La Voix du rock

~ Veröffentlichung von Elvis Presley (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1CD
Nr.TitelBewertungLänge
1That’s All Right Mama51:58
2Good Rockin’ Tonight
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1954, von 1954-09-12 bis 1954-09-16)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1954-09-12 bis 1954-09-16)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (in 1954) und Elvis Presley (“The King of Rock and Roll”) (in 1954, von 1954-09-12 bis 1954-09-16)
vocals:
Elvis Presley (“The King of Rock and Roll”) (von 1954-09-12 bis 1954-09-16)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1954) und BMG Entertainment (in 1955)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (in 1954, von 1954-09-12 bis 1954-09-16)
cover recording of:
Good Rockin’ Tonight (am 1954-09-10)
Texter und Komponist(in):
Roy Brown (blues musician) (in 1947-07)
publisher:
Brown Angel Music Publishing (BMI-affiliated), Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher), Trio Music Co., Inc. und Wixen Music UK Ltd.
52:14
3Mystery Train2:29
4Heartbreak Hotel
Techniker(in):
Bob Ferris (engineer)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-10)
Gitarre:
Chet Atkins (am 1956-01-10), Scotty Moore (American guitarist and recording engineer) (am 1956-01-10) und Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10)
Klavier:
Floyd Cramer (am 1956-01-10)
Schlagzeug:
D.J. Fontana (am 1956-01-10)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10)
vocals:
Elvis Presley (“The King of Rock and Roll”), Ben Speer (am 1956-01-10), Lena Brock "Mom" Speer (am 1956-01-10) und Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1956-01-10)
Herausgeber:
Sony/ATV Songs LLC
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1956-01-10)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 45) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 347)
recording of:
Heartbreak Hotel (am 1956-01-10)
Verfasser(in):
Mae Boren Axton, Tommy Durden und Elvis Presley (“The King of Rock and Roll”)
publisher:
Belwin Mills Music Ltd., Durden Breyer Publishing, EMI Harmonies Limited, EMI Mills Music Limited (PRS for Music-affiliated), Sony/ATV Songs LLC, Sony/ATV Tree Publishing und Unichappell Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
3.72:08
5Blue Suede Shoes
assistierende(r) Techniker(in):
Dror Mohar
Mix:
Ray Bardani
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-01-30) und Elvis Presley (“The King of Rock and Roll”) (am 1956-01-30)
Kontrabass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-30)
Schlagzeug:
D.J. Fontana (am 1956-01-30)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-01-30)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 423)
cover recording of:
Blue Suede Shoes (am 1956-01-30)
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. und Wren Music Co.
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
4.452:00
6Hound Dog
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-07-02)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-07-02) und Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-07-02)
Schlagzeug:
D.J. Fontana (am 1956-07-02)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
vocals:
The Jordanaires (southern gospel group) (am 1956-07-02)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956, in 1972), BMG Music (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-07-02)
cover recording of:
Hound Dog (am 1956-07-02)
Texter:
Jerry Leiber (am 1952-08-12)
Komponist(in):
Mike Stoller (am 1952-08-12)
vorher zugeschrieben zu:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company und Williamson Music, Inc.
3.82:17
7Don’t Be Cruel
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-07-02)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-07-02) und Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-07-02)
Schlagzeug:
D.J. Fontana (am 1956-07-02)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
vocals:
The Jordanaires (southern gospel group) (am 1956-07-02)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-07-02)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 11) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 197)
recording of:
Don’t Be Cruel (am 1956-07-02)
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp. und Williamson Music Company
3.82:03
8Love Me Tender
accordion:
Carl Fortina (von 1956-08-24 bis 1956-09-04) und Dominic Frontiere (von 1956-08-24 bis 1956-09-04)
Banjo:
Luther "Red" Roundtree (von 1956-08-24 bis 1956-09-04)
Bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (von 1956-08-24 bis 1956-09-04)
Gitarre:
Vito Mumolo (Session Musician (Guitar)) (von 1956-08-24 bis 1956-09-04)
Schlagzeug:
Richard Cornell (Percussion) (von 1956-08-24 bis 1956-09-04)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-09-01)
vocals:
Jon Dodson (von 1956-08-24 bis 1956-09-04, am 1956-09-01), Charles Prescott (von 1956-08-24 bis 1956-09-04, am 1956-09-01) und Rad Robinson (von 1956-08-24 bis 1956-09-04, am 1956-09-01)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
20th Century Fox Music Stage 1 in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-24, am 1956-09-04)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 437)
recording of:
Love Me Tender (von 1956-08-24 bis 1956-09-04)
Texter:
Ken Darby (in 1956)
zusätzliche(r) Verfasser(in):
Vera Matson (in 1956) und Elvis Presley (“The King of Rock and Roll”) (in 1956)
Komponist(in):
George R. Poulton (in 1861)
publisher:
Aberbach Musikverlag (German publisher), ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company und Elvis Presley Music (vom 1956 bis heute)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Aura Lea
42:47
9Too Much2:33
10All Shook Up
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1957-01-12 bis 1957-01-13)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1957-01-12 bis 1957-01-13) und Elvis Presley (“The King of Rock and Roll”) (von 1957-01-12 bis 1957-01-13)
Klavier:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (von 1957-01-12 bis 1957-01-13)
Schlagzeug:
D.J. Fontana (von 1957-01-12 bis 1957-01-13)
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
vocals:
Elvis Presley (“The King of Rock and Roll”) und The Jordanaires (southern gospel group) (von 1957-01-12 bis 1957-01-13)
remixer:
Dennis Ferrante
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1957), BMG Music (in 1957) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1957-01-12 bis 1957-01-13) und Bloch Arena in Honolulu, Hawaii, Vereinigte Staaten (am 1961-03-25)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 18) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 353)
cover recording of:
All Shook Up (am 1957-01-12)
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music Inc., Global (publisher) und Shalimar Music Corp.
3.651:59
11Mean Woman Blues
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1957-01-13)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group) (am 1957-01-13)
phonographisches Urheberrecht (℗) von:
RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1957) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-01-13)
recording of:
Mean Woman Blues (am 1957-01-13)
Texter und Komponist(in):
Claude Demetrius
publisher:
Carlin Music Corporation, Gladys Music, Gladys Music Inc. und Williamson Music Company
cover recording of:
Mean Woman Blues
Texter und Komponist(in):
Claude Demetrius
publisher:
Carlin Music Corporation, Gladys Music, Gladys Music Inc. und Williamson Music Company
42:14
12Loving You
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1957-02-23 bis 1957-02-24)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1957-02-23 bis 1957-02-24) und Elvis Presley (“The King of Rock and Roll”) (von 1957-02-23 bis 1957-02-24)
Klavier:
Dudley Brooks (von 1957-02-23 bis 1957-02-24)
Schlagzeug:
D.J. Fontana (von 1957-02-23 bis 1957-02-24)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1957-02-24)
vocals:
The Jordanaires (southern gospel group) (von 1957-02-23 bis 1957-02-24)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group) (am 1957-02-24)
phonographisches Urheberrecht (℗) von:
BMG Music und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1957-02-23 bis 1957-02-24)
recording of:
Loving You (von 1957-02-23 bis 1957-02-24)
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) und Sony/ATV Songs LLC
cover recording of:
Loving You
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) und Sony/ATV Songs LLC
42:18
13Teddy Bear
cover recording of:
(Let Me Be Your) Teddy Bear
Verfasser(in):
Bernie Lowe und Kal Mann
publisher:
Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music Inc. und Williamson Music Company
1:49
14One Night
Techniker(in):
Thorne Nogar
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1957-01-15 bis 1957-01-18)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1957-01-15 bis 1957-01-18) und Tiny Timbrell (von 1957-01-15 bis 1957-01-18)
Klavier:
Dudley Brooks (von 1957-01-15 bis 1957-01-18)
Schlagzeug:
D.J. Fontana (von 1957-01-15 bis 1957-01-18)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1957-02-23)
vocals:
The Jordanaires (southern gospel group) (von 1957-01-15 bis 1957-01-18)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1957), BMG Music (in 1957, in 1959) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
Paramount Scoring Stage in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1957-01-15 bis 1957-01-18), Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-02-23) und Metropolitan Sports Center in Bloomington, Minnesota, Vereinigte Staaten (am 1976-10-17)
cover recording of:
One Night (von 1957-01-15 bis 1957-02-23)
Verfasser(in):
Dave Bartholomew, Pearl King und Anita Steiman
publisher:
Elvis Presley Music Inc., Sony/ATV Music Publishing LLC (1995–2020) und Travis Music, Inc.
Version von:
One Night (of Sin)
live cover recording of:
One Night (am 1976-10-17)
Verfasser(in):
Dave Bartholomew, Pearl King und Anita Steiman
publisher:
Elvis Presley Music Inc., Sony/ATV Music Publishing LLC (1995–2020) und Travis Music, Inc.
Version von:
One Night (of Sin)
2.552:33
15Don’t Leave Me Now
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1957-02-23 bis 1957-02-24, von 1957-04-30 bis 1957-05-09) und Neal Matthews (von 1957-04-30 bis 1957-05-09)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1957-02-23 bis 1957-02-24, von 1957-04-30 bis 1957-05-09) und Elvis Presley (“The King of Rock and Roll”) (von 1957-02-23 bis 1957-02-24, von 1957-04-30 bis 1957-05-09)
Klavier:
Dudley Brooks (von 1957-02-23 bis 1957-02-24, von 1957-04-30 bis 1957-05-09) und Mike Stoller (von 1957-04-30 bis 1957-05-09)
Schlagzeug:
D.J. Fontana (von 1957-02-23 bis 1957-02-24, von 1957-04-30 bis 1957-05-09)
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Jordanaires (southern gospel group) (von 1957-02-23 bis 1957-02-24, von 1957-04-30 bis 1957-05-09)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1957-02-23 bis 1957-02-24, am 1957-04-30, am 1957-05-03, von 1957-05-08 bis 1957-05-09)
cover recording of:
Don’t Leave Me Now (von 1957-02-23 bis 1957-02-24)
Verfasser(in):
Aaron Schroeder (1950s~1960s US songwriter) und Ben Weisman
publisher:
A. Schroeder, Blen Music, Chappell & Co., Gladys Music Inc. und Rachel’s Own Music
cover recording of:
Don’t Leave Me Now (von 1957-04-30 bis 1957-05-09)
Verfasser(in):
Aaron Schroeder (1950s~1960s US songwriter) und Ben Weisman
publisher:
A. Schroeder, Blen Music, Chappell & Co., Gladys Music Inc. und Rachel’s Own Music
42:03
16Jailhouse Rock
E-Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1957-04-30)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1957-04-30)
Schlagzeug:
D.J. Fontana (am 1957-04-30)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1957-04-30)
vocals:
Elvis Presley (“The King of Rock and Roll”) (am 1957-04-30)
zusätzlich vocals:
The Jordanaires (southern gospel group) (am 1957-04-30)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1957) und BMG Music (in 1957)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 67) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 216)
recording of:
Jailhouse Rock (am 1957-04-30)
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP), Silver Seahorse Music LLC und Sony/ATV Songs LLC
sub-publisher:
Fujipacific Music, Inc., ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
3.552:26
17Baby I Don’t Care1:53
18King Creole
Techniker(in):
Thorne Nogar (von 1958-01 bis 1958-02) und Phil Wisdom (von 1958-01 bis 1958-02)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1958-01-15 bis 1958-01-23), Neal Matthews (von 1958-01-15 bis 1958-01-23) und Ray Siegel (von 1958-01-15 bis 1958-01-23)
Becken:
Hoyt Hawkins (von 1958-01-15 bis 1958-01-23)
Bongos:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (von 1958-01-15 bis 1958-01-23)
Gitarre:
Neal Matthews (von 1958-01-15 bis 1958-01-23), Scotty Moore (American guitarist and recording engineer) (von 1958-01-15 bis 1958-01-23) und Elvis Presley (“The King of Rock and Roll”) (von 1958-01-15 bis 1958-01-23)
Klarinette:
Mahlon Clark (von 1958-01-15 bis 1958-01-23)
Klavier:
Dudley Brooks (von 1958-01-15 bis 1958-01-23)
Posaune:
Elmer Schneider (von 1958-01-15 bis 1958-01-23) und Warren Smith (jazz trombonist) (von 1958-01-15 bis 1958-01-23)
Saxophon:
Justin Gordon (von 1958-01-15 bis 1958-01-23)
Schlagzeug:
D.J. Fontana (von 1958-01-15 bis 1958-01-23) und Bernie Mattinson (von 1958-01-15 bis 1958-01-23)
Trompete:
John Ed Buckner (von 1958-01-15 bis 1958-01-23)
Tuba:
Ray Siegel (von 1958-01-15 bis 1958-01-23)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1958-01-23)
vocals:
The Jordanaires (southern gospel group) (von 1958-01-15 bis 1958-01-23)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group) (am 1958-01-23)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1958), BMG Music (in 1958) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1958-01-15 bis 1958-01-16, am 1958-01-23)
cover recording of:
King Creole (von 1958-01-15 bis 1958-01-23)
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Carlin Music Corporation, Cherry Lane Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC und Sony/ATV Tunes LLC (ASCAP)
4.72:08
19Trouble2:18
20Wear My Ring Around Your Neck2:15
21I Need Your Love Tonight
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1958-06-10)
Gitarre:
Chet Atkins (am 1958-06-10), Hank Garland (am 1958-06-10) und Elvis Presley (“The King of Rock and Roll”) (am 1958-06-10)
Klavier:
Floyd Cramer (am 1958-06-10)
Schlagzeug:
D.J. Fontana (am 1958-06-10) und Buddy Harman (Session drummer and songwriter) (am 1958-06-10)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1958-06-10)
vocals:
The Jordanaires (southern gospel group) (am 1958-06-10)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group) (am 1958-06-10)
phonographisches Urheberrecht (℗) von:
BMG Music und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1958-06-10) und Bloch Arena in Honolulu, Hawaii, Vereinigte Staaten (am 1961-03-25)
live cover recording of:
I Need Your Love Tonight (am 1958-06-10)
Verfasser(in):
Bickley Reichner und Sid Wayne
publisher:
Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated), Holly-Hill Music Publishing Co., Malvern Music Co., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Williamson Music Company
4.22:05
22A Fool Such as I
cover recording of:
(Now and Then There’s) a Fool Such as I
Texter und Komponist(in):
Bill Trader
publisher:
LeFevre Sing Pub. Co., MCA Music Inc. (US-based music publishers) und Universal/MCA Music Ltd. (not for release label use!)
2:32
23I Got Stung
cover recording of:
I Got Stung
Verfasser(in):
David Hill (US songwriter) und Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Carlin Music Corporation, Gladys Music, Gladys Music Inc., Minder Music Ltd. und Rachel’s Own Music
1:52
24Make Me Know It
cover recording of:
Make Me Know It
Texter und Komponist(in):
Otis Blackwell (American pianist, singer and songwriter)
publisher:
Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Songs, Elvis Presley Music und R&H Music
2:01
25Stuck on You
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1960-03-20)
E-Bass:
Hank Garland (am 1960-03-20)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1960-03-20) und Elvis Presley (“The King of Rock and Roll”) (am 1960-03-20)
Klavier:
Floyd Cramer (am 1960-03-20)
Schlagzeug:
D.J. Fontana (am 1960-03-20) und Buddy Harman (Session drummer and songwriter) (am 1960-03-20)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1960-03-20)
vocals:
The Jordanaires (southern gospel group) (am 1960-03-20)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group) (am 1960-03-20)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1960), BMG Music (in 1960) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1960-03-20)
recording of:
Stuck on You (am 1960-03-20)
Texter:
Aaron Schroeder (1950s~1960s US songwriter) (am 1960-03-20)
Komponist(in):
J. Leslie McFarland (composer) (am 1960-03-20)
publisher:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music Inc., Rachel’s Own Music und Williamson Music Company
12:21
26A Mess of Blues
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1960-03-20)
E-Bass:
Hank Garland (am 1960-03-20)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1960-03-20) und Elvis Presley (“The King of Rock and Roll”) (am 1960-03-20)
Klavier:
Floyd Cramer (am 1960-03-20)
Schlagzeug:
D.J. Fontana (am 1960-03-20) und Buddy Harman (Session drummer and songwriter) (am 1960-03-20)
Chorgesang und zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group) (am 1960-03-20)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1960-03-20)
vocals:
The Jordanaires (southern gospel group) (am 1960-03-20)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1960) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1960-03-20)
cover recording of:
A Mess of Blues (am 1960-03-20)
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Cherry River Music, Chrysalis Songs, Elvis Presley Music, Elvis Presley Music Inc. und R&H Music
2:41
2CD
Nr.TitelBewertungLänge
1It’s Now or Never
cover recording of:
It’s Now or Never
Texter:
Wally Gold und Aaron Schroeder (1950s~1960s US songwriter)
Komponist(in):
Eduardo Di Capua
publisher:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music Inc., Rachel’s Own Music und Williamson Music Company
Version von:
’O sole mio
3:18
2Fever3:35
3Dirty Dirty Feeling1:35
4I Gotta Know
cover recording of:
I Gotta Know
Verfasser(in):
Paul Evans (50s US rock n roll singer/songwriter) und Matt Williams (US songwriter “I Gotta Know”)
publisher:
Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music und Port Music Corp.
2:16
5Such a Night
recording engineer:
Bill Porter (engineer) (am 1960-04-03)
Produzent(in):
Chet Atkins und Steve Sholes
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1960-04-03)
Gitarre:
Hank Garland (am 1960-04-03), Scotty Moore (American guitarist and recording engineer) (am 1960-04-03) und Elvis Presley (“The King of Rock and Roll”) (am 1960-04-03)
Klavier:
Floyd Cramer (am 1960-04-03)
Saxophon:
Boots Randolph (am 1960-04-03)
Schlagzeug:
D.J. Fontana (am 1960-04-03) und Buddy Harman (Session drummer and songwriter) (am 1960-04-03)
vocals:
The Jordanaires (southern gospel group) (am 1960-04-03)
phonographisches Urheberrecht (℗) von:
BMG Music und BMG Entertainment (in 1960)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1960-04-03) und RCA Victor Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1960-04-03)
mixed at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten
cover recording of:
Such a Night (am 1960-04-03)
Texter und Komponist(in):
Lincoln Chase (songwriter)
publisher:
Chappell Music Ltd., Elvis Presley Music, Embassy Music Corporation und Raleigh Music, Inc.
33:01
6Are You Lonesome Tonight
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1960-04-03)
Gitarre:
Hank Garland (am 1960-04-03), Scotty Moore (American guitarist and recording engineer) (am 1960-04-03) und Elvis Presley (“The King of Rock and Roll”) (am 1960-04-03)
Klavier:
Floyd Cramer (am 1960-04-03)
Saxophon:
Boots Randolph (am 1960-04-03)
Schlagzeug:
D.J. Fontana (am 1960-04-03) und Buddy Harman (Session drummer and songwriter) (am 1960-04-03)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1960-04-03)
vocals:
The Jordanaires (southern gospel group) (am 1960-04-03)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group) (am 1960-04-03)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1960), BMG Music (in 1960, in 1961), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1960) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1960-04-03)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 9)
cover recording of:
Are You Lonesome Tonight? (am 1960-04-03)
Texter:
Roy Turk
Komponist(in):
Lou Handman
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Chrysalis Music (music publisher, ASCAP-affiliated), Cromwell Music, Cromwell Music, Inc., Elvis Presley Music, Gladys Music, Redwood Music und Redwood Music Ltd. (Carlin)
3.153:07
7His Latest Flame (Mary’s the Name)
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1961-06-25)
Gitarre:
Hank Garland (am 1961-06-25), Neal Matthews (am 1961-06-25) und Scotty Moore (American guitarist and recording engineer) (am 1961-06-25)
Klanghölzer / Claves:
Boots Randolph (am 1961-06-25)
Klavier:
Floyd Cramer (am 1961-06-25)
Orgel:
Floyd Cramer (am 1961-06-25) und Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1961-06-25)
Schlagzeug:
D.J. Fontana (am 1961-06-25) und Buddy Harman (Session drummer and songwriter) (am 1961-06-25)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1961-06-25)
vocals:
The Jordanaires (southern gospel group) (am 1961-06-25) und Millie Kirkham (am 1961-06-25)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1961), BMG Music (in 1961) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1961-06-25)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 31)
cover recording of:
(Marie’s the Name) His Latest Flame (am 1961-06-25)
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music und R&H Music
2.352:08
8Little Sister
recording of:
Little Sister
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc. und R&H Music
2:30
9Rock a Hula Baby2:01
10Can’t Help Falling in Love3:04
11Good Luck Charm
accordion:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1961-10-15)
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1961-10-15)
Gitarre:
Jerry Kennedy (am 1961-10-15) und Scotty Moore (American guitarist and recording engineer) (am 1961-10-15)
Klarinette und Saxophon:
Boots Randolph (am 1961-10-15)
Klavier und Orgel:
Floyd Cramer (am 1961-10-15)
Schlagzeug:
D.J. Fontana (am 1961-10-15) und Buddy Harman (Session drummer and songwriter) (am 1961-10-15)
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
vocals:
Elvis Presley (“The King of Rock and Roll”), The Jordanaires (southern gospel group) (am 1961-10-15) und Millie Kirkham (am 1961-10-15)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1961), BMG Music (in 1961, in 1962) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1961-10-15)
cover recording of:
Good Luck Charm (am 1961-10-15)
Verfasser(in):
Wally Gold und Aaron Schroeder (1950s~1960s US songwriter)
publisher:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Rachel’s Own Music und Williamson Music Company
2.352:23
12Night Rider
recording of:
Night Rider
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Chrysalis Songs, Elvis Presley Music, Elvis Presley Music Inc. und R&H Music
2:12
13Gonna Get Back Home Somehow
cover recording of:
Gonna Get Back Home Somehow
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Elvis Presley Music, Elvis Presley Music Inc. und R&H Music
2:32
14Suspicion
Bass:
Bob Moore (U.S. bassist and bandleader) (von 1962-03-18 bis 1962-03-19)
Gitarre:
Harold Bradley (von 1962-03-18 bis 1962-03-19), Grady Martin (country/rockabilly guitarist) (von 1962-03-18 bis 1962-03-19) und Scotty Moore (American guitarist and recording engineer) (von 1962-03-18 bis 1962-03-19)
Klavier und Orgel:
Floyd Cramer (von 1962-03-18 bis 1962-03-19)
Saxophon:
Boots Randolph (von 1962-03-18 bis 1962-03-19)
Schlagzeug:
D.J. Fontana (von 1962-03-18 bis 1962-03-19) und Buddy Harman (Session drummer and songwriter) (von 1962-03-18 bis 1962-03-19)
Vibraphon [vibes]:
Grady Martin (country/rockabilly guitarist) (von 1962-03-18 bis 1962-03-19) und Boots Randolph (von 1962-03-18 bis 1962-03-19)
vocals:
The Jordanaires (southern gospel group) (von 1962-03-18 bis 1962-03-19) und Millie Kirkham (von 1962-03-18 bis 1962-03-19)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1961) und RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1962)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (von 1962-03-18 bis 1962-03-19)
recording of:
Suspicion (von 1962-03-18 bis 1962-03-19)
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc. und R&H Music
cover recording of:
Suspicion
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc. und R&H Music
32:38
15Return to Sender
cover recording of:
Return to Sender
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Winfield Scott
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Elvis Presley Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), The Manor Music Co. Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Carlin Music Corp. (in 1981)
Version von:
Verkeerd verbonden
2:09
16Bossa Nova Baby1:59
17Devil in Disguise
Bass:
Bob Moore (U.S. bassist and bandleader) (von 1963-05-26 bis 1963-05-27)
Gitarre:
Harold Bradley (von 1963-05-26 bis 1963-05-27), Jerry Kennedy (von 1963-05-26 bis 1963-05-27), Grady Martin (country/rockabilly guitarist) (von 1963-05-26 bis 1963-05-27) und Scotty Moore (American guitarist and recording engineer) (von 1963-05-26 bis 1963-05-27)
Klavier:
Floyd Cramer (von 1963-05-26 bis 1963-05-27)
Saxophon, shakers und Vibraphon [vibes]:
Boots Randolph (von 1963-05-26 bis 1963-05-27)
Schlagzeug:
D.J. Fontana (von 1963-05-26 bis 1963-05-27) und Buddy Harman (Session drummer and songwriter) (von 1963-05-26 bis 1963-05-27)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1963-05-26)
vocals:
The Jordanaires (southern gospel group) (von 1963-05-26 bis 1963-05-27) und Millie Kirkham (von 1963-05-26 bis 1963-05-27)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1963), BMG Music (in 1963) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (von 1963-05-26 bis 1963-05-27)
cover recording of:
(You’re the) Devil in Disguise (von 1963-05-26 bis 1963-05-27)
Verfasser(in):
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) und Florence Kaye
publisher:
Carlin Music Corporation und R&H Music
2.652:23
18Slowly but Surely
cover recording of:
Slowly But Surely
Verfasser(in):
Sid Wayne und Ben Weisman
2:15
19Big Boss Man
Produzent(in):
Felton Jarvis
Bass:
Bob Moore (U.S. bassist and bandleader) (von 1967-09-10 bis 1967-09-11)
Gitarre:
Harold Bradley (von 1967-09-10 bis 1967-09-11), Charlie McCoy (white blues harmonica player, 1960s-present) (von 1967-09-10 bis 1967-09-11), Scotty Moore (American guitarist and recording engineer) (von 1967-09-10 bis 1967-09-11), Jerry Reed (von 1967-09-10 bis 1967-09-11) und Chip Young (American session guitarist, bassist, producer in the genre of country) (von 1967-09-10 bis 1967-09-11)
Klavier:
Floyd Cramer (von 1967-09-10 bis 1967-09-11)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (von 1967-09-10 bis 1967-09-11)
Orgel:
Hoyt Hawkins (von 1967-09-10 bis 1967-09-11) und Charlie McCoy (white blues harmonica player, 1960s-present) (von 1967-09-10 bis 1967-09-11)
Saxophon:
Boots Randolph (von 1967-09-10 bis 1967-09-11)
Schlagzeug:
D.J. Fontana (von 1967-09-10 bis 1967-09-11) und Buddy Harman (Session drummer and songwriter) (von 1967-09-10 bis 1967-09-11)
Steel-Gitarre:
Pete Drake (steel guitar player) (von 1967-09-10 bis 1967-09-11)
vocals:
The Jordanaires (southern gospel group) (von 1967-09-10 bis 1967-09-11) und Millie Kirkham (von 1967-09-10 bis 1967-09-11)
phonographisches Urheberrecht (℗) von:
BMG Music
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (von 1967-09-10 bis 1967-09-11)
cover recording of:
Big Boss Man (am 1967-09-10)
Verfasser(in):
Luther Dixon und Al Smith (US blues artist)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Conrad Music (publisher; do NOT use as release label), Conrad Publishing Co. Inc., EMI Unart Catalog Inc., EMI United Partnership Ltd., Mijac Music, Sony/ATV Music Publishing (UK), Sony/ATV Songs LLC, Tristan Music Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ロックンロール ミュージック (Rock ’n’ Roll Music)
cover recording of:
Big Boss Man (von 1967-09-10 bis 1967-09-11)
Verfasser(in):
Luther Dixon und Al Smith (US blues artist)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Conrad Music (publisher; do NOT use as release label), Conrad Publishing Co. Inc., EMI Unart Catalog Inc., EMI United Partnership Ltd., Mijac Music, Sony/ATV Music Publishing (UK), Sony/ATV Songs LLC, Tristan Music Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ロックンロール ミュージック (Rock ’n’ Roll Music)
42:53
20Suspicious Minds
aufgenommen bei:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, Vereinigte Staaten (in 1969-01)
cover recording of:
Suspicious Minds (in 1969-01)
Texter und Komponist(in):
Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Songs LLC
4:22
21In the Ghetto
Techniker(in):
Al Pachucki
Produzent(in):
Felton Jams und Chips Moman
Bass:
Tommy Cogbill (am 1969-01-21) und Mike Leech (am 1969-01-21)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (am 1969-01-21) und Reggie Young (Guitarist and songwriter) (am 1969-01-21)
Klavier:
Bobby Wood (American pianist, keyboard player and songwriter) (am 1969-01-21)
Mundharmonika:
Ed Kollis (am 1969-01-21)
Orgel:
Bobby Emmons (am 1969-01-21)
Posaune:
Jack Hale (trombone) (am 1969-01-21), Ed Logan (am 1969-01-21) und Gerald Richardson (am 1969-01-21)
Saxophon:
J.P. Luper (saxophonist) (am 1969-01-21) und Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter) (am 1969-01-21)
Schlagzeug:
Gene Chrisman (am 1969-01-21)
Steel-Gitarre:
John Hughey (am 1969-01-21)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1969-01-21), Dick Steff (am 1969-01-21) und R.F. Taylor (am 1969-01-21)
Waldhorn:
Tony Cason (am 1969-01-21) und Joe D'Gerolamo (am 1969-01-21)
vocals:
Joe Babcock (am 1969-01-21), Donna Thatcher (am 1969-01-21), Dolores Edgin (am 1969-01-21), Ginger Holladay (American singer-songwriter) (am 1969-01-21), Mary Holladay (am 1969-01-21), Millie Kirkham (am 1969-01-21), Mary (Jeannie) Green (am 1969-01-21), June Page (am 1969-01-21), Susan Pilkington (am 1969-01-21), Sandy Posey (am 1969-01-21) und Hurshel Wiginton (am 1969-01-21)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1969), BMG Music (in 1969) und RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1969)
aufgenommen bei:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, Vereinigte Staaten (am 1969-01-21)
Teil von:
SWR1 Hitparade 2006 (Baden-Württemberg) (Nummer: 10)
recording of:
In the Ghetto (am 1969-01-21)
Texter und Komponist(in):
Mac Davis (US country singer, songwriter & actor)
publisher:
ABG Elvis Songs, B-n-B Music Inc., Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Songs, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Elvis Presley Music, Elvis Presley Music Inc., Gladys Music Inc., R&H Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Sony/ATV Songs LLC
4.42:48
22Burning Love
cover recording of:
Burning Love
Texter und Komponist(in):
Dennis Linde
publisher:
Combine Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. und Sony/ATV Songs LLC
2:51
23My Boy
cover recording of:
My Boy
Texter:
Phil Coulter und Bill Martin (Scottish songwriter & producer)
Komponist(in):
Jean-Pierre Bourtayre und Claude François
publisher:
Art Music France, Colgems Music Corp., Colgems-EMI Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) und Mews Music Ltd.
3:21
24Promised Land
cover recording of:
Promised Land
Texter:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) und Tristan Music Limited
basiert auf:
Wabash Cannonball
2:53