The Platinum Collection

~ Release by Frank Sinatra (see all versions of this release, 1 available)

Annotation

Packaging is a Fatbox in a card slip-case.

Annotation last modified on 2017-08-29 07:46 UTC.

Tracklist

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1CD
#TitleRatingLength
1Come Fly With Me
recording of:
Come Fly With Me
lyricist:
Sammy Cahn (in 1957)
composer:
Jimmy Van Heusen (in 1957)
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, The International Music Network, Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. and WB Music Corp. (1929–2019) (until 2019-05-28)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner Chappell Music Ltd. (no slash; used 1988–1996) and フジパシフィックミュージック (Fujipacific Music, Inc.)
3:18
2Love and Marriage
recorded in:
Hollywood, Los Angeles, California, United States (on 1955-08-15)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-08-15)
conductor:
Nelson Riddle (on 1955-08-15)
arranger:
Nelson Riddle
recording of:
Love and Marriage (on 1955-08-15)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Barton Music Corp. and WB Music Corp. (1929–2019)
3.52:38
3I've Got You Under My Skin
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-12) and Wilbur Schwartz (on 1956-01-12)
baritone saxophone:
Morton Friedman (on 1956-01-12)
bass:
Joe Comfort (on 1956-01-12)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-12)
cello:
Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-12), Edgar Lustgarten (on 1956-01-12) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-12)
drums (drum set):
Irving Cottler (on 1956-01-12)
guitar:
George van Eps (on 1956-01-12)
harp:
Kathryn Julye (on 1956-01-12)
piano:
Bill Miller (pianist) (on 1956-01-12)
tenor saxophone:
Justin Gordon (on 1956-01-12) and James Williamson (Saxophone player) (on 1956-01-12)
trombone:
Milt Bernhart (on 1956-01-12), Jimmy Priddy (on 1956-01-12) and Juan Tizol (on 1956-01-12)
trumpet:
Harry “Sweets” Edison (on 1956-01-12), Conrad Gozzo (on 1956-01-12), Manny Klein (on 1956-01-12) and Vito "Mickey" Mangano (on 1956-01-12)
viola:
Alvin Dinkin (on 1956-01-12), Maxine Johnson (on 1956-01-12) and Milton Thomas (violist) (on 1956-01-12)
violin:
Victor Bay (on 1956-01-12), Alex Beller (on 1956-01-12), Walter Edelstein (on 1956-01-12), Henry Hill (Violin player) (on 1956-01-12), Alex Murray (violinist) (on 1956-01-12), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-12), Nathan Ross (on 1956-01-12), Mischa Russell (violinist) (on 1956-01-12), Paul Shure (on 1956-01-12) and Felix Slatkin (on 1956-01-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-12)
orchestra:
The Nelson Riddle Orchestra (on 1956-01-12)
conductor:
Nelson Riddle (on 1956-01-12)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-12)
cover recording of:
I’ve Got You Under My Skin (on 1956-01-12)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
43:43
4Just One of Those Things
producer:
Voyle Gilmore
alto saxophone:
Mahlon Clark and Skeets Herfurt
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
celesta:
Bill Miller (pianist)
cello:
Eleanor Slatkin (US cellist, b. Aller)
clarinet:
Eddie Miller (US jazz saxophonist)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Allan Reuss
tenor saxophone:
Irving “Babe” Russin
trombone:
Pullman “Tommy” Pederson and Ray Sims
trumpet:
Harry “Sweets” Edison (on 1954-04-07)
vibraphone:
Frank Flynn
viola:
Paul Robyn
violin:
Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1954-04-07)
orchestra:
The Nelson Riddle Orchestra (on 1954-04-07)
conductor:
Nelson Riddle (on 1954-04-07)
arranger:
Nelson Riddle (on 1954-04-07)
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1954-04-07)
cover recording of:
Just One of Those Things (on 1954-04-07)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
3:15
5Witchcraft
producer:
Dave Cavanaugh
bass:
Joe Comfort (on 1957-05-20)
bass trombone:
George Roberts (american bass trombone) (on 1957-05-20)
cello:
Cy Bernard (on 1957-05-20), Edgar Lustgarten (on 1957-05-20) and Eleanor Slatkin (US cellist, b. Aller) (on 1957-05-20)
drums (drum set):
Frank DeVito (american jazz drummer) (on 1957-05-20)
guitar:
Nick Bonney (guitarist) (on 1957-05-20)
harp:
Kathryn Julye (on 1957-05-20)
piano:
Bill Miller (pianist) (on 1957-05-20)
reeds:
Buddy Collette (on 1957-05-20), Harry Klee (on 1957-05-20), Joe Koch (on 1957-05-20), Wilbur Schwartz (on 1957-05-20) and Warren Webbe (on 1957-05-20)
trombone:
Jim Priddy (on 1957-05-20), Dick Noel (trombone) (on 1957-05-20) and Juan Tizol (on 1957-05-20)
trumpet:
Clarence "Shorty" Sherock (on 1957-05-20), Harry “Sweets” Edison (on 1957-05-20), Conrad Gozzo (on 1957-05-20) and Vito "Mickey" Mangano (on 1957-05-20)
viola:
Maxine Johnson (on 1957-05-20) and Barbara Simons (on 1957-05-20)
violin:
Alex Beller (on 1957-05-20), Harry Bluestone (on 1957-05-20), Robert Cross (violinist) (on 1957-05-20), Walter Edelstein (on 1957-05-20), Ben Gill (on 1957-05-20), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1957-05-20), Mischa Russell (violinist) (on 1957-05-20), Marshall Sosson (on 1957-05-20) and Gerald Vinci (American violinist and strings conductor) (on 1957-05-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-05-20)
orchestra:
The Nelson Riddle Orchestra (on 1957-05-20)
conductor:
Nelson Riddle (on 1957-05-20)
arranger:
Nelson Riddle
publisher:
Morley Music Corp. and Notable Music Co., Inc.
recording of:
Witchcraft (on 1957-05-20)
lyricist:
Carolyn Leigh
composer:
Cy Coleman
publisher:
Morley Music Co. Inc., Notable Music, Sony/ATV Songs LLC and WB Music Corp. (1929–2019)
2:52
6(Love Is) The Tender Trap
recorded in:
Hollywood, Los Angeles, California, United States (on 1955-09-13)
reeds:
Plas Johnson (on 1955-09-13)
trumpet:
Harry “Sweets” Edison (on 1955-09-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-09-13)
orchestra:
The Nelson Riddle Orchestra (on 1955-09-13)
conductor:
Nelson Riddle (on 1955-09-13)
arranger:
Nelson Riddle
recording of:
(Love Is) The Tender Trap (on 1955-09-13)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Barton Music Corp. and Maraville Music Corp.
part of:
The 28th Academy Award for Best Original Song (number: 2)
2:58
7That Old Black Magic
double bass:
Joe Comfort (on 1961-03-21)
drums (drum set):
Irv Cottler (on 1961-03-21)
French horn:
James Decker (French hornist) (on 1961-03-21), Wally Linder (on 1961-03-21), Arthur Maebe (US horn player) (on 1961-03-21) and Claude Sherry (on 1961-03-21)
guitar:
Bobby Gibbons (on 1961-03-21)
harp:
Veryle Brilhart (on 1961-03-21)
piano:
Bill Miller (pianist) (on 1961-03-21)
trombone:
C. E. Carpenter (on 1961-03-21), James Henderson (trombone) (on 1961-03-21), Lew McCreary (on 1961-03-21), Frank Rosolino (on 1961-03-21), Tommy Shepard (trombonist) (on 1961-03-21), Ken Shroyer (trombonist) (on 1961-03-21) and Kenneth Trimble (on 1961-03-21)
trumpet:
Johnny Best (jazz trumpeter) (on 1961-03-21), Conrad Gozzo (on 1961-03-21), Manny Klein (on 1961-03-21), Vito N. Mangano (on 1961-03-21), Shorty Sherock (on 1961-03-21), Ray Triscari (on 1961-03-21) and Stu Williamson (on 1961-03-21)
tuba:
Phil Stephens (bass and tuba player) (on 1961-03-21)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-03-21)
orchestra:
Billy May & His Orchestra (on 1961-03-21)
conductor:
Billy May (on 1961-03-21)
arranger:
Heine Beau (on 1961-03-21)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1961-03)
recording of:
That Old Black Magic (on 1961-03-21)
lyricist:
Johnny Mercer (in 1942)
composer:
Harold Arlen (in 1942)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 16th Academy Award for Best Original Song (number: 2)
4:03
8They Can't Take That Away From Me
producer:
Voyle Gilmore
cello:
Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson and Allan Reuss
harp:
Kathryn Julye
saxophone and woodwind:
Mahlon Clark and Skeets Herfurt
viola:
Paul Robyn
violin:
Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-11-05)
orchestra:
The Nelson Riddle Orchestra (on 1953-11-05)
conductor:
Nelson Riddle (on 1953-11-05)
arranger:
George Siravo
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1953-11-05)
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (on 1953-11-05)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
3.51:57
9All the Way
producer:
Dave Cavanaugh
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-08-13)
orchestra:
The Nelson Riddle Orchestra (on 1957-08-13)
conductor:
Nelson Riddle (on 1957-08-13)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1957-08-13)
recording of:
All the Way (from “The Joker Is Wild”) (on 1957-08-13)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Barton Music Corporation OBO Maraville Music Corp, Maraville Music Corp., The International Music Network and Universal Music Corp. OBO Van Heusen Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
part of:
The 30th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1957 winner)
42:52
10I've Got the World on a String
recorded in:
Los Angeles, California, United States (on 1953-04-30)
bass:
Philip Stephens (bass and tuba player) (on 1953-04-30)
drums (drum set):
Alvin Stoller (on 1953-04-30)
guitar:
Al Hendrickson (on 1953-04-30)
piano:
Bill Miller (pianist) (on 1953-04-30)
reeds:
Jack Dumont (on 1953-04-30), Skeets Herfurt (on 1953-04-30), Plas Johnson (on 1953-04-30), Joe Koch (on 1953-04-30), Ernest Romersa (on 1953-04-30) and Theodore Nash (40s-80s US swing reedman, uncle of the other) (on 1953-04-30)
trombone:
Milt Bernhart (on 1953-04-30), Francis Howard (trombone) (on 1953-04-30), Jimmy Priddy (on 1953-04-30) and Si Zentner (on 1953-04-30)
trumpet:
Harry “Sweets” Edison (on 1953-04-30), Conrad Gozzo (on 1953-04-30), Vito "Mickey" Mangano (on 1953-04-30) and Rubin "Zeke" Zarchy (on 1953-04-30)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-04-30)
orchestra:
The Nelson Riddle Orchestra (on 1953-04-30)
conductor:
Nelson Riddle (on 1953-04-30)
arranger:
Nelson Riddle
recording of:
I’ve Got the World on a String (on 1953-04-30)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc. and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
42:11
11Fools Rush In
recording of:
Fools Rush In (Where Angels Fear to Tread)
lyricist:
Johnny Mercer
composer:
Rube Bloom (American songwriter, pianist and vocalist)
publisher:
Bregman, Vocco & Conn, Inc., Commander Publications, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
3:22
12Three Coins in the Fountain3:06
13It's Nice to Go Trav'ling3:51
14I Love Paris
recording of:
I Love Paris (Can-Can [Pistache, Company])
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Can‐Can
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
1:51
15Chicago
recorded in:
Hollywood, Los Angeles, California, United States (on 1957-08-13)
producer:
Dave Cavanaugh, Voyle Gilmore and Bill Miller (US producer at Capitol Records)
cello:
Cy Bernard, Armand Kaproff and Edgar Lustgarten
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Skeets Herfurt, Harry Klee, Joe Koch, Ted Nash (40s-80s US swing reedman, uncle of the other) and Champ Webb
trombone:
Russell Brown (Swing trombonist), Pullman “Tommy” Pederson and Jimmy Priddy
trumpet:
Pete Candoli, Harry “Sweets” Edison, Conrad Gozzo and George Seaberg
valve trombone:
Juan Tizol
viola:
Maxine Johnson and Barbara Simons
violin:
Victor Bay, Alex Beller, Harry Bluestone, Jacques Gasselin, Dan Lube, Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Erno Neufeld, Mischa Russell (violinist) and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-08-13)
orchestra:
The Nelson Riddle Orchestra (on 1957-08-13)
conductor:
Nelson Riddle (on 1957-08-13)
arranger:
Nelson Riddle
recording of:
Chicago (That Toddlin’ Town) (on 1957-08-13)
lyricist and composer:
Fred Fisher (in 1922)
publisher:
Fisher Music Corp. and Salabert
2:13
16High Hopes
recording of:
High Hopes (1959 song popularized by Frank Sinatra)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Maraville Music Corp.
part of:
The 32nd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1959 winner)
2:45
2CD
#TitleRatingLength
1Young at Heart
recorded in:
Hollywood, Los Angeles, California, United States (on 1953-12-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-12-09)
conductor:
Nelson Riddle (on 1953-12-09)
arranger:
Nelson Riddle
recording of:
Young at Heart (Frank Sinatra song) (on 1953-12-09)
lyricist:
Carolyn Leigh
composer:
Johnny Richards
publisher:
Anglo-Pic Music Co. Ltd., Cherio Corp., June's Tunes, Moncur Street Music Ltd., Ocheri Publishing Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
42:52
2I Get a Kick Out of You
producer:
Voyle Gilmore
celesta:
Bill Miller (pianist)
cello:
Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson and Allan Reuss
harp:
Kathryn Julye
saxophone and woodwind:
Mahlon Clark and Skeets Herfurt
viola:
Paul Robyn
violin:
Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-11-06)
orchestra:
The Nelson Riddle Orchestra (on 1953-11-06)
conductor:
Nelson Riddle (on 1953-11-06)
arranger:
George Siravo
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1953-11-06)
cover recording of:
I Get a Kick Out of You (on 1953-11-06)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
42:54
3Learnin' the Blues
recorded in:
Hollywood, Los Angeles, California, United States (on 1955-03-23)
reeds:
Plas Johnson (on 1955-03-23)
trumpet:
Harry “Sweets” Edison (on 1955-03-23)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-03-23)
orchestra:
The Nelson Riddle Orchestra (on 1955-03-23)
conductor:
Nelson Riddle (on 1955-03-23)
arranger:
Nelson Riddle
recording of:
Learnin’ the Blues (on 1955-03-23)
lyricist and composer:
Dolores Vicki Silvers
publisher:
Barton Music Corp.
3:02
4My Funny Valentine
producer:
Voyle Gilmore
cello:
Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson and Allan Reuss
harp:
Kathryn Julye
saxophone and woodwind:
Mahlon Clark and Skeets Herfurt
viola:
Paul Robyn
violin:
Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-11-05)
orchestra:
The Nelson Riddle Orchestra (on 1953-11-05)
conductor:
Nelson Riddle (on 1953-11-05)
arranger:
George Siravo
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1953-11-05)
cover recording of:
My Funny Valentine (from “Babes in Arms”) (on 1953-11-05)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
32:32
5The Lady Is a Tramp
producer:
Voyle Gilmore
alto saxophone:
Harry Klee and Willie Schwartz
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
cello:
Ennio Bolognini (Argentine-American cellist and composer), Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Irv Cottler
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Jules Kinsler and James Williamson (Saxophone player)
trombone:
Murray McEachern, Dick Noel (trombone) and Juan Tizol
trumpet:
Harry “Sweets” Edison, Ray Linn, Mickey Mangano and Shorty Sherock
viola:
Alvin Dinkin, Stanley Harris (US big band viola player) and Maxine Johnson
violin:
Victor Bay, Alex Beller, Harold Dicterow, Kurt Dieterle, David Frisina, Alex Murray (violinist), Erno Neufeld, Lou Raderman, Eudice Shapiro (Violinist) and Joseph Stepansky
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-11-26)
orchestra:
The Nelson Riddle Orchestra (on 1956-11-26)
conductor:
Nelson Riddle (on 1956-11-26)
arranger and orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-26)
recording of:
The Lady Is a Tramp (from “Babes in Arms”) (on 1956-11-26)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
53:15
6Let's Get Away From It All
producer:
Voyle Gilmore
double bass:
Joe Mondragon
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson
harp:
Verlye Mills
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
trombone:
Joe Howard (american trombone player), Murray McEachern, Pullman “Tommy” Pederson and Si Zentner
trumpet:
Pete Candoli, Conrad Gozzo, Manny Klein and Shorty Sherock
tuba:
J.H. Washburne
woodwind:
Buddy Collette, Fred Falensby, Skeets Herfurt, Jules Jacob (US jazz woodwind player) and Ted Nash (40s-80s US swing reedman, uncle of the other)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-10-01)
orchestra:
The Billy May Orchestra (on 1957-10-01)
conductor:
Billy May (on 1957-10-01)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1957-10-01)
cover recording of:
Let’s Get Away From It All (on 1957-10-01)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Dorsey Brothers Music
42:10
7South of the Border
recorded in:
Hollywood, Los Angeles, California, United States (on 1953-04-30)
producer:
Voyle Gilmore
double bass:
Phil Stephens (bass and tuba player)
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson
piano:
Bill Miller (pianist)
saxophone and woodwind:
Jack Dumont, Skeets Herfurt, Joe Koch, Ted Nash (40s-80s US swing reedman, uncle of the other) and Ted Romersa
trombone:
Milt Bernhart, Joe Howard (american trombone player), Jimmy Priddy and Si Zentner
trumpet:
Conrad Gozzo, Manny Klein, Vito N. Mangano and Rubin "Zeke" Zarchy
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-04-30)
conductor:
Nelson Riddle (on 1953-04-30)
arranger:
Nelson Riddle
recording of:
South of the Border (Down Mexico Way) (on 1953-04-30)
writer:
Michael Carr (songwriter) and Jimmy Kennedy (Irish songwriter)
publisher:
Shapiro, Bernstein & Co., Inc. and Peter Maurice Music Co. Ltd. (on 1939-03-30)
2:49
8It Happened in Monterey
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-12) and Wilbur Schwartz (on 1956-01-12)
baritone saxophone:
Morton Friedman (on 1956-01-12)
bass:
Joe Comfort (on 1956-01-12)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-12)
cello:
Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-12), Edgar Lustgarten (on 1956-01-12) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-12)
drums (drum set):
Irving Cottler (on 1956-01-12)
guitar:
George van Eps (on 1956-01-12)
harp:
Kathryn Julye (on 1956-01-12)
piano:
Bill Miller (pianist) (on 1956-01-12)
tenor saxophone:
Justin Gordon (on 1956-01-12) and James Williamson (Saxophone player) (on 1956-01-12)
trombone:
Milt Bernhart (on 1956-01-12), Jim Priddy (on 1956-01-12) and Juan Tizol (on 1956-01-12)
trumpet:
Harry “Sweets” Edison (on 1956-01-12), Conrad Gozzo (on 1956-01-12), Manny Klein (on 1956-01-12) and Vito "Mickey" Mangano (on 1956-01-12)
viola:
Alvin Dinkin (on 1956-01-12), Maxine Johnson (on 1956-01-12) and Milton Thomas (violist) (on 1956-01-12)
violin:
Victor Bay (on 1956-01-12), Alex Beller (on 1956-01-12), Walter Edelstein (on 1956-01-12), Henry Hill (Violin player) (on 1956-01-12), Alex Murray (violinist) (on 1956-01-12), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-12), Nathan Ross (on 1956-01-12), Mischa Russell (violinist) (on 1956-01-12), Paul Shure (on 1956-01-12) and Felix Slatkin (on 1956-01-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-12)
orchestra:
The Nelson Riddle Orchestra (on 1956-01-12)
conductor:
Nelson Riddle (on 1956-01-12)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-12)
cover recording of:
It Happened in Monterey (on 1956-01-12)
lyricist:
Billy Rose (lyricist and Broadway producer)
composer:
Mabel Wayne
publisher:
CBS Feist Catalog, Inc. and EMI United Partnership Ltd.
42:35
9You'd Be So Nice to Come Home To
recording of:
You’d Be So Nice to Come Home To
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
2:03
10Come Dance With Me
producer:
Dave Cavanaugh
double bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
drums (drum set):
Irv Cottler
guitar:
Allan Reuss
piano:
Bill Miller (pianist)
saxophone and woodwind:
Bill Ulyate, Buddy Collette, Chuck Gentry, Irving “Babe” Russin and Willie Schwartz
trombone:
Joe Howard (american trombone player), Ed Kusby, William Schaeffer and Si Zentner
trumpet:
Frank Beach (trombone, trumpet), Conrad Gozzo, Manny Klein, Shorty Sherock and Joseph Triscari
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-12-23)
orchestra:
The Billy May Orchestra (on 1958-12-23)
conductor:
Billy May (on 1958-12-23)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1958-12-23)
recording of:
Come Dance With Me (on 1958-12-23)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. and フジパシフィックミュージック (Fujipacific Music, Inc.)
42:31
11September in the Rain
producer:
Dave Cavanaugh
bass trombone:
George Roberts (american bass trombone)
cello:
Ossip Giskin (cellist), Armand Kaproff and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Irv Cottler
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, William Green (woodwind), Plas Johnson and Wilbur Schwartz
trombone:
George Arus, Pullman “Tommy” Pederson and Tommy Shepard (trombonist)
trumpet:
Cappy Lewis, Vito N. Mangano, George Seaberg and Shorty Sherock
viola:
Alvin Dinkin and Stanley Harris (US big band viola player)
violin:
Victor Arno, Victor Bay, Alex Beller, Jacques Gasselin, Joseph Livoti (violinist), Nathan Ross, Mischa Russell (violinist) and Paul Shure
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-08-31)
orchestra:
The Nelson Riddle Orchestra (on 1960-08-31)
conductor:
Nelson Riddle (on 1960-08-31)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1960-08-31)
cover recording of:
September in the Rain (on 1960-08-31)
lyricist:
Al Dubin (in 1937)
composer:
Harry Warren (US composer and lyricist) (in 1937)
publisher:
Henrees Music co. (in 1937) and Peermusic (UK) Limited (in 1937)
2:58
12Cheek to Cheek
producer:
Dave Cavanaugh
double bass:
Keith Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Irv Cottler
guitar:
Al Hendrickson
piano:
Bill Miller (pianist)
saxophone and woodwind:
Bill Ulyate, Buddy Collette, Fred Falensby, Skeets Herfurt and Irving “Babe” Russin
trombone:
Ed Kusby, Murray McEachern, Pullman “Tommy” Pederson and Si Zentner
trumpet:
Pete Candoli, Conrad Gozzo, Manny Klein and Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-12-22)
orchestra:
The Billy May Orchestra (on 1958-12-22)
conductor:
Billy May (on 1958-12-22)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1958-12-22)
cover recording of:
Cheek to Cheek (from “Top Hat”) (on 1958-12-22)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
3:06
13Moonlight in Vermont
recording of:
Moonlight in Vermont
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:31
14Night and Day
producer:
Voyle Gilmore
alto saxophone:
Harry Klee and Willie Schwartz
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
cello:
Ennio Bolognini (Argentine-American cellist and composer), Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Irv Cottler
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Jules Kinsler and James Williamson (Saxophone player)
trombone:
Murray McEachern, Dick Noel (trombone) and Juan Tizol
trumpet:
Harry “Sweets” Edison, Ray Linn, Mickey Mangano and Shorty Sherock
viola:
Alvin Dinkin, Stanley Harris (US big band viola player) and Maxine Johnson
violin:
Victor Bay, Alex Beller, Harold Dicterow, Kurt Dieterle, David Frisina, Alex Murray (violinist), Erno Neufeld, Lou Raderman, Eudice Shapiro (Violinist) and Joseph Stepansky
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-26)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1956-11-26)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
4:00
15The Sunny Side of the Street2:39
16I Could Have Danced All Night
producer:
Dave Cavanaugh
double bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
drums (drum set):
Irv Cottler
guitar:
Allan Reuss
piano:
Bill Miller (pianist)
saxophone and woodwind:
Bill Ulyate, Buddy Collette, Chuck Gentry, Irving “Babe” Russin and Willie Schwartz
trombone:
Joe Howard (american trombone player), Ed Kusby, William Schaeffer and Si Zentner
trumpet:
Frank Beach (trombone, trumpet), Conrad Gozzo, Manny Klein, Shorty Sherock and Joseph Triscari
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-12-23)
orchestra:
The Billy May Orchestra (on 1958-12-23)
conductor:
Billy May (on 1958-12-23)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1958-12-23)
cover recording of:
I Could Have Danced All Night (My Fair Lady) (on 1958-12-23)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
part of:
My Fair Lady (full musical)
2:43
3CD
#TitleRatingLength
1You Make Me Feel So Young
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-09) and Wilbur Schwartz (on 1956-01-09)
baritone saxophone:
Mort Friedman (on 1956-01-09)
bass:
Joe Comfort (on 1956-01-09)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-09)
cello:
Cy Bernard (on 1956-01-09), Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-09) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-09)
drums (drum set):
Frank Flynn (on 1956-01-09) and Alvin Stoller (on 1956-01-09)
guitar:
George van Eps (on 1956-01-09)
harp:
Kathryn Julye (on 1956-01-09)
piano:
Bill Miller (pianist) (on 1956-01-09)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-01-09) and Irving “Babe” Russin (on 1956-01-09)
trombone:
Milt Bernhart (on 1956-01-09), Francis Howard (trombone) (on 1956-01-09) and Juan Tizol (on 1956-01-09)
trumpet:
Harry “Sweets” Edison (on 1956-01-09), Conrad Gozzo (on 1956-01-09), Manny Klein (on 1956-01-09) and Mickey Mangano (on 1956-01-09)
viola:
Alvin Dinkin (on 1956-01-09), Maxine Johnson (on 1956-01-09) and Milton Thomas (violist) (on 1956-01-09)
violin:
Victor Bay (on 1956-01-09), Alex Beller (on 1956-01-09), Harry Bluestone (on 1956-01-09), Harold Dicterow (on 1956-01-09), David Frisina (on 1956-01-09), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-09), Mischa Russell (violinist) (on 1956-01-09), Paul Shure (on 1956-01-09), Felix Slatkin (on 1956-01-09) and Marshall Sosson (on 1956-01-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-09)
orchestra:
The Nelson Riddle Orchestra (on 1956-01-09)
conductor:
Nelson Riddle (on 1956-01-09)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-09)
recording of:
You Make Me Feel So Young (on 1956-01-09)
lyricist:
Mack Gordon
composer:
Josef Myrow
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
E bi eit barn med deg
42:56
2Nice 'n' Easy
producer:
Dave Cavanaugh (on 1960-04-13)
bass trombone:
George Roberts (american bass trombone) (on 1960-04-13)
cello:
James Arkatov (American cellist and photographer) (on 1960-04-13), Victor Gottlieb (on 1960-04-13) and Eleanor Slatkin (US cellist, b. Aller) (on 1960-04-13)
double bass:
Joe Comfort (on 1960-04-13)
drums (drum set):
Irv Cottler (on 1960-04-13)
French horn:
William Hinshaw (American horn player) (on 1960-04-13) and James McGee (on 1960-04-13)
guitar:
Al Viola (on 1960-04-13)
harp:
Kathryn Julye (on 1960-04-13)
piano:
Bill Miller (pianist) (on 1960-04-13)
reeds:
Plas Johnson (on 1960-04-13), Joe Koch (on 1960-04-13), Abe Most (on 1960-04-13), Harry Schuchman (on 1960-04-13) and Wilbur Schwartz (on 1960-04-13)
trombone:
Tommy Shepard (trombonist) (on 1960-04-13) and Ken Shroyer (trombonist) (on 1960-04-13)
trumpet:
Carroll Lewis (trumpeter) (on 1960-04-13)
viola:
Lou Kievman (violist) (on 1960-04-13), Alexander Neiman (violist) (on 1960-04-13) and Barbara Simons (on 1960-04-13)
violin:
Victor Arno (on 1960-04-13), Victor Bay (on 1960-04-13), Alex Beller (on 1960-04-13), Jacques Gasselin (on 1960-04-13), Dan Lube (on 1960-04-13), Erno Neufeld (on 1960-04-13), Nathan Ross (on 1960-04-13), Felix Slatkin (on 1960-04-13) and Marshall Sosson (on 1960-04-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-04-13)
orchestra:
Nelson Riddle and His Orchestra (on 1960-04-13)
conductor:
Nelson Riddle (on 1960-04-13)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1960-04-13)
recording of:
Nice ’n’ Easy (on 1960-04-13)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Lew Spence
publisher:
Spirit Two Music (ended), Threesome Music Company (ended), Warner Bros. Music Corp. (ended), Eddie Shaw Music Co., Fantasy Mus. Co., Spence Lew Music and Spirit Two Music Crescendo
2:45
3Here's That Rainy Day
producer:
Dave Cavanaugh
cello:
Armand Kaproff and Ray Kramer
double bass:
Jack Ryan (jazz bassist)
drums (drum set):
Nick Fatool
French horn:
John Cave (french horn), Arthur Frantz and Richard Perissi
guitar:
Allan Reuss
harp:
Kathryn Thompson (harpist)
piano:
Bill Miller (pianist)
viola:
William Baffa, Allan Harshman (violist), Lou Kievman (violist) and Paul Robyn
violin:
Victor Arno, Harry Bluestone, Walter Edelstein, Jacques Gasselin, Ben Gill, Joseph Quadri, Murray Kellner, Joseph Livoti (violinist), Dan Lube, Erno Neufeld, Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
woodwind:
Dent Eckels, Clyde Hylton, Matty Matlock, Paul McLarand and Wayne Songer (clarinetist and saxophonist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1959-03-25)
orchestra:
Gordon Jenkins & His Orchestra (on 1959-03-25) and The Nelson Riddle Orchestra (on 1959-03-25)
conductor:
Gordon Jenkins (on 1959-03-25)
arranger:
Gordon Jenkins
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1959-03-25)
cover recording of:
Here’s That Rainy Day (on 1959-03-25)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke-Van Heusen, Inc., Campbell Connelly & Co. Ltd., Chappell Morris Ltd., Dorsey Bros. Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Music Sales Corporation (American copyright holder in both popular and classical music) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:44
4Pennies From Heaven
producer:
Voyle Gilmore
bass:
Joe Comfort (on 1956-01-10)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-10)
cello:
Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-10), Edgar Lustgarten (on 1956-01-10) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-10)
drums (drum set):
Alvin Stoller (on 1956-01-10)
guitar:
George van Eps (on 1956-01-10)
harp:
Kathryn Julye (on 1956-01-10)
piano:
William (Bill) Miller (pianist) (on 1956-01-10)
reeds:
Justin Gordon (on 1956-01-10), Harry Klee (on 1956-01-10), Morton Friedman (on 1956-01-10), Wilbur Schwartz (on 1956-01-10) and James Williamson (Saxophone player) (on 1956-01-10)
trombone:
Milt Bernhart (on 1956-01-10), Jim Priddy (on 1956-01-10) and Juan Tizol (on 1956-01-10)
trumpet:
Harry “Sweets” Edison (on 1956-01-10), Conrad Gozzo (on 1956-01-10), Mickey Mangano (on 1956-01-10) and Zeke Zarchy (on 1956-01-10)
viola:
Alvin Dinkin (on 1956-01-10), Dave Sterkin (on 1956-01-10) and Milton Thomas (violist) (on 1956-01-10)
violin:
Victor Bay (on 1956-01-10), Alex Beller (on 1956-01-10), Harold Dicterow (on 1956-01-10), David Frisina (on 1956-01-10), Alex Murray (violinist) (on 1956-01-10), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-10), Nathan Ross (on 1956-01-10), Mischa Russell (violinist) (on 1956-01-10), Paul Shure (on 1956-01-10) and Felix Slatkin (on 1956-01-10)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-10)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1956-01-10)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-10)
cover recording of:
Pennies From Heaven (on 1956-01-10)
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
composer:
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2)
2:42
5April in Paris
producer:
Voyle Gilmore
cello:
Armand Kaproff, Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Mondragon
drums (drum set):
Alvin Stoller
French horn:
Vincent DeRosa
guitar:
Al Hendrickson
harp:
Verlye Mills
piano:
Bill Miller (pianist)
trombone:
Joe Howard (american trombone player), Murray McEachern and Si Zentner
tuba:
Joe Washburne
viola:
Alvin Dinkin, Alexander Neiman (violist), Paul Robyn and Dave Sterkin
violin:
Harold Dicterow, David Frisina, Jacques Gasselin, Dan Lube, Alex Murray (violinist), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
woodwind:
Fred Falensby, Skeets Herfurt, Jules Jacob (US jazz woodwind player), Jules Kinsler and Wilbur Schwartz
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-10-03)
conductor:
Billy May (on 1957-10-03)
arranger:
Billy May
recording of:
April in Paris (on 1957-10-03)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
42:51
6From Here to Eternity
recording of:
From Here to Eternity
writer:
Freddie Karger and Robert Wells (songwriter)
publisher:
Barton Music Corp.
3:01
7Someone to Watch Over Me
producer:
Voyle Gilmore
bass trombone:
George Roberts (american bass trombone)
cello:
Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
French horn:
John Cave (french horn) and Vincent DeRosa
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Mahlon Clark, John Hacker, Jules Kinsler, Harry Klee and Champ Webb
trombone:
Milt Bernhart
viola:
Cy Bernard, Stanley Harris (US big band viola player), Maxine Johnson and Dave Sterkin
violin:
Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstein, Mischa Russell (violinist), Eudice Shapiro (Violinist), Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
June Hutton, The Pied Pipers (American vocal group, active 1930s-50s) and Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1954-09-23)
orchestra:
The Nelson Riddle Orchestra (on 1954-09-23)
conductor:
Nelson Riddle (on 1954-09-23)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1954-09-23)
recording of:
Someone to Watch Over Me (Oh, Kay!) (on 1954-09-23)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 until 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
2:57
8In the Wee Small Hours of the Morning
recording engineer:
John Palladino
producer:
Voyle Gilmore
cello:
Ray Kramer, Edgar Lustgarten, Kurt Reher (cellist) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Morty Corb (bass, USA) and Meyer "Mike" Rubin (US bassist 1930s - 1960s)
drums (drum set):
Louis Singer (percussionist)
guitar:
George van Eps
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Paul Robyn and Dave Sterkin
violin:
Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstein, David Frisina, Henry Hill (Violin player), Erno Neufeld, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-02-17)
orchestra:
The Nelson Riddle Orchestra (on 1955-02-17)
conductor:
Nelson Riddle (on 1955-02-17)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-02-17)
recording of:
In the Wee Small Hours of the Morning (on 1955-02-17)
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:02
9I Thought About You
recording of:
I Thought About You
lyricist:
Johnny Mercer
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke & Van Heusen, Jerry Leiber Music, Lewis Music Publishing Co., Inc., Range Road Music Inc., Silver Seahorse Music LLC, Twentieth Century Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
2:28
10Too Marvelous for Words
recording of:
Too Marvelous for Words
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:28
11Autumn Leaves
baritone saxophone:
Matty Matlock
cello:
Cy Bernard and Armand Kaproff
clarinet:
Wayne Songer (clarinetist and saxophonist)
double bass:
Jack Ryan (jazz bassist)
drums (drum set):
Nick Fatool
flute:
Dent Eckels
French horn:
John Cave (french horn), Vincent DeRosa and Arthur Frantz
guitar:
Allan Reuss
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
viola:
William Baffa, Ray Menhennick (Violist), Paul Robyn and Dave Sterkin
violin:
Victor Arno, Harry Bluestone, Kurt Dieterle, Walter Edelstein, Ben Gill, Joseph Quadri, Murray Kellner, Sol Kindler, Samuel Levine (violinist), Joseph Livoti (violinist), Dan Lube, Erno Neufeld, Nicholas Pisani, Mischa Russell (violinist), Felix Slatkin and Marshall Sosson
woodwind:
Wilbur Schwartz
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-04-10)
conductor:
Gordon Jenkins (on 1957-04-10)
arranger:
Gordon Jenkins
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1957-04-10)
cover recording of:
Autumn Leaves (jazz standard, english lyrics) (on 1957-04-10)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
2:53
12Dancing in the Dark
producer:
Dave Cavanaugh
double bass:
Keith Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Irv Cottler
guitar:
Al Hendrickson
piano:
Bill Miller (pianist)
saxophone and woodwind:
Bill Ulyate, Buddy Collette, Fred Falensby, Skeets Herfurt and Irving “Babe” Russin
trombone:
Ed Kusby, Murray McEachern, Pullman “Tommy” Pederson and Si Zentner
trumpet:
Pete Candoli, Conrad Gozzo, Manny Klein and Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-12-22)
orchestra:
The Billy May Orchestra (on 1958-12-22)
conductor:
Billy May (on 1958-12-22)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1958-12-22)
cover recording of:
Dancing in the Dark (on 1958-12-22)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Band Wagon (1953 film)
2:26
13All of Me
producer:
Voyle Gilmore
alto saxophone:
Skeets Herfurt and Abe Most
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
celesta:
Bill Miller (pianist)
cello:
Eleanor Slatkin (US cellist, b. Aller)
clarinet:
Eddie Miller (US jazz saxophonist)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Bob Bain (guitarist)
tenor saxophone:
Irving “Babe” Russin
trombone:
Pullman “Tommy” Pederson and Ray Sims
trumpet:
Harry “Sweets” Edison (on 1954-04-19)
vibraphone:
Frank Flynn
viola:
Paul Robyn
violin:
Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1954-04-19)
orchestra:
The Nelson Riddle Orchestra (on 1954-04-19)
conductor:
Nelson Riddle (on 1954-04-19)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1954-04-19)
recording of:
All of Me (on 1954-04-19)
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic and 日音 Synch事業部 (NICHION, INC. Synch Division)
2:08
14As Time Goes By
producer:
Dave Cavanaugh (on 1961-09-12)
bass trombone:
George Roberts (american bass trombone) (on 1961-09-12)
cello:
Joseph DiTullio (cellist) (on 1961-09-12), Edgar Lustgarten (on 1961-09-12), Kurt Reher (cellist) (on 1961-09-12) and Eleanor Slatkin (US cellist, b. Aller) (on 1961-09-12)
double bass:
Joe Comfort (on 1961-09-12)
drums (drum set):
Irv Cottler (on 1961-09-12)
French horn:
John Cave (french horn) (on 1961-09-12), Vincent DeRosa (on 1961-09-12) and Richard Perissi (on 1961-09-12)
guitar:
Al Viola (on 1961-09-12)
harp:
Veryle Brilhart (on 1961-09-12)
percussion:
Emil Richards (on 1961-09-12)
piano:
Bill Miller (pianist) (on 1961-09-12)
reeds:
Gene Cipriano (on 1961-09-12), Justin Gordon (on 1961-09-12), Harry Klee (on 1961-09-12), Ronnie Lang (on 1961-09-12), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1961-09-12), Irving “Babe” Russin (on 1961-09-12) and Wilbur Schwartz (on 1961-09-12)
trombone:
Milt Bernhart (on 1961-09-12), Dick Nash (on 1961-09-12) and Dick Noel (trombone) (on 1961-09-12)
trumpet:
Pete Candoli (on 1961-09-12), Vito N. Mangano (on 1961-09-12), Uan Rasey (on 1961-09-12) and Rubin "Zeke" Zarchy (on 1961-09-12)
viola:
Alvin Dinkin (on 1961-09-12), Virginia Majewski (violist) (on 1961-09-12), Alexander Neiman (violist) (on 1961-09-12) and Paul Robyn (on 1961-09-12)
violin:
Victor Arno (on 1961-09-12), Israel Baker (American violinist) (on 1961-09-12), Harry Bluestone (on 1961-09-12), Herman Clebanoff (on 1961-09-12), David Frisina (on 1961-09-12), Ben Gill (on 1961-09-12), Anatol Kaminsky (on 1961-09-12), Dan Lube (on 1961-09-12), Erno Neufeld (on 1961-09-12), Lou Raderman (on 1961-09-12), Nathan Ross (on 1961-09-12) and Felix Slatkin (on 1961-09-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-09-12)
orchestra:
Axel Stordahl and His Orchestra (on 1961-09-12)
conductor:
Axel Stordahl (on 1961-09-12)
arranger:
Axel Stordahl (on 1961-09-12)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1961-09-12)
cover recording of:
As Time Goes By (the song from “Casablanca”) (on 1961-09-12)
lyricist and composer:
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (ended), Chappell (company that specialized in library and production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) and Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
part of:
Casablanca (original soundtrack of the 1942 American film)
3:16
15September Song
producer:
Dave Cavanaugh (on 1961-09-11)
bass trombone:
George Roberts (american bass trombone)
cello:
Ray Kramer, Edgar Lustgarten, Kurt Reher (cellist) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Irv Cottler
French horn:
John Cave (french horn), Vincent DeRosa and Richard Perissi
guitar:
Al Viola
harp:
Verlye Mills
percussion:
Emil Richards
piano:
Bill Miller (pianist)
saxophone and woodwind:
Gene Cipriano, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Harry Klee, Ronny Lang, Ted Nash (75- US saxophonist, the nephew), Irving “Babe” Russin and Wilbur Schwartz
trombone:
Milt Bernhart, Dick Nash and Dick Noel (trombone)
trumpet:
Pete Candoli, Vito N. Mangano, Rubin "Zeke" Zarchy and Jimmy Zito
viola:
Alvin Dinkin, Virginia Majewski (violist), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, David Frisina, Ben Gill, Anatol Kaminsky (Violinist), Dan Lube, Erno Neufeld, Lou Raderman, Nathan Ross, Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-09-11)
orchestra:
Axel Stordahl and His Orchestra (on 1961-09-11)
conductor:
Axel Stordahl (on 1961-09-11)
arranger:
Axel Stordahl (on 1961-09-11)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1961-09-11)
recording of:
September Song (catch-all for versions outside the theatrical context) (on 1961-09-11)
lyricist:
Maxwell Anderson
composer:
Kurt Weill (composer)
publisher:
Chappell & Co., DeSylva, Brown and Henderson, Inc., Hampshire House Publishing Corp., Kurt Weill Foundation for Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
arrangement of:
Knickerbocker Holiday: September Song
4:21
16One for My Baby (and One More for the Road)
producer:
Voyle Gilmore
bassoon:
Don Christlieb (on 1958-06-25) and Norman Herzberg (bassoon) (on 1958-06-25)
cello:
James Arkatov (American cellist and photographer) (on 1958-06-25), Armand Kaproff (on 1958-06-25), Joseph Saxon (on 1958-06-25) and Eleanor Slatkin (US cellist, b. Aller) (on 1958-06-25)
clarinet:
Gus Bivona (on 1958-06-25), Sal Franzella (on 1958-06-25), Chuck Gentry (on 1958-06-25) and Morris Bercov (on 1958-06-25)
double bass:
Joe Comfort (on 1958-06-25) and Eddie Gilbert (on 1958-06-25)
drums (drum set) and percussion:
Frank Flynn (on 1958-06-25) and Bill Richmond (on 1958-06-25)
flute:
Arthur Gleghorn (on 1958-06-25) and Harry Klee (on 1958-06-25)
French horn:
James Decker (French hornist) (on 1958-06-25), James McGee (on 1958-06-25) and George Price (on 1958-06-25)
guitar:
Al Hendrickson (on 1958-06-25) and Al Viola (on 1958-06-25)
harp:
Kathryn Julye (on 1958-06-25)
oboe:
Arnold Koblentz (Oboe player) (on 1958-06-25) and Champ Webb (on 1958-06-25)
piano:
Bill Miller (pianist) (on 1958-06-25)
trombone:
Milt Bernhart (on 1958-06-25), Russell Brown (Swing trombonist) (on 1958-06-25), Ray Sims (on 1958-06-25) and Tommy Pederson (on 1958-06-25)
trumpet:
Cappy Lewis (on 1958-06-25)
viola:
Alvin Dinkin (on 1958-06-25), Stanley Harris (US big band viola player) (on 1958-06-25), Paul Robyn (on 1958-06-25) and Dave Sterkin (on 1958-06-25)
violin:
Israel Baker (American violinist) (on 1958-06-25), Victor Bay (on 1958-06-25), Alex Beller (on 1958-06-25), Arnold Belnick (on 1958-06-25), Daniel Karpilowsky (on 1958-06-25), Emo Neufeld (on 1958-06-25), Ben Gill (on 1958-06-25), Paul Shure (on 1958-06-25), Felix Slatkin (on 1958-06-25), Marshall Sosson (on 1958-06-25), Victor Amo (on 1958-06-25) and Gerald Vinci (American violinist and strings conductor) (on 1958-06-25)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-06-25)
orchestra:
The Nelson Riddle Orchestra (on 1958-06-25)
conductor:
Nelson Riddle (on 1958-06-26)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1958-06-25)
cover recording of:
One for My Baby (and One More for the Road) (on 1958-06-26)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. and Harwin Music
part of:
The Sky’s the Limit (1943 film)
34:27