Elvis Presley: 8 Classic Albums Plus Bonus Singles

~ Release by Elvis Presley (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1Blue Suede Shoes
assistant engineer:
Dror Mohar
mixer:
Ray Bardani
double bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-30)
drums (drum set):
D.J. Fontana (on 1956-01-30)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-01-30) and Elvis Presley (“The King of Rock and Roll”) (on 1956-01-30)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-01-30)
phonographic copyright (℗) by:
BMG Entertainment (in 1956), BMG Music (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 423)
cover recording of:
Blue Suede Shoes (on 1956-01-30)
lyricist and composer:
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. and Wren Music Co.
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
4.452:00
2I’m Counting on You
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-11)
drums (drum set):
D.J. Fontana (on 1956-01-11)
guitar:
Chet Atkins (on 1956-01-11), Scotty Moore (American guitarist and recording engineer) (on 1956-01-11) and Elvis Presley (“The King of Rock and Roll”) (on 1956-01-11)
recording of:
I’m Counting on You (on 1956-01-11)
lyricist and composer:
Don Robertson (“Happy Whistler” songwriter)
publisher:
Carlin Music Corporation, Don Robertson Music Corp. and Ross Jungnickel, Inc.
3.52:24
3I Got a Woman
cover recording of:
I Got a Woman (on 1956-01-10)
writer:
Ray Charles (soul musician, singer and songwriter) and Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:25
4One Sided Love Affair
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-30)
drums (drum set):
D.J. Fontana (on 1956-01-30)
guitar:
Elvis Presley (“The King of Rock and Roll”) (on 1956-01-10) and Scotty Moore (American guitarist and recording engineer) (on 1956-01-30)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-01-30)
phonographic copyright (℗) by:
BMG Music (in 1957)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-01-30)
recording of:
One-Sided Love Affair (on 1956-01-30)
lyricist and composer:
Bill Campbell (US songwriter)
publisher:
EMI Unart Catalog Inc. and Sheldon Music
32:11
5I Love You Because
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1954-07-05)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (on 1954-07-05)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1954-07-05) and Elvis Presley (“The King of Rock and Roll”) (on 1954-07-05)
vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1954-07-05)
phonographic copyright (℗) by:
BMG Music (in 1954, in 1956, in 1957)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1954-07-05)
cover recording of:
I Love You Because (on 1954-07-05)
lyricist and composer:
Leon Payne (Country/Rockabilly artist)
publisher:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) and Acuff-Rose Publications, Inc. (BMI) (on 1949-10-12)
42:43
6Just Because
cover recording of:
Just Because (on 1954-09-12)
lyricist:
Bob Shelton (1930s-'40s vocalist, guitarist and mandolinist) and Joe Shelton (1930s-'40s vocalist, guitarist and mandolinist)
composer:
Leon Chappelear and Sid Robin (US lyricist & composer)
publisher:
Leeds Music Corp., MCA Music Inc. (US-based music publishers), Southern Music Publishing Company Limited, Universal‐MCA Music Publishing (US) and State Street Music Publ. Co. Inc. (on 1936-03-19)
2:34
7Tutti Frutti
cover recording of:
Tutti Frutti (on 1956-01-31)
lyricist:
Dorothy LaBostrie (American songwriter) and Richard Wayne Penniman
composer:
Dorothy LaBostrie (American songwriter), Joe Lubin and Richard Wayne Penniman
publisher:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and Phonogram GmbH (in 1983)
1:59
8Tryin’ to Get to You
cover recording of:
Trying to Get to You (on 1955-07-11)
writer:
Rose Marie McCoy and Charles Singleton (composer/lyricist)
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific and You Look Good Music Publishing
2:33
9I’m Gonna Sit Right Down and Cry
cover recording of:
I’m Gonna Sit Right Down and Cry (Over You)
lyricist and composer:
Howard Biggs and Joe Thomas (US songwriter and Jazz saxophonist)
publisher:
Angle Music, Coblin Music Co., Copyright Records and EMI Music Publishing Ltd. (PRS‐affiliated)
2:01
10I’ll Never Let You Go (Little Darlin’)
cover recording of:
I’ll Never Let You Go Little Darlin’ (on 1954-09-10)
lyricist and composer:
Jimmy Wakely (Country and western singer and songwriter)
publisher:
Gordon Music Company, Inc., Marlen Music Co., Sunshine Music (Tomandl & Janisch OG (Vienna)) and Sunshine Music Co., Inc. (on 1941-11-17)
2:24
11Blue Moon
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1954-08-15 until 1954-08-19)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (from 1954-08-15 until 1954-08-19)
guitar:
Elvis Presley (“The King of Rock and Roll”) (from 1954-08-15 until 1954-08-19)
vocals:
Elvis Presley (“The King of Rock and Roll”) (from 1954-08-15 until 1954-08-19)
recorded at:
Sun Studio in Memphis, Tennessee, United States (from 1954-08-15 until 1954-08-19)
cover recording of:
Blue Moon (from 1954-08-15 until 1954-08-19)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
live cover recording of:
Blue Moon
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
2:40
12Money Honey
cover recording of:
Money Honey (on 1956-01-10)
lyricist and composer:
Jesse Stone
publisher:
Carlin Music Corporation, First Digital Music, Walden Music, Inc., Walden, Inc., WB Music Corp. (1929–2019) and ZFC Music
2:34
13Rip It Up
cover recording of:
Rip It Up (on 1956-09-03)
writer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Peter Maurice Music Co. Ltd., Robin Hood Music Co., Sony/ATV Songs LLC and Venice Music
1:55
14Love Me
engineer:
Thorne Nogar
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-09-01, from 1956-09-01 until 1956-09-03)
drums (drum set):
D.J. Fontana (on 1956-09-01, from 1956-09-01 until 1956-09-03)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-09-01, from 1956-09-01 until 1956-09-03) and Elvis Presley (“The King of Rock and Roll”) (on 1956-09-01, from 1956-09-01 until 1956-09-03)
piano:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (on 1956-09-01, from 1956-09-01 until 1956-09-03) and Elvis Presley (“The King of Rock and Roll”) (from 1956-09-01 until 1956-09-03)
additional vocals:
The Jordanaires (southern gospel group) (on 1956-09-01)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-09-01)
vocals:
The Jordanaires (southern gospel group) (from 1956-09-01 until 1956-09-03)
phonographic copyright (℗) by:
BMG Entertainment (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-09-01, from 1956-09-01 until 1956-09-03)
cover recording of:
Love Me (from 1956-09-01 until 1956-09-03)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Hornall Brothers Music Ltd. (limited company), Jerry Leiber Music, Mike Stoller Music (ASCAP), Quintet Music (Leiber & Stoller) and Sony/ATV Songs LLC
recording of:
Love Me, Love Me
writer:
George Richey and Glenn Sutton (US songwriter and producer)
42:44
15When My Blue Moon Turns to Gold Again
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-09-02)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 21)
cover recording of:
When My Blue Moon Turns to Gold Again (on 1956-09-02)
writer:
Gene Sullivan (in 1940) and Wiley Walker (in 1940)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)) and Peer International Corporation (BMI) (on 1941-12-03)
4.52:22
16Long Tall Sally
cover recording of:
Long Tall Sally (on 1956-09-02)
writer:
Enotris Johnson (on 1955-11-29), Richard Wayne Penniman (on 1955-11-29) and Robert Alexander Blackwell (on 1955-11-29)
publisher:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music and Venice Music
1:52
17First in Line
recording of:
First in Line (on 1956-09-03)
composer:
Aaron Schroeder (1950s~1960s US songwriter) and Ben Weisman
publisher:
Rachel’s Own Music and Ross Jungnickel, Inc.
3:21
18Paralyzed
recording of:
Paralyzed (on 1956-09-02)
composer:
Otis Blackwell (American pianist, singer and songwriter) and Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp., Unichappell Music and Williamson Music Company
2:23
19So Glad You’re Mine
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-30)
drums (drum set):
D.J. Fontana (on 1956-01-30)
guitar:
Elvis Presley (“The King of Rock and Roll”) (on 1956-01-10) and Scotty Moore (American guitarist and recording engineer) (on 1956-01-30)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-01-30)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-01-30)
cover recording of:
So Glad You’re Mine (on 1956-01-30)
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Elvis Presley Music and Elvis Presley Music Inc.
32:21
20Old Shep
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1956-09-01 until 1956-09-03)
drums (drum set):
D.J. Fontana (from 1956-09-01 until 1956-09-03)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1956-09-01 until 1956-09-03) and Elvis Presley (“The King of Rock and Roll”) (from 1956-09-01 until 1956-09-03)
piano:
Elvis Presley (“The King of Rock and Roll”) (from 1956-09-01 until 1956-09-03) and Gordon Stoker (US pianist, tenor vocalist and music publisher) (from 1956-09-01 until 1956-09-03)
vocals:
The Jordanaires (southern gospel group) (from 1956-09-01 until 1956-09-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1956-09-01 until 1956-09-03)
cover recording of:
Old Shep (from 1956-09-01 until 1956-09-03)
publisher:
Clyde Julian Foley (US country music musician) (on 1935-06-24)
lyricist:
Willis Arthur (lyricist)
composer:
Clyde Julian Foley (US country music musician)
publisher:
Westpar Music
54:10
21Ready Teddy
cover recording of:
Ready Teddy (on 1956-09-03)
lyricist and composer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Aberbach Ltd. (publisher), ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Robin Hood Music Co., Songs of Kobalt Music Publishing, Sony/ATV Songs LLC and Venice Music, Inc.
1:56
22Anyplace Is Paradise
recording of:
Anyplace Is Paradise (on 1956-09-02)
lyricist and composer:
Joe Thomas (US songwriter and Jazz saxophonist)
publisher:
Elvis Presley Music and Elvis Presley Music Inc.
2:26
23How’s the World Treating You
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1956-09-01 until 1956-09-03)
drums (drum set):
D.J. Fontana (from 1956-09-01 until 1956-09-03)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1956-09-01 until 1956-09-03) and Elvis Presley (“The King of Rock and Roll”) (from 1956-09-01 until 1956-09-03)
piano:
Elvis Presley (“The King of Rock and Roll”) (from 1956-09-01 until 1956-09-03) and Gordon Stoker (US pianist, tenor vocalist and music publisher) (from 1956-09-01 until 1956-09-03)
vocals:
The Jordanaires (southern gospel group) (from 1956-09-01 until 1956-09-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1956-09-01 until 1956-09-03)
cover recording of:
How’s the World Treating You (on 1956-09-01)
composer:
Chet Atkins and Boudleaux Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI)
42:24
24How Do You Think I Feel
cover recording of:
How Do You Think I Feel (on 1956-09-01)
composer:
Webb Pierce and Wiley Walker
2:10
25Heartbreak Hotel
engineer:
Bob Ferris (engineer)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-10)
drums (drum set):
D.J. Fontana (on 1956-01-10)
guitar:
Chet Atkins (on 1956-01-10), Scotty Moore (American guitarist and recording engineer) (on 1956-01-10) and Elvis Presley (“The King of Rock and Roll”) (on 1956-01-10)
piano:
Floyd Cramer (on 1956-01-10)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-01-10)
vocals:
Elvis Presley (“The King of Rock and Roll”), Ben Speer (on 1956-01-10), Lena Brock "Mom" Speer (on 1956-01-10) and Gordon Stoker (US pianist, tenor vocalist and music publisher) (on 1956-01-10)
publisher:
Sony/ATV Songs LLC
phonographic copyright (℗) by:
BMG Entertainment (in 1956), BMG Music (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studios (Nashville) in Nashville, Tennessee, United States (on 1956-01-10)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 45) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 347)
recording of:
Heartbreak Hotel (on 1956-01-10)
writer:
Mae Boren Axton, Tommy Durden and Elvis Presley (“The King of Rock and Roll”)
publisher:
Belwin Mills Music Ltd., Durden Breyer Publishing, EMI Harmonies Limited, EMI Mills Music Limited (PRS for Music-affiliated), Sony/ATV Songs LLC, Sony/ATV Tree Publishing and Unichappell Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
3.72:08
26I Want You I Need You I Love You
engineer:
Bob Ferris (engineer)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-04-14)
drums (drum set):
D.J. Fontana (on 1956-04-14)
guitar:
Chet Atkins (on 1956-04-14) and Scotty Moore (American guitarist and recording engineer) (on 1956-04-14)
piano:
Marvin Hughes (on 1956-04-14)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-04-14)
vocals:
Brock Speer (on 1956-04-14), Ben Speer (on 1956-04-14), Lena Brock "Mom" Speer (on 1956-04-14) and Gordon Stoker (US pianist, tenor vocalist and music publisher) (on 1956-04-14)
phonographic copyright (℗) by:
BMG Music (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
recorded at:
RCA Studios (Nashville) in Nashville, Tennessee, United States (on 1956-04-14)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 25)
recording of:
I Want You, I Need You, I Love You (on 1956-04-14)
writer:
Ira Kosloff and Maurice Mysels
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Elvis Presley Music, Elvis Presley Music Inc., Gladys Music and Williamson Music Company
52:40
27Hound Dog
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-07-02)
drums (drum set):
D.J. Fontana (on 1956-07-02)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-07-02) and Elvis Presley (“The King of Rock and Roll”) (on 1956-07-02)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-07-02)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-07-02)
vocals:
The Jordanaires (southern gospel group) (on 1956-07-02)
additional performer:
The Jordanaires (southern gospel group)
phonographic copyright (℗) by:
BMG Entertainment (in 1956, in 1972), BMG Music (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-07-02)
cover recording of:
Hound Dog (on 1956-07-02)
lyricist:
Jerry Leiber (on 1952-08-12)
composer:
Mike Stoller (on 1952-08-12)
previously attributed to:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company and Williamson Music, Inc.
3.82:17
28Don’t Be Cruel
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-07-02)
drums (drum set):
D.J. Fontana (on 1956-07-02)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-07-02) and Elvis Presley (“The King of Rock and Roll”) (on 1956-07-02)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-07-02)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-07-02)
vocals:
The Jordanaires (southern gospel group) (on 1956-07-02)
phonographic copyright (℗) by:
BMG Entertainment (in 1956), BMG Music (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-07-02)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 11) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 197)
recording of:
Don’t Be Cruel (on 1956-07-02)
writer:
Otis Blackwell (American pianist, singer and songwriter) and Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp. and Williamson Music Company
3.82:04
29Lawdy Miss Clawdy
cover recording of:
Lawdy Miss Clawdy (on 1956-02-03)
lyricist and composer:
Lloyd Price (US R&B/soul singer) (in 1952-03)
publisher:
ATV Music, Carlin Music Corporation, Sony/ATV Songs LLC and Venice Music
2:10
30Love Me Tender
accordion:
Carl Fortina (from 1956-08-24 until 1956-09-04) and Dominic Frontiere (from 1956-08-24 until 1956-09-04)
banjo:
Luther "Red" Roundtree (from 1956-08-24 until 1956-09-04)
bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (from 1956-08-24 until 1956-09-04)
drums (drum set):
Richard Cornell (Percussion) (from 1956-08-24 until 1956-09-04)
guitar:
Vito Mumolo (Session Musician (Guitar)) (from 1956-08-24 until 1956-09-04)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-09-01)
vocals:
Jon Dodson (from 1956-08-24 until 1956-09-04, on 1956-09-01), Charles Prescott (from 1956-08-24 until 1956-09-04, on 1956-09-01) and Rad Robinson (from 1956-08-24 until 1956-09-04, on 1956-09-01)
phonographic copyright (℗) by:
BMG Entertainment (in 1956), BMG Music (in 1956), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
20th Century Fox Music Stage 1 in Los Angeles, California, United States (on 1956-08-24, on 1956-09-04)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 437)
recording of:
Love Me Tender (from 1956-08-24 until 1956-09-04)
lyricist:
Ken Darby (in 1956)
additional writer:
Vera Matson (in 1956) and Elvis Presley (“The King of Rock and Roll”) (in 1956)
composer:
George R. Poulton (in 1861)
publisher:
Aberbach Musikverlag (German publisher), ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company and Elvis Presley Music (from 1956 to present)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Aura Lea
42:46
31I Was the One
recording of:
I Was the One (on 1956-01-11)
writer:
Hal Blair, Claude Demetrius, Bill Peppers and Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Anne-Rachel Music, Carlin Music Corporation, Chappell & Co., Inc. (USA), MCA Music Ltd. and Rachel’s Own Music
2:31
32My Baby Left Me
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-30, from 1956-01-30 until 1956-02-03)
drums (drum set):
D.J. Fontana (on 1956-01-30, from 1956-01-30 until 1956-02-03)
guitar:
Elvis Presley (“The King of Rock and Roll”) (on 1956-01-10, from 1956-01-30 until 1956-02-03) and Scotty Moore (American guitarist and recording engineer) (on 1956-01-30, from 1956-01-30 until 1956-02-03)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-01-30, from 1956-01-30 until 1956-02-03)
phonographic copyright (℗) by:
BMG Entertainment (in 1956) and BMG Music (in 1956)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-01-30, from 1956-01-30 until 1956-01-31, on 1956-02-03)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 29)
cover recording of:
My Baby Left Me (from 1956-01-30 until 1956-02-03)
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. and Williamson Music Company
recording of:
My Baby Left Me
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. and Williamson Music Company
3.652:09
2▼CD
#TitleRatingLength
1Mean Women Blues
cover recording of:
Mean Woman Blues
lyricist and composer:
Claude Demetrius
publisher:
Carlin Music Corporation, Gladys Music, Gladys Music Inc. and Williamson Music Company
2:13
2(Let Me Be Your) Teddy Bear
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-01-15 until 1957-01-18)
drums (drum set):
D.J. Fontana (from 1957-01-15 until 1957-01-18)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-01-15 until 1957-01-18) and Tiny Timbrell (from 1957-01-15 until 1957-01-18)
piano:
Dudley Brooks (from 1957-01-15 until 1957-01-18)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (from 1957-01-15 until 1957-01-18)
vocals:
Elvis Presley (“The King of Rock and Roll”) and The Jordanaires (southern gospel group) (from 1957-01-15 until 1957-01-18)
additional performer:
The Jordanaires (southern gospel group) (from 1957-01-15 until 1957-01-18)
phonographic copyright (℗) by:
BMG Entertainment (in 1957), BMG Music (in 1957) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1957-01-15 until 1957-01-18)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 26)
recording of:
(Let Me Be Your) Teddy Bear (from 1957-01-15 until 1957-01-18)
writer:
Bernie Lowe and Kal Mann
publisher:
Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music Inc. and Williamson Music Company
cover recording of:
(Let Me Be Your) Teddy Bear
writer:
Bernie Lowe and Kal Mann
publisher:
Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music Inc. and Williamson Music Company
3.11:48
3Loving You
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-02-23 until 1957-02-24)
drums (drum set):
D.J. Fontana (from 1957-02-23 until 1957-02-24)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-02-23 until 1957-02-24) and Elvis Presley (“The King of Rock and Roll”) (from 1957-02-23 until 1957-02-24)
piano:
Dudley Brooks (from 1957-02-23 until 1957-02-24)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-02-24)
vocals:
The Jordanaires (southern gospel group) (from 1957-02-23 until 1957-02-24)
additional performer:
The Jordanaires (southern gospel group) (on 1957-02-24)
phonographic copyright (℗) by:
BMG Music and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1957-02-23 until 1957-02-24)
recording of:
Loving You (from 1957-02-23 until 1957-02-24)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) and Sony/ATV Songs LLC
cover recording of:
Loving You
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) and Sony/ATV Songs LLC
42:16
4Got o Lot o Livin to Do
recording of:
Got a Lot o’ Livin’ to Do
writer:
Aaron Schroeder (1950s~1960s US songwriter) and Ben Weisman
publisher:
Gladys Music Inc., Minder Music Ltd. and Rachel’s Own Music
2:33
5Lonesome Cowboy
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-01-15 until 1957-01-18)
drums (drum set):
D.J. Fontana (from 1957-01-15 until 1957-01-18)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-01-15 until 1957-01-18) and Tiny Timbrell (from 1957-01-15 until 1957-01-18)
piano:
Dudley Brooks (from 1957-01-15 until 1957-01-18)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Jordanaires (southern gospel group) (from 1957-01-15 until 1957-01-18)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1957-01-15 until 1957-01-18)
recording of:
Lonesome Cowboy (from 1957-01-15 until 1957-01-18)
writer:
Roy C. Bennett (US songwriter) and Sid Tepper
publisher:
Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc. and Williamson Music Company
cover recording of:
Lonesome Cowboy
writer:
Roy C. Bennett (US songwriter) and Sid Tepper
publisher:
Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc. and Williamson Music Company
43:03
6Hot Dog
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-01-15 until 1957-01-18)
drums (drum set):
D.J. Fontana (from 1957-01-15 until 1957-01-18)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-01-15 until 1957-01-18) and Tiny Timbrell (from 1957-01-15 until 1957-01-18)
piano:
Dudley Brooks (from 1957-01-15 until 1957-01-18)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Jordanaires (southern gospel group) (from 1957-01-15 until 1957-01-18)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1957-01-15 until 1957-01-18)
cover recording of:
Hot Dog (from 1957-01-15 until 1957-01-18)
writer:
Jerry Leiber and Mike Stoller
publisher:
Elvis Presley Music Inc., Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Silver Seahorse Music LLC and Sony/ATV Songs LLC
1:13
7Party
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-01-15 until 1957-01-18)
drums (drum set):
D.J. Fontana (from 1957-01-15 until 1957-01-18)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-01-15 until 1957-01-18) and Tiny Timbrell (from 1957-01-15 until 1957-01-18)
piano:
Dudley Brooks (from 1957-01-15 until 1957-01-18)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Jordanaires (southern gospel group) (from 1957-01-15 until 1957-01-18)
phonographic copyright (℗) by:
BMG Music (in 1957) and RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1957)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1957-01-15 until 1957-01-18)
cover recording of:
Let’s Have a Party (from 1957-01-15 until 1957-01-18)
lyricist and composer:
Jessie Mae Robinson
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Gladys Music Inc., IQ Music Ltd., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Universal/MCA Music Ltd. (not for release label use!) and Universal/MCA Music Publishing Pty Ltd
4.21:29
8Blueberry Hill
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo)
drums (drum set):
D.J. Fontana
guitar:
Scotty Moore (American guitarist and recording engineer)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
cover recording of:
Blueberry Hill (on 1957-01-19)
lyricist:
Al Lewis (Tin Pan Alley era lyricist) and Larry Stock
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company and Victoria Music Publishing Co. Ltd.
part of:
12 Monkeys Soundtrack
42:41
9True Love
cover recording of:
True Love (High Society) (on 1957-02-23)
lyricist and composer:
Cole Porter (composer) (in 1956)
publisher:
Buxton Hill Music Corp., Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music (UK), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
Warner Chappel Music Belgium NV
part of:
The 29th Academy Award for Best Original Song (number: 2)
part of:
High Society (stage musical)
part of:
High Society (1956 film)
2:09
10Don’t Leave Me Now
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-02-23 until 1957-02-24, from 1957-04-30 until 1957-05-09) and Neal Matthews (from 1957-04-30 until 1957-05-09)
drums (drum set):
D.J. Fontana (from 1957-02-23 until 1957-02-24, from 1957-04-30 until 1957-05-09)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-02-23 until 1957-02-24, from 1957-04-30 until 1957-05-09) and Elvis Presley (“The King of Rock and Roll”) (from 1957-02-23 until 1957-02-24, from 1957-04-30 until 1957-05-09)
piano:
Dudley Brooks (from 1957-02-23 until 1957-02-24, from 1957-04-30 until 1957-05-09) and Mike Stoller (from 1957-04-30 until 1957-05-09)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Jordanaires (southern gospel group) (from 1957-02-23 until 1957-02-24, from 1957-04-30 until 1957-05-09)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1957-02-23 until 1957-02-24, on 1957-04-30, on 1957-05-03, from 1957-05-08 until 1957-05-09)
cover recording of:
Don’t Leave Me Now (from 1957-02-23 until 1957-02-24)
writer:
Aaron Schroeder (1950s~1960s US songwriter) and Ben Weisman
publisher:
A. Schroeder, Blen Music, Chappell & Co., Gladys Music Inc. and Rachel’s Own Music
cover recording of:
Don’t Leave Me Now (from 1957-04-30 until 1957-05-09)
writer:
Aaron Schroeder (1950s~1960s US songwriter) and Ben Weisman
publisher:
A. Schroeder, Blen Music, Chappell & Co., Gladys Music Inc. and Rachel’s Own Music
42:00
11Have I Told You Lately That I Love You
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1957-01-19)
drums (drum set):
D.J. Fontana (on 1957-01-19)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1957-01-19) and Elvis Presley (“The King of Rock and Roll”) (on 1957-01-19)
organ:
Hoyt Hawkins (on 1957-01-19)
piano:
Dudley Brooks (on 1957-01-19)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Jordanaires (southern gospel group) (on 1957-01-19)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-01-19)
cover recording of:
Have I Told You Lately That I Love You? (on 1957-01-19)
lyricist and composer:
Scott Wiseman (in 1945)
publisher:
Duchess Music Corporation (BMI-affiliated), MCA Duchess Music Corporation, Universal Duchess Music Corp., Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and Leeds Music Ltd. (in 1982)
42:33
12I Need You So
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-02-23 until 1957-02-24)
drums (drum set):
D.J. Fontana (from 1957-02-23 until 1957-02-24)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-02-23 until 1957-02-24) and Elvis Presley (“The King of Rock and Roll”) (from 1957-02-23 until 1957-02-24)
piano:
Dudley Brooks (from 1957-02-23 until 1957-02-24)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Jordanaires (southern gospel group) (from 1957-02-23 until 1957-02-24)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1957-02-23 until 1957-02-24)
cover recording of:
I Need You So (from 1957-02-23 until 1957-02-24)
lyricist and composer:
Ivory Joe Hunter (American rhythm and blues singer, songwriter and pianist)
publisher:
Hill and Range Songs, Inc. (publisher), St. Louis Music Corp. and Unichappell Music
42:41
13Santa Claus Is Back in Town
engineer:
Thorne Nogar
acoustic guitar and lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-09-07)
double bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1957-09-07)
drums (drum set):
D.J. Fontana (on 1957-09-07)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (on 1957-09-07)
piano:
Dudley Brooks (on 1957-09-07)
background vocals:
The Jordanaires (southern gospel group) (on 1957-09-07) and Millie Kirkham (on 1957-09-07)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1957)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-09-07)
recording of:
Santa Claus Is Back in Town (on 1957-09-07)
writer:
Jerry Leiber and Mike Stoller
publisher:
Carlin Music Corporation, Cherry River Music, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) and Sony/ATV Songs LLC
3.952:24
14White Christmas
cover recording of:
White Christmas
lyricist and composer:
Irving Berlin (from 1938 until 1940)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Allans Music Australia Pty Ltd, Irving Berlin Music Corp., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Williamson Music Company and Irving Berlin Music Company (from 1940 to present)
sub-publisher:
Irving Berlin Music Ltd., Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 15th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1942 winner)
2:44
15Here Comes Santa Claus (Right Down Santa Claus Lane)
engineer:
Thorne Nogar
acoustic guitar and lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-09-06)
double bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1957-09-06)
drums (drum set):
D.J. Fontana (on 1957-09-06)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (on 1957-09-06)
piano:
Dudley Brooks (on 1957-09-06)
background vocals:
The Jordanaires (southern gospel group) (on 1957-09-06) and Millie Kirkham (on 1957-09-06)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-09-06)
cover recording of:
Here Comes Santa Claus (Right Down Santa Claus Lane) (on 1957-09-06)
lyricist and composer:
Gene Autry (“The Singing Cowboy”), Oakley Haldeman (songwriter) and Harriett Melka
publisher:
Campbell Connelly & Co., EMI Davis Music Australia Pty Limited, Remick Music Corp., Warner Bros. Music Corp. and Gene Autry Music Publishing, Inc. (on 1947-11-20)
3.51:56
16I’ll Be Home for Christmas
cover recording of:
I’ll Be Home for Christmas (on 1957-09-07)
lyricist:
Kim Gannon
additional writer:
Buck Ram
composer:
Walter Kent
publisher:
Chappell Music Ltd., Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gannon and Kent Music Co., Piedmont Music Company, Warner Chappell and Warner Chappell Music (publisher as Warner/Chappell Music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
1:54
17Blue Christmas
engineer:
Thorne Nogar
acoustic guitar and lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-09-05)
double bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1957-09-05)
drums (drum set):
D.J. Fontana (on 1957-09-05)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (on 1957-09-05)
piano:
Dudley Brooks (on 1957-09-05)
background vocals:
The Jordanaires (southern gospel group) (on 1957-09-05) and Millie Kirkham (on 1957-09-05)
phonographic copyright (℗) by:
RCA Victor (in 1957), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1957) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1968)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-09-05)
part of:
Billboard Hot 100: 2026-01-03 (number: 21), Billboard Hot 100: 2025-12-27 (number: 27), Billboard Hot 100: 2025-12-20 (number: 29), Billboard Hot 100: 2025-12-13 (number: 31) and Billboard Hot 100: 2025-12-06 (number: 50)
cover recording of:
Blue Christmas (on 1957-09-05)
writer:
Bill Hayes (songwriter) and Jay Johnson (songwriter of “Blue Christmas”)
publisher:
Anglo-Pic Music Co. Ltd., Bibo Music Publishing, Inc., J. Albert & Son Pty. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) and Universal Polygram International, Inc.
3.652:09
18Santa Bring My Baby (Back to Me)
recording of:
Santa Bring My Baby Back (to Me) (on 1957-09-07)
writer:
Claude Demetrius and Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Carlin Music Corporation, Cherry Lane Music Co., Gladys Music, Gladys Music Inc., Minder Music Ltd. and Rachel’s Own Music
1:54
19O Little Town of Bethlehem
cover recording of:
O Little Town of Bethlehem (version performed by Elvis Presley) (on 1957-09-07)
writer:
Mark White (co-writer of version of "O Little Town of Bethlehem" performed by Elvis Presley)
composer:
Lewis Henry Redner
publisher:
Cherry River Music, Elvis Presley Music, Elvis Presley Music Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
version of:
O Little Town of Bethlehem (traditional carol with the tune “St. Louis”, as commonly sung in the U.S.)
2:37
20Silent Night
acoustic guitar and lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-09-06)
double bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1957-09-06)
drums (drum set):
D.J. Fontana (on 1957-09-06)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (on 1957-09-06)
piano:
Dudley Brooks (on 1957-09-06)
background vocals:
The Jordanaires (southern gospel group) (on 1957-09-06) and Millie Kirkham (on 1957-09-06)
recording of:
Silent Night (Elvis Presley version) (on 1957-09-06)
lyricist:
Josef Mohr
composer:
Franz Xaver Gruber
translator:
John Freeman Young (in 1859)
publisher:
Cherry River Music and Elvis Presley Music
version of:
Silent Night (Christmas carol, English translation)
4.52:24
21(There’ll Be) Peace in the Valley for Me
engineer:
Thorne Nogar
producer:
Steve Sholes
double bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1957-01-13)
drums (drum set):
D.J. Fontana (on 1957-01-13)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (on 1957-01-13)
piano:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (on 1957-01-13)
background vocals:
The Jordanaires (southern gospel group) (on 1957-01-13)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-01-13)
vocals:
The Jordanaires (southern gospel group) (on 1957-01-13)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-01-13)
cover recording of:
There’ll Be Peace in the Valley for Me (on 1957-01-13)
publisher:
Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”) (on 1939-01-25)
lyricist and composer:
Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”)
publisher:
Carlin Music Corp., Rightsong Music, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
3.653:23
22I Believe
cover recording of:
I Believe (on 1957-01-12)
writer:
Ervin Drake (Songwriter), Irvin Graham, Jimmy Shirl (Songwriter) and Al Stillman
publisher:
Adaken Music, Cromwell Music, Inc., Gentlemen Jim Music Corp., Hampshire House Publishing Corp., L and S Freedom Music, Lindabet Music Corporation, Tadzio Music Corp., The Songwriters Guild, The Stillman Song Company and TRO Essex Music Ltd.
2:06
23Take My Hand Precious Lord
cover recording of:
Take My Hand, Precious Lord (on 1957-01-13)
lyricist and arranger:
Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”)
additional composer:
Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”)
composer:
[traditional] (special purpose artist)
previously attributed to:
George Nelson Allen (American composer from the 1800s)
3:19
24It Is No Secret (What God Can Do)
cover recording of:
It Is No Secret (on 1957-01-19)
lyricist and composer:
Stuart Hamblen
publisher:
Duchess Music Corporation (BMI-affiliated), Hamblen Music, MCA Music Ltd. and Songs of Universal, Inc. (BMI)
3:57
25Shake Rattle and Roll
cover recording of:
Shake, Rattle and Roll
additional lyricist:
Daryl Bosteels
writer:
Charles Calhoun and Jesse Stone
publisher:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music and Unichappell Music, Inc.
2:31
26Anyway You Want Me (That’s How I Will Be)
recording of:
Any Way You Want Me
writer:
Cliff Owens and Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Rachel’s Own Music and Ross Jungnickel, Inc.
2:15
27Playing for Keeps
cover recording of:
Playing for Keeps
lyricist and composer:
Stan Kesler (US session musician, composer and producer)
2:55
28Too Much
cover recording of:
Too Much (on 1956-09-02)
writer:
Lee Rosenberg and Bernard Weinman
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., MCS Music Ltd. and Southern Belle Music
2:33
29All Shook Up
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-01-12 until 1957-01-13)
drums (drum set):
D.J. Fontana (from 1957-01-12 until 1957-01-13)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-01-12 until 1957-01-13) and Elvis Presley (“The King of Rock and Roll”) (from 1957-01-12 until 1957-01-13)
piano:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (from 1957-01-12 until 1957-01-13)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
vocals:
Elvis Presley (“The King of Rock and Roll”) and The Jordanaires (southern gospel group) (from 1957-01-12 until 1957-01-13)
remixer:
Dennis Ferrante
additional performer:
The Jordanaires (southern gospel group)
phonographic copyright (℗) by:
BMG Entertainment (in 1957), BMG Music (in 1957) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1957-01-12 until 1957-01-13) and Bloch Arena in Honolulu, Hawaii, United States (on 1961-03-25)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 18) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 353)
cover recording of:
All Shook Up (on 1957-01-12)
writer:
Otis Blackwell (American pianist, singer and songwriter) and Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music Inc., Global (publisher) and Shalimar Music Corp.
3.651:58
30That’s When Your Heartaches Begin
cover recording of:
That’s When Your Heartaches Begin (on 1957-01-13)
writer:
Fred Fisher, Billy Hill (US songwriter) and William Raskin
publisher:
Fred Fisher Music Co., Inc. and Sony/ATV Tunes LLC (ASCAP)
3:24
31Jailhouse Rock
drums (drum set):
D.J. Fontana (on 1957-04-30)
electric bass guitar:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1957-04-30)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (on 1957-04-30)
additional vocals:
The Jordanaires (southern gospel group) (on 1957-04-30)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-04-30)
vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-04-30)
phonographic copyright (℗) by:
BMG Entertainment (in 1957) and BMG Music (in 1957)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 67) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 216)
recording of:
Jailhouse Rock (on 1957-04-30)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP), Silver Seahorse Music LLC and Sony/ATV Songs LLC
sub-publisher:
Fujipacific Music, Inc., ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
3.552:27
32Treat Me Nice
recording of:
Treat Me Nice
writer:
Jerry Leiber and Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) and Sony/ATV Songs LLC
2:13
3▼CD
#TitleRatingLength
1King Creole
engineer:
Thorne Nogar (from 1958-01 until 1958-02) and Phil Wisdom (from 1958-01 until 1958-02)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1958-01-15 until 1958-01-23), Neal Matthews (from 1958-01-15 until 1958-01-23) and Ray Siegel (from 1958-01-15 until 1958-01-23)
bongos:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (from 1958-01-15 until 1958-01-23)
clarinet:
Mahlon Clark (from 1958-01-15 until 1958-01-23)
cymbal:
Hoyt Hawkins (from 1958-01-15 until 1958-01-23)
drums (drum set):
D.J. Fontana (from 1958-01-15 until 1958-01-23) and Bernie Mattinson (from 1958-01-15 until 1958-01-23)
guitar:
Neal Matthews (from 1958-01-15 until 1958-01-23), Scotty Moore (American guitarist and recording engineer) (from 1958-01-15 until 1958-01-23) and Elvis Presley (“The King of Rock and Roll”) (from 1958-01-15 until 1958-01-23)
piano:
Dudley Brooks (from 1958-01-15 until 1958-01-23)
saxophone:
Justin Gordon (from 1958-01-15 until 1958-01-23)
trombone:
Elmer Schneider (from 1958-01-15 until 1958-01-23) and Warren Smith (jazz trombonist) (from 1958-01-15 until 1958-01-23)
trumpet:
John Ed Buckner (from 1958-01-15 until 1958-01-23)
tuba:
Ray Siegel (from 1958-01-15 until 1958-01-23)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1958-01-23)
vocals:
The Jordanaires (southern gospel group) (from 1958-01-15 until 1958-01-23)
additional performer:
The Jordanaires (southern gospel group) (on 1958-01-23)
phonographic copyright (℗) by:
BMG Entertainment (in 1958), BMG Music (in 1958) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-01-15 until 1958-01-16, on 1958-01-23)
cover recording of:
King Creole (from 1958-01-15 until 1958-01-23)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Carlin Music Corporation, Cherry Lane Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP)
4.72:08
2As Long as I Have You
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1958-01-15 until 1958-01-23), Neal Matthews (from 1958-01-15 until 1958-01-23) and Ray Siegel (from 1958-01-15 until 1958-01-23)
bongos:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (from 1958-01-15 until 1958-01-23)
clarinet:
Mahlon Clark (from 1958-01-15 until 1958-01-23)
cymbal:
Hoyt Hawkins (from 1958-01-15 until 1958-01-23)
drums (drum set):
D.J. Fontana (from 1958-01-15 until 1958-01-23) and Bernie Mattinson (from 1958-01-15 until 1958-01-23)
guitar:
Neal Matthews (from 1958-01-15 until 1958-01-23), Scotty Moore (American guitarist and recording engineer) (from 1958-01-15 until 1958-01-23) and Elvis Presley (“The King of Rock and Roll”) (from 1958-01-15 until 1958-01-23)
piano:
Dudley Brooks (from 1958-01-15 until 1958-01-23)
saxophone:
Justin Gordon (from 1958-01-15 until 1958-01-23)
trombone:
Elmer Schneider (from 1958-01-15 until 1958-01-23) and Warren Smith (jazz trombonist) (from 1958-01-15 until 1958-01-23)
trumpet:
John Ed Buckner (from 1958-01-15 until 1958-01-23)
tuba:
Ray Siegel (from 1958-01-15 until 1958-01-23)
vocals:
The Jordanaires (southern gospel group) (from 1958-01-15 until 1958-01-23)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-01-15 until 1958-01-16, on 1958-01-23)
cover recording of:
As Long as I Have You (from 1958-01-15 until 1958-01-23)
writer:
Ben Weisman and Fred Wise
publisher:
Chappell & Co., Erika Publishing and Gladys Music Inc.
2.751:50
3Hard Headed Women
cover recording of:
Hard Headed Woman
lyricist and composer:
Claude Demetrius
publisher:
Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated) and Williamson Music Company
1:55
4Trouble
recording of:
Trouble (Elvis Presley) (on 1958-01-15)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Carlin Music Corporation, Jerome Leiber Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Purple Starfish Music, Sony Songs and Sony/ATV Songs LLC
2:18
5Dixieland Rock
cover recording of:
Dixieland Rock (on 1958-01-16)
writer:
Rachel Frank and Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Rachel’s Own Music and Williamson Music Company
41:48
6Don’t Ask Me Why
cover recording of:
Don’t Ask Me Why (on 1958-01-16)
writer:
Ben Weisman and Fred Wise
publisher:
Chappell & Co. and Erika Publishing
32:06
7Lover Doll
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1958-01-15 until 1958-01-23), Neal Matthews (from 1958-01-15 until 1958-01-23) and Ray Siegel (from 1958-01-15 until 1958-01-23)
bongos:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (from 1958-01-15 until 1958-01-23)
clarinet:
Mahlon Clark (from 1958-01-15 until 1958-01-23)
cymbal:
Hoyt Hawkins (from 1958-01-15 until 1958-01-23)
drums (drum set):
D.J. Fontana (from 1958-01-15 until 1958-01-23) and Bernie Mattinson (from 1958-01-15 until 1958-01-23)
guitar:
Neal Matthews (from 1958-01-15 until 1958-01-23), Scotty Moore (American guitarist and recording engineer) (from 1958-01-15 until 1958-01-23) and Elvis Presley (“The King of Rock and Roll”) (from 1958-01-15 until 1958-01-23)
piano:
Dudley Brooks (from 1958-01-15 until 1958-01-23)
saxophone:
Justin Gordon (from 1958-01-15 until 1958-01-23)
trombone:
Elmer Schneider (from 1958-01-15 until 1958-01-23) and Warren Smith (jazz trombonist) (from 1958-01-15 until 1958-01-23)
trumpet:
John Ed Buckner (from 1958-01-15 until 1958-01-23)
tuba:
Ray Siegel (from 1958-01-15 until 1958-01-23)
vocals:
The Jordanaires (southern gospel group) (from 1958-01-15 until 1958-01-23)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-01-15 until 1958-01-16, on 1958-01-23)
recording of:
Lover Doll (from 1958-01-15 until 1958-01-23)
writer:
Abner Silver and Sid Wayne
42:11
8Crawfish
cover recording of:
Crawfish
lyricist:
Fred Wise
composer:
Ben Weisman
publisher:
Chappell & Co. and Erika Publishing
1:50
9Young Dreams
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1958-01-15 until 1958-01-23), Neal Matthews (from 1958-01-15 until 1958-01-23) and Ray Siegel (from 1958-01-15 until 1958-01-23)
bongos:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (from 1958-01-15 until 1958-01-23)
clarinet:
Mahlon Clark (from 1958-01-15 until 1958-01-23)
cymbal:
Hoyt Hawkins (from 1958-01-15 until 1958-01-23)
drums (drum set):
D.J. Fontana (from 1958-01-15 until 1958-01-23) and Bernie Mattinson (from 1958-01-15 until 1958-01-23)
guitar:
Neal Matthews (from 1958-01-15 until 1958-01-23), Scotty Moore (American guitarist and recording engineer) (from 1958-01-15 until 1958-01-23) and Elvis Presley (“The King of Rock and Roll”) (from 1958-01-15 until 1958-01-23)
piano:
Dudley Brooks (from 1958-01-15 until 1958-01-23)
saxophone:
Justin Gordon (from 1958-01-15 until 1958-01-23)
trombone:
Elmer Schneider (from 1958-01-15 until 1958-01-23) and Warren Smith (jazz trombonist) (from 1958-01-15 until 1958-01-23)
trumpet:
John Ed Buckner (from 1958-01-15 until 1958-01-23)
tuba:
Ray Siegel (from 1958-01-15 until 1958-01-23)
vocals:
The Jordanaires (southern gospel group) (from 1958-01-15 until 1958-01-23)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-01-15 until 1958-01-16, on 1958-01-23)
recording of:
Young Dreams (from 1958-01-15 until 1958-01-23)
writer:
Martin Kalmanoff (ASCAP songwriter) and Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Dandy Dittys and Rachel’s Own Music
cover recording of:
Young Dreams
writer:
Martin Kalmanoff (ASCAP songwriter) and Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Dandy Dittys and Rachel’s Own Music
42:23
10Steadfast, Loyal and True
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1958-02-11) and Ray Siegel (on 1958-02-11)
drums (drum set):
D.J. Fontana (on 1958-02-11) and Bernie Mattinson (on 1958-02-11)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1958-02-11) and Tiny Timbrell (on 1958-02-11)
piano:
Dudley Brooks (on 1958-02-11)
vocals:
The Jordanaires (southern gospel group) (on 1958-02-11)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (on 1958-02-11)
recording of:
Steadfast, Loyal and True (from 1958-01-15 until 1958-01-23)
writer:
Jerry Leiber and Mike Stoller
publisher:
Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP) and Silver Seahorse Music LLC
31:18
11New Orleans
engineer:
Thorne Nogar (from 1958-01 until 1958-02) and Phil Wisdom (from 1958-01 until 1958-02)
cover recording of:
New Orleans (on 1958-01-15)
writer:
Roy C. Bennett (US songwriter) and Sid Tepper
publisher:
Gladys Music Elvis Presley Enterprises LLC and Williamson Music Company
42:00
12Make Me Know It
cover recording of:
Make Me Know It
lyricist and composer:
Otis Blackwell (American pianist, singer and songwriter)
publisher:
Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Songs, Elvis Presley Music and R&H Music
2:02
13Fever
cover recording of:
Fever
writer:
Eddie Cooley and John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. and Trio Music Company
part of:
The Adjustment Bureau
3:34
14The Girl of My Best Friend
cover recording of:
The Girl of My Best Friend
writer:
Sam Bobrick and Ross Butler
publisher:
Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music and R&H Music
2:24
15I Will Be Home Again
cover recording of:
I Will Be Home Again
writer:
Bennie Benjamin (in 1944), Raymond Leveen (Composer, songwriter and author) (in 1944) and Lou Singer (pianist) (in 1944)
premiered by:
The Golden Gate Quartet (on 1945-03-16)
publisher:
Bennie Benjamin Music Inc. and Chappell & Co.
2:36
16Dirty, Dirty Feeling
cover recording of:
Dirty Dirty Feeling
writer:
Jerry Leiber and Mike Stoller
publisher:
Elvis Presley Music, Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP) and Sony/ATV Songs LLC
1:35
17Thrill of Your Love
recording of:
Thrill of Your Love
lyricist and composer:
Stan Kesler (US session musician, composer and producer)
publisher:
R&H Music
3:02
18Soldier Boy
cover recording of:
Soldier Boy
writer:
David Jones and Theodore Williams
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
3:04
19Such a Night
cover recording of:
Such a Night
lyricist and composer:
Lincoln Chase (songwriter)
publisher:
Chappell Music Ltd., Elvis Presley Music, Embassy Music Corporation and Raleigh Music, Inc.
2:59
20It Feels So Right
cover recording of:
It Feels So Right
writer:
Ben Weisman and Fred Wise
publisher:
Blen Music, Chappell & Co., Elvis Presley Music Inc., Gladys Music Inc. and Spirit Two Music Inc.
2:11
21The Girl Next Door Went a’Walking
recording of:
The Girl Next Door Went a Walking
writer:
Bill Rice and Thomas Wayne (American singer, best remembered as a one-hit wonder for "Tragedy")
publisher:
Elvis Presley Music, R&H Music and Regent Music Corp.
2:15
22Like a Baby
cover recording of:
Like a Baby
lyricist and composer:
Jesse Stone
publisher:
Bob Abbott Music, Inc., Elvis Presley Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Unichappell Music
2:41
23Reconsider Baby
cover recording of:
Reconsider Baby
lyricist and composer:
Lowell Fulson
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
3:41
24Don’t
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-09-05 until 1957-09-07)
double bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo)
drums (drum set):
D.J. Fontana (, from 1957-09-05 until 1957-09-07)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-09-05 until 1957-09-07) and Elvis Presley (“The King of Rock and Roll”) (from 1957-09-05 until 1957-09-07)
piano:
Dudley Brooks (from 1957-09-05 until 1957-09-07)
additional background vocals and additional performer:
The Jordanaires (southern gospel group)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Jordanaires (southern gospel group) (from 1957-09-05 until 1957-09-07) and Millie Kirkham (from 1957-09-05 until 1957-09-07)
phonographic copyright (℗) by:
BMG Music (in 1957, in 1958), BMG Entertainment (in 1958), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1958) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1957-09-05 until 1957-09-07)
cover recording of:
Don’t (from 1957-09-05 until 1957-09-07)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) and Sony/ATV Songs LLC
32:49
25I Beg of You
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-02-23 until 1957-02-24)
drums (drum set):
D.J. Fontana (from 1957-02-23 until 1957-02-24)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-02-23 until 1957-02-24) and Elvis Presley (“The King of Rock and Roll”) (from 1957-02-23 until 1957-02-24)
piano:
Dudley Brooks (from 1957-02-23 until 1957-02-24)
vocals:
The Jordanaires (southern gospel group) (from 1957-02-23 until 1957-02-24)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1957-02-23 until 1957-02-24)
cover recording of:
I Beg of You (from 1957-02-23 until 1957-02-24)
writer:
Rose Marie McCoy and Kelly Owens (US pianist and organist)
publisher:
Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Songs, Elvis Presley Music, Elvis Presley Music Inc. and R&H Music
41:53
26Wear My Ring Around Your Neck
cover recording of:
Wear My Ring Around Your Neck (on 1958-02-01)
lyricist and composer:
Bert Carroll and Russell Moody
publisher:
Carlin Music Corporation, Lollipop Music Corp. and Owepar Publishing Inc.
2:15
27Doncha Think It’s Time
cover recording of:
Doncha’ Think It’s Time (on 1958-02-01)
writer:
Brook Benton
composer:
Clyde Otis (American songwriter and record producer)
publisher:
Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated) and Elvis Presley Music Inc.
1:56
28One Night
engineer:
Thorne Nogar
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-01-15 until 1957-01-18)
drums (drum set):
D.J. Fontana (from 1957-01-15 until 1957-01-18)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-01-15 until 1957-01-18) and Tiny Timbrell (from 1957-01-15 until 1957-01-18)
piano:
Dudley Brooks (from 1957-01-15 until 1957-01-18)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-02-23)
vocals:
The Jordanaires (southern gospel group) (from 1957-01-15 until 1957-01-18)
phonographic copyright (℗) by:
BMG Entertainment (in 1957), BMG Music (in 1957, in 1959) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
Paramount Scoring Stage in Los Angeles, California, United States (from 1957-01-15 until 1957-01-18), Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-02-23) and Metropolitan Sports Center in Bloomington, Minnesota, United States (on 1976-10-17)
cover recording of:
One Night (from 1957-01-15 until 1957-02-23)
writer:
Dave Bartholomew, Pearl King and Anita Steiman
publisher:
Elvis Presley Music Inc., Sony/ATV Music Publishing LLC (1995–2020) and Travis Music, Inc.
version of:
One Night (of Sin)
live cover recording of:
One Night (on 1976-10-17)
writer:
Dave Bartholomew, Pearl King and Anita Steiman
publisher:
Elvis Presley Music Inc., Sony/ATV Music Publishing LLC (1995–2020) and Travis Music, Inc.
version of:
One Night (of Sin)
2.552:33
29I Got Stung
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1958-06-10)
additional performer:
The Jordanaires (southern gospel group) (on 1958-06-10)
phonographic copyright (℗) by:
BMG Music (in 1958) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
recording of:
I Got Stung (on 1958-06-10)
writer:
David Hill (US songwriter) and Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Carlin Music Corporation, Gladys Music, Gladys Music Inc., Minder Music Ltd. and Rachel’s Own Music
cover recording of:
I Got Stung (on 1958-06-11)
writer:
David Hill (US songwriter) and Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Carlin Music Corporation, Gladys Music, Gladys Music Inc., Minder Music Ltd. and Rachel’s Own Music
1:51
30I Need Your Love Tonight
bass:
Bob Moore (U.S. bassist and bandleader) (on 1958-06-10)
drums (drum set):
D.J. Fontana (on 1958-06-10) and Buddy Harman (Session drummer and songwriter) (on 1958-06-10)
guitar:
Chet Atkins (on 1958-06-10), Hank Garland (on 1958-06-10) and Elvis Presley (“The King of Rock and Roll”) (on 1958-06-10)
piano:
Floyd Cramer (on 1958-06-10)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1958-06-10)
vocals:
The Jordanaires (southern gospel group) (on 1958-06-10)
additional performer:
The Jordanaires (southern gospel group) (on 1958-06-10)
phonographic copyright (℗) by:
BMG Music and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1958-06-10) and Bloch Arena in Honolulu, Hawaii, United States (on 1961-03-25)
live cover recording of:
I Need Your Love Tonight (on 1958-06-10)
writer:
Bickley Reichner and Sid Wayne
publisher:
Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated), Holly-Hill Music Publishing Co., Malvern Music Co., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Williamson Music Company
4.22:04
31Fool Such as I
cover recording of:
(Now and Then There’s) a Fool Such as I
lyricist and composer:
Bill Trader
publisher:
LeFevre Sing Pub. Co., MCA Music Inc. (US-based music publishers) and Universal/MCA Music Ltd. (not for release label use!)
2:30
32Big Hunk o Love
bass:
Bob Moore (U.S. bassist and bandleader) (on 1958-06-10)
drums (drum set):
D.J. Fontana (on 1958-06-10) and Buddy Harman (Session drummer and songwriter) (on 1958-06-10)
guitar:
Chet Atkins (on 1958-06-10), Hank Garland (on 1958-06-10) and Elvis Presley (“The King of Rock and Roll”) (on 1958-06-10)
piano:
Floyd Cramer (on 1958-06-10)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Jordanaires (southern gospel group) (on 1958-06-10)
phonographic copyright (℗) by:
BMG Entertainment (in 1958), BMG Music (in 1958, in 1959, in 1973) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1958-06-10)
cover recording of:
A Big Hunk o’ Love (on 1958-06-10)
writer:
Aaron Schroeder (1950s~1960s US songwriter) and Sid Wyche
publisher:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Songs, Elvis Presley Music Inc., Minder Music Ltd., R&H Music, Rachel’s Own Music, Regent Music (BMI) and Williamson Music Company
3.352:14
33My Wish Came True
engineer:
Thorne Nogar
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-09-06)
cover recording of:
My Wish Came True (on 1957-09-06)
lyricist and composer:
Ivory Joe Hunter (American rhythm and blues singer, songwriter and pianist)
publisher:
EMI Unart Catalog Inc. and Unichappell Music Co.
3.52:33
4▶CD

Credits

Release

ASIN:DE: B005MAHVUK [info]