Nymphetamine

~ Veröffentlichung von Cradle of Filth (alle Versionen dieser Veröffentlichung ansehen, 8 vorhanden)

Titelliste

1CD
Nr.TitelBewertungLänge
1Satyriasis
Techniker(in):
Dan "Nun Trader" Turner (UK metal producer/engineer)
zusätzliche(r) Techniker(in):
Will Bartle und Steve Carter (producer/engineer from Seattle)
Produzent(in):
Rob Caggiano und Cradle of Filth
Mix:
Colin Richardson (producer/engineer)
E-Bass [Bassist Scum]:
Herr Pubis
Gitarre [Guitar Soul Deux]:
Germs Warfare
Gitarre [Guitar Soul]:
Paul Allender
Keyboard [Unwashed Pianist]:
Martin Foul (violinist and keyboardist)
Schlagzeug [Norseman Of The Apocalypse]:
Adrian Erlandsson
Chorgesang [Porn Chorus]:
Tessa Bonner (soprano), Kim Porter (English singer and composer), Deborah Roberts (soprano), Tim Sager (Choir vocalist), Greg Skidmore (English baritone) und Nicholas Todd (Tenor)
Hintergrundgesang [Dizzying Sexual Highs]:
Sarah Jezebel Deva
Sologesang [Dead Man Squawking]:
Dani Filth
chorus master:
Martin Foul (author)
Orchestrator(in):
Daniel Presley
phonographisches Urheberrecht (℗) von:
Sum Records (Argentine label, with divisions in various Latin countries) und The All Blacks B.V. (company, for copyrights purposes) (in 2004)
produced for:
Scrap 60 Productions
aufgenommen bei:
Chapel Studios in Lincolnshire, England, Vereinigtes Königreich und Parkgate Studios in Battle, East Sussex, England, Vereinigtes Königreich
mixed at:
Chapel Studios in Lincolnshire, England, Vereinigtes Königreich
recording of:
Satyriasis
Texter:
Dani Filth
Verfasser(in):
Cradle of Filth
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Zomba Music Publishing Ltd.
31:42
2Gilded Cunt
Techniker(in):
Dan "Nun Trader" Turner (UK metal producer/engineer)
zusätzliche(r) Techniker(in):
Will Bartle und Steve Carter (producer/engineer from Seattle)
Produzent(in):
Rob Caggiano und Cradle of Filth
Mix:
Colin Richardson (producer/engineer)
E-Bass [Bassist Scum]:
Herr Pubis
Gitarre [Guitar Soul Deux]:
Germs Warfare
Gitarre [Guitar Soul]:
Paul Allender
Keyboard [Unwashed Pianist]:
Martin Foul (violinist and keyboardist)
Schlagzeug [Norseman Of The Apocalypse]:
Adrian Erlandsson
Chorgesang [Porn Chorus]:
Tessa Bonner (soprano), Kim Porter (English singer and composer), Deborah Roberts (soprano), Tim Sager (Choir vocalist), Greg Skidmore (English baritone) und Nicholas Todd (Tenor)
Hintergrundgesang [Dizzying Sexual Highs]:
Sarah Jezebel Deva
Sologesang [Dead Man Squawking]:
Dani Filth
chorus master:
Martin Foul (author)
Orchestrator(in):
Daniel Presley
phonographisches Urheberrecht (℗) von:
Sum Records (Argentine label, with divisions in various Latin countries) und The All Blacks B.V. (company, for copyrights purposes) (in 2004)
produced for:
Scrap 60 Productions
aufgenommen bei:
Chapel Studios in Lincolnshire, England, Vereinigtes Königreich und Parkgate Studios in Battle, East Sussex, England, Vereinigtes Königreich
mixed at:
Chapel Studios in Lincolnshire, England, Vereinigtes Königreich
recording of:
Gilded Cunt
Texter:
Dani Filth
Verfasser(in):
Cradle of Filth
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Zomba Music Publishing Ltd.
3.754:08
3Nemesis
Techniker(in):
Dan "Nun Trader" Turner (UK metal producer/engineer)
zusätzliche(r) Techniker(in):
Will Bartle und Steve Carter (producer/engineer from Seattle)
Produzent(in):
Rob Caggiano und Cradle of Filth
Mix:
Colin Richardson (producer/engineer)
E-Bass [Bassist Scum]:
Herr Pubis
Gitarre [Guitar Soul Deux]:
Germs Warfare
Gitarre [Guitar Soul]:
Paul Allender
Keyboard [Unwashed Pianist]:
Martin Foul (violinist and keyboardist)
Schlagzeug [Norseman Of The Apocalypse]:
Adrian Erlandsson
Chorgesang [Porn Chorus]:
Tessa Bonner (soprano), Kim Porter (English singer and composer), Deborah Roberts (soprano), Tim Sager (Choir vocalist), Greg Skidmore (English baritone) und Nicholas Todd (Tenor)
Hintergrundgesang [Dizzying Sexual Highs]:
Sarah Jezebel Deva
Sologesang [Dead Man Squawking]:
Dani Filth
chorus master:
Martin Foul (author)
Orchestrator(in):
Daniel Presley
phonographisches Urheberrecht (℗) von:
Sum Records (Argentine label, with divisions in various Latin countries) und The All Blacks B.V. (company, for copyrights purposes) (in 2004)
produced for:
Scrap 60 Productions
aufgenommen bei:
Chapel Studios in Lincolnshire, England, Vereinigtes Königreich und Parkgate Studios in Battle, East Sussex, England, Vereinigtes Königreich
mixed at:
Chapel Studios in Lincolnshire, England, Vereinigtes Königreich
recording of:
Nemesis
Texter:
Dani Filth
Verfasser(in):
Cradle of Filth
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Zomba Music Publishing Ltd.
4.47:18
4Gabrielle
Techniker(in):
Dan "Nun Trader" Turner (UK metal producer/engineer)
zusätzliche(r) Techniker(in):
Will Bartle und Steve Carter (producer/engineer from Seattle)
Produzent(in):
Rob Caggiano und Cradle of Filth
Mix:
Colin Richardson (producer/engineer)
E-Bass [Bassist Scum]:
Herr Pubis
Gitarre [Guitar Soul Deux]:
Germs Warfare
Gitarre [Guitar Soul]:
Paul Allender
Keyboard [Unwashed Pianist]:
Martin Foul (violinist and keyboardist)
Schlagzeug [Norseman Of The Apocalypse]:
Adrian Erlandsson
Chorgesang [Porn Chorus]:
Tessa Bonner (soprano), Kim Porter (English singer and composer), Deborah Roberts (soprano), Tim Sager (Choir vocalist), Greg Skidmore (English baritone) und Nicholas Todd (Tenor)
Hintergrundgesang [Dizzying Sexual Highs]:
Sarah Jezebel Deva
Sologesang [Dead Man Squawking]:
Dani Filth
chorus master:
Martin Foul (author)
Orchestrator(in):
Daniel Presley
phonographisches Urheberrecht (℗) von:
Sum Records (Argentine label, with divisions in various Latin countries) und The All Blacks B.V. (company, for copyrights purposes) (in 2004)
produced for:
Scrap 60 Productions
aufgenommen bei:
Chapel Studios in Lincolnshire, England, Vereinigtes Königreich und Parkgate Studios in Battle, East Sussex, England, Vereinigtes Königreich
mixed at:
Chapel Studios in Lincolnshire, England, Vereinigtes Königreich
recording of:
Gabrielle
Texter:
Dani Filth
Verfasser(in):
Cradle of Filth
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Zomba Music Publishing Ltd.
45:27
5Absinthe With Faust
Techniker(in):
Dan "Nun Trader" Turner (UK metal producer/engineer)
zusätzliche(r) Techniker(in):
Will Bartle und Steve Carter (producer/engineer from Seattle)
Produzent(in):
Rob Caggiano und Cradle of Filth
Mix:
Colin Richardson (producer/engineer)
E-Bass [Bassist Scum]:
Herr Pubis
Gitarre [Guitar Soul Deux]:
Germs Warfare
Gitarre [Guitar Soul]:
Paul Allender
Keyboard [Unwashed Pianist]:
Martin Foul (violinist and keyboardist)
Schlagzeug [Norseman Of The Apocalypse]:
Adrian Erlandsson
Chorgesang [Porn Chorus]:
Tessa Bonner (soprano), Kim Porter (English singer and composer), Deborah Roberts (soprano), Tim Sager (Choir vocalist), Greg Skidmore (English baritone) und Nicholas Todd (Tenor)
Hintergrundgesang [Dizzying Sexual Highs]:
Sarah Jezebel Deva
Sologesang [Dead Man Squawking]:
Dani Filth
chorus master:
Martin Foul (author)
Orchestrator(in):
Daniel Presley
phonographisches Urheberrecht (℗) von:
Sum Records (Argentine label, with divisions in various Latin countries) und The All Blacks B.V. (company, for copyrights purposes) (in 2004)
produced for:
Scrap 60 Productions
aufgenommen bei:
Chapel Studios in Lincolnshire, England, Vereinigtes Königreich und Parkgate Studios in Battle, East Sussex, England, Vereinigtes Königreich
mixed at:
Chapel Studios in Lincolnshire, England, Vereinigtes Königreich
recording of:
Absinthe With Faust
Texter:
Dani Filth
Verfasser(in):
Cradle of Filth
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Zomba Music Publishing Ltd.
45:14
6Nymphetamine (Overdose)
recording engineer:
Alex Krull (Sologesang [Nymphete])
Techniker(in):
Dan "Nun Trader" Turner (UK metal producer/engineer)
zusätzliche(r) Techniker(in):
Will Bartle und Steve Carter (producer/engineer from Seattle)
Produzent(in):
Rob Caggiano und Cradle of Filth
Mix:
Colin Richardson (producer/engineer)
E-Bass [Bassist Scum]:
Herr Pubis
Gitarre [Guitar Soul Deux]:
Germs Warfare
Gitarre [Guitar Soul]:
Paul Allender
Keyboard [Unwashed Pianist]:
Martin Foul (violinist and keyboardist)
Schlagzeug [Norseman Of The Apocalypse]:
Adrian Erlandsson
Chorgesang [Porn Chorus]:
Tessa Bonner (soprano), Kim Porter (English singer and composer), Deborah Roberts (soprano), Tim Sager (Choir vocalist), Greg Skidmore (English baritone) und Nicholas Todd (Tenor)
Gast Sologesang [Nymphete]:
Liv Kristine Espenæs (the person)
Hintergrundgesang [Dizzying Sexual Highs]:
Sarah Jezebel Deva
Sologesang [Dead Man Squawking]:
Dani Filth
chorus master:
Martin Foul (author)
Orchestrator(in):
Daniel Presley
phonographisches Urheberrecht (℗) von:
Sum Records (Argentine label, with divisions in various Latin countries) und The All Blacks B.V. (company, for copyrights purposes) (in 2004)
produced for:
Scrap 60 Productions
aufgenommen bei:
Chapel Studios in Lincolnshire, England, Vereinigtes Königreich und Parkgate Studios in Battle, East Sussex, England, Vereinigtes Königreich
mixed at:
Chapel Studios in Lincolnshire, England, Vereinigtes Königreich
recording of:
Nymphetamine (Overdose)
Texter:
Dani Filth
Verfasser(in):
Cradle of Filth
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Zomba Music Publishing Ltd.
4.659:14
7Painting Flowers White Never Suited My Palette
Techniker(in):
Dan "Nun Trader" Turner (UK metal producer/engineer)
zusätzliche(r) Techniker(in):
Will Bartle und Steve Carter (producer/engineer from Seattle)
Produzent(in):
Rob Caggiano und Cradle of Filth
Mix:
Colin Richardson (producer/engineer)
E-Bass [Bassist Scum]:
Herr Pubis
Gitarre [Guitar Soul Deux]:
Germs Warfare
Gitarre [Guitar Soul]:
Paul Allender
Keyboard [Unwashed Pianist]:
Martin Foul (violinist and keyboardist)
Schlagzeug [Norseman Of The Apocalypse]:
Adrian Erlandsson
Chorgesang [Porn Chorus]:
Tessa Bonner (soprano), Kim Porter (English singer and composer), Deborah Roberts (soprano), Tim Sager (Choir vocalist), Greg Skidmore (English baritone) und Nicholas Todd (Tenor)
Hintergrundgesang [Dizzying Sexual Highs]:
Sarah Jezebel Deva
Sologesang [Dead Man Squawking]:
Dani Filth
chorus master:
Martin Foul (author)
Orchestrator(in):
Daniel Presley
phonographisches Urheberrecht (℗) von:
Sum Records (Argentine label, with divisions in various Latin countries) und The All Blacks B.V. (company, for copyrights purposes) (in 2004)
produced for:
Scrap 60 Productions
aufgenommen bei:
Chapel Studios in Lincolnshire, England, Vereinigtes Königreich und Parkgate Studios in Battle, East Sussex, England, Vereinigtes Königreich
mixed at:
Chapel Studios in Lincolnshire, England, Vereinigtes Königreich
recording of:
Painting Flowers White Never Suited My Palette
Texter:
Dani Filth
Verfasser(in):
Cradle of Filth
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Zomba Music Publishing Ltd.
3.651:57
8Medusa and Hemlock
Techniker(in):
Dan "Nun Trader" Turner (UK metal producer/engineer)
zusätzliche(r) Techniker(in):
Will Bartle und Steve Carter (producer/engineer from Seattle)
Koproduzent(in):
Cradle of Filth
Produzent(in):
Rob Caggiano und Cradle of Filth
Mix:
Colin Richardson (producer/engineer)
E-Bass [Bassist Scum]:
Herr Pubis
Gitarre [Guitar Soul Deux]:
Germs Warfare
Gitarre [Guitar Soul]:
Paul Allender
Keyboard [Unwashed Pianist]:
Martin Foul (violinist and keyboardist)
Schlagzeug [Norseman Of The Apocalypse]:
Adrian Erlandsson
Chorgesang [Porn Chorus]:
Tessa Bonner (soprano), Kim Porter (English singer and composer), Deborah Roberts (soprano), Tim Sager (Choir vocalist), Greg Skidmore (English baritone) und Nicholas Todd (Tenor)
Hintergrundgesang [Dizzying Sexual Highs]:
Sarah Jezebel Deva
Sologesang [Dead Man Squawking]:
Dani Filth
chorus master:
Martin Foul (author)
Orchestrator(in):
Daniel Presley
phonographisches Urheberrecht (℗) von:
Sum Records (Argentine label, with divisions in various Latin countries) und The All Blacks B.V. (company, for copyrights purposes) (in 2004)
produced for:
Scrap 60 Productions
aufgenommen bei:
Chapel Studios in Lincolnshire, England, Vereinigtes Königreich und Parkgate Studios in Battle, East Sussex, England, Vereinigtes Königreich
mixed at:
Chapel Studios in Lincolnshire, England, Vereinigtes Königreich
recording of:
Medusa and Hemlock
Texter:
Dani Filth
Verfasser(in):
Cradle of Filth
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Zomba Music Publishing Ltd.
3.654:44
9Coffin Fodder
Techniker(in):
Dan "Nun Trader" Turner (UK metal producer/engineer)
zusätzliche(r) Techniker(in):
Will Bartle und Steve Carter (producer/engineer from Seattle)
Produzent(in):
Rob Caggiano und Cradle of Filth
Mix:
Colin Richardson (producer/engineer)
E-Bass [Bassist Scum]:
Herr Pubis
Gitarre [Guitar Soul Deux]:
Germs Warfare
Gitarre [Guitar Soul]:
Paul Allender
Keyboard [Unwashed Pianist]:
Martin Foul (violinist and keyboardist)
Schlagzeug [Norseman Of The Apocalypse]:
Adrian Erlandsson
Chorgesang [Porn Chorus]:
Tessa Bonner (soprano), Kim Porter (English singer and composer), Deborah Roberts (soprano), Tim Sager (Choir vocalist), Greg Skidmore (English baritone) und Nicholas Todd (Tenor)
Hintergrundgesang [Dizzying Sexual Highs]:
Sarah Jezebel Deva
Sologesang [Dead Man Squawking]:
Dani Filth
chorus master:
Martin Foul (author)
Orchestrator(in):
Daniel Presley
phonographisches Urheberrecht (℗) von:
Sum Records (Argentine label, with divisions in various Latin countries) und The All Blacks B.V. (company, for copyrights purposes) (in 2004)
produced for:
Scrap 60 Productions
aufgenommen bei:
Chapel Studios in Lincolnshire, England, Vereinigtes Königreich und Parkgate Studios in Battle, East Sussex, England, Vereinigtes Königreich
mixed at:
Chapel Studios in Lincolnshire, England, Vereinigtes Königreich
recording of:
Coffin Fodder
Texter:
Dani Filth
Verfasser(in):
Cradle of Filth
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Zomba Music Publishing Ltd.
2.55:17
10English Fire
Techniker(in):
Dan "Nun Trader" Turner (UK metal producer/engineer)
zusätzliche(r) Techniker(in):
Will Bartle und Steve Carter (producer/engineer from Seattle)
Produzent(in):
Rob Caggiano und Cradle of Filth
Mix:
Colin Richardson (producer/engineer)
E-Bass [Bassist Scum]:
Herr Pubis
Gitarre [Guitar Soul Deux]:
Germs Warfare
Gitarre [Guitar Soul]:
Paul Allender
Keyboard [Unwashed Pianist]:
Martin Foul (violinist and keyboardist)
Schlagzeug [Norseman Of The Apocalypse]:
Adrian Erlandsson
Chorgesang [Porn Chorus]:
Tessa Bonner (soprano), Kim Porter (English singer and composer), Deborah Roberts (soprano), Tim Sager (Choir vocalist), Greg Skidmore (English baritone) und Nicholas Todd (Tenor)
Hintergrundgesang [Dizzying Sexual Highs]:
Sarah Jezebel Deva
Sologesang [Dead Man Squawking]:
Dani Filth
chorus master:
Martin Foul (author)
Orchestrator(in):
Daniel Presley
phonographisches Urheberrecht (℗) von:
Sum Records (Argentine label, with divisions in various Latin countries) und The All Blacks B.V. (company, for copyrights purposes) (in 2004)
produced for:
Scrap 60 Productions
aufgenommen bei:
Chapel Studios in Lincolnshire, England, Vereinigtes Königreich und Parkgate Studios in Battle, East Sussex, England, Vereinigtes Königreich
mixed at:
Chapel Studios in Lincolnshire, England, Vereinigtes Königreich
recording of:
English Fire
Texter:
Dani Filth
Verfasser(in):
Cradle of Filth
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Zomba Music Publishing Ltd.
2.54:45
11Filthy Little Secret
Techniker(in):
Dan "Nun Trader" Turner (UK metal producer/engineer)
zusätzliche(r) Techniker(in):
Will Bartle und Steve Carter (producer/engineer from Seattle)
Produzent(in):
Rob Caggiano und Cradle of Filth
Mix:
Colin Richardson (producer/engineer)
E-Bass [Bassist Scum]:
Herr Pubis
Gitarre [Guitar Soul Deux]:
Germs Warfare
Gitarre [Guitar Soul]:
Paul Allender
Keyboard [Unwashed Pianist]:
Martin Foul (violinist and keyboardist)
Schlagzeug [Norseman Of The Apocalypse]:
Adrian Erlandsson
Chorgesang [Porn Chorus]:
Tessa Bonner (soprano), Kim Porter (English singer and composer), Deborah Roberts (soprano), Tim Sager (Choir vocalist), Greg Skidmore (English baritone) und Nicholas Todd (Tenor)
Hintergrundgesang [Dizzying Sexual Highs]:
Sarah Jezebel Deva
Sologesang [Dead Man Squawking]:
Dani Filth
chorus master:
Martin Foul (author)
Orchestrator(in):
Daniel Presley
phonographisches Urheberrecht (℗) von:
Sum Records (Argentine label, with divisions in various Latin countries) und The All Blacks B.V. (company, for copyrights purposes) (in 2004)
produced for:
Scrap 60 Productions
aufgenommen bei:
Chapel Studios in Lincolnshire, England, Vereinigtes Königreich und Parkgate Studios in Battle, East Sussex, England, Vereinigtes Königreich
mixed at:
Chapel Studios in Lincolnshire, England, Vereinigtes Königreich
recording of:
Filthy Little Secret
Texter:
Dani Filth
Verfasser(in):
Cradle of Filth
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Zomba Music Publishing Ltd.
36:16
12Swansong for a Raven
Techniker(in):
Dan "Nun Trader" Turner (UK metal producer/engineer)
zusätzliche(r) Techniker(in):
Will Bartle und Steve Carter (producer/engineer from Seattle)
Produzent(in):
Rob Caggiano und Cradle of Filth
Mix:
Colin Richardson (producer/engineer)
E-Bass [Bassist Scum]:
Herr Pubis
Gitarre [Guitar Soul Deux]:
Germs Warfare
Gitarre [Guitar Soul]:
Paul Allender
Keyboard [Unwashed Pianist]:
Martin Foul (violinist and keyboardist)
Schlagzeug [Norseman Of The Apocalypse]:
Adrian Erlandsson
Chorgesang [Porn Chorus]:
Tessa Bonner (soprano), Kim Porter (English singer and composer), Deborah Roberts (soprano), Tim Sager (Choir vocalist), Greg Skidmore (English baritone) und Nicholas Todd (Tenor)
Hintergrundgesang [Dizzying Sexual Highs]:
Sarah Jezebel Deva
Sologesang [Dead Man Squawking]:
Dani Filth
Sprecher [Ceno-bytes And Narration]:
Doug Bradley (United Kingdom voice actor)
chorus master:
Martin Foul (author)
Orchestrator(in):
Daniel Presley
phonographisches Urheberrecht (℗) von:
Sum Records (Argentine label, with divisions in various Latin countries) und The All Blacks B.V. (company, for copyrights purposes) (in 2004)
produced for:
Scrap 60 Productions
aufgenommen bei:
Chapel Studios in Lincolnshire, England, Vereinigtes Königreich und Parkgate Studios in Battle, East Sussex, England, Vereinigtes Königreich
mixed at:
Chapel Studios in Lincolnshire, England, Vereinigtes Königreich
recording of:
Swansong for a Raven
Texter:
Dani Filth
Verfasser(in):
Cradle of Filth
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Zomba Music Publishing Ltd.
3.57:09
13Mother of Abominations
Techniker(in):
Dan "Nun Trader" Turner (UK metal producer/engineer)
zusätzliche(r) Techniker(in):
Will Bartle und Steve Carter (producer/engineer from Seattle)
Produzent(in):
Rob Caggiano und Cradle of Filth
Mix:
Colin Richardson (producer/engineer)
E-Bass [Bassist Scum]:
Herr Pubis
Gitarre [Guitar Soul Deux]:
Germs Warfare
Gitarre [Guitar Soul]:
Paul Allender
Keyboard [Unwashed Pianist]:
Martin Foul (violinist and keyboardist)
Schlagzeug [Norseman Of The Apocalypse]:
Adrian Erlandsson
Chorgesang [Porn Chorus]:
Tessa Bonner (soprano), Kim Porter (English singer and composer), Deborah Roberts (soprano), Tim Sager (Choir vocalist), Greg Skidmore (English baritone) und Nicholas Todd (Tenor)
Hintergrundgesang [Dizzying Sexual Highs]:
Sarah Jezebel Deva
Sologesang [Dead Man Squawking]:
Dani Filth
chorus master:
Martin Foul (author)
Orchestrator(in):
Daniel Presley
phonographisches Urheberrecht (℗) von:
Sum Records (Argentine label, with divisions in various Latin countries) und The All Blacks B.V. (company, for copyrights purposes) (in 2004)
produced for:
Scrap 60 Productions
aufgenommen bei:
Chapel Studios in Lincolnshire, England, Vereinigtes Königreich und Parkgate Studios in Battle, East Sussex, England, Vereinigtes Königreich
mixed at:
Chapel Studios in Lincolnshire, England, Vereinigtes Königreich
recording of:
Mother of Abominations
Texter:
Dani Filth
Verfasser(in):
Cradle of Filth
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Zomba Music Publishing Ltd.
3.657:33
14Nymphetamine (Fix)
recording engineer:
Alex Krull (Sologesang [Nymphete])
Techniker(in):
Dan "Nun Trader" Turner (UK metal producer/engineer)
zusätzliche(r) Techniker(in):
Will Bartle und Steve Carter (producer/engineer from Seattle)
Produzent(in):
Rob Caggiano und Cradle of Filth
Mix:
Colin Richardson (producer/engineer)
E-Bass [Bassist Scum]:
Herr Pubis
Gitarre [Guitar Soul Deux]:
Germs Warfare
Gitarre [Guitar Soul]:
Paul Allender
Keyboard [Unwashed Pianist]:
Martin Foul (violinist and keyboardist)
Schlagzeug [Norseman Of The Apocalypse]:
Adrian Erlandsson
Chorgesang [Porn Chorus]:
Tessa Bonner (soprano), Kim Porter (English singer and composer), Deborah Roberts (soprano), Tim Sager (Choir vocalist), Greg Skidmore (English baritone) und Nicholas Todd (Tenor)
Gast Sologesang [Nymphete]:
Liv Kristine Espenæs (the person)
Hintergrundgesang [Dizzying Sexual Highs]:
Sarah Jezebel Deva
Sologesang [Dead Man Squawking]:
Dani Filth
chorus master:
Martin Foul (author)
Orchestrator(in):
Daniel Presley
phonographisches Urheberrecht (℗) von:
Sum Records (Argentine label, with divisions in various Latin countries) und The All Blacks B.V. (company, for copyrights purposes) (in 2004)
produced for:
Scrap 60 Productions
aufgenommen bei:
Chapel Studios in Lincolnshire, England, Vereinigtes Königreich und Parkgate Studios in Battle, East Sussex, England, Vereinigtes Königreich
mixed at:
Chapel Studios in Lincolnshire, England, Vereinigtes Königreich
Musikvideos:
Nymphetamine (music video) von Cradle of Filth
recording of:
Nymphetamine (Fix)
Texter:
Dani Filth
Verfasser(in):
Cradle of Filth
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Zomba Music Publishing Ltd.
Version von:
Nymphetamine (Overdose)
4.75:02

Nennungen

Veröffentlichung

Fotografie und illustration:Matt Lombard (photographer & digital artist)
Reservierungen:Paul Bolton
Helter Skelter (booking agency)
Grafikdesign:Aimee Lombard (visual artist)
mastering:UE Nastasi (mastering engineer)
Verwertungsgesellschaft:AADI (not for release label use, rights society: Asociación Argentina de Intérpretes)
BIEM (international rights organization representing member societies from 58 countries)
CAPIF (not for release label use, rights society: Cámara Argentina de Productores de Fonogramas y Videogramas)
SADAIC (not for release label use, rights society: Sociedad Argentina de Autores y Compositores de Música)
urheberrechtlich geschützt (©) von:Sum Records (Argentine label, with divisions in various Latin countries)
gepresst von:E.P.S.A. Electrical Products S.A. (CD manufacturer)
mastered at:Sterling Sound (original NYC studio; split/relocated to Nashville and Edgewater in 2018) in Chelsea, New York, New York, Vereinigte Staaten
Discogs:https://www.discogs.com/release/8711378 [Info]