Mastermix Classic Cuts: The Sixties Box 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Spanish Flea
phonographic copyright (℗) by:
Herb Alpert Presents (Herb Alpert label) (in 2015)
instrumental recording of:
Spanish Flea
lyricist:
Cissy Wechter
composer:
Julius Wechter
recording of:
Spanish Flea
lyricist:
Cissy Wechter
composer:
Julius Wechter
Herb Alpert42:08
2My Boyfriend’s Back
recording of:
My Boyfriend’s Back
writer:
Bob Feldman (of The Strangeloves), Jerry Goldstein (producer, record label owner and publisher) and Richard Gottehrer (American songwriter and music executive)
publisher:
EMI Blackwood Music Inc. and EMI Music (do not use as release label! this is a music publisher)
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
The Angels2:39
3Don’t Let Me Be Misunderstood
cover recording of:
Don’t Let Me Be Misunderstood
writer:
Bennie Benjamin, Gloria Caldwell, Sol Marcus and Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) and Unichappell Music, Inc. (in 1981)
The Animals2:28
4What a Wonderful World
recorded in:
New York, United States (on 1967-08-16)
engineer:
Eddie Brackett and Bob Simpson (US jazz engineer/producer)
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
baritone saxophone:
Raymond Stanfield (on 1967-08-16)
clarinet:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Jerome Richardson (on 1967-08-16)
double bass:
Russ Savakus (on 1967-08-16)
drums (drum set):
Grady Tate (on 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16), Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
guitar:
Allen Hanlon (jazz guitarist) (on 1967-08-16), Art Ryerson (on 1967-08-16) and Willard Suyker (on 1967-08-16)
percussion:
Warren Hard (on 1967-08-16)
piano:
Hank Jones (piano) (on 1967-08-16)
tenor saxophone:
Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
trombone:
Urbie Green (on 1967-08-16) and J.J. Johnson (jazz/bop trombonist/session leader) (on 1967-08-16)
trumpet:
Louis Armstrong (on 1967-08-16), Clark Terry (American swing trumpeter) (on 1967-08-16) and Joe Wilder (on 1967-08-16)
lead vocals:
Louis Armstrong (on 1967-08-16)
orchestra:
Louis Armstrong’s Orchestra and Chorus (on 1967-08-16)
conductor and chorus master:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (on 1967-08-16)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 171) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 283)
recording of:
What a Wonderful World (on 1967-08-16)
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Louis Armstrong42:21
5Soul Finger
The Bar‐Kays2:21
6Big Spender
producer:
Kenneth Hume and Norman Newell
lead vocals:
Shirley Bassey (Welsh singer)
vocals:
Shirley Bassey (Welsh singer)
orchestra:
Alyn Ainsworth and His Orchestra
conductor:
Ernest Freeman
arranger:
Ernest Freeman
recording of:
Big Spender
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Cy Coleman
publisher:
Campbell Connelly & Co. Ltd. and WB Music Corp. (1929–2019)
part of:
Overture (Sweet Charity)
part of:
Sweet Charity
Shirley Bassey4.51:52
7Good Vibrations
producer:
Brian Wilson (Beach Boys co‐founder)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1966) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2012)
recording of:
Good Vibrations (Love/Wilson lyrics, common version)
lyricist:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) and Universal Music Publishing (use ONLY if no country‐specific information is available)
version of:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.753:41
8I Get Around
recording of:
I Get Around
lyricist:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., Sea of Tunes, Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Victor Music Arts, Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (from 2017-04-01 to present)
The Beach Boys2:12
9All You Need Is Love
recording of:
All You Need Is Love
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd. and Sony/ATV Tunes LLC (ASCAP)
quotes lyrics from:
She Loves You
quotes lyrics from:
Yesterday (original by The Beatles)
quotes music from:
Greensleeves (generic entry for traditional and unknown arrangements)
quotes music from:
In the Mood
quotes music from:
Inventio Nr. 8 F-Dur, BWV 779
quotes music from:
La Marseillaise (national anthem of France)
The Beatles3:48
10I Want to Hold Your Hand
recording of:
I Want to Hold Your Hand
writer:
John Lennon (The Beatles) (in 1963-09) and Paul McCartney (The Beatles) (in 1963-09)
publisher:
Duchess Music Corporation (BMI-affiliated), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Songs of Universal, Inc. (BMI), Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC (ASCAP)
part of:
Sailor Moon (1995 DiC dub soundtrack)
The Beatles2:27
11Massachusetts
phonographic copyright (℗) by:
Robert Stigwood Organisation Ltd. (in 1968)
live recording of:
Massachusetts (on 1968-03-10)
written in:
New York, New York, United States
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
Abigail Music, BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs and Gibb Brothers Music
recording of:
Massachusetts
written in:
New York, New York, United States
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
Abigail Music, BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs and Gibb Brothers Music
Bee Gees52:25
12Words
producer:
Bee Gees and Robert Stigwood
conductor:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
arranger:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
phonographic copyright (℗) by:
Barry Gibb (in 1968), Maurice Gibb (in 1968) and Robin Gibb (in 1968)
phonographic copyright (℗) by:
PolyGram International Ltd. (in 1968), PolyGram International Music B.V. (not for release label use!) (in 1968) and Robert Stigwood Organisation Ltd. (in 1968)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (on 1967-10-03)
recording of:
Words (on 1967-10-03)
written in:
London (Greater London), England, United Kingdom
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
Abigail Music, BMG Publishing, Careers–BMG Music Publishing, Inc., Casserole Music, Inc., Chappell Music Ltd., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. (BMI) and Universal Music Careers
live recording of:
Words
written in:
London (Greater London), England, United Kingdom
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
Abigail Music, BMG Publishing, Careers–BMG Music Publishing, Inc., Casserole Music, Inc., Chappell Music Ltd., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. (BMI) and Universal Music Careers
Bee Gees3.753:16
13Got to Get You Into My Life
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963, in 1966)
cover recording of:
Got to Get You Into My Life
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Songs LLC
Cliff Bennett & the Rebel Rousers2:34
14No Particular Place to Go
recording of:
No Particular Place to Go
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry2:45
15The Crying Game
Dave Berry2:45
16Stranger on the Shore
Acker Bilk3:09
17Je t’aime moi non plus
producer:
Jean-Claude Desmarty
vocals:
Jane Birkin (in 1968-11) and Serge Gainsbourg (in 1968-11)
orchestra:
Arthur Greenslade & His Orchestra (in 1968-11)
conductor:
Arthur Greenslade (in 1968-11)
arranger:
Arthur Greenslade
recording of:
Je t’aime… Moi non plus (in 1968-11)
lyricist and composer:
Serge Gainsbourg
publisher:
Heath Levy Music Co. Ltd. and Shapiro Bernstein & Co. Ltd.
Jane Birkin & Serge Gainsbourg44:26
18Harlem Shuffle
phonographic copyright (℗) by:
HHO Licensing Ltd. and HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing)
remaster of:
Harlem Shuffle by Bob & Earl
recording of:
Harlem Shuffle
writer:
Earl Nelson and Bob Relf
publisher:
Bug Music Ltd., Bug Music (music publishing) (in 1988), Keyman Music (publisher) (in 1988) and Marc-Jean Music (publisher) (in 1988)
Bob & Earl22:50
19Space Oddity
producer:
Gus Dudgeon
12 string guitar and handclaps, Dubreq Stylophone, background vocals and lead vocals:
David Bowie (English singer‐songwriter) (in 1969-06)
bass:
Herbie Flowers (in 1969-06)
cello:
Paul Buckmaster (in 1969-06)
drums (drum set):
Terry Cox (UK rock drummer) (in 1969-06)
electric guitar:
Mick Wayne (in 1969-06)
mellotron:
Rick Wakeman (in 1969-06)
arranger:
David Bowie (English singer‐songwriter) and Paul Buckmaster
phonographic copyright (℗) by:
Jones/Tintoretto Entertainment Company LLC (in 1969, in 2009), Jones/Tintoretto Entertainment Co. LLC. (in 1976) and Valerian S.A.S. (in 2017)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (in 1969-06)
music videos:
Space Oddity (1973, Bowie with red hair & acoustic guitar) by David Bowie (English singer‐songwriter) and Space Oddity (1969, Bowie with round glasses & cap) by David Bowie (English singer‐songwriter)
a cappella versions:
Space Oddity / Major Tom (Coming Home) by Tufts Beelzebubs (Tufts University all-male a cappella group)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 42), Indie 88: Top 500 Indie Rock Songs (number: 53) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 189)
recording of:
Space Oddity (in 1969-06)
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
Onward Music Ltd., TRO Essex Music International, Inc., Tro-Cromwell Music, Inc. and Westminster Music Ltd.
David Bowie4.355:16
20The Letter
producer:
Dan Penn (songwriter, soul singer)
phonographic copyright (℗) by:
Arista Records (not an imprint, use “Arista” for release labels) (in 1967), Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1967), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1967) and Atoll Music (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 357) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 364)
recording of:
The Letter (in 1967)
lyricist and composer:
Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and Warner Chappell Music (publisher as Warner/Chappell Music)
The Box Tops4.31:54
21I Got You (I Feel Good)
cover recording of:
I Found You (a.k.a. I Got You (I Feel Good))
lyricist and composer:
James Brown (The Godfather of Soul)
publisher:
Fort Knox Music Co, Hudson Bay Music Inc., J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. and Try Me Inc.
James Brown2:48
22You’re Sixteen
Johnny Burnette1:58
23Rhythm of the Rain
The Cascades2:33
24Jesamine
cover recording of:
When Jesamine Goes
writer:
Frere Manston and Jack Gellar (a British pop music promoter, group manager and songwriter)
recording of:
When Jesamine Goes
writer:
Frere Manston and Jack Gellar (a British pop music promoter, group manager and songwriter)
The Casuals23:30
25Hey Baby
Bruce Channel2:25
26Hit the Road Jack
recording of:
Hit the Road Jack
lyricist and composer:
Percy Mayfield
publisher:
Tangerine Music, Tangerine Music Corp. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Ray Charles1:55
27Sweet Talkin’ Guy
The Chiffons2:26
2▼CD
#TitleArtistRatingLength
1Three Steps to Heaven
producer:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
drums (drum set):
Jerry Allison (on 1960-01-08)
electric bass guitar:
Connie “Guybo” Smith (bass player) (on 1960-01-08)
guitar:
Eddie Cochran (US rock and roll musician active in 1950s) (on 1960-01-08) and Sonny Curtis (on 1960-01-08)
vocals:
Eddie Cochran (US rock and roll musician active in 1950s) (on 1960-01-08)
recorded at:
Goldstar Studio in Hollywood, Los Angeles, California, United States (on 1960-01-08)
recording of:
Three Steps to Heaven (on 1960-01-08)
writer:
Bob Cochran and Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
Belsize Music Ltd.
Eddie Cochran32:26
2With a Little Help From My Friends
producer:
Denny Cordell
mixer:
Tony Visconti
bass guitar:
Chris Stainton (keyboard player, session musician and songwriter)
drums (drum set):
Barrie James Wilson
guitar:
Jimmy Page
organ:
Tommy Eyre
background vocals:
Madeline Bell, Rosetta Hightower and Sunny Weetman
phonographic copyright (℗) by:
Straight Ahead Productions Ltd. (in 1968)
part of:
New York Post: 100 Greatest Covers (2007) (number: 86)
cover recording of:
With a Little Help From My Friends
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
ATV (Northern Songs Catalog), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. (, in 1967), Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC (ASCAP) (from 1967 to present)
Joe Cocker3.85:03
3Sweet Soul Music
engineer:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
producer:
Otis Redding
guitar:
Moses Dillard (on 1967-01-20)
vocals:
Arthur Conley (on 1967-01-20)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1967-01-20)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 351)
recording of:
Sweet Soul Music (on 1967-01-20)
writer:
Arthur Conley, Sam Cooke (American singer and songwriter, “King of Soul”) and Otis Redding
publisher:
ABKCO Music and Rondor
is based on:
Yeah Man
Arthur Conley42:24
4Twisting the Night Away
recording of:
Twistin’ the Night Away
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music
Sam Cooke2:43
5Gimme Gimme Good Loving
recording of:
Gimme Gimme Good Lovin’
writer:
Ritchie Cordell and Joey Levine
Crazy Elephant2:03
6I Feel Free
engineer:
John Timperley
producer:
Robert Stigwood
bass and piano:
Jack Bruce (from 1966-07 until 1966-09)
drums (drum set):
Ginger Baker (from 1966-07 until 1966-09)
guitar:
Eric Clapton (from 1966-07 until 1966-09)
vocals:
Ginger Baker (from 1966-07 until 1966-09), Jack Bruce (from 1966-07 until 1966-09) and Eric Clapton (from 1966-07 until 1966-09)
phonographic copyright (℗) by:
Robert Stigwood Group Ltd. (in 1966) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1966)
recorded at:
Chalk Farm Studios in London (Greater London), England, United Kingdom (from 1966-07 until 1966-09) and Mayfair Studios (England) in London (Greater London), England, United Kingdom (from 1966-07 until 1966-09)
mixed at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom (on 1966-12-08)
recording of:
I Feel Free (from 1966-07 until 1966-09)
lyricist:
Pete Brown (UK poet & producer, with Cream and Jack Bruce)
composer:
Jack Bruce
publisher:
Casserole Music Corp., Dratleaf Music Ltd., Unichappell Music, Inc., Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) and Unichappell-Stigwood Music (in 1967)
Cream4.22:59
7Proud Mary
producer:
John Fogerty
bass guitar:
Stu Cook (in 1968)
drums (drum set):
Doug Clifford (in 1968)
guitar:
John Fogerty (in 1968) and Tom Fogerty (in 1968)
vocals:
John Fogerty (in 1968)
arranger:
John Fogerty
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1969) and Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1976)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 152) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 155)
recording of:
Proud Mary (in 1968)
lyricist and composer:
John Fogerty
publisher:
Burlington Music Co., Ltd., Burlington Music Ltd., Cierco Music, Warner Chappell, Jondora Music (on 1968-12-27) and Jondora Musikverlag (publisher) (in 1970)
Creedence Clearwater Revival4.33:10
8Things
Bobby Darin2:34
9Bend It
recording of:
Bend It (in 1966)
lyricist:
Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
composer:
Alan Blaikley
Dave Dee, Dozy, Beaky, Mick & Tich22:33
10Israelites
producer:
Leslie Kong
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1968)
recording of:
Israelites
writer:
Desmond Dacres and Leslie Kong
publisher:
Ackee Music Inc., Gambi Music, Twenty Nine Black Music (BMI) and Sparta Music (publisher) (in 1978)
Desmond Dekker & the Aces42:39
11Runaround Sue
recording of:
Runaround Sue
lyricist:
Dion (US singer-songerwriter, blends doo-wop, pop rock & R&B)
composer:
Ernie Maresca
publisher:
Bronx Soul Music, Mijac Music, Shinko Music Entertainment Co., Ltd. and Universal Music Publishing Group Japan (work publisher – do NOT use as a release label)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Dion2:37
12Hurdy Gurdy Man
recorded in:
London (Greater London), England, United Kingdom (in 1968)
producer:
Mickie Most (English record producer)
acoustic guitar and tambura:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1968)
bass:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (in 1968)
drums (drum set):
Clem Cattini (in 1968)
electric guitar:
Allan Holdsworth (in 1968) and Jimmy Page (in 1968)
vocals:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1968)
arranger:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recording of:
Hurdy Gurdy Man (in 1968)
lyricist and composer:
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan Music Ltd.
Donovan53:15
13Light My Fire
engineer and mixer:
Bruce Botnick
producer:
Paul A. Rothchild
drums (drum set):
John Densmore (in 1966-09)
guitar:
Robby Krieger (American guitarist, member of The Doors) (in 1966-09)
keyboard:
Ray Manzarek (in 1966-09)
vocals:
Jim Morrison (lead vocalist of the Doors) (in 1966-09)
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1967), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1967, in 2017), Elektra (all releases with “Elektra” or “Elektra Entertainment” logo, 1950 to present) (in 1971) and Rhino Entertainment Company (not for release label use!) (in 2017)
engineered at:
Sunset Sound Recorders in Hollywood, Los Angeles, California, United States
music videos:
Light My Fire by The Doors
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 35) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 310)
recording of:
Light My Fire (in 1966-09)
writer:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek and Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. and 日音 Synch事業部 (NICHION, INC. Synch Division)
The Doors4.37:08
14Save the Last Dance for Me
recorded in:
New York, New York, United States (on 1960-05-19)
producer:
Leiber and Stoller (songwriting team)
guitar:
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (on 1960-05-19)
baritone vocals:
Doc Green (on 1960-05-19)
bass vocals:
Elsbeary Hobbs (on 1960-05-19)
lead vocals:
Benny Nelson (on 1960-05-19)
tenor vocals:
Charlie Thomas (The Drifters) (on 1960-05-19) and Johnny Williams (soul/blues vocalist) (on 1960-05-19)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-05-19)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 12) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 182)
recording of:
Save the Last Dance for Me (on 1960-05-19)
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (in 1974) and Trio Music (publisher) (in 1974)
The Drifters52:32
15This Wheel’s on Fire
recording of:
This Wheel’s on Fire
lyricist:
Bob Dylan (in 1967)
composer:
Rick Danko (in 1967)
publisher:
Dwarf Music (from 1967 to present)
Julie Driscoll, Brian Auger & the Trinity3:34
16Rainy Day Women
Bob Dylan4:37
17Price of Love
recording of:
The Price of Love
writer:
Don Everly and Phil Everly
publisher:
Acuff-Rose Music Limited (UK), Acuff-Rose-Opryland Music Limited (UK), Opryland Music Ltd., Sony/ATV Acuff Rose Music and Acuff-Rose (BMI) (in 1965)
The Everly Brothers2:07
18Get Away
Georgie Fame2:33
19Out of Time
cover recording of:
Out of Time
writer:
Mick Jagger and Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Cromwell Music, Cromwell Music Australia and EMI Music Publishing (do not use as a release label!)
Chris Farlowe33:38
20Aquarius ‐ Let the Sun Shine
Fifth Dimension3:55
21Let’s Go to San Francisco
recording of:
Let’s Go to San Francisco
writer:
John Carter (songwriter & producer, b. 1942) and Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men)
publisher:
Peermusic Ltd. (BMI)
The Flower Pot Men3:35
22Let’s Hang On
The Four Seasons3:17
23I Can’t Help Myself
Four Tops2:45
24I Say a Little Prayer
recording engineer:
Tom Dowd (on 1968-04-17)
producer:
Jerry Wexler
bass:
Jerry Jemmott (on 1968-04-17)
drums (drum set):
Roger Hawkins (on 1968-04-17)
guitar:
Tommy Cogbill (on 1968-04-17)
piano and lead vocals:
Aretha Franklin (on 1968-04-17)
background vocals:
The Sweet Inspirations (on 1968-04-17)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-17)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 117)
cover recording of:
I Say a Little Prayer (on 1968-04-17)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) and Windswept Pacific Music Ltd.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Aretha Franklin4.353:32
3▼CD
#TitleArtistRatingLength
1It Takes Two
recording of:
It Takes Two
writer:
Sylvia Moy and William Stevenson (Motown songwriter)
publisher:
Jobete Music (UK) Ltd. and Stone Agate Music
Marvin Gaye & Tammi Terrell3:00
2You’ll Never Walk Alone
performer:
Gerry and the Pacemakers
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
cover recording of:
You’ll Never Walk Alone (Carousel)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Chappell Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Company, The Welk Music Group, Williamson Music Company and Williamson Music, Inc.
part of:
Carousel (Rodgers & Hammerstein musical)
Gerry & the Pacemakers2:41
3Honey
phonographic copyright (℗) by:
Capitol Records Nashville (in 1968)
cover recording of:
Honey (on 1968-01-30)
lyricist and composer:
Bobby Russell
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Bobby Goldsboro44:00
4Hey Joe
producer:
Bryan “Chas” Chandler
bass guitar:
Noel Redding
drums (drum set):
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others)
electric guitar:
Jimi Hendrix
vocals:
Jimi Hendrix
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966, in 1967, in 1968)
produced at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, United Kingdom (on 1966-10-23)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 198)
cover recording of:
Hey Joe
lyricist and composer:
Billy Roberts (songwriter)
publisher:
Carlin Music Corp, Sony/ATV Melody, Third Palm Music and Third Story Music, Inc.
The Jimi Hendrix Experience4.253:26
5But I Do
Clarence “Frogman” Henry2:20
6From the Underworld
performer:
Peter Frampton
recording of:
From the Underworld
lyricist and composer:
Alan Blaikley
The Herd43:18
7Those Were the Days
recording of:
Those Were the Days (in 1968-07)
lyricist:
Gene Raskin
composer:
Борис Фомин (Boris Fomin)
publisher:
Essex Music, Inc.
translated version of:
Дорогой длинною («Ехали на тройке с бубенцами, а вдали мелькали огоньки. Эх, когда бы мне теперь за вами, душу бы развеять от тоски!…»)
Mary Hopkin4.355:02
8Release Me
recording of:
Release Me
additional writer:
W.S. Stevenson
writer:
Eddie Miller (US country music songwriter), Dub Williams (pseudonym used by James Pebworth) and Robert Yount (songwriter)
publisher:
Acuff-Rose Music Limited (UK), Four Star Sales, Roschelle Publishing and Sony/ATV Music Publishing Ltd.
Engelbert Humperdinck53:20
9Sealed With a Kiss
Brian Hyland2:43
10Living in the Past
executive producer:
Terry Ellis (UK producer & band manager)
bass guitar:
Glenn Cornick
drums (drum set) and percussion:
Clive Bunker
vocals:
Ian Anderson (of Jethro Tull)
remixer:
Robin Black (engineer)
recorded at:
Vantone Sound Studio in West Orange, New Jersey, United States (on 1969-03-03) and Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1969-03-18)
remixed at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
Living in the Past (Jethro Tull) (from 1969-03-03 until 1969-03-18)
lyricist and composer:
Ian Anderson (of Jethro Tull) (on 1969-02-12)
publisher:
BMG Monarch, Ian Anderson Music Ltd. and Chrysalis Music Ltd. (music publisher, affiliated with PRS) (in 1969)
Jethro Tull43:21
11Delilah
recording of:
Delilah (Tom Jones song) (in 1968)
lyricist:
Barry Mason (English songwriter)
composer:
Les Reed
publisher:
Donna Music Ltd. (publisher)
Tom Jones43:24
12Dedicated Follower of Fashion
recording of:
Dedicated Follower of Fashion
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Davray Music (publisher) and Rightsong Music Inc.
The Kinks3:02
13Little Arrows
Leapy Lee2:59
14The Boat That I Row
cover recording of:
The Boat That I Row
lyricist and composer:
Neil Diamond
Lulu2:50
15Up on the Roof
cover recording of:
Up on the Roof
lyricist:
Gerry Goffin and Carole King
composer:
Carole King
publisher:
Screen Gems–Columbia Music, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Kenny Lynch2:38
16California Dreamin’
engineer:
Bones Howe
producer:
Lou Adler
guitar:
P.F. Sloan (in 1965)
solo alto flute:
Bud Shank (in 1965)
phonographic copyright (℗) by:
Geffen Records and Dunhill Records (in 1966)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 89) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 420)
recording of:
California Dreamin’ (in 1965)
writer:
John Phillips (The Mamas & The Papas) and Michelle Phillips
publisher:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) and Universal/MCA Music Publishing GmbH
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.452:40
17Gentle on My Mind
cover recording of:
Gentle on My Mind
lyricist and composer:
John Hartford
publisher:
Acuff Rose Publications Ltd. and Ensign Music Corp.
Dean Martin52:46
18My Boy Lollipop
producer:
Chris Blackwell (Island Records)
cover recording of:
My Boy Lollipop
writer:
Morris Levy, Johnny Roberts (US songwriter, "My Boy Lollipop") and Robert Spencer (English lutenist, guitarist & musicologist)
recording of:
My Boy Lollipop
writer:
Morris Levy, Johnny Roberts (US songwriter, "My Boy Lollipop") and Robert Spencer (English lutenist, guitarist & musicologist)
Millie4.652:04
19Daydream Believer
recording of:
Daydream Believer
lyricist and composer:
John Stewart (singer-songwriter (Kingston Trio))
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees3:09
20The More I See You
Chris Montez2:41
21Flowers in the Rain
recording of:
Flowers in the Rain
lyricist and composer:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
publisher:
Westminster Music Ltd.
The Move2:32
22Dream Baby
recorded in:
Nashville, Tennessee, United States (on 1962-01-09)
producer:
Fred Foster
double bass [bass]:
Bob Moore (U.S. bassist and bandleader) (on 1962-01-09)
drums (drum set) [drums]:
Buddy Harman (Session drummer and songwriter) (on 1962-01-09) and John Greubel (US drummer) (on 1962-01-09)
guitar:
Fred Carter, Jr. (on 1962-01-09), Ray Edenton (on 1962-01-09) and Grady Martin (country/rockabilly guitarist) (on 1962-01-09)
piano:
Floyd Cramer (on 1962-01-09)
saxophone [sax]:
Boots Randolph (on 1962-01-09)
vocals:
Roy Orbison (on 1962-01-09)
recording of:
Dream Baby (How Long Must I Dream) (on 1962-01-09)
lyricist and composer:
Cindy Walker (US songwriter, singer and dancer)
publisher:
Acuff-Rose Music Ltd. (UK), Combine Music Corp. and Acuff-Rose (BMI) (in 1971)
Roy Orbison4.52:34
23Give Peace a Chance
Plastic Ono Band4:53
24Suspicious Minds
cover recording of:
Suspicious Minds
lyricist and composer:
Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Songs LLC
Elvis Presley4:21
4▼CD
#TitleArtistRatingLength
1Don’t Stop the Carnival
Alan Price Set2:26
2Dock of the Bay
recording of:
(Sittin’ on) the Dock of the Bay
writer:
Steve Cropper and Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Otis Redding2:45
3Bachelor Boy
recording of:
Bachelor Boy
writer:
Cliff Richard and Bruce Welch (English guitarist, singer, songwriter and producer)
Cliff Richard & The Shadows2:03
4Honky Tonk Women
recording of:
Honky Tonk Women
written in:
Mato Grosso, Brazil (in 1968-12)
writer:
Mick Jagger (in 1968-12) and Keith Richards (Rolling Stones guitarist) (in 1968-12)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Westminster Music Ltd.
The Rolling Stones3:03
5Not Fade Away
recording of:
Not Fade Away
writer:
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) and Norman Petty
publisher:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited and Wren Music
The Rolling Stones1:52
6Lily the Pink
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recording of:
Lily the Pink
writer:
[traditional] (special purpose artist), John Gorman (UK comedian) and Roger McGough (poet)
publisher:
Campbell Connelly (Australia) P/L
The Scaffold4.54:21
7Long Live Love
vocals:
Sandie Shaw (in 1965)
phonographic copyright (℗) by:
Glissando Music Ltd. (in 1965)
recording of:
Long Live Love (in 1965)
lyricist and composer:
Chris Andrews (UK singer-songwriter)
publisher:
PolyGram Music Publishing
Sandie Shaw2:41
8Mrs Robinson
recording engineer:
Roy Halee (on 1968-02-02)
assistant producer:
Bob Johnston (US record producer and early rockebilly singer)
producer:
Art Garfunkel, Roy Halee and Paul Simon (of Simon & Garfunkel)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1968-02-02)
guitar:
Paul Simon (of Simon & Garfunkel) (on 1968-02-02)
vocals:
Art Garfunkel (on 1968-02-02) and Paul Simon (of Simon & Garfunkel) (on 1968-02-02)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1968) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1968)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 270)
recording of:
Mrs. Robinson (on 1968-02-02)
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!) and Universal/MCA Music Publishing Pty Ltd
Simon & Garfunkel4.254:00
9Strangers in the Night
recorded in:
Hollywood, Los Angeles, California, United States (on 1966-04-11)
producer:
Jimmy Bowen (producer, rockabilly musician and songwriter) (on 1966-04-11)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1966-04-11)
arranger:
Ernie Freeman (on 1966-04-11)
phonographic copyright (℗) by:
Frank Sinatra Enterprises, LLC (in 1966, in 2009) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1966)
recording of:
Strangers in the Night (on 1966-04-11)
lyricist:
Charles Singleton (composer/lyricist) and Eddie Snyder
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter)
publisher:
Champion Music, Champion Music Corp., EMI Music Publishing Germany (GmbH & Co. KG), Roosevelt Music Co., Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Songs of Universal, Inc. (BMI), Universal‐MCA Music Publishing (US), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Frank Sinatra4.12:38
10Dance to the Music
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 223)
recording of:
Dance to the Music
lyricist, writer and composer:
Sylvester Stewart
publisher:
Mijac Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sly & the Family Stone4.153:02
11Lazy Sunday
recording of:
Lazy Sunday
writer:
Ronnie Lane and Steve Marriott (English musician and songwriter)
publisher:
United Partnership Music Ltd. (ended) and EMI United Partnership Ltd.
Small Faces3:08
12Son of a Preacher Man
engineer:
Ed Kollis
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass guitar:
Tommy Cogbill (in 1968-09)
drums (drum set):
Gene Chrisman (in 1968-09)
electric piano and organ:
Bobby Emmons (in 1968-09)
guitar and sitar:
Reggie Young (Guitarist and songwriter) (in 1968-09)
background vocals:
The Sweet Inspirations (in 1968-09)
vocals:
Dusty Springfield (in 1968-09)
conductor:
Gene Orloff (in 1968-09)
brass and strings arranger:
Arif Mardin
brass arranger:
Tom Dowd
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1968)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 168) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 240)
recording of:
Son of a Preacher Man (in 1968-09)
writer:
John Hurley and Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Songs LLC
Dusty Springfield4.452:29
13Born to Be Wild
producer:
Gabriel Mekler
phonographic copyright (℗) by:
Geffen Records (in 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 53) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 129)
recording of:
Born to Be Wild
lyricist and composer:
Mars Bonfire
publisher:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.353:31
14Matthew and Son
recording engineer:
Vic Smith (on 1966-12-01)
producer:
Mike Hurst (musician and record producer from London, England)
arranger:
Mike Hurst (musician and record producer from London, England) and Alan Tew (British composer and arranger)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1966) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1966-12-01)
recording of:
Matthew and Son (on 1966-12-01)
lyricist and composer:
Cat Stevens (now known as Yusuf Islam)
publisher:
Cat Music Ltd.
Cat Stevens3.152:43
15Get Ready
producer:
Smokey Robinson
instruments:
The Funk Brothers (from 1965-12-05 until 1965-12-29)
background vocals:
Melvin Franklin (from 1965-12-05 until 1965-12-29), David Ruffin (soul singer, member of The Temptations) (from 1965-12-05 until 1965-12-29), Otis Williams (US baritone singer, member of The Temptations & The Distants) (from 1965-12-05 until 1965-12-29) and Paul Williams (member of The Temptations) (from 1965-12-05 until 1965-12-29)
lead vocals:
Melvin Franklin (from 1965-12-05 until 1965-12-29) and Eddie Kendricks (from 1965-12-05 until 1965-12-29)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1966)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (from 1965-12-05 until 1965-12-29)
recording of:
Get Ready (from 1965-12-05 until 1965-12-29)
lyricist and composer:
William “Smokey” Robinson
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., EMI Music Publishing Japan, Fujipacific Division (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Temptations4.252:38
16Hole in My Shoe
recording of:
Hole in My Shoe
writer:
Dave Mason (co‐founder of Traffic)
Traffic2:52
17Even the Bad Times Are Good
The Tremeloes2:39
18River Deep Mountain High
engineer:
Larry Levine
producer:
Phil Spector and Ike Turner
lead vocals:
Tina Turner
arranger:
Jack Nitzsche (American musician and score composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1966-03)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 33) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 221)
recording of:
River Deep – Mountain High (in 1966-03)
writer:
Jeff Barry (in 1966), Ellie Greenwich (in 1966) and Phil Spector (in 1966)
publisher:
ABKCO Music, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Belinda Music, Bug Music (Windswept Account), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Blackwood Music Inc., EMI Music Publishing Scandinavia AB, Leiber Stoller Songs Ltd., Mecolico Music, Mother Bertha Music Inc., Trio Music (publisher), Trio Music Co., Inc., Trio Music Company, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc., Universal/Polygram Music Publishing, Warner Chappell, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 日本アブコ音楽出版 (ABKCO Japan Publishing)
Ike & Tina Turner3.53:41
19Excerpt From a Teenage Opera
recording of:
Theme From “A Teenage Opera”
lyricist and composer:
Keith Hopkins and Mark Wirtz
Keith West4:30
20Pinball Wizard
recorded in:
England, United Kingdom
engineer:
Damon Lyon-Shaw
executive producer:
Chris Stamp
producer:
Kit Lambert
guitar:
Pete Townshend (of The Who) (on 1969-02-07)
lead vocals:
Roger Daltrey (on 1969-02-07) and Pete Townshend (of The Who) (on 1969-02-07)
performer:
The Who
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1969) and Track Records Production (in 1969)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom and Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (on 1969-02-07)
recording of:
Pinball Wizard (on 1969-02-07)
lyricist:
Pete Townshend (of The Who)
composer:
Pete Townshend (of The Who) (in 1969)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Eel Pie Publishing Ltd., Fabulous Music, Ltd. (this is a publisher, not an imprint!) and Towser Tunes, Inc.
The Who4.53:02
21Substitute
producer:
The Who
bass:
John Entwistle (on 1966-02-12)
drums (drum set):
Keith Moon (drummer) (on 1966-02-12)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1966)
recorded at:
Olympic Sound Studios (1958–1966 before moving to Barnes) in London (Greater London), England, United Kingdom (on 1966-02-12)
recording of:
Substitute (on 1966-02-12)
lyricist and composer:
Pete Townshend (of The Who)
publisher:
Fabulous Music, Ltd. (this is a publisher, not an imprint!)
The Who4.253:50
22Music to Watch Girls By
recording of:
Music to Watch Girls By
writer:
Sid Ramin and Tony Velona
publisher:
Sidray Enterprises Ltd. and Sony Music Publishing (worldwide except Japan, ended 1995)
Andy Williams2:34
23Uptight (Everything’s Alright)
producer:
Henry Cosby and William Stevenson (Motown songwriter)
lead vocals:
Stevie Wonder (in 1965)
phonographic copyright (℗) by:
Motown Record Company (company credits only; do NOT use as release label) (in 1965)
recording of:
Uptight (Everything’s Alright) (in 1965)
lyricist and composer:
Henry Cosby, Sylvia Moy and Stevie Wonder
publisher:
EMI April Music Inc., Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music and Stone Agate Music
Stevie Wonder4.652:56
24Groovin’
recording of:
Groovin’
writer:
Eddie Brigati and Felix Cavaliere (American singer, songwriter, record producer, and musician)
publisher:
Slacsar
The Young Rascals2:32
25She’s Lost You
The Zephyrs2:31