Noël: A Celebration of Christmas Classical Music

~ Veröffentlichung von Luciano Pavarotti, Kiri Te Kanawa, Joan Sutherland, Sir Georg Solti (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Largo from Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”
Produzent(in):
Michael Bremner (producer/engineer)
Orchester:
Academy of St Martin in the Fields (in 1973-09)
conductor:
Sir Neville Marriner (conductor) (in 1973-09)
Tonmeister(in):
Stanley Goodall (engineer) (in 1973-09)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1973-09)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: VI. Pastorale (Largo) (in 1973-09)
Komponist(in):
Arcangelo Corelli (Italian baroque composer and violinist)
Teil von:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Arcangelo Corelli2:29
2Fantasia on Christmas Carols
recording engineer:
Philip Siney (sound engineer) (von 1994-01-10 bis 1994-01-13)
Produzent(in):
Chris Hazell (von 1994-01-10 bis 1994-01-13)
Editing:
Caroline Haigh
Orgel:
David Dunnett (chorus master/organist) (von 1994-01-10 bis 1994-01-13)
Bass-Gesang:
Donald Sweeney (bass vocalist) (von 1994-01-10 bis 1994-01-13)
Chorgesang:
Choir of Winchester Cathedral (von 1994-01-10 bis 1994-01-13) und Waynflete Singers (von 1994-01-10 bis 1994-01-13)
Orchester:
Bournemouth Symphony Orchestra (von 1994-01-10 bis 1994-01-13)
conductor:
David Hill (British organist and conductor) (von 1994-01-10 bis 1994-01-13)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1995)
aufgenommen bei:
Winchester Cathedral in Winchester, Hampshire, England, Vereinigtes Königreich (von 1994-01-10 bis 1994-01-13)
recording of:
Fantasia on Christmas Carols (von 1994-01-10 bis 1994-01-13)
Komponist(in):
Ralph Vaughan Williams (English composer) (in 1912)
Ralph Vaughan Williams12:30
3Ave Maria
Produzent(in):
Paul Myers (classical record producer)
Soprangesang:
Kiri Te Kanawa (soprano) (von 1989-02-24 bis 1989-02-25)
Orchester:
Utah Symphony Orchestra (von 1989-02-24 bis 1989-02-25)
conductor:
Julius Rudel (conductor) (von 1989-02-24 bis 1989-02-25)
arranger:
Chris Hazell
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1989)
aufgenommen bei:
Salt Lake Tabernacle (Mormon Tabernacle) in Salt Lake City, Utah, Vereinigte Staaten (von 1989-02-24 bis 1989-02-25)
live recording of:
Ave Maria (catch-all for arrangements of the Bach / Gounod work) (von 1989-02-24 bis 1989-02-25)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) und Charles Gounod (French composer)
publisher:
Lam Larghetto Music (vom 1993 bis heute)
Arrangement von:
Ave Maria (Bach/Gounod)
Bach / Gounod2:42
4Shepherds’ Farewell from L’Enfance du Christ, op. 25: Part II: no. 8
Chorgesang:
St. Anthony Singers
Orchester:
The Goldsbrough Orchestra
conductor:
Sir Colin Davis (English conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1961)
recording of:
L'Enfance du Christ, op. 25 : Deuxième partie no. 8. Adieu des bergers à la sainte famille « Il s'en va loin de la terre » (Les bergers) (“The Shepherds' Farewell”)
Texter und Komponist(in):
Hector Berlioz (French composer)
Teil von:
L'Enfance du Christ : Deuxième partie « La Fuite en Égypte »
Hector Berlioz5:00
5O Holy Night
recording engineer:
John Dunkerley (engineer) und James Lock (James Locke, engineer) (in 1976-01)
Techniker(in):
John Dunkerley (engineer)
Produzent(in):
Ray Minshull (record producer)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1976-01)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
arranger und Orchestrator(in):
Douglas Gamley (film composer)
phonographisches Urheberrecht (℗) von:
Decca Records Company (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1976)
aufgenommen bei:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1976-01)
recording of:
O Holy Night (in 1976-01)
Texter:
John Sullivan Dwight (in 1855)
Komponist(in):
Adolphe Adam (French composer) (in 1847)
übersetzte Version von:
Cantique de Noël “Minuit chrétiens” (French original of “O Holy Night”)
recording of:
O Holy Night (catch-all for arrangements)
Komponist(in):
Adolphe Adam (French composer)
Arrangement von:
O Holy Night
Adolphe Adam4:13
6Messiah, HWV 56: Part I, nos. 13-17. Pastoral Symphony… There Were Shepherds Arriving in the Fields…Glory to God
Sound-Engineering:
Simon Eadon (classical music engineer) (in 1984-10) und James Lock (James Locke, engineer) (in 1984-10)
Produzent(in):
Ray Minshull (record producer)
Chorgesang:
Chicago Symphony Chorus (in 1984-10)
Soprangesang:
Kiri Te Kanawa (soprano) (in 1984-10)
Orchester:
Chicago Symphony Orchestra (in 1984-10)
conductor:
Sir Georg Solti (conductor) (in 1984-10)
chorus master:
Margaret Hillis (chorus master) (in 1984-10)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only)
aufgenommen bei:
Orchestra Hall, Chicago in Chicago, Illinois, Vereinigte Staaten (in 1984-10)
recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Teil von:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Teil von:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest”
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
George Frideric Handel6:39
7Sleigh Ride
recording engineer:
Simon Eadon (classical music engineer) (von 1994-01-10 bis 1994-01-13) und Philip Siney (sound engineer) (von 1994-01-10 bis 1994-01-13)
Produzent(in):
Chris Hazell
Editing:
Caroline Haigh
Orchester:
Bournemouth Symphony Orchestra (von 1994-01-10 bis 1994-01-13)
conductor:
David Hill (British organist and conductor) (von 1994-01-10 bis 1994-01-13)
Orchestrator(in):
Sir Thomas Beecham (conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1995)
aufgenommen bei:
Winchester Cathedral in Winchester, Hampshire, England, Vereinigtes Königreich (von 1994-01-10 bis 1994-01-13)
recording of:
Winter Night (Sleigh Ride), RT VI/7 no. 2 (von 1994-01-10 bis 1994-01-13)
Komponist(in):
Frederick Delius (English composer)
Teil von:
Delius Catalogue of Works (DCW) (Nummer: DCW 23)
Teil von:
Three Small Tone Poems, RT VI/7
Frederick Delius6:27
8Angels From the Realms of Glory
Techniker(in):
Stanley Goodall (engineer) (in 1985-03)
Produzent(in):
Christopher Raeburn (producer)
Soprangesang:
Kiri Te Kanawa (soprano) (in 1985-03)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-03)
conductor:
Carl Davis (conductor and composer) (in 1985-03)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1986)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1985-03)
recording of:
Angels From the Realms of Glory (sung to the French carol tune “Iris” (Les anges dans nos campagnes)) (in 1985-03)
Texter:
James Montgomery (hymnwriter, poet)
Komponist(in):
[traditional] (special purpose artist)
Arrangement von:
Angels From the Realms of Glory (arr. Wood)
basiert auf:
Angels From the Realms of Glory (hymn without specified tune)
basiert auf:
Les Anges dans nos campagnes
[traditional]3:32
9Behold I Bring You Glad Tidings
Orgel:
Charles Spinks (classical harpsichordist)
Bass-Gesang:
Stafford Dean (operatic bass)
Chorgesang:
The Schütz Choir
Countertenorgesang:
Paul Esswood (countertenor)
Tenor-Gesang:
Ian Partridge (tenor)
Orchester:
London String Players (Academy of St Martin in the Fields)
conductor:
Roger Norrington (conductor)
recording of:
Behold, I bring you glad tidings, Z. 2
Texter und Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
Henry Purcell: An Analytical Catalogue of His Music (Nummer: Z. 2)
Henry Purcell10:15
10Ave Maria
recording engineer:
John Dunkerley (engineer) und James Lock (James Locke, engineer) (in 1976-01)
Produzent(in):
Ray Minshull (record producer)
Chorgesang:
Wandsworth School Boys’ Choir (in 1976-01)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1976-01)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
arranger:
Douglas Gamley (film composer)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
aufgenommen bei:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1976-01)
live recording of:
Ave Maria (catch-all for arrangements) (in 1976-01)
Komponist(in):
Franz Schubert (composer)
Arrangement von:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
Texter:
[anonymous] (special purpose artist)
Komponist(in):
Franz Schubert (composer)
Version von:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Ave Maria "Ellens Gesang III", op. 52 Nr. 6 D. 839, Schubert's song, not the Bach/Gounod work; original for voice and piano)
recording of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Ave Maria "Ellens Gesang III", op. 52 Nr. 6 D. 839, Schubert's song, not the Bach/Gounod work; original for voice and piano)
Texter:
Jairo (Argentinean singer) und Sir Walter Scott (19th-century Scottish author)
Komponist(in):
Franz Schubert (composer) (in 1825)
Übersetzer:
Adam Storck
Teil von:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (Nummer: D. 839)
Franz Schubert4:48
11Panis angelicus
Techniker(in):
Rafał Paczkowski (engineer) (von 1995-01 bis 1995-02) und Tony Philpot (in 1995-02)
Mix:
Giles Martin (producer) und Steve Orchard (producer and engineer)
Editing:
Derek Nash (saxophone, engineer, UK)
Diskantstimme:
Anthony Way (UK chorister and classical singer) (von 1995-01 bis 1995-02)
Orchester:
The Warsaw Philharmonia (The Warsaw National Philharmonic Orchestra) (von 1995-01 bis 1995-02)
conductor:
Krzesimir Dębski (von 1995-01 bis 1995-02)
chorus master:
John Scott (organist, choirmaster) (von 1995-01 bis 1995-02)
arranger:
Stanislas Syrewicz
phonographisches Urheberrecht (℗) von:
Remedia Services Ltd. (in 1995)
aufgenommen bei:
Polish Radio and TV Recording Studios (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw (Warschau), Mazowieckie (Woiwodschaft Masowien), Polen (von 1995-01 bis 1995-02) und The Music Studio, BBC TV Centre in White City, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (in 1995-02)
recording of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus (von 1995-01 bis 1995-02)
Texter:
St. Thomas Aquinas
Komponist(in):
César Franck (Belgian‐born French composer) (in 1860)
Teil von:
Messe solennelle en la majeur, op. 12
César Franck3:25
12Pastoral Sinfonia from A Christmas Oratorio, BWV 248: Part II
Techniker(in):
Martin Fouqué
Produzent(in):
Ray Minshull (record producer)
Orchester:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:
Karl Münchinger (German conductor)
aufgenommen bei:
Church of Schloss Ludwigsburg (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Deutschland
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia
Premiere in:
Leipzig, Sachsen, Deutschland (am 1734-12-26)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1734 bis 1735)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:39
13What Child Is This
Chorgesang:
The Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
Soprangesang:
Joan Sutherland (soprano)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Richard Bonynge (conductor and pianist)
arranger:
Douglas Gamley (film composer)
phonographisches Urheberrecht (℗) von:
London Records, Inc.
recording of:
What Child Is This?
Texter:
William Chatterton Dix (in 1865)
Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 25608)
Version von:
Greensleeves (generic entry for traditional and unknown arrangements)
[traditional]3:24
14Hallelujah Chorus from Messiah, HWV 56: Part II
Sound-Engineering:
Simon Eadon (classical music engineer) (in 1984-10) und James Lock (James Locke, engineer) (in 1984-10)
Produzent(in):
Ray Minshull (record producer)
Chorgesang:
Chicago Symphony Chorus (in 1984-10)
Orchester:
Chicago Symphony Orchestra (in 1984-10)
conductor:
Sir Georg Solti (conductor) (in 1984-10)
chorus master:
Margaret Hillis (chorus master) (in 1984-10)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only)
aufgenommen bei:
Orchestra Hall, Chicago in Chicago, Illinois, Vereinigte Staaten (in 1984-10)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (in 1984-10)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Librettist:
Charles Jennens
Teil von:
Messiah, HWV 56: Part II
George Frideric Handel3:42

Nennungen

Veröffentlichung

hergestellt in:the UK
hergestellt von:PDO (Philips DuPont Optical, Blackburn, UK)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Marks and Spencer PLC (in 1996)
lizensiert von:The Decca Record Company Limited (not a release label; for copyrights use only)