The Complete Collection: The Island Years

~ Veröffentlichung von Bob Marley & The Wailers (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

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1Digitales Medium: Catch a Fire
Nr.TitelBewertungLänge
1Concrete Jungle
Techniker(in):
Carlton Lee
Produzent(in):
The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Bass:
Robert “Robbie” Shakespeare (in 1972-10)
Gitarre:
Bob Marley (Jamaican reggae artist) (in 1972-10), Wayne Perkins (in 1972-10) und Peter Tosh (in 1972-10)
Keyboard:
John “Rabbit” Bundrick (in 1972-10)
Orgel:
Tyrone Downie (in 1972-10)
Perkussion:
Alvin “Seeco” Patterson (in 1972-10) und Bunny Wailer (in 1972-10)
Schlagzeug:
Carlton “Carly” Barrett (in 1972-10)
Sologesang:
Bob Marley (Jamaican reggae artist) (in 1972-10)
Tenor-Gesang [harmony vocals]:
Peter Tosh (in 1972-10) und Bunny Wailer (in 1972-10)
aufgenommen bei:
Dynamic Sounds in Kingston (Kingston Parish), Jamaika (in 1972-10)
recording of:
Concrete Jungle (in 1972-10)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
4.354:14
2Slave Driver
Techniker(in):
Carlton Lee
Produzent(in):
The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Bass:
Aston “Family Man” Barrett (in 1972-10)
Gitarre:
Bob Marley (Jamaican reggae artist) (in 1972-10) und Peter Tosh (in 1972-10)
Keyboard:
Earl “Wya” Lindo (in 1972-10) und Winston Wright (Jamaican piano and keyboard player) (in 1972-10)
Klavier:
Earl “Wya” Lindo (in 1972-10)
Perkussion:
Alvin “Seeco” Patterson (in 1972-10)
Schlagzeug:
Carlton “Carly” Barrett (in 1972-10)
Sologesang:
Bob Marley (Jamaican reggae artist) (in 1972-10)
Tenor-Gesang [harmony vocals]:
Peter Tosh (in 1972-10) und Bunny Wailer (in 1972-10)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1973)
aufgenommen bei:
Dynamic Sounds in Kingston (Kingston Parish), Jamaika (in 1972-10)
recording of:
Slave Driver (in 1972-10)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
42:54
3400 Years
Techniker(in):
Carlton Lee
Produzent(in):
The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Bass:
Aston “Family Man” Barrett (in 1972-10)
Gitarre und Sologesang:
Peter Tosh (in 1972-10)
Keyboard:
Earl “Wya” Lindo (in 1972-10) und Peter Tosh (in 1972-10)
Perkussion:
Alvin “Seeco” Patterson (in 1972-10) und Bunny Wailer (in 1972-10)
Schlagzeug:
Carlton “Carly” Barrett (in 1972-10)
Tenor-Gesang [harmony vocals]:
Bob Marley (Jamaican reggae artist) (in 1972-10) und Bunny Wailer (in 1972-10)
aufgenommen bei:
Dynamic Sounds in Kingston (Kingston Parish), Jamaika (in 1972-10)
recording of:
Four Hundred Years (in 1972-10)
Verfasser(in):
Lee “Scratch” Perry (aka The Upsetter) und Peter Tosh
publisher:
Jamrec Music und Rondor Music (London) Ltd.
32:46
4Stop That Train
Techniker(in):
Carlton Lee
Produzent(in):
The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Bass:
Aston “Family Man” Barrett (in 1972-10)
Gitarre und Sologesang:
Peter Tosh (in 1972-10)
Keyboard:
John “Rabbit” Bundrick (in 1972-10), Earl “Wya” Lindo (in 1972-10) und Peter Tosh (in 1972-10)
Perkussion:
Alvin “Seeco” Patterson (in 1972-10) und Bunny Wailer (in 1972-10)
Schlagzeug:
Carlton “Carly” Barrett (in 1972-10)
Tenor-Gesang [harmony vocals]:
Bob Marley (Jamaican reggae artist) (in 1972-10) und Bunny Wailer (in 1972-10)
aufgenommen bei:
Dynamic Sounds in Kingston (Kingston Parish), Jamaika (in 1972-10)
recording of:
Stop That Train (in 1972-10)
Texter, Verfasser(in) und Komponist(in):
Peter Tosh
publisher:
Axum Zion Music Limited, B & C Music Publishing Ltd., Blue Mountain Music Ltd, Iron Zion Music Limited, Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
43:56
5Baby We’ve Got a Date (Rock It Baby)
Techniker(in):
Carlton Lee
Produzent(in):
The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Bass:
Bunny Wailer (in 1972-10)
Gitarre:
Bob Marley (Jamaican reggae artist) (in 1972-10) und Peter Tosh (in 1972-10)
Klavier:
Earl “Wya” Lindo (in 1972-10)
Orgel:
Winston Wright (Jamaican piano and keyboard player) (in 1972-10)
Perkussion:
Alvin “Seeco” Patterson (in 1972-10) und Bunny Wailer (in 1972-10)
Schlagzeug:
Carlton “Carly” Barrett (in 1972-10)
Sologesang:
Bob Marley (Jamaican reggae artist) (in 1972-10)
Tenor-Gesang [harmony vocals]:
Marcia Griffiths (reggae singer from Jamaica) (in 1972-10), Rita Marley (in 1972-10), Peter Tosh (in 1972-10) und Bunny Wailer (in 1972-10)
aufgenommen bei:
Dynamic Sounds in Kingston (Kingston Parish), Jamaika (in 1972-10)
recording of:
Baby We’ve Got a Date (Rock It Baby) (in 1972-10)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Blue Mountain Music, Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
43:59
6Stir It Up
Techniker(in):
Carlton Lee
Produzent(in):
The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Bass:
Robert “Robbie” Shakespeare (in 1972-10)
Gitarre:
Cat Coore (in 1972-10), Roger Lewis (founder and member of Inner Circle) (in 1972-10) und Wayne Perkins (in 1972-10)
Klavier:
Earl “Wya” Lindo (in 1972-10)
Orgel:
Tyrone Downie (in 1972-10)
Perkussion:
Alvin “Seeco” Patterson (in 1972-10)
Schlagzeug:
Sparrow Martin (in 1972-10)
Sologesang:
Bob Marley (Jamaican reggae artist) (in 1972-10)
Tenor-Gesang [harmony vocals]:
Peter Tosh (in 1972-10) und Bunny Wailer (in 1972-10)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1973)
aufgenommen bei:
Dynamic Sounds in Kingston (Kingston Parish), Jamaika (in 1972-10)
recording of:
Stir It Up (in 1972-10)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Because Éditions, Cayman Music, Odnil Music, PolyGram, Blue Mountain Music (in 1972), Fifty Six Hope Road Music Limited (in 1972) und Odnil Music Ltd. (in 1972)
4.45:34
7Kinky Reggae
Techniker(in):
Carlton Lee
Produzent(in):
The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Bass:
Aston “Family Man” Barrett (in 1972-10)
Gitarre:
Bob Marley (Jamaican reggae artist) (in 1972-10) und Peter Tosh (in 1972-10)
Keyboard:
Earl “Wya” Lindo (in 1972-10) und Winston Wright (Jamaican piano and keyboard player) (in 1972-10)
Klavier:
Earl “Wya” Lindo (in 1972-10)
Perkussion:
Alvin “Seeco” Patterson (in 1972-10)
Schlagzeug:
Carlton “Carly” Barrett (in 1972-10)
Sologesang:
Bob Marley (Jamaican reggae artist) (in 1972-10)
Tenor-Gesang [harmony vocals]:
Peter Tosh (in 1972-10) und Bunny Wailer (in 1972-10)
aufgenommen bei:
Dynamic Sounds in Kingston (Kingston Parish), Jamaika (in 1972-10)
recording of:
Kinky Reggae (in 1972-10)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
3.553:39
8No More Trouble
Techniker(in):
Carlton Lee
Produzent(in):
The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Bass:
Aston “Family Man” Barrett (in 1972-10)
Gitarre:
Bob Marley (Jamaican reggae artist) (in 1972-10) und Peter Tosh (in 1972-10)
Keyboard:
Earl “Wya” Lindo (in 1972-10) und Winston Wright (Jamaican piano and keyboard player) (in 1972-10)
Klavier:
Earl “Wya” Lindo (in 1972-10)
Perkussion:
Alvin “Seeco” Patterson (in 1972-10)
Schlagzeug:
Carlton “Carly” Barrett (in 1972-10)
Sologesang:
Bob Marley (Jamaican reggae artist) (in 1972-10)
Tenor-Gesang [harmony vocals]:
Peter Tosh (in 1972-10) und Bunny Wailer (in 1972-10)
aufgenommen bei:
Dynamic Sounds in Kingston (Kingston Parish), Jamaika (in 1972-10)
recording of:
No More Trouble (in 1972-10)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
44:00
9Midnight Ravers
Techniker(in):
Carlton Lee
Produzent(in):
The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Bass:
Aston “Family Man” Barrett (in 1972-10)
Gitarre:
Bob Marley (Jamaican reggae artist) (in 1972-10) und Peter Tosh (in 1972-10)
Keyboard:
John “Rabbit” Bundrick (in 1972-10) und Bernard “Touter” Harvey (Jamaican keyboard player and engineer) (in 1972-10)
Klavier:
Earl “Wya” Lindo (in 1972-10)
Perkussion:
Alvin “Seeco” Patterson (in 1972-10) und Bunny Wailer (in 1972-10)
Schlagzeug:
Carlton “Carly” Barrett (in 1972-10)
Sologesang:
Bob Marley (Jamaican reggae artist) (in 1972-10)
Tenor-Gesang [harmony vocals]:
Peter Tosh (in 1972-10) und Bunny Wailer (in 1972-10)
aufgenommen bei:
Dynamic Sounds in Kingston (Kingston Parish), Jamaika (in 1972-10)
recording of:
Midnight Ravers (in 1972-10)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
45:13
10High Tide or Low Tide (Jamaican version)
vocals:
Bob Marley (Jamaican reggae artist)
recording of:
High Tide or Low Tide (in 1969-12)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
4.54:45
11All Day All Night (Jamaican version)
vocals:
Bob Marley (Jamaican reggae artist)
recording of:
All Day All Night
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
43:28
2Digitales Medium: Burnin’
Nr.TitelBewertungLänge
1Get Up, Stand Up
recording engineer:
Sylvan Morris
Produzent(in):
Chris Blackwell (Island Records) und The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Mix:
Phill Brown (UK engineer) und Tony Platt (UK engineer and producer)
Bass:
Aston “Family Man” Barrett (in 1973-04)
Gitarre und Sologesang:
Bob Marley (Jamaican reggae artist) (in 1973-04) und Peter Tosh (in 1973-04)
Keyboard:
Earl “Wya” Lindo (in 1973-04)
Perkussion:
Alvin “Seeco” Patterson (in 1973-04) und Bunny Wailer (in 1973-04)
Schlagzeug:
Carlton “Carly” Barrett (in 1973-04)
Tenor-Gesang [harmony vocals]:
Peter Tosh (in 1973-04) und Bunny Wailer (in 1973-04)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1973, von 1973 bis 1983)
aufgenommen bei:
Harry J's Recording Studio in Kingston (Kingston Parish), Jamaika (in 1973-04)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 260) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 296)
recording of:
Get Up, Stand Up (in 1973-04)
Verfasser(in):
Bob Marley (Jamaican reggae artist) und Peter Tosh
publisher:
Because Éditions, Campbell Connelly France, Cayman Music, Odnil Music, Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974), Odnil Music Ltd. (in 1974) und Stuck On Music (in 1974)
4.153:21
2Hallelujah Time
recording engineer:
Sylvan Morris
Produzent(in):
Chris Blackwell (Island Records) und The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Mix:
Phill Brown (UK engineer) und Tony Platt (UK engineer and producer)
recording of:
Hallelujah Time
Komponist(in):
Neville Livingston
43:34
3I Shot the Sheriff
recording engineer:
Sylvan Morris
Produzent(in):
Chris Blackwell (Island Records) und The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Mix:
Phill Brown (UK engineer) und Tony Platt (UK engineer and producer)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1973)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 443)
recording of:
I Shot the Sheriff
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Blackwell Fuller Music Publishing LLC, Cayman Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Blue Mountain Music (in 1974), Cayman Music Inc (in 1974), Fifty Six Hope Road Music Limited (in 1974) und Odnil Music Ltd. (in 1974)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
3.94:42
4Burnin’ and Lootin’
recording engineer:
Sylvan Morris
Produzent(in):
Chris Blackwell (Island Records) und The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Mix:
Phill Brown (UK engineer) und Tony Platt (UK engineer and producer)
recording of:
Burnin’ and Lootin’
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
44:19
5Put It On
recording engineer:
Sylvan Morris
Produzent(in):
Chris Blackwell (Island Records) und The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Mix:
Phill Brown (UK engineer) und Tony Platt (UK engineer and producer)
Bass:
Aston “Family Man” Barrett (in 1973-04)
Gitarre:
Bob Marley (Jamaican reggae artist) (in 1973-04) und Peter Tosh (in 1973-04)
Keyboard:
Earl “Wya” Lindo (in 1973-04)
Perkussion:
Alvin “Seeco” Patterson (in 1973-04) und Bunny Wailer (in 1973-04)
Schlagzeug:
Carlton “Carly” Barrett (in 1973-04)
Sologesang:
Bob Marley (Jamaican reggae artist) (in 1973-04)
Tenor-Gesang [harmony vocals]:
Peter Tosh (in 1973-04) und Bunny Wailer (in 1973-04)
aufgenommen bei:
Harry J's Recording Studio in Kingston (Kingston Parish), Jamaika (in 1973-04)
recording of:
Put It On (in 1973-04)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Bronjo Music
44:03
6Small Axe
recording engineer:
Sylvan Morris
Produzent(in):
Chris Blackwell (Island Records) und The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Mix:
Phill Brown (UK engineer) und Tony Platt (UK engineer and producer)
aufgenommen bei:
Harry J's Recording Studio in Kingston (Kingston Parish), Jamaika (in 1973-04)
recording of:
Small Axe (in 1973-04)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Fifty Six Hope Road
4.254:03
7Pass It On
recording engineer:
Sylvan Morris
Produzent(in):
Chris Blackwell (Island Records) und The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Mix:
Phill Brown (UK engineer) und Tony Platt (UK engineer and producer)
recording of:
Pass It On
Komponist(in):
Bob Marley (Jamaican reggae artist)
43:36
8Duppy Conqueror
recording engineer:
Sylvan Morris
Produzent(in):
Chris Blackwell (Island Records) und The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Mix:
Phill Brown (UK engineer) und Tony Platt (UK engineer and producer)
Bass:
Aston “Family Man” Barrett (in 1973-04)
Gitarre:
Bob Marley (Jamaican reggae artist) (in 1973-04) und Peter Tosh (in 1973-04)
Keyboard:
Earl “Wya” Lindo (in 1973-04)
Perkussion:
Alvin “Seeco” Patterson (in 1973-04) und Bunny Wailer (in 1973-04)
Schlagzeug:
Carlton “Carly” Barrett (in 1973-04)
Sologesang:
Bob Marley (Jamaican reggae artist) (in 1973-04)
Tenor-Gesang [harmony vocals]:
Peter Tosh (in 1973-04) und Bunny Wailer (in 1973-04)
Herausgeber:
Trojan Records
aufgenommen bei:
Harry J's Recording Studio in Kingston (Kingston Parish), Jamaika (in 1973-04)
recording of:
Duppy Conqueror (in 1973-04)
Verfasser(in):
Bob Marley (Jamaican reggae artist) und Lee “Scratch” Perry (aka The Upsetter)
publisher:
Bronjo Music, Cayman Music Inc und Rondor Music (London) Ltd.
43:49
9One Foundation
recording engineer:
Sylvan Morris
Produzent(in):
Chris Blackwell (Island Records) und The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Mix:
Phill Brown (UK engineer) und Tony Platt (UK engineer and producer)
recording of:
One Foundation
Komponist(in):
Peter Tosh
43:45
10Rastaman Chant
recording engineer:
Sylvan Morris
Produzent(in):
Chris Blackwell (Island Records) und The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Mix:
Phill Brown (UK engineer) und Tony Platt (UK engineer and producer)
recording of:
Rasta Man Chant (in 1973-04)
Komponist(in):
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
43:49
11Reincarnated Souls
recording engineer:
Sylvan Morris
Mix:
Phill Brown (UK engineer) und Tony Platt (UK engineer and producer)
recording of:
Reincarnated Souls
Komponist(in):
Neville Livingston
3:46
12No Sympathy (version)
recording engineer:
Sylvan Morris
Produzent(in):
The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Mix:
Phill Brown (UK engineer) und Tony Platt (UK engineer and producer)
Bass:
Aston “Family Man” Barrett (in 1973-04)
Gitarre und Sologesang:
Peter Tosh (in 1973-04)
Keyboard:
Earl “Wya” Lindo (in 1973-04) und Peter Tosh (in 1973-04)
Perkussion:
Alvin “Seeco” Patterson (in 1973-04) und Bunny Wailer (in 1973-04)
Schlagzeug:
Carlton “Carly” Barrett (in 1973-04)
Tenor-Gesang [harmony vocals]:
Bob Marley (Jamaican reggae artist) (in 1973-04) und Bunny Wailer (in 1973-04)
aufgenommen bei:
Harry J's Recording Studio in Kingston (Kingston Parish), Jamaika (in 1973-04)
recording of:
No Sympathy (in 1973-04)
Texter und Komponist(in):
Peter Tosh
publisher:
Jamrec Music und Rondor Music (London) Ltd.
3:12
13The Oppressed Song (version)
recording engineer:
Sylvan Morris
Mix:
Phill Brown (UK engineer) und Tony Platt (UK engineer and producer)
recording of:
The Oppressed Song
Komponist(in):
Neville Livingston
3:15
3Digitales Medium: Natty Dread
Nr.TitelBewertungLänge
1Lively Up Yourself
recording engineer:
Phil Ault und Sylvan Morris
Produzent(in):
Chris Blackwell (Island Records) und The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Mix:
Sid Bucknor
mixed at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
recording of:
Lively Up Yourself (in 1974)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc, Odnil Music Ltd. (vom 1974 bis heute), Blue Mountain Music (in 1974) und Fifty Six Hope Road Music Limited (in 1974)
55:09
2No Woman, No Cry
recording engineer:
Phil Ault und Sylvan Morris
Produzent(in):
Chris Blackwell (Island Records) und The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Mix:
Sid Bucknor
mixed at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 37) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 140)
recording of:
No Woman, No Cry
Texter und Komponist(in):
Vincent Ford
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Global Musikverlag (Global Musik GmbH & Co. KG), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974), Odnil Music Ltd. (in 1974) und Global (publisher) (in 1976)
3.63:46
3Them Belly Full (but We Hungry)
recording engineer:
Phil Ault und Sylvan Morris
Produzent(in):
Chris Blackwell (Island Records) und The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Mix:
Sid Bucknor
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1974)
mixed at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
recording of:
Them Belly Full (but We Hungry)
Verfasser(in):
Carlton “Carly” Barrett und Lecon Cogil
publisher:
Bob Marley Music BVI, Rondor Music (London) Ltd., Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974) und Odnil Music Ltd. (in 1974)
23:13
4Rebel Music (3 O’Clock Road Block)
recording engineer:
Phil Ault und Sylvan Morris
Produzent(in):
Chris Blackwell (Island Records) und The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Mix:
Sid Bucknor
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1974)
mixed at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
recording of:
Rebel Music (3 O’Clock Roadblock) (in 1974)
Verfasser(in):
Aston “Family Man” Barrett und Hugh Peart
publisher:
Bob Marley Music BVI, Rondor Music (London) Ltd., Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974) und Odnil Music Ltd. (in 1974)
2.56:46
5So Jah Seh
recording engineer:
Phil Ault und Sylvan Morris
Produzent(in):
Chris Blackwell (Island Records) und The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Mix:
Sid Bucknor
mixed at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
recording of:
So Jah Seh
Verfasser(in):
Willy Francisco und Rita Marley
publisher:
Bob Marley Music BVI, Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974) und Odnil Music Ltd. (in 1974)
3.554:28
6Natty Dread
recording engineer:
Phil Ault und Sylvan Morris
Produzent(in):
Chris Blackwell (Island Records) und The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Mix:
Sid Bucknor
mixed at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
recording of:
Natty Dread
Verfasser(in):
Allen Cole (Jamaican songwriter) und Rita Marley
publisher:
Bob Marley Music BVI, Cayman Music ltd., Kobalt Music Publishing Ltd. (UK), Marley Marl Music Inc, Odnil Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974) und Odnil Music Ltd. (in 1974)
3:36
7Bend Down Low
recording engineer:
Phil Ault und Sylvan Morris
Produzent(in):
Chris Blackwell (Island Records) und The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Mix:
Sid Bucknor
mixed at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
recording of:
Bend Down Low (in 1974)
Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc, Blue Mountain Music (in 1968), Fifty Six Hope Road Music Limited (in 1968) und Odnil Music Ltd. (in 1968)
3:22
8Talkin’ Blues
recording engineer:
Phil Ault und Sylvan Morris
Produzent(in):
Chris Blackwell (Island Records) und The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Mix:
Sid Bucknor
mixed at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
recording of:
Talkin’ Blues
Komponist(in):
Carlton “Carly” Barrett und Lecon Cogil
publisher:
Because Éditions, Bob Marley Music BVI, Stichting Bob Marley, Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974) und Odnil Music (in 1974)
4:07
9Revolution
recording engineer:
Phil Ault und Sylvan Morris
Produzent(in):
Chris Blackwell (Island Records) und The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Mix:
Sid Bucknor
mixed at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
recording of:
Revolution
Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc, Blue Mountain Music (in 1975), Fifty Six Hope Road Music Limited (in 1975) und Odnil Music Ltd. (in 1975)
1.54:24
10Am‐A‐Do
recording engineer:
Phil Ault und Sylvan Morris
Produzent(in):
Chris Blackwell (Island Records) und The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Mix:
Sid Bucknor
recording of:
Am‐A‐Do (in 1974)
Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974) und Odnil Music Ltd. (in 1974)
3:19
4Digitales Medium: Live!
Nr.TitelBewertungLänge
1Trenchtown Rock (live)
recording engineer:
Steve Smith (US recording engineer, mainly rock & game scores) (am 1975-07-18)
Produzent(in):
Chris Blackwell (Island Records), Bob Marley & The Wailers und Steve Smith (US recording engineer, mainly rock & game scores)
Mix:
Phill Brown (UK engineer) und Dave Harper (am 1975-07-18)
Bass:
Aston “Family Man” Barrett (am 1975-07-18)
Gitarre:
Al Anderson (Bob Marley & The Wailers guitarist) (am 1975-07-18) und Bob Marley (Jamaican reggae artist) (am 1975-07-18)
Keyboard:
Tyrone Downie (am 1975-07-18)
membranophone:
Carlton “Carly” Barrett (am 1975-07-18)
Perkussion:
Alvin “Seeco” Patterson (am 1975-07-18)
Hintergrundgesang:
I Threes (am 1975-07-18)
Sologesang:
Bob Marley (Jamaican reggae artist) (am 1975-07-18)
aufgenommen bei:
Lyceum Theatre in London (Greater London), England, Vereinigtes Königreich (am 1975-07-18)
live recording of:
Trenchtown Rock (am 1975-07-18)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc
2.54:22
2Burnin’ and Lootin’ (live)
recording engineer:
Steve Smith (US recording engineer, mainly rock & game scores) (am 1975-07-18)
Produzent(in):
Chris Blackwell (Island Records), Bob Marley & The Wailers und Steve Smith (US recording engineer, mainly rock & game scores)
Mix:
Phill Brown (UK engineer) und Dave Harper (am 1975-07-18)
Bass:
Aston “Family Man” Barrett (am 1975-07-18)
Gitarre:
Al Anderson (Bob Marley & The Wailers guitarist) (am 1975-07-18) und Bob Marley (Jamaican reggae artist) (am 1975-07-18)
Keyboard:
Tyrone Downie (am 1975-07-18)
membranophone:
Carlton “Carly” Barrett (am 1975-07-18)
Perkussion:
Alvin “Seeco” Patterson (am 1975-07-18)
Hintergrundgesang:
I Threes (am 1975-07-18)
Sologesang:
Bob Marley (Jamaican reggae artist) (am 1975-07-18)
aufgenommen bei:
Lyceum Theatre in London (Greater London), England, Vereinigtes Königreich (am 1975-07-18)
live recording of:
Burnin’ and Lootin’ (am 1975-07-18)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
25:10
3Them Belly Full (but We Hungry) (live)
recording engineer:
Steve Smith (US recording engineer, mainly rock & game scores) (am 1975-07-18)
Produzent(in):
Chris Blackwell (Island Records), Bob Marley & The Wailers und Steve Smith (US recording engineer, mainly rock & game scores)
Mix:
Phill Brown (UK engineer) und Dave Harper (am 1975-07-18)
Bass:
Aston “Family Man” Barrett (am 1975-07-18)
Gitarre:
Al Anderson (Bob Marley & The Wailers guitarist) (am 1975-07-18) und Bob Marley (Jamaican reggae artist) (am 1975-07-18)
Keyboard:
Tyrone Downie (am 1975-07-18)
Perkussion:
Alvin “Seeco” Patterson (am 1975-07-18)
Schlagzeug:
Carlton “Carly” Barrett (am 1975-07-18)
Hintergrundgesang:
I Threes (am 1975-07-18)
Sologesang:
Bob Marley (Jamaican reggae artist) (am 1975-07-18)
aufgenommen bei:
Lyceum Theatre in London (Greater London), England, Vereinigtes Königreich (am 1975-07-18)
live recording of:
Them Belly Full (but We Hungry) (am 1975-07-18)
Verfasser(in):
Carlton “Carly” Barrett und Lecon Cogil
publisher:
Bob Marley Music BVI, Rondor Music (London) Ltd., Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974) und Odnil Music Ltd. (in 1974)
4:35
4Lively Up Yourself (live)
recording engineer:
Steve Smith (US recording engineer, mainly rock & game scores) (am 1975-07-18)
Produzent(in):
Chris Blackwell (Island Records), Bob Marley & The Wailers und Steve Smith (US recording engineer, mainly rock & game scores)
Mix:
Phill Brown (UK engineer) und Dave Harper (am 1975-07-18)
Bass:
Aston “Family Man” Barrett (am 1975-07-18)
Gitarre:
Al Anderson (Bob Marley & The Wailers guitarist) (am 1975-07-18) und Bob Marley (Jamaican reggae artist) (am 1975-07-18)
Keyboard:
Tyrone Downie (am 1975-07-18)
membranophone:
Carlton “Carly” Barrett (am 1975-07-18)
Perkussion:
Alvin “Seeco” Patterson (am 1975-07-18)
Hintergrundgesang:
I Threes (am 1975-07-18)
Sologesang:
Bob Marley (Jamaican reggae artist) (am 1975-07-18)
aufgenommen bei:
Lyceum Theatre in London (Greater London), England, Vereinigtes Königreich (am 1975-07-18)
live recording of:
Lively Up Yourself (am 1975-07-18)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc, Odnil Music Ltd. (vom 1974 bis heute), Blue Mountain Music (in 1974) und Fifty Six Hope Road Music Limited (in 1974)
4:32
5No Woman, No Cry (live)
recording engineer:
Steve Smith (US recording engineer, mainly rock & game scores) (am 1975-07-18)
Produzent(in):
Chris Blackwell (Island Records), Bob Marley & The Wailers und Steve Smith (US recording engineer, mainly rock & game scores)
Mix:
Phill Brown (UK engineer) und Dave Harper (am 1975-07-18)
Bass:
Aston “Family Man” Barrett (am 1975-07-18)
Gitarre:
Al Anderson (Bob Marley & The Wailers guitarist) (am 1975-07-18) und Bob Marley (Jamaican reggae artist) (am 1975-07-18)
Keyboard:
Tyrone Downie (am 1975-07-18)
Perkussion:
Alvin “Seeco” Patterson (am 1975-07-18)
Schlagzeug:
Carlton “Carly” Barrett (am 1975-07-18)
Hintergrundgesang:
I Threes (am 1975-07-18)
Sologesang:
Bob Marley (Jamaican reggae artist) (am 1975-07-18)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1974) und Island Records, Inc. (US, Island holding) (in 1975)
aufgenommen bei:
Lyceum Theatre in London (Greater London), England, Vereinigtes Königreich (am 1975-07-18)
live recording of:
No Woman, No Cry (am 1975-07-18)
Texter und Komponist(in):
Vincent Ford
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Global Musikverlag (Global Musik GmbH & Co. KG), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974), Odnil Music Ltd. (in 1974) und Global (publisher) (in 1976)
4.057:05
6I Shot the Sheriff (live)
recording engineer:
Steve Smith (US recording engineer, mainly rock & game scores) (am 1975-07-18)
Produzent(in):
Chris Blackwell (Island Records), Bob Marley & The Wailers und Steve Smith (US recording engineer, mainly rock & game scores)
Mix:
Phill Brown (UK engineer) und Dave Harper (am 1975-07-18)
Bass:
Aston “Family Man” Barrett (am 1975-07-18)
Gitarre:
Al Anderson (Bob Marley & The Wailers guitarist) (am 1975-07-18) und Bob Marley (Jamaican reggae artist) (am 1975-07-18)
Keyboard:
Tyrone Downie (am 1975-07-18)
Perkussion:
Alvin “Seeco” Patterson (am 1975-07-18)
Schlagzeug:
Carlton “Carly” Barrett (am 1975-07-18)
Hintergrundgesang:
I Threes (am 1975-07-18)
Sologesang:
Bob Marley (Jamaican reggae artist) (am 1975-07-18)
aufgenommen bei:
Lyceum Theatre in London (Greater London), England, Vereinigtes Königreich (am 1975-07-18)
live recording of:
I Shot the Sheriff (am 1975-07-18)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Blackwell Fuller Music Publishing LLC, Cayman Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Blue Mountain Music (in 1974), Cayman Music Inc (in 1974), Fifty Six Hope Road Music Limited (in 1974) und Odnil Music Ltd. (in 1974)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
5:17
7Get Up, Stand Up (live)
recording engineer:
Steve Smith (US recording engineer, mainly rock & game scores) (am 1975-07-18)
Produzent(in):
Chris Blackwell (Island Records), Bob Marley & The Wailers, Steve Smith (US recording engineer, mainly rock & game scores) und Steve Smith (70s producer & engineer, mainly Island Records)
Mix:
Phill Brown (UK engineer) und Dave Harper (am 1975-07-18)
Bass:
Aston “Family Man” Barrett (am 1975-07-18)
Gitarre:
Al Anderson (Bob Marley & The Wailers guitarist) (am 1975-07-18) und Bob Marley (Jamaican reggae artist) (am 1975-07-18)
Keyboard:
Tyrone Downie (am 1975-07-18)
membranophone:
Carlton “Carly” Barrett (am 1975-07-18)
Perkussion:
Alvin “Seeco” Patterson (am 1975-07-18)
Hintergrundgesang:
I Threes (am 1975-07-18)
Sologesang:
Bob Marley (Jamaican reggae artist) (am 1975-07-18)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1975)
aufgenommen bei:
Lyceum Theatre in London (Greater London), England, Vereinigtes Königreich (am 1975-07-18)
live recording of:
Get Up, Stand Up (am 1975-07-18)
Verfasser(in):
Bob Marley (Jamaican reggae artist) und Peter Tosh
publisher:
Because Éditions, Campbell Connelly France, Cayman Music, Odnil Music, Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974), Odnil Music Ltd. (in 1974) und Stuck On Music (in 1974)
6:31
8Kinky Reggae (live)
recording engineer:
Steve Smith (US recording engineer, mainly rock & game scores) (am 1975-07-18)
Produzent(in):
Chris Blackwell (Island Records), Bob Marley & The Wailers und Steve Smith (US recording engineer, mainly rock & game scores)
Mix:
Phill Brown (UK engineer) und Dave Harper (am 1975-07-18)
Bass:
Aston “Family Man” Barrett (am 1975-07-18)
Gitarre:
Al Anderson (Bob Marley & The Wailers guitarist) (am 1975-07-18) und Bob Marley (Jamaican reggae artist) (am 1975-07-18)
Keyboard:
Tyrone Downie (am 1975-07-18)
membranophone:
Carlton “Carly” Barrett (am 1975-07-18)
Perkussion:
Alvin “Seeco” Patterson (am 1975-07-18)
Hintergrundgesang:
I Threes (am 1975-07-18)
Sologesang:
Bob Marley (Jamaican reggae artist) (am 1975-07-18)
vocals:
Bob Marley (Jamaican reggae artist) (am 1975-07-18)
aufgenommen bei:
Lyceum Theatre in London (Greater London), England, Vereinigtes Königreich (am 1975-07-18)
live recording of:
Kinky Reggae (am 1975-07-18)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
recording of:
Kinky Reggae
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
7:36
5Digitales Medium: Rastaman Vibration
Nr.TitelBewertungLänge
1Positive Vibration
Techniker(in):
Jack Nuber, Alex Sadkin, Syl Morris und Errol Thompson (Jamaican reggae/dub producer & engineer)
Produzent(in):
Bob Marley & The Wailers
Mix:
Aston Barrett und Chris Blackwell (Island Records)
Sologesang:
Bob Marley (Jamaican reggae artist)
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Criteria Studios in Miami, Florida, Vereinigte Staaten
recording of:
Positive Vibration
Texter und Komponist(in):
Vincent Ford
publisher:
Bob Marley Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Primary Wave/Blue Mountain, Tuff Gong Music, Blue Mountain Music (in 1976), Bob Marley Music Inc. (in 1976), Fifty Six Hope Road Music Limited (in 1976) und Odnil Music Ltd. (in 1976)
sub-publisher:
Universal Music Publishing France (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3.53:33
2Roots, Rock, Reggae
Techniker(in):
Jack Nuber, Alex Sadkin, Syl Morris und Errol Thompson (Jamaican reggae/dub producer & engineer)
Produzent(in):
Bob Marley & The Wailers
Mix:
Aston Barrett und Chris Blackwell (Island Records)
Bassgitarre:
Aston “Family Man” Barrett
Gitarre:
Bob Marley (Jamaican reggae artist) und Earl “Chinna” Smith
Keyboard:
Tyrone Downie
membranophone:
Carlton “Carly” Barrett
Perkussion:
Alvin “Seeco” Patterson
Hintergrundgesang:
I Threes
Sologesang:
Bob Marley (Jamaican reggae artist)
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1979) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Criteria Studios in Miami, Florida, Vereinigte Staaten
recording of:
Roots, Rock, Reggae
Texter und Komponist(in):
Vincent Ford
publisher:
Bob Marley Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tuff Gong Music, Blue Mountain Music (in 1976), Bob Marley Music Inc. (in 1976), Fifty Six Hope Road Music Limited (in 1976) und Odnil Music Ltd. (in 1976)
3.63:38
3Johnny Was
Techniker(in):
Jack Nuber, Alex Sadkin, Syl Morris und Errol Thompson (Jamaican reggae/dub producer & engineer)
Produzent(in):
Bob Marley & The Wailers
Mix:
Aston Barrett und Chris Blackwell (Island Records)
Sologesang:
Bob Marley (Jamaican reggae artist)
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Criteria Studios in Miami, Florida, Vereinigte Staaten
recording of:
Johnny Was
Texter und Komponist(in):
Rita Marley
publisher:
Bob Marley Music, Tuff Gong Music, Blue Mountain Music (in 1976), Bob Marley Music Inc. (in 1976), Fifty Six Hope Road Music Limited (in 1976) und Odnil Music Ltd. (in 1976)
4.353:47
4Cry to Me
Techniker(in):
Jack Nuber, Alex Sadkin, Syl Morris und Errol Thompson (Jamaican reggae/dub producer & engineer)
Produzent(in):
Bob Marley & The Wailers
Mix:
Aston Barrett und Chris Blackwell (Island Records)
Sologesang:
Bob Marley (Jamaican reggae artist)
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Criteria Studios in Miami, Florida, Vereinigte Staaten
recording of:
Cry to Me
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc, Blue Mountain Music (in 1972), Fifty Six Hope Road Music Limited (in 1972), Odnil Music Ltd. (in 1972) und Cayman Music (in 1976)
32:35
5Want More
Techniker(in):
Jack Nuber, Alex Sadkin, Syl Morris und Errol Thompson (Jamaican reggae/dub producer & engineer)
Produzent(in):
Bob Marley & The Wailers
Mix:
Aston Barrett und Chris Blackwell (Island Records)
Sologesang:
Bob Marley (Jamaican reggae artist)
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Criteria Studios in Miami, Florida, Vereinigte Staaten
recording of:
Want More
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Tuff Gong Music, Blue Mountain Music (in 1976), Bob Marley Music Inc. (in 1976), Fifty Six Hope Road Music Limited (in 1976) und Odnil Music Ltd. (in 1976)
34:16
6Crazy Baldhead
Techniker(in):
Jack Nuber, Alex Sadkin, Syl Morris und Errol Thompson (Jamaican reggae/dub producer & engineer)
Produzent(in):
Bob Marley & The Wailers
Mix:
Aston Barrett und Chris Blackwell (Island Records)
Gitarre:
Al Anderson (Bob Marley & The Wailers guitarist)
Sologesang:
Bob Marley (Jamaican reggae artist)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1976) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Criteria Studios in Miami, Florida, Vereinigte Staaten
recording of:
Crazy Baldhead
Verfasser(in):
Vincent Ford und Rita Marley
publisher:
Bob Marley Music, Rondor Music (London) Ltd., Tuff Gong Music, Blue Mountain Music (in 1976), Bob Marley Music Inc. (in 1976), Fifty Six Hope Road Music Limited (in 1976) und Odnil Music Ltd. (in 1976)
3.53:11
7Who the Cap Fit
Techniker(in):
Jack Nuber, Alex Sadkin, Syl Morris und Errol Thompson (Jamaican reggae/dub producer & engineer)
Produzent(in):
Bob Marley & The Wailers
Mix:
Aston Barrett und Chris Blackwell (Island Records)
Sologesang:
Bob Marley (Jamaican reggae artist)
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Criteria Studios in Miami, Florida, Vereinigte Staaten
recording of:
Who the Cap Fit (in 1975-08)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Tuff Gong Music, Blue Mountain Music (in 1976), Bob Marley Music Inc. (in 1976), Fifty Six Hope Road Music Limited (in 1976) und Odnil Music Ltd. (in 1976)
34:42
8Night Shift
Techniker(in):
Jack Nuber, Alex Sadkin, Syl Morris und Errol Thompson (Jamaican reggae/dub producer & engineer)
Produzent(in):
Bob Marley & The Wailers
Mix:
Aston Barrett und Chris Blackwell (Island Records)
Sologesang:
Bob Marley (Jamaican reggae artist)
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Criteria Studios in Miami, Florida, Vereinigte Staaten
recording of:
Night Shift
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc, Blue Mountain Music (in 1976), Cayman Music (in 1976), Fifty Six Hope Road Music Limited (in 1976) und Odnil Music Ltd. (in 1976)
33:10
9War
Techniker(in):
Jack Nuber, Alex Sadkin, Syl Morris und Errol Thompson (Jamaican reggae/dub producer & engineer)
Produzent(in):
Bob Marley & The Wailers
Mix:
Aston Barrett und Chris Blackwell (Island Records)
Sologesang:
Bob Marley (Jamaican reggae artist)
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1976) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Criteria Studios in Miami, Florida, Vereinigte Staaten
recording of:
War
Verfasser(in):
Carlton “Carly” Barrett und Allan Cole (Jamaican songwriter)
publisher:
Bob Marley Music, Kobalt Music Publishing Ltd. (UK), Odnil Music, Rondor Music (London) Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Tuff Gong Music, Blue Mountain Music (in 1976), Bob Marley Music Inc. (in 1976), Fifty Six Hope Road Music Limited (in 1976) und Odnil Music Ltd. (in 1976)
3.453:36
10Rat Race
Techniker(in):
Jack Nuber, Alex Sadkin, Syl Morris und Errol Thompson (Jamaican reggae/dub producer & engineer)
Produzent(in):
Bob Marley & The Wailers
Mix:
Aston Barrett und Chris Blackwell (Island Records)
Sologesang:
Bob Marley (Jamaican reggae artist)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1976) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Criteria Studios in Miami, Florida, Vereinigte Staaten
recording of:
Rat Race
Texter und Komponist(in):
Rita Marley
publisher:
Bob Marley Music, Kobalt Music Publishing Ltd. (UK), Odnil Music, Rondor Music (London) Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Tuff Gong Music, Blue Mountain Music (in 1976), Bob Marley Music Inc. (in 1976), Fifty Six Hope Road Music Limited (in 1976) und Odnil Music Ltd. (in 1976)
4.352:53
11Jah Live
Techniker(in):
Jack Nuber, Alex Sadkin, Syl Morris und Errol Thompson (Jamaican reggae/dub producer & engineer)
Produzent(in):
Bob Marley & The Wailers
Mix:
Aston Barrett und Chris Blackwell (Island Records)
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Criteria Studios in Miami, Florida, Vereinigte Staaten
recording of:
Jah Live (in 1975-08)
Verfasser(in):
Bob Marley (Jamaican reggae artist) und Lee “Scratch” Perry (aka The Upsetter)
publisher:
Blue Mountain Music (in 1978), Fifty Six Hope Road Music Limited (in 1978), Odnil Music Ltd. (in 1978) und Universal–Songs of PolyGram International, Inc. (in 1978)
recording of:
Jah Live (in 1981)
Verfasser(in):
Bob Marley (Jamaican reggae artist) und Lee “Scratch” Perry (aka The Upsetter)
publisher:
Blue Mountain Music (in 1978), Fifty Six Hope Road Music Limited (in 1978), Odnil Music Ltd. (in 1978) und Universal–Songs of PolyGram International, Inc. (in 1978)
34:13
6Digitales Medium: Exodus
Nr.TitelBewertungLänge
1Natural Mystic
assistierende(r) Techniker(in):
Terry Barham und Guy Bidmead
Techniker(in):
Karl Pitterson
Produzent(in):
Bob Marley & The Wailers
Mix:
Aston Barrett, Chris Blackwell (Island Records) und Karl Pitterson
Akustikgitarre:
Bob Marley (Jamaican reggae artist) (von 1977-01 bis 1977-04)
Bass:
Aston “Familyman” Barrett (von 1977-01 bis 1977-04)
Gitarre:
Aston “Familyman” Barrett (von 1977-01 bis 1977-04) und Junior Marvin (von 1977-01 bis 1977-04)
Keyboard:
Tyrone Downie (von 1977-01 bis 1977-04)
Perkussion:
Aston “Familyman” Barrett (von 1977-01 bis 1977-04), Carlton Barrett (von 1977-01 bis 1977-04), Tyrone Downie (von 1977-01 bis 1977-04), Bob Marley (Jamaican reggae artist) (von 1977-01 bis 1977-04) und Alvin “Seeco” Patterson (von 1977-01 bis 1977-04)
Schlagzeug:
Carlton Barrett (von 1977-01 bis 1977-04)
Hintergrundgesang:
Tyrone Downie (von 1977-01 bis 1977-04), Marcia Griffiths (reggae singer from Jamaica) (von 1977-01 bis 1977-04), Rita Marley (von 1977-01 bis 1977-04) und Judy Mowatt (von 1977-01 bis 1977-04)
vocals:
Bob Marley (Jamaican reggae artist) (von 1977-01 bis 1977-04)
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1977) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (von 1977-03 bis 1977-04)
recording of:
Natural Mystic (von 1977-01 bis 1977-04)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) und Odnil Music Ltd. (in 1977)
43:27
2So Much Things to Say
assistierende(r) Techniker(in):
Terry Barham und Guy Bidmead
Techniker(in):
Karl Pitterson
Produzent(in):
Bob Marley & The Wailers
Mix:
Aston Barrett, Chris Blackwell (Island Records) und Karl Pitterson
Akustikgitarre:
Bob Marley (Jamaican reggae artist) (von 1977-01 bis 1977-04)
Bass:
Aston “Familyman” Barrett (von 1977-01 bis 1977-04)
Gitarre:
Aston “Familyman” Barrett (von 1977-01 bis 1977-04) und Junior Marvin (von 1977-01 bis 1977-04)
Keyboard:
Tyrone Downie (von 1977-01 bis 1977-04)
Perkussion:
Aston “Familyman” Barrett (von 1977-01 bis 1977-04), Carlton Barrett (von 1977-01 bis 1977-04), Tyrone Downie (von 1977-01 bis 1977-04), Bob Marley (Jamaican reggae artist) (von 1977-01 bis 1977-04) und Alvin “Seeco” Patterson (von 1977-01 bis 1977-04)
Schlagzeug:
Carlton Barrett (von 1977-01 bis 1977-04)
Hintergrundgesang:
Tyrone Downie (von 1977-01 bis 1977-04), Marcia Griffiths (reggae singer from Jamaica) (von 1977-01 bis 1977-04), Rita Marley (von 1977-01 bis 1977-04) und Judy Mowatt (von 1977-01 bis 1977-04)
vocals:
Bob Marley (Jamaican reggae artist) (von 1977-01 bis 1977-04)
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (von 1977-03 bis 1977-04)
recording of:
So Much Things to Say (von 1977-01 bis 1977-04)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) und Odnil Music Ltd. (in 1977)
3:07
3Guiltiness
assistierende(r) Techniker(in):
Terry Barham und Guy Bidmead
Techniker(in):
Karl Pitterson
Produzent(in):
Bob Marley & The Wailers
Mix:
Aston Barrett, Chris Blackwell (Island Records) und Karl Pitterson
Akustikgitarre:
Bob Marley (Jamaican reggae artist) (von 1977-01 bis 1977-04)
Bass:
Aston “Familyman” Barrett (von 1977-01 bis 1977-04)
Gitarre:
Aston “Familyman” Barrett (von 1977-01 bis 1977-04) und Junior Marvin (von 1977-01 bis 1977-04)
Keyboard:
Tyrone Downie (von 1977-01 bis 1977-04)
Perkussion:
Aston “Familyman” Barrett (von 1977-01 bis 1977-04), Carlton Barrett (von 1977-01 bis 1977-04), Tyrone Downie (von 1977-01 bis 1977-04), Bob Marley (Jamaican reggae artist) (von 1977-01 bis 1977-04) und Alvin “Seeco” Patterson (von 1977-01 bis 1977-04)
Schlagzeug:
Carlton Barrett (von 1977-01 bis 1977-04)
Hintergrundgesang:
Tyrone Downie (von 1977-01 bis 1977-04), Marcia Griffiths (reggae singer from Jamaica) (von 1977-01 bis 1977-04), Rita Marley (von 1977-01 bis 1977-04) und Judy Mowatt (von 1977-01 bis 1977-04)
vocals:
Bob Marley (Jamaican reggae artist) (von 1977-01 bis 1977-04)
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (von 1977-03 bis 1977-04)
recording of:
Guiltiness (von 1977-01 bis 1977-04)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) und Odnil Music Ltd. (in 1977)
3:19
4The Heathen
assistierende(r) Techniker(in):
Terry Barham und Guy Bidmead
Techniker(in):
Karl Pitterson
Produzent(in):
Bob Marley & The Wailers
Mix:
Aston Barrett, Chris Blackwell (Island Records) und Karl Pitterson
Akustikgitarre:
Bob Marley (Jamaican reggae artist) (von 1977-01 bis 1977-04)
Bass:
Aston “Familyman” Barrett (von 1977-01 bis 1977-04)
Gitarre:
Aston “Familyman” Barrett (von 1977-01 bis 1977-04) und Junior Marvin (von 1977-01 bis 1977-04)
Keyboard:
Tyrone Downie (von 1977-01 bis 1977-04)
Perkussion:
Aston “Familyman” Barrett (von 1977-01 bis 1977-04), Carlton Barrett (von 1977-01 bis 1977-04), Tyrone Downie (von 1977-01 bis 1977-04), Bob Marley (Jamaican reggae artist) (von 1977-01 bis 1977-04) und Alvin “Seeco” Patterson (von 1977-01 bis 1977-04)
Schlagzeug:
Carlton Barrett (von 1977-01 bis 1977-04)
Hintergrundgesang:
Tyrone Downie (von 1977-01 bis 1977-04), Marcia Griffiths (reggae singer from Jamaica) (von 1977-01 bis 1977-04), Rita Marley (von 1977-01 bis 1977-04) und Judy Mowatt (von 1977-01 bis 1977-04)
vocals:
Bob Marley (Jamaican reggae artist) (von 1977-01 bis 1977-04)
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (von 1977-03 bis 1977-04)
recording of:
The Heathen (von 1977-01 bis 1977-04)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) und Odnil Music Ltd. (in 1977)
2:32
5Exodus
assistierende(r) Techniker(in):
Terry Barham und Guy Bidmead
Techniker(in):
Karl Pitterson
Produzent(in):
Bob Marley & The Wailers
Mix:
Aston Barrett, Chris Blackwell (Island Records) und Karl Pitterson
Akustikgitarre:
Bob Marley (Jamaican reggae artist) (von 1977-01 bis 1977-04)
Bass:
Aston “Familyman” Barrett (von 1977-01 bis 1977-04)
Gitarre:
Aston “Familyman” Barrett (von 1977-01 bis 1977-04) und Junior Marvin (von 1977-01 bis 1977-04)
Keyboard:
Tyrone Downie (von 1977-01 bis 1977-04)
Perkussion:
Aston “Familyman” Barrett (von 1977-01 bis 1977-04), Carlton Barrett (von 1977-01 bis 1977-04), Tyrone Downie (von 1977-01 bis 1977-04), Bob Marley (Jamaican reggae artist) (von 1977-01 bis 1977-04) und Alvin “Seeco” Patterson (von 1977-01 bis 1977-04)
Schlagzeug:
Carlton Barrett (von 1977-01 bis 1977-04)
Hintergrundgesang:
Tyrone Downie (von 1977-01 bis 1977-04), Marcia Griffiths (reggae singer from Jamaica) (von 1977-01 bis 1977-04), Rita Marley (von 1977-01 bis 1977-04) und Judy Mowatt (von 1977-01 bis 1977-04)
vocals:
Bob Marley (Jamaican reggae artist) (von 1977-01 bis 1977-04)
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1977) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (von 1977-03 bis 1977-04)
recording of:
Exodus (von 1977-01 bis 1977-04)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Cayman Music Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) und Odnil Music Ltd. (in 1977)
4.157:40
6Jamming
assistierende(r) Techniker(in):
Terry Barham und Guy Bidmead
Techniker(in):
Karl Pitterson
Produzent(in):
Bob Marley & The Wailers
Mix:
Aston Barrett, Chris Blackwell (Island Records) und Karl Pitterson
Akustikgitarre:
Bob Marley (Jamaican reggae artist) (von 1977-01 bis 1977-04)
Bass:
Aston “Familyman” Barrett (von 1977-01 bis 1977-04)
Gitarre:
Aston “Familyman” Barrett (von 1977-01 bis 1977-04) und Junior Marvin (von 1977-01 bis 1977-04)
Keyboard:
Tyrone Downie (von 1977-01 bis 1977-04)
Perkussion:
Aston “Familyman” Barrett (von 1977-01 bis 1977-04), Carlton Barrett (von 1977-01 bis 1977-04), Tyrone Downie (von 1977-01 bis 1977-04), Bob Marley (Jamaican reggae artist) (von 1977-01 bis 1977-04) und Alvin “Seeco” Patterson (von 1977-01 bis 1977-04)
Schlagzeug:
Carlton Barrett (von 1977-01 bis 1977-04)
Hintergrundgesang:
Tyrone Downie (von 1977-01 bis 1977-04), Marcia Griffiths (reggae singer from Jamaica) (von 1977-01 bis 1977-04), Rita Marley (von 1977-01 bis 1977-04) und Judy Mowatt (von 1977-01 bis 1977-04)
vocals:
Bob Marley (Jamaican reggae artist) (von 1977-01 bis 1977-04)
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1977) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (von 1977-03 bis 1977-04)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 177)
recording of:
Jamming (von 1977-01 bis 1977-04)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) und Odnil Music Ltd. (in 1977)
4.153:31
7Waiting in Vain
assistierende(r) Techniker(in):
Terry Barham und Guy Bidmead
Techniker(in):
Karl Pitterson
Produzent(in):
Bob Marley & The Wailers
Mix:
Aston Barrett, Chris Blackwell (Island Records) und Karl Pitterson
Akustikgitarre:
Bob Marley (Jamaican reggae artist) (von 1977-01 bis 1977-04)
Bass:
Aston “Familyman” Barrett (von 1977-01 bis 1977-04)
Gitarre:
Aston “Familyman” Barrett (von 1977-01 bis 1977-04) und Junior Marvin (von 1977-01 bis 1977-04)
Keyboard:
Tyrone Downie (von 1977-01 bis 1977-04)
Perkussion:
Aston “Familyman” Barrett (von 1977-01 bis 1977-04), Carlton Barrett (von 1977-01 bis 1977-04), Tyrone Downie (von 1977-01 bis 1977-04), Bob Marley (Jamaican reggae artist) (von 1977-01 bis 1977-04) und Alvin “Seeco” Patterson (von 1977-01 bis 1977-04)
Schlagzeug:
Carlton Barrett (von 1977-01 bis 1977-04)
Hintergrundgesang:
Tyrone Downie (von 1977-01 bis 1977-04), Marcia Griffiths (reggae singer from Jamaica) (von 1977-01 bis 1977-04), Rita Marley (von 1977-01 bis 1977-04) und Judy Mowatt (von 1977-01 bis 1977-04)
vocals:
Bob Marley (Jamaican reggae artist) (von 1977-01 bis 1977-04)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1977), Island Records, Inc. (US, Island holding) (in 1977) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (von 1977-03 bis 1977-04)
recording of:
Waiting in Vain (von 1977-01 bis 1977-04)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) und Odnil Music Ltd. (in 1977)
3.354:15
8Turn Your Lights Down Low
assistierende(r) Techniker(in):
Terry Barham und Guy Bidmead
Techniker(in):
Karl Pitterson
Produzent(in):
Bob Marley & The Wailers
Mix:
Aston Barrett, Chris Blackwell (Island Records) und Karl Pitterson
Akustikgitarre:
Bob Marley (Jamaican reggae artist) (von 1977-01 bis 1977-04)
Bass:
Aston “Familyman” Barrett (von 1977-01 bis 1977-04)
Gitarre:
Aston “Familyman” Barrett (von 1977-01 bis 1977-04) und Junior Marvin (von 1977-01 bis 1977-04)
Keyboard:
Tyrone Downie (von 1977-01 bis 1977-04)
Perkussion:
Aston “Familyman” Barrett (von 1977-01 bis 1977-04), Carlton Barrett (von 1977-01 bis 1977-04), Tyrone Downie (von 1977-01 bis 1977-04), Bob Marley (Jamaican reggae artist) (von 1977-01 bis 1977-04) und Alvin “Seeco” Patterson (von 1977-01 bis 1977-04)
Schlagzeug:
Carlton Barrett (von 1977-01 bis 1977-04)
Hintergrundgesang:
Tyrone Downie (von 1977-01 bis 1977-04), Marcia Griffiths (reggae singer from Jamaica) (von 1977-01 bis 1977-04), Rita Marley (von 1977-01 bis 1977-04) und Judy Mowatt (von 1977-01 bis 1977-04)
vocals:
Bob Marley (Jamaican reggae artist) (von 1977-01 bis 1977-04)
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (von 1977-03 bis 1977-04)
recording of:
Turn Your Lights Down Low (von 1977-01 bis 1977-04)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) und Odnil Music Ltd. (in 1977)
23:39
9Three Little Birds
assistierende(r) Techniker(in):
Terry Barham und Guy Bidmead
Techniker(in):
Karl Pitterson
Produzent(in):
Bob Marley & The Wailers
Mix:
Aston Barrett, Chris Blackwell (Island Records) und Karl Pitterson
Akustikgitarre:
Bob Marley (Jamaican reggae artist) (von 1977-01 bis 1977-04)
Bass:
Aston “Familyman” Barrett (von 1977-01 bis 1977-04)
Gitarre:
Aston “Familyman” Barrett (von 1977-01 bis 1977-04) und Junior Marvin (von 1977-01 bis 1977-04)
Keyboard:
Tyrone Downie (von 1977-01 bis 1977-04)
Perkussion:
Aston “Familyman” Barrett (von 1977-01 bis 1977-04), Carlton Barrett (von 1977-01 bis 1977-04), Tyrone Downie (von 1977-01 bis 1977-04), Bob Marley (Jamaican reggae artist) (von 1977-01 bis 1977-04) und Alvin “Seeco” Patterson (von 1977-01 bis 1977-04)
Schlagzeug:
Carlton Barrett (von 1977-01 bis 1977-04)
Hintergrundgesang:
Tyrone Downie (von 1977-01 bis 1977-04), Marcia Griffiths (reggae singer from Jamaica) (von 1977-01 bis 1977-04), Rita Marley (von 1977-01 bis 1977-04) und Judy Mowatt (von 1977-01 bis 1977-04)
vocals:
Bob Marley (Jamaican reggae artist) (von 1977-01 bis 1977-04)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1977), Island Records, Inc. (US, Island holding) (in 1977) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (von 1977-03 bis 1977-04)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 246) und BILLIONS CLUB
recording of:
Three Little Birds (von 1977-01 bis 1977-04)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) und Odnil Music Ltd. (in 1977)
4.13:00
10One Love / People Get Ready
assistierende(r) Techniker(in):
Terry Barham und Guy Bidmead
Techniker(in):
Karl Pitterson
Produzent(in):
Bob Marley & The Wailers
Mix:
Aston Barrett, Chris Blackwell (Island Records) und Karl Pitterson
Akustikgitarre:
Bob Marley (Jamaican reggae artist) (von 1977-01 bis 1977-04)
Bass:
Aston “Familyman” Barrett (von 1977-01 bis 1977-04)
Gitarre:
Aston “Familyman” Barrett (von 1977-01 bis 1977-04) und Junior Marvin (von 1977-01 bis 1977-04)
Keyboard:
Tyrone Downie (von 1977-01 bis 1977-04)
Perkussion:
Aston “Familyman” Barrett (von 1977-01 bis 1977-04), Carlton Barrett (von 1977-01 bis 1977-04), Tyrone Downie (von 1977-01 bis 1977-04), Bob Marley (Jamaican reggae artist) (von 1977-01 bis 1977-04) und Alvin “Seeco” Patterson (von 1977-01 bis 1977-04)
Schlagzeug:
Carlton Barrett (von 1977-01 bis 1977-04)
Hintergrundgesang:
Tyrone Downie (von 1977-01 bis 1977-04), Marcia Griffiths (reggae singer from Jamaica) (von 1977-01 bis 1977-04), Rita Marley (von 1977-01 bis 1977-04) und Judy Mowatt (von 1977-01 bis 1977-04)
vocals:
Bob Marley (Jamaican reggae artist) (von 1977-01 bis 1977-04)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1977), Island Records, Inc. (US, Island holding) (in 1977) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (von 1977-03 bis 1977-04)
recording of:
One Love / People Get Ready (von 1977-01 bis 1977-04)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist) und Curtis Mayfield
publisher:
Blackwell Fuller Music Publishing LLC, Bob Marley Music, Cayman Music, Cayman Music Inc, EMI April Music Inc., Leosong Copyright Service Ltd., Mijac Music, Rondor Music (London) Ltd., Shakat Music Publishing, TRO Essex Music Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Blue Mountain Music (in 1968), Fifty Six Hope Road Music Limited (in 1968), Odnil Music Ltd. (in 1968), EMI Tunes PLC (publisher) (vom 1991 bis heute) und Warner Chappell Music Ltd. (no slash; used 1988–1996) (vom 1991 bis heute)
basiert auf:
People Get Ready
4.32:55
11Jamming (long version)
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
recording of:
Jamming (in 1977-11)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) und Odnil Music Ltd. (in 1977)
5:55
12Punky Reggae Party (long version)
Techniker(in):
Dick Cuthell und Godwin Logie
Mix:
Jack Nuber (in 1977-08)
Bass:
Richie Daley (in 1977-07), Val Douglas (JM bassist) (in 1977-08) und Boris Gardiner (in 1977-08)
Gitarre:
Cat Coore (in 1977-07) und Bob Marley (Jamaican reggae artist) (in 1977-07)
Keyboard:
Ibo Cooper (Jamaican reggae musician and musical educator) (in 1977-07) und Tyrone Downie (in 1977-08)
Posaune:
Vin Gordon (in 1977-08)
Saxophon:
Glen DaCosta (in 1977-08)
Schlagzeug:
Angus "Drummie Zeb" Gaye (in 1977-07), Micky Boo (JM reggae percussionist) (in 1977-08) und Sly Dunbar (in 1977-08)
Trompete:
David Madden (Jamaican trumpeter) (in 1977-08)
Hintergrundgesang:
Aura Lewis (South African reggae singer, with Lee Perry & Full Experience) (in 1977-07), Candy McKenzie (in 1977-07), Watty Burnett (in 1977-08), Danny Clarke (in 1977-08), Ansel Cridland (reggae artist, lead singer “The Meditations”) (in 1977-08) und Winston Watson (American drummer) (in 1977-08)
vocals:
Bob Marley (Jamaican reggae artist) (in 1977-07)
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1977) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
aufgenommen bei:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (in 1977-07), Criteria Studios in Miami, Florida, Vereinigte Staaten (in 1977-08) und Joe Gibbs Studio in Kingston (Kingston Parish), Jamaika (in 1977-08)
mixed at:
Criteria Studios in Miami, Florida, Vereinigte Staaten (in 1977-08)
recording of:
Punky Reggae Party (von 1977-07 bis 1977-08)
Komponist(in):
Bob Marley (Jamaican reggae artist) und Lee “Scratch” Perry (aka The Upsetter)
publisher:
Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) und Odnil Music Ltd. (in 1977)
36:53
7Digitales Medium: Kaya
Nr.TitelBewertungLänge
1Easy Skanking
assistierende(r) Techniker(in):
Terry Barham
Techniker(in):
Karl Pitterson und Alex Sadkin
leitende(r) Produzent(in):
Chris Blackwell (Island Records)
Produzent(in):
Bob Marley & The Wailers
Mix:
Robert Ash (sound engineer) und Chris Blackwell (Island Records)
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1978)
recording of:
Easy Skanking
Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) und Odnil Music Ltd. (in 1977)
32:56
2Kaya
assistierende(r) Techniker(in):
Terry Barham
Techniker(in):
Karl Pitterson und Alex Sadkin
leitende(r) Produzent(in):
Chris Blackwell (Island Records)
Produzent(in):
Bob Marley & The Wailers
Mix:
Robert Ash (sound engineer) und Chris Blackwell (Island Records)
recording of:
Kaya (Bob Marley song) (in 1977)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Cayman Music Inc, Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974) und Odnil Music Ltd. (in 1974)
Version von:
Kaya (Lee “Scratch” Perry song)
23:16
3Is This Love
assistierende(r) Techniker(in):
Terry Barham
Techniker(in):
Karl Pitterson und Alex Sadkin
leitende(r) Produzent(in):
Chris Blackwell (Island Records)
Produzent(in):
Bob Marley & The Wailers
Mix:
Robert Ash (sound engineer) und Chris Blackwell (Island Records)
Akustikgitarre [1972 Guild F-112 12-string], E-Gitarre [1973 Gibson Les Paul Special] und Sologesang:
Bob Marley (Jamaican reggae artist)
Bassgitarre [1972 Fender Jazz Bass]:
Aston “Family Man” Barrett
E-Gitarre [1970s Fender Stratocaster Natural]:
Junior Marvin
Hammond-Orgel [B-3], Klavier [Hamburg Steinway Piano] und mellotron [1970s ARP PE-IV Solina String-Ensemble]:
Tyrone Downie
Perkussion:
Alvin “Seeco” Patterson
Posaune:
Vin Gordon
Schlagzeug [1967 Ludwig Hollywood Maple]:
Carlton “Carly” Barrett
Tenorsaxophon:
Glen DaCosta
Trompete:
David Madden (Jamaican trumpeter)
Hintergrundgesang:
Marcia Griffiths (reggae singer from Jamaica), Rita Marley und Judy Mowatt
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1978) und Island Records, Inc. (US, Island holding) (in 1978)
aufgenommen bei und mixed at:
Island Studios (aka the Fallout Shelter, located in Hammersmith, London) in Hammersmith, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
recording of:
Is This Love
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Blue Mountain Music (in 1977, in 1978), Fifty Six Hope Road Music Limited (in 1977, in 1978), Odnil Music Ltd. (in 1977, in 1978) und PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1978)
4.13:52
4Sun Is Shining
assistierende(r) Techniker(in):
Terry Barham
Techniker(in):
Karl Pitterson und Alex Sadkin
leitende(r) Produzent(in):
Chris Blackwell (Island Records)
Produzent(in):
Bob Marley & The Wailers
Mix:
Robert Ash (sound engineer) und Chris Blackwell (Island Records)
recording of:
Sun Is Shining (new lyrics Kaya version) (in 1977)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Cayman Music Inc, Tanabe Music Publishing (Tanabe Music Publishing Co., Ltd.), Blue Mountain Music (in 1975), Fifty Six Hope Road Music Limited (in 1975) und Odnil Music Ltd. (in 1975)
Version von:
Sun Is Shining (original version)
3.954:58
5Satisfy My Soul
assistierende(r) Techniker(in):
Terry Barham
Techniker(in):
Karl Pitterson und Alex Sadkin
leitende(r) Produzent(in):
Chris Blackwell (Island Records)
Produzent(in):
Bob Marley & The Wailers
Mix:
Robert Ash (sound engineer) und Chris Blackwell (Island Records)
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1978)
recording of:
Satisfy My Soul (von 1977-01 bis 1977-02)
Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Cayman Music, Blue Mountain Music (in 1972), Fifty Six Hope Road Music Limited (in 1972) und Odnil Music Ltd. (in 1972)
Version von:
Don’t Rock the Boat
3.554:30
6She’s Gone
assistierende(r) Techniker(in):
Terry Barham
Techniker(in):
Karl Pitterson und Alex Sadkin
leitende(r) Produzent(in):
Chris Blackwell (Island Records)
Produzent(in):
Bob Marley & The Wailers
Mix:
Robert Ash (sound engineer) und Chris Blackwell (Island Records)
recording of:
She’s Gone
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Blue Mountain Music (in 1972), Fifty Six Hope Road Music Limited (in 1972) und Odnil Music Ltd. (in 1972)
22:25
7Misty Morning
assistierende(r) Techniker(in):
Terry Barham
Techniker(in):
Karl Pitterson und Alex Sadkin
leitende(r) Produzent(in):
Chris Blackwell (Island Records)
Produzent(in):
Bob Marley & The Wailers
Mix:
Robert Ash (sound engineer) und Chris Blackwell (Island Records)
recording of:
Misty Morning
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) und Odnil Music Ltd. (in 1977)
43:34
8Crisis
assistierende(r) Techniker(in):
Terry Barham
Techniker(in):
Karl Pitterson und Alex Sadkin
leitende(r) Produzent(in):
Chris Blackwell (Island Records)
Produzent(in):
Bob Marley & The Wailers
Mix:
Robert Ash (sound engineer) und Chris Blackwell (Island Records)
recording of:
Crisis
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) und Odnil Music Ltd. (in 1977)
33:54
9Running Away
assistierende(r) Techniker(in):
Terry Barham
Techniker(in):
Karl Pitterson und Alex Sadkin
leitende(r) Produzent(in):
Chris Blackwell (Island Records)
Produzent(in):
Bob Marley & The Wailers
Mix:
Robert Ash (sound engineer) und Chris Blackwell (Island Records)
recording of:
Running Away
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) und Odnil Music Ltd. (in 1977)
24:15
10Time Will Tell
assistierende(r) Techniker(in):
Terry Barham
Techniker(in):
Karl Pitterson und Alex Sadkin
leitende(r) Produzent(in):
Chris Blackwell (Island Records)
Produzent(in):
Bob Marley & The Wailers
Mix:
Robert Ash (sound engineer) und Chris Blackwell (Island Records)
recording of:
Time Will Tell
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Blue Mountain Music (in 1978), Fifty Six Hope Road Music Limited (in 1978) und Odnil Music Ltd. (in 1978)
13:25
11Smile Jamaica (single version)
Mix:
Robert Ash (sound engineer)
recording of:
Smile Jamaica (in 1976-10)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Because Éditions, Cayman Music ltd., Odnil Music, Primary Wave/Blue Mountain, 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present), Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) und Odnil Music Ltd. (in 1977)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
15:03
8Digitales Medium: Babylon by Bus (live)
Nr.TitelBewertungLänge
1Positive Vibration (live)
Produzent(in):
Bob Marley & The Wailers
Mix:
Jack Nuber
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1978)
mixed at:
Criteria Studios in Miami, Florida, Vereinigte Staaten
live recording of:
Positive Vibration
Texter und Komponist(in):
Vincent Ford
publisher:
Bob Marley Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Primary Wave/Blue Mountain, Tuff Gong Music, Blue Mountain Music (in 1976), Bob Marley Music Inc. (in 1976), Fifty Six Hope Road Music Limited (in 1976) und Odnil Music Ltd. (in 1976)
sub-publisher:
Universal Music Publishing France (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
55:48
2Punky Reggae Party (live)
Produzent(in):
Bob Marley & The Wailers
Mix:
Jack Nuber
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1978)
aufgenommen bei:
Pavillon de Paris in Paris, Île-de-France, Frankreich (am 1978-06-26)
mixed at:
Criteria Studios in Miami, Florida, Vereinigte Staaten
live recording of:
Punky Reggae Party (am 1978-06-26)
Komponist(in):
Bob Marley (Jamaican reggae artist) und Lee “Scratch” Perry (aka The Upsetter)
publisher:
Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) und Odnil Music Ltd. (in 1977)
55:52
3Exodus (live)
Produzent(in):
Bob Marley & The Wailers
Mix:
Jack Nuber
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1978)
mixed at:
Criteria Studios in Miami, Florida, Vereinigte Staaten
live recording of:
Exodus
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Cayman Music Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) und Odnil Music Ltd. (in 1977)
3.957:42
4Stir It Up (live)
Produzent(in):
Bob Marley & The Wailers
Mix:
Jack Nuber
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1978)
mixed at:
Criteria Studios in Miami, Florida, Vereinigte Staaten
live recording of:
Stir It Up
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Because Éditions, Cayman Music, Odnil Music, PolyGram, Blue Mountain Music (in 1972), Fifty Six Hope Road Music Limited (in 1972) und Odnil Music Ltd. (in 1972)
3.655:17
5Rat Race (live)
Produzent(in):
Bob Marley & The Wailers
Mix:
Jack Nuber
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1978)
mixed at:
Criteria Studios in Miami, Florida, Vereinigte Staaten
live recording of:
Rat Race
Texter und Komponist(in):
Rita Marley
publisher:
Bob Marley Music, Kobalt Music Publishing Ltd. (UK), Odnil Music, Rondor Music (London) Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Tuff Gong Music, Blue Mountain Music (in 1976), Bob Marley Music Inc. (in 1976), Fifty Six Hope Road Music Limited (in 1976) und Odnil Music Ltd. (in 1976)
53:41
6Concrete Jungle (live)
Produzent(in):
Bob Marley & The Wailers
Mix:
Jack Nuber
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1978)
mixed at:
Criteria Studios in Miami, Florida, Vereinigte Staaten
live recording of:
Concrete Jungle
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
4.455:37
7Kinky Reggae (live)
Produzent(in):
Bob Marley & The Wailers
Mix:
Jack Nuber
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1978)
mixed at:
Criteria Studios in Miami, Florida, Vereinigte Staaten
live recording of:
Kinky Reggae
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
34:46
8Lively Up Yourself (live)
Produzent(in):
Bob Marley & The Wailers
Mix:
Jack Nuber
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1978)
mixed at:
Criteria Studios in Miami, Florida, Vereinigte Staaten
live recording of:
Lively Up Yourself
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc, Odnil Music Ltd. (vom 1974 bis heute), Blue Mountain Music (in 1974) und Fifty Six Hope Road Music Limited (in 1974)
3.96:19
9Rebel Music (3 O’Clock Road Block) (live)
Produzent(in):
Bob Marley & The Wailers
Mix:
Jack Nuber
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1978)
aufgenommen bei:
Pavillon de Paris in Paris, Île-de-France, Frankreich (am 1978-06-26)
mixed at:
Criteria Studios in Miami, Florida, Vereinigte Staaten
live recording of:
Rebel Music (3 O’Clock Roadblock) (am 1978-06-26)
Verfasser(in):
Aston “Family Man” Barrett und Hugh Peart
publisher:
Bob Marley Music BVI, Rondor Music (London) Ltd., Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974) und Odnil Music Ltd. (in 1974)
55:20
10War / No More Trouble (live)
leitende(r) Produzent(in):
Chris Blackwell (Island Records) und Jack Nuber
Produzent(in):
Bob Marley & The Wailers
Mix:
Jack Nuber
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1978) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1978)
mixed at:
Criteria Studios in Miami, Florida, Vereinigte Staaten
live medley including a recording of:
No More Trouble
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
live medley including a recording of:
War
Verfasser(in):
Carlton “Carly” Barrett und Allan Cole (Jamaican songwriter)
publisher:
Bob Marley Music, Kobalt Music Publishing Ltd. (UK), Odnil Music, Rondor Music (London) Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Tuff Gong Music, Blue Mountain Music (in 1976), Bob Marley Music Inc. (in 1976), Fifty Six Hope Road Music Limited (in 1976) und Odnil Music Ltd. (in 1976)
3.75:28
11Is This Love (live)
Produzent(in):
Bob Marley & The Wailers
Mix:
Jack Nuber
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1978)
mixed at:
Criteria Studios in Miami, Florida, Vereinigte Staaten
live recording of:
Is This Love
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Blue Mountain Music (in 1977, in 1978), Fifty Six Hope Road Music Limited (in 1977, in 1978), Odnil Music Ltd. (in 1977, in 1978) und PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1978)
47:27
12The Heathen (live)
Produzent(in):
Bob Marley & The Wailers
Mix:
Jack Nuber
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1978)
mixed at:
Criteria Studios in Miami, Florida, Vereinigte Staaten
live recording of:
The Heathen
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) und Odnil Music Ltd. (in 1977)
54:30
13Jamming (live)
Produzent(in):
Bob Marley & The Wailers
Mix:
Jack Nuber
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1978)
mixed at:
Criteria Studios in Miami, Florida, Vereinigte Staaten
live recording of:
Jamming
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) und Odnil Music Ltd. (in 1977)
45:55
9Digitales Medium: Survival
Nr.TitelBewertungLänge
1So Much Trouble in the World
assistierende(r) Techniker(in):
Errol Brown (Jamaican engineer and dub producer), Chiao (engineer), Philip Zadie und Dennis Thompson (reggae sound and mastering engineer)
Techniker(in):
Alex Sadkin
Produzent(in) und Mix:
Bob Marley & The Wailers und Alex Sadkin
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1979)
aufgenommen bei und mixed at:
Tuff Gong Recording Studio in Kingston (Kingston Parish), Jamaika
recording of:
So Much Trouble in the World
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor Music (London) Ltd., Blue Mountain Music (in 1979), Bob Marley Music Inc. (in 1979), Fifty Six Hope Road Music Limited (in 1979), Odnil Music Ltd. (in 1979), Blue Mountain Music Ltd. (vom 1991 bis heute) und Bob Marley Music (vom 1991 bis heute)
4.354:00
2Zimbabwe
assistierende(r) Techniker(in):
Errol Brown (Jamaican engineer and dub producer), Chiao (engineer), Philip Zadie und Dennis Thompson (reggae sound and mastering engineer)
Techniker(in):
Alex Sadkin
Produzent(in) und Mix:
Bob Marley & The Wailers und Alex Sadkin
aufgenommen bei und mixed at:
Tuff Gong Recording Studio in Kingston (Kingston Parish), Jamaika
recording of:
Zimbabwe (Bob Marley)
Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Rondor Music (London) Ltd., Blue Mountain Music (in 1979), Bob Marley Music Inc. (in 1979), Fifty Six Hope Road Music Limited (in 1979) und Odnil Music Ltd. (in 1979)
33:51
3Top Rankin’
assistierende(r) Techniker(in):
Errol Brown (Jamaican engineer and dub producer), Chiao (engineer), Philip Zadie und Dennis Thompson (reggae sound and mastering engineer)
Techniker(in):
Alex Sadkin
Produzent(in) und Mix:
Bob Marley & The Wailers und Alex Sadkin
aufgenommen bei und mixed at:
Tuff Gong Recording Studio in Kingston (Kingston Parish), Jamaika
recording of:
Top Rankin’
Verfasser(in):
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Rondor Music (London) Ltd., Blue Mountain Music (in 1979), Bob Marley Music Inc. (in 1979), Fifty Six Hope Road Music Limited (in 1979) und Odnil Music Ltd. (in 1979)
3.53:09
4Babylon System
assistierende(r) Techniker(in):
Errol Brown (Jamaican engineer and dub producer), Chiao (engineer), Philip Zadie und Dennis Thompson (reggae sound and mastering engineer)
Techniker(in):
Alex Sadkin
Produzent(in) und Mix:
Bob Marley & The Wailers und Alex Sadkin
aufgenommen bei und mixed at:
Tuff Gong Recording Studio in Kingston (Kingston Parish), Jamaika
recording of:
Babylon System
Verfasser(in):
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Rondor Music (London) Ltd., Blue Mountain Music (in 1979), Bob Marley Music Inc. (in 1979), Fifty Six Hope Road Music Limited (in 1979) und Odnil Music Ltd. (in 1979)
34:22
5Survival
assistierende(r) Techniker(in):
Errol Brown (Jamaican engineer and dub producer), Chiao (engineer), Philip Zadie und Dennis Thompson (reggae sound and mastering engineer)
Techniker(in):
Alex Sadkin
Produzent(in) und Mix:
Bob Marley & The Wailers und Alex Sadkin
aufgenommen bei und mixed at:
Tuff Gong Recording Studio in Kingston (Kingston Parish), Jamaika
recording of:
Survival
Verfasser(in):
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Rondor Music (London) Ltd., Blue Mountain Music (in 1979), Bob Marley Music Inc. (in 1979), Fifty Six Hope Road Music Limited (in 1979) und Odnil Music Ltd. (in 1979)
33:55
6Africa Unite
assistierende(r) Techniker(in):
Errol Brown (Jamaican engineer and dub producer), Chiao (engineer), Philip Zadie und Dennis Thompson (reggae sound and mastering engineer)
Techniker(in):
Alex Sadkin
Produzent(in) und Mix:
Bob Marley & The Wailers und Alex Sadkin
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1979)
aufgenommen bei und mixed at:
Tuff Gong Recording Studio in Kingston (Kingston Parish), Jamaika
recording of:
Africa Unite (in 1979)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Rondor Music (London) Ltd., Blue Mountain Music (in 1979), Bob Marley Music Inc. (in 1979), Fifty Six Hope Road Music Limited (in 1979) und Odnil Music Ltd. (in 1979)
32:55
7One Drop
assistierende(r) Techniker(in):
Errol Brown (Jamaican engineer and dub producer), Chiao (engineer), Philip Zadie und Dennis Thompson (reggae sound and mastering engineer)
Techniker(in):
Alex Sadkin
Produzent(in) und Mix:
Bob Marley & The Wailers und Alex Sadkin
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1979)
aufgenommen bei und mixed at:
Tuff Gong Recording Studio in Kingston (Kingston Parish), Jamaika
recording of:
One Drop (in 1979)
Verfasser(in):
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Rondor Music (London) Ltd., Blue Mountain Music (in 1979), Bob Marley Music Inc. (in 1979), Fifty Six Hope Road Music Limited (in 1979) und Odnil Music Ltd. (in 1979)
33:52
8Ride Natty Ride
assistierende(r) Techniker(in):
Errol Brown (Jamaican engineer and dub producer), Chiao (engineer), Philip Zadie und Dennis Thompson (reggae sound and mastering engineer)
Techniker(in):
Alex Sadkin
Produzent(in) und Mix:
Bob Marley & The Wailers und Alex Sadkin
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1979)
aufgenommen bei und mixed at:
Tuff Gong Recording Studio in Kingston (Kingston Parish), Jamaika
recording of:
Ride Natty Ride
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Rondor Music (London) Ltd., Blue Mountain Music (in 1979), Bob Marley Music Inc. (in 1979), Fifty Six Hope Road Music Limited (in 1979) und Odnil Music Ltd. (in 1979)
2.53:51
9Ambush in the Night
assistierende(r) Techniker(in):
Errol Brown (Jamaican engineer and dub producer), Chiao (engineer), Philip Zadie und Dennis Thompson (reggae sound and mastering engineer)
Techniker(in):
Alex Sadkin
Produzent(in) und Mix:
Bob Marley & The Wailers und Alex Sadkin
aufgenommen bei und mixed at:
Tuff Gong Recording Studio in Kingston (Kingston Parish), Jamaika
recording of:
Ambush in the Night (in 1979)
Verfasser(in):
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Rondor Music (London) Ltd., Blue Mountain Music (in 1979), Bob Marley Music Inc. (in 1979), Fifty Six Hope Road Music Limited (in 1979) und Odnil Music Ltd. (in 1979)
33:15
10Wake Up and Live
assistierende(r) Techniker(in):
Errol Brown (Jamaican engineer and dub producer), Chiao (engineer), Philip Zadie und Dennis Thompson (reggae sound and mastering engineer)
Techniker(in):
Alex Sadkin
Produzent(in) und Mix:
Bob Marley & The Wailers und Alex Sadkin
aufgenommen bei und mixed at:
Tuff Gong Recording Studio in Kingston (Kingston Parish), Jamaika
recording of:
Wake Up and Live (in 1979)
Verfasser(in):
Anthony Davis und Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Rondor Music (London) Ltd., Blue Mountain Music (in 1979), Bob Marley Music Inc. (in 1979), Fifty Six Hope Road Music Limited (in 1979) und Odnil Music Ltd. (in 1979)
44:59
11Ride Natty Ride (12″ mix)
recording of:
Ride Natty Ride
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Rondor Music (London) Ltd., Blue Mountain Music (in 1979), Bob Marley Music Inc. (in 1979), Fifty Six Hope Road Music Limited (in 1979) und Odnil Music Ltd. (in 1979)
36:24
10Digitales Medium: Uprising
11Digitales Medium: Confrontation

Nennungen

Veröffentlichung

zum Herunterladen kaufen:https://itunes.apple.com/us/album/id763302831 [Info]

Veröffentlichungsgruppe

enthält:Babylon by Bus
Burnin’ von The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Catch a Fire von The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Confrontation
Exodus
Kaya
Live! (Live at the Lyceum) von Bob Marley and The Wailers
Natty Dread
Rastaman Vibration
Survival
Uprising
Discogs:https://www.discogs.com/master/905669 [Info]