Classic Gala

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: I. Allegro
sound engineer:
Bernhard Mahne (Classical music producer) (from 1986-04-22 until 1986-04-24) and Lutz Wildner (from 1986-04-22 until 1986-04-24)
orchestra:
Camerata Academica (Austrian chamber orchestra), Camerata Academica Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (name used by Alfred Scholz, may be incorrect), Mainz Chamber Orchestra, Mozart Festival Orchestra (an Alfred Scholz pseudonym), The Northstar Orchestra, Philharmonia Slavonica (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) and Camerata Labacensis (Slovenian chamber orchestra) (from 1986-04-22 until 1986-04-24)
conductor:
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Alfred Scholz and Alexander von Pitamic (Alfred Scholz pseudonym) (from 1986-04-22 until 1986-04-24)
recorded at:
Slovenian Philharmonic in Ljubljana, Ljubljana (City Municipality of Ljubljana), Slovenia (from 1986-04-22 until 1986-04-24)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) (from 1986-04-22 until 1986-04-24)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart6:30
2Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: II. Romance. Andante
sound engineer:
Bernhard Mahne (Classical music producer) (from 1986-04-22 until 1986-04-24) and Lutz Wildner (from 1986-04-22 until 1986-04-24)
orchestra:
Camerata Academica of Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mainz Chamber Orchestra, Philharmonia Slavonica (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) and Camerata Labacensis (Slovenian chamber orchestra) (from 1986-04-22 until 1986-04-24)
conductor:
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Libor Pešek (conductor), Alfred Scholz and Alexander von Pitamic (Alfred Scholz pseudonym) (from 1986-04-22 until 1986-04-24)
recorded at:
Slovenian Philharmonic in Ljubljana, Ljubljana (City Municipality of Ljubljana), Slovenia (from 1986-04-22 until 1986-04-24)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (from 1986-04-22 until 1986-04-24)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart6:45
3Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": III. Minuetto. Allegretto & Trio
sound engineer:
Bernhard Mahne (Classical music producer) (from 1986-04-22 until 1986-04-24) and Lutz Wildner (from 1986-04-22 until 1986-04-24)
orchestra:
Camerata Academia Salzburg (Austrian chamber orchestra), Camerata Academica of Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mainz Chamber Orchestra, Philharmonic Orchestra London (Alfred Scholz pseudonym) and Camerata Labacensis (Slovenian chamber orchestra) (from 1986-04-22 until 1986-04-24)
conductor:
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Alfred Scholz and Alexander von Pitamic (Alfred Scholz pseudonym) (from 1986-04-22 until 1986-04-24)
recorded at:
Slovenian Philharmonic in Ljubljana, Ljubljana (City Municipality of Ljubljana), Slovenia (from 1986-04-22 until 1986-04-24)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: III. Minuetto. Allegretto & Trio (from 1986-04-22 until 1986-04-24)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart2:20
4Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: IV. Rondo. Allegro
sound engineer:
Bernhard Mahne (Classical music producer) (from 1986-04-22 until 1986-04-24) and Lutz Wildner (from 1986-04-22 until 1986-04-24)
orchestra:
Camerata Academica (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Academica of Salzburg (Austrian chamber orchestra), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mainz Chamber Orchestra, Mozart Festival Orchestra (an Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) and Camerata Labacensis (Slovenian chamber orchestra) (from 1986-04-22 until 1986-04-24)
conductor:
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Alfred Scholz and Alexander von Pitamic (Alfred Scholz pseudonym) (from 1986-04-22 until 1986-04-24)
recorded at:
Slovenian Philharmonic in Ljubljana, Ljubljana (City Municipality of Ljubljana), Slovenia (from 1986-04-22 until 1986-04-24)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (from 1986-04-22 until 1986-04-24)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart3:26
5Symphony no. 29 for Orchestra in A major, K. 186a / 201: I. Allegro moderato
sound engineer:
Bernhard Mahne (Classical music producer) (from 1986-04-22 until 1986-04-24) and Lutz Wildner (from 1986-04-22 until 1986-04-24)
orchestra:
Camerata Academica (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Camerata Labacensis (Slovenian chamber orchestra) (from 1986-04-22 until 1986-04-24)
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym) (from 1986-04-22 until 1986-04-24)
recorded at:
Slovenian Philharmonic in Ljubljana, Ljubljana (City Municipality of Ljubljana), Slovenia (from 1986-04-22 until 1986-04-24)
recording of:
Symphony no. 29 for Orchestra in A major, K. 186a / 201: I. Allegro moderato (from 1986-04-22 until 1986-04-24)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1774 until 1774-04-06)
part of:
Symphony no. 29 for Orchestra in A major, K. 186a / 201
Wolfgang Amadeus Mozart8:31
6Symphony no. 29 for Orchestra in A major, K. 186a / 201: II. Andante
sound engineer:
Bernhard Mahne (Classical music producer) (from 1986-04-22 until 1986-04-24) and Lutz Wildner (from 1986-04-22 until 1986-04-24)
orchestra:
Camerata Academica (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Camerata Labacensis (Slovenian chamber orchestra) (from 1986-04-22 until 1986-04-24)
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym) (from 1986-04-22 until 1986-04-24)
recorded at:
Slovenian Philharmonic in Ljubljana, Ljubljana (City Municipality of Ljubljana), Slovenia (from 1986-04-22 until 1986-04-24)
recording of:
Symphony no. 29 for Orchestra in A major, K. 186a / 201: II. Andante (from 1986-04-22 until 1986-04-24)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1774 until 1774-04-06)
part of:
Symphony no. 29 for Orchestra in A major, K. 186a / 201
Wolfgang Amadeus Mozart10:07
7Symphony no. 29 for Orchestra in A major, K. 186a / 201: III. Minuetto & Trio
sound engineer:
Bernhard Mahne (Classical music producer) (from 1986-04-22 until 1986-04-24) and Lutz Wildner (from 1986-04-22 until 1986-04-24)
orchestra:
Camerata Academica (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Salzburg (Austrian chamber orchestra), Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Camerata Labacensis (Slovenian chamber orchestra) (from 1986-04-22 until 1986-04-24)
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym) (from 1986-04-22 until 1986-04-24)
recorded at:
Slovenian Philharmonic in Ljubljana, Ljubljana (City Municipality of Ljubljana), Slovenia (from 1986-04-22 until 1986-04-24)
recording of:
Symphony no. 29 for Orchestra in A major, K. 186a / 201: III. Minuetto & Trio (from 1986-04-22 until 1986-04-24)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1774 until 1774-04-06)
part of:
Symphony no. 29 for Orchestra in A major, K. 186a / 201
Wolfgang Amadeus Mozart3:48
8Symphony no. 29 for Orchestra in A major, K. 186a / 201: IV. Allegro con spirito
sound engineer:
Bernhard Mahne (Classical music producer) (from 1986-04-22 until 1986-04-24) and Lutz Wildner (from 1986-04-22 until 1986-04-24)
orchestra:
Camerata Academica (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Camerata Labacensis (Slovenian chamber orchestra) (from 1986-04-22 until 1986-04-24)
conductor:
Walter Scholz and Alexander von Pitamic (Alfred Scholz pseudonym) (from 1986-04-22 until 1986-04-24)
recorded at:
Slovenian Philharmonic in Ljubljana, Ljubljana (City Municipality of Ljubljana), Slovenia (from 1986-04-22 until 1986-04-24)
recording of:
Symphony no. 29 for Orchestra in A major, K. 186a / 201: IV. Allegro con spirito (from 1986-04-22 until 1986-04-24)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1774 until 1774-04-06)
part of:
Symphony no. 29 for Orchestra in A major, K. 186a / 201
Wolfgang Amadeus Mozart5:56
9Symphony no. 1 in E-flat major, K. 16: I. Allegro molto
orchestra:
Camerata Labacensis (Slovenian chamber orchestra)
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Symphony no. 1 in E-flat major, K. 16: I. Allegro molto
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1764)
part of:
Symphony no. 1 in E-flat major, K. 16
Wolfgang Amadeus Mozart5:20
10Symphony no. 1 in E-flat major, K. 16: II. Andante
orchestra:
Camerata Labacensis (Slovenian chamber orchestra)
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Symphony no. 1 in E-flat major, K. 16: II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1764)
part of:
Symphony no. 1 in E-flat major, K. 16
Wolfgang Amadeus Mozart4:54
11Symphony no. 1 in E-flat major, K. 16: III. Presto
orchestra:
Camerata Labacensis (Slovenian chamber orchestra)
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Symphony no. 1 in E-flat major, K. 16: III. Presto
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1764)
part of:
Symphony no. 1 in E-flat major, K. 16
Wolfgang Amadeus Mozart2:34
2▼CD
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1Der fliegende Holländer, WWV 63: Ouvertüre
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) and Slovenská filharmónia (Slovak Philharmonic)
conductor:
Julian Armstrong (conductor, Alfred Scholz pseudonym), Bystrík Režucha (conductor) and Alfred Scholz
recording of:
Der fliegende Holländer, WWV 63: Ouvertüre (The Flying Dutchman: Overture)
composer:
Richard Wagner (composer) (from 1840 until 1841)
part of:
Der fliegende Holländer, WWV 63 (The Flying Dutchman)
Richard Wagner10:40
2Rienzi, der letzte der Tribunen, WWV 49: Ouvertüre
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), Philharmonia Slavonica (Alfred Scholz pseudonym) and Slowakische Philharmonie (Slovak Philharmonic)
conductor:
Julian Armstrong (conductor, Alfred Scholz pseudonym), Bystrík Režucha (conductor) and Alfred Scholz
recording of:
Rienzi, der letzte der Tribunen, WWV 49: Ouvertüre
composer:
Richard Wagner (composer) (from 1838-07 until 1840-11)
librettist:
Richard Wagner (composer)
part of:
Rienzi, der letzte der Tribunen, WWV 49
Richard Wagner11:39
3Lohengrin, WWV 75: Vorspiel
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) and Slovenská filharmónia (Slovak Philharmonic)
conductor:
Julian Armstrong (conductor, Alfred Scholz pseudonym), Bystrík Režucha (conductor) and Alfred Scholz
recording of:
Lohengrin, WWV 75: Vorspiel (prelude to Act I)
composer:
Richard Wagner (composer) (from 1846 until 1848)
part of:
Lohengrin, WWV 75
Richard Wagner3:49
4Die Meistersinger von Nürnberg, WWV 96: Vorspiel
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) and Slovenská filharmónia (Slovak Philharmonic)
conductor:
Julian Armstrong (conductor, Alfred Scholz pseudonym), Bystrík Režucha (conductor) and Alfred Scholz
recording of:
Die Meistersinger von Nürnberg, WWV 96: Vorspiel
composer:
Richard Wagner (composer) (from 1863 until 1867)
part of:
Die Meistersinger von Nürnberg, WWV 96
Richard Wagner9:59
5Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Ouvertüre
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), National Symphony Orchestra Olsztyn (probably a fake artist by Alfred Scholz), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), Royal Danish Symphony Orchestra (Royal Danish Orchestra) and Sofia Philharmonic Orchestra (Sofia Philharmonic)
conductor:
Igor Gogol (conductor, probably a pseudonym for Alfred Scholz), Vassil Kazandjiev, George Richter (conductor, probably fictitious, or Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Ouvertüre
composer:
Richard Wagner (composer) (from 1843 until 1845-04-13)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70
part of:
Tannhäuser: Ouverture and Venusberg Music (ouverture and venusberg music (Act 1, scene 1) from Tannhäuser by Wagner)
Richard Wagner14:40
3▼CD
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1Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso
piano:
Ida Černecká (pianist) and Peter Toperczer (Slavic pianist)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Slovak Philharmonic Orchestra (Slovak Philharmonic)
conductor:
Anton Nanut (conductor), Bystrík Režucha (conductor) and Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1988)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)
Пётр Ильич Чайковский20:23
2Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice
piano:
Ida Černecká (pianist) and Peter Toperczer (Slavic pianist)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Slovak Philharmonic Orchestra (Slovak Philharmonic)
conductor:
Anton Nanut (conductor), Bystrík Režucha (conductor) and Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1988)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (1888 version, most often performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (original 1874/75 version, rarely performed)
Пётр Ильич Чайковский7:13
3Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco
piano:
Ida Černecká (pianist) and Peter Toperczer (Slavic pianist)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Slovak Philharmonic Orchestra (Slovak Philharmonic)
conductor:
Anton Nanut (conductor), Bystrík Režucha (conductor) and Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1988)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (1888 version, most often performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (original 1874/75 version, rarely performed)
Пётр Ильич Чайковский7:09
4The Year 1812, Festival Overture in E-flat major, op. 49
orchestra:
National Symphony Orchestra (unidentified orchestra, supposedly of Canada), Radio Symphony Orchestra Ljubjlana (RTV Slovenia Symphony Orchestra), Royal Promenade Orchestra (possibly fictitious by association with Alfred Gehardt) and Slovak National Philharmonic Orchestra (Slovak Philharmonic)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alfred Gehardt (fictitious conductor), Anton Nanut (conductor), Libor Pešek (conductor), Bystrík Režucha (conductor) and Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
performer:
Slovak Philharmonic (Alfred Scholz pseudonym)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1989)
recording of:
The Year 1812, Festival Overture in E-flat major, op. 49
premiered in:
Moscow, Russia (on 1882-08-20)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1880-09 until 1880-11)
part of:
The Tchaikovsky Handbook (number: TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 46) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 49)
is based on:
Боже, Царя храни! (God Save the Tsar!)
quotes music from:
Troparion of the Holy Cross
quotes music from:
La Marseillaise (national anthem of France)
quotes music from:
Боже, Царя храни! (God Save the Tsar!)
Пётр Ильич Чайковский15:41
5Capriccio Italien, op. 45
orchestra:
Slovak National Philharmonic Orchestra (Slovak State Philharmonic Orchestra, Košice) and Slovakian Philharmonic Orchestra (Slovak Philharmonic)
conductor:
Bystrík Režucha (conductor)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (from 1980 until 1992)
recording of:
Capriccio italien, op. 45
premiered in:
Moscow, Russia (on 1880-12-18)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1880-01 until 1880-05)
dedicated to:
Карл Юльевич Давыдов (Karl Davydov)
part of:
The Tchaikovsky Handbook (number: TH 47), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 44) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 45)
Пётр Ильич Чайковский16:02
4▼CD
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1Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso
orchestra:
Festivalový orchestr Praha (Prague Festival Orchestra), Great Festival Orchestra (an Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Eugen Duvier (conductor, an Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven14:17
2Symphony no. 9 in D minor, op. 125 “Choral”: II. Scherzo. Molto vivace – Presto
orchestra:
Festivalový orchestr Praha (Prague Festival Orchestra), Great Festival Orchestra (an Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Eugen Duvier (conductor, an Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: II. Scherzo. Molto vivace – Presto
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven11:44
3Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile – Andante moderato – Tempo I – Andante moderato – Adagio – Lo stesso tempo
orchestra:
Festivalový orchestr Praha (Prague Festival Orchestra), Great Festival Orchestra (an Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Eugen Duvier (conductor, an Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile – Andante moderato – Tempo I – Andante moderato – Adagio – Lo stesso tempo
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven13:40
4Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai
alto vocals:
Eva Bandova (alto, an Alfred Scholz pseudonym)
bass vocals:
Josef Bacek (operatic bass, an Alfred Scholz pseudonym)
choir vocals:
Bratislava Opera Chorus (Alfred Scholz related), Great Festival Choir and London Festival Chorus
soprano vocals:
Magdalena Paloczaj (soprano, an Alfred Scholz pseudonym)
tenor vocals:
Peter Kottwald (tenor, an Alfred Scholz pseudonym)
orchestra:
Festivalový orchestr Praha (Prague Festival Orchestra), Great Festival Orchestra (an Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (Alfred Scholz pseudonym) and Symphonic Festival Orchestra and Choir
conductor:
Eugen Duvier (conductor, an Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
compilation of:
Symphony no. 9 in D minor: IVa. Presto by Philharmonia Slavonica (Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym) and Symphony no. 9 in D minor: IVb. O Freunde, nicht diese Töne! by Philharmonia Slavonica (Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven23:39
5▼CD
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1Dorfschwalben aus Österreich, op. 164
orchestra:
Vienna Opera Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor:
Peter Falk
recording of:
Dorfschwalben aus Österreich, op. 164 (Village Swallows from Austria, Op. 164)
composer:
Josef Strauss (Austrian composer) (in 1864)
part of:
Works of Josef Strauss by opus number (number: op. 164)
Josef Strauss9:22
2Künstlerleben, op. 316
recording of:
Künstlerleben, op. 316 (Artist’s Life, op. 316)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1867)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 316)
Johann Strauss II9:34
3Liebeslieder, op. 114
recording of:
Liebeslieder, op. 114 (Love Songs, Op. 114)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 114)
Johann Strauss II8:51
4Frühlingsstimmen, op. 410
orchestra:
Strauss-Orchester Wien (Alfred Scholz pseudonym; also Vienna Strauss Orchestra) and Wiener Johann Strauss Orchester
conductor:
Joseph Francek (conductor, pseudonym for Alfred Scholz)
recording of:
Frühlingsstimmen, op. 410 (Voices of Spring)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1882)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 410)
Johann Strauss II6:56
5Wiener Bonbons, op. 307
orchestra:
People's Opera Orchestra, Vienna and Vienna Opera Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor:
Alfred Scholz
recording of:
Wiener Bonbons, op. 307 (Vienna Bonbons, Op. 307)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 307)
Johann Strauss II9:37
6An der schönen blauen Donau, op. 314
orchestra:
Vienna Opera Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor:
Alfred Scholz
recording of:
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314)
premiered in:
Wien (Vienna), Austria (on 1867-02-15)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
Johann Strauss II410:01
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1Symphony no. 53 in D major, Hob. I:53 “L'Impériale”: I. Largo maestoso – Vivace
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Symphony no. 53 in D major, Hob. I:53 “L'Impériale”: I. Largo maestoso – Vivace
composer:
Joseph Haydn (composer)
part of:
Symphony no. 53 in D major, Hob. I:53 “L'Impériale”
Joseph Haydn7:36
2Symphony no. 53 in D major, Hob. I:53 “L'Impériale”: II. Andante
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Symphony no. 53 in D major, Hob. I:53 “L'Impériale”: II. Andante
composer:
Joseph Haydn (composer)
part of:
Symphony no. 53 in D major, Hob. I:53 “L'Impériale”
Joseph Haydn6:36
3Symphony no. 53 in D major, Hob. I:53 “L'Impériale”: III. Menuetto and Trio
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Symphony no. 53 in D major, Hob. I:53 “L'Impériale”: III. Menuetto and Trio
composer:
Joseph Haydn (composer)
part of:
Symphony no. 53 in D major, Hob. I:53 “L'Impériale”
Joseph Haydn3:52
4Symphony no. 53 in D major, Hob. I:53 “L'Impériale”: IV. Finale. Capriccio, presto
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Symphony no. 53 in D major, Hob. I:53 “L'Impériale”: IV. Finale. Capriccio, presto
composer:
Joseph Haydn (composer)
part of:
Symphony no. 53 in D major, Hob. I:53 “L'Impériale”
Joseph Haydn5:04
5Symphony no. 94 in G major, Hob. I:94 “Surprise”: I. Adagio cantabile. Vivace assai
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym), Philharmonic Orchestra (probably another Alfred Scholz pseudonym), Slovenská filharmónia (Slovak Philharmonic) and Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor:
Istvan Cohen (probably another Alfred Scholz), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”: I. Adagio cantabile. Vivace assai
composer:
Joseph Haydn (composer) (in 1791)
part of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”
Joseph Haydn9:05
6Symphony no. 94 in G major, Hob. I:94 “Surprise”: II. Andante
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym), Philharmonic Orchestra (probably another Alfred Scholz pseudonym), Slovenská filharmónia (Slovak Philharmonic), Slovenský komorný orchester Bohdana Warchala (Slovak Chamber Orchestra) and Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor:
Istvan Cohen (probably another Alfred Scholz), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”: II. Andante
composer:
Joseph Haydn (composer) (in 1791)
part of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”
Joseph Haydn5:57
7Symphony no. 94 in G major, Hob. I:94 “Surprise”: III. Menuet. Allegro molto – Trio – Menuet
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym), Philharmonic Orchestra (probably another Alfred Scholz pseudonym), Slovenská filharmónia (Slovak Philharmonic) and Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor:
Istvan Cohen (probably another Alfred Scholz), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”: III. Menuet. Allegro molto – Trio – Menuet
composer:
Joseph Haydn (composer) (in 1791)
part of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”
Joseph Haydn5:08
8Symphony no. 94 in G major, Hob. I:94 “Surprise”: IV. Finale. Allegro di molto
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym), Philharmonic Orchestra (probably another Alfred Scholz pseudonym), Slovenská filharmónia (Slovak Philharmonic) and Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor:
Istvan Cohen (probably another Alfred Scholz), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”: IV. Finale. Allegro di molto
composer:
Joseph Haydn (composer) (in 1791)
part of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”
Joseph Haydn4:16
9Symphony no. 104 in D major, Hob. I:104 “London”: I. Adagio – Allegro
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), Slovenská filharmónia (Slovak Philharmonic) and Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Symphony no. 104 in D major, Hob. I:104 “London”: I. Adagio - Allegro
composer:
Joseph Haydn (composer) (in 1795)
part of:
Symphony no. 104 in D major, Hob. I:104 “London”
Joseph Haydn8:21
10Symphony no. 104 in D major, Hob. I:104 “London”: II. Andante
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), Slovenská filharmónia (Slovak Philharmonic) and Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Symphony no. 104 in D major, Hob. I:104 “London”: II. Andante
composer:
Joseph Haydn (composer) (in 1795)
part of:
Symphony no. 104 in D major, Hob. I:104 “London”
Joseph Haydn7:12
11Symphony no. 104 in D major, Hob. I:104 “London”: III. Menuetto & Trio. Allegro
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), Slovenská filharmónia (Slovak Philharmonic) and Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Symphony no. 104 in D major, Hob. I:104 “London”: III. Menuetto & Trio. Allegro
composer:
Joseph Haydn (composer) (in 1795)
part of:
Symphony no. 104 in D major, Hob. I:104 “London”
Joseph Haydn5:17
12Symphony no. 104 in D major, Hob. I:104 “London”: IV. Finale. Spiritoso
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), Slovenská filharmónia (Slovak Philharmonic) and Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Symphony no. 104 in D major, Hob. I:104 “London”: IV. Finale. Spiritoso
composer:
Joseph Haydn (composer) (in 1795)
part of:
Symphony no. 104 in D major, Hob. I:104 “London”
Joseph Haydn4:57
7▼CD
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1Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro
violin:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), I Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti), Musici di San Marco (an Alfred Scholz pseudonym), I Solisti Napoli (probably a pseudonym of Alfred Sholtz), Salzburger Kammerorchester (Salzburg Chamber Orchestra), Slovak Chamber Orchestra and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz), Alexander von Pitamic (Alfred Scholz pseudonym) and Bohdan Warchal (violinist, conductor)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (“The Four Seasons”: Concerto in E Major, op. 8 no. 1, RV. 269, “Spring”: 1. Allegro)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi13:24
2Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo
violin:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi2:16
3Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale
violin:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi54:00
4Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: I. Allegro non molto
violin:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: I. Allegro non molto
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi5:14
5Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: II. Adagio e piano – Presto e forte
violin:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: II. Adagio e piano – Presto e forte
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi2:10
6Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto
violin:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto “L’estate” (“Summer”), op. 8 no. 2, RV 315: III. Presto: Tempo impetuoso d’estate (arr: Jeannette Sorrell)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
arranger:
Jeannette Sorrell (conductor and harpsichordist)
arrangement of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi2:54
7Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: I. Allegro
violin:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: I. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi5:07
8Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto
violin:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi2:07
9Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: III. Allegro
violin:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: III. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi3:19
10Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto
violin:
Alexander Permovalsky (violinist, possibly a Scholz fake name) and Nils‐Erik Sparf (Swedish viol(in)ist)
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), Drottningholms Barockensemble (Drottningholm Baroque Ensemble), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi53:35
11Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo
violin:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": II. Largo (catch-all for arrangements)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
arrangement of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (catch-all for arrangements)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi1:46
12Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: III. Allegro
violin:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: III. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi3:27
13Sinfonia in C major, RV 116: I. Allegro
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym) and I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Anton Nanut (Alfred Scholz pseudonym)
recording of:
Sinfonia in C major, RV 116: I. Allegro
composer:
[anonymous] (special purpose artist)
previously attributed to:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Sinfonia in C major, RV 116
Antonio Vivaldi5:20
14Sinfonia in C major, RV 116: II. Andante
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym) and I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Anton Nanut (conductor)
recording of:
Sinfonia in C major, RV 116: II. Andante
composer:
[anonymous] (special purpose artist)
previously attributed to:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Sinfonia in C major, RV 116
Antonio Vivaldi3:10
15Sinfonia in C major, RV 116: III. Allegro
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym) and I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Anton Nanut (conductor)
recording of:
Sinfonia in C major, RV 116: III. Allegro
composer:
[anonymous] (special purpose artist)
previously attributed to:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Sinfonia in C major, RV 116
Antonio Vivaldi1:34
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1Boléro, op. 81
piano:
Mee Chou Lee (pianist)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
conductor:
Samo Hubad (conductor), Anton Nanut (conductor) and Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Boléro
composer:
Maurice Ravel (French composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Classic 100: Music of France (2012) (number: 9) and Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel13:53
2Piano Concerto in G major: I. Allegramente
piano:
Mee Chou Lee (pianist)
orchestra:
Radio Symphony Orchestra Ljubjlana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
performer:
Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
recording of:
Piano Concerto in G major: I. Allegramente
composer:
Maurice Ravel (French composer) (from 1929 until 1931)
part of:
Piano Concerto in G major
Maurice Ravel8:46
3Piano Concerto in G major: II. Adagio assai
piano:
Mee Chou Lee (pianist)
orchestra:
Radio Symphony Orchestra Ljubjlana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
performer:
Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
recording of:
Piano Concerto in G major: II. Adagio assai
composer:
Maurice Ravel (French composer) (from 1929 until 1931)
part of:
Piano Concerto in G major
Maurice Ravel8:44
4Piano Concerto in G major: III. Presto
piano:
Mee Chou Lee (pianist)
orchestra:
Radio Symphony Orchestra Ljubjlana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
performer:
Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
recording of:
Piano Concerto in G major: III. Presto
composer:
Maurice Ravel (French composer) (from 1929 until 1931)
part of:
Piano Concerto in G major
Maurice Ravel4:09
5Le Tombeau de Couperin: I. Prélude
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Le Tombeau de Couperin: I. Prélude (for orchestra) (ended)
orchestrator:
Maurice Ravel (French composer) (in 1919)
composer:
Maurice Ravel (French composer) (from 1914 until 1917)
orchestration of:
Le tombeau de Couperin: I. Prélude (for solo piano)
part of:
Le Tombeau de Couperin (for orchestra)
Maurice Ravel3:18
6Le Tombeau de Couperin: II. Forlane
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Le Tombeau de Couperin: II. Forlane (for orchestra) (ended)
orchestrator:
Maurice Ravel (French composer) (in 1919)
composer:
Maurice Ravel (French composer) (from 1914 until 1917)
orchestration of:
Le tombeau de Couperin: III. Forlane (for solo piano)
part of:
Le Tombeau de Couperin (for orchestra)
Maurice Ravel5:45
7Le Tombeau de Couperin: III. Menuet
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Le Tombeau de Couperin: III. Menuet (for orchestra) (ended)
orchestrator:
Maurice Ravel (French composer) (in 1919)
composer:
Maurice Ravel (French composer) (from 1914 until 1917)
orchestration of:
Le tombeau de Couperin: V. Menuet (for solo piano)
part of:
Le Tombeau de Couperin (for orchestra)
Maurice Ravel4:47
8Le Tombeau de Couperin: IV. Rigaudon. Assez vif
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Le Tombeau de Couperin: IV. Rigaudon. Assez vif (for orchestra) (ended)
orchestrator:
Maurice Ravel (French composer) (in 1919)
composer:
Maurice Ravel (French composer) (from 1914 until 1917)
orchestration of:
Le tombeau de Couperin: IV. Rigaudon (for solo piano)
part of:
Le Tombeau de Couperin (for orchestra)
Maurice Ravel3:06
9▼CD
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1Symfonie č. 9 e moll, op. 95 „Z Nového světa“: I. Adagio — Allegro molto
orchestra:
Slowakische Philharmonie (Slovak Philharmonic)
conductor:
Libor Pešek (conductor)
phonographic copyright (℗) by:
Mediaphon (this is the one to use as a release label) (in 1989)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: I. Adagio — Allegro molto (Symphony No. 9 in E minor, Op. 95 "From the New World": I. Adagio — Allegro molto)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák8:58
2Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo
orchestra:
Slovak National Philharmonic Orchestra (Slovak Philharmonic)
conductor:
Libor Pešek (conductor)
phonographic copyright (℗) by:
Mediaphon (this is the one to use as a release label) (in 1989)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 "From the New World": II. Largo)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák11:49
3Symfonie č. 9 e moll, op. 95 „Z Nového světa“: III. Scherzo. Molto vivace — Poco sostenuto
orchestra:
Slowakische Philharmonie (Slovak Philharmonic)
conductor:
Libor Pešek (conductor)
phonographic copyright (℗) by:
Mediaphon (this is the one to use as a release label) (in 1989)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: III. Scherzo. Molto vivace — Poco sostenuto (Symphony No. 9 in E minor, Op. 95 "From the New World": III. Scherzo. Molto vivace — Poco sostenuto)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák8:03
4Symfonie č. 9 e moll, op. 95 „Z Nového světa“: IV. Allegro con fuoco
orchestra:
Slowakische Philharmonie (Slovak Philharmonic)
conductor:
Libor Pešek (conductor)
phonographic copyright (℗) by:
Mediaphon (this is the one to use as a release label) (in 1989)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: IV. Allegro con fuoco (Symphony No. 9 in E minor, Op. 95 "From the New World": IV. Allegro con fuoco)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák11:35
5Slavonic Dances, op. 72: No. 2 in E minor: Allegretto grazioso
orchestra:
Slovenská filharmónia (Slovak Philharmonic)
conductor:
Libor Pešek (conductor)
recording of:
Slavonic Dances, op. 72: No. 2 in E minor: Allegretto grazioso (for orchestra)
composer:
Antonín Dvořák (composer) (from 1886-11 until 1887-01-05)
premiered at:
[concert] (1887-01-06)
part of:
Slawische Tänze, op. 72, B. 147 (Slavonic Dances, op. 72, B. 147, for orchestra)
Antonín Dvořák5:56
6Slavonic Dances, op. 72: No. 8 in A-flat major: Grazioso e lento, ma non troppo, quasi tempo di Valse
orchestra:
Slovenská filharmónia (Slovak Philharmonic)
conductor:
Libor Pešek (conductor)
recording of:
Slavonic Dances, op. 72: No. 8 in A-flat major: Grazioso e lento, ma non troppo, quasi tempo di Valse (for orchestra)
composer:
Antonín Dvořák (composer) (from 1886-11 until 1887-01-05)
part of:
Slawische Tänze, op. 72, B. 147 (Slavonic Dances, op. 72, B. 147, for orchestra)
Antonín Dvořák6:50
7Slavonic Dances, op. 72: No. 7 in C major: Allegro vivace
orchestra:
Slovenská filharmónia (Slovak Philharmonic)
conductor:
Libor Pešek (conductor)
recording of:
Slavonic Dances, op. 72: No. 7 in C major: Allegro vivace (for orchestra)
composer:
Antonín Dvořák (composer) (from 1886-11 until 1887-01-05)
premiered at:
[concert] (1887-01-06)
part of:
Slawische Tänze, op. 72, B. 147 (Slavonic Dances, op. 72, B. 147, for orchestra)
Antonín Dvořák3:16
8Stabat Mater, op. 58, B. 71: I. Andante con moto "Stabat Mater dolorosa" (Quartetto e Coro)
orchestra:
Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
conductor:
Marko Munih (conductor)
recording of:
Stabat Mater, op. 58, B. 71: I. Andante con moto “Stabat Mater dolorosa” (Quartetto e Coro)
lyricist:
Jacopone da Todi
composer:
Antonín Dvořák (composer) (from 1876-02-19 until 1876-05-07, from 1877-10 until 1877-11-13)
part of:
Stabat Mater, op. 58, B. 71
Antonín Dvořák19:09
10▼CD
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1Symphony no. 5 in C minor, op. 67: I. Allegro con brio
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven7:20
2Symphony no. 5 in C minor, op. 67: II. Andante con moto
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Symphony no. 5 in C minor, op. 67: II. Andante con moto
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven11:01
3Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro / IV. Allegro
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
recording of:
Symphony no. 5 in C minor, op. 67: IV. Allegro
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven14:15
4Ouvertüre Coriolan, op. 62: Allegro con brio
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), Berliner Festspielorchester (likely another Alfred Scholz orchestra pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) and Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Anton Nanut (conductor), Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Ouvertüre Coriolan, op. 62 (Coriolan Overture, Op. 62)
composer:
Ludwig van Beethoven (German composer) (in 1807)
dedicated to:
Heinrich Joseph von Collin
premiered at:
Palais Lobkowitz in Innere Stadt, Wien (Vienna), Austria (in 1807-03)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 62)
Ludwig van Beethoven7:34
5Egmont, op. 84: Overture. Sostenuto, ma non troppo – Allegro
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990), London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), London Philharmonic Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) and Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Anton Nanut (conductor), Alfred Scholz and Peter Wohlert (conductor, Alfred Scholz related)
recording of:
Egmont, op. 84: Ouvertüre. Sostenuto, ma non troppo – Allegro
premiered in:
Wien (Vienna), Austria (on 1810-06-15)
composer:
Ludwig van Beethoven (German composer) (from 1809-10 until 1810-06)
part of:
Egmont, op. 84
Ludwig van Beethoven8:19

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ASIN:DE: B0000057G9 [info]