Best 100 Relaxing

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

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1▼CD: Relaxing Baroque
Nr.TitelKünstlerBewertungLänge
1Sheep May Safely Graze
Produzent(in):
John Fraser (UK producer)
Orgel:
Ian Watson (conductor and keyboardist) (von 1983-06-27 bis 1983-06-28)
Orchester:
Academy of St Martin in the Fields (von 1983-06-27 bis 1983-06-28)
conductor:
Sir Neville Marriner (conductor) (von 1983-06-27 bis 1983-06-28)
arranger und Orchestrator(in):
Sir Neville Marriner (conductor)
Tonmeister(in):
Stuart Eltham (engineer)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1983-06-27 bis 1983-06-28)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” (orchestrated by Marriner) (von 1983-06-27 bis 1983-06-28)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Orchestrierung von:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
Johann Sebastian Bach4:37
2Canon in D
Techniker(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
Produzent(in):
Christopher Bishop (conductor/producer)
Geige / Violine:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (von 1973-10-01 bis 1973-10-04)
Orchester:
Academy of St Martin in the Fields (von 1973-10-01 bis 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (von 1973-10-01 bis 1973-10-04)
Tonmeister(in):
Stuart Eltham (engineer)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1973-10-01 bis 1973-10-04)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon und Gigue D-Dur, P37: I. Canon) (von 1973-10-01 bis 1973-10-04)
Komponist(in):
Johann Pachelbel (composer)
Teil von:
Canon and Gigue in D major, P. 37, T. 337 (Canon und Gigue D-Dur, P37)
Johann Pachelbel5:01
3Air on the G String
Techniker(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
Produzent(in):
Christopher Bishop (conductor/producer)
Geige / Violine:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (von 1973-10-01 bis 1973-10-04)
Orchester:
Academy of St Martin in the Fields (von 1973-10-01 bis 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (von 1973-10-01 bis 1973-10-04)
Tonmeister(in):
Stuart Eltham (engineer)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1973-10-01 bis 1973-10-04)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (von 1973-10-01 bis 1973-10-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:34
4Winter
Cembalo:
Paul Crocker (harpsichord) (in 1979-12)
Geige / Violine:
Yehudi Menuhin (violinist) (in 1979-12)
Orchester:
Camerata Lysy Gstaad (in 1979-12)
conductor:
Alberto Lysy (violinist and conductor) (in 1979-12)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1979-12)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (in 1979-12)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi2:11
5Ombra Mai Fu
Instrumente:
Il Seminario Musicale (French baroque music ensemble)
Countertenorgesang und Hochgesang:
Gérard Lesne (countertenor)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (von 1737-12-26 bis 1738-01-09)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Serse, HWV 40: Atto I
recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Arrangement von:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
Georg Friedrich Händel2:41
6III. Larghetto e piano
Orchester:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
recording of:
Concerto grosso in B minor, op. 6 no. 12, HWV 330: III. Aria: larghetto e piano
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Teil von:
Concerto grosso in B minor, op. 6 no. 12, HWV 330
Georg Friedrich Händel4:15
7Jesu, Joy of Man's Desiring
Produzent(in):
Christopher Bishop (conductor/producer)
Chorgesang:
King’s College Choir, Cambridge
Orchester:
Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields)
conductor:
Sir Neville Marriner (conductor) und Sir David Willcocks (UK composer, organist, choral conductor)
Tonmeister(in):
Neville Boyling (engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich
recording of:
Jesu, Joy of Man’s Desiring (orch. Stokowski)
Orchestrator(in):
Leopold Stokowski (conductor)
Texter:
Robert Bridges (poet)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
übersetzte Version von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1723-07-02)
Texter:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
Teil von:
Classic 100: Piano (2025) (Nummer: 15)
Teil von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:32
8Sarabande
Klavier:
Andrei Gavrilov (Andrei Gawrilow, pianist)
recording of:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande
Komponist(in):
George Frideric Handel (German‐British baroque composer)
basiert auf:
Folia
Teil von:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437
Georg Friedrich Händel3:03
9II. Largo
Produzent(in):
John Fraser (UK producer)
Klavier:
Andrei Gavrilov (Andrei Gawrilow, pianist) (in 1986-04)
Orchester:
Academy of St Martin in the Fields (in 1986-04)
conductor:
Sir Neville Marriner (conductor) (in 1986-04)
Tonmeister(in):
Mark Vigars (engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1986-04)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (in 1986-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Johann Sebastian Bach3:27
10II. Andante
Techniker(in), Editing und Tonmeister(in):
Alessandra Galleron
leitende(r) Produzent(in):
Alain Lanceron
Produzent(in):
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
Bratsche / Viola:
Ernesto Braucher, Stefano Marcocchi und Diego Mecca (violist)
Cello:
Maurizio Naddeo (cellist)
Cembalo und Orgel:
Sergio Ciomei
Geige / Violine:
Fabio Biondi (conductor/violinist), Robert Brown (Classical music violist), Lorenzo Colitto, Luca Giardini (classical violinist), Carla Marotta, Raffaello Negri, Andrea Rognoni und Renata Spotti (Classical violinist)
Solo-Mandoline:
Sonia Maurer (Italian mandolinist) und Giovanni Scaramuzzino (mandolinist)
theorbo:
Ugo Nastrucci und Giangiacomo Pinardi
Violone:
Francisco Montero (double bassist)
Orchester:
Europa Galante (Italian Baroque orchestra) (von 2001-10-09 bis 2001-10-12)
conductor:
Fabio Biondi (conductor/violinist) (von 2001-10-09 bis 2001-10-12)
aufgenommen bei:
San Giovanni Evangelista in Parma, Parma, Emilia-Romagna, Italien (von 2001-10-09 bis 2001-10-12)
recording of:
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532: II. Andante (von 2001-10-09 bis 2001-10-12)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532
Antonio Vivaldi2:49
11II. Largo ma non tanto
Produzent(in):
Michael Purton
Cembalo:
Sally Heath (British pianist)
Geige / Violine:
Jane Murdoch (violinist) und Jonathan Rees
Orchester:
Scottish Ensemble
conductor:
Jonathan Rees
Tonmeister(in):
Tony Faulkner (recording engineer) und Tony Kime
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1730 bis 1731)
Teil von:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach6:53
12Lascia ch'io pianga
Gitarre:
Fábio Zanon
Harfe:
Julia Thornton
Soprangesang:
Izzy (English soprano singer)
Orchester:
Nationaal Radio Orkest (Belgisches Nationalorchester) und National Radio Orchestra of the Netherlands
conductor:
Ernö Olah (conductor and violinist)
arranger:
Isobel Cooper und Craig Leon (musician, arranger, composer and producer)
recording of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1711)
Librettist:
Giacomo Rossi
Teil von:
Rinaldo, HWV 7a: Atto II
Georg Friedrich Händel4:35
13Dance of the Blessed Spirits
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
Academy of St Martin in the Fields (am 1976-01-29, am 1976-10-26)
conductor:
Sir Neville Marriner (conductor) (am 1976-01-29, am 1976-10-26)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1976-01-29, am 1976-10-26)
recording of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version) (am 1976-01-29)
Komponist(in):
Christoph Willibald Gluck (composer)
Teil von:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
Teil von:
Orpheus und Eurydike: Akt II (German version)
recording of:
Orfeo ed Euridice: Dance of the Blessed Spirits (Melodie) (catch-all for arrangements) (am 1976-01-29)
Komponist(in):
Christoph Willibald Gluck (composer)
Arrangement von:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
recording of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version) (am 1976-10-26)
Komponist(in):
Christoph Willibald Gluck (composer)
Teil von:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
Teil von:
Orpheus und Eurydike: Akt II (German version)
recording of:
Orfeo ed Euridice: Dance of the Blessed Spirits (Melodie) (catch-all for arrangements) (am 1976-10-26)
Komponist(in):
Christoph Willibald Gluck (composer)
Arrangement von:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
Christoph Willibald Gluck6:19
14Zion hört die Wächter singen
Chorgesang:
South German Madrigal Choir (von 1967-07-15 bis 1967-07-20)
Orchester:
Consortium Musicum (von 1967-07-15 bis 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (von 1967-07-15 bis 1967-07-20)
Bearbeitung von:
Cantata No. 140, "Wachet auf, ruft uns die Stimme", BWV 140 (BC A166): "Zion hört die Wächter" von South German Madrigal Choir, Theo Altmeyer (German tenor), Consortium Musicum, Wolfgang Gönnenwein (conductor)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": IV. Choral (Tenor) “Zion hört die Wächter singen” (von 1967-07-15 bis 1967-07-20)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1731-11-25)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
basiert auf:
Wachet auf, ruft uns die Stimme
Teil von:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach3:29
15Air
Produzent(in):
John Willan (producer)
Cembalo:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (von 1984-04-26 bis 1984-04-28)
flute und recorder:
Hans Wolfgang Dünschede (von 1984-04-26 bis 1984-04-28)
Oboe:
Lothar Koch (oboist) (von 1984-04-26 bis 1984-04-28)
Orchester:
Berliner Philharmoniker (von 1984-04-26 bis 1984-04-28)
conductor:
Riccardo Muti (conductor) (von 1984-04-26 bis 1984-04-28)
Tonmeister(in):
John Kurlander (engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
aufgenommen bei:
Berliner Philharmonie in Mitte, Berlin, Deutschland (von 1984-04-26 bis 1984-04-28)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: V. Air. Presto (von 1984-04-26 bis 1984-04-28)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1717)
Teil von:
Water Music Suite no. 1 in F major, HWV 348
Georg Friedrich Händel4:45
16II. Largo
Gitarre und klassiche Gitarre:
Sharon Isbin (classical guitarist)
Orchester:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra)
conductor:
Lawrence Foster (conductor)
recording of:
Concerto for Lute in D major, RV 93: II. Largo
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Concerto for Lute in D major, RV 93
recording of:
Concerto for Lute in D major, RV 93: II. Largo (catch-all for arrangements)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Arrangement von:
Concerto for Lute in D major, RV 93: II. Largo
Teil von:
Concerto for Lute in D major, RV 93 (catch-all for arrangements)
recording of:
Concerto for Lute in D major, RV 93: II. Largo (for guitar and strings, arr. Emilio Pujol)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
arranger:
Emilio Pujol (composer)
Arrangement von:
Concerto for Lute in D major, RV 93: II. Largo
Teil von:
Concerto for Lute in D major, RV 93 (arr. for guitar and strings Emilio Pujol)
Antonio Vivaldi6:08
17II. Adagio
Cembalo:
Ton Koopman (conductor, organist and harpsichordist)
viola da gamba:
Jordi Savall (viol player, conductor and composer)
Bearbeitung von:
Viola da Gamba Sonata no. 3 in G minor, BWV 1029: II. Adagio von Jordi Savall (viol player, conductor and composer), Ton Koopman (conductor, organist and harpsichordist)
teilweise recording of:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029: II. Adagio
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029
Johann Sebastian Bach2:32
18Adagio in G minor
Orchester:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
teilweise recording of:
Adagio for Strings and Organ in G minor
Komponist(in):
Remo Giazotto
vorher zugeschrieben zu:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni5:49
2▼CD: Relaxing Mozart & Beethoven
Nr.TitelKünstlerBewertungLänge
1Eine Kleine Nachtmusik
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
Academy of St Martin in the Fields (am 1976-01-29, am 1976-10-26)
conductor:
Sir Neville Marriner (conductor) (am 1976-01-29, am 1976-10-26)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1976-01-29, am 1976-10-26)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (am 1976-01-29)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (am 1976-10-26)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:47
2Concerto for Flute and Harp
flute:
James Galway (flautist)
Harfe:
Fritz Helmis (harpist)
Orchester:
Berliner Philharmoniker
conductor:
Herbert von Karajan (conductor)
teilweise recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
Teil von:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
Teil von:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
Wolfgang Amadeus Mozart4:00
3Soave Sia Il Vento
bass-baritone vocals [Don Alfonso]:
José van Dam (Belgian operatic bass-baritone)
Mezzosoprangesang [Dorabella]:
Agnes Baltsa (mezzo-soprano)
Soprangesang [Fiordiligi]:
Margaret Marshall (Scots soprano active in late 20th century)
Orchester:
Vienna Philharmonic Orchestra (Wiener Philharmoniker)
conductor:
Riccardo Muti (conductor)
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:21
4Piano Sonata K311
Klavier:
Андрей Гаврилов (Andrei Gawrilow, pianist)
teilweise recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: I. Tema con variazioni. Andante grazioso
komponiert in:
Paris, Île-de-France, Frankreich (in 1778)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1783)
Teil von:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
Wolfgang Amadeus Mozart1:59
5Un'aura Amorosa
Produzent(in):
John Fraser (UK producer)
Tenor-Gesang [Ferrando]:
John Aler (tenor) (in 1986-02)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1986-02)
conductor:
Bernard Haitink (conductor) (in 1986-02)
Tonmeister(in):
Stuart Eltham (engineer) (in 1986-02)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1986-02)
recording of:
Così fan tutte: Atto I. No. 17. Aria “Un’aura amorosa” (Ferrando) (in 1986-02)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:45
6Piano Concerto No.20
Klavier:
Annie Fischer (pianist)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir Adrian Boult (conductor)
teilweise recording of:
Concerto for Piano no. 20 in D minor, K. 466: II. Romanze
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1785)
Teil von:
Concerto for Piano no. 20 in D minor, K. 466
Wolfgang Amadeus Mozart6:17
7Le Nozze di Figaro
Soprangesang:
Felicity Lott (soprano) und Gianna Rolandi (American soprano)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Bernard Haitink (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Sull’aria… che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull’aria)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart3:06
8Clarinet Quintet
Klarinette:
Sabine Meyer (clarinetist)
Saiteninstrumente:
Wiener Streichsextett (Vienna String Sextet)
recording of:
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": II. Larghetto
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1789)
Teil von:
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet"
Wolfgang Amadeus Mozart6:30
9Ave Verum Corpus
Produzent(in):
James Mallinson (producer)
Chorgesang:
Stockholmer Kammerchor (Stockholm Chamber Choir) (von 1987-02-14 bis 1987-02-15) und Swedish Radio Choir (Swedischer Rundfunkchor) (von 1987-02-14 bis 1987-02-15)
Orchester:
Berliner Philharmoniker (von 1987-02-14 bis 1987-02-15)
conductor:
Riccardo Muti (conductor) (von 1987-02-14 bis 1987-02-15)
chorus master:
Eric Ericson (von 1987-02-14 bis 1987-02-15)
Tonmeister(in):
John Kurlander (engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
aufgenommen bei:
Berliner Philharmonie in Mitte, Berlin, Deutschland (von 1987-02-14 bis 1987-02-15)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ) (von 1987-02-14 bis 1987-02-15)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (bis 1791-06-18)
Teil von:
Köchelverzeichnis (first edition, 1862, K¹) (Nummer: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (Nummer: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (Nummer: K. 618), Köchelverzeichnis (original numbering) (Nummer: 618) und Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (Nummer: K. 618)
Wolfgang Amadeus Mozart3:27
10'Gran Partita' Serenade
Instrumente:
London Philharmonic Orchestra Wind Ensemble
recording of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”: III. Adagio
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1781)
Teil von:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”
Wolfgang Amadeus Mozart6:04
11Piano Sonata No. 14, Op. 27 No. 2
Klavier:
Dame Moura Lympany (British pianist)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
teilweise recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (Sonate für Klavier Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondscheinsonate": I. Adagio sostenuto)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1801)
Teil von:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight” (Klaviersonate No. 14 in cis-Moll, Op. 27 No. 2 "Mondschein")
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (Sonate für Klavier Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondscheinsonate": I. Adagio sostenuto)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1801)
Teil von:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight” (Klaviersonate No. 14 in cis-Moll, Op. 27 No. 2 "Mondschein")
Ludwig van Beethoven3:58
12Minuet in G
Interpret(in):
Vrouwenkoor Malle Babbe (von 1994-06-29 bis 1995-01-25)
vocals arranger:
Norah Chambers und Margaret Dryburgh
aufgenommen bei:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (von 1994-06-29 bis 1995-01-25)
recording of:
Minuet in G major, WoO 10 no. 2 (catch-all for arrangements) (von 1994-06-29 bis 1995-01-25)
Komponist(in):
Ludwig van Beethoven (German composer)
Arrangement von:
6 Minuets for Piano, WoO 10: No. 2 in G major
Ludwig van Beethoven2:54
13Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor"
Harfe:
Julia Thornton
arranger:
Craig Leon (musician, arranger, composer and producer)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso (catch-all for arrangements)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1809)
Arrangement von:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso
Ludwig van Beethoven7:02
14Piano Sonata No. 8 in C minor, Op. 13 "Pathétique"
Klavier:
Stephen Kovacevich (classical pianist, aka Stephen Bishop) (in 1997-05)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1997-05)
recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile (Klaviersonate Nr. 8 c-Moll, op. 13 "Sonate pathétique": II. Adagio cantabile) (in 1997-05)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1798)
Teil von:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
Ludwig van Beethoven55:35
15Fur Elise
Klavier:
Dame Moura Lympany (British pianist)
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59)
Komponist(in):
Ludwig van Beethoven (German composer) (von 1808 bis 1810)
Teil von:
Classic 100: Piano (2004) (Nummer: 15), Classic 100: Piano (2025) (Nummer: 17) und Kinsky catalogue (Beethoven WoO works) (Nummer: WoO 59)
Ludwig van Beethoven3:21
16Symphony No. 6 in F major, Op. 68 "Pastoral"
Orchester:
Philadelphia Orchestra (The Philadelphia Orchestra) und Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
teilweise recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm” (Sinfonie Nr. 6 in F-Dur, Op. 68 "Pastorale": V. "Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm" Allegretto)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1808)
Teil von:
Symphony no. 6 in F major, op. 68 “Pastorale”
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm” (Sinfonie Nr. 6 in F-Dur, Op. 68 "Pastorale": V. "Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm" Allegretto)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1808)
Teil von:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven6:42
3▼CD: Relaxing Film Classics
Nr.TitelKünstlerBewertungLänge
1Piano Concerto No. 21 in C major, K. 467 "Elvira Madigan"
Klavier:
Stephen Hough (pianist) (in 1987-05)
Orchester:
Hallé Orchestra (in 1987-05)
conductor:
Bryden Thomson (conductor) (in 1987-05)
aufgenommen bei:
Free Trade Hall in Manchester, Greater Manchester, England, Vereinigtes Königreich (in 1987-05)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (in 1987-05)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1785 bis 1785-03-09)
Teil von:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart6:48
2Casta Diva
Produzent(in):
Walter Jellinek (British classical producer) und Walter Legge (British classical producer)
Editing:
Jennifer Howells
Chorgesang:
Coro del Teatro alla Scala di Milano (von 1960-09-05 bis 1960-09-12)
Soprangesang [Norma]:
Maria Callas (soprano) (von 1960-09-05 bis 1960-09-12)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (von 1960-09-05 bis 1960-09-12)
conductor:
Tullio Serafin (conductor) (von 1960-09-05 bis 1960-09-12)
chorus master:
Norberto Mola (chorus master) (von 1960-09-05 bis 1960-09-12)
Tonmeister(in):
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (von 1960-09-05 bis 1960-09-12)
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (von 1960-09-05 bis 1960-09-12)
Komponist(in):
Vincenzo Bellini (Sicilian opera composer) (bis 1831)
Librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (bis 1831)
Teil von:
Norma: Atto I
Vincenzo Bellini5:36
3Goldberg Variations
recording engineer:
Daniel Michel (recording engineer)
Produzent(in):
Alain Lanceron
Klavier:
Maria Tipo (pianist) (von 1986-06-26 bis 1986-06-28)
aufgenommen bei:
Salle Wagram in Paris, Île-de-France, Frankreich (von 1986-06-26 bis 1986-06-28)
recording of:
Goldberg-Variationen, BWV 988: Aria (FIRST movement) (von 1986-06-26 bis 1986-06-28)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 26)
Teil von:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach3:05
4Miserere
Baritongesang, bass-baritone vocals [cantor], Bass-Gesang [Cantor] und sonstiger Gesang [cantor]:
Gerald Finley (bass-baritone)
Chorgesang:
Choir of King’s College, Cambridge (in 1984)
Diskantstimme:
Timothy Beasley-Murray (treble vocalist) (in 1984)
vocals:
Gerald Finley (bass-baritone) (in 1984)
conductor:
Stephen Cleobury (organist, conductor)
chorus master:
Stephen Cleobury (organist, conductor) (in 1984)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
teilweise recording of:
Miserere mei, Deus
Komponist(in):
Gregorio Allegri (composer)
quotes lyrics from:
Miserere mei (words from Psalm 51)
Gregorio Allegri5:47
5Stabat Mater
Produzent(in):
Tolga Kaşif (Tolga Kashif, composer and conductor)
Countertenorgesang:
Robin Blaze (countertenor)
Soprangesang:
Lesley Garrett (soprano)
Orchester:
The London Session Orchestra
conductor:
Paul Daniel (conductor)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa
Komponist(in):
Giovanni Battista Pergolesi (composer)
Teil von:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi3:57
6String Quintet
Cello:
Laszlo Varga (cellist)
Interpret(in):
Hungarian Quartet (1935-1972)
teilweise recording of:
String Quintet in C major, D. 956: II. Adagio
Komponist(in):
Franz Schubert (composer) (in 1828)
Teil von:
String Quintet in C major, D. 956
Franz Schubert4:39
7Clarinet Concerto
Bassettklarinette:
Sabine Meyer (clarinetist) (von 1990-06-06 bis 1990-06-08)
Orchester:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (von 1990-06-06 bis 1990-06-08)
conductor:
Hans Vonk (conductor) (von 1990-06-06 bis 1990-06-08)
phonographisches Urheberrecht (℗) von:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1990)
aufgenommen bei:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Deutschland (von 1990-06-06 bis 1990-06-08)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Konzert für Klarinette und Orchester A-Dur, KV 622: II. Adagio) (von 1990-06-06 bis 1990-06-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1791-09-28 bis 1791-10-07)
Teil von:
Concerto for Clarinet in A major, K. 622 (Konzert für Klarinette und Orchester A-Dur, KV 622)
Wolfgang Amadeus Mozart6:38
8Piano Concerto N. 2
Klavier:
Cécile Ousset (French pianist)
Orchester:
City of Birmingham Symphony Orchestra
conductor:
Simon Rattle (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
teilweise recording of:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Premiere in:
Moscow (Moskau), Russland (am 1900-12-15)
Komponist(in):
Sergei Rachmaninoff (Sergei Rachmaninow, Russian composer) (von 1900 bis 1901-04)
Teil von:
Piano Concerto no. 2 in C minor, op. 18
Сергей Васильевич Рахманинов4:32
9Cavatina
Gitarre:
Manuel Barrueco (guitarist) und Steve Morse (American guitarist)
recording of:
Cavatina (theme from The Deer Hunter, for guitar)
Komponist(in):
Stanley Myers
publisher:
EMI Music Publishing (do not use as a release label!), Robbins Music Corp. und Robbins Music Corp. Ltd.
Stanley Myers3:17
10Adagietto
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Barbirolli (conductor and cellist)
teilweise recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam
Komponist(in):
Gustav Mahler (composer) (von 1901 bis 1902)
Teil von:
Symphony no. 5 (5. Sinfonie)
Gustav Mahler3:09
11Adagio for Strings
Orchester:
The Philadelphia Orchestra (in 1957, in 1985)
conductor:
Eugene Ormandy (conductor) (in 1957, in 1985)
recording of:
Adagio for Strings (in 1957)
Orchestrator(in):
Samuel Barber (American composer) (in 1938)
Komponist(in):
Samuel Barber (American composer) (in 1936)
uraufgeführt von:
NBC Symphony Orchestra (am 1938-11-05) und Arturo Toscanini (conductor) (am 1938-11-05)
Premiere bei:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) und G. Schirmer Inc.
Arrangement von:
String Quartet, op. 11: II. Molto adagio
teilweise recording of:
Adagio for Strings
Orchestrator(in):
Samuel Barber (American composer) (in 1938)
Komponist(in):
Samuel Barber (American composer) (in 1936)
uraufgeführt von:
NBC Symphony Orchestra (am 1938-11-05) und Arturo Toscanini (conductor) (am 1938-11-05)
Premiere bei:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) und G. Schirmer Inc.
Arrangement von:
String Quartet, op. 11: II. Molto adagio
Samuel Barber36:24
12The Heart asks Pleasure First
Techniker(in):
Michael J. Dutton (British recording and re-mastering engineer, producer, and label owner)
zusätzliche(r) Techniker(in):
Jamie Luker
Produzent(in) und künstlerische Leitung:
Michael Nyman (composer)
Klavier:
Michael Nyman (composer)
conductor:
Michael Nyman (composer)
arranger:
Michael Nyman (composer)
phonographisches Urheberrecht (℗) von:
Michael Nyman Ltd. (independent UK record, publishing and holding company) (in 1993)
aufgenommen bei:
Arco Studios in München, Bayern, Deutschland
mixed at:
Kitsch Recording Studio in Ixelles / Elsene, Brussels (Region Brüssel-Hauptstadt), Belgien
medley including a recording of:
The Heart Asks Pleasure First (The Piano)
Komponist(in):
Michael Nyman (composer)
publisher:
Chester Music Ltd., G. Schirmer Inc., J&W Chester/Ed Wilhelm, Michael Nyman Ltd. (independent UK record, publishing and holding company) und Virgin (worldwide imprint of Virgin Records Ltd. and all its subsidiaries)
Teil von:
The Piano (1993 film score)
medley including a recording of:
The Promise (The Piano)
Komponist(in):
Michael Nyman (composer)
publisher:
J&W Chester/Ed Wilhelm
Teil von:
The Piano (1993 film score)
Michael Nyman3:15
13Any Other Name
recording engineer:
Dennis Sands (American sound engineer)
assistierende(r) Techniker(in):
Tom Hardisty (film score engineer) und David Marquette
Produzent(in):
Bill Bernstein, Nikolaj Bloch, Sally Herbert (violinist, composer, and conductor) und Thomas Newman (American score composer)
Mix:
Tom Hardisty (film score engineer) und Dennis Sands (American sound engineer)
assistierendes Editing:
Jordan Corngold
Editing:
Bill Bernstein
Interpret(in):
Nikolaj Bloch und Sally Herbert (violinist, composer, and conductor)
phonographisches Urheberrecht (℗) von:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records) (, in 1999, in 2000)
mixed at:
Signet Sound Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Any Other Name
Orchestrator(in):
Thomas Pasatieri
Komponist(in):
Thomas Newman (American score composer)
publisher:
Cherry Lane Music und Cherry Lane Music Publishing Company Inc.
Teil von:
American Beauty (1999)
Thomas Newman3.44:08
14Schindler's List Main Theme
Geige / Violine:
Tasmin Little (violinist) (in 1994)
Orchester:
New World Symphony (US orchestral academy based in Miami Beach, FL) und New World Philharmonic (in 1994)
conductor:
Iain Sutherland (British conductor) (in 1994)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1994)
recording of:
Main Theme (Schindler’s List) (in 1994)
Komponist(in):
John Williams (American score composer) (in 1993)
publisher:
Chester Music Ltd., MCA Music Ltd. und Universal/MCA Music (music publisher; do not use as release label!)
Teil von:
Schindler's List
Teil von:
Three Pieces from Schindler’s List
John Williams5:05
15Gabriel's Oboe
recording of:
Gabriel’s Oboe (The Mission, main theme)
publisher:
Ennio Morricone (Italian classical and score composer)
Orchestrator(in) und Komponist(in):
Ennio Morricone (Italian classical and score composer)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) und Virgin Music (Publishers) Ltd.
Teil von:
The Mission
Ennio Morricone2:15
16Memories of the Alhambra
Gitarre:
Christopher Parkening (guitarist)
recording of:
Recuerdos de la Alhambra (Memories of the Alhambra)
Komponist(in):
Francisco Tárrega (Spanish composer and guitarist)
Francisco Tárrega3:56
17My Heart Will Go On
Geige / Violine:
David Abel (violinist/violist)
Orchester:
Shearman Orchestra
conductor:
David Abel (conductor)
arranger:
James Shearman (conductor, orchestrator, composer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
instrumental recording of:
My Heart Will Go On
Texter:
Will Jennings
Komponist(in):
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (bis 2014-12-31) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (vom 2015-01-01 bis heute)
Teil von:
The 70th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1997 winner)
Teil von:
Titanic
James Horner4:20
4▼CD: Relaxing Romantic Classics
Nr.TitelKünstlerBewertungLänge
1Entracte to Act 3
Orchester:
Orchestre national de France (Französisches Nationalorchester, RTF / ORTF / Radio France)
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
Komponist(in):
Georges Bizet (French composer)
Librettist:
Ludovic Halévy (French librettist) und Henri Meilhac
Teil von:
Carmen : Acte III
Teil von:
Carmen: Act III (english lyrics)
Teil von:
Carmen: Akt 3 (German translation, Julius Hopp)
Teil von:
Carmen: Atto III (italian lyrics)
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III)
Komponist(in):
Georges Bizet (French composer)
basiert auf:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
Teil von:
Carmen Suite no. 1
Georges Bizet2:36
2Méditation
Produzent(in):
Gerd Berg (producer) und Dietmar Wolf (Classical Music Producer)
Geige / Violine:
Hans Kalafusz (violinist)
Solo-Geige / Violine:
Hans Kalafusz (violinist) (von 1987-03-09 bis 1987-03-12)
Orchester:
Radio‐Sinfonieorchester Stuttgart (Radio-Sinfonieorchester Stuttgart des SWR) (von 1987-03-09 bis 1987-03-12)
conductor:
Sir Neville Marriner (conductor) (von 1987-03-09 bis 1987-03-12)
Tonmeister(in):
Franck Richter (engineer)
aufgenommen bei:
Studio Villa Berg in Stuttgart, Baden-Württemberg, Deutschland (von 1987-03-09 bis 1987-03-12)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (von 1987-03-09 bis 1987-03-12)
Komponist(in):
Jules Massenet (French Romantic composer) (in 1894)
Teil von:
Classic 100: Music of France (2012) (Nummer: 14)
Teil von:
Thaïs: Acte II
Jules Massenet5:05
3Cantique de Jean Racine
Orgel:
Stephen Farr (British organist) (von 1996-06-17 bis 1996-07-02)
Chorgesang:
Winchester Cathedral Choir (von 1996-06-17 bis 1996-07-02)
conductor:
David Hill (British organist and conductor) (von 1996-06-17 bis 1996-07-02)
aufgenommen bei:
Winchester Cathedral in Winchester, Hampshire, England, Vereinigtes Königreich (von 1996-06-17 bis 1996-07-02)
recording of:
Cantique de Jean Racine, op. 11 (for choir and piano or organ) (von 1996-06-17 bis 1996-07-02)
Texter:
Jean Racine (French dramatist)
Komponist(in):
Gabriel Fauré (French composer) (in 1865)
gewidmet:
César Franck (Belgian‐born French composer)
Teil von:
Works of Gabriel Fauré by opus number (Nummer: op. 11)
Gabriel Fauré5:48
4Midsummer Night's Dream "Nocturne"
Orchester:
Orchestra of the Age of Enlightenment
conductor:
Charles Mackerras (Australian conductor)
recording of:
Ein Sommernachtstraum, op. 61: 7. Notturno. Con moto tranquillo
Komponist(in):
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (in 1842)
Teil von:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn5:53
5In paradisum
Produzent(in):
Christopher Bishop (conductor/producer)
Orgel [organ]:
John Wells (concert organist and composer)
Baritongesang [baritone]:
John Carol Case (English baritone)
Chorgesang:
Choir of King’s College, Cambridge
Diskantstimme [treble]:
Robert Chilcott
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
David Willcocks (UK composer, organist, choral conductor)
Tonmeister(in):
Neville Boyling (engineer)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version)
Komponist(in):
Gabriel Fauré (French composer) (von 1886 bis 1900)
publisher:
Éditions Durand (1947–present)
Teil von:
28 Days Later
Teil von:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:48
6The Swan
Harfe:
Aline Brewer (harpist)
Solo-Cello:
Han‐na Chang (South Korean conductor and cellist)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leonard Slatkin (conductor)
arranger:
Chris Hazell
recording of:
Le Carnaval des animaux: XIII. Le Cygne (catch-all for arrangements)
Komponist(in):
Camille Saint‐Saëns (composer)
Arrangement von:
Le Carnaval des animaux : XIII. Le Cygne (Der Karneval der Tiere: XIII. Der Schwan, part of orig. Carnival of the Animals, for cello and dual piano)
Teil von:
Le Carnaval des animaux (catch-all for arrangements)
Camille Saint‐Saëns3:18
7III. Adagio
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Cello:
Jacqueline du Pré (cellist) (am 1965-08-19)
Orchester:
London Symphony Orchestra (am 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1965-08-19)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1965-08-19)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: III. Adagio (am 1965-08-19)
Komponist(in):
Edward Elgar (composer) (von 1918 bis 1919)
Teil von:
Cello Concerto in E minor, op. 85
Sir Edward Elgar5:18
8Violin Concerto No. 1 in G minor, Op. 26: II. Adagio
Geige / Violine:
Yehudi Menuhin (violinist)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Walter Süsskind (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
teilweise recording of:
Violin Concerto no. 1 in G minor, op. 26: II. Adagio (Konzert für Violine und Orchester Nr. 1 g-Moll, Op. 26: II. Adagio)
Komponist(in):
Max Bruch (composer and conductor) (von 1866 bis 1867)
Teil von:
Violin Concerto no. 1 in G minor, op. 26
recording of:
Violin Concerto no. 1 in G minor, op. 26: II. Adagio (Konzert für Violine und Orchester Nr. 1 g-Moll, Op. 26: II. Adagio)
Komponist(in):
Max Bruch (composer and conductor) (von 1866 bis 1867)
Teil von:
Violin Concerto no. 1 in G minor, op. 26
Max Bruch4:25
9Morning
Produzent(in):
John Fraser (UK producer)
Orchester:
Academy of St Martin in the Fields (von 1982-07-28 bis 1982-07-30)
conductor:
Sir Neville Marriner (conductor) (von 1982-07-28 bis 1982-07-30)
Tonmeister(in):
Stuart Eltham (engineer)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1982-07-28 bis 1982-07-30)
recording of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning (von 1982-07-28 bis 1982-07-30)
Komponist(in):
Edvard Grieg (composer) (in 1875)
Librettist:
Henrik Ibsen (in 1867)
Teil von:
Peer Gynt, op. 23
Edvard Grieg4:18
10Pavane
Produzent(in):
Christopher Bishop (conductor/producer)
flute:
Gareth Morris (British flautist) (in 1968)
Chorgesang:
Choir of King’s College, Cambridge
Orchester:
NPO (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1968)
conductor:
David Willcocks (UK composer, organist, choral conductor) (in 1968)
Tonmeister(in):
Neville Boyling (engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recording of:
Pavane, op. 50 (catch-all for arrangements and unknown versions)
Komponist(in):
Gabriel Fauré (French composer)
Arrangement von:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré6:50
11II. Andante
Geige / Violine:
Yehudi Menuhin (violinist)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Efrem Kurtz (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
teilweise recording of:
Violinkonzert in e-Moll, op. 64: II. Andante (Concerto for Violin and Orchestra in E minor, op. 64: II. Andante)
Komponist(in):
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (von 1838 bis 1844-09-16)
überarbeitet von:
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (in 1845)
Teil von:
Violinkonzert in e-Moll, op. 64 (Violin Concerto in E minor, op. 64)
Felix Mendelssohn4:31
12Flower Duet
Mezzosoprangesang:
Danielle Millet (mezzo-soprano) (von 1970-09-17 bis 1970-12-21)
Soprangesang:
Mady Mesplé (soprano) (von 1970-09-17 bis 1970-12-21)
Orchester:
Orchestre du Théâtre National de l’Opéra‐Comique (von 1970-09-17 bis 1970-12-21)
conductor:
Alain Lombard (conductor) (von 1970-09-17 bis 1970-12-21)
phonographisches Urheberrecht (℗) von:
EMI France (in 1971)
Bearbeitung von:
Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika) von Mady Mesplé (soprano), Danielle Millet (mezzo-soprano), Orchestre du Théâtre National de l’Opéra‐Comique, Alain Lombard (conductor)
teilweise recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika) (von 1970-09-17 bis 1970-12-21)
Komponist(in):
Léo Delibes (French composer)
Librettist:
Philippe Gille und Edmond Gondinet
publisher:
Jenkinsongs Ltd.
Teil von:
Lakmé : Acte I
Léo Delibes3:31
13II. Largo
Orchester:
Oslo Philharmonic Orchestra (Oslo Philharmonic)
conductor:
Mariss Jansons (Latvian conductor)
teilweise recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt": II. Largo)
Komponist(in):
Antonín Dvořák (composer) (von 1893-01-10 bis 1893-05-24)
Teil von:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt")
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt": II. Largo)
Komponist(in):
Antonín Dvořák (composer) (von 1893-01-10 bis 1893-05-24)
Teil von:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt")
Antonín Dvořák4:50
14Barcarolle
Produzent(in):
David R. Murray
Chorgesang:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Théâtre Royal de la Monnaie, Chorus of the Belgian National Opera) (in 1988-06)
Mezzosoprangesang [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
Soprangesang [Giulietta]:
Jessye Norman (soprano) (in 1988-06)
Orchester:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
Tonmeister(in):
Michael Gray (UK classical recording engineer)
aufgenommen bei:
Palais des Beaux-Arts (Centre for Fine Arts) in Brussels (Region Brüssel-Hauptstadt), Belgien (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités) (in 1988-06)
Komponist(in):
Jacques Offenbach (German-French composer, cellist and impresario)
Teil von:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach4:24
15Nimrod
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
London Symphony Orchestra (von 1970-08-04 bis 1970-08-06)
conductor:
Sir Adrian Boult (conductor) (von 1970-08-04 bis 1970-08-06)
Tonmeister(in):
Michael Gray (UK classical recording engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971) und Warner Classics (in 2002)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1970-08-04 bis 1970-08-06)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (von 1970-08-04 bis 1970-08-06)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
Komponist(in):
Edward Elgar (composer) (in 1899)
gewidmet:
Augustus J. Jaeger
Teil von:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar3:59
16Song to the Moon
Soprangesang:
Lesley Garrett (soprano) und Lucia Popp (soprano)
Soprangesang [Rusalka]:
Lucia Popp (soprano)
Orchester:
Munich Radio Symphony Orchestra (The Munich Radio Orchestra) und Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Andrew Greenwood (conductor) und Stefan Soltész (conductor)
recording of:
Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) (Rusalka, op. 114, B. 203: Act 1. "Song to the Moon", Song to the Moon)
Komponist(in):
Antonín Dvořák (composer) (von 1900-04-21 bis 1900-11-27)
Teil von:
Rusalka, op. 114, B. 203: 1. jednání
Antonín Dvořák35:56
17Intermezzo
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1979)
conductor:
Riccardo Muti (conductor) (in 1979)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1980)
recording of:
Cavalleria rusticana: Intermezzo (in 1979)
Komponist(in):
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
Teil von:
Cavalleria rusticana
Teil von:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:41
5▼CD: Relaxing Piano Favourites
Nr.TitelKünstlerBewertungLänge
1Rhapsody on a Theme of Pagonini
Produzent(in):
John Fraser (UK producer) (von 1984-05-03 bis 1984-05-04)
Klavier:
Cécile Ousset (French pianist) (von 1984-05-03 bis 1984-05-04)
Orchester:
City of Birmingham Symphony Orchestra (von 1984-05-03 bis 1984-05-04)
conductor:
Simon Rattle (conductor) (von 1984-05-03 bis 1984-05-04)
Tonmeister(in):
Michael Sheady (engineer) (von 1984-05-03 bis 1984-05-04)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
aufgenommen bei:
Warwick Arts Centre: Butterworth Hall in Coventry, West Midlands, England, Vereinigtes Königreich (von 1984-05-03 bis 1984-05-04)
recording of:
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile (von 1984-05-03 bis 1984-05-04)
Komponist(in):
Sergei Rachmaninoff (Sergei Rachmaninow, Russian composer) (von 1934-07-03 bis 1934-08-18)
Teil von:
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)
Сергей Васильевич Рахманинов3:02
2Berceuse
Klavier:
Jean‐Philippe Collard (French classical pianist) und Bruno Rigutto (pianist)
aufgenommen bei:
Salle Wagram in Paris, Île-de-France, Frankreich (von 1970 bis 1983)
recording of:
Dolly, op. 56 : I. Berceuse (for piano four hands)
Komponist(in):
Gabriel Fauré (French composer) (von 1894 bis 1897)
Teil von:
Dolly, op. 56 (for piano four hands)
Gabriel Fauré2:37
3Nocturne No. 2 in E-flat major
Klavier:
John Ogdon (pianist and composer)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1968-06-14 bis 1968-06-16)
recording of:
Nocturne no. 2 in E‐flat major, op. 9 no. 2: Andante
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (von 1830 bis 1832)
Teil von:
Classic 100: Piano (2025) (Nummer: 3) und Classic 100: Piano (2004) (Nummer: 18)
Teil von:
Nocturnes, op. 9 (original for piano)
Frédéric Chopin5:20
4Liebestraum N. 3
Klavier:
John Ogdon (pianist and composer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recording of:
Liebesträume, S. 541: No. 3 Liebestraum As‐Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano)
Komponist(in):
Franz Liszt (Hungarian composer, pianist and conductor) (in 1850)
Klavier arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
Arrangement von:
O lieb, so lang du lieben kannst, S. 298/2 (second version)
Teil von:
Liebesträume, S. 541
Franz Liszt4:31
5Berceuse
Klavier:
Peter Donohoe (British classical pianist)
recording of:
Berceuse in D‐flat major, op. 57
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer)
gewidmet:
Elise Gavard
Teil von:
Works of Fryderyk Chopin by opus number (Nummer: op. 57)
Frédéric Chopin4:30
6II. Adagio
Produzent(in):
John Fraser (UK producer)
Klavier:
Cécile Ousset (French pianist) (in 1984-07)
Orchester:
London Symphony Orchestra (in 1984-07)
conductor:
Sir Neville Marriner (conductor) (in 1984-07)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1984-07)
recording of:
Concerto in A minor for Piano and Orchestra, op. 16: II. Adagio (in 1984-07)
Komponist(in):
Edvard Grieg (composer) (in 1868)
Teil von:
Concerto in A minor for Piano and Orchestra, op. 16
Edvard Grieg6:32
7Träumerei
Klavier:
Dame Moura Lympany (British pianist)
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano)
Komponist(in):
Robert Schumann (German classical composer) (in 1838)
Teil von:
Classic 100: Piano (2004) (Nummer: 17)
Teil von:
Kinderszenen, op. 15
Robert Schumann2:41
8Étude Op. 10 N. 3
recording of:
Étude in E major, op. 10 no. 3: Lento ma non troppo
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (in 1832)
Teil von:
Études, op. 10
Frédéric Chopin4:16
9Waltz No. 15 in A-flat major
Klavier:
Adolph Drescher (Pianist) und Dame Moura Lympany (British pianist)
recording of:
Walzer, op. 39: Nr. 15 As-dur (Zu zwei Händen; for piano two hands)
Komponist(in):
Johannes Brahms (German composer) (in 1865)
Arrangement von:
16 Waltzes, op. 39: No. 15 in A-flat major (for piano four hands)
Version von:
16 Waltzes, op. 39: No. 15 in A-flat major (for piano four hands)
Teil von:
16 Walzer, op. 39 (16 Waltzes, op. 39, Zu zwei Händen)
Johannes Brahms1:40
10Romance
Klavier:
Martha Argerich (Argentine pianist)
Orchester:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra)
conductor:
Charles Dutoit (conductor)
teilweise recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (von 1830-04 bis 1830-09)
Teil von:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11 (Klavierkonzert Nr. 1 e-Moll, op. 11)
recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (von 1830-04 bis 1830-09)
Teil von:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11 (Klavierkonzert Nr. 1 e-Moll, op. 11)
Frédéric Chopin3:53
11La Fille aux Cheveus de Lin
Klavier:
Dame Moura Lympany (British pianist)
recording of:
Préludes, Livre I, L. 117, CD 125: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (The Girl with the Flaxen Hair)
Komponist(in):
Claude Debussy (French composer) (von 1909-12 bis 1910-02)
Premiere bei:
[concert] (1910-06-02)
Teil von:
Préludes, Livre I, L. 117, CD 125
Claude Debussy2:38
12Prelude N. 15 'Raindrop'
Klavier:
Dmitri Alexeev (pianist)
recording of:
Prélude no. 15 in D‐flat major, op. 28 “Raindrop”: Sostenuto
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (von 1836 bis 1839)
Teil von:
24 Préludes pour le piano, op. 28
Frédéric Chopin5:54
13Caruso
Lucio Dalla4:47
14Gymnopédie N. 1
Klavier:
Anne Queffélec (pianist)
Orchester:
London Symphony Orchestra
recording of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
Komponist(in):
Erik Satie (French composer) (von 1888-02 bis 1888-04)
Teil von:
Classic 100: Piano (2004) (Nummer: 4)
Teil von:
Gymnopédies
Erik Satie3:36
15Gnossienne N. 1
Klavier:
Anne Queffélec (pianist) (in 1988)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988) und Virgin Classics (absorbed into Erato since 2013-07-19) (in 1988)
recording of:
Gnossienne no. 1
Komponist(in):
Erik Satie (French composer) (in 1890)
Teil von:
Trois Gnossiennes
Erik Satie3:27
16Claire de Lune
Klavier:
Dame Moura Lympany (British pianist) (in 1988)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
Komponist(in):
Claude Debussy (French composer) (von 1890 bis 1905)
Teil von:
Classic 100: Piano (2004) (Nummer: 3)
Teil von:
Suite bergamasque, L. 75, CD 82 (for piano)
Claude Debussy4:57
17II. Andante
Klavier:
Dmitri Alexeev (pianist) (in 1983-05)
Orchester:
English Chamber Orchestra (in 1983-05)
conductor:
Jerzy Maksymiuk (conductor) (in 1983-05)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1983-05)
recording of:
Piano Concerto no. 2 in F major, op. 102: II. Andante (in 1983-05)
Komponist(in):
Дмитрий Дмитриевич Шостакович (Dmitri Dmitrijewitsch Schostakowitsch, composer) (in 1957)
Teil von:
Piano Concerto no. 2 in F major, op. 102
Дмитрий Дмитриевич Шостакович6:07
6▼CD: Relaxing Classics of Modern Times
Nr.TitelKünstlerBewertungLänge
1Agnus Dei
assistierende(r) Techniker(in):
Mat Bartram, Jake Jackson (recording engineer) und Richard Lancaster
Techniker(in):
Dick Lewzey
Produzent(in):
Karl Jenkins (Welsh composer, conductor and instrumentalist)
Trompete:
Paul Beniston (trumpet player) (am 2000-07-24)
Chorgesang:
National Youth Choir of Great Britain (am 2000-08-11)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 2000-07-24)
conductor:
Karl Jenkins (Welsh composer, conductor and instrumentalist) (am 2000-07-24) und Mike Brewer OBE (conductor) (am 2000-08-11)
chorus master:
Michael C. Brewer (conductor) (in 2000)
concertmaster:
Duncan Riddell (violinist)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Angel Studios in Islington, London (Greater London), England, Vereinigtes Königreich
recording of:
The Armed Man: A Mass for Peace: Agnus Dei (von 2000-07-24 bis 2000-08-11)
Komponist(in):
Karl Jenkins (Welsh composer, conductor and instrumentalist)
Teil von:
The Armed Man: A Mass for Peace (the complete work)
Karl Jenkins33:40
2In trutina
Techniker(in):
Mike Hatch (engineer/editor)
Produzent(in):
John H. West (classical engineer/producer)
Soprangesang:
Janice Watson (soprano) (von 1994-09-11 bis 1994-09-12)
Orchester:
Bournemouth Symphony Orchestra (von 1994-09-11 bis 1994-09-12)
conductor:
David Hill (British organist and conductor) (von 1994-09-11 bis 1994-09-12)
aufgenommen bei:
The Lighthouse in Poole, England, Vereinigtes Königreich (von 1994-09-11 bis 1994-09-12)
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia (von 1994-09-11 bis 1994-09-12)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff2:47
3Fantasia on Greensleeves
Produzent(in):
Victor Olof
Orchester:
Sinfonia of London (original Gordon Walker formed orchestra) und Sinfonia of London (John Wilson’s session orchestra) (von 1962-05-10 bis 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1962-05-10 bis 1962-05-11)
arranger:
Ralph Greaves (in 1934)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1962-05-10 bis 1962-05-11)
recording of:
Fantasia on “Greensleeves” (von 1962-05-10 bis 1962-05-11)
Komponist(in):
Ralph Vaughan Williams (English composer) (von 1924 bis 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
basiert auf:
Greensleeves (generic entry for traditional and unknown arrangements)
basiert auf:
Lovely Joan (traditional English folk song)
basiert auf:
Sir John in Love
Ralph Vaughan Williams4:41
4Baïlèro
Soprangesang:
Arleen Augér (soprano)
Orchester:
English Chamber Orchestra
conductor:
Yan Pascal Tortelier (conductor and violinist)
recording of:
Chants d'Auvergne: Première Série: No. 2. Baïlèro
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Joseph Canteloube
Teil von:
Chants d'Auvergne: Première Série
Joseph Canteloube6:43
5The Ashokan Farewell
Orchester:
Nashville Chamber Orchestra
conductor:
Paul Gambill (conductor)
recording of:
Ashokan Farewell (instrumental version)
Komponist(in):
Jay Ungar (in 1982)
publisher:
Swinging Door Music
Jay Ungar & Molly Mason5:10
6Pie Jesu
Produzent(in):
Simon Woods (producer)
Chorgesang:
Choir of King’s College, Cambridge (von 1997-07-15 bis 1997-07-18)
Diskantstimme:
Edward Saklatvala (tenor)
Orchester:
City of London Sinfonia (chamber orchestra) (von 1997-07-15 bis 1997-07-18)
conductor:
Stephen Cleobury (organist, conductor) (von 1997-07-15 bis 1997-07-18)
chorus master:
Stephen Cleobury (organist, conductor)
Tonmeister(in):
Simon Rhodes (senior recording engineer at Abbey Road Studios) (von 1997-07-15 bis 1997-07-18)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (von 1997-07-15 bis 1997-07-18)
recording of:
Requiem: III. Pie Jesu (von 1997-07-15 bis 1997-07-18)
Komponist(in):
John Rutter (English choral music composer, conductor, arranger and producer, born 1945) (in 1985)
publisher:
Oxford University Press
Teil von:
Requiem
John Rutter3:34
7II. Adagio
Solo-klassiche Gitarre:
Julian Bream
Orchester:
City of Birmingham Symphony Orchestra
conductor:
Simon Rattle (conductor)
recording of:
Concierto de Aranjuez: II. Adagio
Komponist(in):
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
Teil von:
Concierto de Aranjuez
Joaquín Rodrigo10:55
8Pie Jesu
Soprangesang:
Jane Gilchrist
recording of:
Requiem: Pie Jesu
Texter und Komponist(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
MCA Music Ltd., The Really Useful Company Limited und The Really Useful Music Co. Ltd. (not for release label use!)
Teil von:
Requiem
Andrew Lloyd Webber2:52
9Romance
Techniker(in):
Mike Hatch (engineer/editor)
Produzent(in):
Andrew Keener (engineer/editor/producer)
Geige / Violine:
Tasmin Little (violinist) (von 1991-07-30 bis 1991-07-31)
Klavier:
Piers Lane (Australian classical pianist) (von 1991-07-30 bis 1991-07-31)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
aufgenommen bei:
St Michael’s Church (Highgate) in Highgate, Camden (London Borough of Camden), Haringey, Islington, London (Greater London), England, Vereinigtes Königreich (von 1991-07-30 bis 1991-07-31)
recording of:
Romance from The Gadfly Suite (for violin and piano) (von 1991-07-30 bis 1991-07-31)
Komponist(in):
Дмитрий Дмитриевич Шостакович (Dmitri Dmitrijewitsch Schostakowitsch, composer)
Arrangement von:
The Gadfly Suite, op. 97a: VIII. Romance
recording of:
The Gadfly Suite, op. 97a: VIII. Romance
Komponist(in):
Дмитрий Дмитриевич Шостакович (Dmitri Dmitrijewitsch Schostakowitsch, composer) (in 1955)
arranger:
Левон Атовмьян (Lev Atovmyan, Russian composer, arranger, editor, and administrator)
Teil von:
The Gadfly Suite, op. 97a
Дмитрий Дмитриевич Шостакович3:16
10Love Theme
Anne Dudley3:39
11Brezairola
Produzent(in):
Tolga Kaşif (Tolga Kashif, composer and conductor)
Solo-Cello:
Jonathan Williams (cellist) (von 2002-06 bis 2002-07)
Solo-Geige / Violine:
Marcia Crayford (violinist) (von 2002-06 bis 2002-07)
Soprangesang:
Lesley Garrett (soprano) (von 2002-06 bis 2002-07)
conductor:
Philip Ellis (von 2002-06 bis 2002-07)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2002)
recording of:
Chants d’Auvergne: Troisième Série: No. 4. Brezairola
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Joseph Canteloube
Teil von:
Chants d'Auvergne: Troisième Série
Joseph Canteloube3:46
12The Lark Ascending
Geige / Violine:
Hugh Bean (violinist)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir Adrian Boult (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
teilweise recording of:
The Lark Ascending (for violin and orchestra)
Komponist(in):
Ralph Vaughan Williams (English composer) (in 1914)
Premiere bei:
[concert] (1921-06-14)
Premiere bei:
Queen’s Hall in London (Greater London), England, Vereinigtes Königreich (am 1921-06-14)
Arrangement von:
The Lark Ascending (for violin and piano)
Ralph Vaughan Williams6:25
13Michelle
Klavier:
Peter Rostal (pianist) (in 1979) und Paul Schaefer (pianist) (in 1979)
Orchester:
Royal Liverpool Philharmonic Orchestra (in 1979)
conductor:
Ron Goodwin (English composer) (in 1979)
instrumental cover recording of:
Michelle
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Northern Songs Ltd. und Sony/ATV Music Publishing LLC (1995–2020)
adaptations:
Michelle
recording of:
Michelle
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Northern Songs Ltd. und Sony/ATV Music Publishing LLC (1995–2020)
adaptations:
Michelle
John Lennon & Paul McCartney3:23
14Fantasia on a Theme by Thomas Tallis
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
teilweise recording of:
Fantasia on a Theme by Thomas Tallis
Komponist(in):
Ralph Vaughan Williams (English composer) (in 1910)
basiert auf:
Nine Psalm Tunes for Archbishop Parker’s Psalter: No. 3 “Why Fum’th in Fight” (Psalm 2)
Ralph Vaughan Williams6:13
15Venus
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
teilweise recording of:
The Planets, op. 32: II. Venus, the Bringer of Peace
Komponist(in):
Gustav Holst (composer) (von 1914 bis 1916)
Orchestrierung von:
The Planets, op. 32: II. Venus, the Bringer of Peace (for two pianos)
Teil von:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst6:13

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Teil von:100 Best (EMI Classics) (Reihenfolge: 12)