Rock Line 5

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Mama
phonographisches Urheberrecht (℗) von:
Gerling Ltd., London (in 1983)
recording of:
Mama
Texter:
Phil Collins (of Genesis)
Komponist(in):
Tony Banks (Genesis), Phil Collins (of Genesis) und Mike Rutherford
publisher:
Imagem CV, Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Rakibitlou Music Ltda., Anthony Banks Ltd. (vom 1983 bis heute), Hit & Run Music (Publishing) Ltd (vom 1983 bis heute), Michael Rutherford Ltd. (vom 1983 bis heute) und Philip Collins Ltd. (vom 1983 bis heute)
Genesis46:04
2Over You
Techniker(in):
Rhett Davies
Produzent(in):
Rhett Davies und Roxy Music
Mix:
Bob Clearmountain
Bassgitarre und Gitarre:
Phil Manzanera
Keyboard:
Bryan Ferry
Saxophon:
Andy Mackay (of Roxy Music)
Schlagzeug:
Allan Schwartzberg
vocals:
Bryan Ferry
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1980) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
aufgenommen bei:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich und Gallery Studio (Chertsey, until 1997) in Chertsey, Surrey, England, Vereinigtes Königreich
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
recording of:
Over You
Verfasser(in):
Bryan Ferry und Phil Manzanera
publisher:
BMG Music Publishing Ltd., E.G. Music Inc. und E.G. Music Ltd. (publisher)
Roxy Music3.253:26
3Come On Eileen
Produzent(in):
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) und Alan Winstanley (English record producer)
künstlerische Leitung:
Clive Langer und Alan Winstanley (English record producer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1982) und Phonogram Ltd. (not for release label use!) (in 1982)
recording of:
Come On Eileen
Verfasser(in):
Kevin Adams, James Mitchell Paterson und Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und Kevin Adams Music Ltd.
Dexys Midnight Runners4.154:05
4Somebody Got Murdered
Produzent(in):
The Clash (70s–80s British punk rock band)
Bassgitarre:
Paul Simonon
Gitarre:
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
Schlagzeug:
Topper Headon
Sologesang:
Mick Jones (The Clash/Big Audio Dynamite)
vocals:
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1980)
recording of:
Somebody Got Murdered
Verfasser(in):
Topper Headon, Mick Jones (The Clash/Big Audio Dynamite), Paul Simonon und Joe Strummer
arranger:
The Clash (70s–80s British punk rock band)
publisher:
Nineden Ltd.
The Clash3.253:36
5The Drowners
phonographisches Urheberrecht (℗) von:
Nude Records (UK indie) (in 1993)
recording of:
The Drowners
Verfasser(in):
Brett Anderson (Suede) und Bernard Butler
publisher:
Kobalt Music Publishing Ltd. (UK), Stage Three Music Publishing Limited und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) (beendet), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) (beendet), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 株式会社 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis ????)
Suede4.354:10
6She Drive Me Crazy
Techniker(in):
David Z. (producer/engineer David Rivkin)
Koproduzent(in):
Fine Young Cannibals und David Z. (producer/engineer David Rivkin)
Bass, drum machine und Keyboard:
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drum machine, Gitarre und Tamburin:
Andy Cox (of The Beat)
vocals:
Roland Gift
phonographisches Urheberrecht (℗) von:
London Music Stream Ltd. (reissues, 2017–present; a.k.a. London Records or Recordings) (in 1988) und London Records Ltd. (not release label) (in 1989)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 77)
recording of:
She Drives Me Crazy (Fine Young Cannibals song)
Verfasser(in):
Roland Gift und David Steele (UK musician, member of The Beat and Fine Young Cannibals)
publisher:
Virgin Music (Publishers) Ltd.
Fine Young Cannibals43:37
7Baby Come Back
phonographisches Urheberrecht (℗) von:
Atoll Music (in 1966)
recording of:
Baby, Come Back
Texter und Komponist(in):
Eddy Grant
publisher:
Kassner Music Ltd.
The Equals42:28
8Wild Thing
Produzent(in):
Colin Frechter (British pianist, arranger, music director, producer, vocalist)
E-Gitarre:
Chris Britton (The Troggs) (in 1966)
Okarina und Sologesang:
Reg Presley (in 1966)
Schlagzeug:
Ronnie Bond (The Troggs) (in 1966)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1966)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 257)
cover recording of:
Wild Thing (in 1966)
Texter und Komponist(in):
Chip Taylor (US singer/songwriter)
publisher:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH und April Music (in 1981)
The Troggs4.42:37
9Fire
Partner-Produzent(in):
Pete Townshend (of The Who)
Produzent(in):
Kit Lambert
Bass:
Sean Nicholas
Orgel:
Vincent Crane
Schlagzeug:
Dracken Theaker
vocals:
Arthur Brown
arranger:
Vincent Crane
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1968)
aufgenommen bei:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Fire
Verfasser(in):
Arthur Brown, Vincent Crane, Mike Finesilver und Peter Ker (producer and songwriter)
publisher:
Gowmonk, Inc. und Onward Music Ltd.
Arthur Brown3.852:54
10Love Is All
Techniker(in):
Louis Austin (engineering) und George Sloan
Produzent(in):
Roger Glover
Bass und Kontrabass:
Mo Foster (in 1974)
Bassgitarre und Perkussion:
Roger Glover (in 1974)
elektronische Orgel und Synthesizer:
Eddie Hardin (in 1974)
Geige / Violine:
Eddie Jobson (in 1974)
Gitarre:
Ray Fenwick (in 1974) und Roger Glover (in 1974)
Klavier:
Roger Glover (in 1974), Eddie Hardin (in 1974) und Mike Moran (keyboardist, songwriter, film and TV composer, producer) (in 1974)
Schlagzeug:
Les Binks (in 1974) und Michael Giles (in 1974)
Hintergrundgesang:
Helen Chappelle (in 1974), Kay Garner (in 1974), Roger Glover (in 1974), Eddie Hardin (in 1974), Judi Kuhl (in 1974), Barry St. John (in 1974), Liza Strike (in 1974) und Joanne Williams (in 1974)
vocals:
Ronnie James Dio (in 1974)
Orchester:
Mountain Fjord Orchestra (in 1974)
concertmaster:
David Woodcock (violinist) (in 1974)
phonographisches Urheberrecht (℗) von:
Purple Records (releases 1971–1979, currently sub of EMI) (in 1974)
aufgenommen bei:
Kingsway Recorders in London (Greater London), England, Vereinigtes Königreich (in 1974)
recording of:
Love Is All (in 1974)
Verfasser(in):
Roger Glover und Eddie Hardin
publisher:
British Lion Music Ltd., Glove Music Ltd., Halit Music und Lion Music
Roger Glover and Guests43:15
11The Letter
Produzent(in):
Dan Penn (songwriter, soul singer)
phonographisches Urheberrecht (℗) von:
Arista Records (not an imprint, use “Arista” for release labels) (in 1967), Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1967), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1967) und Atoll Music (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 357) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 364)
recording of:
The Letter (in 1967)
Texter und Komponist(in):
Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und Warner Chappell Music (publisher as Warner/Chappell Music)
The Box Tops4.31:54
12Iko Iko
Techniker(in) und Produzent(in):
Brian Tench
alto saxophone:
Miranda Joyce
Bassgitarre:
Lesley Shone
Gitarre:
Sarah‐Jane Owen
Schlagzeug:
Judy Parsons
Sologesang:
Jennie Matthias
phonographisches Urheberrecht (℗) von:
Stiff Records Ltd. (in 1982) und Stiff Records (in 1983)
cover recording of:
Iko Iko
Texter:
James Crawford, Jr. (R&B musician James “Sugar Boy” Crawford, Jr.), Barbara Anne Hawkins, Rosa Lee Hawkins und Joan Marie Johnson (Joan Marie Johnson Faust)
Komponist(in):
James Crawford, Jr. (R&B musician James “Sugar Boy” Crawford, Jr.), Barbara Anne Hawkins und Rosa Lee Hawkins
publisher:
Arc Music Corp. (U.S. rock & blues publisher), EMI Longitude Music Co., IKO Legal Hold, Melder Publishing Co., Songs of Windswept Pacific, Trio Music Company Inc. und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Revision von:
Jockomo
The Belle Stars32:51
13Stop the Calvary
Produzent(in):
Bob Andrews (keyboardist and producer), Bob Andrews (UK keyboardist/producer) und Jona Lewie
vocals und Interpret(in):
Jona Lewie
phonographisches Urheberrecht (℗) von:
Stiff Records (in 1980) und Stiff Records Ltd. (in 1980)
recording of:
Stop the Cavalry
Texter und Komponist(in):
Jona Lewie
publisher:
Zomba Music Productions Ltd., Zomba Music Publishing Ltd. und Street Music Ltd. (in 1980)
Jona Lewie3.82:55
14When I'm With You
Produzent(in):
Harold Faltermeyer
recording of:
When I’m With You
Verfasser(in):
Ron Mael und Russell Mael
publisher:
Virgin Music (publisher and label, only for releases with Virgin MUSIC logo)
Sparks44:05
15Loaded Dice
phonographisches Urheberrecht (℗) von:
Macadam Transfert (in 1980) und Virgin Records (imprint + company, only for releases with Virgin RECORDS logo) (in 1980)
recording of:
Loaded Dice
Verfasser(in):
Bart Poloch, Elaine Rowan und Pascal Stive
The Dice24:46
16Every Kinda People
phonographisches Urheberrecht (℗) von:
Stiff Records (in 1988)
cover recording of:
Every Kinda People
Texter und Komponist(in):
Andy Fraser (English bassist, member of Free)
publisher:
Island Music (Island Music Ltd.)
The Mint Juleps34:30
17Wages Day
recording engineer:
Felix Kendall (UK recording engineer)
Produzent(in):
Warne Livesey
Mix:
Bob Clearmountain
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1989)
recording of:
Wages Day
Texter und Komponist(in):
Ricky Ross (Scottish singer-songwriter)
publisher:
ATV Music, ATV Music Ltd. und Sony/ATV Music Publishing Ltd.
Deacon Blue43:11
18Out of Time
cover recording of:
Out of Time
Verfasser(in):
Mick Jagger und Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Cromwell Music, Cromwell Music Australia und EMI Music Publishing (do not use as a release label!)
Chris Farlowe33:36
19Trashman Shoes
phonographisches Urheberrecht (℗) von:
Musidisc (French record label, at times styled as MUSIDISC with logo of its sibling label Accord) (in 1992)
recording of:
Trashman Shoes
Verfasser(in):
Todd Kassens und Michael Slattery (Shoulders)
Shoulders45:46
2▼CD
Nr.TitelKünstlerBewertungLänge
1Child in Time
Techniker(in):
Andy Knight (UK engineer)
Produzent(in):
Deep Purple
E-Bass:
Roger Glover (von 1969-10 bis 1970-04)
E-Gitarre:
Ritchie Blackmore (von 1969-10 bis 1970-04)
Hammond-Orgel:
Jon Lord (von 1969-10 bis 1970-04)
Schlagzeug:
Ian Paice (von 1969-10 bis 1970-04)
Sologesang:
Ian Gillan (von 1969-10 bis 1970-04)
phonographisches Urheberrecht (℗) von:
HEC Enterprises Ltd. (in 1995)
aufgenommen bei:
IBC Studios in London (Greater London), England, Vereinigtes Königreich (von 1969-10 bis 1970-04)
Teil von:
SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (Nummer: 6), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (Nummer: 5), SWR1 Hitparade 2006 (Baden-Württemberg) (Nummer: 6), SWR1 Hitparade 2007 (Baden-Württemberg) (Nummer: 4), SWR1 Hitparade 2008 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2009 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2010 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2011 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2012 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2013 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2014 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2015 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2016 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2017 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2018 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2019 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2020 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2021 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2022 (Baden-Württemberg) (Nummer: 3) und SWR1 Hitparade 2023 (Baden-Württemberg) (Nummer: 3)
recording of:
Child in Time (von 1969-10 bis 1970-04)
Verfasser(in):
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord und Ian Paice
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Publishing (do not use as a release label!), EMI Music Publishing France, HEC Music, Henrees Music co., EMI Music Publishing Japan C.F. division (bis 2021-06-30), EMI Music Publishing Japan Ltd., Sony Division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
basiert auf:
Bombay Calling
Deep Purple4.5510:19
2Eye of the Tiger
assistierende(r) Techniker(in):
Hill Swimmer
Techniker(in):
Phil Bonnano und Mike Clink
Produzent(in):
Jim Peterik und Frankie Sullivan (US guitarist and songwriter, member of Survivor)
phonographisches Urheberrecht (℗) von:
Scotti Bros. Industries Inc (company credits only; do not use as release label!) (in 1982), Volcano Entertainment III, L.L.C. (in 1982, in 1985) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2016)
aufgenommen bei:
Rumbo Recorders in Canoga Park, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 28) und VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 63)
recording of:
Eye of the Tiger
Verfasser(in):
Jim Peterik und Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music (publisher; do NOT use as release label), Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (, bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (bis 2017-03-31) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 55th Academy Award for Best Original Song (Nummer: 2)
Survivor4.454:06
3Juke Box Hero
assistierende(r) Techniker(in):
Edwin Hobgood (engineer) und Michael Sauvage
Techniker(in):
Tony Platt (UK engineer and producer), Brad Samuelsohn und Dave Wittman
Produzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Robert John “Mutt” Lange (Robert John Lange)
Bassgitarre:
Rick Wills
E-Gitarre [lead guitar] und Keyboard:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
Schlagzeug:
Dennis Elliott
Synthesizer:
Thomas Dolby und Larry Fast (American synthesizer player and composer)
Hintergrundgesang:
Dennis Elliott, Mick Jones (Foreigner/Spooky Tooth, worked in France), Robert John “Mutt” Lange (Robert John Lange), Ian Lloyd (of Stories), Mark Rivera und Rick Wills
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981, in 2002) und Rhino Entertainment Company (not for release label use!) (in 2009)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
recording of:
Juke Box Hero
Verfasser(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Somerset Songs Publishing Inc., フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Foreigner3.64:22
4In the Army
Produzent(in):
Pip Williams (producer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1986), Mercury Records Ltd. (UK) (in 1986), Phonogram Ltd. (London) (company name, NOT a label!) (in 1986), Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1986) und Quo Entertainment (in 1986)
produced for:
Handle Artists
cover recording of:
In the Army Now
Verfasser(in):
Ferdi Bolland und Rob Bolland
publisher:
Beadle Music Ltd., Bolland Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dayglow Music NV, Dayglow Muziekuitgeverij N.V., Island Music Ltd., Nada Music (Dutch publisher), Nada Music International, Nada Music International CV und The International Music Network
Status Quo2.53:41
5Windy Town
Produzent(in):
Chris Rea
phonographisches Urheberrecht (℗) von:
Original Sound Recordings (compilations, pre-90s) (in 1987)
recording of:
Windy Town
Texter und Komponist(in):
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Chris Rea4.54:26
6High Time We Went
phonographisches Urheberrecht (℗) von:
Straight Ahead Productions Ltd. (in 1971)
recording of:
High Time We Went
Verfasser(in):
Joe Cocker und Chris Stainton (keyboard player, session musician and songwriter)
publisher:
Writers Workshop Ltd.
Joe Cocker33:46
7Kick Out the Jams
live recording of:
Kick Out the Jams
Verfasser(in):
Michael Davis (MC5 bassist), Wayne Kramer (former MC5 guitarist), Fred “Sonic” Smith, Dennis Thompson (drummer for MC5, New Race and The New Order) und Rob Tyner
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell Music Ltd. (1996–2019)
MC545:35
8Nightclubbing
phonographisches Urheberrecht (℗) von:
FGL Productions (in 1986)
live recording of:
Nightclubbing
Verfasser(in):
David Bowie (English singer‐songwriter) und Iggy Pop
Iggy Pop34:02
9Golden Brown
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1988)
live recording of:
Golden Brown
Verfasser(in):
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. und Plumbshaft-Ltd.
The Stranglers43:30
10I'm a Man
Produzent(in):
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
phonographisches Urheberrecht (℗) von:
Fontana (in 1967)
recording of:
I’m a Man
Verfasser(in):
Jimmy Miller (producer for Rolling Stones/Nirvana etc) und Steve Winwood
Komponist(in):
Keith Emerson
publisher:
Island Music Ltd., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
The Spencer Davis Group featuring Steve Winwood42:52
11Sweet Home Alabama
sonstige Unterstützung:
Ronnie Van Zant
Techniker(in) und Produzent(in):
Al Kooper
E-Bass:
Leon Wilkeson (in 1973-07)
E-Gitarre:
Allen Collins (in 1973-07), Ed King (US guitarist, bassist & songwriter) (in 1973-07) und Gary Rossington (in 1973-07)
Keyboard:
Billy Powell (in 1973-07)
Schlagzeug:
Bob Burns (Lynyrd Skynyrd drummer) (in 1973-07)
Hintergrundgesang:
Merry Clayton (in 1973-07) und Clydie King (in 1973-07)
Sologesang:
Ronnie Van Zant (in 1973-07)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974, in 2020) und Universal Music (plain logo: “Universal Music”) (in 1974)
produced for:
Sounds of the South Productions
aufgenommen bei:
Studio One (Doraville, GA) in Doraville, Georgia, Vereinigte Staaten (in 1973-07)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 398)
recording of:
Sweet Home Alabama (in 1973-07)
sonstige Unterstützung:
Ronnie Van Zant
Verfasser(in):
Ed King (US guitarist, bassist & songwriter), Gary Rossington und Ronnie Van Zant
publisher:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH und Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.154:39
12American Woman
Produzent(in):
Nimbus 9 und Jack Richardson
phonographisches Urheberrecht (℗) von:
RCA (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (in 1970) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 3) und Huffington Post: 100 Best Canadian Songs Ever (Nummer: 4)
recording of:
American Woman (von 1969-08 bis 1969-11)
Verfasser(in):
Randy Bachman (Canadian guitarist, singer & songwriter), Burton Cummings, Jim Kale (original bassist for The Guess Who) und Garry Peterson (Canadian drummer for The Guess Who)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music und Unichappell Music, Inc.
The Guess Who4.15:07
13Daydream
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) und Kama Sutra (in 1966)
recording of:
Daydream (in 1966-02)
Texter und Komponist(in):
John B. Sebastian
publisher:
Robbins Music Corp. Ltd.
The Lovin’ Spoonful3.752:20
14Slow Ride
phonographisches Urheberrecht (℗) von:
Bearsville Records Inc. (in 1975) und Rhino Records, Inc. (company credits only; not for release label use!) (in 1976)
Bearbeitung von:
Slow Ride (long version) von Foghat
recording of:
Slow Ride
Texter und Komponist(in):
Dave Peverett
publisher:
Kohaw Music Inc. und WC Music Corp.
Foghat4.53:58
15Voices Carry
assistierende(r) Techniker(in):
Jeff Lippay und Mike Krowiak
Techniker(in):
Domenic Maita
Produzent(in):
Mike Thorne (UK producer & keyboardist)
assistierende(r) Mix:
Moira Marquis
Mix:
Bob Clearmountain und Harvey Goldberg
Bassgitarre:
Aimee Mann
Gitarre:
Robert Holmes (guitarist, member of 'Til Tuesday)
Klavier und Synthesizer:
Joey Pesce
Perkussion und Schlagzeug:
Michael Hausman
vocals:
Aimee Mann, Joey Pesce und Robert Holmes (guitarist, member of 'Til Tuesday)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
aufgenommen bei:
RPM Studios in New York, New York, Vereinigte Staaten
mixed at:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 56)
recording of:
Voices Carry
Texter:
Aimee Mann
Komponist(in):
Michael Hausman, Robert Holmes (guitarist, member of 'Til Tuesday), Aimee Mann und Joey Pesce
publisher:
'til tunes associates und Intersong U.S.A. (publisher)
’Til Tuesday4.554:24
16Hold on to Love
Produzent(in):
Stewart Levine (record producer and saxophonist)
Bass:
Jimmy Haslip
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Keyboard:
Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
Perkussion:
Lenny Castro
Schlagzeug:
John “JR” Robinson (session drummer)
Hintergrundgesang:
Jon Anderson (Yes/Jon & Vangelis)
vocals:
Jon Anderson (Yes/Jon & Vangelis)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1988) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1988)
recording of:
Hold On to Love
Verfasser(in):
Jon Anderson (Yes/Jon & Vangelis) und Lamont Dozier
publisher:
Beau‐Di‐O‐Do Music und WB Music Corp. (1929–2019)
Jon Anderson24:48
17Road Runner
phonographisches Urheberrecht (℗) von:
Checker (in 1959)
recording of:
Road Runner (in 1959-09)
Texter und Komponist(in):
Ellas McDaniel (American singer, guitarist, songwriter and music producer)
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
Bo Diddley42:44

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Sony Music Entertainment (France) S.A. (not for release label use! Sony Music Entertainment FR subsidiary from 1988–2003) (in 1993)
Discogs:https://www.discogs.com/release/2869085 [Info]
ASIN:FR: B00004UIB3 [Info]

Veröffentlichungsgruppe

Teil von:Rock Line (1990s French compilations by Sony/Columbia and Versailles) (Nummer: 5) (Reihenfolge: 9)
Discogs:https://www.discogs.com/master/334209 [Info]