It’s a Sixties Party

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1CD
#TitoloArtistaValutazioneDurata
1Johnny B. Goode
produttore:
Leonard & Phil Chess (legendary US production duo)
batteria :
Jasper Thomas (il 1958-01-06)
chitarra e voce principale:
Chuck Berry (il 1958-01-06)
contrabbasso :
Willie Dixon (il 1958-01-06)
pianoforte :
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (il 1958-01-06)
registrata presso:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Stati Uniti (il 1958-01-06)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 1), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 3), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 33), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 53) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
Johnny B. Goode (il 1958-01-06)
paroliere e compositore:
Chuck Berry (nel 1955)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) e ロックンロール ミュージック (Rock ’n’ Roll Music)
parte di:
Back to the Future: the Musical
Chuck Berry4.22:40
2Bye Bye LoveEverly Brothers42:21
3Sha La La La Lee
produttore:
Kenny Lynch (English singer, songwriter, entertainer & actor)
registrazione cover di:
Sha-La-La-La-Lee
autore:
Kenny Lynch (English singer, songwriter, entertainer & actor) e Mort Shuman (US singer, pianist & songwriter)
editore:
Carlin Music Corporation
Small Faces42:57
4Tell Him
registrazione di:
Tell Him
paroliere e compositore:
Bert Russell
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Warner/Chappell Music, Inc.
Billie Davis42:12
5That’ll Be the Day
registrata a:
Nashville, Tennessee, Stati Uniti (il 1956-07-22)
produttore:
Owen Bradley
basso :
Don Guess (best known for his association with Buddy Holly) (il 1956-07-22)
batteria :
Jerry Allison (il 1956-07-22)
chitarra :
Sonny Curtis (il 1956-07-22) e Buddy Holly (1950s rock & roll singer‐songwriter) (il 1956-07-22)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1956-07-22)
registrazione di:
That’ll Be the Day (il 1956-07-22)
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. e MPL Communications (not for release label use! Paul McCartney-related, London-based company) (nel 1976)
The Crickets32:29
6Hats Off to Larry
registrazione di:
Hats Off to Larry
paroliere e compositore:
Del Shannon
Del Shannon2.52:02
7(If Paradise Is) Half as Nice
registrazione di:
(If Paradise Is) Half as Nice
paroliere:
Jack Fishman
compositore:
Lucio Battisti
si basa su:
Il paradiso della vita
Amen Corner42:50
8Pied Piper
registrazione di:
The Pied Piper
autore:
Steve Duboff e Artie Kornfeld
Crispian St. Peters42:33
9You’re More Than a Number in My Little Red Book
registrazione di:
You’re More Than a Number in My Little Red Book
compositore:
Roger Greenaway e Tony Macaulay
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) e PolyGram Music Publishing Ltd.
The Drifters3:17
10I Can’t Help Myself
tecnico di registrazione:
Russ Terrana
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
archi :
Detroit Symphony Orchestra (nel 1965)
basso [1962 Fender Precision Bass] :
James Jamerson
batteria :
Richard "Pistol" Allen (nel 1965)
chitarra [1964 Gibson Firebird III] :
Eddie Willis (nel 1965)
chitarra [Fender Telecaster with Jazzmaster Neck] :
Joe Messina (nel 1965)
chitarra [Gibson L-5] :
Robert White (US funk/soul guitarist) (nel 1965)
pianoforte :
Earl Van Dyke (nel 1965)
sassofono baritono :
Mike Terry (60s US soul arranger/conductor) (nel 1965)
strumenti:
The Funk Brothers (nel 1965)
tamburello :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (nel 1965)
vibrafono :
Jack Brokensha (nel 1965)
voce di accompagnamento:
The Andantes (nel 1965), Marlene Barrow (nel 1965), Renaldo Benson (nel 1965), Louvain Demps (nel 1965), Abdul “Duke” Fakir (nel 1965), Jackie Hicks (nel 1965) e Lawrence Payton (nel 1965)
voce principale:
Levi Stubbs (nel 1965)
registrata presso e mixata presso:
Hitsville (Motown Records) in Detroit, Michigan, Stati Uniti (nel 1965)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 30), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 148), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 415) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 483)
registrazione di:
I Can’t Help Myself (Sugar Pie, Honey Bunch) (nel 1965)
paroliere:
Lamont Dozier, Brian Holland (Motown producer & songwriter) e Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Stone Agate Music Division
Four Tops3.62:44
11Baby, Now That I’ve Found You
registrazione di:
Baby Now That I’ve Found You
paroliere e compositore:
Tony Macaulay e John MacLeod (producer & songwriter, partner of Tony Macaulay)
editore:
ATV Music Ltd., Belmont (publisher), BMG Music Pub. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Sony/ATV Music Pub. Ltd.
The Foundations42:58
12Let’s Twist AgainChubby Checker4.652:23
13Sugar and Spice
registrazione di:
Sugar and Spice
paroliere e compositore:
Fred Nightingale
The Searchers42:15
14It’s My Party
produttore:
Qunicy Jones
arrangiatore:
Claus Ogerman
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 353)
registrazione di:
It’s My Party (il 1963-03-30)
autore:
John Gluck, Jr., Wally Gold, Seymour Gottlieb e Herb Weiner
editore:
A. Schroeder Music Ltd. e Chappell & Co., Inc. (USA)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Lesley Gore4.352:21
15She’d Rather Be With Me
esecutore:
The Turtles (late 60s US rock band)
registrazione di:
She’d Rather Be With Me
autore:
Garry Bonner e Alan Gordon (American songwriter who co-wrote The Turtles' hit "Happy Together")
The Turtles3.352:20
16Surf City
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1963)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1963 (numero: 32)
registrazione di:
Surf City
autore:
Jan Berry e Brian Wilson (Beach Boys co‐founder)
editore:
EMI Music Publishing (do not use as a release label!) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Jan & Dean32:27
17Oh! Carol
diritti fonografici (℗) detenuti da:
BMG Music
registrazione di:
Oh! Carol (nel 1959)
paroliere:
Howard Greenfield
compositore:
Neil Sedaka
editore:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Universal Music Careers
versione tradotta di:
Karel (Oh Carol)
Neil Sedaka32:18
18Rubber Ball
registrazione di:
Rubber Ball
paroliere e compositore:
Gene Pitney e Aaron Schroeder (1950s~1960s US songwriter)
editore:
J. Albert & Son Pty. Ltd.
Bobby Vee32:19
19Dance On
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1962)
registrazione di:
Dance On!
compositore:
Ray Adams (UK songwriter, member of the Avons), Elaine Murtagh (Irish composer and songwriter) e Valerie Murtagh (UK composer and songwriter)
editore:
S. Bron Music Co. Ltd.
The Shadows32:24
20Fire!
produttore:
Kit Lambert
produttore associato:
Pete Townshend (of The Who)
basso :
Sean Nicholas
batteria :
Dracken Theaker
organo :
Vincent Crane
voce:
Arthur Brown
arrangiatore:
Vincent Crane
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1968)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
registrazione di:
Fire
autore:
Arthur Brown, Vincent Crane, Mike Finesilver e Peter Ker (producer and songwriter)
editore:
Gowmonk, Inc. e Onward Music Ltd.
Arthur Brown3.852:58
21Bread and Butter
registrazione di:
Bread and Butter (nel 1964)
autore:
Larry Parks e Jay Turnbow
The Newbeats4.352:00
22Judy in Disguise (with Glasses)
diritti fonografici (℗) detenuti da:
Pye International (nel 1968)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 96)
registrazione di:
Judy in Disguise (With Glasses) (nel 1967)
autore:
Andrew Bernard e John Fred (John Fred Gourrier)
editore:
Bug Music Ltd., Fanfare Music Corp., Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) e MCS Music Ltd.
John Fred & His Playboy Band3.852:55
2CD
#TitoloArtistaValutazioneDurata
1Runaround Sue
registrazione di:
Runaround Sue
paroliere:
Dion (US singer-songerwriter, blends doo-wop, pop rock & R&B)
compositore:
Ernie Maresca
editore:
Bronx Soul Music, Mijac Music, Shinko Music Entertainment Co., Ltd. e Universal Music Publishing Group Japan (work publisher – do NOT use as a release label)
sub-editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Dion4?:??
2Oh, Pretty Woman
registrazione di:
Oh, Pretty Woman (Roy Orbison song)
paroliere e compositore:
Bill Dees (songwriter, singer, guitarist) e Roy Orbison
editore:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (il 1964-08-26) e Acuff-Rose (BMI) (nel 1972)
Roy Orbison4?:??
3How Do You Do It?
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
registrazione di:
How Do You Do It (nel 1963-03)
paroliere e compositore:
Mitch Murray
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), PolyGram Music Publishing, Songs of PolyGram International, Inc. e Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Gerry & the Pacemakers3.5?:??
4If I Had a Hammer
registrazione cover di:
If I Had a Hammer
autore:
Lee Hays (nel 1949) e Pete Seeger (nel 1949)
editore:
M.P.A. (M.P.A.)
Trini Lopez4?:??
5Last Train to Clarksville
registrazione di:
Last Train to Clarksville
autore:
Tommy Boyce (US songwriter of Boyce and Hart) e Bobby Hart
editore:
Screen Gems–Columbia Music, Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees4?:??
6Let’s Dance
voce principale:
Chris Montez
registrazione di:
Let’s Dance
paroliere e compositore:
Jim Lee (“Let’s Dance” writer/producer)
editore:
Chappell Morris Ltd., DeVorzon Music, Rondell Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chris Montez3?:??
7Give Him a Great Big Kiss
The Shangri‐Las4?:??
8Telstar
produttore:
Joe Meek
registrazione di:
Telstar (nel 1962)
compositore:
Joe Meek
editore:
Ivy Music Ltd.
The Tornados3.35?:??
9Nut RockerB. Bumble & the Stingers3?:??
10Cut Across Shorty
registrazione di:
Cut Across Shorty (il 1960-01-08)
autore:
Wayne Walker e Marijohn Wilkin
editore:
Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Eddie Cochran3?:??
11Good Golly Miss MollyThe Swinging Blue Jeans3?:??
12Dimples
registrazione cover di:
Dimples
paroliere:
John Lee Hooker (US blues singer, songwriter & guitarist) (nel 1956)
compositore:
James Bracken
editore:
Conrad Music (publisher; do NOT use as release label), Costoma Publishing Company e Tristan Music Ltd.
The Animals4?:??
13Stop! In the Name of Love
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
strumenti:
The Funk Brothers (dal 1965-01-05 al 1965-01-11)
voce di accompagnamento:
The Andantes (dal 1965-01-05 al 1965-01-11), Florence Ballard (dal 1965-01-05 al 1965-01-11) e Mary Wilson (dal 1965-01-05 al 1965-01-11)
voce principale:
Diana Ross (dal 1965-01-05 al 1965-01-11)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1965)
registrata presso:
Hitsville (Motown Records) in Detroit, Michigan, Stati Uniti (dal 1965-01-05 al 1965-01-11)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 13) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 254)
registrazione di:
Stop! In the Name of Love (dal 1965-01-05 al 1965-01-11)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Jobete Music (UK) Ltd., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Supremes4.15?:??
14In the Middle of Nowhere
registrazione di:
In the Middle of Nowhere
compositore:
Buddy Kaye e Beatrice Verdi
Dusty Springfield3?:??
15Out of Time
registrazione cover di:
Out of Time
autore:
Mick Jagger e Keith Richards (Rolling Stones guitarist)
editore:
ABKCO Music, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Cromwell Music, Cromwell Music Australia e EMI Music Publishing (do not use as a release label!)
Chris Farlowe3?:??
16Brown Eyed Girl
registrazione di:
Brown Eyed Girl (Van Morrison song)
paroliere e compositore:
Van Morrison
editore:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (nel 1967) e Polygram Publishing AB (nel 1992)
Van Morrison4?:??
17Si Tu Dois Partir
tecnico:
John Wood (US sound engineer and producer)
produttore:
Joe Boyd (US producer, founder of Hannibal Records), Fairport Convention (English folk rock band) e Simon Nicol (singer, multi-instrumentalist and producer from England)
basso e chitarra basso :
Ashley Hutchings
batteria :
Martin Lamble
chitarra :
Simon Nicol (singer, multi-instrumentalist and producer from England) e Richard Thompson (UK folk rock singer/songwriter/guitarist)
triangolo :
Trevor Lucas
violino folk :
Dave Swarbrick
voce:
Sandy Denny, Ashley Hutchings, Simon Nicol (singer, multi-instrumentalist and producer from England) e Richard Thompson (UK folk rock singer/songwriter/guitarist)
diritti fonografici (℗) detenuti da:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (nel 2003)
registrazione cover di:
Si tu dois partir
paroliere e compositore:
Bob Dylan (nel 1965)
traduttore:
Fairport Convention (English folk rock band)
editore:
Special Rider Music
versione tradotta di:
If You Gotta Go, Go Now (or Else You Got to Stay All Night)
Fairport Convention3?:??
18March of the Mods
registrazione di:
March of the Mods
autore:
Tony Carr
Joe Loss3?:??
19Gimme Some Lovin’
produttore:
Chris Blackwell (Island Records) e Jimmy Miller (producer for Rolling Stones/Nirvana etc)
diritti fonografici (℗) detenuti da:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1966)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 244)
registrazione di:
Gimme Some Lovin’
autore:
Spencer Davis, Muff Winwood (bass player, songwriter, producer) e Steve Winwood
editore:
Kobalt Music Publishing Ltd. (UK), Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Warner Chappell Music Ltd. (no slash; used 1988–1996), Yamaha Music EH(CM) e Island Music Ltd. (dal 1966 al ????)
The Spencer Davis Group4.15?:??
20I Can’t Let Go
registrazione cover di:
I Can't Let Go
autore:
Al Gorgoni e Chip Taylor (US singer/songwriter)
editore:
April Music AB (Swedish subsidiary of April Music), EMI Blackwood Music Inc., M. Carey Songs, Sony Songs Inc., Wallyworld Music e WB Music Corp. (1929–2019)
The Hollies4?:??
21The Letter
produttore:
Dan Penn (songwriter, soul singer)
diritti fonografici (℗) detenuti da:
Arista Records (not an imprint, use “Arista” for release labels) (nel 1967), Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1967), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1967) e Atoll Music (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 357) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 364)
registrazione di:
The Letter (nel 1967)
paroliere e compositore:
Wayne Carson Thompson
editore:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e Warner Chappell Music (publisher as Warner/Chappell Music)
The Box Tops4.3?:??
221‒2‒3
registrazione di:
1‐2‐3
autore:
Leonard Borisoff, John Madara e David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
autore aggiunto:
Lamont Dozier, Brian Holland (Motown producer & songwriter) e Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Mijac Double Diamond Music, Songs of Universal, Inc. (BMI), Stone Agate Music Division, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Welbeck Music Ltd.
Len Barry3?:??
23Heartbeat
produttore:
Norman Petty
basso :
George Atwood (dal 1958-05-25 al 1958-05-26)
batteria :
Jerry Allison (dal 1958-05-25 al 1958-05-26)
chitarra :
Tommy Allsup (dal 1958-05-25 al 1958-05-26) e Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1958-05-25 al 1958-05-26)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1958-05-25 al 1958-05-26)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1958)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (dal 1958-05-25 al 1958-05-26)
registrazione di:
Heartbeat (dal 1958-05-25 al 1958-05-26)
autore:
Bob Montgomery e Norman Petty
editore:
Melody Lane Publications Inc. e Peermusic (UK) Limited
Buddy Holly4.65?:??

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