80’s Generation

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1CD
#TitoloArtistaValutazioneDurata
1Relax
tecnico:
Stephen Lipson
produttore:
Trevor Horn
produttore aggiunto:
Stephen Lipson
batteria :
Peter Gill (UK drummer for Frankie Goes to Hollywood) (nel 1983)
chitarra :
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (nel 1983)
chitarra basso :
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983)
percussione ospite :
Luís Jardim (nel 1983)
tastiera ospite :
Andrew Richards (Strawbs keyboard player/record producer) (nel 1983) e Anne Dudley (English score composer) (nel 1983)
voce principale:
Holly Johnson (nel 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983) e Paul Rutherford (member of Frankie Goes to Hollywood) (nel 1983)
diritti fonografici (℗) detenuti da:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1983) e Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1984)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (nel 1983)
versione karaoke di:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) di DJ Schmolli
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 10) e Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 44)
registrazione di:
Relax (nel 1983)
paroliere:
Holly Johnson
compositore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) e SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:56
2Sexcrime
tecnico:
Eric Thorngren
tecnico aggiunto:
Steven Stanley (audio engineer, record producer and keyboardist from Jamaica)
produttore:
Dave Stewart (UK guitarist/singer for Eurythmics)
tecnico di missaggio:
Dave Stewart (UK guitarist/singer for Eurythmics) e Eric Thorngren
esecutore:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) e Dave Stewart (UK guitarist/singer for Eurythmics)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1984)
registrazione di:
Sexcrime (Nineteen Eighty-Four)
autore:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) e Dave Stewart (UK guitarist/singer for Eurythmics)
editore:
RCA Music Ltd. (publisher) e Universal Music Careers
Eurythmics2.43:58
3Love Action (I Believe in Love)
produttore:
The Human League e Martin Rushent
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1981)
video musicali:
Love Action (I Believe In Love) di The Human League
registrazione di:
Love Action (I Believe in Love)
paroliere e compositore:
Ian Burden e Philip Oakey
editore:
EMI Virgin Music Ltd. (do not use this as a release label!), April Musikverlag GmbH (publisher) (nel 1981), Dinsong Ltd. (nel 1981), Sound Diagrams (publisher) (nel 1981) e Virgin Music (Publishers) Ltd. (nel 1981)
The Human League33:46
4It’s My Life
produttore:
Tim Friese‐Greene
diritti fonografici (℗) detenuti da:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (nel 1984) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1984)
registrazione di:
It’s My Life
autore:
Tim Friese‐Greene e Mark Hollis
editore:
F‐Sharp Productions Ltd., Hollis Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Zomba Enterprises, Inc., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) e Zomba Music Publishing (music publisher – add no releases here!)
Talk Talk3.753:53
5Rio
tecnico e produttore:
Colin Thurston
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1998)
registrazione di:
Rio
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
Duran Duran4.154:45
6Church of the Poison Mind
tecnico:
Simon Humphrey, Gordon Milne (engineer) e Mike Ross‐Trevor (engineer)
produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
armonica (a bocca) :
Judd Lander
batteria e percussione :
Jon Moss (nel 1983)
chitarra , pianoforte e sitar elettrico :
Roy Hay (Member of Culture Club and composer for film and television) (nel 1983)
chitarra basso :
Mikey Craig (Culture Club bassist) (nel 1983)
organo :
Phil Pickett (songwriter, producer, keyboard player)
sassofono :
Steve Grainger (saxophonist)
tromba :
Terry Bailey (trumpeter)
voce di accompagnamento:
Helen Terry (UK singer)
voce principale:
Boy George (nel 1983)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (dal 1983 a oggi, nel 1983, nel 2003) e Virgin Records (imprint + company, only for releases with Virgin RECORDS logo) (nel 1983)
è stato produttore per:
Do Not Erase Productions
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito (nel 1983) e Red Bus Studios in London (Greater London), England, Regno Unito (nel 1983)
video musicali:
Church of the Poison Mind di Culture Club (English pop group)
registrazione di:
Church of the Poison Mind (nel 1983)
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) e Jon Moss
editore:
J. Albert & Son Pty. Ltd. e Virgin Music (Publishers) Ltd. (dal 1983 a oggi)
Culture Club3.53:32
7Many Rivers to Cross
tecnico:
Howard Gray (UK producer, engineer, and electronic musician)
produttore:
Ray “Pablo” Falconer e UB40
basso :
Earl Falconer
chitarra :
Ali Campbell (UB40’s former vocalist) e Robin Campbell
drum machine e batteria :
Jim Brown (UB40 drummer)
percussione :
Astro (UB40 toast, trumpet & percussion) e Norman Hassan
sassofono :
Brian Travers
tastiera :
Michael Virtue
tastiera aggiunto:
Jackie Mittoo
altra voce:
Astro (UB40 toast, trumpet & percussion)
voce:
Ali Campbell (UB40’s former vocalist), Robin Campbell e Norman Hassan
voce aggiuntiva:
Mo Birch, Jaki Graham e Ruby Turner
registrazione cover di:
Many Rivers to Cross
paroliere e compositore:
Jimmy Cliff
editore:
Ackee Music Inc., Island Music (Island Music Ltd.), Polygram Music, Universal–Songs of PolyGram International, Inc. e Island Music Ltd. (dal 1992 a oggi)
UB4054:31
8Some People
produttore:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson), Pete Schwier (producer, mixing and recording engineer) e Steve Thompson (producer)
registrazione di:
Some People
paroliere e compositore:
Neville Keighley
editore:
Tritec Music (publisher and copyrights holder) (nel 1986)
Belouis Some4:00
9I’ll Fly for You
produttore:
Steve Jolley, Spandau Ballet e Tony Swain (songwriter, producer)
registrazione di:
I’ll Fly for You
paroliere e compositore:
Gary Kemp
Spandau Ballet25:10
10I Could Be So Good for YouDennis Waterman3:17
11Rush Hour
produttore:
Stephen Hague
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1988)
registrazione di:
Rush Hour
autore:
Peter Rafelson e Jane Wiedlin
editore:
BMG Music Publishing Ltd., Palan Music Publishing Ltd. e Universal Music–MGB Songs
Jane Wiedlin4:02
12WarningAveda4:41
13They Don’t Know
produttore:
Peter Collins (producer)
video musicali:
They Don't Know di Tracey Ullman
registrazione cover di:
They Don’t Know
paroliere e compositore:
Kirsty MacColl
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
registrazione di:
They Don’t Know
paroliere e compositore:
Kirsty MacColl
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Tracey Ullman2:59
14Water on Glass
registrazione di:
Water on Glass
autore:
Marty Wilde e Ricky Wilde
Kim Wilde3:35
15The Power of Love
tecnico di registrazione:
Jim Gaines e Robert Missbach
assistente tecnico:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) e Jim “Watts” Vereecke
tecnico aggiunto:
Michael Christopher (engineer), Phil Kaffel e Malcolm Pollack
produttore:
Bob Clearmountain, Jellybean (US producer John Benitez) e Huey Lewis and the News (American pop rock band)
tecnico di missaggio:
Robert Missbach
armonica (a bocca) :
Huey Lewis
batteria e percussione :
Bill Gibson (US drummer for Huey Lews & the News)
chitarra :
Johnny Colla (US sax & guitarist for Huey Lewis & the News) e Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
chitarra basso :
Mario Cipollina
sassofono :
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
tastiera :
Sean Hopper (US Keyboardist for Huey Lewis & the News)
voce:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) e Huey Lewis
diritti fonografici (℗) detenuti da:
Chrysalis Records, Inc. (not for release label use!) (nel 1984, nel 1985, nel 1986) e Chrysalis (nel 1985)
registrata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti, Studio D Recording in Sausalito, California, Stati Uniti e The Plant Studios (1981–2008) in Sausalito, California, Stati Uniti
mixata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
video musicali:
The Power of Love (full length) di Huey Lewis and the News (American pop rock band)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 108)
registrazione di:
The Power of Love (Back to the Future)
autore:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) e Huey Lewis
editore:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) e WB Music Corp. (1929–2019)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
parte di:
The 58th Academy Award for Best Original Song (numero: 2)
parte di:
Back to the Future: the Musical
Huey Lewis and the News43:51
16Is This Love
produttore:
Keith Olsen (US producer and engineer) e Mike Stone (producer and engineer, 1960s–80s)
tecnico di missaggio:
Keith Olsen (US producer and engineer)
batteria e percussione :
Aynsley Dunbar
chitarra e voce di accompagnamento:
John Sykes
chitarra basso :
Neil Murray (British bass guitar player)
tastiera :
Don Airey
tastiera ospite :
Don Airey e Bill Cuomo
voce principale:
David Coverdale
diritti fonografici (℗) detenuti da:
Whitesnake Productions (Overseas) Ltd. (nel 1987, nel 2008) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2008)
mixata presso:
Goodnight LA Studios in Van Nuys, California, Stati Uniti
registrazione di:
Is This Love (Whitesnake song)
autore:
David Coverdale e John Sykes
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Scandinavia AB, WB Music Corp. (1929–2019), Whitesnake Music Ltd., Whitesnake Music Overseas Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Whitesnake4.24:47
17Calling All the Heroes
registrazione di:
Calling All the Heroes
autore:
Francis Dunnery
It Bites55:30
18Love Missile F1-11
registrazione di:
Love Missile F1‐11
paroliere e compositore:
Martin Degville, Tony James (UK bassist/guitarist) e Neal Whitmore
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Sigue Sigue Sputnik23:51
2CD
#TitoloArtistaValutazioneDurata
1Our House
produttore:
Clive Langer & Alan Winstanley
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982)
registrazione di:
Our House
paroliere:
Mike Barson, Mark Bedford, Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) e Daniel Woodgate
compositore:
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Lee “Kix” Thompson (Madness) e Daniel Woodgate
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness43:12
2I’ll Tumble 4 Ya
tecnico e produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
chitarra basso :
Mikey Craig (Culture Club bassist)
membranofono e percussione :
Jon Moss
voce principale:
Boy George
video musicali:
I'll Tumble 4 Ya! di Culture Club (English pop group)
registrazione di:
I’ll Tumble 4 Ya
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) e Jon Moss
editore:
Virgin Music (Publishers) Ltd.
Culture Club4.52:35
3Grandpa’s Party
Monie Love3:20
4Lifeline
produttore:
Steve Jolley, Spandau Ballet e Tony Swain (songwriter, producer)
registrazione di:
Lifeline
paroliere e compositore:
Gary Kemp
editore:
Reformation Publishing Co. Ltd.
Spandau Ballet33:22
5The Politics of Dancing
registrazione di:
The Politics of Dancing
paroliere e compositore:
Paul Fishman
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Jambo Music Limited e Metric Music Ltd.
Re‐Flex4:15
6The Power of Love
tecnico:
Stuart Bruce e Stephen Lipson
produttore:
Trevor Horn
produttore aggiunto:
Stephen Lipson
batteria :
Peter Gill (UK drummer for Frankie Goes to Hollywood)
chitarra :
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
chitarra basso :
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
percussione ospite :
Luís Jardim
tastiera ospite :
Andrew Richards (Strawbs keyboard player/record producer) e Anne Dudley (English score composer)
voce principale:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) e Paul Rutherford (member of Frankie Goes to Hollywood)
arrangiatore archi e arrangiatore aggiunto:
Anne Dudley (English score composer)
diritti fonografici (℗) detenuti da:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1984)
registrazione di:
The Power of Love
autore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) e Rubet Music Publishing, Inc.
Frankie Goes to Hollywood45:28
7Love Like Blood
produttore:
Chris Kimsey
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1985)
registrazione di:
Love Like Blood
autore:
Jaz Coleman, Paul Ferguson, Paul Raven (UK bassist) e Geordie Walker
editore:
BMG Africa Music Publishing, BMG Songs Ltd. e E.G. Music Ltd. (publisher)
Killing Joke3.654:22
8Call Me
produttore:
Gary Stevenson
registrazione di:
Call Me
autore:
Peter Cox (Artist and songwriter) e Richard Drummie
Go West3.654:05
9White Wedding
produttore:
Keith Forsey (drummer, producer and songwriter)
basso :
Phil Feit (nel 1982)
batteria :
Steve Missal (nel 1982)
chitarra :
Billy Idol (English rock singer‐songwriter) (nel 1982) e Steve Stevens (US guitarist and songwriter) (nel 1982)
voce principale:
Billy Idol (English rock singer‐songwriter) (nel 1982)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1982) e Chrysalis Records, Inc. (not for release label use!) (nel 1982)
edit di:
White Wedding, Part 1 di Billy Idol (English rock singer‐songwriter)
video musicali:
White Wedding, Pt. 1 di Billy Idol (English rock singer‐songwriter)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 53)
registrazione di:
White Wedding (nel 1982)
paroliere e compositore:
Billy Idol (English rock singer‐songwriter)
editore:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Rare Blue Music Inc
Billy Idol33:33
10I’m Gonna Be 500 Miles
tecnico:
Barry Hammond
produttore:
Pete Wingfield (keyboardist, singer, producer, songwriter)
batteria :
Paul Robinson (UK drummer, also Turning Point member)
chitarra acustica :
Jerry Donahue e Charlie Reid
chitarra basso :
Phil Cranham
chitarra elettrica :
Jerry Donahue
chitarra steel :
Gerry Hogan
fisarmonica :
Dave Whetstone
mandolino e tin whistle :
Stuart Nisbet
tastiera :
Pete Wingfield (keyboardist, singer, producer, songwriter)
violino folk :
Steve Shaw (Steve Brennan)
voce:
Charlie Reid e Craig Reid
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1988) e Chrysalis Records, Inc. (not for release label use!) (nel 1988)
registrata presso e mixata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito
parte di:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 21)
registrazione di:
I’m Gonna Be (500 Miles)
autore:
Charlie Reid e Craig Reid
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:39
11I’ve Done Everything for You
registrazione di:
I've Done Everything for You
autore:
Sammy Hagar
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sammy Hagar3:02
12Ride Like the WindSaxon4:19
13Stock With You
registrazione di:
Stuck with You
paroliere e compositore:
Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) e Huey Lewis
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Hulex Music (publisher) (nel 1986)
Huey Lewis and the News4:28
14I Shot the Sheriff
Light of the World4:02
15Dancing Tight
registrazione di:
Dancing Tight
paroliere e compositore:
Phil Fearon
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Handle Music Ltd. e Imagem Songs Ltd.
Phil Fearon & Galaxy6:12
16Watching You, Watching Me
David Grant3:33
17What Kinda Boy You’re Lookin’ For (Girl)
registrazione di:
What Kinda Boy You’re Lookin For (Girl)
autore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
Hot Chocolate3:47
18View From a Bridge
produttore:
Ricky Wilde
voce principale:
Kim Wilde
diritti fonografici (℗) detenuti da:
Cherry Pop (a division of Cherry Red Records Ltd.), RAK, EMI France (nel 1993), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1996, nel 2001) e EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2006)
registrazione di:
View From a Bridge
autore:
Marty Wilde e Ricky Wilde
Kim Wilde43:28
3CD
#TitoloArtistaValutazioneDurata
1Cherry Oh Baby
tecnico:
Howard Gray (UK producer, engineer, and electronic musician)
produttore:
Ray “Pablo” Falconer e UB40
basso :
Earl Falconer
chitarra :
Ali Campbell (UB40’s former vocalist) e Robin Campbell
drum machine e batteria :
Jim Brown (UB40 drummer)
percussione :
Astro (UB40 toast, trumpet & percussion) e Norman Hassan
sassofono :
Brian Travers
tastiera :
Michael Virtue
altra voce:
Astro (UB40 toast, trumpet & percussion)
voce:
Ali Campbell (UB40’s former vocalist), Robin Campbell e Norman Hassan
registrazione cover di:
Cherry Oh Baby
paroliere e compositore:
Eric Donaldson
UB403.43:17
2Baggy Trousers
produttore:
Clive Langer e Alan Winstanley (English record producer)
registrata presso:
Hammersmith Palais (not to be confused with Hammersmith Apollo aka Hammersmith Odeon) in Hammersmith, Hammersmith and Fulham, London (Greater London), England, Regno Unito (il 1981-12-19)
registrazione di:
Baggy Trousers
paroliere:
Mike Barson, Mark Bedford, Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) e Daniel Woodgate
compositore:
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Carl Smyth, Lee “Kix” Thompson (Madness) e Daniel Woodgate
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness42:36
3Blow the House Down
produttore:
Dan Hartman e Tom Lord‐Alge
tecnico di missaggio:
Tom Lord‐Alge
registrazione di:
Blow the House Down
autore:
Albert Hammond e Marcus Vere
Living in a Box24:18
4Is There Something I Should Know
co-produttore:
Duran Duran (English rock band) e Ian Little (producer, engineer, songwriter)
produttore:
Duran Duran (English rock band) e Ian Little (producer, engineer, songwriter)
tecnico di missaggio:
Ian Little (producer, engineer, songwriter) e Alex Sadkin
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1998)
registrazione di:
Is There Something I Should Know?
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
Duran Duran3.14:08
5So This Is Romance
registrazione di:
So This Is Romance
autore:
David Grant (pop singer) e Peter Martin (aka Sketch Martin, bass guitarist, songwriter)
Linx43:57
6The Real ThingJellybean7:42
7Breaking Away
registrazione di:
Breaking Away
paroliere e compositore:
Derek Bramble
Jaki Graham3:37
8Sun Street
registrazione di:
Sun Street
paroliere e compositore:
Vince de la Cruz
editore:
Megasongs Limited e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves3:10
9If This Is It
tecnico di registrazione:
Jim Gaines
produttore:
Huey Lewis and the News (American pop rock band)
tecnico di missaggio:
Bob Clearmountain
batteria :
Bill Gibson (US drummer for Huey Lews & the News)
chitarra [lead] :
Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
chitarra basso :
Mario Cipollina
tastiera :
Sean Hopper (US Keyboardist for Huey Lewis & the News)
voce principale:
Huey Lewis
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1983), Chrysalis Records, Inc. (not for release label use!) (nel 1999) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 2013)
mixata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
registrazione di:
If This Is It
autore:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) e Huey Lewis
editore:
Hulex Music (publisher)
Huey Lewis and the News3.83:50
10Here I Go Again
produttore:
Kevin Elson, Keith Olsen (US producer and engineer) e Mike Stone (producer and engineer, 1960s–80s)
tecnico di missaggio:
Keith Olsen (US producer and engineer)
basso elettrico :
Neil Murray (British bass guitar player)
batteria e percussione :
Aynsley Dunbar
chitarra elettrica e voce di accompagnamento:
John Sykes
chitarra elettrica solista :
Adrian Vandenberg
tastiera e tastiera ospite :
Don Airey e Bill Cuomo
voce principale:
David Coverdale
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1987) e Whitesnake Productions (Overseas) Ltd. (nel 1987)
mixata presso:
Goodnight LA Studios in Van Nuys, California, Stati Uniti
video musicali:
Here I Go Again ’87 di Whitesnake
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 17)
registrazione di:
Here I Go Again
autore:
David Coverdale e Bernie Marsden
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996) (conclusa), EMI Music Publishing (WP) Ltd., EMI Music Publishing Scandinavia AB, Seabreeze Music Ltd., Songs of Windswept Pacific, Warner/Chappell Music Scandinavia AB, Windswept Pacific Music Ltd., Windswept Pacific Music Ltd. (publishing company), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Whitesnake4.054:34
11It Ain’t What You Do It’s the Way That You Do It
produttore:
Fun Boy Three e Dave Jordan (UK producer/remixer)
registrazione cover di:
It Ain’t What You Do (It’s the Way That You Do It)
autore:
Sy Oliver e Trummy Young
Fun Boy Three & Bananarama3.652:50
12The Wizzard
Paul Hardcastle3:22
13I Thank You
parte di:
The Downloader’s Music Source Book (numero: 205)
registrazione di:
I Thank You
autore:
Kevin Lewis (House music keyboardist, songwriter) e Troy Patterson
editore:
MCA Music Ltd. (nel 1989)
Adeva3:44
14You Are My LadyFreddie Jackson54:37
15Something’s Gotten Hold of My Heart
produttore:
Bob Kraushaar
esecutore:
Gene Pitney
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1988)
video musicali:
Something’s Gotten Hold of My Heart di Marc Almond (English pop singer and songwriter) feat. Gene Pitney
registrazione cover di:
Something’s Gotten Hold of My Heart
paroliere e compositore:
Roger Cook (US‐based British singer, songwriter and producer) e Roger Greenaway
editore:
Cookaway Music Ltd. (PRS), Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) e PolyGram Music Publishing
Marc Almond & Gene Pitney2.54:42
16The Promise
produttore:
Arcadia (Duran Duran splinter group: Le Bon, Rhodes and Taylor) e Alex Sadkin
basso :
Mark Egan (US jazz bassist & trumpeter)
batteria :
Roger Taylor (Duran Duran drummer)
chitarra :
David Gilmour (Pink Floyd)
tastiera :
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) e Nick Rhodes
voce:
Simon Le Bon (singer for Duran Duran)
voce di accompagnamento:
Sting (singer, songwriter & member of The Police)
registrazione di:
The Promise
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes e Roger Taylor (Duran Duran drummer)
Arcadia7:30
17Pacific
tecnico:
Graham Massey
produttore:
808 State
registrazione di:
Pacific 707
compositore:
Graham Massey, Martin Price e Gerald Simpson
arrangiamento di:
Pacific State
808 State4.63:52
18Moments in Love
produttore:
Trevor Horn
voce:
Camilla Pilkington
voce ospite:
Camilla Pilkington
arrangiatore:
Trevor Horn
diritti fonografici (℗) detenuti da:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1984)
campionamenti:
Boogie Woogie Bugle Boy di The Andrews Sisters
registrazione di:
Moments in Love
compositore:
Anne Dudley (English score composer), Trevor Horn, J.J. Jeczalik, Gary Langan e Paul Morley
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS), SPZ Music, Inc. (BMI affiliated) e Unforgettable Songs Ltd.
Art of Noise54:35
4CD
#TitoloArtistaValutazioneDurata
1Two Tribes
prodotta a:
London (Greater London), England, Regno Unito (nel 1984-03)
tecnico:
Steve Lipson
produttore:
Trevor Horn
voce:
Holly Johnson e Paul Rutherford (member of Frankie Goes to Hollywood)
diritti fonografici (℗) detenuti da:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1984)
registrazione di:
Two Tribes (nel 1983)
scritta a:
Liverpool, Merseyside, England, Regno Unito (dal 1982 al 1983)
paroliere e compositore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Frankie Goes to Hollywood3.653:54
2She Blinded Me With Science
programmazione degli strumenti:
Thomas Dolby
produttore:
Thomas Dolby e Tim Friese‐Greene
moog [Moog bass] ospite :
Matthew Seligman (nel 1982-08)
violino :
Simon House (nel 1982-08)
voce:
Thomas Dolby (nel 1982-08)
voce di accompagnamento:
Robert John “Mutt” Lange (Robert John Lange) (nel 1982-08) e Miriam Stockley (nel 1982-08)
voce parlata:
Magnus Pyke (nel 1982-08)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1982) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1983)
registrata presso:
Odyssey Studio (London) in London (Greater London), England, Regno Unito (nel 1982-08)
mixata presso:
Odyssey Studio (London) in London (Greater London), England, Regno Unito
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 76)
registrazione di:
She Blinded Me With Science (nel 1982-08)
paroliere:
Thomas Dolby e Tim Kerr (songwriter working with Thomas Dolby)
compositore:
Thomas Dolby
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Participation Music Inc.
Thomas Dolby43:38
3Locomotion
tecnico:
Steve Jackson (recording engineer), Ronald Prent (Dutch Sound engineer and producer) e Brian Tench
produttore:
Orchestral Manoeuvres in the Dark e Brian Tench
pianoforte :
Gordian Troeller (band manager)
esecutore:
Orchestral Manoeuvres in the Dark
arrangiatore ottoni :
Tony Visconti
registrazione di:
Locomotion (OMD)
autore:
Paul Humphreys (Orchestral Manoeuvres in the Dark), Andy McCluskey e Gordian Troeller (band manager)
editore:
Virgin Music, Inc. (US arm of Virgin’s publishing company)
Orchestral Manoeuvres in the Dark33:54
4Everlasting LoveSandra3:56
5Incommunicado
assistente tecnico di registrazione:
Richard Sullivan (engineer)
tecnico di registrazione:
Nick Davis (producer, engineer)
produttore:
Chris Kimsey
assistente tecnico di missaggio:
Avril Macintosh
tecnico di missaggio:
David Jacob
basso elettrico :
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
batteria e percussione :
Ian Mosley
chitarra :
Steve Rothery
tastiera :
Mark Kelly (Marillion keyboardist)
voce di accompagnamento:
Chris Kimsey
voce principale:
Fish (Derek William Dick, ex‐Marillion frontman)
diritti fonografici (℗) detenuti da:
Charisma Music Publishing Ltd
registrata presso:
Westside Studios in London (Greater London), England, Regno Unito
mixata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
registrazione di:
Incommunicado
editore:
Marillion (British progressive rock band)
paroliere:
Derek William Dick
compositore:
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery e Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
editore:
The Charisma Music Publishing Co Ltd
Marillion5:14
6Modern Girl
registrazione di:
Modern Girl
autore:
Dominic Bugatti e Frank Musker
Sheena Easton3:34
7Thinking of You
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 50)
registrazione di:
Thinking of You
autore:
Terry Hall e Toby Lyons
The Colourfield33:28
8Black Man Ray
produttore:
Walter Becker
registrazione di:
Black Man Ray
autore:
Gary Daly, Gazza Johnson e Eddie Lundon (China Crisis)
China Crisis33:29
9Mony Mony
produttore:
Keith Forsey (drummer, producer and songwriter)
basso :
Kenny Aaronson
batteria :
Thommy Price
chitarra :
Billy Idol (English rock singer‐songwriter) e Steve Stevens (US guitarist and songwriter)
tastiera :
Susan Davis
tastiera aggiunto:
Michael Klvana
voce principale:
Billy Idol (English rock singer‐songwriter)
remixer:
Tom Lord‐Alge
diritti fonografici (℗) detenuti da:
Chrysalis Records, Inc. (not for release label use!) (nel 1987) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 2009)
registrazione dal vivo cover di:
Mony Mony (nel 1985)
autore:
Bobby Bloom (US singer-songwriter), Ritchie Cordell, Bo Gentry e Tommy James (American musician, singer, songwriter and record producer)
editore:
Big Seven Music Corp., EMI Blackwood Music (Canada) Ltd., EMI Music Publishing (WP) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB e Planetary Nom (London) Ltd.
Billy Idol24:11
10The Telephone Always RingsFun Boy Three3:30
11Intuition
registrazione di:
Intuition
autore:
David Grant (pop singer) e Peter Martin (aka Sketch Martin, bass guitarist, songwriter)
editore:
RSM Music Ltd. e Solid Music Ltd.
Linx43:22
12There, There, My Dear
produttore:
Pete Wingfield (keyboardist, singer, producer, songwriter)
registrazione di:
There, There My Dear
autore:
Al Archer e Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners3:15
13After the Love
Jesus Loves You7:41
14Hang on NowKajagoogoo3:22
15Love Blonde
tecnico:
Keith Fernley, Will Gosling, Simon Schofield (Engineer) e Pete Schwier (producer, mixing and recording engineer)
produttore:
Ricky Wilde
batteria :
Trevor Murrell
chitarra , synclavier e tastiera :
Ricky Wilde
chitarra basso :
Mark Heyward-Chaplin e Ricky Wilde
chitarra elettrica [lead guitar] :
Steve Byrd
sassofono :
Gary Barnacle
voce di accompagnamento:
Steve Byrd, Mark Heyward-Chaplin e Ricky Wilde
voce principale:
Kim Wilde
diritti fonografici (℗) detenuti da:
EMI France (nel 1993), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2001) e EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2006)
registrata presso:
Nivram Studios, RAK Studios in London (Greater London), England, Regno Unito e Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Regno Unito
mixata presso:
RAK Studios in London (Greater London), England, Regno Unito e Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Regno Unito
edit di:
Love Blonde di Kim Wilde
registrazione di:
Love Blonde
autore:
Marty Wilde e Ricky Wilde
Kim Wilde33:34
16What Do I Do?
registrazione di:
What Do I Do
paroliere e compositore:
Phil Fearon
Phil Fearon & Galaxy3:29
17F.L.M.
produttore:
Stock Aitken Waterman
arrangiatore:
Stock Aitken Waterman
è stato produttore per:
PWL
registrazione di:
F.L.M.
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
All Boys Music (nel 1987) e Hammer Musik GmbH (nel 1987)
Mel & Kim13:56
18Hangin’ on a String
Loose Ends3:37
5CD
#TitoloArtistaValutazioneDurata
1Back to Life (However Do You Want Me)
registrazione di:
Back to Life
autore:
Nellee Hooper, Simon Law (Soul II Soul), Beresford Romeo e Caron Wheeler (English singer, songwriter, and record producer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Law Music, Virgin Music (Publishers) Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Soul II Soul3:44
2In Private
produttore:
Julian Mendelsohn (Australian record producer and engineer) e Pet Shop Boys
registrazione di:
In Private
autore:
Chris Lowe (1/2 of Pet Shop Boys) e Neil Tennant
Dusty Springfield44:16
3Who’s Leaving Who
registrazione di:
Who's Leaving Who
autore:
Mark Spiro e Jack White (German producer Horst Nußbaum)
Hazell Dean3:42
4Ghost Town
registrazione di:
Ghost Town
paroliere e compositore:
Jerry Dammers
editore:
BMG Rights Management (UK) Limited (not for release label use! see annotation)
The Specials3:28
5Our Lips Are Sealed
produttore:
David Byrne (Talking Heads)
remixer:
Fun Boy Three e Jeremy Green
registrazione cover di:
Our Lips Are Sealed
autore:
Go‐Go’s (all-female American rock band formed in 1978), Terence Edward Hall e Jane Wiedlin
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gotown Music e Plangent Visions Music
Fun Boy Three3.22:50
6I’m Not Your Steppin’ Stone
produttore:
Paul Cook (drummer for the Sex Pistols), Dave Goodman (punk producer), Steve Jones (Sex Pistols member) e Jamie Thraves
registrazione cover di:
(I’m Not Your) Steppin’ Stone
autore:
Tommy Boyce (US songwriter of Boyce and Hart) e Bobby Hart
Sex Pistols3:07
7Never Take Me Alive
tecnico:
Neill King (sound engineer)
produttore:
Zeus B. Held (Bernd Held)
registrazione di:
Never Take Me Alive
paroliere e compositore:
Kirk Brandon
Spear of Destiny4.54:15
8Babooshka
assistente tecnico:
John Barratt (British audio engineer) (dal 1979-09 al 1980-05)
tecnico:
Jon Kelly (engineer at Air London Studios) (dal 1979-09 al 1980-05)
produttore:
Kate Bush e Jon Kelly (engineer at Air London Studios)
balalaika :
Paddy Bush (dal 1979-09 al 1980-05)
basso elettrico :
John Giblin (dal 1979-09 al 1980-05)
batteria :
Stuart Elliott (session drummer, member of Cockney Rebel) (dal 1979-09 al 1980-05)
chitarra elettrica :
Brian Bath (dal 1979-09 al 1980-05) e Alan Murphy (UK session guitarist) (dal 1979-09 al 1980-05)
piano Rhodes [Fender Rhodes] :
Max Middleton (dal 1979-09 al 1980-05)
sintetizzatore analogico [CS 80] e voce principale:
Kate Bush (dal 1979-09 al 1980-05)
voce di accompagnamento:
Paddy Bush (dal 1979-09 al 1980-05) e Gary Hurst (dal 1979-09 al 1980-05)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1980), Novercia Ltd. (nel 1980) e EMI America Records, Inc. (holding – file NO releases here!) (nel 1982)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1979-09 al 1980-05) e Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1979-09 al 1980-05)
registrazione di:
Babooshka (dal 1979-09 al 1980-05)
paroliere e compositore:
Kate Bush
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Kate Bush Music Ltd.
Kate Bush3.553:29
9Tears Run Rings
produttore:
Marc Almond (English pop singer and songwriter), Annie Hogan e Billy McGee (double bassist and strings arranger)
remixer:
Justin Strauss
registrazione di:
Tears Run Rings
paroliere e compositore:
Marc Almond (English pop singer and songwriter)
Marc Almond5:41
10Right Here Waiting
tecnico e tecnico di missaggio:
David Cole (American recording engineer and producer)
produttore:
David Cole (US musician/producer, member of C+C Music Factory), David Cole (American recording engineer and producer) e Richard Marx
chitarra :
Bruce Gaitsch (American guitarist, producer, engineer and arranger)
tastiera :
Jeffery (C. J.) Vanston
voce principale:
Richard Marx
arrangiatore:
Jeffery CJ Vanston e Richard Marx
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1989) e EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1989)
video musicali:
Right Here Waiting di Richard Marx
registrazione di:
Right Here Waiting
paroliere:
Richard Marx
compositore:
Bruce Gaitsch (American guitarist, producer, engineer and arranger) e Richard Marx
editore:
BMG Monarch, Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint), Chi‐Boy Music, EMI Music Ltd. e EMI Songs Ltd.
sub-editore:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Richard Marx3.754:25
11Be My Twin
tecnico:
Mark Stent (producer, engineer)
produttore:
Brother Beyond
tecnico di missaggio:
Stephen Hague
registrazione di:
Be My Twin
compositore:
Carl Fysh (songwriter, keyboardist) e David White (80s UK pop vocalist for Brother Beyond)
editore:
Songs Outside Ltd., Universal Music Publishing MGB Ltd. e Universal Music–MGB Songs
Brother Beyond3:27
12Better Love Next Time
produttore:
Ron Haffkine
registrazione di:
Better Love Next Time
compositore:
Larry Keith (American songwriter in AOR Rock, Country, R&B), Steve Pippin (American songwriter, session singer and actor) e Johnny Slate
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Dr. Hook3.653:02
13Satisfaction
registrazione di:
Satisfaction
autore:
Lisa Coleman (US pianist/keyboardist & composer), Jesse Woods Johnson (original guitarist for The Time) e Wendy Melvoin
Wendy & Lisa4:54
14Jingo
registrazione cover di:
Jin‐go‐lo‐ba (Drums of Passion) (Jingo)
paroliere e compositore:
Babatunde Olatunji
editore:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Blackwood Music Inc. e EMI Songs Ltd.
Jellybean3:20
15The Sound of Music
Dayton3:38
16Atomic Dog
produttore:
George Clinton (US funk musician) e Ted Currier
arrangiatore:
David Chong, Garry Shider e David Spradley
registrazione di:
Atomic Dog
autore:
George Clinton (US funk musician), Garry Shider e David Spradley
parte di:
10 Things I Hate About You
George Clinton4.24:46
17Stutter Rap (No Sleep Till Bedtime)
registrazione di:
Stutter Rap (No Sleep Til Bedtime)
paroliere e compositore:
Geoffrey Grange (Stutter rap) e Tony Hawks (British comedian and author)
Morris Minor & the Majors3:48
18Close (To the edit)
produttore:
Trevor Horn
strumenti elettronici :
Anne Dudley (English score composer), Trevor Horn, J.J. Jeczalik e Gary Langan
arrangiatore:
Trevor Horn
registrazione di:
Close (to the Edit)
compositore:
Anne Dudley (English score composer), Trevor Horn, J.J. Jeczalik, Gary Langan e Paul Morley
Art of Noise4.255:41
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Accreditamenti