Rage: The Songs Most Chosen by Rage Guest Programmers

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Love Will Tear Us Apart
producer:
Joy Division and Martin Hannett
bass:
Peter Hook
drums (drum set):
Stephen Morris (New Order)
guitar:
Bernard Albrecht
vocals:
Bernard Albrecht and Ian Curtis
phonographic copyright (℗) by:
Factory Communications Ltd. (holding company – file no releases here!) (in 1988)
recorded at:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom
part of:
triple j’s Hottest 100 (Australian annual music listener poll) (number: 1989 (All-time)), triple j’s Hottest 100 (Australian annual music listener poll) (number: 1990 (All-time)), Indie 88: Top 500 Indie Rock Songs (number: 5), Q50 – December 2005 (number: 6), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 14), NME: Greatest “Indie” Anthems Ever: 2007 (number: 19), Pitchfork: The Story of Goth in 33 Songs, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 41) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 179)
recording of:
Love Will Tear Us Apart
lyricist:
Ian Curtis
composer:
Ian Curtis, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Fractured Music (publisher) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Joy Division4.53:27
2The Killing Moon
recording engineer and producer:
David Lord (British composer, engineer and producer)
mixer:
Echo & the Bunnymen and Gil Norton (British record producer)
arranger:
Adam Peters
recording of:
The Killing Moon
writer:
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson and Will Sergeant
Echo & the Bunnymen4.655:46
3Golden Brown
co-producer:
Steve Churchyard
producer:
Steve Churchyard and The Stranglers
mixer:
Tony Visconti
performer:
The Stranglers
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Golden Brown
writer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. and Plumbshaft-Ltd.
The Stranglers4.43:28
4Venus in Furs
recording engineer:
Omi Haden
producer:
Andy Warhol (American artist)
recording of:
Venus in Furs
lyricist and composer:
Lou Reed
The Velvet Underground4.455:09
5Fools Gold
producer and mixer:
John Leckie
phonographic copyright (℗) by:
Silvertone Records Ltd. (company credits only; file NO releases here!) (in 1989, in 1990)
music videos:
Fools Gold (Music video) by The Stone Roses
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 32) and Indie 88: Top 500 Indie Rock Songs (number: 145)
recording of:
Fools Gold
writer:
Ian Brown (UK singer, member of Stone Roses) and John Squire
publisher:
Universal Music Publishers MGB Australia Pty Ltd
The Stone Roses4.44:17
6Just
recording engineer:
Jonny Greenwood (English musician and score composer)
sound engineer:
Jim Warren (producer/engineer)
assistant engineer:
Guy Massey (UK producer/engineer) and Shelley Saunders
engineer:
Chris Brown (engineer), Nigel Godrich (English record producer), John Leckie and Jim Warren (producer/engineer)
producer:
John Leckie
mixer:
John Leckie, Paul Q. Kolderee, Radiohead and Sean Slade
editor:
Chris Blair (senior mastering engineer at Abbey Road Studios, London, UK)
bass guitar:
Colin Greenwood (English bassist in Radiohead) (from 1994-02 until 1994-11)
cello:
Caroline Lavelle (from 1994-02 until 1994-11)
drums (drum set) and percussion:
Philip Selway (drummer in Radiohead) (from 1994-02 until 1994-11)
guitar:
Jonny Greenwood (English musician and score composer) (from 1994-02 until 1994-11), Ed O’Brien (guitarist & songwriter in Radiohead) (from 1994-02 until 1994-11) and Thom Yorke (from 1994-02 until 1994-11)
organ and synthesizer:
Jonny Greenwood (English musician and score composer) (from 1994-02 until 1994-11)
piano:
Jonny Greenwood (English musician and score composer) (from 1994-02 until 1994-11) and Thom Yorke (from 1994-02 until 1994-11)
viola and violin:
John Matthias (from 1994-02 until 1994-11)
background vocals:
Ed O’Brien (guitarist & songwriter in Radiohead) (from 1994-02 until 1994-11)
vocals:
Thom Yorke (from 1994-02 until 1994-11)
strings arranger:
Jonny Greenwood (English musician and score composer) and Thom Yorke
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1995)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1994-02 until 1994-11), RSK in London (Greater London), England, United Kingdom (from 1994-02 until 1994-11) and The Manor in Oxfordshire, England, United Kingdom (from 1994-02 until 1994-11)
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Fort Apache in Cambridge, Massachusetts, United States
edited at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
music videos:
Just (promo video) by Radiohead
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 34)
recording of:
Just (from 1994-02 until 1994-11)
writer:
Colin Greenwood (English bassist in Radiohead), Jonny Greenwood (English musician and score composer), Ed O’Brien (guitarist & songwriter in Radiohead), Philip Selway (drummer in Radiohead) and Thom Yorke
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Radiohead4.253:53
7Don’t Want to Know If You Are Lonely
engineer:
Steve Fjelstad (from 1985-10 until 1986-01)
producer:
Grant Hart (from 1985-10 until 1986-01) and Bob Mould (from 1985-10 until 1986-01)
bass:
Greg Norton (from 1985-10 until 1986-01)
drums (drum set):
Grant Hart (from 1985-10 until 1986-01)
guitar:
Bob Mould (from 1985-10 until 1986-01)
vocals:
Grant Hart (from 1985-10 until 1986-01) and Bob Mould (from 1985-10 until 1986-01)
recorded at and mixed at:
Nicollet Studios in Minneapolis, Minnesota, United States (from 1985-10 until 1986-01)
recording of:
Don’t Want to Know If You Are Lonely (from 1985-10 until 1986-01)
lyricist and composer:
Grant Hart
Hüsker Dü4.53:30
8Monkey Gone to Heaven
assistant engineer:
Matt Lane (engineer) and Dave Snider
engineer:
Matt Lane (engineer) and Gil Norton (British record producer)
producer:
Gil Norton (British record producer)
mixer:
Steve Haigler
cello:
Arthur Fiacco and Ann Rorich
drums (drum set):
Dave Lovering
electric bass guitar:
Kim Deal
electric guitar:
Black Francis (US singer, songwriter & guitarist)
electric guitar [lead guitar] and background vocals:
Joey Santiago
violin:
Karen Karlsrud and Corine Metter
vocals:
Black Francis (US singer, songwriter & guitarist) and Kim Deal
phonographic copyright (℗) by:
4AD Ltd (in 1989)
recorded at and engineered at:
Downtown Recorders in Boston, Massachusetts, United States
mixed at:
Carriage House Studios in Stamford, Connecticut, United States
produced at:
Downtown Recorders in Boston, Massachusetts, United States
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 35), Indie 88: Top 500 Indie Rock Songs (number: 49) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 410)
recording of:
Monkey Gone to Heaven
lyricist and composer:
Black Francis (US singer, songwriter & guitarist)
Pixies3.92:56
9Los Angeles
recording of:
Los Angeles
writer:
Frank Black (US singer, songwriter & guitarist)
Frank Black4.44:07
10Cannonball
assistant engineer:
Sean Leonard (Irish engineer) and Andy Taub
engineer:
Mark Freegard
producer:
Kim Deal and Mark Freegard
bass guitar:
Josephine Wiggs
drums (drum set):
Jim MacPherson
guitar:
Kelley Deal and Kim Deal
vocals:
Kelley Deal, Kim Deal and Josephine Wiggs
phonographic copyright (℗) by:
4AD (in 1993)
recorded at:
Brilliant Studios in San Francisco, California, United States, Coast Recorders in San Francisco, California, United States and Refraze Recording Studios in Dayton, Ohio, United States
mixed at:
The Record Plant (Sausalito, 1972-1981) in Sausalito, California, United States
music videos:
Cannonball (Official Video) by The Breeders
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 22), Indie 88: Top 500 Indie Rock Songs (number: 416) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 489)
recording of:
Cannonball
lyricist and composer:
Kim Deal
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Period Music
The Breeders4.553:36
11Heart of Glass
producer:
Mike Chapman (Australian producer and songwriter)
remixer:
Mike Chapman (Australian producer and songwriter)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 1981, in 2002) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
remix of:
Heart of Glass by Blondie (US rock band)
recording of:
Heart of Glass
writer:
Deborah Harry and Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation and Rare Blue Music Inc (in 1978)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
version of:
Once I Had a Love
Blondie44:30
12Groove Is in the Heart
additional engineer:
Bob Power
assistant engineer:
Derek Lategan and Eddie Sancho
engineer:
Mike Rogers (US producer/engineer, aka Tweekin')
additional producer and additional mixer:
Mike Rogers (US producer/engineer, aka Tweekin')
producer:
Deee‐Lite
saxophone:
Maceo Parker (US funk/jazz saxophonist)
trombone:
Fred Wesley
background vocals:
Bootsy Collins (US funk musician & songwriter)
vocals:
Q‐Tip (American rapper)
additional arranger:
Mike Rogers (US producer/engineer, aka Tweekin')
arranger:
Deee‐Lite
samples:
Bring Down the Birds by Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Get Up by Vernon Burch
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 68), TV Cream: Real 100 Best Singles Ever (number: 83) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 233)
recording of:
Groove Is in the Heart
writer:
Dmitry Brill, 鄭東和, Kamaal Ibn John Fareed (American rapper) and Kier Kirby
composer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
Deee‐Lite4.13:52
13Paid in Full
engineer:
Patrick Adams (US disco, soul, boogie songwriter and producer) and Elai Tubo
producer:
Eric B. and Rakim (William Michael Griffin Jr., American rapper)
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1987)
recorded at and mixed at:
Power Play Studios in New York, New York, United States
samples:
Ashley’s Roachclip by The Soul Searchers (70s US funk group) and Change the Beat (French Rap) by Beside
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 132)
recording of:
Paid in Full
writer:
Eric B. and Rakim (William Michael Griffin Jr., American rapper)
Eric B. & Rakim4.653:50
14Television, the Drug of the Nation
recorded in:
United States
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1992)
recording of:
Television, the Drug of the Nation
lyricist:
Michael Franti (US rapper, musician and singer-songwriter)
composer:
Michael Franti (US rapper, musician and singer-songwriter) and Mark Pistel
The Disposable Heroes of Hiphoprisy56:37
15The Message
producer:
Clifton Chase and Ed Fletcher
vocals:
Duke Bootee and Melle Mel (Melvin Glover aka Melle Mel)
music videos:
The Message by Grandmaster Flash & The Furious Five
a cappella versions:
The Message (a cappella) by Grandmaster Flash & The Furious Five feat. Melle Mel (Melvin Glover aka Melle Mel) & Duke Bootee
instrumental versions:
The Message (instrumental) by Grandmaster Flash & The Furious Five
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 51) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 59)
recording of:
The Message (in 1982)
writer:
Edward Fletcher, Jiggs Chase, Melvin Glover (Melvin Glover aka Melle Mel) and Sylvia Robinson
publisher:
IQ Music Ltd.
Grandmaster Flash & The Furious Five4.47:21
2▼CD
#TitleArtistRatingLength
1(I’m) Stranded
producer:
Rod Coe
bass guitar:
Kym Bradshaw
drums (drum set):
Ivor Hay
guitar:
Ed Kuepper
lead vocals:
Chris Bailey (Irish punk vocalist, member of The Saints)
phonographic copyright (℗) by:
EMI Music Australia Pty. Limited (not for release label use!) (in 1976) and EMI Music Australia (defunct holding company, not for release label use!) (in 1977)
recording of:
(I’m) Stranded
lyricist and composer:
Chris Bailey (Irish punk vocalist, member of The Saints) and Ed Kuepper
publisher:
Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Pty. Ltd.
The Saints43:32
2Anarchy in the UK
engineer:
Bill Price (UK producer/engineer)
producer:
Bill Price (UK producer/engineer) and Chris Thomas (UK record producer / remixer)
lead vocals:
Johnny Rotten (Johnny Rotten of the Sex Pistols)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (in 1976-11)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 120)
recording of:
Anarchy in the UK
lyricist:
Paul Cook (drummer for the Sex Pistols), John Lydon (Johnny Rotten of the Sex Pistols) and Glen Matlock (bass guitarist of the Sex Pistols)
composer:
Paul Cook (drummer for the Sex Pistols), Steve Jones (Sex Pistols member), John Lydon (Johnny Rotten of the Sex Pistols) and Glen Matlock (bass guitarist of the Sex Pistols)
publisher:
Arista Music, Inc., Careers Music, Inc., Rotten Music Ltd (publishing company of Johnny Rotten), Stephen Philip Jones, Warner/Chappell Music Ltd. (1996–2019) and WB Music Corp. (1929–2019)
Sex Pistols4.23:32
3Ever Fallen in Love (With Someone You Shouldn’t’ve)
engineer:
Doug Bennett (producer, engineer) and Martin Rushent
producer and mixer:
Martin Rushent
arranger:
Buzzcocks (English punk band)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978, in 1989)
recorded at and mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 276)
recording of:
Ever Fallen in Love (With Someone You Shouldn’t’ve)
lyricist and composer:
Pete Shelley (Buzzcocks lead singer) (in 1977-11)
publisher:
Complete Music Ltd.
Buzzcocks4.42:41
4London Calling
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03) and Joe Strummer (from 1979-01 until 1979-03)
vocals:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03) and Joe Strummer (from 1979-01 until 1979-03)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1979) and Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 15), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 42), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 63), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 143)
recording of:
London Calling (from 1979-01 until 1979-03)
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
publisher:
Nineden Ltd., Nineden Music (publisher) and Virgin Music (Publishers) Ltd.
The Clash4.13:20
5Ghost Town
producer:
John Collins (producer)
recording of:
Ghost Town
lyricist and composer:
Jerry Dammers
publisher:
BMG Rights Management (UK) Limited (not for release label use! see annotation)
The Specials4.55:58
6Ashes to Ashes
recording engineer:
David Bowie (English singer‐songwriter) (from 1980-02-15 until 1980-06) and Tony Visconti (from 1980-02-15 until 1980-06)
assistant engineer:
Larry Alexander (producer/engineer) (from 1980-02 until 1980-04) and Jeff Hendrickson (sound engineer) (from 1980-02 until 1980-04)
producer:
David Bowie (English singer‐songwriter) and Tony Visconti
drums (drum set):
Dennis Davis (drummer) (from 1980-02-15 until 1980-06)
electric bass guitar:
George Murray (American bass guitarist) (from 1980-02-15 until 1980-06)
guitar:
Carlos Alomar (from 1980-02-15 until 1980-06)
guitar synthesizer [Roland GR-500 guitar synthesizer]:
Chuck Hammer (guitarist, soundtrack composer) (from 1980-02-15 until 1980-06)
Minimoog and analog synthesizer [Yamaha CS-80]:
Andy Clark (UK keyboard and synthesizer player) (from 1980-02-15 until 1980-06)
percussion and shakers:
Tony Visconti (from 1980-02-15 until 1980-06)
piano [flanged piano]:
Roy Bittan (from 1980-02-15 until 1980-06)
background vocals and lead vocals:
David Bowie (English singer‐songwriter) (from 1980-04 until 1980-06)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1980), Mainman S.A. (not for release label use! © & ℗ rights use only) (in 1992) and Tintoretto Music (in 1992)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1980-02-15 until 1980-06) and Good Earth Studios in Soho, Westminster, London (Greater London), England, United Kingdom (from 1980-04 until 1980-06)
recording of:
Ashes to Ashes (from 1980-02-15 until 1980-06)
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Tintoretto Music
David Bowie4.34:23
7Under the Milky Way
assistant engineer:
Duane Seykora
engineer:
Shep Lonsdale
producer:
The Church, Greg Ladanyi and Waddy Wachtel
mixer:
Greg Ladanyi, Shep Lonsdale and Waddy Wachtel
bass and lead vocals:
Steve Kilbey
drums (drum set):
Richard Ploog
guitar:
Peter Koppes and Marty Willson-Piper
keyboard:
Greg Kuehn
synclavier:
Awesome Welles
phonographic copyright (℗) by:
The Church (in 2009)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987, in 1988) and The Church Pty Limited (in 1988, in 2005)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 84)
recording of:
Under the Milky Way
writer:
Karin Jansson and Steve Kilbey
publisher:
Campbell Connelly (Australia) P/L, Funzalo Music Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music Sales Corporation (American copyright holder in both popular and classical music) and Universal/MCA Music Publishing Pty Ltd
The Church4.354:58
8Wide Open Road
recording engineer:
Nick Mainsbridge (in 1985-08)
engineer:
Nick Mainsbridge
producer:
Gil Norton (British record producer) and The Triffids (Australian rock band)
bass:
Martin Casey (in 1985-08)
drums (drum set):
Alsy MacDonald (in 1985-08)
guitar:
Evil Graham Lee (Australian rock musician) (in 1985-08), David McComb (in 1985-08) and Rob McComb (in 1985-08)
organ:
Jill Birt (in 1985-08)
pedal steel guitar:
Evil Graham Lee (Australian rock musician) (in 1985-08)
synthesizer:
David McComb (in 1985-08)
synthesizer [emulator]:
Adam Peters (in 1985-08)
vocals:
David McComb (in 1985-08)
arranger:
The Triffids (Australian rock band)
phonographic copyright (℗) by:
Liberation Music (Australian, big L logo or “Liberation” on one line) (in 2010)
recorded at:
Mark Angelo Studios in Acton, Ealing, London (Greater London), England, United Kingdom (in 1985-08)
mixed at:
Amazon Studios (defunct studios in Liverpool, became Parr Street Studios) in Simonswood, Lancashire, England, United Kingdom (in 1985-09)
recording of:
Wide Open Road (in 1985-08)
lyricist and composer:
David McComb
publisher:
Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Publishing
The Triffids34:07
9Alone With You
phonographic copyright (℗) by:
Mushroom Records Pty Ltd (in 1981)
recording of:
Alone With You
writer:
Jeremy Oxley (Australian singer, songwriter & guitarist)
publisher:
Mushroom Music Publishing
Sunnyboys3:58
10Sorry
producer:
Ted Albert (producer) (in 1966) and Tony Geary (Australia producer and A&R producer for Albert Productions.) (in 1966)
drums (drum set):
Snowy Fleet (in 1966)
electric bass guitar:
Dick Diamonde (in 1966)
electric guitar and background vocals:
Harry Vanda (Australian musician) (in 1966) and George Young (Australian musician and producer) (in 1966)
lead vocals:
Stevie Wright (in 1966)
phonographic copyright (℗) by:
Albert Productions (in 1966, in 1967)
recorded at:
EMI Studios Sydney in Sydney, New South Wales, Australia (in 1966)
recording of:
Sorry (in 1966)
writer:
Stevie Wright and George Young (Australian musician and producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Easybeats42:34
11Berlin Chair
assistant recording engineer:
Mark Mason (sound engineer) (from 1993-07-27 until 1993-08-03) and Brent Sigmeth (from 1993-07-27 until 1993-08-03)
recording engineer:
Wayne Connolly (from 1993-07-27 until 1993-08-03)
producer:
Lee Ranaldo
mixer:
Wayne Connolly and Lee Ranaldo
phonographic copyright (℗) by:
rooArt (in 1993)
recorded at:
Pachyderm Recording Studio in Cannon Falls, Minnesota, United States (from 1993-07-27 until 1993-08-03)
mixed at:
Messina Music in New York, New York, United States
recording of:
Berlin Chair (from 1993-07-27 until 1993-08-03)
lyricist:
Tim Rogers
composer:
Andy Kent, Tim Rogers and Mark Tunaley
publisher:
Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) and Universal Music Publishing (use ONLY if no country‐specific information is available)
You Am I3.52:36
12Paranoid
engineer:
Tom Allom and Brian Humphries
producer:
Rodger Bain (from 1970-06 until 1970-07)
drums (drum set) and percussion:
Bill Ward (from 1970-06-16 until 1970-06-21)
electric bass guitar:
Geezer Butler (from 1970-06-16 until 1970-06-21)
electric guitar:
Tony Iommi (from 1970-06-16 until 1970-06-21)
lead vocals:
Ozzy Osbourne (in 1970)
phonographic copyright (℗) by:
Gimcastle Ltd., Sanctuary Records Group Ltd. (not for release label use, for copyrights use only), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint), Castle Copyrights Ltd. (in 1970), Interworld Communications (in 1970), Sanctuary Copyrights Ltd. (in 1970) and Icarus Music (Argentinian metal label and distributor) (in 2006)
recorded at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (in 1970) and Regent Sound Studios in London (Greater London), England, United Kingdom (from 1970-06-16 until 1970-06-21)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 4), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 6), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 13), TV Cream: Real 100 Best Singles Ever (number: 27), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 250) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 338)
recording of:
Paranoid (from 1970-06-16 until 1970-07-08)
lyricist:
Geezer Butler
composer:
Geezer Butler, Tony Iommi, Ozzy Osbourne and Bill Ward
publisher:
Essex Music International Ltd., Essex Music International, Inc., TRO Essex Japan, A-Division, TRO Essex Music International, Inc., Tro-Andover Music, Inc. and Westminster Music Ltd. (in 1970)
Black Sabbath4.552:47
13Chase the Dragon
Beasts of Bourbon3:38
14Nick the Stripper
drums (drum set):
Phillip Calvert
electric bass guitar:
Tracy Pew
electric guitar:
Mick Harvey and Rowland S. Howard (Australian rock musician)
guest brass:
Stephen Ewart, Mick Hunter and Phillip Jackson
lead vocals:
Nick Cave (Australian singer‐songwriter, musician and score composer)
recorded at:
Armstrong’s Audio Visual (AAV) II Studios (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australia (from 1980-12 until 1981-01)
recording of:
Nick the Stripper
lyricist and composer:
Nick Cave (Australian singer‐songwriter, musician and score composer)
The Birthday Party3:51
15The Mercy Seat
engineer:
Tony Cohen and Flood (British producer Mark Ellis)
producer:
Nick Cave & the Bad Seeds
mixer:
Tony Cohen
bass, guitar and piano and background vocals:
Mick Harvey
drums (drum set):
Thomas Wydler
guitar:
Roland Wolf
Hammond organ and lead vocals:
Nick Cave (Australian singer‐songwriter, musician and score composer)
slide guitar:
Blixa Bargeld (German musician)
strings:
Gini Ball, Audrey Riley and Chris Tombling (violinist)
part of:
Pitchfork: The Story of Goth in 33 Songs and Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 37)
recording of:
The Mercy Seat
lyricist:
Nick Cave (Australian singer‐songwriter, musician and score composer)
composer:
Nick Cave (Australian singer‐songwriter, musician and score composer) and Mick Harvey
publisher:
Mushroom Music Pty. Ltd. and Mute Song (international)
Nick Cave & the Bad Seeds4.57:16
16Rise
producer:
Bill Laswell (US bass guitarist and record producer) and John Lydon (Johnny Rotten of the Sex Pistols)
drums (drum set):
Tony Williams (American jazz drummer) (in 1985)
guitar:
Steve Vai (in 1985)
keyboard:
坂本龍一 (Ryūichi Sakamoto, Japanese composer, pianist, singer, songwriter) (in 1985)
vocals:
John Lydon (Johnny Rotten of the Sex Pistols) (in 1985)
remixer:
Bob Clearmountain
recording of:
Rise (in 1985)
writer:
Bill Laswell (US bass guitarist and record producer) and John Lydon (Johnny Rotten of the Sex Pistols)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Music Ltd. (1996–2019)
Public Image Ltd.56:19