Opera Arias

~ Release by José Carreras (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Don Carlo: lo l'ho perduto (Act I)
tenor vocals:
José Carreras (Spanish tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Don Carlo: Atto I, scena 1. N°2 “Io l’ho perduta!” … “Io la vidi e il suo sorriso” (Carlo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi3:27
2Don Carlo: Di che nell'alma infondere (Act I)
baritone vocals:
Piero Cappuccilli (baritone)
choir vocals:
Chor der Deutschen Staatsoper Berlin
tenor vocals:
José Carreras (Spanish tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
chorus master:
Walter Hagen-Groll (chorus master)
recording of:
Don Carlo: Atto I, scena 1. N°4 “Dio, che nell’alma infondere amor …” (Carlo, Rodrigo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:55
3Don Carlo: Perduto ben mio sol tesor (Act I)
soprano vocals:
Mirella Freni (soprano)
tenor vocals:
José Carreras (Spanish tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
Giuseppe Verdi7:15
4Aida: Se quel guerrier io fossi … Celeste Aida (Act I)
tenor vocals:
José Carreras (Spanish tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi4:54
5Aida: O terra, addio (Act IV)
choir vocals:
Chor der Deutschen Staatsoper Berlin
mezzo-soprano vocals:
Agnes Baltsa (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano)
tenor vocals:
José Carreras (Spanish tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
chorus master:
Walter Hagen-Groll (chorus master)
recording of:
Aida: Atto IV, scena 2: Finale Ultimo: “O terra addio” (Aida, Radamès, coro, Amneris)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi5:20
6Cavalleria rusticana: Oh Lola ch'ai di latti la cammisa
tenor vocals:
José Carreras (Spanish tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
Cavalleria rusticana: “O Lola ch'hai di latti la cammisa” (Turiddu) (“Siciliana”)
composer:
Pietro Mascagni (composer & conductor) (in 1890)
librettist:
Guido Menasci (Italian librettist, 19th-20th c.) and Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
part of:
Cavalleria rusticana
Pietro Mascagni2:15
7Cavalleria rusticana: Intanto amici … Viva il vino spumeggiante
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
mezzo-soprano vocals and soprano vocals:
Astrid Varnay (soprano)
tenor vocals:
José Carreras (Spanish tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recording of:
Cavalleria rusticana: Brindisi “Intanto amici, qua … Viva il vino spumeggiante” (Turridu, Lola, coro) (in 1979-08)
composer:
Pietro Mascagni (composer & conductor)
librettist:
Guido Menasci (Italian librettist, 19th-20th c.) and Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
part of:
Cavalleria rusticana
Pietro Mascagni3:13
8Cavalleria rusticana: Mama quel vino è generoso
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
mezzo-soprano vocals:
Astrid Varnay (soprano)
soprano vocals:
Astrid Varnay (soprano)
tenor vocals:
José Carreras (Spanish tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recording of:
Cavalleria rusticana: “Mamma, quel vino è generoso, è certo” (Turiddu, Lucia, Donne) (Addio alla madre) (in 1979-08)
composer:
Pietro Mascagni (composer & conductor) (in 1890)
librettist:
Guido Menasci (Italian librettist, 19th-20th c.) and Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
part of:
Cavalleria rusticana
Pietro Mascagni3:47
9Pagliacci: Recitar! … Vesti la giubba (Act I)
tenor vocals [Canio]:
José Carreras (Spanish tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio) (from 1979-05 until 1979-06)
composer and librettist:
Ruggero Leoncavallo (composer) (in 1892)
part of:
For the First Time (1959 film)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo3:56
10Turandot: Non piangere, Liù (Act I)
soprano vocals:
Mirella Freni (soprano)
tenor vocals:
José Carreras (Spanish tenor)
orchestra:
Orchestre philharmonique de Strasbourg (Strasbourg Philharmonic Orchestra)
conductor:
Alain Lombard (conductor)
recording of:
Turandot: Atto I. “Non piangere, Liù” (Calaf, Liù, Timur)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini2:38
11Turandot: Nessun dorma (Act III)
choir vocals:
Chœur de l'Opéra national du Rhin (Rhine Opera Chorus)
tenor vocals:
José Carreras (Spanish tenor)
orchestra:
Orchestre philharmonique de Strasbourg (Strasbourg Philharmonic Orchestra)
conductor:
Alain Lombard (conductor)
chorus master:
Günter Wagner (choir master)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (in 1977-08)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA (Italian publisher)
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini3:10
12La Périchole : Le conquérant dit à la jeune Indienne (Act I)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano)
tenor vocals:
José Carreras (Spanish tenor)
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
recording of:
La Périchole : Acte I. No. 4 Complainte de l'Espagnol et de la jeune Indienne « Le conquérant dit à la jeune Indienne » (Piquillo, La Périchole)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
La Périchole : Acte I
Jacques Offenbach2:37
13La Périchole : Vous a-t-on dit souvent (Act I)
producer:
Eric Macleod (producer)
mezzo-soprano vocals and mezzo-soprano vocals [La Périchole]:
Teresa Berganza (mezzo-soprano) (from 1981-07-01 until 1981-07-12)
tenor vocals and tenor vocals [Piquillo]:
José Carreras (Spanish tenor) (from 1981-07-01 until 1981-07-12)
orchestra:
Orchestre du Capitole de Toulouse (from 1981-07-01 until 1981-07-12)
conductor:
Michel Plasson (conductor) (from 1981-07-01 until 1981-07-12)
balance engineer:
Serge Rémy
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1981-07-07 until 1981-07-12)
recording of:
La Périchole : Acte I. No 5 Séguedille: Le muletier et la jeune personne « Vous a-t-on dit souvent » (Piquillo, La Périchole) (from 1981-07-01 until 1981-07-12)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
La Périchole : Acte I
Jacques Offenbach2:36
14La Périchole : Et là maintenant que nous sommes seuls (Act II)
tenor vocals:
José Carreras (Spanish tenor)
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
recording of:
La Périchole : Acte II. No 13. Couplets « Les femmes il n'y que ça ! » … « Et là, maintenant que nous sommes seuls … » (Piquillo)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
La Périchole : Acte II
Jacques Offenbach2:11
15La Périchole : On me proposait d'être infâme (Act III)
producer:
Eric Macleod (producer)
tenor vocals and tenor vocals [Piquillo]:
José Carreras (Spanish tenor) (from 1981-07-01 until 1981-07-12)
orchestra:
Orchestre du Capitole de Toulouse (from 1981-07-01 until 1981-07-12)
conductor:
Michel Plasson (conductor) (from 1981-07-01 until 1981-07-12)
balance engineer:
Serge Rémy
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1981-07-07 until 1981-07-12)
recording of:
La Périchole: Acte III, Premier tableau. No 16 Air « On me proposait d'être infâme » (Piquillo) (from 1981-07-01 until 1981-07-12)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
La Périchole: Acte III
Jacques Offenbach3:59

Credits

Release

ASIN:US: B00005RD9P [info]