The Best of the Eighties: Forty Tracks, Original Hits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Relax
Techniker(in):
Stephen Lipson
Produzent(in):
Trevor Horn
zusätzliche(r) Produzent(in):
Stephen Lipson
Bassgitarre:
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983)
Gast-Keyboard:
Andrew Richards (Strawbs keyboard player/record producer) (in 1983) und Anne Dudley (English score composer) (in 1983)
Gast-Perkussion:
Luís Jardim (in 1983)
Gitarre:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (in 1983)
Schlagzeug:
Peter Gill (UK drummer for Frankie Goes to Hollywood) (in 1983)
Sologesang:
Holly Johnson (in 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983) und Paul Rutherford (member of Frankie Goes to Hollywood) (in 1983)
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983) und Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
aufgenommen bei:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (in 1983)
Karaokeversion von:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) von DJ Schmolli
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 10) und Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 44)
recording of:
Relax (in 1983)
Texter:
Holly Johnson
Komponist(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:56
2She Drives Me Crazy
Techniker(in):
David Z. (producer/engineer David Rivkin)
Koproduzent(in):
Fine Young Cannibals und David Z. (producer/engineer David Rivkin)
Bass, drum machine und Keyboard:
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drum machine, Gitarre und Tamburin:
Andy Cox (of The Beat)
vocals:
Roland Gift
phonographisches Urheberrecht (℗) von:
London Music Stream Ltd. (reissues, 2017–present; a.k.a. London Records or Recordings) (in 1988) und London Records Ltd. (not release label) (in 1989)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 77)
recording of:
She Drives Me Crazy (Fine Young Cannibals song)
Verfasser(in):
Roland Gift und David Steele (UK musician, member of The Beat and Fine Young Cannibals)
publisher:
Virgin Music (Publishers) Ltd.
Fine Young Cannibals43:36
3Shout
recording of:
Shout
Verfasser(in):
Roland Orzabal (UK musician, songwriter and producer) und Ian Stanley
publisher:
10 Music Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Roland Orzabal Ltd. und Virgin Music (Publishers) Ltd.
Tears for Fears6:24
4West End Girls
recording of:
West End Girls
Verfasser(in):
Chris Lowe (1/2 of Pet Shop Boys) und Neil Tennant
publisher:
10 Music Ltd., Edition Meridian, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), Cage Music Ltd. (vom 1984 bis heute) und CBS, Inc. (US broadcasting company; file no releases here!) (vom 1984 bis heute)
Pet Shop Boys3:23
5The Safety Dance
Produzent(in):
Marc Durand (Canadian producer)
phonographisches Urheberrecht (℗) von:
Statik Records (in 1982) und Marc Durand Production (in 1983)
Bearbeitung von:
The Safety Dance von Men Without Hats (Canadian new wave/synthpop group)
Musikvideos:
The Safety Dance von Men Without Hats (Canadian new wave/synthpop group)
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 39) und Huffington Post: 100 Best Canadian Songs Ever (Nummer: 48)
recording of:
The Safety Dance (von 1982-01 bis 1982-03)
Texter und Komponist(in):
Ivan Doroschuk (Men Without Hats)
publisher:
Betty Songs, Ivan Ltd., Polygram Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Texas City Music Inc., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Tactik Music (publisher) (in 1982) und Wintrup Musik (in 1982)
Men Without Hats3.82:45
6License to Kill
Partner-Produzent(in):
Walter "Babylove" Afanasieff*
Produzent(in):
Narada Michael Walden
Interpret(in):
Gladys Knight
arranger:
Narada Michael Walden
co-arranger:
Walter "Babylove" Afanasieff*
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1989)
Bearbeitung von:
Licence to Kill (extended version) von Gladys Knight
recording of:
Licence to Kill
Verfasser(in):
Walter Afanasieff, Jeffrey Cohen (70s/80s US funk/soul producer/songwriter) und Narada Michael Walden
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) und SBK Songs Ltd. (in 1989)
Teil von:
James Bond themes
quotes music from:
Goldfinger
Gladys Knight44:13
7Never Let Me Down Again
Produzent(in):
David Bascombe, Depeche Mode und Daniel Miller (British music producer and founder of Mute Records)
Sologesang:
Dave Gahan
phonographisches Urheberrecht (℗) von:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1987)
Musikvideos:
Never Let Me Down Again von Depeche Mode
recording of:
Never Let Me Down Again
Texter und Komponist(in):
Martin L. Gore
publisher:
EMI Music Publishing (do not use as a release label!), Grabbing Hands und Sonet Music (publisher)
Depeche Mode3.454:20
8Clouds Across the Moon
recording of:
Clouds Across the Moon
Verfasser(in):
Richard Hewson
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present))
RAH Band4:32
9The Riddle
assistierende(r) Techniker(in):
Dave Meegan (producer)
Techniker(in):
Julian Mendelsohn (Australian record producer and engineer)
Produzent(in):
Peter Collins (producer)
Sologesang:
Nik Kershaw
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1984) und MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984, in 1985)
Musikvideos:
The Riddle von Nik Kershaw
recording of:
The Riddle
Texter und Komponist(in):
Nik Kershaw
publisher:
Arctic King, Imagem Music UK, Imagem Songs Ltd., Rondor Music (London) Ltd. und Rondor Musikverlag GmbH
Nik Kershaw3.253:51
10Electric Avenue
recording of:
Electric Avenue
Texter und Komponist(in):
Eddy Grant
publisher:
Warner/Chappell Music Ltd. (1996–2019)
was commissioned by:
Greenheart Music
Eddy Grant3:40
11Pass the Dutchie
Musical Youth3:19
12Touch Me (I Want Your Body)
Produzent(in):
Jon Astrop (British musician, songwriter and painter)
phonographisches Urheberrecht (℗) von:
Jive Records (may or may not be the company behind the Jive imprint; not for release label use!) (in 1986), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1986) und Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
recording of:
Touch Me (I Want Your Body) (Full moon in the city and the night was young... I was hungry for love)
Verfasser(in):
Jon Astrop (British musician, songwriter and painter), Peter Brian Harris und Mark Shreeve
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Imagem London Ltd.
Samantha Fox3.653:39
13Dance Hall Days
Produzent(in):
Ross Cullum und Chris Hughes (producer, aka “Merrick”)
phonographisches Urheberrecht (℗) von:
Geffen Records
recording of:
Dance Hall Days
Verfasser(in):
Darren Costin, Nick Feldman und Jack Hues
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Wang Chung3.23:59
14I Think We're Alone Now
zusätzlich recording engineer:
John Kerns (US engineer)
drum machine [drum]-Programmierung:
John Duarte
Techniker(in):
Bill Smith (US recording engineer)
Produzent(in):
George E. Tobin
Gitarre:
Chuck Yamek
Synthesizer:
John Duarte
Hintergrundgesang und Sologesang:
Tiffany (US 1980s pop star, "I Think We’re Alone Now")
remixer:
George E. Tobin und Bill Smith (US recording engineer)
arranger:
John Duarte
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1987)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 7) (Nummer: 7)
cover recording of:
I Think We’re Alone Now
Texter und Komponist(in):
Ritchie Cordell
publisher:
EMI Longitude Music
Tiffany3.83:45
15I Can Dream About You
recording of:
I Can Dream About You
Texter und Komponist(in):
Dan Hartman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!) und Multi-Level Music, Inc. (BMI affiliated)
Dan Hartman3:42
16Never Never
recording of:
Never Never
Texter und Komponist(in):
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Sonet (Scandinavia) (in 1983)
The Assembly3:40
17Moments in Love
recording of:
Moments in Love
Komponist(in):
Anne Dudley (English score composer), Trevor Horn, J.J. Jeczalik, Gary Langan und Paul Morley
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS), SPZ Music, Inc. (BMI affiliated) und Unforgettable Songs Ltd.
Art of Noise4:23
18Situation
recording of:
Situation
Verfasser(in):
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…) und Alison Moyet
Yazoo2:24
19Waiting for a Train
recording of:
Waiting for a Train
Texter und Komponist(in):
Harry Vanda (Australian musician) und George Young (Australian musician and producer)
Flash and the Pan3:44
20Cars
Techniker(in) und Mix:
Rikki Sylvan und Harvey Webb
Produzent(in):
Gary Numan
Bassgitarre:
Paul Gardiner
Keyboard:
Gary Numan und Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis)
Perkussion, Schlagzeug und Schlagzeug und Tamburin:
Cedric Sharpley
Perkussion [synthetic percussion]:
Gary Numan
Sologesang:
Gary Numan (in 1979)
phonographisches Urheberrecht (℗) von:
Beggars Banquet (, in 1979) und WEA Filipacchi Music (not for release label use! copyrights/distribution only, FR division of WEA International Inc. in the 1970s) (in 1979)
aufgenommen bei:
Marcus Recording Studios (London) in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Cars von Gary Numan
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 11), Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 16) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 93)
recording of:
Cars
Texter und Komponist(in):
Gary Numan
Verfasser(in):
Nick Hemming und Gary Numan
publisher:
Beggars Banquet Music Ltd. und Momentum Music Ltd.
Gary Numan4.23:44
2▼CD
Nr.TitelKünstlerBewertungLänge
1Need You Tonight
assistierende(r) Techniker(in):
Paula Jones (Australian audio engineer, producer)
Techniker(in):
David Nicholas (Australian recording engineer and producer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
Mix:
Bob Clearmountain und Chris Thomas (UK record producer / remixer)
phonographisches Urheberrecht (℗) von:
INXS (label and copyrights holder for INXS) (in 1987, in 1997), PolyGram International Music B.V. (not for release label use!) (in 1987) und Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1999)
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Need You Tonight (music video) von INXS
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 16) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 114)
recording of:
Need You Tonight
Texter und Komponist(in):
Andrew Farriss (in band INXS) und Michael Hutchence
publisher:
Muziekuitgeverij Artemis B. V., Tol Muziek, WB Music Corp. (1929–2019), XL Publishing Pty. Ltd., 101 Muziek (publisher) (in 1987) und Chardonnay Investments Ltd. (in 1987)
INXS4.153:03
2Running in the Family
Techniker(in) und Mix:
Julian Mendelsohn (Australian record producer and engineer)
assistierende(r) Produzent(in):
Julian Mendelsohn (Australian record producer and engineer)
Produzent(in):
Wally Badarou und Level 42
recording of:
Running in the Family
Verfasser(in):
Wally Badarou, Phil Gould und Mark King
Level 4233:57
3Sometimes
Produzent(in):
Flood (British producer Mark Ellis)
Mix:
Flood (British producer Mark Ellis), Daniel Miller (British music producer and founder of Mute Records) und Mike Pela
Trompete:
Guy Barker
Teil von:
Cachitos Nochevieja 2022 (Nummer: 107)
recording of:
Sometimes
Verfasser(in):
Andy Bell (singer / songwriter for Erasure) und Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Warner/Chappell Music GmbH & Co. KG Germany
Erasure2.73:30
4Tainted Love
Techniker(in):
Paul Hardiman
Produzent(in):
Mike Thorne (UK producer & keyboardist)
Mix:
Harvey Goldberg
elektronische Instrumente und andere Instrumente:
Dave Ball (UK electronic musician, part of Soft Cell)
Hintergrundgesang:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
aufgenommen bei:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Tainted Love von Soft Cell (1980s English synth‐pop duo)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 5), Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 8), New York Post: 100 Greatest Covers (2007) (Nummer: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 33) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 46)
cover recording of:
Tainted Love
Texter und Komponist(in):
Ed Cobb
publisher:
Burlington Music Co., Ltd. und Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.92:39
5Loverboy
recording of:
Loverboy
Verfasser(in):
Keith Diamond, Robert John “Mutt” Lange (Robert John Lange) und Billy Ocean
publisher:
Aqua Music Ltd., Keith Diamond Music, Out of Pocket Publishing Co., Out-of-Pocket Productions Ltd., Universal Music–Z Songs und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Billy Ocean4:00
6You Came
Programmierung und Produzent(in):
Tony Swain (songwriter, producer) und Ricky Wilde
Techniker(in):
James Richards (engineer)
Mix:
Richard Lengyel
Gitarre:
Steve Byrd und Ricky Wilde
Keyboard:
Tony Swain (songwriter, producer) und Ricky Wilde
Hintergrundgesang:
Junior Giscombe (Norman Washington Giscombe, Jr.) und Ricky Wilde
Sologesang:
Kim Wilde
phonographisches Urheberrecht (℗) von:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1988) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001)
produced for:
Big M Productions (Bigbeat, House label)
aufgenommen bei und mixed at:
Select Sound Studios in Knebworth, Hertfordshire, England, Vereinigtes Königreich
Bearbeitung von:
You Came von Kim Wilde
recording of:
You Came
Verfasser(in):
Kim Wilde und Ricky Wilde
Kim Wilde3.753:28
7Axel F
Produzent(in):
Harold Faltermeyer
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) und Geffen Records (in 1984)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 70)
recording of:
Axel F (Beverly Hills Cop)
Komponist(in):
Harold Faltermeyer
Harold Faltermeyer4.153:01
8Hey Little Girl
recording of:
Hey Little Girl
Texter und Komponist(in):
Iva Davies
publisher:
EMI Songs Australia Pty. Ltd.
Icehouse34:13
9The Heat Is On
Produzent(in):
Harold Faltermeyer und Keith Forsey (drummer, producer and songwriter)
Bass und Keyboard:
Harold Faltermeyer
Gitarre:
Rick Vito
Schlagzeug und Hintergrundgesang:
Keith Forsey (drummer, producer and songwriter)
Solo-Gitarre und Sologesang:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
vocals und Interpret(in):
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1984) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1984)
recording of:
The Heat Is On
Texter und Komponist(in):
Harold Faltermeyer und Keith Forsey (drummer, producer and songwriter)
publisher:
Famous Chappell
live cover recording of:
The Heat Is On
Texter und Komponist(in):
Harold Faltermeyer und Keith Forsey (drummer, producer and songwriter)
publisher:
Famous Chappell
Glenn Frey3.53:45
10P-Machinery
Techniker(in):
Bobby Kraushaar
Produzent(in):
S. J. Lipson
Mix:
Horn und Lipson
Interpret(in):
Claudia Brücken, Michael Mertens (German musician & producer), Ralf Dorper und Suzanne Freytag
phonographisches Urheberrecht (℗) von:
ZTT (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1985)
recording of:
p:Machinery
sonstige Unterstützung:
David Sylvian
Texter:
Ralf Dörper
Komponist(in):
Claudia Brücken, Ralf Dörper, Susanne Freytag und Michael Mertens (German musician & producer)
Propaganda43:52
11I Want Your Love
recording of:
I Want Your Love
Texter und Komponist(in):
Nick Christian Sayer
Transvision Vamp3:31
12A Town Called Malice
Produzent(in):
The Jam (late 70s/early 80s UK punk/mod revival band) und Peter Wilson (UK Producer)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1982)
aufgenommen bei:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (in 1981-12)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 151)
recording of:
Town Called Malice
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
Notting Hill Music (UK) Ltd., Stylist Music Ltd. und Universal Music Publishing MGB Australia
The Jam4.82:54
13Fade to Grey
Techniker(in):
John Hudson (producer, recording and mixing engineer)
Produzent(in):
Midge Ure und Visage (new romantic band from London)
Interpret(in):
Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange (Welsh pop singer, Visage) und Midge Ure
arranger:
Visage (new romantic band from London)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1980) und Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1980)
aufgenommen bei:
Genetic Studios in West Berkshire, England, Vereinigtes Königreich
mixed at:
Mayfair Sound (England) in London (Greater London), England, Vereinigtes Königreich
recording of:
Fade to Grey
Verfasser(in):
Billy Currie, Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis) und Midge Ure
publisher:
Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. (publisher) und Performance Music Ltd
Visage4.13:39
14Obsession
cover recording of:
Obsession
Verfasser(in):
Michael Des Barres und Holly Knight
publisher:
Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07) und The Makiki Publishing Co. Ltd.
Animotion3.353:55
15The Original Miami Vice Theme
Jan Hammer1:00
16Trapped
Techniker(in):
Frank Roszak (engineer and producer)
Produzent(in) und Mix:
Richard Burgess
vocals arranger:
Colonel Abrams und Marston Freeman (songwriter)
Bearbeitung von:
Trapped von Colonel Abrams
recording of:
Trapped
Verfasser(in):
Don Abrams und Marston Freeman (songwriter)
publisher:
Moonwalk Music (publisher)
Colonel Abrams2.53:30
17Do You Wanna Funk (feat. Patrick Cowley)
Interpret(in):
Patrick Cowley
Sylvester4:09
18Living on Video
recording of:
Living on Video
Texter und Komponist(in):
Pascal Languirand
publisher:
Costa Demo Productions (publisher) (in 1983)
Trans‐X4:19
19I Ran
recording engineer:
Mike Score
Techniker(in):
Mike Shipley (audio engineer, mixer, producer)
Produzent(in):
Mike Howlett
Bassgitarre und Hintergrundgesang:
Frank Maudsley
Gitarre:
Paul Reynolds (UK guitarist, in A Flock of Seagulls) und Mike Score
Keyboard und Sologesang:
Mike Score
Schlagzeug:
Ali Score
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1982), Zomba Productions Limited (in 1982) und Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
aufgenommen bei:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
I Ran von A Flock of Seagulls
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 55)
recording of:
I Ran
Verfasser(in):
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score und Mike Score
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
A Flock of Seagulls4.355:05
20He's Back (The Man Behind the Mask)
recording engineer und Mix:
Michael Wagener
Techniker(in):
Garth Richardson (Canadian music producer and engineer) und Michael Wagener
Produzent(in):
Beau Hill und Michael Wagener
assistierende(r) Mix:
Garth Richardson (Canadian music producer and engineer)
Gitarre:
Kane Roberts
Keyboard:
Paul Delph und Kane Roberts
Hintergrundgesang:
Paul Delph, Tom Kelly (songwriter) und Kane Roberts
Sologesang:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1986)
aufgenommen bei und mixed at:
Amigo Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
(He's Back) The Man Behind The Mask von Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
recording of:
He’s Back (The Man Behind the Mask) (Friday the 13th, Part 6: Jason Lives)
Verfasser(in):
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974), Tom Kelly (songwriter) und Kane Roberts
publisher:
Denise Barry Music (, in 1986), Ensign Music Corporation (, in 1986), Ezra Music, Ezra Music Corp., Ezra Music, Inc. (, in 1986), Famous Chappell, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (, in 1986), Sony/ATV Melody, Sony/ATV Tunes LLC (ASCAP), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Alice Cooper4.653:38

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