Classical Music for People Who Hate Classical Music

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Canon in D
Orchester:
Collegium Aureum, The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) und London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon und Gigue D-Dur, P37: I. Canon)
Komponist(in):
Johann Pachelbel (composer)
Teil von:
Canon and Gigue in D major, P. 37, T. 337 (Canon und Gigue D-Dur, P37)
Johann Pachelbel4:49
2Allegro from Brandenburg Concerto No. 3
Geige / Violine:
J. Brezina (violinist)
Orchester:
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), Musici di San Marco (an Alfred Scholz pseudonym), Oregon Bach Festival Chamber Orchestra, Oregon Bach Festival Orchestra, Philharmonia Slavonia (Alfred Scholz pseudonym) und Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz), Rudolf Pribil (pseudonym for Alfred Scholz) und Helmuth Rilling (conductor)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
Teil von:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach3:23
3Largo and Allegro From The Winter From "The Four Seasons"
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: III. Allegro
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi5:13
4Fanfare ("Masterpiece Theatre" Theme)
Orchester:
The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym)
recording of:
Suite de Symphonies no. 1: I. Rondeau
Komponist(in):
Jean‐Joseph Mouret (composer)
Teil von:
Suite de Symphonies no. 1
Jean‐Joseph Mouret1:44
5Air for the "G" String
Orchester:
The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym) und Philharmonic Orchestra London (Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:19
6Allegro From "Eine kleine Nachtmusik"
Sound-Engineering:
Bernhard Mahne (Classical music producer) (von 1986-04-22 bis 1986-04-24) und Lutz Wildner (von 1986-04-22 bis 1986-04-24)
Orchester:
Camerata Academica (Austrian chamber orchestra), Camerata Academica Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (name used by Alfred Scholz, may be incorrect), Mainz Chamber Orchestra (Mainzer Kammerorchester), Mozart Festival Orchestra (Mozart Festivalorchester, an Alfred Scholz pseudonym), The Northstar Orchestra, Philharmonia Slavonica (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) und Camerata Labacensis (Slovenian chamber orchestra) (von 1986-04-22 bis 1986-04-24)
conductor:
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Alfred Scholz und Alexander von Pitamic (Alfred Scholz pseudonym) (von 1986-04-22 bis 1986-04-24)
aufgenommen bei:
Slovenian Philharmonic in Ljubljana, Ljubljana (City Municipality of Ljubljana), Slowenien (von 1986-04-22 bis 1986-04-24)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade Nr. 13 für Streicher G-Dur, KV 525 "Eine kleine Nachtmusik": I. Allegro) (von 1986-04-22 bis 1986-04-24)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart6:32
7Andante From Piano Concerto No. 21 ("Elvira Madigan" Theme)
Klavier:
Martha Bergerich (pseudonym used on budget recordings – not Martha Argerich)
Orchester:
Academica Salzburg (Austrian chamber orchestra)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1785 bis 1785-03-09)
Teil von:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart6:51
8Introduction to Symphony No. 5
Orchester:
Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
teilweise recording of:
Symphony no. 5 in C minor, op. 67 (Symphonie Nr. 5 in C-dur, Op. 67)
Komponist(in):
Ludwig van Beethoven (German composer) (von 1804 bis 1808)
gewidmet:
Joseph Franz von Lobkowitz und Андрей Разумовский (Russian diplomat)
Premiere bei:
Ludwig van Beethoven at Theater an der Wien (1808-12-22) (am 1808-12-22)
Premiere bei:
Theater an der Wien in Mariahilf, Wien, Österreich (am 1808-12-22)
Teil von:
Works of Ludwig van Beethoven by opus number (Nummer: op. 67)
Ludwig van Beethoven3:03
9Finale From "William Tell Overture"
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
recording of:
William Tell Overture: Finale, March of the Swiss Soldiers (allegro vivace) (Lone Ranger theme)
Komponist(in):
Gioachino Rossini (composer)
Teil von:
Guillaume Tell : Ouverture (Wilhelm Tell: Ouvertüre)
Gioachino Rossini5:05
10Triumphal March From "Aida"
Orchester und Interpret(in):
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
David Blackside (Alfred Scholz related)
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
Aida: Akt II
Teil von:
Aida: Atto II
Giuseppe Verdi6:13
11On the Beautiful, Blue Danube Waltz
Orchester:
Vienna Opera Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor:
Alfred Scholz
recording of:
An der schönen blauen Donau, op. 314
Premiere in:
Wien, Österreich (am 1867-02-15)
Komponist(in):
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
Teil von:
Works of Johann Strauss Jr. by opus number (Nummer: op. 314)
Johann Strauss II410:05
12Waltz of the Flowers From "The Nutcracker"
Orchester:
Berlin Festival Orchestra (Alfred Scholtz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
Fantasia (Disney soundtrack)
Teil von:
The Nutcracker (suite from the ballet), op. 71a
Revision von:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
Pyotr Ilyich Tchaikovsky6:24
13Finale from 1812 Overture
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
teilweise recording of:
The Year 1812, Festival Overture in E-flat major, op. 49
Premiere in:
Moscow (Moskau), Russland (am 1882-08-20)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1880-09 bis 1880-11)
Teil von:
The Tchaikovsky Handbook (Nummer: TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (Nummer: ČW 46) und Works of Pyotr Ilyich Tchaikovsky by opus number (Nummer: op. 49)
basiert auf:
Боже, Царя храни! (God Save the Tsar!)
quotes music from:
Troparion of the Holy Cross
quotes music from:
La Marseillaise (national anthem of France)
quotes music from:
Боже, Царя храни! (God Save the Tsar!)
Pyotr Ilyich Tchaikovsky3:45
2▼CD
Nr.TitelKünstlerBewertungLänge
1Sabre Dance
Orchester:
Houston Symphony
recording of:
Sabre Dance, from the ballet Gayaneh (catch-all for unknown versions)
Komponist(in):
Aram Khachaturian (Aram Chatschaturjan, Soviet-Armenian composer) (in 1942)
Arrangement von:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
Aram Khatchaturian2:38
2Finale From Light Cavalry Overture
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
teilweise recording of:
Leichte Kavallerie: Ouvertüre (Light Cavalry: Overture)
Komponist(in):
Franz von Suppé (Franz von Suppè, composer)
Teil von:
Leichte Kavallerie (Light Cavalry)
Franz von Suppé2:35
3The Toreadors From Carmen
Orchester:
Budapest Philharmonic Orchestra (Budapester Philharmonisches Orchester), London Festival Orchestra (Alfred Scholz pseudonym), Nemzeti Filharmonikus zenekar (Ungarische Nationalphilharmonie), Orchester der Zagreber Oper (Alfred Scholz related), Orchestre radio symphonique de Paris, Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand), Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) und Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Emil Edlinger, Jovan Šajnović (conductor, Alfred Scholz related), János Sándor und Alfred Scholz
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! »)
Komponist(in):
Georges Bizet (French composer)
basiert auf:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
basiert auf:
Carmen : Prélude
Teil von:
Carmen Suite no. 1
Georges Bizet2:16
4Wedding March From A Midsummer Night's Dream
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonic Orchestra (Alfred Scholz pseudonym) und Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Alfred Scholz
recording of:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace (Ein Sommernachtstraum, Op. 61: Nr. 9. Hochzeitsmarsch: Allegro vivace)
Komponist(in):
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (in 1842)
Teil von:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn4:50
5Radetzky March
Orchester:
Orchester der Wiener Volksoper, Royal Promenade Orchestra (possibly fictitious by association with Alfred Gehardt), The Vienna Strauss Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra) und Wiener Johann Strauss Orchester
conductor:
Peter Falk (conductor), Joseph Francek (conductor, pseudonym for Alfred Scholz), Alfred Gehardt (fictitious conductor), Frank Meyer (conductor, pseudonym for Alfred Scholz) und Paul Kantschieder
recording of:
Radetzky‐Marsch, op. 228 (Radetzky-Marsch, Op. 228)
Komponist(in):
Johann Strauss (Johann Strauss I, Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (in 1848)
gewidmet:
Joseph Radetzky von Radetz
Premiere bei:
Wasserglacis in Wien, Österreich (am 1848-08-31)
Teil von:
Works of Johann Strauss Sr. by opus number (Nummer: op. 228)
Johann Strauss I2:58
6Finale From Symphony No. 9, Choral
Orchester:
Atlanta Symphony Orchestra
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
Komponist(in):
Ludwig van Beethoven (German composer) (von 1822 bis 1824)
Librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
Teil von:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven1:44
7Polovstian Dance No. 17 From Prince Igor
Orchester:
Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
Alexander Borodin3:55
8Jesu, Joy of Man's Desiring
Blechblasinstrumente:
St. Louis Brass Quintet
Orchester:
St. Louis Brass Quintet
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:54
9Solveig's Song From Peer Gynt
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym), Slowakische Staatsphilharmonie (Slowakische Philharmonie) und Slowakisches Philharmonisches Orchester (Alfred Scholz pseudonym)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym) und Libor Pesek (conductor)
recording of:
Peer Gynt Suite no. 2, op. 55: IV. Solveigs sang (Peer Gynt Suite no. 2, op. 55: IV. Solveig’s Song, do not use if there is a singer) (in 1984)
Komponist(in):
Edvard Grieg (composer) (in 1875)
überarbeitet von:
Edvard Grieg (composer) (in 1891)
Version von:
Peer Gynt, op. 23: 4. akt: Solveigs sang
Teil von:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg55:22
10Sleepers, Wake
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: I. Coro "Wachet auf, ruft uns die Stimme" (catch-all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": I. Coro "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach4:20
11Hornpipe From Water Music
Orchester:
Bamberger Symphoniker
Georg Friedrich Händel0:57
12Largo from Symphony No. 9, "From the New World"
Orchester:
Berlin Symphony Orchestra (use only if the correct orchestra is unknown - see annotation)
teilweise recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt": II. Largo)
Komponist(in):
Antonín Dvořák (composer) (von 1893-01-10 bis 1893-05-24)
Teil von:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt")
Antonín Dvořák4:25
13Emperor Waltz
Orchester:
Orchester der Wiener Volksoper
recording of:
Kaiser‐Walzer, op. 437 (Kaiser-Walzer, op. 437)
Premiere in:
Berlin, Deutschland (am 1889-10-21)
Komponist(in):
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1889)
Teil von:
Works of Johann Strauss Jr. by opus number (Nummer: op. 437)
Johann Strauss II6:03
14St. Anthony's Chorale From Emperor Quartet
Joseph Haydn1:48
15Barcarolle From The Tales of Hoffman
Instrumente:
Royal Philharmonic Orchestra
recording of:
Les Contes d’Hoffmann: Barcarolle (Hoffmanns Erzählungen: Barcarole, catch-all for arrangements)
Komponist(in):
Jacques Offenbach (German-French composer, cellist and impresario)
Arrangement von:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
Jacques Offenbach3:19
16Farandole From L'Arl sienne
recording of:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra)
Komponist(in):
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
Teil von:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet3:30
17Dance of the Mirlitons From The Nutcracker
Pyotr Ilyich Tchaikovsky2:13
18Dance of the Sugar-Plum Fairy From The Nutcracker
Pyotr Ilyich Tchaikovsky1:49
19Highlight From Rhapsody in Blue
George Gershwin5:53
20Can-Can From Orpheus in the Underworld
recording of:
Orphée aux enfers : Can-can (Ouverture / Acte II. Galop infernal) (catch-all for arrangements)
Komponist(in):
Jacques Offenbach (German-French composer, cellist and impresario)
basiert auf:
Orphée aux Enfers: Acte II, Scene 2. Galop Infernal (Orpheus in der Unterwelt: Höllengalopp, widely known as “Can-can”)
Jacques Offenbach1:57
3▼CD
Nr.TitelKünstlerBewertungLänge
1Introduction to ''Also sprach Zarathustra''
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Also sprach Zarathustra, op. 30: Einleitung, Sonnenaufgang)
Komponist(in):
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
Teil von:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss1:46
2Saltarello Presto From Symphony No. 4, ''Italian''
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello. Presto
Komponist(in):
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (in 1833)
Teil von:
Symphony no. 4 in A major, op. 90 “Italian” (Sinfonie Nr. 4 A-Dur, op. 90 "Italianische")
Felix Mendelssohn6:16
3Romance From Piano Concerto No. 20
Klavier:
Angela Giulini (fictitious pianist created by Alfred Scholz) und Svetlana Stanceva (pianist, an Alfred Scholz pseudonym)
Orchester:
Mozart Festival Orchestra (Mozart Festivalorchester, an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Concerto for Piano no. 20 in D minor, K. 466: II. Romanze
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1785)
Teil von:
Concerto for Piano no. 20 in D minor, K. 466
Wolfgang Amadeus Mozart8:47
4Ride of the Valkyries from ''The Valkyrie''
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (Die Walküre: Walkürenritt)
Komponist(in):
Richard Wagner (composer) (von 1854 bis 1856)
publisher:
Schott Music International (publisher; do not use as label)
Teil von:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner4:49
5Allegro from The Spring from ''The Four Seasons''
Geige / Violine:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
Orchester:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), I Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti), Musici di San Marco (an Alfred Scholz pseudonym), I Solisti Napoli (probably a pseudonym of Alfred Sholtz), Salzburger Kammerorchester (Salzburg Chamber Orchestra), Slovak Chamber Orchestra und Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz), Alexander von Pitamic (Alfred Scholz pseudonym) und Bohdan Warchal (violinist, conductor)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro („Die vier Jahreszeiten“: Concerto in E-Dur „Frühling“: Allegro)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi13:27
6Toccata and Fugue
Orgel:
Hans-Christoph Becker-Foss (organist and choir leader)
phonographisches Urheberrecht (℗) von:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (vom 1982 bis heute)
aufgenommen bei:
Marktkirche St. Nicolai (Beckerath-Organ, Hameln) in Hamelin (Hameln), Niedersachsen, Deutschland
recording of:
Toccata und Fuge d-Moll, BWV 565
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (Nummer: BWV 565) und Bach Compendium (Nummer: BC J 37)
Johann Sebastian Bach48:12
7Trumpet Voluntary
Orchester:
Camerata Romana (an Alfred Scholz pseudonym)
recording of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary” - catch-all for arrangements)
Komponist(in):
Jeremiah Clarke (English baroque composer and organist)
Arrangement von:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
Jeremiah Clarke2:47
8La Réjouissance Allegro from ''Royal Fireworks Music''
Orchester:
Bamberg Philharmonic Orchestra (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker), Český národní symfonický orchestr (Tschechisches Nationales Symphonieorchester), London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra, Musici di San Marco (an Alfred Scholz pseudonym), Radio Symphony Orchestra (SWR Sinfonieorchester Baden‐Baden und Freiburg), Slovak Philharmonic Chamber Orchestra (Slovak Chamber Orchestra) und Slovak Philharmonic Orchestra (Slowakische Philharmonie)
conductor:
Oliver von Dohnányi (conductor), Sidney Lark (conductor, possibly an Alfred Scholtz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Rolf Reinhardt (German conductor 1927-2006), Bernhard Stopler (conductor) und Bohdan Warchal (violinist, conductor)
aufgenommen bei:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj, Slowakei
recording of:
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1749)
Teil von:
Music for the Royal Fireworks, HWV 351
Georg Friedrich Händel3:50
9Adagio sostenuto from Moonlight Sonata, Op. 27 No. 2
Audio-Engineering:
Südwest Tonstudio (engineering)
Flügel und Solo-Klavier:
Dubravka Tomšič (pianist)
Klavier:
Silvia Čápová (pianist), Debra Ruth Zobel und Dubravka Tomšič (pianist) (in 1986-04)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (Sonate für Klavier Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondscheinsonate": I. Adagio sostenuto) (in 1986-04)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1801)
Teil von:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight” (Klaviersonate No. 14 in cis-Moll, Op. 27 No. 2 "Mondschein")
Ludwig van Beethoven6:05
10Overture to ''The Barber of Seville''
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym), Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie‐Orchester Graunke), Philharmonia Slavonica (Alfred Scholz pseudonym), Plovdid Philharmonic Orchestra (Philharmonisches Orchester Plovdiv), Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) und Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Anton Nanut (conductor), Rouslan Raychev (Rouslan Raytchev, conductor) und Alfred Scholz
phonographisches Urheberrecht (℗) von:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1989)
recording of:
Il barbiere di Siviglia: Sinfonia
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Cesare Sterbini
Teil von:
Der Barbier von Sevilla (german lyrics)
Teil von:
Il barbiere di Siviglia
Teil von:
Le Barbier de Séville (french lyrics)
Teil von:
The Barber of Seville (english lyrics)
Gioachino Rossini47:47
11Adagio sostenuto from Piano Concerto No. 2
recording of:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Premiere in:
Moscow (Moskau), Russland (am 1900-12-15)
Komponist(in):
Sergei Rachmaninoff (Sergei Rachmaninow, Russian composer) (von 1900 bis 1901-04)
Teil von:
Piano Concerto no. 2 in C minor, op. 18
Sergei Rachmaninoff10:56
4▼CD
Nr.TitelKünstlerBewertungLänge
1Introduction to "Carmina Burana"
Baritongesang:
Rudolf Knoll (operatic baritone)
Chorgesang:
Salzburg Mozarteum Chorus
Soprangesang:
Gerda Hartmann (soprano)
Tenor-Gesang:
Richard Brünner (tenor)
Orchester:
The European Philharmonic Orchestra (an Alfred Scholz pseudonym, NOT the Austrian orchestra of the same name) und Salzburg Mozarteum Orchestra
conductor:
Hymisher Greenburg (probably a pseudonym of Alfred Sholz) und Kurt Prestel (conductor, chorus master)
chorus master:
Ernst Hinreiner (conductor)
phonographisches Urheberrecht (℗) von:
Long Island (not an imprint; rights holders/licensors of music recordings) (in 1996)
Kompilation von:
Carmina Burana: Fortuna imperatrix mundi: O Fortuna von Salzburg Mozarteum Chorus, Russian State Chorus, Salzburg Boys Choir, Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Государственный академический симфонический оркестр России (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO), Russian State Symphony Orchestra (“New Russia” State Symphony Orchestra), Kurt Prestel (conductor, chorus master), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related) und Carmina Burana: Fortuna Imperatrix Mundi: II. Fortune plango vulnera von Mozarteum Orchester (Salzburg Mozarteum Orchestra) & Chor Salzburg, Kurt Prestel (conductor, chorus master)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Version von:
O Fortuna (Poem, CB 17)
Teil von:
Carmina Burana: Fortuna Imperatrix Mundi
recording of:
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Version von:
Fortune plango vulnera (Poem, CB 16)
Teil von:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff5:39
2Dawn from "Peer Gynt"
Edvard Grieg3:55
3Prelude to "Lohengrin"
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) und Slovenská filharmónia (Slowakische Philharmonie)
conductor:
Julian Armstrong (conductor, Alfred Scholz pseudonym), Bystrík Režucha (conductor) und Alfred Scholz
recording of:
Lohengrin, WWV 75: Vorspiel (prelude to Act I)
Komponist(in):
Richard Wagner (composer) (von 1846 bis 1848)
Teil von:
Lohengrin, WWV 75
Richard Wagner3:43
4Troika from "Lieutenant Kije"
Sergei Prokofiev2:45
5Adagio for Strings
Produzent(in):
Richard Killough (producer) und John McClure (recording engineer and record producer)
Orchester:
New York Philharmonic (am 1971-01-12)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (am 1971-01-12)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1971)
aufgenommen bei:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, Vereinigte Staaten (am 1971-01-12)
recording of:
Adagio for Strings (am 1971-01-12)
Orchestrator(in):
Samuel Barber (American composer) (in 1938)
Komponist(in):
Samuel Barber (American composer) (in 1936)
uraufgeführt von:
NBC Symphony Orchestra (am 1938-11-05) und Arturo Toscanini (conductor) (am 1938-11-05)
Premiere bei:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) und G. Schirmer Inc.
Arrangement von:
String Quartet, op. 11: II. Molto adagio
Samuel Barber10:00
6Habanera from "Carmen"
Orchester:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Budapest Philharmonic Orchestra (Budapester Philharmonisches Orchester), London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand), Symfonický orchester Slovenského rozhlasu (Slowakisches Radio Symphonie Orchester Bratislava) und Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Zdeněk Košler (conductor), János Sándor, Alfred Scholz und Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Carmen Suite no. 2: II. Habanera
Komponist(in):
Georges Bizet (French composer)
arranger:
Ernest Guiraud (French composer)
basiert auf:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
Teil von:
Carmen Suite no. 2
Georges Bizet42:11
7Allegro from "Double" Concerto
Geige / Violine:
Joseph Brezina (violinist), Feliz Elias (violinist), Alberto Tozzi und Tomasco Vecchi
Orchester:
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym) und Musici di San Marco (an Alfred Scholz pseudonym)
conductor:
Eugen Duvier (conductor, an Alfred Scholz pseudonym) und Francesco Macci (an Alfred Scholz pseudonym)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: III. Allegro
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1730 bis 1731)
Teil von:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach5:13
8Overture to "The Marriage of Figaro"
Orchester:
Berlin Symphony Orchestra (almost certainly a Scholz fake artist), Hamburger Symphoniker, London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonic Orchestra (Alfred Scholz pseudonym) und Philharmonia Slovanica Orchester (Alfred Scholz pseudonym)
conductor:
Pietro di la Corona (fictitious conductor, Alfred Scholz pseudonym), Laurence Gordon Siegel (fictitious conductor, Alfred Scholz pseudonym) und Alfred Scholz
recording of:
Le nozze di Figaro, K. 492: Sinfonia
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1786)
Teil von:
Die Hochzeit des Figaro (German translation)
Teil von:
Le nozze di Figaro, K. 492 (Die Hochzeit des Figaro, K 492)
Wolfgang Amadeus Mozart44:19
9(Rondo) all turca
recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto (Klaviersonate Nr. 11 A-Dur "Alla Turca", KV 300i (KV 331): III. Alla turca. Allegretto)
komponiert in:
Paris, Île-de-France, Frankreich (in 1778)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1783)
Teil von:
Classic 100: Piano (2025) (Nummer: 32)
Teil von:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
Wolfgang Amadeus Mozart3:40
10Largo from "Xerxes"
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (von 1737-12-26 bis 1738-01-09)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Serse, HWV 40: Atto I
recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Arrangement von:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
Georg Friedrich Händel3:08
11Allegro vivace from Symphony No. 5
Franz Schubert5:43
12Scene: Enchanted Lake from "Swan Lake"
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) und Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Schwanensee / Swan Lake, Ballett / Ballet: 1. Szene
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
recording of:
The Swan Lake (suite from the ballet), op. 20a: I. Scène (lake in the moonlight)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (in 1876)
Teil von:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
Teil von:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Pyotr Ilyich Tchaikovsky3:14
13Clair de lune
recording of:
Suite bergamasque : III. Clair de lune (catch-all for arrangements)
Komponist(in):
Claude Debussy (French composer) (von 1890 bis 1905)
Arrangement von:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
Claude Debussy5:46
14Bolero
Klavier:
Mee Chou Lee (pianist)
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym) und Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
conductor:
Samo Hubad (conductor), Anton Nanut (conductor) und Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Boléro
Komponist(in):
Maurice Ravel (French composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) und Soc. Arima (rights society?)
Premiere bei:
Palais Garnier in Paris, Île-de-France, Frankreich (am 1928-11-22)
Teil von:
Classic 100: Music of France (2012) (Nummer: 9) und Catalogue Marcel Marnat des œuvres de Maurice Ravel (Nummer: M. 81)
Maurice Ravel13:46

Nennungen

Veröffentlichung

ASIN:US: B000003QWH [Info]

Veröffentlichungsgruppe

Allmusic:https://www.allmusic.com/album/mw0001534227 [Info]