Absolute Soft Rock Classics

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1CD
#TitoloArtistaValutazioneDurata
1The Power of Love
tecnico di registrazione:
Jim Gaines e Robert Missbach
assistente tecnico:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) e Jim “Watts” Vereecke
tecnico aggiunto:
Michael Christopher (engineer), Phil Kaffel e Malcolm Pollack
produttore:
Bob Clearmountain, Jellybean (US producer John Benitez) e Huey Lewis and the News (American pop rock band)
tecnico di missaggio:
Robert Missbach
armonica (a bocca) :
Huey Lewis
batteria e percussione :
Bill Gibson (US drummer for Huey Lews & the News)
chitarra :
Johnny Colla (US sax & guitarist for Huey Lewis & the News) e Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
chitarra basso :
Mario Cipollina
sassofono :
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
tastiera :
Sean Hopper (US Keyboardist for Huey Lewis & the News)
voce:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) e Huey Lewis
diritti fonografici (℗) detenuti da:
Chrysalis Records, Inc. (not for release label use!) (nel 1984, nel 1985, nel 1986) e Chrysalis (nel 1985)
registrata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti, Studio D Recording in Sausalito, California, Stati Uniti e The Plant Studios (1981–2008) in Sausalito, California, Stati Uniti
mixata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
video musicali:
The Power of Love (full length) di Huey Lewis and the News (American pop rock band)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 108)
registrazione di:
The Power of Love (Back to the Future)
autore:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) e Huey Lewis
editore:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) e WB Music Corp. (1929–2019)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
parte di:
The 58th Academy Award for Best Original Song (numero: 2)
parte di:
Back to the Future: the Musical
Huey Lewis & the News43:43
2Ride Like the Wind
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1979)
registrazione di:
Ride Like the Wind
paroliere e compositore:
Christopher Cross (US singer‐songwriter)
editore:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher) e Universal Music–MGB Songs
sub-editore:
Shinko Music Entertainment Co., Ltd. e Universal Music Publishing, Synch Division
Christopher Cross23:55
3Higher Love
registrazione di:
Higher Love
autore:
Will Jennings e Steve Winwood
editore:
Blue Sky Rider (BMI-affiliated; associated with Will Jennings), CBS Songs Ltd., F.S. Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell North America e Willin' David Music
Steve Winwood54:03
4If I Could Turn Back Time
tecnico di registrazione e tecnico di missaggio:
Frank Wolf (engineer at Skyline Recording)
assistente tecnico:
Ken Allardyce, Mario Luccy, Craig Porteils (producer, engineer) e Duane Seykora
tecnico aggiunto:
Guy Roche
produttore:
Guy Roche e Diane Warren (US songwriter)
batteria e tamburello :
Mark T. Williams
chitarra :
Steve Lukather
chitarra aggiunto:
Gene Black e Glenn Sciurba
chitarra basso :
John Pierce (US session bassist)
tastiera :
Alan Pasqua e Guy Roche
voce di accompagnamento:
Michael Anthony (US bassist, formerly of Van Halen), Robin Beck, Desmond Child, Jimmy Demers, Jean McClain e Maria Vidal (American singer-songwriter)
voce principale:
Cher
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1989) e The David Geffen Company (legal rights relating to Geffen Records) (nel 1989)
registrata presso:
Bill Schnee Studios in North Hollywood, Los Angeles, California, Stati Uniti e Criterion Studios in Los Angeles, California, Stati Uniti
mixata presso:
The Complex Studios in Los Angeles, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 386)
registrazione di:
If I Could Turn Back Time
paroliere e compositore:
Diane Warren (US songwriter)
editore:
EMI Music Publishing (do not use as a release label!) e Realsongs (nel 1989)
Cher3.753:57
5First Time
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1988) e The Coca-Cola Company (nel 1988)
video musicali:
First Time ("concept" version) di Robin Beck e First Time (band version) di Robin Beck
registrazione di:
First Time
paroliere:
Tom Anthony (wrote "First Time") e Terry Boyle
compositore:
Gavin Spencer
editore:
EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) e EMI Music Publishing Scandinavia AB
Robin Beck33:16
6Rosanna
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1982), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1982) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982)
registrazione di:
Rosanna
paroliere e compositore:
David Paich
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. e Spirit Two Music
sub-editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division)
Toto3.84:01
7Take It on the Run
assistente tecnico:
Tom Cummings (engineer) e Jeff Eccles
tecnico:
Kevin Beamish
co-produttore:
Alan Gratzer
produttore:
Kevin Beamish, Kevin Cronin e Gary Richrath
basso :
Bruce Hall (US bassist for REO Speedwagon)
batteria :
Alan Gratzer
chitarra :
Gary Richrath
chitarra acustica e voce principale:
Kevin Cronin
sintetizzatore :
Neal Doughty
arrangiatore:
Kevin Cronin
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1980), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1980) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1980)
registrazione di:
Take It on the Run (il 1980-09-18)
paroliere e compositore:
Gary Richrath
editore:
HoriPro Entertainment Group, Slam Dunk Music (work publisher) e 大洋音楽 (Taiyō Music)
REO Speedwagon3.754:00
8Go Your Own Way
assistente tecnico:
Chris Morris (LA engineer & producer (late ’70s))
tecnico:
Ken Caillat e Richard Dashut
produttore:
Ken Caillat, Richard Dashut e Fleetwood Mac
produttore aggiunto:
Ken Caillat e Richard Dashut
batteria e percussione :
Mick Fleetwood
chitarra :
Lindsey Buckingham (guitarist, singer, songwriter and producer)
chitarra basso :
John McVie
tastiera e sintetizzatore :
Christine McVie
voce:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie e Stevie Nicks
diritti fonografici (℗) detenuti da:
Warner Bros. (holding: file NO releases) (nel 2004)
mixata presso:
Producer’s Workshop in Hollywood, Los Angeles, California, Stati Uniti
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 119) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 401)
registrazione di:
Go Your Own Way
paroliere e compositore:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
editore:
Gentoo Music, Inc. e Now Sounds Music
Fleetwood Mac4.33:38
9The Way It Is
tecnico:
Elliot Scheiner
produttore:
Bruce Hornsby e Elliot Scheiner
batteria e percussione :
John Molo
pianoforte e sintetizzatore :
Bruce Hornsby
voce:
Bruce Hornsby
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead), BMG Entertainment (nel 1986), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (nel 1986) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1986)
è stato produttore per:
Trackman, Inc.
registrazione di:
The Way It Is
paroliere e compositore:
B.R. Hornsby
editore:
BMG Music Ltd., Bob‐a‐Lew Songs (ASCAP), Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) e Zappo Music (dal 1986 a oggi)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bruce Hornsby4.054:56
10Walking in Memphis
tecnico di registrazione, tecnico e tecnico di missaggio:
Ben Wisch
produttore:
Marc Cohn e Ben Wisch
basso e organo :
John Leventhal
batteria :
Dennis McDermott
chitarra :
Marc Cohn e John Leventhal
organo Hammond :
Chris Palmaro
tastiera :
Eric Rehl
voce:
Marc Cohn
voce di accompagnamento:
Vivian Cherry, Dennis Collins (backing vocalist), Ada Dyer (American soul singer) e Darryl Tookes
voce di accompagnamento ospite:
James Taylor (singer-songwriter and guitarist)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1991), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1991) e Warner Music H.K. Ltd. (nel 1997)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 415)
registrazione di:
Walking in Memphis
paroliere e compositore:
Marc Cohn
editore:
BMG Music e Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Marc Cohn44:14
11Missing You
assistente tecnico:
Ken Stiger (engineer)
tecnico:
Gary Hellman
produttore:
Gary Gersh, David Thoener e John Waite
tecnico di missaggio e editor:
John Luongo
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1984), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1984), EMI America Records (holding – file NO releases here!) (nel 1984) e EMI–Manhattan Records (company credits only; do NOT use as release label) (nel 1984)
registrazione di:
Missing You
paroliere:
John Waite
compositore:
Mark Leonard, Chas Sandford e John Waite
editore:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, nel 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28), Fallwater Music (nel 1984), Markeem Music (publisher) (nel 1984), The Hudson Bay Music Co. (publisher) (nel 1984) e WC Music Corp. (dal 2019-05-28 a oggi)
John Waite54:00
12No Myth
programmazione degli strumenti:
Michael Penn
tecnico:
Susan Rogers (US sound engineer)
produttore:
Tony Berg (record producer, executive, and session guitarist)
basso , chitarra e voce principale:
Michael Penn
percussione :
Art Wood (US session drummer/percussionist)
tastiera :
Patrick Warren
violoncello elettrico :
David Coleman (American cellist & composer)
registrata presso:
Zeitgeist Studio in Los Angeles, California, Stati Uniti
registrazione di:
No Myth
paroliere e compositore:
Michael Penn
editore:
Careers Music, Inc. (nel 1989) e Liafail Music (publisher) (nel 1989)
Michael Penn3.54:08
13Hazard
edit di:
Hazard di Richard Marx
registrazione di:
Hazard
paroliere e compositore:
Richard Marx
editore:
Chi‐Boy Music e EMI Songs Ltd.
Richard Marx44:46
14Jessie
registrazione di:
Jessie (Joshua Kadison song)
paroliere e compositore:
Joshua Kadison (US singer-songwriter, pianist & writer)
editore:
EMI Blackwood Music Inc., Joshuasongs (BMI affiliated) e Seymour Glass Songs (BMI affiliated)
Joshua Kadison14:21
15Out of Touch
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1984)
registrazione di:
Out of Touch
paroliere e compositore:
Daryl Hall e John Oates
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Gelfand, Rennert & Feldman, Hot Cha Music Co., Intersong Music, Unichappell Music, Inc., Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell Music, Inc. e Warner/Chappell North America
Hall & Oates4:07
16Waiting for a Star to Fall
programmazione degli strumenti:
George Merrill
produttore:
Arif Mardin
assistente tecnico di missaggio:
Jim Dineen
tecnico di missaggio:
David Leonard (US producer and engineer)
batteria :
Denny Fongheiser e Michael Jochum
chitarra :
John Goux
chitarra basso , pianoforte e sintetizzatore :
George Merrill
sassofono contralto :
Andy Snitzer
sintetizzatore [Crowning touch] :
Joe Mardin
voce:
George Merrill e Shannon Rubicam
voce aggiuntiva:
Susan Boyd
diritti fonografici (℗) detenuti da:
BMG Music (nel 1988) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1988)
mixata presso:
The Grey Room in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Waiting for a Star to Fall
autore:
George Merrill e Shannon Rubicam
editore:
Irving Music, Inc., Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Boy Meets Girl Music (dal 1987 a oggi) e Irving Music (BMI) (dal 1987 a oggi)
Boy Meets Girl3.254:26
17Love Changes
tecnico:
Mike Ging e Bob Kraushaar
produttore:
Stephen Hague
chitarra :
Neil Taylor (guitarist)
percussione aggiunto:
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
tastiera :
Rob Fisher (UK keyboardist, in Naked Eyes)
voce:
Simon Climie
voce di accompagnamento:
Coral Gordon e Soultanas
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1987)
registrazione di:
Love Changes (Everything)
autore:
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) e Dennis Morgan (US songwriter)
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Rondor Music (London) Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Climie Fisher3.94:26
18I Can Dream About You
tecnico di registrazione:
Dan Hartman
tecnico di registrazione aggiunto:
Shelly Yakus
tecnico aggiunto:
Gabe Veltri
assistente tecnico di missaggio:
Steve Krause (Steven A Krause)
tecnico di missaggio:
Humberto Gatica
basso elettrico :
Eddie N. Watkins Jr.
batteria aggiunto:
Art Wood (US session drummer/percussionist)
chitarra aggiunto:
Richie Zito
percussione :
Bobbye Hall
pianoforte :
Bill Payne
voce di accompagnamento:
Winston Ford, Dan Hartman e Joe Pizzullo
voce principale:
Dan Hartman
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1984), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1984) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1984)
registrazione di:
I Can Dream About You
paroliere e compositore:
Dan Hartman
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!) e Multi-Level Music, Inc. (BMI affiliated)
Dan Hartman4.24:08
19Nothing's Gonna Stop Us Now
esecutore:
Starship (continuation of Jefferson Starship) (nel 1987)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1985, nel 1987), BMG Entertainment (nel 1987) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1987)
registrazione di:
Nothing’s Gonna Stop Us Now (nel 1987)
autore:
Albert Hammond e Diane Warren (US songwriter)
arrangiatore:
Narada Michael Walden
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) e Windswept Pacific Music Ltd. (publishing company)
parte di:
The 60th Academy Award for Best Original Song (numero: 2)
Starship44:28
2CD
#TitoloArtistaValutazioneDurata
1I'll Be There for You
produttore esecutivo:
Kevin Bright (producer), David Crane (creator of the television sitcom Friends) e Marta Kauffman
voce:
The Soldiers (singing trio of British Army soldiers)
registrazione di:
I’ll Be There for You (theme from ‘Friends’)
paroliere:
Allee Willis
compositore:
Michael Skloff
compositore aggiunto:
David Crane (creator of the television sitcom Friends), Marta Kauffman, Phil Solem e Danny Wilde (The Rembrandts, Great Buildings & The Quick)
The Rembrandts43:06
2I Can Hear Your Heartbeat
tecnico:
Justin Shirley‐Smith
produttore:
Jon Kelly (engineer at Air London Studios) e Chris Rea
registrazione di:
I Can Hear Your Heartbeat
paroliere e compositore:
Chris Rea
editore:
Magnet Music Ltd. (publisher)
Chris Rea53:24
3This Is Not America
tecnico:
Marcellus Frank e David Richards (Swiss-based producer and engineer)
produttore:
David Bowie (English singer‐songwriter) e Pat Metheny
tecnico di missaggio:
Bob Clearmountain
basso elettrico :
Steve Rodby (dal 1984-09 al 1984-10)
batteria :
Paul Wertico (dal 1984-09 al 1984-10)
chitarra elettrica, chitarra synth [Roland GR-300 guitar synthesizer] e synclavier :
Pat Metheny (dal 1984-09 al 1984-10)
marimba , sintetizzatore analogico [Oberheim] , sintetizzatore analogico [Prophet-5] e tastiera [Kurzweil] :
Lyle Mays (dal 1984-09 al 1984-10)
voce di accompagnamento e voce principale:
David Bowie (English singer‐songwriter) (dal 1984-09 al 1984-10)
esecutore:
Pat Metheny Group (dal 1984-09 al 1984-10)
diritti fonografici (℗) detenuti da:
David Bowie (English singer‐songwriter) (nel 1985)
diritti fonografici (℗) detenuti da:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1985)
registrata presso:
Mountain Recording Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Canton Vaud), Svizzera (dal 1984-09 al 1984-10)
registrazione di:
This Is Not America (dal 1984-09 al 1984-10)
paroliere e autore:
David Bowie (English singer‐songwriter)
compositore:
Lyle Mays e Pat Metheny
editore:
CBS Songs Ltd., Donna Dijon Music Publications, Jones Music (publishers associated with David Bowie), Jones Music America, OPC Music Publishing, Inc., Pat Meth Music Corp (Pat Meth Music Corporation), Pat‐Meth Music, RZO Music Ltd, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing France, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
David Bowie & Pat Metheny Group3.653:49
4That Was Yesterday
assistente tecnico:
Bobby Cohen (engineer), Tim Crich e Scott "Abada" Mabuchi
tecnico:
Frank Filipetti
tecnico aggiunto:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla e Howie Lindeman
produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Alex Sadkin
batteria :
Dennis Elliott
chitarra basso :
Rick Wills
chitarra elettrica :
Mick Jones (Foreigner/Spooky Tooth, worked in France)
voce di accompagnamento:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Rick Wills
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1984) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrata in aggiunta presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
mixata presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
registrazione di:
That Was Yesterday
autore:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) e Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Little Doggies Productions, Screen Gems–EMI Music Ltd. e Somerset Songs Publishing Inc.
sub-editore:
フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30), フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Foreigner43:45
5Stay the Night
tecnico e tecnico di missaggio:
Humberto Gatica
produttore:
David Foster (Canadian music producer, arranger and composer)
assistente tecnico di missaggio:
Larry Fergusson
arrangiatore:
Peter Cetera e David Foster (Canadian music producer, arranger and composer)
diritti fonografici (℗) detenuti da:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1984, nel 2010) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrata presso:
Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (nel 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California, Stati Uniti (nel 1984) e The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (nel 1984)
mixata presso:
Lion Share Recording Studios in Los Angeles, California, Stati Uniti
registrazione di:
Stay the Night (nel 1984)
autore:
Peter Cetera (nel 1984) e David Foster (Canadian music producer, arranger and composer) (nel 1984)
editore:
BMG Songs, Inc., Double Virgo Music (nel 1984) e Foster Frees Music Inc. (nel 1984)
Chicago43:48
6When You Walk in the Room
produttore:
Christopher Neil
diritti fonografici (℗) detenuti da:
BMG Ariola München GmbH (nel 1987) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1987)
registrazione cover di:
When You Walk in the Room
paroliere e compositore:
Jackie DeShannon
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Unart Catalog Inc., EMI United Partnership Ltd., Metric Music Company (publisher), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), SBK Songs (publisher) (nel 1987) e United Partnership Ltd. (nel 1987)
Paul Carrack2.653:30
7Alive and Kicking
edit di:
Alive and Kicking di Simple Minds (Scottish rock band)
registrazione di:
Alive and Kicking
autore:
Charlie Burchill, Jim Kerr (of Simple Minds) e Michael MacNeil
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. e Simple Minds Ltd
Simple Minds44:34
8Kyrie
tecnico:
Paul DeVilliers e Lois Oki
produttore:
Paul DeVilliers e Mr. Mister (American pop rock band)
tecnico di missaggio:
Mick Guzauski
batteria :
Pat Mastelotto
chitarra :
Steve Farris (US session guitarist, member of Mr. Mister)
chitarra basso e voce principale:
Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
tastiera :
Steve George (US keyboardist for Mr. Mister & Pages)
voce:
Steve George (US keyboardist for Mr. Mister & Pages)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1985), BMG Music (nel 1985), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1985) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1985)
registrazione di:
Kyrie
paroliere:
John Lang (US songwriter for Mr. Mister & Pages)
compositore:
Steve George (US keyboardist for Mr. Mister & Pages) e Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
editore:
Ali‐Aja Music, Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Stemwa Famo Music (publisher; do NOT use as release label), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Mr. Mister4.24:23
9Heat of the Moment
tecnico e produttore:
Mike Stone (producer and engineer, 1960s–80s)
basso elettrico :
John Wetton
batteria e percussione :
Carl Palmer
chitarra :
Steve Howe
tastiera :
Geoff Downes
voce:
Geoff Downes, Steve Howe e John Wetton
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1982), The David Geffen Company (legal rights relating to Geffen Records) (nel 1982) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1982)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito
video musicali:
Heat of the Moment (music video) di Asia (UK progressive rock band)
registrazione di:
Heat of the Moment
autore:
Geoff Downes e John Wetton
editore:
BMG Gold Songs, Crosstown UK (Palan), Island Music Ltd., John Wetton Music Ltd, Kobalt Music Publishing Ltd. (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Palan Music Publishing Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music Co., Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music, Inc., Ackee Music Inc. (dal 1982 a oggi), Almond Legg Music Corp. (dal 1982 a oggi), WB Music Corp. (1929–2019) (dal 1982 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Fujipacific Music, Inc., Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (fino al 2017-03-31) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (dal 2017-04-01 a oggi)
Asia4.53:44
10More Than a Feeling
assistente tecnico:
Bruce Hensal, Deni King (engineer) e Doug Rider
tecnico:
Warren Dewey e Tom Scholz
produttore:
John Boylan e Tom Scholz
assistente tecnico di missaggio:
Steve Hodge (engineer and producer)
batteria e percussione :
Sib Hashian (dal 1975 al 1976)
chitarra [lead guitar] , chitarra [rhythm guitar] , chitarra acustica e chitarra basso :
Tom Scholz (dal 1975 al 1976)
voce principale e voce principale [Harmony]:
Brad Delp (dal 1975 al 1976)
arrangiatore:
Brad Delp e Tom Scholz
co-arrangiatore:
Jim Masdea
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1976), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1976) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976)
registrata presso:
Foxglove Studios in Watertown, Massachusetts, Stati Uniti (nel 1975), Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (nel 1976) e The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (nel 1976)
mixata presso:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti
prima pubblicazione:
More Than a Feeling di Boston (US rock band)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 39), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 194), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 212) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 500)
registrazione di:
More Than a Feeling (dal 1975 al 1976)
paroliere e compositore:
Tom Scholz
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) e Pure Songs (nel 1976)
Boston3.94:41
11Livin' Thing
tecnico:
Mack (German rock producer/engineer Reinhold Mack), Dick Plant (engineer), John Richards (engineer) e Duane Scott
produttore:
Jeff Lynne
basso :
Kelly Groucutt (nel 1976-07)
batteria e percussione :
Bev Bevan (English rock drummer) (nel 1976-07)
chitarra :
Jeff Lynne (nel 1976-07) e Richard Tandy (keyboardist for Electric Light Orchestra) (nel 1976-07)
clavinet , moog e pianoforte :
Richard Tandy (keyboardist for Electric Light Orchestra) (nel 1976-07)
violino :
Mik Kaminski (nel 1976-07)
violoncello :
Melvyn Gale (nel 1976-07) e Hugh McDowell (nel 1976-07)
voce di accompagnamento:
Brie Brandt (nel 1976-07), Kelly Groucutt (nel 1976-07), Addie Lee (nel 1976-07) e Patti Quatro (nel 1976-07)
voce principale:
Jeff Lynne (nel 1976-07)
direttore d'orchestra:
Louis Clark (nel 1976-07)
arrangiatore cori:
Louis Clark, Jeff Lynne e Richard Tandy (keyboardist for Electric Light Orchestra)
orchestratore:
Louis Clark, Jeff Lynne e Richard Tandy (keyboardist for Electric Light Orchestra)
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1976), Jet Records (nel 1976), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1976, nel 2005), United Artists Music and Records Group, Inc. (UAMARG, Inc.) (nel 1976) e Sony Music Productions Pty. Ltd. (for copyrights use only) (nel 1994)
registrata presso:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Regno Unito (nel 1976-07) e Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania (nel 1976-07)
mixata presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania
editing effettuato presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Livin’ Thing (nel 1976-07)
paroliere e compositore:
Jeff Lynne
editore:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Jet Music Inc., Polygon Publishing Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Electric Light Orchestra4.153:31
12Manhattan Skyline
produttore:
Rupert Holmes
registrazione di:
Manhattan Skyline
autore:
Bob Marshall (bassist/songwriter, worked with John Miles) e John Miles (UK singer/songwriter/guitarist/keyboardist)
John Miles53:06
13Souls
Rick Springfield4:00
14You Might Think
tecnico di registrazione:
Nigel Green (engineer)
produttore:
The Cars e Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Mike Shipley (audio engineer, mixer, producer)
basso :
Benjamin Orr (co-lead singer for The Cars)
batteria :
David Robinson (US rock drummer)
chitarra :
Elliot Easton e Ric Ocasek
tastiera :
Greg Hawkes
voce:
Elliot Easton, Greg Hawkes, Ric Ocasek e Benjamin Orr (co-lead singer for The Cars)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1984) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrata presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
registrazione di:
You Might Think
editore:
Ric Ocasek (nel 1983)
paroliere e compositore:
Ric Ocasek
editore:
Lido Music, Inc.
The Cars4.73:05
15Danger Zone
programmazione degli strumenti:
Hans Zimmer (German score composer)
tecnico:
Dave Concors, Dave Connors e Tom Whitlock
produttore:
Giorgio Moroder e Tom Whitlock
produttore esecutivo:
Michael Dilbeck
tecnico di missaggio:
Giorgio Moroder e Brian Reeves
batteria :
John Robinson (session drummer)
chitarra :
Dann Huff e Kenny Loggins
sassofono :
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
sintetizzatore :
Tom Whitlock
tastiera :
Giorgio Moroder
voce principale:
Kenny Loggins
diritti fonografici (℗) detenuti da:
CBS Inc. (US broadcasting company; file no releases here!) (nel 1986), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1986), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1986) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986)
registrata presso:
Oasis Recording Studios in North Hollywood, Los Angeles, California, Stati Uniti
versioni a cappella:
Danger Zone di Tufts Beelzebubs (Tufts University all-male a cappella group)
registrazione di:
Danger Zone (Top Gun)
paroliere:
Thomas Whitlock
compositore:
Giorgio Moroder
editore:
Budde Music Inc. (US publisher), Neue Welt Musikverlag GmbH (2017 – present), Sony/ATV Harmony, Sony/ATV Harmony UK, Sony/ATV Music Publishing (Germany) GmbH (1998–2002), Warner Chappell Overseas Holdings Ltd., Warner/Chappell North America, WB Music Corp. (1929–2019), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1986) e GMPC (nel 1986)
Kenny Loggins4.33:34
16New Girl Now
produttore:
Tom Treumuth
registrazione di:
New Girl Now
paroliere e compositore:
Derry Grehan
Honeymoon Suite3:35
17Back on the Chain Gang
tecnico:
Steve Churchyard
produttore:
Chris Thomas (UK record producer / remixer)
batteria :
Martin Chambers (drummer for The Pretenders)
chitarra :
Billy Bremner e Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
chitarra basso :
Tony Butler (English rock bassist with Big Country)
voce di accompagnamento:
Tony Butler (English rock bassist with Big Country), Martin Chambers (drummer for The Pretenders) e Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
voce principale:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1982) e WEA Records Ltd. (holding company based in the UK) (nel 1982)
registrata presso:
Air Studios (located at Oxford Street 1970–1991) in London (Greater London), England, Regno Unito
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 486)
registrazione di:
Back on the Chain Gang
paroliere e compositore:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
dedicata a:
James Honeyman‐Scott
editore:
Al Gallico Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Music Publishing (do not use as a release label!)
The Pretenders4.53:50
18Manic Monday
produttore:
David Kahne
tecnico di missaggio:
David Leonard (US producer and engineer)
batteria :
Debbi Peterson (drummer for The Bangles)
chitarra :
Susanna Hoffs e Vicki Peterson
chitarra basso :
Michael Steele (American bassist, guitarist, songwriter, and singer)
voce principale:
Susanna Hoffs
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1985) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1985)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 208)
registrazione di:
Manic Monday
paroliere e compositore:
Christopher (Prince, “The Artist Formerly Known as…”)
editore:
Bangophile Music, Controversy Music, EMI Music Publishing Taiwan, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music) e WB Music Corp. (1929–2019)
Bangles43:05
19Our Lips Are Sealed
assistente tecnico di registrazione:
Ted Blechta e John Terelle
assistente tecnico di registrazione aggiunto:
James Ball, Eric Kortee e Darroll Gustamachio
tecnico di registrazione e tecnico di missaggio:
Rob Freeman (engineer)
produttore:
Rob Freeman (engineer) e Richard Gottehrer (American songwriter and music executive)
assistente tecnico di missaggio:
Gray Russell
batteria e percussione :
Gina Schock
chitarra e chitarra basso :
Kathy Valentine
chitarra [lead guitar] e tastiera :
Charlotte Caffey
chitarra [rhythm guitar] :
Jane Wiedlin
voce:
Charlotte Caffey e Jane Wiedlin
voce principale:
Belinda Carlisle
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1981) e I.R.S., Inc. (nel 1981)
registrata in aggiunta presso:
Sound Mixers Studio in New York, New York, Stati Uniti e The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
registrata presso:
Pennylane Studios in New York, New York, Stati Uniti
mixata presso:
Sound Mixers Studio in New York, New York, Stati Uniti
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 25), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 317) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 477)
registrazione di:
Our Lips Are Sealed
autore:
Go‐Go’s (all-female American rock band formed in 1978), Terence Edward Hall e Jane Wiedlin
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gotown Music e Plangent Visions Music
The Go‐Go’s4.52:45
20Eye in the Sky
tecnico di registrazione aggiunto e produttore aggiunto:
Chris Blair (senior mastering engineer at Abbey Road Studios, London, UK)
assistente tecnico:
Tony Richards (recording engineer)
tecnico e produttore:
Alan Parsons (of The Alan Parsons Project)
produttore esecutivo:
Eric Woolfson
batteria e percussione :
Stuart Elliott (session drummer, member of Cockney Rebel)
chitarra acustica e chitarra elettrica :
Ian Bairnson
chitarra basso :
David Paton (of Pilot)
pianoforte elettrico e voce principale:
Eric Woolfson
sassofono :
Mel Collins
sintetizzatore :
Alan Parsons (of The Alan Parsons Project)
tastiera :
Alan Parsons (of The Alan Parsons Project) e Eric Woolfson
voce di accompagnamento:
Chris Rainbow
direttore d'orchestra:
Andrew Powell (known for contributions to Alan Parsons Project)
maestro del coro:
Bob Howes (percussionist)
orchestratore:
Andrew Powell (known for contributions to Alan Parsons Project)
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1982), Arista Records, LLC (holding company - file NO releases here!) (nel 1982) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1982, nel 2007)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 21)
registrazione di:
Eye in the Sky
autore e compositore:
Alan Parsons (of The Alan Parsons Project) e Eric Woolfson
editore:
Careers Music, Inc., Careers–BMG Music Publishing, Inc., Universal Music Publishing International MGB Ltd. e Woolfsongs Ltd.
The Alan Parsons Project4.34:31
21I. G. Y
registrazione di:
I.G.Y. (What a Beautiful World)
paroliere e compositore:
Donald Fagen
editore:
Freejunket Music
Donald Fagen4:47