| # | Title | Artist | Rating | Length |
|---|
| 1 | The Sun Always Shines on T.V. | a‐ha | 3.9 | 5:08 |
| 2 | Blue Monday ’88 | New Order | | 3:50 |
| 3 | Kiss- recording engineer:
- Coke Johnson, David Leonard , Peggy McCreary, Susan Rogers , David Tickle and David Z.
- producer:
- Prince and The Revolution
- acoustic guitar, drum machine [Linn 9000], drum machine [Linn LM-1] and synthesizer [Yamaha DX7]:
- David Z.
- electric guitar and lead vocals:
- Prince
- background vocals:
- Bruce DeShazer, Prince and Marr Starr
- arranger:
- David Z.
- recorded at:
- Paisley Park Studios in Chanhassen, Minnesota, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
- part of:
- Billboard: The 500 Best Pop Songs (number: 11), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 85) and Rolling Stone: 500 Greatest Songs of All Time (number: 461)
- recording of:
- Kiss (from 1985-04-27 until 1986-02-10)
- lyricist and composer:
- Prince
- publisher:
- Controversy Music
| Prince | 3.4 | 3:46 |
| 4 | Never Ending Story | Limahl | 3.35 | 3:30 |
| 5 | Love Shack- assistant engineer:
- Martin Kunitz
- engineer:
- Dave Cook
- producer:
- Don Was
- mixer:
- Tom Durack
- guest bass guitar:
- Sara Lee
- guest drums (drum set):
- Charley Drayton
- guest horn:
- Uptown Horns
- guitar:
- Keith Strickland
- keyboard:
- Kate Pierson
- vocals:
- Kate Pierson, Fred Schneider and Cindy Wilson
- phonographic copyright (℗) by:
- Reprise Records (in 1989)
- recorded at:
- Dreamland Studios in Hurley, New York, United States
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- additionally produced at:
- Bearsville Studios in Bearsville, New York, United States
- music videos:
- Love Shack by The B‐52’s
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 40), Billboard: The 500 Best Pop Songs (number: 41) and Rolling Stone: 500 Greatest Songs of All Time (number: 243)
- recording of:
- Love Shack
- writer:
- Kate Pierson, Fred Schneider , Keith Strickland and Cindy Wilson
- publisher:
- Man-Woman Together, Now!
| The B‐52’s | 4.2 | 5:21 |
| 6 | Gold | Spandau Ballet | 3.5 | 3:51 |
| 7 | Waiting for a Girl Like You | Foreigner | | 4:49 |
| 8 | Geno | Dexys Midnight Runners | 3 | 3:27 |
| 9 | Ain’t Nobody | Chaka Khan | 4.05 | 4:41 |
| 10 | I’m Gonna Be (500 Miles) | The Proclaimers | 4 | 3:39 |
| 11 | Orinoco Flow (2009 remaster) | Enya | 4.25 | 4:29 |
| 12 | Rio | Duran Duran | 4 | 5:15 |
| 13 | Big in Japan | Alphaville | 4.15 | 4:46 |
| 14 | Mirror Mirror | Dollar | | 3:31 |
| 15 | Working My Way Back to You | The Spinners | 5 | 4:03 |
| 16 | Nights on Broadway- background vocals [backing vocals]:
- Deborah Lindsey and Paulette McWilliams
- horn [horns arranger] arranger:
- Rick Kellis
- strings arranger:
- Gerald Lee
- cover recording of:
- Nights on Broadway
- writer:
- Barry Gibb, Maurice Gibb and Robin Gibb
- publisher:
- Abigail Music, BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Casserole Music Corp., Crompton Songs, Gibb Brothers Music, Slamm Music, Inc , Unichappell Music, Inc., Universal Music Publishing International MGB Ltd., シンコーミュージック・エンタテイメント , ユニバーサル・ミュージック・パブリッシング Synch事業部 , Abigail Music Ltd. (in 1975) and Flam Music Ltd. (in 1975)
| Candi Staton | 3 | 3:30 |
| 17 | Chain Reaction | Diana Ross | 4.35 | 3:51 |
| 18 | Too Shy | Kajagoogoo | 3.65 | 3:42 |
| 19 | Take On Me | a‐ha | 4.5 | 3:45 |
| 20 | It’s My Life (1997 remaster) | Talk Talk | 3.75 | 3:52 |
| 21 | Babooshka- assistant engineer:
- John Barratt (from 1979-09 until 1980-05)
- engineer:
- Jon Kelly (from 1979-09 until 1980-05)
- producer:
- Kate Bush and Jon Kelly
- analog synthesizer [CS 80] and lead vocals:
- Kate Bush (from 1979-09 until 1980-05)
- balalaika:
- Paddy Bush (from 1979-09 until 1980-05)
- drums (drum set):
- Stuart Elliott (from 1979-09 until 1980-05)
- electric bass guitar:
- John Giblin (from 1979-09 until 1980-05)
- electric guitar:
- Brian Bath (from 1979-09 until 1980-05) and Alan Murphy (from 1979-09 until 1980-05)
- Rhodes piano [Fender Rhodes]:
- Max Middleton (from 1979-09 until 1980-05)
- background vocals:
- Paddy Bush (from 1979-09 until 1980-05) and Gary Hurst (from 1979-09 until 1980-05)
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1980), Novercia Ltd. (in 1980) and EMI America Records, Inc. (in 1982)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (from 1979-09 until 1980-05) and Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London , England, United Kingdom (from 1979-09 until 1980-05)
- recording of:
- Babooshka (from 1979-09 until 1980-05)
- lyricist and composer:
- Kate Bush
- publisher:
- EMI Music Publishing Ltd. and Kate Bush Music Ltd.
| Kate Bush | 3.55 | 3:30 |
| 22 | West End Girls (2001 remaster) | Pet Shop Boys | 3.8 | 4:05 |
| 23 | Brass in Pocket- additional recording engineer:
- Steve Nye
- engineer:
- Bill Price
- producer:
- Chris Thomas
- mixer:
- Michael Paul Stavrou
- phonographic copyright (℗) by:
- Warner Music UK Ltd. (in 1979, in 1987, in 2000)
- additionally recorded at:
- Air Studios in London , England, United Kingdom
- recorded at:
- Wessex Sound Studios in Highbury, Islington, London , England, United Kingdom
- mixed at:
- Air Studios in London , England, United Kingdom
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 89) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 389)
- recording of:
- Brass in Pocket
- writer:
- James Honeyman‐Scott and Chrissie Hynde
- publisher:
- ATV Music Ltd., Banks Clive Music, EMI Music Publishing , EMI Music Publishing Australia Pty Ltd , Hynde House of Hits Music and Modern Music Publishing Co., Inc.
| Pretenders | 4.15 | 3:04 |
| 24 | Love Will Tear Us Apart- producer:
- Joy Division and Martin Hannett
- bass:
- Peter Hook
- drums (drum set):
- Stephen Morris
- guitar:
- Bernard Albrecht
- vocals:
- Bernard Albrecht and Ian Curtis
- phonographic copyright (℗) by:
- Factory Communications Ltd. (in 1988)
- recorded at:
- Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom
- part of:
- triple j’s Hottest 100 (number: 1989 (All-time)), triple j’s Hottest 100 (number: 1990 (All-time)), Indie 88: Top 500 Indie Rock Songs (number: 5), Q50 – December 2005 (number: 6), Helsingin Sanomat: 100 maailman parasta laulua (number: 14), NME: Greatest “Indie” Anthems Ever: 2007 (number: 19), Pitchfork: The Story of Goth in 33 Songs, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 41) and Rolling Stone: 500 Greatest Songs of All Time (number: 179)
- recording of:
- Love Will Tear Us Apart
- lyricist:
- Ian Curtis
- composer:
- Ian Curtis, Peter Hook, Stephen Morris and Bernard Sumner
- publisher:
- Fractured Music and Zomba Music Publishers Ltd.
| Joy Division | 4.5 | 3:27 |
| 25 | Golden Brown | The Stranglers | 4.4 | 3:27 |
| 26 | How Soon Is Now? (2008 remaster) | The Smiths | 4.75 | 6:47 |
| 27 | La bamba | Los Lobos | 4.15 | 2:56 |
| 28 | April Skies | The Jesus and Mary Chain | 4 | 3:12 |
| 29 | Gimme All Your Lovin’ | ZZ Top | 4.05 | 4:00 |
| 30 | This Corrosion | The Sisters of Mercy | | 4:29 |
| 31 | The Killing Moon | Echo & the Bunnymen | 4.65 | 5:48 |
| 32 | Black Velvet (edit version) | Alannah Myles | | 4:41 |
| 33 | Rooms on Fire | Stevie Nicks | 4.4 | 4:35 |
| 34 | Life in a Northern Town | The Dream Academy | 4.3 | 4:17 |
| 35 | Lean on Me (Ah‐li‐ayo) | Red Box | | 4:26 |
| 36 | He Ain’t Heavy He’s My Brother- producer:
- Ron Richards
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1969) and The Hollies Ltd. (from 1969 until 1970)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (on 1969-06-25)
- part of:
- Billboard Year-End Hot 100 singles of 1970 (number: 46)
- cover recording of:
- He Ain’t Heavy, He’s My Brother (on 1969-06-25)
- writer:
- Bob Russell and Bobby Scott
- publisher:
- Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation , Warner/Chappell Music Ltd. and ミュージック・セールス
- live cover recording of:
- He Ain’t Heavy, He’s My Brother
- writer:
- Bob Russell and Bobby Scott
- publisher:
- Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation , Warner/Chappell Music Ltd. and ミュージック・セールス
- recording of:
- He Ain’t Heavy, He’s My Brother
- writer:
- Bob Russell and Bobby Scott
- publisher:
- Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation , Warner/Chappell Music Ltd. and ミュージック・セールス
| The Hollies | 4.2 | 4:19 |
| 37 | I Want to Know What Love Is- additional engineer:
- Josh Abbey, Larry Alexander , Jason Corsaro , Joe Ferla and Howie Lindeman
- assistant engineer:
- Bobby Cohen , Tim Crich and Scott "Abada" Mabuchi
- engineer:
- Frank Filipetti
- producer:
- Mick Jones and Alex Sadkin
- additional keyboard:
- Tom Bailey
- bass guitar:
- Rick Wills
- drums (drum set):
- Dennis Elliott
- electric guitar:
- Mick Jones
- additional vocals:
- Jennifer Holliday
- background vocals:
- Donnie Harper, Mick Jones and Rick Wills
- choir vocals:
- The New Jersey Mass Choir
- lead vocals:
- Lou Gramm
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1984), Warner Music International (in 1984), WEA International Inc. (in 1984, in 2018) and Rhino Entertainment Company (in 2009)
- additionally recorded at:
- Right Track Recording in Manhattan, New York, New York, United States
- recorded at:
- The Hit Factory in Manhattan, New York, New York, United States
- mixed at:
- Right Track Recording in Manhattan, New York, New York, United States
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 65), Billboard: The 500 Best Pop Songs (number: 205) and Rolling Stone: 500 Greatest Songs of All Time (number: 476)
- recording of:
- I Want to Know What Love Is
- lyricist and composer:
- Mick Jones
- publisher:
- Evansongs Ltd. , Somerset Songs Publishing Inc., Warner Brothers Music Ltd. , Warner Chappell Music , Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Foreigner | 3.95 | 4:58 |
| 38 | True (single edit) | Spandau Ballet | 3.65 | 5:28 |
| 39 | (Something Inside) So Strong | Labi Siffre | | 4:19 |
| 40 | Drive- recording engineer:
- Nigel Green
- producer:
- The Cars and Robert John “Mutt” Lange
- mixer:
- Mike Shipley
- bass:
- Benjamin Orr
- drums (drum set):
- David Robinson
- guitar:
- Elliot Easton and Ric Ocasek
- keyboard:
- Greg Hawkes
- vocals:
- Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr
- phonographic copyright (℗) by:
- Elektra/Asylum Records (in 1984) and WEA International Inc. (in 1984)
- recorded at:
- Battery Studios in London , England, United Kingdom
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- music videos:
- Drive by The Cars
- recording of:
- Drive
- publisher:
- Ric Ocasek (in 1983)
- lyricist and composer:
- Ric Ocasek
- publisher:
- Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. , Universal‐MCA Music Publishing and Warner/Chappell Music Ltd.
| The Cars | 4 | 3:54 |
| 41 | What’s Love Got to Do With It- engineer and mixer:
- John Hudson
- producer:
- Terry Britten
- drums (drum set):
- Graham Jarvis
- guitar:
- Terry Britten
- keyboard:
- Nick Glennie‐Smith and Billy Livsey
- percussion:
- Simon Morton
- background vocals:
- Terry Britten and Tessa Niles
- lead vocals:
- Tina Turner
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1984), Parlophone Records Ltd. (in 1984, in 1997) and EMI Records Ltd. (in 2004)
- recorded at:
- Mayfair Studios in London , England, United Kingdom
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 134), Billboard: The 500 Best Pop Songs (number: 160) and Rolling Stone: 500 Greatest Songs of All Time (number: 309)
- recording of:
- What’s Love Got to Do With It
- writer:
- Graham Lyle and Terence Ernest Britten
- publisher:
- Hornall Brothers Music Ltd. , Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. , Goodsingle Limited (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
| Tina Turner | 4.05 | 3:47 |
| 42 | Each Time You Break My Heart | Nick Kamen | 3 | 4:32 |
| 43 | Roam | The B‐52’s | 3.9 | 4:55 |
| 44 | Holding Back the Years (2008 remaster) | Simply Red | 4 | 4:30 |
| 45 | I Keep Forgettin’ (Every Time You’re Near) | Michael McDonald | 4.2 | 3:42 |
| 46 | Glory of Love- engineer and mixer:
- Terry Christian and John Guess
- producer:
- Michael Omartian
- guest background vocals:
- Kenny Cetera
- lead vocals:
- Peter Cetera
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1986) and Warner Music International (in 1986)
- recorded at and mixed at:
- Lion Share Studios in Los Angeles, California, United States
- recording of:
- Glory of Love
- writer:
- Peter Cetera, David Foster and Diane Nini
- publisher:
- EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. , シンコーミュージック・エンタテイメント , ピアーミュージック , ユニバーサル・ミュージック・パブリッシング Synch事業部 , コンソーシアム音楽出版 C・F事業部 (until 2021-06-30), Air Bear Music (in 1986), Fall Line Orange Music (in 1986), Warner–Tamerlane Publishing Corp. (in 1986), ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present) and ソニー・ミュージックパブリッシング CMP外国事業部 (from 2021-07-01 to present)
- part of:
- The 59th Academy Award for Best Original Song (number: 2)
| Peter Cetera | 4.2 | 4:20 |
| 47 | Somewhere in My Heart | Aztec Camera | 3.6 | 3:59 |
| 48 | Just What I Always Wanted | Mari Wilson | | 3:27 |
| 49 | Don’t Get Me Wrong | Pretenders | 4.2 | 3:48 |
| 50 | Love Changes (Everything) | Climie Fisher | 3.9 | 4:28 |
| 51 | Good Tradition | Tanita Tikaram | | 2:51 |
| 52 | You Might Need Somebody | Randy Crawford | | 4:18 |
| 53 | Kokomo- engineer and mixer:
- Keith Wechsler
- producer:
- Terry Melcher
- accordion:
- Van Dyke Parks (from 1988-03-22 until 1988-04-06)
- acoustic guitar:
- Jeffrey Foskett (from 1988-03-22 until 1988-04-06)
- alto saxophone:
- Joel Peskin (from 1988-03-22 until 1988-04-06)
- bass:
- Rod Clark (from 1988-03-22 until 1988-04-06)
- drums (drum set):
- Jim Keltner (from 1988-03-22 until 1988-04-06)
- slide guitar [electric slide guitar]:
- Ry Cooder (from 1988-03-22 until 1988-04-06)
- background vocals:
- Al Jardine (from 1988-03-22 until 1988-04-06), Bruce Johnston (from 1988-03-22 until 1988-04-06), Mike Love (from 1988-03-22 until 1988-04-06) and Carl Wilson (from 1988-03-22 until 1988-04-06)
- lead vocals:
- Mike Love (from 1988-03-22 until 1988-04-06) and Carl Wilson (from 1988-03-22 until 1988-04-06)
- performer:
- The Beach Boys (from 1988-03-22 until 1988-04-06)
- phonographic copyright (℗) by:
- WEA International Inc. , Elektra (in 1988) and Touchstone Pictures (in 1988)
- music videos:
- Kokomo by The Beach Boys
- recording of:
- Kokomo (from 1988-03-22 until 1988-04-06)
- writer:
- Mike Love , Scott McKenzie, Terry Melcher and John Phillips
- publisher:
- Buena Vista Music Company, Clairaudient Music Corporation, Daywin Music Inc., Honest John Music, Nichion Synch Division , Spirit One Music, Touchstone Pictures Music and Songs Inc. and Yamaha Music EH(CM)
| The Beach Boys | 4.35 | 3:35 |
| 54 | Candy Girl | New Edition | 4 | 3:56 |
| 55 | Once in a Lifetime (live) | Talking Heads | | 5:25 |
| 56 | I Can’t Wait | Nu Shooz | 3.75 | 5:27 |
| 57 | I Feel for You | Chaka Khan | 3 | 4:05 |
| 58 | Jump to the Beat | Stacy Lattisaw | | 3:22 |
| 59 | Feel So Real | Steve Arrington | 2 | 4:08 |
| 60 | Money’s Too Tight (to Mention) | Simply Red | | 4:29 |
| 61 | Purple Rain- recording engineer:
- David Rivkin (on 1983-08-03) and David Leonard (on 1983-08-03)
- producer:
- Prince and The Revolution
- cello:
- David Coleman (from 1983-08-15 until 1983-09-15) and Suzie Katayama (from 1983-08-15 until 1983-09-15)
- drum machine [Linn LM-1], electronic drum set [Pearl SY-1 Syncussion], electronic drum set [Simmons SDS-V] and percussion:
- Bobby Z. (on 1983-08-03)
- electric bass guitar:
- Brown Mark (on 1983-08-03)
- electric grand piano [Yamaha CP-70]:
- Dr. Fink (on 1983-08-03)
- electric guitar:
- Wendy Melvoin (on 1983-08-03) and Prince (on 1983-08-03)
- synthesizer:
- Lisa Coleman (on 1983-08-03) and Prince (on 1983-08-03)
- viola and violin:
- Novi Novog (from 1983-08-15 until 1983-09-15)
- background vocals:
- Brown Mark (on 1983-08-03), Lisa Coleman (on 1983-08-03), Dr. Fink (on 1983-08-03) and Wendy Melvoin (on 1983-08-03)
- lead vocals:
- Prince (on 1983-08-03)
- conductor:
- Lisa Coleman (strings) and Wendy Melvoin (strings)
- performer:
- Prince (on 1983-08-03) and The Revolution (on 1983-08-03)
- strings arranger:
- Lisa Coleman and Prince
- arranger:
- Prince and The Revolution
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1984), WEA International Inc. (in 1984) and NPG Records, Inc. (in 2017)
- recorded at:
- First Avenue in Minneapolis, Minnesota, United States (on 1983-08-03) and Sunset Sound, Studio 3 in Hollywood, Los Angeles, California, United States (from 1983-08 until 1983-09)
- engineered at:
- Sunset Sound, Studio 3 in Hollywood, Los Angeles, California, United States (from 1983-08 until 1983-09)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 18), Billboard Hot 100: 2026-01-17 (number: 27), Billboard Hot 100: 2026-01-24 (number: 30), Helsingin Sanomat: 100 maailman parasta laulua (number: 39), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (number: 143)
- live recording of:
- Purple Rain (on 1983-08-03)
- lyricist and composer:
- Prince
- publisher:
- Because Éditions, Controversy Music and Island Music Ltd.
| Prince | 4.2 | 8:41 |
| 62 | Lip Up Fatty | Bad Manners | 4 | 2:46 |
| 63 | Wind Beneath My Wings | Bette Midler | 5 | 4:54 |
| 64 | What’s the Colour of Money | Hollywood Beyond | 4 | 3:24 |
| 65 | The Living Daylights | a‐ha | 4 | 4:14 |
| 66 | Gloria | Laura Branigan | 5 | 4:50 |
| 67 | The Reflex | Duran Duran | 3.85 | 4:22 |
| 68 | International Rescue (2012 remaster) | Fuzzbox | | 3:29 |
| 69 | Got to Keep On | Cookie Crew | | 4:42 |
| 70 | Cry Boy Cry | Blue Zoo | | 4:27 |
| 71 | Twist in My Sobriety | Tanita Tikaram | 4.7 | 4:51 |
| 72 | Sweet Love (2012 remaster) | Anita Baker | 3.5 | 4:22 |
| 73 | Owner of a Lonely Heart- engineer:
- Gary Langan
- producer:
- Trevor Horn
- bass guitar:
- Chris Squire (in 1983)
- drums (drum set):
- Alan White (in 1983)
- guitar:
- Trevor Rabin (in 1983)
- keyboard:
- Tony Kaye (in 1983)
- lead vocals:
- Jon Anderson (in 1983)
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1983, in 2003) and WEA International Inc. (in 1983, in 2003)
- recorded at:
- Sarm Studios in Aldgate, Tower Hamlets, London , England, United Kingdom (in 1983)
- recording of:
- Owner of a Lonely Heart (in 1983)
- writer:
- Jon Anderson , Trevor Horn, Trevor Rabin and Chris Squire
- publisher:
- Affirmative Music , BMG Chrysalis Scandinavia AB , BMG Rights Management (UK) Ltd. , Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC , Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. , Tremander Songs, Unforgettable Songs , Unforgettable Songs Ltd., Warner Bros. Music , Warner Bros. Music Ltd. , Warner Chappell Music , Warner Chappell Music Ltd. , Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. , Warner/Chappell and Warner/Chappell North America Limited
- sub-publisher:
- エイベックス・ミュージック・パブリッシング 第7出版事業部 , ワーナー・チャペル音楽出版 Synch事業部 , フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
| Yes | 3.95 | 4:24 |
| 74 | Always | Atlantic Starr | | 4:48 |
| 75 | Forever Young | Alphaville | 4.65 | 3:47 |
| 76 | It Started With a Kiss | Hot Chocolate | 3 | 4:02 |
| 77 | Legs (2008 remaster) | ZZ Top | 4.35 | 4:34 |
| 78 | Love Wars | Womack & Womack | | 4:02 |
| 79 | You Can Leave Your Hat On- engineer:
- Brian Reeves
- producer:
- Richie Zito
- mixer:
- Rik Pekkonen
- bass and synthesizer:
- Arthur Barrow
- guitar:
- Richie Zito
- horn:
- Dick Hyde, Steve Madaio and Joel Peskin
- membranophone:
- Michael Baird
- background vocals:
- Maxine Sharp, Julia Waters and Maxine Waters
- lead vocals:
- Joe Cocker
- recorded at:
- Ocean Way Recording in Hollywood, Los Angeles, California, United States
- cover recording of:
- You Can Leave Your Hat On
- lyricist and composer:
- Randy Newman
- publisher:
- Warner–Tamerlane Publishing Corp. , WC Music Corp., Randy Newman (in 1972), Randy Newman Music (in 1972, in 1976) and WB Music Corp. (in 1972, in 1976)
- recording of:
- You Can Leave Your Hat On
- lyricist and composer:
- Randy Newman
- publisher:
- Warner–Tamerlane Publishing Corp. , WC Music Corp., Randy Newman (in 1972), Randy Newman Music (in 1972, in 1976) and WB Music Corp. (in 1972, in 1976)
| Joe Cocker | 3.85 | 4:15 |
| 80 | You’re the Inspiration (2006 remaster)- engineer and mixer:
- Humberto Gatica
- producer:
- David Foster
- assistant mixer:
- Larry Fergusson
- instruments arranger:
- Jeremy Lubbock
- arranger:
- Peter Cetera and David Foster
- phonographic copyright (℗) by:
- Warner Bros. Records , Warner Bros. Records Inc. (in 1984, in 2010) and WEA International Inc. (in 1984)
- recorded at:
- Sunset Sound in Hollywood, Los Angeles, California, United States (in 1984), The Lighthouse in North Hollywood, Los Angeles, California, United States (in 1984) and The Record Plant in Hollywood, Los Angeles, California, United States (in 1984)
- mixed at:
- Lion Share Recording Studios in Los Angeles, California, United States
- recording of:
- You’re the Inspiration (in 1984)
- writer:
- Peter Cetera (in 1984) and David Foster (in 1984)
- publisher:
- BMG Music Publishing Ltd., Universal Music Publishing MGB Ltd., Warner Chappell Music Ltd. , Warner/Chappell North America Limited , Double Virgo Music (in 1984) and Foster Frees Music Inc. (in 1984)
| Chicago | 5 | 3:49 |
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