Mastermix Jock in a Box, Volume 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Can’t Get You out of My Head
drum machine programming:
Rob Davis (songwriter/producer was in Mud)
engineer and mixer:
Tim Orford
producer:
Rob Davis (songwriter/producer was in Mud) and Cathy Dennis
electric guitar and keyboard:
Rob Davis (songwriter/producer was in Mud)
background vocals and lead vocals:
Kylie Minogue
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001) and KDB Pty Limited (in 2001)
produced for:
19 Productions
music videos:
Can’t Get You Out of My Head by Kylie Minogue
part of:
Billboard Year-End Hot 100 2002 (number: 45) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 207)
recording of:
Can’t Get You Out of My Head
lyricist:
Cathy Dennis
composer:
Rob Davis (songwriter/producer was in Mud)
publisher:
Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Toxic Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal‐MCA Music Publishing (US), Universal/MCA Music Limited (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Kylie Minogue3.853:53
2Rock DJ
drums (drum set) programming:
Andy Duncan (UK drummer and producer)
additional engineer:
Σάββας Ιωσηφίδης, Steve Price (UK recording engineer/producer/orchestrator/arranger) and Richard Woodcraft
producer:
Guy Chambers (English songwriter and record producer) and Steve Power
assistant mixer:
David Naughton (UK engineer/producer)
mixer:
Steve Power
editor:
Richard Flack (producer/engineer)
bass guitar:
Winston Blissett
brass:
Dave Bishop (saxophonist), Neil Sidwell and Steve Sidwell (English composer & wind instrumentalist)
electric guitar:
Neil Taylor (guitarist)
keyboard:
Guy Chambers (English songwriter and record producer)
vocoder:
Steve Power
background vocals:
Andy Caine, Derek Green, Katie Kissoon, Sylvia Mason‐James (British singer), Tessa Niles and Paul "Tubbs" Williams (UK bass player, producer, vocalist)
lead vocals:
Robbie Williams
orchestra:
The London Session Orchestra
conductor:
Gavyn Wright (UK violinist, conductor)
arranger:
Guy Chambers (English songwriter and record producer)
orchestrator:
Nick Ingman
samples:
It’s Ecstacy When You Lay Down Next to Me by Barry White and It’s Ecstacy When You Lay Down Next to Me by Barry White
recording of:
Rock DJ
writer:
Kelvin Andrews, Guy Chambers (English songwriter and record producer), Ekundayo Paris, Nelson Pigford and Robbie Williams
publisher:
Bella Figura Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!), Farrell Music Limited, Hit & Run Music (Publishing) Ltd, Kobalt Music Publishing Ltd. (UK), Me-Benish Music LLC, Phoenix Music International Limited, Seven Songs, Virgin Music Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Robbie Williams3.454:20
3I’m Outta Love
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 2000)
edit of:
I’m Outta Love (album version) by Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
recording of:
I’m Outta Love (in 2000)
lyricist:
Anastacia Newkirk (USA pop singer from Chicago, IL, best known for “I’m Outta Love”), Louis Biancaniello and Sam Watters
composer:
Louis Biancaniello and Sam Watters
publisher:
Breakthrough Creations, EMI April Music Inc., Poho Productions, S. M. Y. Publishing, Sony/ATV Tunes LLC (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
recording of:
I’m Outta Love
lyricist:
Anastacia Newkirk (USA pop singer from Chicago, IL, best known for “I’m Outta Love”), Louis Biancaniello and Sam Watters
composer:
Louis Biancaniello and Sam Watters
publisher:
Breakthrough Creations, EMI April Music Inc., Poho Productions, S. M. Y. Publishing, Sony/ATV Tunes LLC (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
Anastacia3:51
4Get the Party Started
additional recording engineer:
Bernd Burgdorf (in 2001)
recording engineer:
Linda Perry (rock singer‐songwriter & producer) (in 2001)
drums (drum set) programming:
Linda Perry (rock singer‐songwriter & producer) (in 2001)
membranophone programming:
Linda Perry (rock singer‐songwriter & producer)
programming:
Bernd Burgdorf (in 2001)
producer:
Linda Perry (rock singer‐songwriter & producer)
assistant mixer:
Dave Guerrero
mixer:
Dave "Hard Drive" Pensado (mixer) and Dave Guerrero
background vocals:
P!nk (American singer/songwriter) (in 2001)
performer:
Linda Perry (rock singer‐songwriter & producer)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2001)
recorded at:
LP Studios (California, USA) in Sherman Oaks, Los Angeles, California, United States (in 2001)
mixed at:
The Enterprise (aka Enterprise Studios) in Burbank, California, United States
music videos:
Get the Party Started by P!nk (American singer/songwriter)
part of:
Billboard Year-End Hot 100 2002 (number: 24)
recording of:
Get the Party Started (in 2001)
lyricist and composer:
Linda Perry (rock singer‐songwriter & producer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony and Stuck in the Throat
P!nk4.453:14
5It Must Be Love
cover recording of:
It Must Be Love
lyricist and composer:
Labi Siffre
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated)
recording of:
It Must Be Love
lyricist and composer:
Labi Siffre
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated)
Madness43:20
6Too Much Too Young
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom
recording of:
Too Much Too Young
lyricist and composer:
Jerry Dammers
live recording of:
Too Much Too Young
lyricist and composer:
Jerry Dammers
The Special A.K.A.3.752:07
7How You Remind Me
producer:
Chad Kroeger, Mike Kroeger, Rick Parashar, Ryan Peake and Ryan "Nik" Vikedal
mixer:
Randy Staub
bass:
Mike Kroeger
drums (drum set) [drums]:
Ryan "Nik" Vikedal
guitar [guitars]:
Chad Kroeger and Ryan Peake
lead vocals:
Chad Kroeger
vocals:
Ryan Peake
phonographic copyright (℗) by:
The All Blacks B.V. (company, for copyrights purposes) (in 2001)
music videos:
How You Remind Me by Nickelback
part of:
Billboard Year-End Hot 100 2002 (number: 1) and BILLIONS CLUB
recording of:
How You Remind Me
lyricist:
Chad Kroeger
composer:
Chad Kroeger, Mike Kroeger, Ryan Peake and Ryan Vikedal
publisher:
Arm Your Dillo Publishing Inc., M. Kroeger Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Zero-G Music Inc.
Nickelback3.653:45
8All the Small Things
engineer:
Sean O’Dwyer (US producer & engineer)
producer:
Jerry Finn
mixer:
Tom Lord‐Alge
keyboard:
Roger Joseph Manning Jr. (American keyboardist and singer/songwriter)
arranger:
blink‐182
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2000) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2020)
music videos:
All the Small Things (music video) by blink‐182
part of:
BILLIONS CLUB, Indie 88: Top 500 Indie Rock Songs (number: 59) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 365)
recording of:
All the Small Things
writer:
Travis Barker (American producer and drummer of blink-182), Tom DeLonge and Mark Hoppus
publisher:
Fun With Goats (ended), Beat Poet Music, EMI April Music Inc., HMNIM Music and Jolly Old Saint Dick
blink‐1824.42:56
9I’ll Be There for You
executive producer:
Kevin Bright (producer), David Crane (creator of the television sitcom Friends) and Marta Kauffman
vocals:
The Soldiers (singing trio of British Army soldiers)
recording of:
I’ll Be There for You (theme from ‘Friends’)
lyricist:
Allee Willis
additional composer:
David Crane (creator of the television sitcom Friends), Marta Kauffman, Phil Solem and Danny Wilde (The Rembrandts, Great Buildings & The Quick)
composer:
Michael Skloff
The Rembrandts43:09
10Everybody Needs Somebody to Love
producer:
Bob Tischler
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
drums (drum set):
Willie "Too Big" Hall
guitar:
Steve Cropper and Matt Murphy (US blues guitarist)
keyboard:
Murphy Dunne
saxophone:
Tom “Bones” Malone (US trombonist) and Lou Marini
trumpet:
Al Rubin
vocals:
Elwood J. Blues (Saturday Night Live character portrayed by Dan Aykroyd) and Jake E. “Joliet” Blues (Saturday Night Live character portrayed by John Belushi)
background vocals arranger:
Paul Schaffer (pianist, bandleader, Dave Letterman's sidekick)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
cover recording of:
Everybody Needs Somebody to Love
writer:
Bert Russell Berns, Solomon Burke and Jerry Wexler
publisher:
BERT RUSSELL MUSIC L L C 301, EMI Music Publishing Ltd. (PRS‐affiliated), Fujipacific Music, Inc., KEETCH CAESAR AND DINO MUSIC INC and Musical Lights Tokyo
Blues Brothers4.33:25
11Land of 1000 Dances
producer:
Jerry Wexler
baritone saxophone:
Floyd Newman (from 1966-05-08 until 1966-05-11)
bass guitar [bass]:
Tommy Cogbill (from 1966-05-08 until 1966-05-11)
drums (drum set):
Roger Hawkins (from 1966-05-08 until 1966-05-11)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-05-08 until 1966-05-11) and Chips Moman (from 1966-05-08 until 1966-05-11)
piano:
Spooner Oldham (from 1966-05-08 until 1966-05-11)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-05-08 until 1966-05-11) and Andrew Love (from 1966-05-08 until 1966-05-11)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1966-05-08 until 1966-05-11)
vocals:
Wilson Pickett (from 1966-05-08 until 1966-05-11)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-05-08 until 1966-05-11)
cover recording of:
Land of 1000 Dances (from 1966-05-08 until 1966-05-11)
lyricist and composer:
Chris Kenner
additional writer:
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd. and Tune-Kel
recording of:
Land of 1000 Dances
lyricist and composer:
Chris Kenner
additional writer:
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd. and Tune-Kel
Wilson Pickett42:27
12Reach Out I’ll Be There
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
instruments:
The Funk Brothers (in 1966)
background vocals:
The Andantes (in 1966), Marlene Barrow (in 1966), Renaldo Benson (in 1966), Louvain Demps (in 1966), Abdul “Duke” Fakir (in 1966), Jackie Hicks (in 1966) and Lawrence Payton (in 1966)
lead vocals:
Levi Stubbs (in 1966)
phonographic copyright (℗) by:
Motown Record Company (company credits only; do NOT use as release label) (in 1966)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (in 1966)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 78) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 206)
recording of:
Reach Out, I’ll Be There (in 1966)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Four Tops42:57
13Back to the Sixties (medley)
recording of:
Back to the 60’s
medley of:
Dancing in the Street
medley of:
(I Can’t Get No) Satisfaction
medley of:
You Really Got Me
medley of:
All Day and All of the Night
medley of:
Diddy Wah Diddy
medley of:
Pretty Flamingo
medley of:
Black Is Black
medley of:
Bend Me, Shape Me
medley of:
High in the Sky
medley of:
Mr. Tambourine Man
medley of:
Proud Mary
medley of:
Oh, Pretty Woman (Roy Orbison song)
medley of:
The Letter
medley of:
Baby Let Me Take You Home
medley of:
Baby Come Back (Player song)
medley of:
How Do You Do It
medley of:
I Like It
medley of:
Tossing and Turning
medley of:
Hippy Hippy Shake
medley of:
Mony Mony
medley of:
Let’s Hang On!
medley of:
Sherry
medley of:
Big Girls Don’t Cry
medley of:
Walk Like a Man
medley of:
Rag Doll
medley of:
Dawn (Go Away)
medley of:
Yes I Will
medley of:
Stay
medley of:
Just One Look
medley of:
Here I Go Again
medley of:
I’m Alive
medley of:
There’s a Kind of Hush
medley of:
No Milk Today
medley of:
A Must to Avoid
medley of:
Hold Tight
medley of:
The Legend of Xanadu
medley of:
Sweets for My Sweet
medley of:
Sugar and Spice
medley of:
When You Walk in the Room
medley of:
Needles and Pins
Tight Fit4:09
14Soul Banana (medley)
Jive Bunny & the Mastermixers5:50
15Grease Megamix (medley)
lead vocals:
Olivia Newton‐John (British‐Australian singer, actress and activist) and John Travolta (American actor and singer)
remixer:
Phil Harding & Ian Curnow (duo)
DJ-mixer:
Ian Curnow and Phil Harding (engineer, producer and remixer)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1990, in 2003)
DJ-mix of and mash-up of:
You’re the One That I Want by John Travolta (American actor and singer) & Olivia Newton‐John (British‐Australian singer, actress and activist), Greased Lightnin’ by John Travolta (American actor and singer) and Summer Nights by John Travolta (American actor and singer), Olivia Newton‐John (British‐Australian singer, actress and activist) & Cast ([theatre], Special Purpose Artist - Do not add releases here, if possible.)
recording of:
The Grease Megamix
writer:
Warren Casey, John Farrar and Jim Jacobs
medley of:
You’re the One That I Want (Grease, 1978 film)
medley of:
Greased Lightnin’ (Grease, 1971 musical)
medley of:
Summer Nights (Grease, 1971 musical)
John Travolta & Olivia Newton‐John3.554:51
16Movin’ Too Fast
performer:
Romina Johnson
recording of:
Movin’ Too Fast
composer:
Orlando Johnson, Fabio Raponi and Ingo Peter Schwartz
Artful Dodger34:01
17Re‐Rewind
guest vocals:
Craig David
vocals and performer:
Craig David
recording of:
Re-Rewind
writer:
Tony Briscoe, Craig David and Mark Hill (Mark Hill)
Artful Dodger44:05
18Thank You
recording engineer:
Goetz
programming:
Rollo (Rollo Armstrong of Faithless)
producer:
Dido (English singer‐songwriter) and Rollo (Rollo Armstrong of Faithless)
mixer:
Phill Brown (UK engineer)
guitar:
Paul Herman
keyboard and piano:
Mark Bates (member of the band Dusted)
percussion:
Mal Hyde-Smith
recorder and lead vocals:
Dido (English singer‐songwriter)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1999)
remaster of:
Thank You by Dido (English singer‐songwriter)
recording of:
Thankyou (Dido)
writer:
Dido (English singer‐songwriter) and Paul Herman
publisher:
Peermusic France, Submarine Music Ltd., Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Dido4.153:41
19Turn Off the Lights
recording of:
Turn Off the Light
lyricist and composer:
Nelly Furtado
publisher:
Nelstar Publishing
Nelly Furtado4:41
20Jump
assistant engineer:
Ken Deane
engineer:
Donn Landee
producer:
Ted Templeman
bass:
Michael Anthony (US bassist, formerly of Van Halen)
drums (drum set) and percussion:
Alex Van Halen
guitar and keyboard:
Edward Van Halen
lead vocals:
David Lee Roth
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
recorded at:
5150 (Eddie Van Halen's recording studio) in Studio City, Los Angeles, California, United States
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 15), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 177) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 200)
recording of:
Jump
lyricist and composer:
Michael Anthony (US bassist, formerly of Van Halen), Edward Van Halen, David Lee Roth and Alex Van Halen
publisher:
Mugambi Publishing, Diamond Dave Music (in 1984) and Van Halen Music (in 1984)
Van Halen4.554:03
21Place Your Hands
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1996)
recording of:
Place Your Hands
writer:
John Bessant, Dominic Greensmith, Kenwyn House and Gary Stringer (Reef, StringerBessant, Them Is Me lead singer)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Reef43:39
2▼CD
#TitleArtistRatingLength
1Murder on the Dancefloor
recording engineer:
Marco Rakascan
assistant engineer:
Laurence Brazil (production music composer)
engineer:
James Loughrey
producer:
Gregg Alexander and Matt Rowe
mixer:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
bass guitar:
Guy Pratt
guitar:
John Themis
strings:
Wired Strings
lead vocals:
Sophie Ellis‐Bextor
conductor:
Rosie Wetters
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2001)
recorded at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
mixed at:
Townhouse Studios in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
music videos:
Murder on the Dancefloor by Sophie Ellis‐Bextor
part of:
Best of 2024: Viral Hits (number: 26)
recording of:
Murder on the Dancefloor
writer:
Gregg Alexander and Sophie Ellis‐Bextor
publisher:
Keepin’ It Real, How ’Bout You?, Rondor Music (London) Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Sophie Ellis‐Bextor4.153:51
2Don’t Stop Movin’
additional programming:
Stephen Lipson, Chuck Norman and Richard Robson
programming and producer:
Simon Ellis (producer)
engineer:
James Reynolds (mixer/writer/music producer)
additional producer:
Stephen Lipson
mixer:
Heff Moraes
bass:
Ernie McKone
instruments:
Dave Rainger
keyboard:
Simon Ellis (producer)
additional lead vocals and additional soprano vocals:
Jo O’Meara
lead vocals:
Bradley McIntosh
conductor:
Nick Ingman
performer:
S Club 7 (formerly “S Club 7”)
arranger:
Nick Ingman
phonographic copyright (℗) by:
S Club Ltd. (in 2001) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2020)
samples:
Billie Jean (album / single version) by Michael Jackson (“King of Pop”)
music videos:
Don’t Stop Movin’ by S Club 7 (formerly “S Club 7”)
recording of:
Don’t Stop Movin’
writer:
Tina Barrett, Paul Cattermole, Simon Ellis (producer), Jonathan Lee (singer, S Club 7 & musicals), Bradley McIntosh, Jo O’Meara, Sheppard Solomon, Hannah Spearritt and Rachel Stevens
publisher:
19 Music Ltd., BMG Songs, Concord Entertainment Ltd, Irving Music, Inc., Jumbo Boom Boom Publishing, Rondor Music (London) Ltd. and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
S Club 73.153:54
3A Little Less Conversation
assistant engineer:
Dan Milazzo and Claudius Mittendorfer (engineer, producer, mixer)
engineer:
Ray Bardani
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (from 1968-03-07 until 1968-06-23)
remixer:
Junkie XL (Dutch DJ/score composer Tom Holkenborg)
phonographic copyright (℗) by:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (in 2002) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1968-03-07 until 1968-06-23)
mixed at:
Computer Hell Cabin in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
remix of:
A Little Less Conversation by Elvis Presley (“The King of Rock and Roll”)
cover recording of:
A Little Less Conversation (from 1968-03-07 until 1968-06-23)
writer:
Mac Davis (US country singer, songwriter & actor) and Billy Strange
publisher:
Carlin Music Corporation and Elvis Presley Music
Elvis vs. JXL3.453:35
4The Real Slim Shady
recording engineer:
Richard “Segal” Huredia (US hip hop mix engineer)
assistant engineer:
Michelle Forbes and Jim McCrone
producer:
Dr. Dre (Andre Young, rap producer) and Mel‐Man (US west coast hip‐hop producer Melvin Bradford; Aftermath Entertainment)
assistant mixer:
Richard “Segal” Huredia (US hip hop mix engineer)
mixer:
Dr. Dre (Andre Young, rap producer)
bass and guitar:
Mike Elizondo
keyboard:
Tommy Coster, Jr.
vocals:
Eminem (US rapper)
music videos:
The Real Slim Shady (director’s cut) by Eminem (US rapper)
recording of:
The Real Slim Shady
writer:
Andre Young (Andre Young, rap producer), Tommy Coster, Jr., Mike Elizondo and Marshall Mathers (Eminem, US rapper)
publisher:
Bug Music (music publishing) (ended), Elvismambo Music (ended), Ensign Music Corporation (ended), Five Card Music (ended), Strawberry Blonde Music (ended), Ain’t Nothin’ Goin’ On but F****n’ Music (aka Ain’t Nothin’ but F****n’ and other variations), BMG Bumblebee (A BMI-affiliated publishing entity of BMG Rights Management), Eight Mile Style, Music of Windswept, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Eminem4.44:48
5Lip Up Fatty
producer:
Roger Lomas
phonographic copyright (℗) by:
Magnet Records Ltd.
recording of:
Lip Up Fatty
writer:
Louis Cook, Douglas Trendle, David Farren, Paul Hyman, Chris Kane (saxophone player), Andrew Marson, Alan Sayag, Martin Stewart (member of Bad Manners, The Selecter) and Brian Tuitt
publisher:
Magnet Music Ltd. (publisher)
Bad Manners42:49
6Mirror in the Bathroom
producer:
Bob Sargeant
bass:
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drums (drum set):
Everett Morton
guitar:
Andy Cox (of The Beat) and Dave Wakeling
saxophone:
Papa Saxa
vocals:
Ranking Roger and Dave Wakeling
part of:
Indie 88: Top 500 Indie Rock Songs (number: 282)
recording of:
Mirror in the Bathroom
writer:
Andy Cox (of The Beat), Everett Morton, Roger Charlery, David Steele (UK musician, member of The Beat and Fine Young Cannibals) and Dave Wakeling
publisher:
Arista Records Ltd. (not for release label use!), Beat Brothers Ltd. and Zomba Enterprises, Inc.
The Beat4.753:11
7Teenage Dirtbag
engineer and producer:
Philip A. Jimenez and Wheatus
mixer:
David Thoener
turntable:
Pippi Longscratchings
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 2000), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2000) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2000)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 427)
recording of:
Teenage Dirtbag
lyricist and composer:
Brendan B. Brown (Wheatus singer/guitarist)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Blackwood Music Inc. (in 2000) and Montauk Mantis Productions (in 2000)
Wheatus3.454:00
8Wait and Bleed
additional recording engineer:
Rob Agnello
recording engineer:
Chuck Johnson (US nu-metal engineer)
co-producer:
Slipknot (US metal band)
producer:
Ross Robinson
mixer:
Chuck Johnson (US nu-metal engineer), Joey Jordison and Ross Robinson
bass guitar:
②: Paul (Slipknot bassist)
drums (drum set):
①: Joey
guitar:
⑦: Mick and Josh Brainard
percussion [custom percussion]:
③: Chris and ⑥: Shawn
sampler [samples/media]:
⑤: Craig (Slipknot sampler)
turntable:
⓪: Sid
vocals:
⑧: Corey
phonographic copyright (℗) by:
The All Blacks U.S.A., Inc. (company, for copyrights purposes) (in 1999)
recorded at and mixed at:
Indigo Ranch in Malibu, California, United States
recording of:
Wait and Bleed
writer:
Shawn Crahan, Chris Fehn, Paul Gray (Slipknot bassist), Craig Jones (Slipknot sampler), Joey Jordison, Corey Taylor, Mick Thomson and Sid Wilson
publisher:
EMI April Music, Inc. and Music That Music
Slipknot4.352:30
9Mustang Sally
background vocals:
Angeline Ball, Maria Doyle Kennedy and Bronagh Gallagher (Irish singer and actress)
vocals:
Andrew Strong (Irish singer)
phonographic copyright (℗) by:
Geffen Records (in 1991) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1991)
cover recording of:
Mustang Sally
lyricist and composer:
Sir Mack Rice
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
The Commitments4.54:02
10Shake Your Tailfeather
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
drums (drum set):
Willie "Too Big" Hall
guitar:
Steve Cropper and Matt Murphy (US blues guitarist)
keyboard:
Murphy Dunne
saxophone:
Tom “Bones” Malone (US trombonist) and Lou Marini
trumpet:
Al Rubin
background vocals:
Elwood J. Blues (Saturday Night Live character portrayed by Dan Aykroyd) and Jake E. “Joliet” Blues (Saturday Night Live character portrayed by John Belushi)
lead vocals:
Ray Charles (soul musician, singer and songwriter)
performer:
Blues Brothers (Blues/soul revivalist band with Dan Aykroyd)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
cover recording of:
Shake a Tail Feather
writer:
Andre Williams (US RnB vocalist/musician/producer/songwriter), Otha Hayes and Verlie Rice
publisher:
Edward Kassner Music Co. Ltd., Spirit One Music and Vapac Music Publishing Inc.
Ray Charles3.952:50
11I Got You (I Feel Good)
recorded in:
Miami, Florida, United States (on 1965-05-06)
producer:
James Brown (The Godfather of Soul)
alto saxophone:
Nat Jones (Saxophonist and organist, worked with James Brown) (on 1965-05-06) and Maceo Parker (US funk/jazz saxophonist) (on 1965-05-06)
bass:
Bernard Odum (on 1965-05-06)
drums (drum set):
Melvin Parker (on 1965-05-06)
guitar:
Alphonso "Country" Kellum (on 1965-05-06) and Jimmy Nolen (on 1965-05-06)
organ:
Nat Jones (Saxophonist and organist, worked with James Brown) (on 1965-05-06)
tenor saxophone:
Al "Brisco" Clark (on 1965-05-06), St. Clair Pinckney (on 1965-05-06) and Eldee Williams (on 1965-05-06)
trombone:
Levi Rasbury (on 1965-05-06)
trumpet:
Joe Dupars (on 1965-05-06), Mike Ridley (on 1965-05-06) and Ron Tooley (American trumpeter) (on 1965-05-06)
lead vocals:
James Brown (The Godfather of Soul) (on 1965-05-06)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1965) and PolyGram Inc. (1978–1990) (in 1988)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1965-05-06)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 78) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 359)
cover recording of:
I Found You (a.k.a. I Got You (I Feel Good)) (on 1965-05-06)
lyricist and composer:
James Brown (The Godfather of Soul)
publisher:
Fort Knox Music Co, Hudson Bay Music Inc., J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. and Try Me Inc.
James Brown4.72:48
12She’s Electric
recording engineer:
Owen Morris
producer:
Noel Gallagher and Owen Morris
bass guitar, ebow, electric guitar [lead guitar] and mellotron:
Noel Gallagher
drums (drum set) and percussion:
Alan White (Oasis drummer)
electric guitar [rhythm guitar]:
Paul Arthurs ("Bonehead", Oasis)
piano:
Paul Arthurs ("Bonehead", Oasis) and Noel Gallagher
tambourine and lead vocals:
Liam Gallagher (English musician, lead singer of Oasis)
recorded at:
Rockfield Studios in Monmouth, Monmouthshire, Wales, United Kingdom
recording of:
She’s Electric
lyricist and composer:
Noel Gallagher
Oasis3.83:43
13Song 2
engineer:
John Smith (UK producer/engineer)
producer:
Stephen Street (famous producer, songwriter)
acoustic guitar:
Damon Albarn and Graham Coxon
bass guitar:
Alex James (UK bassist for Blur/Fat Les)
drums (drum set):
Graham Coxon and Dave Rowntree
electric guitar, theremin and background vocals:
Graham Coxon
Hammond organ, keyboard, piano and lead vocals:
Damon Albarn
percussion:
Dave Rowntree
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
phonographic copyright (℗) by:
EMI Records Ltd (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
music videos:
Song 2 (music video) by Blur (UK alternative rock band)
part of:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 8), NME: Greatest “Indie” Anthems Ever: 2007 (number: 15), Indie 88: Top 500 Indie Rock Songs (number: 57) and BILLIONS CLUB
recording of:
Song 2
lyricist:
Damon Albarn
composer:
Damon Albarn, Graham Coxon, Alex James (UK bassist for Blur/Fat Les) and Dave Rowntree
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Wixen Music UK Ltd., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
sub-publisher:
EMI Music Publishing Hong Kong (division of EMI Music Publishing Group Hong Kong Ltd. that existed as early as 2000), FujiPacific Music (S.E. Asia) Ltd., 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch) and 香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
Blur4.252:04
14Why Does It Always Rain on Me
co-producer:
Ian Grimble
producer:
Mike Hedges (UK producer/recording engineer)
mixer:
Nigel Godrich (English record producer)
cello:
Sarah Wilson (Cello player for Belle & Sebastian and Status Quo among others)
mixed at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
recording of:
Why Does It Always Rain on Me?
lyricist and composer:
Fran Healy
publisher:
Sony/ATV Songs LLC
Travis3.754:27
15Three Little Birds
assistant engineer:
Terry Barham and Guy Bidmead
engineer:
Karl Pitterson
producer:
Bob Marley & The Wailers
mixer:
Aston Barrett, Chris Blackwell (Island Records) and Karl Pitterson
acoustic guitar:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
bass:
Aston “Familyman” Barrett (from 1977-01 until 1977-04)
drums (drum set):
Carlton Barrett (from 1977-01 until 1977-04)
guitar:
Aston “Familyman” Barrett (from 1977-01 until 1977-04) and Junior Marvin (from 1977-01 until 1977-04)
keyboard:
Tyrone Downie (from 1977-01 until 1977-04)
percussion:
Aston “Familyman” Barrett (from 1977-01 until 1977-04), Carlton Barrett (from 1977-01 until 1977-04), Tyrone Downie (from 1977-01 until 1977-04), Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04) and Alvin “Seeco” Patterson (from 1977-01 until 1977-04)
background vocals:
Tyrone Downie (from 1977-01 until 1977-04), Marcia Griffiths (reggae singer from Jamaica) (from 1977-01 until 1977-04), Rita Marley (from 1977-01 until 1977-04) and Judy Mowatt (from 1977-01 until 1977-04)
vocals:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1977), Island Records, Inc. (US, Island holding) (in 1977) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 246) and BILLIONS CLUB
recording of:
Three Little Birds (from 1977-01 until 1977-04)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
Bob Marley & The Wailers4.13:03
16Red Red Wine
producer:
Ray “Pablo” Falconer and UB40
arranger:
UB40
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982, in 1983) and DEP International (UB40) (in 1983)
cover recording of:
Red Red Wine
lyricist and composer:
Neil Diamond (in 1967)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label) and Bang Records (Bert Berns label) (in 1968)
UB403.83:05
17A Little Bit of Luck
recording of:
A Little Bit of Luck
writer:
MC Neat and Joel Samuels
DJ Luck & MC Neat5:52
187 Days
recording of:
7 Days
writer:
Craig David, Darren John Hill and Mark Hill (Mark Hill)
Craig David4.653:57
19Something Stupid
recording engineer:
Al Schmitt (lead vocals [vocals])
assistant engineer:
Steve Genewick, Christina Paakkari and Steve Price (UK recording engineer/producer/orchestrator/arranger)
engineer:
Richard Flack (producer/engineer) and Mike Ross‐Trevor (engineer)
producer:
Guy Chambers (English songwriter and record producer) and Steve Power
assistant mixer:
Rupert Coulson (sound engineer) and Ricky Graham (engineer)
bass:
David Catlin‐Birch (UK bassist and guitarist)
drums (drum set) [drums]:
Ralph Salmins
guitar [guitars]:
Mitch Dalton
percussion:
Frank Ricotti (percussionist)
trumpet [trumpets]:
Simon Gardner (trumpet player), Steve Sidwell (English composer & wind instrumentalist) and Paul Spong (trumpetist)
vocals:
Nicole Kidman (actress) and Robbie Williams
orchestra:
The London Session Orchestra
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
concertmaster:
Gavyn Wright (UK violinist, conductor)
music videos:
Somethin’ Stupid by Robbie Williams and Nicole Kidman (actress)
cover recording of:
Somethin’ Stupid
lyricist and composer:
Carson Parks
publisher:
Greenwood Music, Montclare Music and Montclare Music Co Ltd.
translated version of:
Forelsket
Robbie Williams feat. Nicole Kidman3.72:53
20That’s Amore
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (on 1953-08-13)
orchestra:
Dick Stabile and His Orchestra (on 1953-08-13)
conductor:
Dick Stabile (on 1953-08-13)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1953)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-08-13)
recording of:
That’s Amore (on 1953-08-13)
lyricist:
Jack Brooks (English–American lyricist)
composer:
Harry Warren (US composer and lyricist)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) and Universal Songs (publisher)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!) and BMG Unisongs Music Publishers BV
part of:
The 26th Academy Award for Best Original Song (number: 2)
part of:
The Real Book (compilation of jazz standards, Volume I)
Dean Martin4.353:09
21Music to Watch Girls By
producer:
Nick de Caro
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
cover recording of:
Music to Watch Girls By (on 1967-02-21)
writer:
Sid Ramin and Tony Velona
publisher:
Sidray Enterprises Ltd. and Sony Music Publishing (worldwide except Japan, ended 1995)
Andy Williams4.52:34
22I’m Still Standing
recording engineer:
Bill Price (UK producer/engineer)
producer:
Chris Thomas (UK record producer / remixer)
drums (drum set):
Nigel Olsson
electric bass guitar:
Dee Murray
electric guitar:
Davey Johnstone
piano, synthesizer and lead vocals:
Elton John (English singer, songwriter, pianist, and composer)
background vocals:
Davey Johnstone, Dee Murray and Nigel Olsson
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1983)
recorded at:
AIR Studios Montserrat in Saint Peter, Montserrat (on 1983-06-26)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
music videos:
I’m Still Standing by Elton John (English singer, songwriter, pianist, and composer)
recording of:
I’m Still Standing
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Big Pig Music Ltd. (publisher) and Universal–Songs of PolyGram International, Inc.
Elton John3.83:05
23Venus
producer:
Stock Aitken Waterman
drums (drum set):
Linn 9000 (Linn 9000)
vocals:
Bananarama
phonographic copyright (℗) by:
London Records Ltd. (not release label) (in 1986)
part of:
RuPaul’s Drag Race UK Lip Sync Performances (season 1) (number: 2)
cover recording of:
Venus (Shocking Blue (I’m Your Venus))
lyricist and composer:
Robbie van Leeuwen
publisher:
ATV Music Ltd., Dayglow Music (publisher) and The International Music Network
is based on:
The Banjo Song
Bananarama3.953:38
3▼CD
#TitleArtistRatingLength
1Rose Garden
cover recording of:
Rose Garden (in 1970)
lyricist and composer:
Joe South
publisher:
BMG Music Publishing Ltd. and Sony/ATV Songs LLC
version of:
’k Blijf op je wachten
Lynn Anderson4.152:54
2Let Your Love Flow
producer:
Phil Gernhard (songwriter and producer) (in 1975-10) and Tony Scotti (in 1975-10)
bass guitar:
Emory Gordy (in 1975-10)
drums (drum set):
Dennis St. John (in 1975-10)
guitar:
David Bellamy (Bellamy Brothers) (in 1975-10), Howard Bellamy (Bellamy Brothers) (in 1975-10), Richard Bennett (American guitarist) (in 1975-10) and Doug Rhone (American guitarist, songwriter, touring and studio musician) (in 1975-10)
percussion:
King Errison (conguero) (in 1975-10)
synthesizer:
Alan Lindgren (American keyboardist, arranger, producer, studio & session musician) (in 1975-10)
lead vocals:
David Bellamy (Bellamy Brothers) (in 1975-10) and Howard Bellamy (Bellamy Brothers) (in 1975-10)
phonographic copyright (℗) by:
Curb Records (in 1975) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1976)
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States (in 1975-10)
recording of:
Let Your Love Flow (in 1975-10)
lyricist and composer:
Lawrence Eugene Williams (songwriter, "Let Your Love Flow") (in 1975)
The Bellamy Brothers3.653:17
3Hero
lead vocals:
Enrique Iglesias (Spanish pop singer)
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 2001)
music videos:
Hero by Enrique Iglesias (Spanish pop singer)
part of:
Billboard Year-End Hot 100 2002 (number: 23)
recording of:
Hero
writer:
Paul Barry (songwriter/musician), Enrique Iglesias (Spanish pop singer) and Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Metrophonic Music Ltd
Enrique Iglesias4.354:26
4I Don’t Want to Miss a Thing
assistant engineer:
Alex Dejonge (engineer) and Rob Murphy (Engineer)
engineer and mixer:
Dave Thoener
producer:
Matt Serletic
strings arranger:
Suzie Katayama
arranger:
Matt Serletic
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at and mixed at:
The Hit Factory in Manhattan, New York, New York, United States
part of:
BILLIONS CLUB and The Downloader’s Music Source Book (number: 228)
recording of:
I Don’t Want to Miss a Thing
lyricist and composer:
Diane Warren (US songwriter)
publisher:
Realsongs (ended), Manatt, Phelps & Phillips, LLP, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 71st Academy Award for Best Original Song (number: 2)
Aerosmith4.154:58
5You’re Still the One
additional programming:
Bjorn Thornsrud
assistant programming:
Jay Alvarez and James Somberg
programming and editor:
Olle Romo (Swedish music producer, songwriter, and drummer)
producer:
Robert John “Mutt” Lange (Robert John Lange)
mixer:
Mike Shipley (audio engineer, mixer, producer)
phonographic copyright (℗) by:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) and Mercury Records (the holding company; for use as ℗&© credits only!) (in 2022)
recording of:
You’re Still the One
writer:
Eilleen Shania Lange and Robert John Lange
publisher:
Loon Echo, Inc., Out-of-Pocket Productions Ltd. and PolyGram International, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Shania Twain3.653:34
6We Will Rock You
engineer:
Mike Stone (producer and engineer, 1960s–80s)
assistant producer and co-producer:
Mike Stone (producer and engineer, 1960s–80s)
producer:
Queen (UK rock group)
electric guitar and guitar:
Brian May (Queen guitarist) (from 1977-08 until 1977-09)
foot stomps [footstomps] and handclaps:
John Deacon (from 1977-08 until 1977-09), Brian May (Queen guitarist) (from 1977-08 until 1977-09), Freddie Mercury (from 1977-08 until 1977-09) and Roger Taylor (Queen drummer) (from 1977-08 until 1977-09)
background vocals:
Brian May (Queen guitarist) (from 1977-08 until 1977-09), Freddie Mercury (from 1977-08 until 1977-09) and Roger Taylor (Queen drummer) (from 1977-08 until 1977-09)
lead vocals:
Freddie Mercury (from 1977-08 until 1977-09)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1977), Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1977) and Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1977, in 2001, in 2011)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1977-08 until 1977-09)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 338)
recording of:
We Will Rock You (from 1977-08 until 1977-09)
lyricist and composer:
Brian May (Queen guitarist)
publisher:
Beechwood Music Corporation, EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd. and Sony/ATV
included in:
We Will Rock You (Queen musical)
included in:
We Will Rock You (German version of the Queen musical)
Queen3.92:05
7Sweet Child o’ Mine
engineer and producer:
Mike Clink
mixer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) and Steve Thompson (producer)
drums (drum set):
Steven Adler
electric bass guitar:
Duff McKagan
electric guitar:
Slash (Guns N’ Roses guitarist) and Izzy Stradlin (US guitarist, singer & songwriter)
background vocals:
Duff McKagan and Izzy Stradlin (US guitarist, singer & songwriter)
lead vocals:
Axl Rose
phonographic copyright (℗) by:
Geffen Records (in 1987) and The David Geffen Company (legal rights relating to Geffen Records) (in 1987)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 88), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 196) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 212)
recording of:
Sweet Child o’ Mine
writer:
Steven Adler, Izzy Stradlin (US guitarist, singer & songwriter), Duff McKagan, Axl Rose and Slash (Guns N’ Roses guitarist)
publisher:
Black Frog Music and Guns N’ Roses Music
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Guns N’ Roses4.55:57
8Common People
programming:
Olle Romo (Swedish music producer, songwriter, and drummer) (from 1995-01-18 until 1995-01-24)
assistant engineer:
Pete Lewis (engineer)
engineer:
David Nicholas (Australian recording engineer and producer)
producer:
Chris Thomas (UK record producer / remixer)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1995)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1995-01-18 until 1995-01-24)
mixed at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
music videos:
Common People by Pulp
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 3), Indie 88: Top 500 Indie Rock Songs (number: 63) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 75)
recording of:
Common People (from 1995-01-18 until 1995-01-24)
lyricist:
Jarvis Cocker
composer:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) and Russell Senior
premiered at:
Reading Festival (1994-08-27) (1994)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 BMG事業部 (until 2018-03-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Pulp4.75:53
9Have a Nice Day
producer:
Marshall Bird and Steve Bush (engineer/mixer)
recording of:
Have a Nice Day
lyricist and composer:
Kelly Jones (Welsh guitarist vocalist for the Stereophonics)
Stereophonics3.853:27
10Can’t Take My Eyes Off You
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
cover recording of:
Can’t Take My Eyes Off You (1967 song)
writer:
Bob Crewe and Bob Gaudio
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. and Seasons Four Music Corp. (in 1967)
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Andy Williams43:13
11Mack the Knife
recording engineer and mixer:
Al Schmitt
assistant engineer:
Steve Genewick and Christina Paakkari
engineer:
Richard Flack (producer/engineer)
producer:
Guy Chambers (English songwriter and record producer)
assistant mixer:
Rupert Coulson (sound engineer) and Ricky Graham (engineer)
alto saxophone [alto saxophones]:
Gary Foster (woodwind instrumentalist) and Dan Higgins (saxophonist and woodwind recording artist)
baritone saxophone:
Greg Huckins
bass:
Chuck Berghofer (Jazz bassist)
bass trombone:
Craig Ware (trombonist)
drums (drum set) [drums]:
Harold Jones (jazz drummer)
guitar:
George Doering
percussion:
Brian Kilgore
piano:
Jim Cox (US keyboard player, composer)
tenor saxophone [tenor saxophones]:
Pete Christlieb and Sal Lozano
tenor trombone [tenor trombones]:
Alex Iles, Andy Martin (jazz trombonist) and Bruce Otto
trumpet [trumpets]:
Wayne Bergeron, Jeff Bunnell, Chuck Findley (trumpet, trombone, horn player) and Gary Grant (brass)
vocals:
Robbie Williams
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Robbie Williams3.93:20
12Relight My Fire
engineer:
Dixoid
additional producer:
Mark Beswick (task: vocal)
producer:
Andrew Livingstone and Joey Negro (English DJ/producer)
bass:
John Noyce
guest vocals:
Lulu (Scottish singer and actress, best known for “To Sir With Love”)
lead vocals:
Gary Barlow
vocals:
Howard Donald, Jason Orange, Mark Owen (singer–songwriter) and Robbie Williams
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1993)
produced for:
Z Productions
cover recording of:
Relight My Fire
lyricist and composer:
Dan Hartman
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Take That feat. Lulu2.54:12
13When the Going Gets Tough
phonographic copyright (℗) by:
Polygram Ireland Ltd. (in 1999) and Universal Music Ireland Ltd. (not for release label use) (in 1999)
music videos:
When the Going Gets Tough by Boyzone
cover recording of:
When the Going Gets Tough, the Tough Get Going (in 1999)
writer:
Wayne Brathwaite, Barry Eastmond, Robert John “Mutt” Lange (Robert John Lange) and Billy Ocean
publisher:
Aqua Music (Billy Ocean's recording & publishing label), Aqua Music Ltd., BMG Music Publishing Ltd., Imagem London Ltd., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Zomba Enterprises, Inc. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Boyzone2.53:41
14Sweat (A La La La La Long)
additional producer:
Per Adebratt and Tommy Ekman
producer:
Bernard “Touter” Harvey (Jamaican keyboard player and engineer), Ian Lewis (Inner Circle) and Roger Lewis (founder and member of Inner Circle)
remixer:
Per Adebratt and Tommy Ekman
arranger:
Bernard “Touter” Harvey (Jamaican keyboard player and engineer), Ian Lewis (Inner Circle) and Roger Lewis (founder and member of Inner Circle)
recording of:
Sweat (A La La La La Long)
lyricist and composer:
Ian Lewis (Inner Circle) and Roger Lewis (founder and member of Inner Circle)
Inner Circle3.353:50
15Boom Shack‐A‐Lak
recording of:
Boom Shack-A-Lak
writer:
Steven Kapur and Ervin Barrington Woolley
Apache Indian3:52
16Hot Hot Hot
recording of:
Hot, Hot, Hot
lyricist and composer:
Arrow (Montserrat calypso/soca singer Alphonsus Celestine Edmund Cassell)
publisher:
AIR Music (London) Ltd., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Rare Blue Music Inc and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Arrow3:39
17Miami
recording engineer:
Ken "DURO" Ifill (mix engineer Ken Ifill)
drum machine [drum] programming:
L.E.S. (QB hip hop producer)
producer:
L.E.S. (QB hip hop producer) and Poke and Tone
assistant mixer:
Robert Burnette
mixer:
Rich Travali
keyboard [keyboards]:
Keith Winfield
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1997)
recorded at and mixed at:
The Hit Factory in Manhattan, New York, New York, United States
samples:
And the Beat Goes On by The Whispers (US R&B/dance vocal group)
recording of:
Miami
lyricist:
Will Smith (US actor aka The Fresh Prince)
composer:
Leon Sylvers III, Samuel J. Barnes, William Shelby, Stephen Shockley and Ryan Toby
publisher:
DP JJ Publishing Co., Jelly’s Jams LLC, Pladid Music, Portrait (publisher), Slamuwell Productions, Solar Songs Inc. and Treyball Music
Will Smith4.453:20
18Out on the Floor
Dobie Gray2:01
19Be Young, Be Foolish, Be Happy
cover recording of:
Be Young, Be Foolish, Be Happy
writer:
J. R. Cobb and Ray Whitley (60s/70s songwriter)
publisher:
Low Twi Music Inc (publisher) and Low‐Sal Music, Inc.
recording of:
Be Young, Be Foolish, Be Happy
writer:
J. R. Cobb and Ray Whitley (60s/70s songwriter)
publisher:
Low Twi Music Inc (publisher) and Low‐Sal Music, Inc.
The Tams2:07
20Freedom
assistant engineer:
Paul Gomersau
engineer:
Chris Porter (engineer and producer)
producer:
George Michael
keyboard:
Tommy Eyre
saxophone:
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
arranger:
George Michael
phonographic copyright (℗) by:
CBS Records (manufacturer/distributor, not for release label use!) (in 1984) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984)
recording of:
Freedom (Wham!)
lyricist and composer:
George Michael
publisher:
Chappell Music (UK) and Morrison Leahy Music Ltd. (in 1984)
Wham!3.755:06
21Walk of Life
assistant recording engineer:
Steve Jackson (recording engineer)
engineer:
Neil Dorfsman
producer:
Neil Dorfsman and Mark Knopfler
assistant mixer:
David Greenberg (Rockin’ Reel Studios engineer) and Bruce Lampcov
bass guitar:
John Illsley
drums (drum set):
Omar Hakim
guitar:
Mark Knopfler
keyboard:
Alan Clark (keyboardist) and Guy Fletcher (keyboardist)
background vocals:
Guy Fletcher (keyboardist) and John Illsley
vocals:
Mark Knopfler
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1985), Phonogram Ltd. (London) (company name, NOT a label!) (in 1985, in 1988), Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1988, in 2022) and Mercury Records Ltd. (London) (for copyrights use only) (in 1996)
recorded at:
AIR Studios Montserrat in Saint Peter, Montserrat (from 1984-10 until 1985-02)
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
recording of:
Walk of Life
lyricist and composer:
Mark Knopfler
publisher:
Chariscourt Ltd. and Rondor Music (London) Ltd.
Dire Straits4.24:10
4▼CD
#TitleArtistRatingLength
1Stand by Your Man
producer:
Billy Sherrill (US songwriter/producer/arranger)
lead vocals:
Tammy Wynette (in 1968)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 8) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 473)
recording of:
Stand by Your Man (in 1968)
writer:
Billy Sherrill (US songwriter/producer/arranger) and Tammy Wynette
publisher:
Al Gallico Music Corp., EMI Al Gallico Music Corp., EMI Blackwood Music Inc. and EMI Music Publishing Ltd. (PRS‐affiliated)
Tammy Wynette42:42
2That Don’t Impress Me Much
recording of:
That Don’t Impress Me Much
writer:
Robert John “Mutt” Lange (Robert John Lange) and Shania Twain
publisher:
Imagem London Ltd.
Shania Twain3.54:05
3From This Moment On
additional programming:
Bjorn Thornsrud
assistant programming:
Jay Alvarez and James Somberg
programming and editor:
Olle Romo (Swedish music producer, songwriter, and drummer)
producer:
Robert John “Mutt” Lange (Robert John Lange)
mixer:
Mike Shipley (audio engineer, mixer, producer)
strings:
David Hamilton (US keyboardist, orchestral arranger/conductor, producer and songwriter) and Carl Marsh (US orchestrator, arranger, composer and pianist)
guest vocals:
Bryan White
vocals:
Bryan White
performer:
Shania Twain
instruments arranger:
David Hamilton (US keyboardist, orchestral arranger/conductor, producer and songwriter) and Carl Marsh (US orchestrator, arranger, composer and pianist)
phonographic copyright (℗) by:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits)
recording of:
From This Moment On
writer:
Robert John “Mutt” Lange (Robert John Lange) and Shania Twain
publisher:
Loon Echo, Inc., Out-of-Pocket Productions Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Shania Twain44:39
4How Do I Live
producer:
Mike Curb, Chuck Howard (american A&R executive, record and movie producer) and Wilbur C. Rimes
recording of:
How Do I Live
lyricist and composer:
Diane Warren (US songwriter)
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and Realsongs (from 1997 to present)
part of:
The 70th Academy Award for Best Original Song (number: 2)
LeAnn Rimes34:09
5Unbreak My Heart (Frankie Knuckles Classic disco mix)
remixer:
Frankie Knuckles
recording of:
Un-Break My Heart
lyricist and composer:
Diane Warren (US songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Realsongs
Toni Braxton4:30
6Finally
recording of:
Finally (CeCe Peniston song)
writer:
Cecilia Peniston, Felipe Delgado, Elbert Linnear and R. K. Jackson
publisher:
Blue Zephyr, Ce Ce Peniston Music, Mainlot Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Urban Tracks Music and Wax Museum Music
CeCe Peniston3.53:45
7Walk This Way
producer:
Rick Rubin (US record producer, former co‐president of Columbia Records) and Russell Simmons
guest guitar:
Joe Perry (guitarist for Aerosmith)
guest vocals:
Steven Tyler
phonographic copyright (℗) by:
Profile Records, Inc. (distributor / holding / manufacturer) (in 1986) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1986)
recording of:
Walk This Way
writer:
Joe Perry (guitarist for Aerosmith) and Steven Tyler
publisher:
Daksel LLC, Daksel Music Corp., Music of Stage Three, Music of Stage Three Aerosmith Account, Song and Dance Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Ltd., Stage Three Music Ltd., Stage Three Music Publishing Limited and Vindaloo Productions, Inc.
Run‐D.M.C.3.653:43
8Fools Gold
producer and mixer:
John Leckie
phonographic copyright (℗) by:
Silvertone Records Ltd. (company credits only; file NO releases here!) (in 1989, in 1990)
music videos:
Fools Gold (Music video) by The Stone Roses
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 32) and Indie 88: Top 500 Indie Rock Songs (number: 145)
recording of:
Fools Gold
writer:
Ian Brown (UK singer, member of Stone Roses) and John Squire
publisher:
Universal Music Publishers MGB Australia Pty Ltd
The Stone Roses4.44:19
9Should I Stay or Should I Go
engineer:
Bob Clearmountain
producer:
Guy Stevens
mixer:
Glyn Johns
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
guest vocals:
Joe Ely
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1982)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 42), Indie 88: Top 500 Indie Rock Songs (number: 183) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 228)
recording of:
Should I Stay or Should I Go
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
publisher:
Nineden Ltd. and Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
The Clash4.553:10
10Sit Down
recording of:
Sit Down
lyricist:
Tim Booth
composer:
Tim Booth, Jim Glennie, Larry Gott and Gavan Whelan
James3.84:08
11Hey Baby
phonographic copyright (℗) by:
Pro Sound GmbH (from 2000 until 2001) and EMI Austria GmbH (in 2001)
music videos:
Hey Baby (taxi version) by DJ Ötzi (Austrian entertainer and schlager singer)
cover recording of:
Hey! Baby (in 2000)
writer:
Bruce Channel and Margaret Cobb
publisher:
EMI Unart Catalog Inc., Gerig Musikverlag (Musikverlage Hans Gerig KG), Peter Maurice Music Co. Ltd., シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.), CBS Unart Catalog, Inc. (in 1961) and Le Bill Music (in 1961)
DJ Ötzi23:39
12Country Roads
cover recording of:
Take Me Home, Country Roads
anthem of:
West Virginia, United States
writer:
Bill Danoff, John Denver and Taffy Nivert
publisher:
BMG Ruby Songs, Dino Park Publishing, JD Legacy Publishing, My Pop’s Songs, Reservoir Media Music and Cherry Lane Music Publishing Company Inc. (in 1971)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Hermes House Band3:22
13Keep On Movin’
recording engineer:
Adrian Bushby
additional programming:
Chris Laws (engineer, keyboardist & songwriter)
additional producer and additional mixer:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
producer:
Julian Gallagher (songwriter, producer) and Richard Stannard
assistant mixer:
Daniel Pursey (UK engineer), Conal Markey and Alvin Sweeney
mixer:
Adrian Bushby, Jake Davies and Matt Howe (producer and engineer)
performer:
Abs (Richard Abidin Breen ex-Five), J (Five), Ritchie (British singer/songwriter, member of boy band "Five") and Scott (British singer/performer/songwriter)
phonographic copyright (℗) by:
BMG UK & Ireland Ltd. (holding company, do not add releases here) (in 1999)
produced for:
Biffco Productions
recorded at:
Windmill Lane Studio (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
additionally mixed at:
Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, United Kingdom
additionally produced at:
Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recording of:
Keep On Movin’
writer:
Richard Breen, Jason Paul Brown (Five), Sean Conlon, Julian Gallagher (songwriter, producer) and Richard Stannard
publisher:
EMI Music Publishing Limited (PRS‐affiliated), Sony/ATV Music Publishing Ltd and Universal Music Publishing Limited (UK subsidiary of Universal Music Publishing Group)
Five53:19
14Everybody (Backstreets Back)
engineer:
Tommie Hicks Jr. and Joe Smith (US recording/mixing engineer)
producer:
Max Martin (Swedish record producer) and Denniz PoP
other vocals:
Bonnie Brewster, Andrea M. Majied and Susan McCall
phonographic copyright (℗) by:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1997)
recording of:
Everybody (Backstreet’s Back)
writer:
Max Martin (Swedish record producer) and Denniz PoP
publisher:
Maratone AB (ended), MXM Music AB (ended), Grantsville Publishing Ltd., GV-Maratone, GV-MXM, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Zomba Enterprises, Inc., Zomba Music Publishers Limited (UK subsidiary of Zomba Music Publishing) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Backstreet Boys4.14:49
15Wherever, Whenever
recording engineer:
Gustavo Celis, Alfred Figueroa, Javier Garza and Terry Manning (US recording engineer)
programming:
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios))
additional engineer:
Freddy Piñero, Jr.
assistant engineer:
Oswald Bowe, Chris Carroll (US engineer, Mantra Recording Studio), Alex Dixon, Jorge Gonzalez (engineer), Roger Gonzalez, Tony Mardini, Nicholas Marshall, Ken Theis and Christine Tramontano
co-producer:
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios))
producer:
Shakira (Colombian singer-songwriter)
mixer:
Javier Garza
charango, quena and rondador:
Gustavo Patiño
drums (drum set):
Brendan Buckley
electric bass guitar:
Paul Bushnell (session bassist, producer and music director)
guitar:
Tim Pierce (US session guitarist) and Brian Ray
guitar and mandolin:
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios))
percussion:
Miriam Eli, Emilio Estefan, Jr. and Archie Peña
background vocals:
Rita Quintero
background vocals and lead vocals:
Shakira (Colombian singer-songwriter)
arranger:
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios)) and Shakira (Colombian singer-songwriter)
phonographic copyright (℗) by:
Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (in 2001)
co-produced for:
Crescent Moon, Inc.
recorded at:
Compass Point Studios in Nassau, Bahamas, Crescent Moon Studios in Miami, Florida, United States and The Hit Factory Criteria in Miami, Florida, United States
mixed at:
Crescent Moon Studios in Miami, Florida, United States
part of:
Billboard Year-End Hot 100 2002 (number: 28)
recording of:
Whenever, Wherever
lyricist:
Gloria Estefan and Shakira (Colombian singer-songwriter)
composer:
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios)) and Shakira (Colombian singer-songwriter)
publisher:
Aniwi Music, LLC, F.I.P.P. International and Sony/ATV Latin Music Publishing
translated version of:
Suerte
Shakira3.83:18
16Ain’t It Funny
recording engineer:
Fabian Marasciullo, Glen Marchese and Robert Williams (engineer)
programming:
Jose Sanchez and Dan Shea
assistant engineer:
David Swope
additional producer:
Peter Wade Keusch
producer:
Cory Rooney and Dan Shea
mixer:
Jim Annunziato, Dan Hetzel, Richie Jones, Peter Wade Keusch and Tony Maserati (engineer / mixer)
guitar:
René Toledo
trumpet:
Ángel Fernández (Trumpet player)
background vocals:
Cory Rooney and Shalene Thomas
lead vocals:
Jennifer Lopez (American singer and actress aka J.Lo)
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 2001) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2026)
recording of:
Ain’t It Funny
lyricist and composer:
Jennifer Lopez (American singer and actress aka J.Lo) and Cory Rooney
publisher:
Cori Tiffani Publishing, Nuyorican Publishing and Sony/ATV Songs LLC
Jennifer Lopez3.254:05
17She Bangs
phonographic copyright (℗) by:
Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (in 2000)
recording of:
She Bangs
writer:
Walter Afanasieff, Desmond Child, Daniel Lopez (US spanish language songwriter), Glenn Monroig (cantautor puertorriqueño), Draco Rosa (Robert Edward Rosa Suárez aka Robi Draco Rosa) and Julia Sierra
Ricky Martin34:06
18We’re Going to Ibiza!
arranger:
Danski and DJ Delmundo
phonographic copyright (℗) by:
Violent Music B.V. (in 1999)
recording of:
We’re Going to Ibiza
writer:
Jeffrey Calvert and Max West
arranger:
Danski and DJ Delmundo
publisher:
Munnycroft Ltd.
is based on:
Barbados
Vengaboys2.93:41
19Smooth
assistant recording engineer:
Steve Fontano
recording engineer and mixer:
David Thoener
programming and editor:
Mark Dobson (engineer)
producer:
Matt Serletic
assistant mixer:
Andy Haller
performer:
Rob Thomas (Matchbox Twenty)
edit of:
Smooth (album version) by Santana (US Latin, blues, & rock band) featuring Rob Thomas (Matchbox Twenty)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 3)
recording of:
Smooth
lyricist:
Rob Thomas (Matchbox Twenty)
composer:
Itaal Shur and Rob Thomas (Matchbox Twenty)
publisher:
Bidnis, Inc., EMI April Music Inc., EMI Blackwood Music Inc., Itaal Shur Music and U Rule Music
Santana2.44:04
20Stop Her on Sight (SOS)
Edwin Starr2:17
21The Snake
producer:
Marc Gordon (soul songwriter, producer, and manager) and Johnny Rivers
cover recording of:
The Snake
lyricist and composer:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
Al Wilson3:29
5▶CD