The Complete Capitol Recordings of the Nat King Cole Trio

~ Release by The Nat King Cole Trio (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleRatingLength
1Vom, Vim, Veedle
double bass:
Red Callender (on 1942-10-11)
guitar:
Oscar Moore (on 1942-10-11)
piano:
Nat King Cole (on 1942-10-11)
vocals:
Nat King Cole (on 1942-10-11)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1942-10-11)
recording of:
Vom, Vim, Veedle (on 1942-10-11)
writer:
Frankie “Half Pint” Jaxon and Robert Scherman
3:00
2All for You
double bass:
Red Callender (on 1942-10-11)
guitar:
Oscar Moore (on 1942-10-11)
piano:
Nat King Cole (on 1942-10-11)
vocals:
Nat King Cole (on 1942-10-11)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1942-10-11)
recording of:
All for You (on 1942-10-11)
lyricist and composer:
Robert Scherman
recording of:
All for You (in 1942)
lyricist and composer:
Robert Scherman
3:25
3Let’s Spring One
recorded in:
Los Angeles, California, United States (on 1943-03-01)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1943-03-01)
guitar:
Oscar Moore (on 1943-03-01)
piano:
Nat King Cole (on 1943-03-01)
vocals:
Nat King Cole (on 1943-03-01)
recording of:
Let’s Spring One (on 1943-03-01)
writer:
Otis René
2:41
4Beautiful Moons Ago
recorded in:
Los Angeles, California, United States (on 1943-03-01)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1943-03-01)
guitar:
Oscar Moore (on 1943-03-01)
piano:
Nat King Cole (on 1943-03-01)
vocals:
Nat King Cole (on 1943-03-01)
recording of:
Beautiful Moons Ago (on 1943-03-01)
lyricist:
Nat King Cole (on 1942-12-04)
composer:
Oscar Moore (on 1942-12-04)
2:25
5Pitchin’ Up a Boogie
recorded in:
Los Angeles, California, United States (on 1943-03-01)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1943-03-01)
guitar:
Oscar Moore (on 1943-03-01)
piano:
Nat King Cole (on 1943-03-01)
vocals:
Nat King Cole (on 1943-03-01)
recording of:
Pitchin’ Up a Boogie (on 1943-03-01)
writer:
Nat King Cole
3:11
6I’m Lost
recorded in:
Los Angeles, California, United States (on 1943-03-01)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1943-03-01)
guitar:
Oscar Moore (on 1943-03-01)
piano:
Nat King Cole (on 1943-03-01)
vocals:
Nat King Cole (on 1943-03-01)
recording of:
I’m Lost (on 1943-03-01)
writer:
Otis René
3:10
7F.S.T. (Fine, Sweet & Tasty)
recorded in:
Los Angeles, California, United States (on 1943-11-02)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1943-11-02)
guitar:
Oscar Moore (on 1943-11-02)
piano:
Nat King Cole (on 1943-11-02)
instrumental recording of:
F.S.T. (Fine, Sweet & Tasty) (on 1943-11-02)
composer:
Nat King Cole
3:05
8My Lips Remember Your Kisses
recorded in:
Los Angeles, California, United States (on 1943-11-02)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1943-11-02)
guitar:
Oscar Moore (on 1943-11-02)
piano:
Nat King Cole (on 1943-11-02)
vocals:
Nat King Cole (on 1943-11-02)
recording of:
My Lips Remember Your Kisses (on 1943-11-02)
writer:
Henry May, Robert Scherman and Ben Siegel
3:07
9Got a Penny
recorded in:
Los Angeles, California, United States (on 1943-11-02)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1943-11-02)
guitar:
Oscar Moore (on 1943-11-02)
piano:
Nat King Cole (on 1943-11-02)
vocals:
Nat King Cole (on 1943-11-02)
recording of:
Got a Penny (on 1943-11-02)
writer:
Henry May and Robert Scherman
publisher:
St. James Music
2:35
10Let’s Pretend
recorded in:
Los Angeles, California, United States (on 1943-11-02)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1943-11-02)
guitar:
Oscar Moore (on 1943-11-02)
piano:
Nat King Cole (on 1943-11-02)
vocals:
Nat King Cole (on 1943-11-02)
recording of:
Let’s Pretend (on 1943-11-02)
writer:
Robert Scherman
3:16
11Straighten Up and Fly Right
double bass and double bass [bass]:
Johnny Miller (part of the Nat King Cole Trio) (on 1943-11-30)
guitar:
Oscar Moore (on 1943-11-30)
piano:
Nat King Cole (on 1943-11-30)
vocals:
Nat King Cole (on 1943-11-30), Johnny Miller (part of the Nat King Cole Trio) (on 1943-11-30) and Oscar Moore (on 1943-11-30)
performer:
The Nat King Cole Trio (on 1943-11-30)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1943-11-30)
recording of:
Straighten Up and Fly Right (on 1943-11-30)
writer:
Nat King Cole and Irving Mills
publisher:
American Academy of Music, Inc., EMI Mills Music (ASCAP-affiliated) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
sub-publisher:
Mills Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30)
52:27
12Gee Baby, Ain’t I Good to You
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1943-11-30)
guitar:
Oscar Moore (on 1943-11-30)
piano:
Nat King Cole (on 1943-11-30)
vocals:
Nat King Cole (on 1943-11-30)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1943-11-30)
cover recording of:
Gee, Baby Ain’t I Good to You (on 1943-11-30)
lyricist:
Andy Razaf
composer:
Don Redman
publisher:
Michael H. Goldsen Inc. and Razaf Music
part of:
The Real Book (compilation of jazz standards, Volume I)
2:57
13Jumpin’ at Capitol
double bass:
Red Callender (on 1943-11-30) and Johnny Miller (part of the Nat King Cole Trio) (on 1943-11-30)
guitar:
Oscar Moore (on 1943-11-30)
piano:
Nat King Cole (on 1943-11-30)
vocals:
Nat King Cole (on 1943-11-30)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1943-11-30)
recording of:
Jumpin’ at Capitol (on 1943-11-30)
composer:
Nadine Robinson
2:28
14If You Can’t Smile and Say Yes
double bass:
Red Callender (on 1943-11-30) and Johnny Miller (part of the Nat King Cole Trio) (on 1943-11-30)
guitar:
Oscar Moore (on 1943-11-30)
piano:
Nat King Cole (on 1943-11-30)
vocals:
Nat King Cole (on 1943-11-30), Johnny Miller (part of the Nat King Cole Trio) (on 1943-11-30) and Oscar Moore (on 1943-11-30)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1943-11-30)
recording of:
If You Can’t Smile and Say Yes (on 1943-11-30)
writer:
Louis Jordan (US jazz, blues and r&b musician and songwriter) and Timmie Rogers
3:07
15Sweet Lorraine
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1943-12-15)
guitar:
Oscar Moore (on 1943-12-15)
piano:
Nat King Cole (on 1943-12-15)
vocals:
Nat King Cole (on 1943-12-15), Johnny Miller (part of the Nat King Cole Trio) (on 1943-12-15) and Oscar Moore (on 1943-12-15)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1943-12-15)
cover recording of:
Sweet Lorraine (on 1943-12-15)
lyricist:
Mitchell Parish (in 1928)
composer:
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. and Mills Music, Inc.
3:10
16Embraceable You
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1943-12-15)
guitar:
Oscar Moore (on 1943-12-15)
piano:
Nat King Cole (on 1943-12-15)
vocals:
Nat King Cole (on 1943-12-15), Johnny Miller (part of the Nat King Cole Trio) (on 1943-12-15) and Oscar Moore (on 1943-12-15)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1943-12-15)
instrumental cover recording of:
Embraceable You (on 1943-12-15)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
3:24
17Embraceable You (alternate take)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1943-12-15)
guitar:
Oscar Moore (on 1943-12-15)
piano:
Nat King Cole (on 1943-12-15)
vocals:
Nat King Cole (on 1943-12-15)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1943-12-15)
cover recording of:
Embraceable You (on 1943-12-15)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
3:20
18It’s Only a Paper Moon
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1943-12-15)
guitar:
Oscar Moore (on 1943-12-15)
instruments:
The Nat King Cole Trio (in 1943)
piano:
Nat King Cole (on 1943-12-15)
vocals:
Nat King Cole (in 1943, on 1943-12-15), Johnny Miller (part of the Nat King Cole Trio) (on 1943-12-15) and Oscar Moore (on 1943-12-15)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1943-12-15)
cover recording of:
It’s Only a Paper Moon (on 1943-12-15)
lyricist:
E.Y. Harburg (in 1933) and Billy Rose (lyricist and Broadway producer) (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. and Warner Bros. Music (publisher; do NOT use as release label)
2:56
19I Just Can’t See for Lookin’
double bass:
Red Callender (on 1943-12-15) and Johnny Miller (part of the Nat King Cole Trio) (on 1943-12-15)
guitar:
Oscar Moore (on 1943-12-15)
piano:
Nat King Cole (on 1943-12-15)
vocals:
Nat King Cole (on 1943-12-15), Johnny Miller (part of the Nat King Cole Trio) (on 1943-12-15) and Oscar Moore (on 1943-12-15)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1943-12-15)
recording of:
I Just Can’t See for Lookin’ (on 1943-12-15)
writer:
Nadine Robinson and Dok Stanford
3:06
2▼CD
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1The Man I Love
recorded in:
Los Angeles, California, United States (on 1944-01-17)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1944-01-17)
guitar:
Oscar Moore (on 1944-01-17)
piano:
Nat King Cole (on 1944-01-17)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1944-01-17)
instrumental cover recording of:
The Man I Love (on 1944-01-17)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
3:22
2Body and Soul
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1944-01-17)
guitar:
Oscar Moore (on 1944-01-17)
piano:
Nat King Cole (on 1944-01-17)
vocals:
Nat King Cole (on 1944-01-17), Johnny Miller (part of the Nat King Cole Trio) (on 1944-01-17) and Oscar Moore (on 1944-01-17)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1944-01-17)
instrumental cover recording of:
Body and Soul (on 1944-01-17)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:21
3Prelude in C Sharp Minor
recorded in:
Los Angeles, California, United States (on 1944-01-17)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1944-01-17)
guitar:
Oscar Moore (on 1944-01-17)
piano:
Nat King Cole (on 1944-01-17)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1944-01-17)
cover recording of:
Morceaux de fantaisie, op. 3: No. 2. Prélude in C‐sharp minor (The Bells of Moscow) (on 1944-01-17)
composer:
Sergei Rachmaninoff (Russian composer)
part of:
Morceaux de fantaisie, op. 3
2:57
4What Is This Thing Called Love
recorded in:
Los Angeles, California, United States (on 1944-01-17)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1944-01-17)
guitar:
Oscar Moore (on 1944-01-17)
piano:
Nat King Cole (on 1944-01-17)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1944-01-17)
instrumental cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1944-01-17)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
2:59
5After You Get What You Want, You Don’t Want It
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1944-03-06)
guitar:
Oscar Moore (on 1944-03-06)
piano:
Nat King Cole (on 1944-03-06)
vocals:
Nat King Cole (on 1944-03-06)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1944-03-06)
recording of:
After You Get What You Want (You Don’t Want It) (on 1944-03-06)
lyricist and composer:
Irving Berlin
2:48
6Look What You’ve Done to Me
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1944-03-06)
guitar:
Oscar Moore (on 1944-03-06)
piano:
Nat King Cole (on 1944-03-06)
vocals:
Nat King Cole (on 1944-03-06)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1944-03-06)
recording of:
Look What You’ve Done to Me (on 1944-03-06)
writer:
Con Conrad, Archie Gottler and Sidney Mitchell
3:04
7Easy Listening Blues
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1944-03-06)
guitar:
Oscar Moore (on 1944-03-06)
piano:
Nat King Cole (on 1944-03-06)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1944-03-06)
instrumental recording of:
Easy Listenin' Blues (on 1944-03-06)
composer:
Nadine Robinson (in 1944)
recording of:
Easy Listenin' Blues
composer:
Nadine Robinson (in 1944)
3:12
8I Realize Now
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1944-03-06)
guitar:
Oscar Moore (on 1944-03-06)
piano:
Nat King Cole (on 1944-03-06)
vocals:
Nat King Cole (on 1944-03-06)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1944-03-06)
recording of:
I Realize Now (on 1944-03-06)
writer:
Stanley Cowan (composer, songwriter) and Sidney Miller (songwriter, director and actor)
3:10
9Please Consider Me
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1944-11-28)
guitar:
Oscar Moore (on 1944-11-28)
piano:
Nat King Cole (on 1944-11-28)
vocals:
Nat King Cole (on 1944-11-28)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1944-11-28)
recording of:
Please Consider Me (on 1944-11-28)
lyricist and composer:
Timmie Rogers
3:15
10Bring Another Drink
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1944-11-28)
guitar:
Oscar Moore (on 1944-11-28)
piano:
Nat King Cole (on 1944-11-28)
vocals:
Nat King Cole (on 1944-11-28)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1944-11-28)
recording of:
Bring Another Drink (on 1944-11-28)
writer:
Bob Bell (Three Peppers Guitarist) and Roy Branker
2:21
11I’d Love to Make Love to You
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-04-13)
guitar:
Oscar Moore (on 1945-04-13)
piano:
Nat King Cole (on 1945-04-13)
vocals:
Nat King Cole (on 1945-04-13)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1945-04-13)
recording of:
I’d Love to Make Love to You (on 1945-04-13)
writer:
Robert Emmerich (writer "Our Love") and Ruth Poll
3:11
12I’m a Shy Guy
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-04-13)
guitar:
Oscar Moore (on 1945-04-13)
piano:
Nat King Cole (on 1945-04-13)
vocals:
Nat King Cole (on 1945-04-13)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1945-04-13)
recording of:
I’m a Shy Guy (on 1945-04-13)
lyricist and composer:
Nat King Cole
2:56
13Katusha
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-04-13)
guitar:
Oscar Moore (on 1945-04-13)
piano:
Nat King Cole (on 1945-04-13)
vocals:
Nat King Cole (on 1945-04-13)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1945-04-13)
recording of:
Katusha (on 1945-04-13)
writer:
Lou Singer (pianist) and Hy Zaret
composer:
Матвей Блантер (Matvey Blanter, Soviet Jewish composer)
version of:
Катюша («Расцветали яблони и груши, поплыли туманы над рекой, выходила на берег Катюша…»)
2:31
14It Only Happens Once
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-04-13)
guitar:
Oscar Moore (on 1945-04-13)
piano:
Nat King Cole (on 1945-04-13)
vocals:
Nat King Cole (on 1945-04-13)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1945-04-13)
recording of:
It Only Happens Once (on 1945-04-13)
lyricist and composer:
Frankie Laine
2:54
15You’re Nobody ’Til Somebody Loves You
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-05-19)
guitar:
Oscar Moore (on 1945-05-19)
piano:
Nat King Cole (on 1945-05-19)
vocals:
Nat King Cole (on 1945-05-19)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1945-05-19)
recording of:
You’re Nobody Till Somebody Loves You (on 1945-05-19)
writer:
James Cavanaugh, Russ Morgan (Big Band orchestra leader) and Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
part of:
The Real Book (compilation of jazz standards, Volume I)
cover recording of:
You’re Nobody Till Somebody Loves You (in 1945)
writer:
James Cavanaugh, Russ Morgan (Big Band orchestra leader) and Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
part of:
The Real Book (compilation of jazz standards, Volume I)
2:52
16Don’t Blame Me
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-05-19)
guitar:
Oscar Moore (on 1945-05-19)
piano:
Nat King Cole (on 1945-05-19)
vocals:
Nat King Cole (on 1945-05-19)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1945-05-19)
recording of:
Don’t Blame Me (on 1945-05-19)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
EMI Robbins Catalog Inc. (ASCAP) and Ireneadele Publishing
3:25
17I’m in the Mood for Love
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-05-19)
guitar:
Oscar Moore (on 1945-05-19)
piano:
Nat King Cole (on 1945-05-19)
vocals:
Nat King Cole (on 1945-05-19)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1945-05-19)
cover recording of:
I’m in the Mood for Love (on 1945-05-19)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) and EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
2:59
18What Can I Say After I Say I’m Sorry
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-05-19)
guitar:
Oscar Moore (on 1945-05-19)
piano:
Nat King Cole (on 1945-05-19)
vocals:
Nat King Cole (on 1945-05-19)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1945-05-19)
recording of:
What Can I Say After I Say I’m Sorry? (on 1945-05-19)
lyricist and composer:
Walter Donaldson (in 1926) and Abe Lyman (in 1926)
cover recording of:
What Can I Say After I Say I’m Sorry? (in 1946)
lyricist and composer:
Walter Donaldson (in 1926) and Abe Lyman (in 1926)
2:35
19I’m Thru With Love
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-05-19)
guitar:
Oscar Moore (on 1945-05-19)
piano:
Nat King Cole (on 1945-05-19)
vocals:
Nat King Cole (on 1945-05-19)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1945-05-19)
recording of:
I’m Thru With Love (on 1945-05-19)
lyricist:
Gus Kahn
composer:
Fud Livingston and Matty Malneck
publisher:
Metro–Goldwyn–Mayer, Inc. (pre‐MGM/UA Entertainment Co. era, 1924–1981) (on 1931-04-17)
2:54
3▼CD
#TitleRatingLength
1Barcarolle
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-05-23)
guitar:
Oscar Moore (on 1945-05-23)
piano:
Nat King Cole (on 1945-05-23)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1945-05-23)
recording of:
Les Contes d’Hoffmann: Barcarolle (The Tales of Hoffmann: Barcarolle, catch-all for arrangements) (on 1945-05-23)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
arrangement of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
3:07
2To a Wild Rose
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-05-23)
guitar:
Oscar Moore (on 1945-05-23)
piano:
Nat King Cole (on 1945-05-23)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1945-05-23)
recording of:
10 Woodland Sketches, op. 51: No. 1. To a Wild Rose (catch-all for arrangements) (on 1945-05-23)
composer:
Edward MacDowell (American composer, pianist) (in 1896)
arrangement of:
10 Woodland Sketches, op. 51: No. 1. To a Wild Rose (original for solo piano)
3:14
3Sweet Georgia Brown
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-05-23)
guitar:
Oscar Moore (on 1945-05-23)
piano:
Nat King Cole (on 1945-05-23)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1945-05-23)
instrumental cover recording of:
Sweet Georgia Brown (on 1945-05-23)
lyricist:
Kenneth Casey (in 1925)
composer:
Ben Bernie (in 1925) and Maceo Pinkard (in 1925)
publisher:
Francis Day (publisher), Remick Music Corp. and Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
2:20
4I Tho’t You Ought to Know
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-05-23)
guitar:
Oscar Moore (on 1945-05-23)
piano:
Nat King Cole (on 1945-05-23)
vocals:
Nat King Cole (on 1945-05-23)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1945-05-23)
recording of:
I Tho’t You Ought to Know (on 1945-05-23)
writer:
Cecil Carter and Thomas C. Dilbeck
2:54
5It Only Happens Once
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-05-23)
guitar:
Oscar Moore (on 1945-05-23)
piano:
Nat King Cole (on 1945-05-23)
vocals:
Nat King Cole (on 1945-05-23)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1945-05-23)
recording of:
It Only Happens Once (on 1945-05-23)
lyricist and composer:
Frankie Laine
2:57
6(I Call My Papa) Fla-Ga-La-Pa
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-08-02)
guitar:
Oscar Moore (on 1945-08-02)
piano:
Nat King Cole (on 1945-08-02)
vocals:
Nat King Cole (on 1945-08-02)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1945-08-02)
recording of:
(I Call My Papa) Fla-Ga-La-Pa (on 1945-08-02)
writer:
Roy Alfred (Tin Pan Alley lyricist and composer), Marvin Fisher and C.L. Roberts
3:10
7It Is Better to Be By Yourself
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-08-02)
guitar:
Oscar Moore (on 1945-08-02)
piano:
Nat King Cole (on 1945-08-02)
vocals:
Nat King Cole (on 1945-08-02)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1945-08-02)
recording of:
It’s Better to Be By Yourself (on 1945-08-02)
lyricist and composer:
Nat King Cole
2:59
8It Is Better to Be By Yourself
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-10-11)
guitar:
Oscar Moore (on 1945-10-11)
piano:
Nat King Cole (on 1945-10-11)
vocals:
Nat King Cole (on 1945-10-11)
recorded at:
WMCA Studios in New York, New York, United States (on 1945-10-11)
recording of:
It’s Better to Be By Yourself (on 1945-10-11)
lyricist and composer:
Nat King Cole
2:56
9Come to Baby, Do
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-10-11)
guitar:
Oscar Moore (on 1945-10-11)
piano:
Nat King Cole (on 1945-10-11)
vocals:
Nat King Cole (on 1945-10-11)
recorded at:
WMCA Studios in New York, New York, United States (on 1945-10-11)
recording of:
Come to Baby, Do (on 1945-10-11)
writer:
Inez James and Sidney Miller (songwriter, director and actor)
3:06
10The Frim Fram Sauce
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-10-11)
guitar:
Oscar Moore (on 1945-10-11)
piano:
Nat King Cole (on 1945-10-11)
vocals:
Nat King Cole (on 1945-10-11)
recorded at:
WMCA Studios in New York, New York, United States (on 1945-10-11)
recording of:
The Frim‐Fram Sauce (on 1945-10-11)
lyricist:
Redd Evans (in 1945)
composer:
Joe Ricardel (in 1945)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
3:18
11Homeward Bound
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-10-18)
guitar:
Oscar Moore (on 1945-10-18)
piano:
Nat King Cole (on 1945-10-18)
vocals:
Nat King Cole (on 1945-10-18)
recorded at:
WMCA Studios in New York, New York, United States (on 1945-10-18)
recording of:
Homeward Bound (on 1945-10-18)
lyricist and composer:
Leonard Feather
3:12
12I’m an Errand Boy for Rhythm
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-10-18)
guitar:
Oscar Moore (on 1945-10-18)
piano:
Nat King Cole (on 1945-10-18)
vocals:
Nat King Cole (on 1945-10-18)
recorded at:
WMCA Studios in New York, New York, United States (on 1945-10-18)
recording of:
I'm an Errand Boy for Rhythm (on 1945-10-18)
lyricist and composer:
Nat King Cole
2:21
13This Way Out
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-10-18)
guitar:
Oscar Moore (on 1945-10-18)
piano:
Nat King Cole (on 1945-10-18)
recorded at:
WMCA Studios in New York, New York, United States (on 1945-10-18)
recording of:
This Way Out (instrumental) (on 1945-10-18)
composer:
Nat King Cole (in 1945)
3:03
14I Know That You Know
double bass:
Johnny Miller (part of the Nat King Cole Trio)
guitar:
Oscar Moore
piano:
Nat King Cole
recorded at:
WMCA Studios in New York, New York, United States
instrumental recording of:
I Know That You Know (Caldwell & Youmans)
lyricist:
Anne Caldwell
composer:
Vincent Youmans
part of:
Hit the Deck (1955 movie)
2:31
15But She’s My Buddy’s Chick (alternate take)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-12-04)
guitar:
Oscar Moore (on 1945-12-04)
piano:
Nat King Cole (on 1945-12-04)
vocals:
Nat King Cole (on 1945-12-04)
recorded at:
WMCA Studios in New York, New York, United States (on 1945-12-04)
recording of:
But She’s My Buddy’s Chick (on 1945-12-04)
writer:
Charles Atkinson and Sy Oliver
2:54
16But She’s My Buddy’s Chick
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-12-04)
guitar:
Oscar Moore (on 1945-12-04)
piano:
Nat King Cole (on 1945-12-04)
vocals:
Nat King Cole (on 1945-12-04)
recorded at:
WMCA Studios in New York, New York, United States (on 1945-12-04)
recording of:
But She’s My Buddy’s Chick (on 1945-12-04)
writer:
Charles Atkinson and Sy Oliver
2:57
17Oh, but I Do
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-12-04)
guitar:
Oscar Moore (on 1945-12-04)
piano:
Nat King Cole (on 1945-12-04)
vocals:
Nat King Cole (on 1945-12-04)
recorded at:
WMCA Studios in New York, New York, United States (on 1945-12-04)
recording of:
Oh, But I Do (on 1945-12-04)
writer:
Ella Fitzgerald (American jazz singer) and Kenneth Watts
2:50
18How Does It Feel
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-12-04)
guitar:
Oscar Moore (on 1945-12-04)
piano:
Nat King Cole (on 1945-12-04)
vocals:
Nat King Cole (on 1945-12-04)
recorded at:
WMCA Studios in New York, New York, United States (on 1945-12-04)
recording of:
How Does It Feel (on 1945-12-04)
writer:
Roy Alfred (Tin Pan Alley lyricist and composer) and Marvin Fisher
2:56
19You Must Be Blind
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-12-04)
guitar:
Oscar Moore (on 1945-12-04)
piano:
Nat King Cole (on 1945-12-04)
vocals:
Nat King Cole (on 1945-12-04)
recorded at:
WMCA Studios in New York, New York, United States (on 1945-12-04)
recording of:
You Must Be Blind (on 1945-12-04)
lyricist and composer:
Nat King Cole
2:48
4▼CD
#TitleRatingLength
1Loan Me Two Till Tuesday
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-12-04)
guitar:
Oscar Moore (on 1945-12-04)
piano:
Nat King Cole (on 1945-12-04)
vocals:
Nat King Cole (on 1945-12-04)
recorded at:
WMCA Studios in New York, New York, United States (on 1945-12-04)
recording of:
Loan Me Two Till Tuesday (on 1945-12-04)
lyricist and composer:
Taps Miller
2:39
2I’m in the Mood for Love
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-03-15)
guitar:
Oscar Moore (on 1946-03-15)
piano:
Nat King Cole (on 1946-03-15)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-03-15)
recording of:
I’m in the Mood for Love (on 1946-03-15)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) and EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
3:13
3I Don’t Know Why (I Just Do) (alternate take)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-03-15)
guitar:
Oscar Moore (on 1946-03-15)
piano:
Nat King Cole (on 1946-03-15)
vocals:
Nat King Cole (on 1946-03-15)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-03-15)
recording of:
I Don’t Know Why (on 1946-03-15)
lyricist:
Roy Turk (in 1931)
composer:
Fred Ahlert (in 1931)
publisher:
Bucks Music Ltd, Leo Feist, Inc., Memory Lane Music Ltd. and Redwood Music
3:08
4I Don’t Know Why (I Just Do)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-03-15)
guitar:
Oscar Moore (on 1946-03-15)
piano and lead vocals:
Nat King Cole (on 1946-03-15)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-03-15)
cover recording of:
I Don’t Know Why (on 1946-03-15)
lyricist:
Roy Turk (in 1931)
composer:
Fred Ahlert (in 1931)
publisher:
Bucks Music Ltd, Leo Feist, Inc., Memory Lane Music Ltd. and Redwood Music
3:13
5(Get Your Kicks On) Route 66
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-03-15)
guitar:
Oscar Moore (on 1946-03-15)
instruments:
The Nat King Cole Trio (in 1946)
piano:
Nat King Cole (on 1946-03-15)
lead vocals:
King Cole
vocals:
Nat King Cole (in 1946, on 1946-03-15)
performer:
The Nat King Cole Trio (on 1946-03-15)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2000)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-03-15)
recording of:
(Get Your Kicks on) Route 66 (on 1946-03-15)
lyricist and composer:
Bobby Troup
publisher:
Chappell Morris Ltd., E. H. Morris, LondonTown Music, Inc., Troup-London, LLC, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and Burke-Van Heusen, Inc. (on 1946-04-22)
3:02
6Everyone Is Sayin’ Hello Again (Why Must We Say Goodbye?)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-03-15)
guitar:
Oscar Moore (on 1946-03-15)
piano:
Nat King Cole (on 1946-03-15)
lead vocals:
King Cole (on 1946-03-15)
vocals:
Nat King Cole (on 1946-03-15)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-03-15)
recording of:
Everyone Is Sayin’ Hello Again (Why Must We Say Goodbye?) (on 1946-03-15)
writer:
Jerry Marlowe and Jack Segal (US songwriter)
2:40
7F.S.T. (opening theme)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (in 1946-03)
guitar:
Oscar Moore (in 1946-03)
piano:
Nat King Cole (in 1946-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (in 1946-03)
recording of:
F.S.T. (Fine, Sweet & Tasty) (in 1946-03)
composer:
Nat King Cole
0:54
8F.S.T. (closing theme)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (in 1946-03)
guitar:
Oscar Moore (in 1946-03)
piano:
Nat King Cole (in 1946-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (in 1946-03)
recording of:
F.S.T. (Fine, Sweet & Tasty) (in 1946-03)
composer:
Nat King Cole
2:06
9Just You, Just Me (alternate take)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-03-20)
guitar:
Oscar Moore (on 1946-03-20)
piano:
Nat King Cole (on 1946-03-20)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-03-20)
instrumental recording of:
Just You, Just Me (on 1946-03-20)
lyricist:
Raymond Klages (in 1929)
composer:
Jesse Greer (in 1929)
publisher:
EMI United Partnership Ltd., Robbins Music (publishing company owned by EMI Music Publishing Ltd.) and Robbins Music Corporation
part of:
New York, New York (1977 musical film soundtrack)
3:22
10Just You, Just Me
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-03-20)
guitar:
Oscar Moore (on 1946-03-20)
piano:
Nat King Cole (on 1946-03-20)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-03-20)
instrumental recording of:
Just You, Just Me (on 1946-03-20)
lyricist:
Raymond Klages (in 1929)
composer:
Jesse Greer (in 1929)
publisher:
EMI United Partnership Ltd., Robbins Music (publishing company owned by EMI Music Publishing Ltd.) and Robbins Music Corporation
part of:
New York, New York (1977 musical film soundtrack)
3:22
11I’ve Got the World on a String
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-03-20)
guitar:
Oscar Moore (on 1946-03-20)
piano:
Nat King Cole (on 1946-03-20)
vocals:
Nat King Cole (on 1946-03-20)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-03-20)
recording of:
I’ve Got the World on a String (on 1946-03-20)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc. and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
3:17
12Rex Rhumba
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-03-20)
guitar:
Oscar Moore (on 1946-03-20)
piano:
Nat King Cole (on 1946-03-20)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-03-20)
recording of:
Rex Rhumba (on 1946-03-20)
composer:
Nat King Cole
3:33
13But She’s My Buddy’s Chick
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-03-20)
guitar:
Oscar Moore (on 1946-03-20)
piano:
Nat King Cole (on 1946-03-20)
vocals:
Nat King Cole (on 1946-03-20)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-03-20)
recording of:
But She’s My Buddy’s Chick (on 1946-03-20)
writer:
Charles Atkinson and Sy Oliver
2:32
14Chant of the Blues (Dog-Gone Unlucky Blues)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-03-20)
guitar:
Oscar Moore (on 1946-03-20)
piano:
Nat King Cole (on 1946-03-20)
vocals:
Nat King Cole (on 1946-03-20)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-03-20)
recording of:
Chant of the Blues (Dog-Gone Unlucky Blues) (on 1946-03-20)
lyricist and composer:
Nat King Cole
3:50
15Rock-a-Bye Basie
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-03-20)
guitar:
Oscar Moore (on 1946-03-20)
piano:
Nat King Cole (on 1946-03-20)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-03-20)
recording of:
Rock-A-Bye Basie (on 1946-03-20)
composer:
Count Basie (pianist) (in 1939), Shad Collins (in 1939) and Lester Young (saxophonist) (in 1939)
publisher:
WB Music Corp. (1929–2019)
3:23
16Lester Leaps In
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-03-20)
guitar:
Oscar Moore (on 1946-03-20)
piano:
Nat King Cole (on 1946-03-20)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-03-20)
recording of:
Lester Leaps In (on 1946-03-20)
composer:
Lester Young (saxophonist) (in 1939)
2:31
17I Don’t Know Why (I Just Do)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-03-20)
guitar:
Oscar Moore (on 1946-03-20)
piano:
Nat King Cole (on 1946-03-20)
vocals:
Nat King Cole (on 1946-03-20)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-03-20)
recording of:
I Don’t Know Why (on 1946-03-20)
lyricist:
Roy Turk (in 1931)
composer:
Fred Ahlert (in 1931)
publisher:
Bucks Music Ltd, Leo Feist, Inc., Memory Lane Music Ltd. and Redwood Music
2:49
18I Want to Be Happy
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-03-20)
guitar:
Oscar Moore (on 1946-03-20)
piano:
Nat King Cole (on 1946-03-20)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-03-20)
instrumental recording of:
I Want to Be Happy (No, No, Nanette) (on 1946-03-20)
lyricist:
Irving Caesar and Otto Harbach
composer:
Vincent Youmans
part of:
No, No, Nanette
recording of:
I Want to Be Happy (No, No, Nanette)
lyricist:
Irving Caesar and Otto Harbach
composer:
Vincent Youmans
part of:
No, No, Nanette
2:17
19I Know That You Know
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-03-20)
guitar:
Oscar Moore (on 1946-03-20)
piano:
Nat King Cole (on 1946-03-20)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-03-20)
instrumental recording of:
I Know That You Know (Caldwell & Youmans) (on 1946-03-20)
lyricist:
Anne Caldwell
composer:
Vincent Youmans
part of:
Hit the Deck (1955 movie)
2:24
20What Can I Say After I Say I’m Sorry (alternate take)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-04-05)
guitar:
Oscar Moore (on 1946-04-05)
piano:
Nat King Cole (on 1946-04-05)
vocals:
Nat King Cole (on 1946-04-05)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-04-05)
recording of:
What Can I Say After I Say I’m Sorry? (on 1946-04-05)
lyricist and composer:
Walter Donaldson (in 1926) and Abe Lyman (in 1926)
2:58
5▼CD
#TitleRatingLength
1What Can I Say After I Say I’m Sorry
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-04-05)
guitar:
Oscar Moore (on 1946-04-05)
piano and lead vocals:
Nat King Cole (on 1946-04-05)
vocals:
Nat King Cole (on 1946-04-05)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-04-05)
recording of:
What Can I Say After I Say I’m Sorry? (on 1946-04-05)
lyricist and composer:
Walter Donaldson (in 1926) and Abe Lyman (in 1926)
3:03
2To a Wild Rose (alternate take)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-04-05)
guitar:
Oscar Moore (on 1946-04-05)
piano:
Nat King Cole (on 1946-04-05)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-04-05)
recording of:
10 Woodland Sketches, op. 51: No. 1. To a Wild Rose (catch-all for arrangements) (on 1946-04-05)
composer:
Edward MacDowell (American composer, pianist) (in 1896)
arrangement of:
10 Woodland Sketches, op. 51: No. 1. To a Wild Rose (original for solo piano)
3:10
3To a Wild Rose
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-04-05)
guitar:
Oscar Moore (on 1946-04-05)
piano:
Nat King Cole (on 1946-04-05)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-04-05)
recording of:
10 Woodland Sketches, op. 51: No. 1. To a Wild Rose (catch-all for arrangements) (on 1946-04-05)
composer:
Edward MacDowell (American composer, pianist) (in 1896)
arrangement of:
10 Woodland Sketches, op. 51: No. 1. To a Wild Rose (original for solo piano)
3:16
4Baby, Baby All the Time
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-04-05)
guitar:
Oscar Moore (on 1946-04-05)
piano:
Nat King Cole (on 1946-04-05)
vocals:
Nat King Cole (on 1946-04-05)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-04-05)
recording of:
Baby Baby All the Time (on 1946-04-05)
lyricist and composer:
Bobby Troup
3:15
5I Don’t Know Why (I Just Do)
recorded in:
Los Angeles, California, United States (on 1946-04-11)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-04-11)
guitar:
Oscar Moore (on 1946-04-11)
piano:
Nat King Cole (on 1946-04-11)
vocals:
Nat King Cole (on 1946-04-11)
recording of:
I Don’t Know Why (on 1946-04-11)
lyricist:
Roy Turk (in 1931)
composer:
Fred Ahlert (in 1931)
publisher:
Bucks Music Ltd, Leo Feist, Inc., Memory Lane Music Ltd. and Redwood Music
2:48
6This Way Out
recorded in:
Los Angeles, California, United States (on 1946-04-11)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-04-11)
guitar:
Oscar Moore (on 1946-04-11)
piano:
Nat King Cole (on 1946-04-11)
recording of:
This Way Out (instrumental) (on 1946-04-11)
composer:
Nat King Cole (in 1945)
2:32
7Baby, Baby All the Time
recorded in:
Los Angeles, California, United States (on 1946-04-11)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-04-11)
guitar:
Oscar Moore (on 1946-04-11)
piano:
Nat King Cole (on 1946-04-11)
vocals:
Nat King Cole (on 1946-04-11)
recording of:
Baby Baby All the Time (on 1946-04-11)
lyricist and composer:
Bobby Troup
3:18
8Somebody Loves Me
recorded in:
Los Angeles, California, United States (on 1946-04-11)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-04-11)
guitar:
Oscar Moore (on 1946-04-11)
piano:
Nat King Cole (on 1946-04-11)
instrumental recording of:
Somebody Loves Me (on 1946-04-11)
lyricist:
Buddy DeSylva and Ballard MacDonald
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Stephen Ballentine Music Publishing Co.
part of:
Broadway Rhythm (film)
3:20
9Too Marvelous for Words
recorded in:
Los Angeles, California, United States (on 1946-04-11)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-04-11)
guitar:
Oscar Moore (on 1946-04-11)
piano:
Nat King Cole (on 1946-04-11)
vocals:
Nat King Cole (on 1946-04-11)
recording of:
Too Marvelous for Words (on 1946-04-11)
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:51
10Honeysuckle Rose
recorded in:
Los Angeles, California, United States (on 1946-04-11)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-04-11)
guitar:
Oscar Moore (on 1946-04-11)
piano:
Nat King Cole (on 1946-04-11)
instrumental recording of:
Honeysuckle Rose (on 1946-04-11)
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (1977 musical film soundtrack)
part of:
Thousands Cheer (1943 movie)
2:20
11How Does It Feel?
recorded in:
Los Angeles, California, United States (on 1946-04-11)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-04-11)
guitar:
Oscar Moore (on 1946-04-11)
piano:
Nat King Cole (on 1946-04-11)
vocals:
Nat King Cole (on 1946-04-11)
recording of:
How Does It Feel (on 1946-04-11)
writer:
Roy Alfred (Tin Pan Alley lyricist and composer) and Marvin Fisher
3:14
12Loan Me Two Till Tuesday
recorded in:
Los Angeles, California, United States (on 1946-04-11)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-04-11)
guitar:
Oscar Moore (on 1946-04-11)
piano:
Nat King Cole (on 1946-04-11)
vocals:
Nat King Cole (on 1946-04-11)
recording of:
Loan Me Two Till Tuesday (on 1946-04-11)
lyricist and composer:
Taps Miller
2:24
13What Can I Say After I Say I’m Sorry
recorded in:
Los Angeles, California, United States (on 1946-04-11)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-04-11)
guitar:
Oscar Moore (on 1946-04-11)
piano:
Nat King Cole (on 1946-04-11)
vocals:
Nat King Cole (on 1946-04-11)
recording of:
What Can I Say After I Say I’m Sorry? (on 1946-04-11)
lyricist and composer:
Walter Donaldson (in 1926) and Abe Lyman (in 1926)
2:03
14You Name It
recorded in:
Los Angeles, California, United States (on 1946-04-11)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-04-11)
guitar:
Oscar Moore (on 1946-04-11)
piano:
Nat King Cole (on 1946-04-11)
recording of:
You Name It (on 1946-04-11)
composer:
Nat King Cole
1:57
15Could-’Ja (alternate take)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-04-17)
guitar:
Oscar Moore (on 1946-04-17)
piano:
Nat King Cole (on 1946-04-17)
vocals:
Nat King Cole (on 1946-04-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-04-17)
recording of:
Could-’Ja (on 1946-04-17)
lyricist:
Bill Carey (US songwriter)
composer:
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Barton Music Corp.
3:07
16Could-’Ja
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-04-17)
guitar:
Oscar Moore (on 1946-04-17)
piano:
Nat King Cole (on 1946-04-17)
vocals:
Nat King Cole (on 1946-04-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-04-17)
recording of:
Could-’Ja (on 1946-04-17)
lyricist:
Bill Carey (US songwriter)
composer:
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Barton Music Corp.
3:04
17Baby, Baby All the Time (alternate take)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-04-17)
guitar:
Oscar Moore (on 1946-04-17)
piano:
Nat King Cole (on 1946-04-17)
vocals:
Nat King Cole (on 1946-04-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-04-17)
recording of:
Baby Baby All the Time (on 1946-04-17)
lyricist and composer:
Bobby Troup
3:01
18Baby, Baby All the Time
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-04-17)
guitar:
Oscar Moore (on 1946-04-17)
piano:
Nat King Cole (on 1946-04-17)
vocals:
Nat King Cole (on 1946-04-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-04-17)
recording of:
Baby Baby All the Time (on 1946-04-17)
lyricist and composer:
Bobby Troup
3:02
19Oh, but I Do
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-04-17)
guitar:
Oscar Moore (on 1946-04-17)
piano and lead vocals:
Nat King Cole (on 1946-04-17)
vocals:
Nat King Cole (on 1946-04-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-04-17)
recording of:
Oh, But I Do (on 1946-04-17)
writer:
Ella Fitzgerald (American jazz singer) and Kenneth Watts
2:38
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