Greatest Ever! Festival Anthems: The Definitive Collection

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

3 Jewel Cases in Cardboard Sleeve

Annotation last modified on 2018-05-10 18:57 UTC.

Tracklist

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1▼CD: CD1
#TitleArtistRatingLength
1Comfortably Numb
recording engineer:
Babydaddy
producer:
Scissor Sisters
mixer:
Neil Harris and Scissor Sisters
bass:
Ayan Pal
piano:
Paul Leschen
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2020)
recorded at:
5d Studios in Brooklyn, New York, New York, United States
part of:
New York Post: 100 Greatest Covers (2007) (number: 55)
cover recording of:
Comfortably Numb
lyricist:
Roger Waters
composer:
David Gilmour (Pink Floyd) and Roger Waters
publisher:
Artemis Muziekuitgeverij B V, Pink Floyd Music Publishers, Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd (Artemis BV), Roger Waters Music Overseas Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16) and Pink Floyd Music Publishers Inc. (in 1979)
revision of:
The Doctor (Comfortably Numb)
Scissor Sisters2.854:24
2Tightrope (The Solo version)
Janelle Monáe4:22
3Hey Ya
recording engineer:
John Frye (hip hop / R&B mix engineer), Robert Hannon and Pete Novak
programming and producer:
André 3000
mixer:
Neal Pogue (mix engineer)
acoustic guitar and keyboard and lead vocals:
André 3000
keyboard:
Kevin Kendrick (US soul/funk keyboardist/songwriter)
music videos:
Hey Ya! by OutKast
part of:
Sean Michaels: The Top 30 Songs of 2003 (number: 1), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 10), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 14), Triple J’s Hottest 100: Twenty Years (2013) (number: 18), VH1’s Big Song of 2003 (number: 24), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 180) and Indie 88: Top 500 Indie Rock Songs (number: 198)
recording of:
Hey Ya!
lyricist and composer:
André Benjamin
OutKast43:54
4Bonkers
recording engineer:
Cage (Dizzee Rascal's manager. Sometimes credited as Nick Cage)
producer:
Cage (Dizzee Rascal's manager. Sometimes credited as Nick Cage) and Armand van Helden
mixer:
Armand van Helden
spoken vocals [rap vocals]:
Dizzee Rascal
vocals:
Dizzee Rascal
recording of:
Bonkers
lyricist:
Dizzee Rascal
composer:
Armand van Helden
publisher:
Bug Music (music publishing) and Notting Hill Music (publisher)
Dizzee Rascal3.92:56
5I Predict a Riot
recording of:
I Predict a Riot
lyricist and composer:
Nick Baines, Nick J.D. Hodgson (ex Kaiser Chiefs), Simon Rix, Andrew White (Guitarist for the Kaiser Chiefs) and Ricky Wilson (Kaiser Chiefs)
Kaiser Chiefs3:53
6Call on Me
producer:
Eric Prydz
samples:
Valerie by Steve Winwood
recording of:
Call On Me
writer:
Will Jennings, Eric Prydz and Steve Winwood
is based on:
Valerie
Eric Prydz3.92:48
7Where’s Your Head At?
producer and mixer:
Basement Jaxx
background vocals and guest background vocals:
Michael Moog, Erick Morillo and Junior Sanchez
guest vocals and lead vocals:
Damien Peachey
vocals:
Damien Peachey
samples:
M.E. by Gary Numan and This Wreckage by Gary Numan
cover recording of:
Where’s Your Head At
writer:
Felix Buxton, Gary Numan and Simon Ratcliffe
publisher:
Universal Music (plain logo: “Universal Music”)
Basement Jaxx3.53:58
8Take Me Out
producer and mixer:
Tore Johansson
phonographic copyright (℗) by:
Domino Recording Co. Ltd. (not for release label use!) (in 2004)
produced for:
Stephen Budd Management
part of:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 14), NME: Greatest “Indie” Anthems Ever: 2007 (number: 16), triple j’s Hottest 100 (Australian annual music listener poll) (number: 2004) and Indie 88: Top 500 Indie Rock Songs (number: 80)
recording of:
Take Me Out
writer:
Alex Kapranos (lead singer and guitarist in Franz Ferdinand) and Nick McCarthy
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Franz Ferdinand4.153:57
9Golden Skans
engineer:
Jimmy Robertson (sound engineer)
producer:
James Ford (UK producer/engineer/drummer for Simian Mobile Disco)
bass guitar:
Jamie Reynolds (UK bassist/vocalist (Klaxons))
drums (drum set):
James Ford (UK producer/engineer/drummer for Simian Mobile Disco)
guitar:
Simon Taylor-Davis (UK guitarist for The Klaxons)
keyboard:
James Righton
vocals:
Jamie Reynolds (UK bassist/vocalist (Klaxons)), James Righton and Simon Taylor-Davis (UK guitarist for The Klaxons)
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 40)
recording of:
Golden Skans
lyricist:
Jamie Reynolds (UK bassist/vocalist (Klaxons)) and Simon Taylor-Davis (UK guitarist for The Klaxons)
composer:
Jamie Reynolds (UK bassist/vocalist (Klaxons)), James Righton and Simon Taylor-Davis (UK guitarist for The Klaxons)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Klaxons3.752:45
10Heads Will Roll
producer:
Dave Sitek and Nick Launay
part of:
Paste: The 10 Best Halloween Songs of the 21st Century (number: 1) and Indie 88: Top 500 Indie Rock Songs (number: 462)
recording of:
Heads Will Roll
writer:
Brian Chase (drummer and songwriter), Karen O and Nick Zinner (US guitarist, composer, and producer)
Yeah Yeah Yeahs4.23:40
11Firestarter
additional recording engineer:
Neil McLellan
producer and mixer:
Liam Howlett
guitar:
Jim Davies (The Prodigy studio guitarist) and Jim Davis (jazz producer)
vocals:
Keith Flint (vocalist in The Prodigy)
phonographic copyright (℗) by:
XL‐Recordings Ltd. (not for release label use! use its imprint XL Recordings instead) (in 1996)
recorded at:
Strongroom in Shoreditch, Hackney, London (Greater London), England, United Kingdom
mixed at:
Earthbound in Bradwell, Essex, England, United Kingdom
produced at:
Earthbound in Bradwell, Essex, England, United Kingdom
samples:
Close (to the Edit) by Art of Noise and S.O.S. by The Breeders
part of:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 30)
recording of:
Firestarter
writer:
Kim Deal, Anne Dudley (English score composer), Keith Flint (vocalist in The Prodigy), Trevor Horn, Liam Howlett, J.J. Jeczalik, Gary Langan and Paul Morley
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI/Virgin Music Publishing Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Perfect Songs (UK publisher, affiliated with BMI), Unforgettable Songs Ltd. and Zomba Music
is based on:
S.O.S.
quotes music from:
Close (to the Edit)
The Prodigy4.054:40
12Left Hand Free
engineer, producer and mixer:
Charlie Andrew
drums (drum set):
Thom Green (drummer for alt-J)
guitar:
Joe Newman (member of alt-J)
keyboard:
Gus Unger-Hamilton
vocals:
Joe Newman (member of alt-J)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 396)
recording of:
Left Hand Free
writer:
Joe Newman (member of alt-J), Thom Green (drummer for alt-J) and Gus Unger-Hamilton
alt‐J4.52:52
13Pure Pleasure Seeker
engineer and mixer:
Mark Brydon and Matt Sime
producer:
Moloko (English‐Irish electronic music duo)
lead vocals:
Róisín Murphy
phonographic copyright (℗) by:
The Echo Label Ltd. (in 2000)
edit of:
Pure Pleasure Seeker (Todd Edwards Pure Pleasure disco vocal) by Moloko (English‐Irish electronic music duo)
recording of:
Pure Pleasure Seeker
writer:
Mark Brydon and Róisín Murphy
publisher:
Chrysalis Music Publishing
Moloko3:24
14At the River
recording of:
At the River
writer:
Andrew Derek Cocup, Tom Findlay (UK electronic DJ/producer, Groove Armada), Irwin Pincus (also known as "Allan Jeffrey"), Claire Rothrock and Milton Yakus
publisher:
Ambassador, PolyGram Music Publishing Ltd. and Warner/Chappell Music Ltd. (1996–2019)
is based on:
Old Cape Cod
Groove Armada3:12
15Come Together
recording of:
Come Together
lyricist and composer:
Jason Pierce (UK musician, Spacemen 3/Spiritualized)
publisher:
Redemption Songs
Spiritualized3:21
16Movin’ on Up
engineer:
Dave Burnham (UK recording engineer)
co-producer:
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
producer and mixer:
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
bass guitar:
Henry Olsen
drums (drum set) and percussion:
Toby Tomanov (Drummer)
guitar:
Andrew Innes and Robert Young (British guitarist, of Primal Scream)
keyboard and piano:
Martin Duffy
lead vocals:
Bobby Gillespie
recording of:
Movin’ on Up
writer:
Bobby Gillespie, Andrew Innes and Robert Young (British guitarist, of Primal Scream)
publisher:
Complete Music Ltd. and EMI Music Publishing Ltd. (PRS‐affiliated)
Primal Scream3.553:46
17Retrograde
engineer, producer and mixer:
James Blake (English singer and producer)
instruments and vocals:
James Blake (English singer and producer)
music videos:
Retrograde by James Blake (English singer and producer)
a cappella versions:
Retrograde by The Beelzebubs (Tufts University all-male a cappella group)
part of:
Stereogum: The 200 Best Songs of the 2010s (number: 67)
recording of:
Retrograde
composer:
James Blake (English singer and producer)
James Blake3.353:43
18Cübik
recording engineer, engineer and mixer:
Graham Massey
producer:
808 State
recording of:
Cubik
composer:
Andrew Barker (member of 808 State), Graham Massey, Darren Partington and Martin Price
publisher:
Perfect Songs (UK publisher, affiliated with BMI)
808 State3.653:33
2▼CD: CD2
#TitleArtistRatingLength
1Good Times
bass:
Bernard Edwards (American bassist and record producer) (in 1979)
drums (drum set):
Tony Thompson (drummer, best known for his work in CHIC) (in 1979)
electric piano:
Raymond Jones (in 1979)
guitar:
Nile Rodgers (in 1979)
piano:
Rob Sabino (in 1979)
lead vocals:
Alfa Anderson (in 1979) and Luci Martin (in 1979)
performer:
Chic (US disco group) (in 1979)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1979)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 68) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 224)
recording of:
Good Times (in 1979)
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs and Tommy Jymi Inc.
Chic53:41
2Chelsea Dagger
recording of:
Chelsea Dagger
composer:
The Fratellis (Scottish rock band)
The Fratellis33:21
3Sweet Disposition
producer:
Jim Abbiss
guitar:
Simon Nygaard
background vocals:
Joseph Greer
phonographic copyright (℗) by:
EuropaCorp (in 2014)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 489)
recording of:
Sweet Disposition
writer:
Dougy Mandagi and Lorenzo Sillitto
The Temper Trap3.83:52
4Are You Gonna Be My Girl
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
Greg Fidelman (Greg Fields)
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
additional guitar:
Brooklyn’s own Dave Sardy (American score composer)
bass guitar:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Cam Muncey and Nic Cester
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003), Real Horrorshow Pty. Ltd. (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
part of:
triple j’s Hottest 100 (Australian annual music listener poll) (number: 2003), Sean Michaels: The Top 30 Songs of 2003 (number: runner-up) and Indie 88: Top 500 Indie Rock Songs (number: 364)
recording of:
Are You Gonna Be My Girl
writer:
Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Jet3.73:34
5Can’t Stand Me Now
assistant engineer:
Iain Gore
engineer and mixer:
Bill Price (UK producer/engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Rough Trade Records Ltd. (in 2004)
recorded at:
Metropolis (London) in London (Greater London), England, United Kingdom (in 2004)
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 13)
recording of:
Can’t Stand Me Now
writer:
Carl Barât, Peter Doherty (Libertines) and Mark Hammerton
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
The Libertines3.83:23
6Suddenly I See
assistant engineer:
Graham Deas
engineer:
Bruno Ellingham
producer:
Steve Osborne (producer)
mixer:
Ren Swan
baritone guitar and bass:
Arnulf Lindner
cajón, drums (drum set) and percussion:
Luke Bullen
guitar:
KT Tunstall
vocals:
KT Tunstall
phonographic copyright (℗) by:
Jaydone Ltd. ("record company trading as Relentless Records") (in 2004)
mixed at:
Metrophonic in London (Greater London), England, United Kingdom
produced at:
Nam Studios in Bradford on Avon, Wiltshire, England, United Kingdom
recording of:
Suddenly I See
lyricist and composer:
KT Tunstall
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
KT Tunstall3.63:19
7Foundations
edit of:
Foundations (Full explicit version) by Kate Nash
recording of:
Foundations
writer:
Paul Epworth and Kate Nash
Kate Nash3.53:39
8Common People
recording of:
Common People
lyricist:
Jarvis Cocker
composer:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) and Russell Senior
premiered at:
Reading Festival (1994-08-27) (1994)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 BMG事業部 (until 2018-03-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Pulp4:05
9She Said
music videos:
She Said by Longpigs
recording of:
She Said
lyricist and composer:
Crispin Hunt
Longpigs44:23
10How Deep Is Your Love?
recording of:
How Deep Is Your Love?
writer:
The Rapture (NYC band, since 1998)
The Rapture6:25
11Golden Retriever
background vocals:
Rachel Thomas
recording of:
Golden Retriever
writer:
Huw Bunford, Cian Ciaran, Dafydd Ieuan, Guto Pryce and Gruff Rhys
Super Furry Animals52:26
12Bang Bang You’re Dead
recording of:
Bang Bang You're Dead
writer:
Carl Barât, Didz Hammond, Gary Powell (drummer of The Libertines, Dirty Pretty Things, and others) and Anthony Rossomando
Dirty Pretty Things43:33
13Girls & Boys in Love
recording of:
Girls and Boys in Love
writer:
The Rumble Strips
The Rumble Strips42:33
14I Believe in a Thing Called Love
assistant recording engineer:
Will Bartle
engineer, producer and mixer:
Pedro Ferreira
assistant mixer:
Nick Taylor (UK recording engineer)
bass:
Frankie Poullain
drums (drum set):
Ed Graham
guitar:
Dan Hawkins (member of The Darkness and Stone Gods) and Justin Hawkins
lead vocals:
Justin Hawkins
recorded at:
Chapel Studios in Lincolnshire, England, United Kingdom
mixed at:
Roundhouse Studios in London (Greater London), England, United Kingdom
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 94)
recording of:
I Believe in a Thing Called Love
writer:
Daniel Francis Hawkins (member of The Darkness and Stone Gods), Francis Gilles Poullain-Patterson, Edwin James Graham and Justin Hawkins
The Darkness4.23:35
15Bedshaped
programming and producer:
Andy Green (producer, engineer), Keane and James Sanger
engineer:
Andy Green (producer, engineer)
assistant mixer:
David Treahern and Rob Haggett
mixer:
Mark “Spike” Stent (producer, engineer)
phonographic copyright (℗) by:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 2024)
recorded at:
Helioscentric Studios in Rye, East Sussex, England, United Kingdom
music videos:
Bedshaped by Keane
recording of:
Bedshaped
writer:
Tom Chaplin, Richard Hughes (Keane member), Tim Rice‐Oxley and James Sanger
publisher:
BMG Music Publishing Ltd. and Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Keane3.754:34
16Pompeii
programming and producer:
Mark Crew (songwriter, record producer and mix engineer) and Dan Smith (member of UK band Bastille)
assistant mixer:
Matty Green (mix engineer)
mixer:
Mark “Spike” Stent (producer, engineer)
bass guitar [bass]:
William Farquarson (bassist, Bastille)
drums (drum set):
Chris “Woody” Wood (drummer, Bastille)
keyboard [keyboards]:
Mark Crew (songwriter, record producer and mix engineer)
keyboard [keyboards] and piano:
Dan Smith (member of UK band Bastille)
background vocals [backing vocals]:
Ian Dudfield, Ralph Pelleymounter (Lead singer of To Kill A King), Josh Platman and Jon Willoughby
vocals:
Dan Smith (member of UK band Bastille)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 2013)
recorded at:
Unit 24 (Mark Crew's studio) in London (Greater London), England, United Kingdom
music videos:
Pompeii by Bastille (British indie pop band)
part of:
Billboard Year-End Hot 100 singles of 2014 (number: 12), BILLIONS CLUB and Indie 88: Top 500 Indie Rock Songs (number: 297)
recording of:
Pompeii
lyricist and composer:
Dan Smith (member of UK band Bastille)
publisher:
Bastille Music, Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Bastille3.953:34
17I Need My Girl
producer:
Aaron Dessner and Bryce Dessner (North American composer and guitarist)
assistant mixer:
Eduardo de la Paz Canel (producer/engineer) and John Horne
mixer:
Craig Silvey
strings:
Owen Pallett (Canadian composer, violinist, keyboardist & vocalist)
orchestrator:
Bryce Dessner (North American composer and guitarist)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States and Toast Studios (mixing studio) in London (Greater London), England, United Kingdom
music videos:
I Need My Girl (official music video) by The National
recording of:
I Need My Girl
lyricist:
Matt Berninger
composer:
Aaron Dessner
publisher:
ABD 13 Music and Val Jester Music
The National4.44:06
18Mind Over Matter
Turin Brakes4:05
19Connected
performer:
Jimmy “Bo” Horne
samples:
Let Me (Let Me Be Your Lover) by Jimmy “Bo” Horne
music videos:
Connected by Stereo MC’s
recording of:
Connected
writer:
Rob Birch (Stereo MCs), Harry Wayne Casey, Richard Finch, Nick Hallam and Jimmy “Bo” Horne
publisher:
EMI Virgin Songs, Inc., Harrick Music, Longitude Music Co. and Virgin Music Ltd.
Stereo MCs33:46
3▼CD: CD3
#TitleArtistRatingLength
1Angels
programming:
Steve Power and Mark Smith (UK producer/bassist (Boys Don't Cry/Waterboys))
assistant engineer:
Jim Brumby (UK engineer) and Matt Hay
producer:
Guy Chambers (English songwriter and record producer) and Steve Power
mixer:
Steve Power
bass:
Mark Smith (UK producer/bassist (Boys Don't Cry/Waterboys))
drums (drum set) [drums]:
Chris Sharrock
guitar:
Andre Barreau, Chester Kamen and Gary Nuttall
keyboard [keyboards]:
Guy Chambers (English songwriter and record producer) and Steve Power
percussion:
Andy Duncan (UK drummer and producer)
background vocals:
Andre Barreau, Gary Nuttall and Nicole Patterson
lead vocals:
Robbie Williams
orchestra:
London Session Orchestra
arranger:
Guy Chambers (English songwriter and record producer)
concertmaster:
Gavyn Wright (UK violinist, conductor)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1997)
recorded at:
Matrix Maison Rouge Studios in London (Greater London), England, United Kingdom
mixed at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
part of:
The Co-Op: Top 10 British Funeral Songs (number: 5)
recording of:
Angels
writer:
Guy Chambers (English songwriter and record producer) and Robbie Williams
publisher:
BMG Music Publishing, EMI Music Publishing (PRS‐affiliated), EMI Songs, EMI Virgin Music Ltd. (do not use this as a release label!) and Kobalt Music Publishing Ltd. (UK)
Robbie Williams3.654:21
2Staying Out for the Summer
recording of:
Staying Out for the Summer
lyricist:
Nigel Clark (singer and bassist of Dodgy) and Mathew Priest
composer:
Nigel Clark (singer and bassist of Dodgy) and Andy Miller (UK guitarist for Dodgy/Hey Gravity)
publisher:
BMG Music Publishing Ltd.
Dodgy3:10
3Can You Dig It?
producer:
Martin Coogan
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1991)
music videos:
Can You Dig It? by The Mock Turtles
recording of:
Can You Dig It?
lyricist and composer:
Martin Coogan
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
The Mock Turtles3.254:08
4One Way
producer:
Al Scott (Oysterband, engineer, song writer), Levellers and Andrew Scarth
mixer:
Andrew Scarth
bass guitar:
Jeremy Cunningham (UK bassist for the Levellers) (in 1998)
didgeridoo:
Stephen Boakes (in 1998)
drums (drum set):
Charlie Heather (in 1998)
guitar:
Simon Friend (in 1998)
violin:
Jon Sevink (in 1998)
lead vocals:
Mark Chadwick (singer/songwriter/guitarist for the Levellers) (in 1998)
recorded at:
Metway Studios in Brighton, Brighton and Hove, England, United Kingdom (in 1998)
mixed at:
Parkgate Studios in Battle, East Sussex, England, United Kingdom (in 1998)
recording of:
One Way (in 1998)
writer:
Mark Chadwick (singer/songwriter/guitarist for the Levellers), Jeremy Cunningham (UK bassist for the Levellers), Simon Friend, Charlie Heather and Jon Sevink
publisher:
Universal Music (plain logo: “Universal Music”)
Levellers3:23
5Inbetween Days
engineer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
producer and mixer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) and Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
bass guitar:
Simon Gallup
bass guitar [6-string bass] and lead vocals:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
drums (drum set):
Boris Williams
guitar:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) and Porl Thompson
keyboard:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson and Lol Tolhurst
phonographic copyright (℗) by:
Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead)
music videos:
In Between Days by The Cure
part of:
Indie 88: Top 500 Indie Rock Songs (number: 320)
recording of:
In Between Days
lyricist and composer:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
publisher:
APB Music Co.
The Cure4.12:56
6Luka
recording of:
Luka
lyricist and composer:
Suzanne Vega (American singer-songwriter)
publisher:
WB Music Corp. (1929–2019)
Suzanne Vega3:49
7Hush
engineer:
Ian Taylor (rock producer/engineer)
producer:
Stephen Harris (mixer/producer) and Crispian Mills
cover recording of:
Hush (South, Royal, Deep Purple) (in 1996)
lyricist and composer:
Joe South (until 1967)
publisher:
BMG Music Publishing Ltd., BMG Ufa (not for release label use! this is a music publisher), Lowery-Chappell Music and Sony/ATV Music Publishing Australia Pty Ltd.
Kula Shaker4.652:54
8This Is How It Feels
recording of:
This Is How It Feels
writer:
Clint Boon, Craig Gill, Tom Hingley, Graham Lambert and Martyn Walsh
Inspiral Carpets3:02
9This Is the Life
assistant recording engineer:
Guy Katsav
keyboard programming and piano programming:
Pete Wilkinson
engineer:
Joe Fields (American jazz producer)
additional producer:
Joe Fields (American jazz producer)
executive producer:
Paul Adam
mixer:
Bob Clearmountain
editor:
Beatriz Artola
acoustic guitar, background vocals and lead vocals:
Amy Macdonald (Scottish singer/songwriter)
bass guitar and flugelhorn, saxophone and trumpet:
Jamie Sefton
drums (drum set):
Adam Falkner
electric guitar:
Seton Daunt
keyboard and piano:
Pete Wilkinson
percussion:
Adam Falkner and Pete Wilkinson
phonographic copyright (℗) by:
Melodramatic Records Ltd. (in 2007)
recorded at:
Brooklands Road Studio in London (Greater London), England, United Kingdom and Soho Recording Studios in London (Greater London), England, United Kingdom
recording of:
This Is the Life
lyricist and composer:
Amy Macdonald (Scottish singer/songwriter)
publisher:
Warner/Chappell Music Ltd. (1996–2019)
Amy Macdonald3.93:04
10Perfect 10
engineer:
John Brough
producer:
Paul Heaton and Jon Kelly (engineer at Air London Studios)
mixer:
John Brough, Paul Heaton and Jon Kelly (engineer at Air London Studios)
bass:
Sean Welch
brass:
Kick Horns
drums (drum set):
Dave Stead
guitar:
Dave Rotheray
keyboard:
Damon Butcher
percussion:
Gary Hammond (percussionist)
background vocals:
Jacqui Abbott, Paul Heaton and Dave Hemingway
lead vocals:
Jacqui Abbott and Paul Heaton
phonographic copyright (℗) by:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1998)
recording of:
Perfect 10
lyricist:
Paul Heaton
composer:
Paul Heaton and Dave Rotheray
publisher:
Island Music Ltd.
The Beautiful South2.33:35
11Roadrunner
Jonathan Richman4:04
12Celebrity Skin
mixer:
Tom Lord‐Alge
phonographic copyright (℗) by:
Geffen Records, Inc. (company credits only; do NOT use as release label) (in 1998)
part of:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 16)
recording of:
Celebrity Skin
writer:
Billy Corgan, Eric Erlandson and Courtney Love (US rock vocalist, widow to Kurt Cobain)
publisher:
Echo Echo Tunes, Mother May I Music (Publisher associated with the band Hole (2)), Strictly Confidential and Universal Music Publishing (use ONLY if no country‐specific information is available)
Hole4.452:42
13Bone Machine
recording of:
Bone Machine
lyricist and composer:
Black Francis (US singer, songwriter & guitarist)
Pixies3:02
14Our House
producer:
Clive Langer & Alan Winstanley
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
recording of:
Our House
lyricist:
Mike Barson, Mark Bedford, Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) and Daniel Woodgate
composer:
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Lee “Kix” Thompson (Madness) and Daniel Woodgate
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness43:10
15Can’t Get Used to Losing You
producer:
Bob Sargeant
cover recording of:
Can’t Get Used to Losing You
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation
The Beat3.53:01
16Word Up
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1986) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1986)
music videos:
Word Up! by Cameo (American soul-influenced funk group)
part of:
TV Cream: Real 100 Best Singles Ever (number: 70) and VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 81)
recording of:
Word Up!
writer:
Larry Blackmon and Tomi Jenkins
publisher:
All Seeing Eye Music, Better Days Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Cameo44:17
17Prince of Peace
Galliano3:57
18Everybody Loves the Sunshine
Roy Ayers Ubiquity3:57