarzana, Los Angeles, California, United States, Decoy Studios in Studio City, Los Angeles, California, United States, Gingerbread Man Studios in Suffolk, England, United Kingdom, Gingerbread Man Studios in London , England, United Kingdom and RAK Recording Studios in London , England, United Kingdom
- mixed at:
- The Mix Suite in London , England, United Kingdom and The Mixsuite in Los Angeles, California, United States
- recording of:
- Galway Girl
- lyricist:
- Liam Bradley, Niamh Dunne, Sean Graham, Johnny McDaid, Damian McKee, Eamon Murray, Ed Sheeran , Foy Vance and Amy Wadge
- publisher:
- BDi Music Ltd. , Copyright Control , Ed Sheeran Limited, Foy Vance Songs, Primary Wave Vance Music, Sony/ATV Music Publishing (UK) Ltd. and Spirit B Unique Polar Patrol Songs
| Ed Sheeran | 3 | 2:48 |
| 89 | Proud Mary | Tina Turner | 3.65 | 5:27 |
| 90 | Too Shy | Kajagoogoo | 3.65 | 3:41 |
| 91 | She Said | Plan B | 3.35 | 3:28 |
| 92 | That’s the Way (I Like It) | KC & the Sunshine Band | 4 | 5:08 |
| 93 | Stand by Me- recorded in:
- New York, New York, United States (on 1960-10-27)
- producer:
- Leiber and Stoller
- vocals:
- Ben E. King (on 1960-10-27)
- conductor:
- Stan Applebaum (on 1960-10-27)
- arranger:
- Stan Applebaum
- phonographic copyright (℗) by:
- HHO Ltd. , WEA International Inc. (in 1960, in 1961) and Atlantic Recording Corporation (in 1986)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
- recording of:
- Stand by Me (on 1960-10-27)
- publisher:
- Mike Stoller
- writer:
- Ben E. King, Jerry Leiber and Mike Stoller
- publisher:
- A.D.T. Enterprises, Hornall Brothers Music , Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt , Melodie der Welt GmbH & Co. KG , Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music , Trio Music Co., Inc., Unichappell Music and Universal Music Publishing
| Ben E. King | 4.65 | 2:57 |
| 94 | Respect | Aretha Franklin | | 2:25 |
| 95 | Express Yourself | Charles Wright & the Watts 103rd Street Rhythm Band | 4.5 | 3:53 |
| 96 | Light My Fire- engineer and mixer:
- Bruce Botnick
- producer:
- Paul A. Rothchild
- drums (drum set):
- John Densmore (in 1966-09)
- guitar:
- Robby Krieger (in 1966-09)
- keyboard:
- Ray Manzarek (in 1966-09)
- vocals:
- Jim Morrison (in 1966-09)
- phonographic copyright (℗) by:
- Elektra Entertainment (in 1967), Elektra Records (in 1967, in 2017), Elektra (in 1971) and Rhino Entertainment Company (in 2017)
- engineered at:
- Sunset Sound Recorders in Hollywood, Los Angeles, California, United States
- music videos:
- Light My Fire by The Doors
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 35) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 310)
- recording of:
- Light My Fire (in 1966-09)
- writer:
- John Densmore, Robby Krieger , Ray Manzarek and Jim Morrison
- publisher:
- Doors Music Company, Nipper Music, Rondor Music (London) Ltd. and 日音 Synch事業部
| The Doors | 4.3 | 7:09 |
| 97 | Song 2- engineer:
- John Smith
- producer:
- Stephen Street
- acoustic guitar:
- Damon Albarn and Graham Coxon
- bass guitar:
- Alex James
- drums (drum set):
- Graham Coxon and Dave Rowntree
- electric guitar, theremin and background vocals:
- Graham Coxon
- Hammond organ, keyboard, piano and lead vocals:
- Damon Albarn
- percussion:
- Dave Rowntree
- publisher:
- EMI Music Publishing Ltd.
- phonographic copyright (℗) by:
- EMI Records Ltd (in 1997)
- music videos:
- Song 2 by Blur
- part of:
- NME: 50 Greatest Guitar Riffs of All Time (number: 8), NME: Greatest “Indie” Anthems Ever: 2007 (number: 15), Indie 88: Top 500 Indie Rock Songs (number: 57) and BILLIONS CLUB
- recording of:
- Song 2
- lyricist:
- Damon Albarn
- composer:
- Damon Albarn, Graham Coxon, Alex James and Dave Rowntree
- publisher:
- EMI Blackwood Music Inc., EMI Music Publishing Ltd. , Kobalt Music Publishing Ltd. , Sony Music Publishing (Japan) Inc. , Sony/ATV Music Publishing (UK) Ltd., Warner–Tamerlane Publishing Corp. , Warner/Chappell Music Ltd. , Wixen Music UK Ltd., ソニー・ミュージックパブリッシング A事業部 , ソニー・ミュージックパブリッシング EMI外国事業部 , ヤマハミュージックEH(CM) , ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
- sub-publisher:
- EMI Music Publishing Hong Kong , FujiPacific Music (S.E. Asia) Ltd., 香港商百代音樂股份有限公司台灣分公司 and 香港商華納音樂出版有限公司台灣分公司
| Blur | 4.25 | 2:01 |
| 98 | This Is Me | Keala Settle & The Greatest Showman Ensemble | 2.5 | 3:54 |
| 99 | Forget You | CeeLo Green | 3.35 | 3:42 |
| 100 | Smile | Lily Allen | 3.7 | 3:16 |
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