50 Rock & Roll Hits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Made in E.E.C.

There's also at least 1 reissue with a barcode (8712177004270, "Made in Belgium").

Anmerkung zuletzt geändert am 2025-06-27 22:50 UTC.

Titelliste

| |
1▼CD
Nr.TitelKünstlerBewertungLänge
1C’mon Everybody
E-Bass:
Connie “Guybo” Smith (bass player) (am 1958-10-10)
Gitarre:
Eddie Cochran (US rock and roll musician active in 1950s) (am 1958-10-10)
Klavier:
Ray Johnson (Rhythm 'n' blues - jazz pianist - songwriter - band leader) (am 1958-10-10)
Schlagzeug:
Earl Palmer (am 1958-10-10)
Tamburin:
Jerry Capehart (am 1958-10-10)
vocals:
Eddie Cochran (US rock and roll musician active in 1950s) (am 1958-10-10)
aufgenommen bei:
Goldstar Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-10-10)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 22) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 403)
recording of:
C’mon Everybody (am 1958-10-09)
Verfasser(in):
Jerry Capehart und Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., Metric Music Co (publisher) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Eddie Cochran41:56
2Whole Lotta Lovin’
Produzent(in):
Dave Bartholomew
phonographisches Urheberrecht (℗) von:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
aufgenommen bei:
J&M/Cosimo Recording Studios (New Orleans, circa 1956-1968) in New Orleans, Louisiana, Vereinigte Staaten
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 31)
recording of:
Whole Lotta Loving (am 1958-09-23)
Texter und Komponist(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
Fats Domino41:38
3Long Tall Sally
recording of:
Long Tall Sally
Verfasser(in):
Enotris Johnson (am 1955-11-29), Richard Wayne Penniman (am 1955-11-29) und Robert Alexander Blackwell (am 1955-11-29)
publisher:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music und Venice Music
Little Richard2:08
4Carol
recording of:
Carol
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Inc. und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry2:34
5Razzle Dazzle
Bill Haley2:42
6Bird Dog
recording of:
Bird Dog
Texter und Komponist(in):
Boudleaux Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI) (am 1958-08-15) und House of Bryant Publications (publisher; do NOT use as release label) (in 1978)
The Everly Brothers2:12
7Not Fade Away
recording of:
Not Fade Away
Verfasser(in):
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) und Norman Petty
publisher:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited und Wren Music
Buddy Holly2:18
8Breathless
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre:
Jay W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (am 1958-01-21)
Gitarre:
Roland Janes (am 1958-01-21) und Billy Lee Riley (am 1958-01-21)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1958-01-21)
Schlagzeug:
Jimmy Van Eaton (am 1958-01-21)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1958-01-21)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1958)
recording of:
Breathless (am 1958-01-21)
Texter und Komponist(in):
Otis Blackwell (American pianist, singer and songwriter)
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher), Home Folks Music (USA) Inc. und Obie Music Inc.
Jerry Lee Lewis42:41
9Matchbox
Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Clayton Perkins (am 1956-12-04)
Gitarre:
Carl Perkins (American pioneer of rockabilly music) (am 1956-12-04)
Gitarre [rhythm guitar]:
Jay Perkins (am 1956-12-04)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1956-12-04)
Schlagzeug [drums]:
W.S. Holland (am 1956-12-04)
vocals:
Carl Perkins (American pioneer of rockabilly music) (am 1956-12-04)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1956-12-04)
recording of:
Matchbox (am 1956-12-04)
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., Knox Music, Inc., MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), Unichappell Music und Wren Music Co.
Version von:
Match Box Blues
Carl Perkins2:08
10Rubber Ball
recording of:
Rubber Ball
Texter und Komponist(in):
Gene Pitney und Aaron Schroeder (1950s~1960s US songwriter)
publisher:
J. Albert & Son Pty. Ltd.
Bobby Vee2:17
11Ain’t That a Shame
recording of:
Ain’t That a Shame (in 1955)
Verfasser(in):
Antoine Domino (Fats Domino) und Dave Bartholomew
publisher:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (in 1955, in 1983) und United Artists Music Ltd. (vom 1977 bis heute)
Pat Boone2:22
12Stood Up
recording of:
Stood Up
Verfasser(in):
Dub Dickerson und Erma Herrold
publisher:
Francis, Day & Hunter Ltd.
Ricky Nelson1:52
13Reveille Rock
cover recording of:
Reveille Rock
Verfasser(in):
Carl Conatser und Tom King (50s & 60s songwriter)
Johnny and the Hurricanes2:27
14Rebel Rouser
Duane Eddy2:15
15Tequila
recording of:
Tequila
Texter und Komponist(in):
Daniel Flores (Daniel Flores)
The Champs4.32:11
16Teen Beat
Sandy Nelson2:23
17Sea Cruise
recording of:
Sea Cruise
Frankie Ford32:44
18I’m Gonna Get Married
recording of:
I’m Gonna Get Married
Verfasser(in):
Harold Logan und Lloyd Price (US R&B/soul singer)
Lloyd Price2:34
19Splish Splash
Produzent(in):
Herb Abramson und Ahmet Ertegun (US American Songwriter, producer)
recording of:
Splish Splash
Verfasser(in):
Bobby Darin und Jean Murray
publisher:
Alley Music Corp., EMI Unart Catalog Inc., Good Music Ltd. und Oirt Music Inc.
Bobby Darin32:10
20Ready Teddy
recording of:
Ready Teddy
Texter und Komponist(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Aberbach Ltd. (publisher), ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Robin Hood Music Co., Songs of Kobalt Music Publishing, Sony/ATV Songs LLC und Venice Music, Inc.
Little Richard2:07
21Three Steps to Heaven
Produzent(in):
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
E-Bass:
Connie “Guybo” Smith (bass player) (am 1960-01-08)
Gitarre:
Eddie Cochran (US rock and roll musician active in 1950s) (am 1960-01-08) und Sonny Curtis (am 1960-01-08)
Schlagzeug:
Jerry Allison (am 1960-01-08)
vocals:
Eddie Cochran (US rock and roll musician active in 1950s) (am 1960-01-08)
aufgenommen bei:
Goldstar Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-01-08)
recording of:
Three Steps to Heaven (am 1960-01-08)
Verfasser(in):
Bob Cochran und Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
Belsize Music Ltd.
Eddie Cochran32:22
22Johnny B. Goode
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre und Sologesang:
Chuck Berry (am 1958-01-06)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1958-01-06)
Kontrabass:
Willie Dixon (am 1958-01-06)
Schlagzeug:
Jasper Thomas (am 1958-01-06)
aufgenommen bei:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Vereinigte Staaten (am 1958-01-06)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 1), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 3), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 33), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 53) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Johnny B. Goode (am 1958-01-06)
Texter und Komponist(in):
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und ロックンロール ミュージック (Rock ’n’ Roll Music)
Teil von:
Back to the Future: the Musical
Chuck Berry4.22:34
23Tutti Frutti
Produzent(in):
Randy Wood (producer)
conductor:
Billy Vaughn (in 1955-12)
arranger:
Billy Vaughn
aufgenommen bei:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (in 1955-12)
cover recording of:
Tutti Frutti (am 1955-12-01)
Texter:
Dorothy LaBostrie (American songwriter) und Richard Wayne Penniman
Komponist(in):
Dorothy LaBostrie (American songwriter), Joe Lubin und Richard Wayne Penniman
publisher:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Phonogram GmbH (in 1983)
Pat Boone2:28
24I’m Walking
phonographisches Urheberrecht (℗) von:
F. D. & Hunter (publisher) (in 1957)
Bearbeitung von:
I’m Walking von Fats Domino
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 17)
recording of:
I’m Walkin’ (am 1957-01-03)
Texter und Komponist(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
publisher:
Cordial MV, EMI Catalogue Partnership, EMI Unart Catalog Inc. und Rolf Budde Musikverlag (aka Budde Music)
Fats Domino52:02
25Don’t Be Cruel
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-07-02)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-07-02) und Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-07-02)
Schlagzeug:
D.J. Fontana (am 1956-07-02)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
vocals:
The Jordanaires (southern gospel group) (am 1956-07-02)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-07-02)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 11) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 197)
recording of:
Don’t Be Cruel (am 1956-07-02)
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp. und Williamson Music Company
Elvis Presley3.82:02
26It’ll Be Me
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Gitarre:
Roland Janes (in 1957-02)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-02)
Schlagzeug:
Jimmy Van Eaton (in 1957-02)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-02)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1958)
recording of:
It’ll Be Me (in 1957-02)
Texter, Verfasser(in) und Komponist(in):
Jack Clement
publisher:
Bob Webster Music und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Jerry Lee Lewis2:12
2▼CD
Nr.TitelKünstlerBewertungLänge
1Jailhouse Rock
E-Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1957-04-30)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1957-04-30)
Schlagzeug:
D.J. Fontana (am 1957-04-30)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1957-04-30)
vocals:
Elvis Presley (“The King of Rock and Roll”) (am 1957-04-30)
zusätzlich vocals:
The Jordanaires (southern gospel group) (am 1957-04-30)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1957) und BMG Music (in 1957)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 67) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 216)
recording of:
Jailhouse Rock (am 1957-04-30)
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP), Silver Seahorse Music LLC und Sony/ATV Songs LLC
sub-publisher:
Fujipacific Music, Inc., ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Elvis Presley3.552:27
2Bye Bye Love
recording of:
Bye Bye Love
Verfasser(in):
Boudleaux Bryant und Felice Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony ATV Acuff Rose Ltd., Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Music Publishing LLC (1995–2020)
The Everly Brothers2:24
3Summertime Blues
E-Bass:
Connie “Guybo” Smith (bass player) (am 1958-03-28)
Gitarre:
Eddie Cochran (US rock and roll musician active in 1950s) (am 1958-03-28)
Schlagzeug:
Earl Palmer (am 1958-03-28)
vocals:
Eddie Cochran (US rock and roll musician active in 1950s) (am 1958-03-28)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1958)
aufgenommen bei:
Goldstar Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-03-28)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 11), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 73) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 432)
recording of:
Summertime Blues (in 1958-05)
Verfasser(in):
Jerry Capehart und Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
American Music (publisher), Cinephonic Music Co., Ltd., Edition Wilhelm Hansen, Elvis Presley Music, Gallo Music Publishers, Gladys Music, Hill and Range Songs, Inc. (publisher), Rightsong Music, Viva Music, Inc, Warner Bros. Music (publisher; do NOT use as release label) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Eddie Cochran3.751:55
4Maybellene
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre und Sologesang:
Chuck Berry (am 1955-05-21)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1955-05-21)
Kontrabass:
Willie Dixon (am 1955-05-21)
Maracas / Rumba-Rasseln [possibly]:
Leonard Chess (am 1955-05-21) und Jerome Green (am 1955-05-21)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 2003)
aufgenommen bei:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (am 1955-05-21)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 2), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 18), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 102)
recording of:
Maybellene (am 1955-05-21)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und Salee Music Company
Chuck Berry3.852:18
5The Girl Can’t Help It
recording of:
The Girl Can’t Help It
Texter und Komponist(in):
Bobby Troup
publisher:
Robbins Music Corp. und Twentieth Century Music Corp. (in 1956)
Little Richard2:24
6Chantilly Lace
The Big Bopper2:21
7Whole Lotta Shakin’ Goin’ On
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records) (in 1957)
Gitarre:
Roland Janes (am 1957-02-05)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-02-05)
Schlagzeug:
Jimmy Van Eaton (am 1957-02-05)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-02-05)
phonographisches Urheberrecht (℗) von:
Sun (US label founded in 1952) (in 1957), Sun Record Company (in 1957) und Charly Records (vom 2008 bis heute)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1957-02-05)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 1) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 61)
cover recording of:
Whole Lotta Shakin’ Goin’ On (am 1957-02-05)
Verfasser(in):
Roy Hall (US rockabilly pianist & songwriter) und Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc., Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) und Whole Lotta Shakin' Music
recording of:
Whole Lotta Shakin’ Goin’ On
Verfasser(in):
Roy Hall (US rockabilly pianist & songwriter) und Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc., Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) und Whole Lotta Shakin' Music
Jerry Lee Lewis4.652:53
8Rock Around the Clock
Bill Haley2:13
9Be Bop a Lula
Gitarre [lead guitar]:
Cliff Gallup (lead guitarist for The Blue Caps) (am 1956-05-04)
Gitarre [rhythm guitar]:
Willie Williams (50s rock guitarist) (am 1956-05-04)
Kontrabass [upright bass]:
Jack Neal (am 1956-05-04)
Schlagzeug [drums]:
Dickie Harrell (am 1956-05-04)
vocals:
Gene Vincent (am 1956-05-04)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (vom 1956 bis heute)
aufgenommen bei:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1956-05-04)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 9) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 102)
recording of:
Be‐Bop‐a‐Lula (am 1956-05-04)
Verfasser(in):
Bill “Tex” Davis und Gene Vincent
publisher:
Lowery Music Co. Inc.
Gene Vincent4.352:37
10Dynamite
recording of:
Dynamite
Texter:
Tom Glazer
Komponist(in):
Mort Garson (Canadian-born composer, arranger, songwriter, and pioneer of electronic music)
publisher:
Skidmore Music Co., Inc. und Songs Music, Inc.
Brenda Lee2:03
11At the Hop
recording of:
At the Hop
Verfasser(in):
John L. Medora, Artie Singer (US songwriter, producer and bandleader) und David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
publisher:
Sea-Lark Enterprises, Inc., Singular Music und Tristan Music Ltd.
Danny & the Juniors2:33
12Tutti Frutti
cover recording of:
Tutti Frutti
Texter:
Dorothy LaBostrie (American songwriter) und Richard Wayne Penniman
Komponist(in):
Dorothy LaBostrie (American songwriter), Joe Lubin und Richard Wayne Penniman
publisher:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Phonogram GmbH (in 1983)
Elvis Presley1:59
13Blue Suede Shoes
Gitarre:
Carl Perkins (American pioneer of rockabilly music) (in 1955-12) und Jay Perkins (in 1955-12)
Kontrabass:
Clayton Perkins (in 1955-12)
Schlagzeug:
W.S. Holland (in 1955-12)
vocals:
Carl Perkins (American pioneer of rockabilly music) (in 1955-12)
phonographisches Urheberrecht (℗) von:
Sun (US label founded in 1952) (in 1955, vom 1956 bis heute)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 5) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 95)
recording of:
Blue Suede Shoes (in 1955-12)
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. und Wren Music Co.
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Carl Perkins42:14
14Red River Rock
cover recording of:
Red River Rock
Komponist(in):
Tom King (50s & 60s songwriter), Ira Mack und Fred Mendelsohn
publisher:
Burlington Music Co., Ltd. und Mole Hole Music
basiert auf:
Red River Valley
Johnny and the Hurricanes2:09
15Wake Up Little Susie
phonographisches Urheberrecht (℗) von:
Cadence (NYC-based label founded by Archie Bleyer) (in 1957)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 21) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 311)
recording of:
Wake Up Little Susie (in 1957)
Verfasser(in):
Boudleaux Bryant und Felice Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI), House of Bryant Publications (publisher; do NOT use as release label), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
The Everly Brothers4.652:00
16Great Balls of Fire
recording of:
Great Balls of Fire
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) und Warner Chappell Music (publisher as Warner/Chappell Music)
Jerry Lee Lewis1:52
17Raunchy
Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Sid Lapworth (am 1957-06-05)
Gitarre:
Roland Janes (am 1957-06-05) und Sid Manker (am 1957-06-05)
Horn [horn overdubs]:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1957-06-05)
Klavier:
Jimmy Wilson (rockabilly piano) (am 1957-06-05)
Schlagzeug [drums]:
J.M. Van Eaton (am 1957-06-05)
Tenorsaxophon:
Bill Justis (am 1957-06-05)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1957-06-05)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 38)
recording of:
Raunchy (am 1957-06-05)
Komponist(in):
Bill Justis und Sid Manker
Bill Justis2:25
18Keep a Knockin’
recording of:
Keep a Knockin’ (Little Richard’s version)
Texter und Komponist(in):
Richard Wayne Penniman (in 1957-01)
publisher:
MCA Music Ltd.
Version von:
Keep a‐Knockin’ an You Can’t Get In
Little Richard2:08
19Shake Rattle & Roll
Bill Haley2:31
20Say Mama
Gene Vincent2:12
21Sweet Little Sixteen
recording of:
Sweet Little Sixteen
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Fermata do Brasil, Isalee Music Publishing Co. (Chuck Berry’s music publishing company), Isalee Music Publishing Company und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry2:17
22Stupid Cupid
recording of:
Stupid Cupid
Texter:
Howard Greenfield
Komponist(in):
Neil Sedaka
Connie Francis2:13
23My Blue Heaven
Produzent(in):
Dave Bartholomew
phonographisches Urheberrecht (℗) von:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
aufgenommen bei:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, Vereinigte Staaten
cover recording of:
My Blue Heaven (am 1955-12-23)
Texter:
George A. Whiting (popular songwriter) (in 1924)
Komponist(in):
Walter Donaldson (in 1924)
publisher:
Leo Feist, Inc.
komponiert bei:
New York Friars Club in New York, New York, Vereinigte Staaten (in 1924)
Fats Domino42:07
24Hound Dog
cover recording of:
Hound Dog
Texter:
Jerry Leiber (am 1952-08-12)
Komponist(in):
Mike Stoller (am 1952-08-12)
vorher zugeschrieben zu:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company und Williamson Music, Inc.
Elvis Presley2:14

Nennungen