| # | Title | Artist | Rating | Length |
|---|
| 1 | Sultans of Swing | Dire Straits | 4.35 | 5:49 |
| 2 | Summer of ’69- assistant engineer:
- Mike Fraser , Bruce Lampcov and Michael Sauvage
- engineer:
- Bob Clearmountain (from 1984-03-27 until 1984-09-22)
- associate producer:
- Jim Vallance
- producer:
- Bryan Adams and Bob Clearmountain
- mixer:
- Bob Clearmountain (on 1984-09-22)
- drums (drum set) [drums]:
- Pat (from 1984-03-27 until 1984-09-22)
- electric bass guitar [bass]:
- Dave (from 1984-03-27 until 1984-09-22)
- guitar [lead guitar]:
- Keith (from 1984-03-27 until 1984-09-22)
- guitar [rhythm guitar] and background vocals [harmony vocal]:
- BA (from 1984-03-27 until 1984-09-22)
- percussion:
- Jim (from 1984-03-27 until 1984-09-22)
- lead vocals:
- Bryan Adams (from 1984-03-27 until 1984-09-22)
- phonographic copyright (℗) by:
- A&M Records (in 1984), A&M Records, Inc. (in 1984, in 1999), Badman Ltd. (in 1999) and UMG Recordings, Inc. (in 2020)
- recorded at:
- Little Mountain Sound in Vancouver, British Columbia, Canada (from 1984-03-27 until 1984-09-22)
- mixed at:
- Power Station in Hell's Kitchen, New York, New York, United States (on 1984-09-22)
- part of:
- SWR1 Hitparade 2004 der Frauen (number: 1), SWR1 Hitparade 2005 der Badener (number: 3), SWR1 Hitparade 2005 der Württemberger (number: 3), SWR1 Hitparade 2007 (number: 5), SWR1 Hitparade 2008 (number: 8), Huffington Post: 100 Best Canadian Songs Ever (number: 9), SWR1 Hitparade 2009 (number: 9), SWR1 Hitparade 2004 der Männer (number: 10) and The Downloader’s Music Source Book (number: 179)
- recording of:
- Summer of ’69 (from 1984-03-27 until 1984-09-22)
- written in:
- Vancouver, British Columbia, Canada (on 1984-01-25)
- writer:
- Bryan Adams (on 1984-01-25) and Jim Vallance (on 1984-01-25)
- publisher:
- Adams Communications Inc. (in 1984), Almo Music Corp. (in 1984), Calypso Toonz (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984) and Testatyme Music (in 1984)
| Bryan Adams | 4.4 | 3:34 |
| 3 | End of the Line- engineer:
- Bill Bottrell, Richard Dodd , Phil McDonald and Don Smith
- producer:
- Nelson Wilbury and Otis Wilbury
- acoustic guitar:
- Bob Dylan (from 1988-05-07 until 1988), Roy Orbison (from 1988-05-07 until 1988) and Tom Petty (from 1988-05-07 until 1988)
- bass:
- Jeff Lynne (from 1988-05-07 until 1988)
- drums (drum set):
- Jim Keltner (from 1988-05-07 until 1988)
- guitar:
- George Harrison (from 1988-05-07 until 1988) and Jeff Lynne (from 1988-05-07 until 1988)
- percussion:
- Ray Cooper (from 1988-05-07 until 1988)
- background vocals:
- Bob Dylan (from 1988-05-07 until 1988), George Harrison (from 1988-05-07 until 1988), Jeff Lynne (from 1988-05-07 until 1988), Roy Orbison (from 1988-05-07 until 1988) and Tom Petty (from 1988-05-07 until 1988)
- lead vocals:
- George Harrison (from 1988-05-07 until 1988), Jeff Lynne (from 1988-05-07 until 1988), Roy Orbison (from 1988-05-07 until 1988) and Tom Petty (from 1988-05-07 until 1988)
- phonographic copyright (℗) by:
- T. Wilbury Limited (in 2016)
- recorded at:
- F.P.S.H.O.T. in Henley-on-Thames, Oxfordshire, England, United Kingdom (in 1988) and Dave Stewart Studios in Los Angeles, California, United States (from 1988-05-07 until 1988)
- mixed at:
- F.P.S.H.O.T. in Henley-on-Thames, Oxfordshire, England, United Kingdom
- recording of:
- End of the Line (from 1988-05-07 until 1988)
- lyricist and composer:
- Bob Dylan (in 1988-05), George Harrison (in 1988-05), Jeff Lynne (in 1988-05), Roy Orbison (in 1988-05) and Tom Petty (in 1988-05)
- publisher:
- “Travelling Wilburys” Music (from 1988 to present) and Special Rider Music (from 1988 to present)
| Traveling Wilburys | 4.15 | 3:30 |
| 4 | The Boys of Summer | Don Henley | 3.8 | 4:47 |
| 5 | Sommaren är kort | Tomas Ledin | | 3:03 |
| 6 | Little Help | The BossHoss & Mimi & Josy | | 3:48 |
| 7 | Best Day of My Life (single version)- assistant engineer:
- Jay Fallon and JC Santalis
- engineer:
- Joe Costable
- producer and mixer:
- Aaron Accetta and Shep Goodman
- assistant mixer:
- Will Brierre
- banjo and mandolin:
- James Adam Shelley
- bass guitar:
- Dave Rublin
- drums (drum set) and percussion:
- Matt Sanchez
- guitar:
- Zac Barnett and James Adam Shelley
- background vocals:
- Aaron Accetta, Zac Barnett , Shep Goodman, Matt Sanchez , Dave Rublin and James Adam Shelley
- lead vocals:
- Zac Barnett
- produced for:
- Dirty Canvas Productions
- recorded at:
- Dirty Canvas Studios, Mt. Kisco, NY in Mount Kisco, New York, United States and Raw Recording, Brewster, NY in Mahopac, Carmel, New York, United States
- part of:
- Billboard Year-End Hot 100 singles of 2014 (number: 31), BILLIONS CLUB and Billboard Decade End Chart: Adult Contemporary Songs (number: 43)
- recording of:
- Best Day of My Life
- writer:
- Aaron Accetta, Dave Rublin, Matt Sanchez , James Adam Shelley, Shep Goodman and Zac Barnett
- publisher:
- David Rublin Publishing, Drawoc, EMI April Music Inc., James Adam Shelley Publishing, Needledown Publishing, Owl and Fox Publishing, Round Hill Copyrights, Round Hill Works, Sony/ATV Allegro and Zac Barnett Publishing
| American Authors | 3.75 | 3:13 |
| 8 | Little Talks | Of Monsters and Men | 3.85 | 4:26 |
| 9 | Wake Me Up (radio edit)- recording engineer:
- Chris Cheney and Kyle VandeKerkhoff
- additional engineer:
- Mike Einziger
- producer and mixer:
- Tim Bergling
- guitar:
- Mike Einziger
- keyboard [keys]:
- Peter Dyer
- vocals:
- Aloe Blacc
- phonographic copyright (℗) by:
- Avicii Music AB (in 2013)
- recorded at:
- Interscope Studios in Santa Monica, California, United States
- additionally engineered at:
- Casa Chica in Malibu, California, United States
- part of:
- Billboard Year-End Hot 100 singles of 2013 (number: 19), Billboard Year-End Hot 100 singles of 2014 (number: 22) and BILLIONS CLUB
- recording of:
- Wake Me Up
- writer:
- Aloe Blacc, Mike Einziger and Tim Bergling
- publisher:
- Aloe Blacc Publishing Inc., Elementary Particle Music, EMI Blackwood Music Inc., EMI Music Publishing Scandinavia AB, Kobalt Music Group Ltd. and Sony/ATV Music Publishing
| Avicii | 3.8 | 4:05 |
| 10 | Roads | Vargas & Lagola | | 3:55 |
| 11 | Renegades | X Ambassadors | 3.85 | 3:15 |
| 12 | Ho Hey | The Lumineers | 4.3 | 2:41 |
| 13 | What Lovers Do- programming:
- Ben Billions, Jason Evigan and Gian Stone
- assistant engineer:
- John Armstrong and Eric Eylands
- engineer:
- John Hanes , Noah “Mailbox” Passovoy and Gian Stone
- additional producer:
- Sam Farrar and Noah “Mailbox” Passovoy
- co-producer:
- Ben Billions
- producer:
- Jason Evigan, Jason Evigan (task: vocals), Noah “Mailbox” Passovoy (task: vocals) and Gian Stone (task: vocals)
- mixer:
- Serban Ghenea
- editor:
- Sam Farrar and Noah “Mailbox” Passovoy
- additional percussion:
- Sam Farrar and Noah “Mailbox” Passovoy
- bass:
- Sam Farrar and Mickey Madden
- drums (drum set) [drums] and percussion:
- Matt Flynn
- guitar [guitars]:
- Jesse Carmichael and James Valentine
- keyboard [keys]:
- Ben Billions, PJ Morton and Noah “Mailbox” Passovoy
- additional vocals:
- Sam Farrar, Noah “Mailbox” Passovoy and Starrah
- vocals:
- Adam Levine and SZA
- phonographic copyright (℗) by:
- Interscope Records (222 Records) (in 2017)
- recorded at:
- Chumba Meadows in Tarzana, Los Angeles, California, United States, Conway Recording Studios in Hollywood, Los Angeles, California, United States and Westlake Recording Studios in West Hollywood, California, United States
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- part of:
- Billboard Year-End Hot 100 singles of 2018 (number: 89) and Billboard Year-End Hot 100 singles of 2017 (number: 97)
- recording of:
- What Lovers Do
- writer:
- Benjamin Diehl, Elina Stridh , Jason Evigan, Adam Levine , Oladayo Olatunji, Victor Rådström, Solána Rowe and Starrah
- publisher:
- Bad Robot Music, Billions Enterprises, BMG Platinum Songs, People Over Planes, Songs of Influence, Songs of Universal, Inc. , Sudgee 2 Music, TDE Publishing LLC, These Are Songs of Pulse , Universal Music Corp. , Warner Bros. Music Ltd. , Warner–Tamerlane Publishing Corp. and Warner/Chappell Music Ltd.
- quotes music from:
- Sexual
| Maroon 5 feat. SZA | 3 | 3:15 |
| 14 | Bad Liar | Imagine Dragons | 3.65 | 4:23 |
| 15 | Hollywood Hills | Sunrise Avenue | 2 | 3:30 |
| 16 | Treading Water | Chris Kläfford | | 2:59 |
| 17 | Easy | Commodores | 3.75 | 4:17 |
| 18 | Soak Up the Sun- assistant recording engineer:
- Eric Tew
- recording engineer:
- Trina Shoemaker
- drum machine [drum] programming:
- Jeff Anthony and Jeff Trott
- producer:
- Sheryl Crow and Jeff Trott
- assistant mixer:
- Steve Sisco
- mixer:
- Andy Wallace
- acoustic guitar:
- Sheryl Crow and Jeff Trott
- bass guitar [bass], electric guitar and lap steel guitar [lap steel]:
- Jeff Trott
- drums (drum set):
- Jeff Anthony
- keyboard [F/X keyboard]:
- Sheryl Crow
- background vocals [backing vocals]:
- Tim Smith
- guest vocals:
- Liz Phair
- vocals:
- Sheryl Crow
- mixed at:
- Soundtrack Studios in New York, New York, United States
- part of:
- Billboard Year-End Hot 100 2002 (number: 35)
- recording of:
- Soak Up the Sun
- writer:
- Sheryl Crow and Jeff Trott
- publisher:
- Ole Media Management LP II (ended), Anthem Entertainment A , Anthem Music Publishing II, Reservoir One America, Old Crow Music (from 2002 to ????), Warner–Tamerlane Publishing Corp. (from 2002 to ????), Wixen Music Publishing, Inc. (from 2002 to ????) and Cyrillic Soup (from 2002 to present)
| Sheryl Crow | 4 | 4:52 |
| 19 | One Headlight | The Wallflowers | 4.35 | 5:13 |
| 20 | Mr. Jones- recorded in:
- Los Angeles, California, United States
- recording engineer:
- Pat McCarthy
- additional engineer:
- Robert Hart , Steve Holroyd and Howard Willing
- assistant engineer:
- Mark Guilbeault and Brant Scott
- executive producer:
- Gary Gersh
- producer:
- T‐Bone Burnett
- mixer:
- Scott Litt and Pat McCarthy
- accordion, chamberlin and Hammond organ:
- Charlie Gillingham
- additional drums (drum set) and additional percussion:
- Denny Fongheiser
- additional guitar:
- T‐Bone Burnett , Bill Dillon and David Immerglück
- additional guitorgan:
- Bill Dillon
- additional mandocello, additional mandolin, additional pedal steel guitar and additional vocals:
- David Immerglück
- bass guitar:
- Matt Malley
- guitar:
- David Bryson and Matt Malley
- harmonica and lead vocals:
- Adam Duritz
- piano:
- Adam Duritz and Charlie Gillingham
- additional background vocals:
- Gary Louris, Maria McKee and Mark Olson
- vocals:
- Steve Bowman, David Bryson, Charlie Gillingham and Matt Malley
- additionally recorded at:
- Conway Recording Studios in Hollywood, Los Angeles, California, United States, Kiva West Recording Studios in Los Angeles, California, United States, Sunset Sound in Hollywood, Los Angeles, California, United States and The Village Recorders in Los Angeles, California, United States
- mixed at:
- Ocean Way Recording in Hollywood, Los Angeles, California, United States
- music videos:
- Mr. Jones by Counting Crows
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 474)
- recording of:
- Mr. Jones
- lyricist:
- Adam Duritz
- composer:
- David Bryson and Adam Duritz
| Counting Crows | 4.15 | 4:31 |
| 21 | Take Me to Church (EP version) | Hozier | 4.4 | 4:03 |
| 22 | Every Breath You Take (remastered 2003)- engineer:
- Hugh Padgham
- producer:
- Hugh Padgham and The Police
- drums (drum set):
- Stewart Copeland (in 1983)
- electric bass guitar and lead vocals:
- Sting (in 1983)
- electric guitar:
- Andy Summers (in 1983)
- phonographic copyright (℗) by:
- A&M Records, Ltd. (in 1981, in 2003), A&M Records (in 1983, in 2016), A&M Records Limited (in 1983), Polydor Records (in 1983) and A&M Records, Inc. (in 1997)
- recorded at:
- AIR Studios in Hampstead, Camden , London , England, United Kingdom (in 1983) and Le Studio in Morin‐Heights, Québec , Canada (in 1983)
- music videos:
- Every Breath You Take by The Police
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 35), VH1: 100 Greatest Songs of the 80’s (number: 46), Rolling Stone: 500 Greatest Songs of All Time (number: 84), Billboard: The 500 Best Pop Songs (number: 287) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 305)
- recording of:
- Every Breath You Take (in 1983)
- lyricist and composer:
- Sting
- publisher:
- EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd , GM Sumner, Magnetic Publishing Ltd., Songs of Universal, Inc. and Virgin Music (Publishers) Ltd.
- sub-publisher:
- Universal Music Publishing France , シンコーミュージック・エンタテイメント , ユニバーサル・ミュージック・パブリッシング Synch事業部 , EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| The Police | 4.1 | 4:14 |
| 23 | Counting Stars- assistant recording engineer:
- Matthew Tryba
- recording engineer:
- Smith Carlson
- producer:
- Ryan Tedder and Noel Zancanella
- assistant mixer:
- Ryan Lipman
- mixer:
- Joe Zook
- bass:
- Brent Kutzle
- drums (drum set):
- Eddie Fisher
- guitar:
- Drew Brown and Zachary Filkins
- harp:
- HarpEri
- keyboard and lead vocals:
- Ryan Tedder
- background vocals:
- Bobbie Gordon, Brent Kutzle, David McGlohon and Zach Filkins
- additionally recorded at:
- Patriot Studios in Denver, Colorado, United States
- recorded at:
- Black Rock Studios in Santorini, Notio Aigaio , Greece and RAK Studios in London , England, United Kingdom
- part of:
- Billboard Year-End Hot 100 singles of 2014 (number: 5), Billboard Decade End Chart: Adult Contemporary Songs (number: 35) and Billboard Year-End Hot 100 singles of 2013 (number: 63)
- recording of:
- Counting Stars
- lyricist and composer:
- Ryan Tedder
- publisher:
- Midnite Miracle Music, Sony/ATV Music LLC, Sony/ATV Pop Music Publishing and ソニー・ミュージックパブリッシング A事業部
| OneRepublic | 4.25 | 4:20 |
| 24 | Sanctuary | Welshly Arms | 5 | 3:48 |
| 25 | Don’t Gimme That | The BossHoss & The Tijuana Wonderbrass | 4 | 3:30 |
| 26 | Summertime Blues- drums (drum set):
- Earl Palmer (on 1958-03-28)
- electric bass guitar:
- Connie “Guybo” Smith (on 1958-03-28)
- guitar:
- Eddie Cochran (on 1958-03-28)
- vocals:
- Eddie Cochran (on 1958-03-28)
- phonographic copyright (℗) by:
- Capitol Records, LLC (in 1958)
- recorded at:
- Goldstar Studio in Hollywood, Los Angeles, California, United States (on 1958-03-28)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1958 (number: 11), Rolling Stone: 500 Greatest Songs of All Time (number: 73) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 432)
- recording of:
- Summertime Blues (in 1958-05)
- writer:
- Jerry Capehart and Eddie Cochran
- publisher:
- American Music , Cinephonic Music Co., Ltd., Edition Wilhelm Hansen, Elvis Presley Music, Gallo Music Publishers, Gladys Music, Hill and Range Songs, Inc. , Rightsong Music, Viva Music, Inc, Warner Bros. Music and Warner–Tamerlane Publishing Corp.
| Eddie Cochran | 3.75 | 1:59 |
| 27 | (We’re Gonna) Rock Around the Clock (single version) | Bill Haley and His Comets | 4.35 | 2:13 |
| 28 | Did I Tell You | Jerry Williams | | 4:15 |
| 29 | Sweet Home Alabama- miscellaneous support:
- Ronnie Van Zant
- engineer and producer:
- Al Kooper
- drums (drum set):
- Bob Burns (in 1973-07)
- electric bass guitar:
- Leon Wilkeson (in 1973-07)
- electric guitar:
- Allen Collins (in 1973-07), Ed King (in 1973-07) and Gary Rossington (in 1973-07)
- keyboard:
- Billy Powell (in 1973-07)
- background vocals:
- Merry Clayton (in 1973-07) and Clydie King (in 1973-07)
- lead vocals:
- Ronnie Van Zant (in 1973-07)
- phonographic copyright (℗) by:
- Geffen Records (in 1974), MCA Records (in 1974), MCA Records Ltd. (in 1974), MCA Records, Inc. (in 1974), UMG Recordings, Inc. (in 1974, in 2020) and Universal Music (in 1974)
- produced for:
- Sounds of the South Productions
- recorded at:
- Studio One in Doraville, Georgia, United States (in 1973-07)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (number: 398)
- recording of:
- Sweet Home Alabama (in 1973-07)
- miscellaneous support:
- Ronnie Van Zant
- writer:
- Ed King , Gary Rossington and Ronnie Van Zant
- publisher:
- Hustler Inc., Leeds Music Corp., MCA Music Ltd., Universal Music Publishing Ltd. , Universal/MCA Music Ltd. , Universal/MCA Music Publishing GmbH and Universal/MCA Music Publishing Pty Ltd
| Lynyrd Skynyrd | 4.15 | 4:44 |
| 30 | American Pie (full length version)- engineer:
- Tom Flye
- producer:
- Ed Freeman
- electric guitar:
- David Spinozza (from 1971-05 until 1971-06)
- piano:
- Paul Griffin (from 1971-05 until 1971-06)
- vocals:
- Don McLean (from 1971-05 until 1971-06)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1971, in 2000)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (from 1971-05 until 1971-06)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (number: 131)
- recording of:
- American Pie (from 1971-05 until 1971-06)
- lyricist and composer:
- Don McLean
- publisher:
- Benny Bird Co. Inc. , Illegal Songs Inc., Mayday Music, MCA Music , MCA Music Publishing , MCA Publishing Ltd., Songs of Universal, Inc. , Universal , Universal Music Publishing Ltd. , Universal Records , Universal/MCA Music Publishing Pty Ltd and Yahweh Tunes, Inc.
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Don McLean | 4.3 | 8:33 |
| 31 | Proud Mary | Creedence Clearwater Revival | 4.3 | 3:05 |
| 32 | Geronimo | Sheppard | 3.8 | 3:38 |
| 33 | Oh boy | Peps Persson | | 4:02 |
| 34 | Santeria | Sublime | 5 | 3:05 |
| 35 | Red Red Wine | UB40 | 4 | 5:21 |
| 36 | Mustang Sally (from “The Commitments” soundtrack) | The Commitments & Andrew Strong | 4.5 | 3:59 |
| 37 | Heaven’s on Fire | KISS | 4.5 | 3:21 |
| 38 | Livin’ On a Prayer- assistant engineer:
- Tim Crich
- engineer and mixer:
- Bob Rock
- producer:
- Bruce Fairbairn
- acoustic guitar, electric guitar, guitar synthesizer [IVL Guitar Synths] and talkbox:
- Richie Sambora
- drums (drum set) and percussion:
- Tico Torres
- electric bass guitar [Bass]:
- Alec John Such
- keyboard [Keyboards, Noises]:
- Dave Bryan
- background vocals [Backing Vocals]:
- Jon Bon Jovi, Dave Bryan , Richie Sambora and Alec John Such
- lead vocals:
- Jon Bon Jovi
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1986), The Island Def Jam Music Group (in 2011) and UMG Recordings, Inc. (in 2020)
- recorded at:
- Little Mountain Sound in Vancouver, British Columbia, Canada
- music videos:
- Livin’ on a Prayer by Bon Jovi
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 1), Billboard: The 500 Best Pop Songs (number: 146), BILLIONS CLUB and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 457)
- recording of:
- Livin’ on a Prayer
- writer:
- Jon Bon Jovi, Desmond Child and Richie Sambora
- publisher:
- Aggressive Music, Aggressive Music (A), EMI Music Publishing Ltd. , PolyGram Music Publishing Ltd., SBK Songs Ltd., Sony/ATV Tunes LLC , Universal Music Group International , Universal Music Works , Universal PolyGram International Publishing, Inc. , April Music Inc. (in 1986), Bon Jovi Publishing (in 1986), Desmobile Inc. (in 1986) and PolyGram International Publishing, Inc. (in 1986)
- sub-publisher:
- シンコーミュージック・エンタテイメント , ソニー・ミュージックパブリッシング A事業部 and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Bon Jovi | 4.1 | 4:09 |
| 39 | Run to You- assistant engineer:
- Mike Fraser , Bruce Lampcov and Michael Sauvage
- engineer:
- Bob Clearmountain (from 1984-03-27 until 1984-09-21)
- associate producer:
- Jim Vallance
- producer:
- Bryan Adams and Bob Clearmountain
- mixer:
- Bob Clearmountain (on 1984-09-21)
- drums (drum set) [drums]:
- Mickey (from 1984-03-27 until 1984-09-21)
- electric bass guitar [bass]:
- Dave (from 1984-03-27 until 1984-09-21)
- guitar [rhythm and lead guitars]:
- Keith (from 1984-03-27 until 1984-09-21)
- guitar [rhythm guitar] and lead vocals:
- BA (from 1984-03-27 until 1984-09-21)
- keyboard [keyboards]:
- Tommy (from 1984-03-27 until 1984-09-21)
- percussion:
- Jim (from 1984-03-27 until 1984-09-21)
- phonographic copyright (℗) by:
- A&M Records (in 1984), A&M Records, Inc. (in 1984, in 1999), UMG Recordings, Inc. (in 1984) and Badman Ltd. (in 1999)
- recorded at:
- Little Mountain Sound in Vancouver, British Columbia, Canada (from 1984-03-27 until 1984-09-21)
- mixed at:
- Power Station in Hell's Kitchen, New York, New York, United States (on 1984-09-21)
- part of:
- The Downloader’s Music Source Book (number: 175)
- recording of:
- Run to You (from 1984-03-27 until 1984-09-21)
- written in:
- Vancouver, British Columbia, Canada (from 1983-01-12 until 1983-01-14)
- writer:
- Bryan Adams (from 1983-01-12 until 1983-01-14) and Jim Vallance (from 1983-01-12 until 1983-01-14)
- publisher:
- Adams Communications Inc. (, in 1984), Almo Music Corp. , Irving Music, Inc., Rondor Music (London) Ltd. (, in 1984), Rondor Music Publishing GmbH, Testatyme Music and Calypso Toonz (in 1984)
| Bryan Adams | 3.9 | 3:52 |
| 40 | Free Fallin’- engineer:
- Bill Bottrell, Mike Campbell and Don Smith
- producer:
- Mike Campbell , Jeff Lynne and Tom Petty
- 12 string guitar, acoustic guitar, electric guitar, tambourine and lead vocals:
- Tom Petty (from 1988 until 1989)
- bass, guitar and keyboard:
- Jeff Lynne (from 1988 until 1989)
- drums (drum set) and percussion:
- Phil Jones (from 1988 until 1989)
- guitar and keyboard:
- Mike Campbell (from 1988 until 1989) and Tom Petty (from 1988 until 1989)
- mandolin and slide guitar:
- Mike Campbell (from 1988 until 1989)
- background vocals:
- Jeff Lynne (from 1988 until 1989) and Tom Petty (from 1988 until 1989)
- phonographic copyright (℗) by:
- MCA Records, Inc. (in 1989)
- recorded at:
- M.C. Studios in Los Angeles, California, United States (from 1988 until 1989) and Rumbo Recorders in Canoga Park, Los Angeles, California, United States (from 1988 until 1989)
- part of:
- NME: 50 Greatest Guitar Riffs of All Time (number: 27), Billboard: The 500 Best Pop Songs (number: 120), Rolling Stone: 500 Greatest Songs of All Time (number: 177) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 219)
- recording of:
- Free Fallin’ (from 1988 until 1989)
- writer:
- Jeff Lynne and Tom Petty
- publisher:
- EMI April Music Inc. and Gone Gator Music
| Tom Petty | 4.05 | 4:16 |
| 41 | Layla (40th anniversary version / 2010 remastered) | Derek & the Dominos | 4.45 | 7:09 |
| 42 | Real Wild Child (Wild One)- drum machine [Linn drum] programming:
- David Richards (from 1986-04 until 1986-05)
- engineer:
- David Richards
- producer and mixer:
- David Bowie and David Richards
- bass, drums (drum set), organ, sampler [Akai S900], synthesizer [Yamaha DX7] and violin:
- Erdal Kızılçay (from 1986-04 until 1986-05)
- guitar:
- Kevin Armstrong (from 1986-04 until 1986-05) and Steve Jones (from 1986-04 until 1986-05)
- background vocals:
- Kevin Armstrong (from 1986-04 until 1986-05), David Bowie (from 1986-04 until 1986-05) and Erdal Kızılçay (from 1986-04 until 1986-05)
- lead vocals:
- Iggy Pop (from 1986-04 until 1986-05)
- phonographic copyright (℗) by:
- A&M Records (in 1986)
- recorded at:
- Mountain Recording Studios in Montreux, Vaud , Switzerland (from 1986-04 until 1986-05)
- cover recording of:
- Wild One (from 1986-04 until 1986-05)
- writer:
- Johnny Greenan, Johnny O’Keefe and Dave Owens
- publisher:
- Melodie der Welt , MPL Communications Inc. , Peermusic (Germany) GmbH, Peermusic (UK) Limited and Southern Music
| Iggy Pop | 3.85 | 3:40 |
| 43 | Hit Me With Your Best Shot | Pat Benatar | 4.15 | 2:51 |
| 44 | Since You Been Gone | Rainbow | | 4:12 |
| 45 | The Boys Are Back in Town | Thin Lizzy | 4.35 | 4:23 |
| 46 | Reelin’ In the Years- assistant engineer:
- Tim Weston (in 1972-08)
- engineer:
- Roger Nichols (in 1972-08)
- producer:
- Gary Katz (in 1972-08)
- drums (drum set):
- Jim Hodder (in 1972-08)
- electric bass guitar:
- Walter Becker (in 1972-08)
- electric guitar:
- Jeff “Skunk” Baxter (in 1972-08) and Denny Dias (in 1972-08)
- piano and lead vocals:
- Donald Fagen (in 1972-08)
- solo electric guitar:
- Elliott Randall (in 1972-08)
- background vocals:
- Donald Fagen (in 1972-08) and David Palmer (in 1972-08)
- phonographic copyright (℗) by:
- ABC Records, Inc (in 1972), ABC/Dunhill Records (in 1972), MCA Records, Inc. (in 1972) and UMG Recordings, Inc. (in 1972)
- engineered at:
- The Village Recorder in Los Angeles, California, United States (in 1972-08)
- recording of:
- Reelin’ In the Years (in 1972-08)
- writer:
- Walter Becker and Donald Fagen
- publisher:
- Ampar Music Corp., Anchor Music Ltd., MCA Music , MCA Music Ltd., Minder Music Ltd., Red Giant Music, Inc., Universal/MCA Music Ltd. and Wingate Music Corp.
| Steely Dan | 4.65 | 4:35 |
| 47 | Rockin’ All Over the World- assistant engineer:
- Kevin Whyte
- engineer:
- John Eden , Barry Hammond and Simon Sullivan
- producer:
- Status Quo and Pip Williams
- phonographic copyright (℗) by:
- Mercury Records Ltd. (in 1977), Mercury Records Ltd. (London) (in 1977), Mercury Records Ltd. (UK) (in 1977), Phonogram Ltd. (in 1977), Phonogram Ltd. (London) (in 1977, in 1988) and Polydor Ltd. (UK) (in 1992)
- recorded at:
- Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom (on 1992-08-30), Studio Bohus in Kungälv Municipality , Västra Götaland , Sweden (on 1992-08-30) and Sutton Park in Birmingham, West Midlands, England, United Kingdom (on 1992-08-30)
- mixed at:
- Mayfair Studios in London , England, United Kingdom
- music videos:
- Rockin All Over the World by Status Quo
- cover recording of:
- Rockin’ All Over the World (on 1992-08-30)
- lyricist and composer:
- John Fogerty
- publisher:
- Copyright Control , Greasy King Music, Hornall Brothers Music , Intersong , Intersong Music Ltd., Rondor Musikverlag GmbH, Universal Music Publishing AB , Universal/MCA Music Publishing Pty Ltd, Warner Bros. Music Ltd. , Wenaha Music, Wenaha Music Company and Intersong Ltd. (in 1977)
| Status Quo | 4 | 3:37 |
| 48 | The Joker- producer:
- Steve Miller
- acoustic guitar, slide guitar and lead vocals [vocals]:
- Steve Miller
- bass:
- Gerald Johnson
- drums (drum set):
- John King
- phonographic copyright (℗) by:
- Capitol Records (in 1973), Capitol Records, LLC (in 1973) and Capitol Records, Inc. (in 2003)
- recording of:
- The Joker
- writer:
- Eddie Curtis , Ahmet Ertegun and Steve Miller
- publisher:
- Cotillion Music Inc. , Jim Rooster Music, Sailor Music, Unichappell Music, Inc., Universal Music Publishing Pty Ltd. and Warner Chappell Music, Inc.
| Steve Miller Band | 4.05 | 4:26 |
| 49 | (I Can’t Get No) Satisfaction (mono version)- engineer:
- David Hassinger
- producer:
- Andrew Loog Oldham
- additional guitar:
- Brian Jones (from 1965-05-11 until 1965-05-12)
- drums (drum set):
- Charlie Watts (from 1965-05-11 until 1965-05-12)
- electric bass guitar:
- Bill Wyman (from 1965-05-11 until 1965-05-12)
- guitar and background vocals:
- Keith Richards (from 1965-05-11 until 1965-05-12)
- tambourine:
- Jack Nitzsche (from 1965-05-11 until 1965-05-12)
- lead vocals:
- Mick Jagger (from 1965-05-11 until 1965-05-12)
- arranger:
- The Rolling Stones
- phonographic copyright (℗) by:
- ABKCO Music & Records, Inc. (in 1965)
- recorded at:
- RCA Studios in Hollywood, Los Angeles, California, United States (from 1965-05-11 until 1965-05-12)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 2), SWR1 Hitparade 2003 (number: 4), SWR1 Hitparade 2006 (number: 4), SWR1 Hitparade 2004 der Männer (number: 9), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 31), NME: 50 Greatest Guitar Riffs of All Time (number: 33) and Billboard: The 500 Best Pop Songs (number: 119)
- recording of:
- (I Can’t Get No) Satisfaction (from 1965-05-11 until 1965-05-12)
- writer:
- Mick Jagger and Keith Richards
- publisher:
- ABKCO Music, Inc. , BMG VM Music Ltd. and Essex Music International
| The Rolling Stones | 4.05 | 3:43 |
| 50 | Tutti Frutti | Little Richard | | 2:27 |
| 51 | Johnny B. Goode- producer:
- Leonard & Phil Chess
- double bass:
- Willie Dixon (on 1958-01-06)
- drums (drum set):
- Jasper Thomas (on 1958-01-06)
- guitar and lead vocals:
- Chuck Berry (on 1958-01-06)
- piano:
- Johnnie Johnson (on 1958-01-06)
- recorded at:
- Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-01-06)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1958 (number: 1), NME: 50 Greatest Guitar Riffs of All Time (number: 3), Rolling Stone: 500 Greatest Songs of All Time (number: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 33), Helsingin Sanomat: 100 maailman parasta laulua (number: 53) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- recording of:
- Johnny B. Goode (on 1958-01-06)
- lyricist and composer:
- Chuck Berry (in 1955)
- publisher:
- Arc Music , Arc Music Corp. , Isalee Music, Jewel Music Publishing Co. Ltd. and ロックンロール ミュージック
- part of:
- Back to the Future: the Musical
| Chuck Berry | 4.2 | 2:39 |
| 52 | Great Balls of Fire (1964 version) | Jerry Lee Lewis | | 1:48 |
| 53 | Be‐Bop‐a‐Lula | Gene Vincent & His Blue Caps | 4.35 | 2:38 |
| 54 | Wouldn’t It Be Nice (stereo mix)- engineer:
- Larry Levine (on 1966-01-22) and Ralph Valentin (from 1966-03 until 1966-04)
- producer:
- Mark Linett and Brian Wilson
- mixer:
- Mark Linett (in 1996)
- accordion:
- Carl Fortina (on 1966-01-22) and Frank Marocco (on 1966-01-22)
- baritone saxophone:
- Jay Migliori (on 1966-01-22)
- bell, percussion and timpani:
- Frank Capp (on 1966-01-22)
- double bass:
- Lyle Ritz (on 1966-01-22)
- drums (drum set):
- Hal Blaine (on 1966-01-22)
- electric bass guitar:
- Carol Kaye (on 1966-01-22)
- electric bass guitar [Dano Bass]:
- Ray Pohlman (on 1966-01-22)
- guitar:
- Jerry Cole (on 1966-01-22), Barney Kessel (on 1966-01-22) and Bill Pitman (on 1966-01-22)
- piano:
- Al De Lory (on 1966-01-22)
- tack piano:
- Larry Knechtel (on 1966-01-22)
- tenor saxophone:
- Steve Douglas (on 1966-01-22) and Plas Johnson (on 1966-01-22)
- trumpet:
- Roy Caton (on 1966-01-22)
- lead vocals:
- Brian Wilson (from 1966-03 until 1966-04)
- arranger:
- Brian Wilson
- recorded at:
- Gold Star Studios in Hollywood, Los Angeles, California, United States (on 1966-01-22) and Columbia Studios in Hollywood, Los Angeles, California, United States (from 1966-03 until 1966-04)
- mixed at:
- Your Place or Mine Recording in Glendale, California, United States (in 1996)
- remix of:
- Wouldn’t It Be Nice by The Beach Boys
- recording of:
- Wouldn’t It Be Nice (from 1966-01-22 until 1966-04)
- lyricist:
- Tony Asher , Mike Love and Brian Wilson
- composer:
- Brian Wilson
- publisher:
- Almo Music Corp. , Irving Music , ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
| The Beach Boys | 4.75 | 2:32 |
| 55 | California Dreamin’ (single version)- engineer:
- Bones Howe
- producer:
- Lou Adler
- guitar:
- P.F. Sloan (in 1965)
- solo alto flute:
- Bud Shank (in 1965)
- phonographic copyright (℗) by:
- Geffen Records and Dunhill Records (in 1966)
- recorded at:
- Western Recorders in Los Angeles, California, United States (in 1965)
- part of:
- Billboard: The 500 Best Pop Songs (number: 52), Rolling Stone: 500 Greatest Songs of All Time (number: 89) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 420)
- recording of:
- California Dreamin’ (in 1965)
- writer:
- John Phillips and Michelle Phillips
- publisher:
- American Broadcasting Music, Inc., MCA Music Publishing , Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. and Universal/MCA Music Publishing GmbH
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| The Mamas & the Papas | 4.45 | 2:42 |
| 56 | Margaritaville | Jimmy Buffett | 4.65 | 4:12 |
| 57 | Higher Love (single version) | Steve Winwood | | 5:30 |
| 58 | Sunshine of Your Love- recording engineer:
- Tom Dowd (from 1967-04 until 1967-05)
- producer:
- Felix Pappalardi
- bass:
- Jack Bruce (from 1967-04 until 1967-05)
- drums (drum set):
- Ginger Baker (from 1967-04 until 1967-05)
- guitar:
- Eric Clapton (from 1967-04 until 1967-05)
- vocals:
- Jack Bruce (from 1967-04 until 1967-05) and Eric Clapton (from 1967-04 until 1967-05)
- phonographic copyright (℗) by:
- Robert Stigwood Group Ltd. (in 1967), Robert Stigwood Organisation Ltd. (in 1967, in 1969) and Universal International Music B.V. (in 1967)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (from 1967-04 until 1967-05)
- part of:
- NME: 50 Greatest Guitar Riffs of All Time (number: 11), VH1: 100 Greatest Hard Rock Songs (number: 44), Rolling Stone: 500 Greatest Songs of All Time (number: 65) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- recording of:
- Sunshine of Your Love (from 1967-04 until 1967-05)
- writer:
- Pete Brown , Jack Bruce and Eric Clapton
- publisher:
- Casserole Music Corp., Dratleaf Music Ltd., E.C. Music , Nemperor Music, Unichappell Music, Inc., Warner Chappell Music Ltd. and Warner Chappell Music, Inc.
| Cream | 4.35 | 4:10 |
| 59 | The Weight (remastered) | The Band | 4.1 | 4:34 |
| 60 | Hold on Loosely- engineer:
- “Lightnin’ Rod” Mills and Gregory M. Quesnel
- associate producer:
- Don Barnes and Jeff Carlisi
- producer:
- Rodney Mills
- bass guitar:
- Larry Junstrom
- drums (drum set):
- Jack Grondin and Steve Brookins
- guitar:
- Don Barnes and Jeff Carlisi
- background vocals:
- Don Barnes and Carol Veto
- lead vocals:
- Don Barnes and Donnie Van Zant
- phonographic copyright (℗) by:
- A&M Records (in 1980), A&M Records, Inc. (in 1980), UMG Recordings, Inc. (in 1981, in 1987), Universal Music Enterprises (in 2001) and Interscope Geffen (A&M) Records (in 2003)
- recorded at and mixed at:
- Studio One in Doraville, Georgia, United States
- recording of:
- Hold On Loosely
- writer:
- Jeff Carlisi, James Peterik and Richard Donald Barnes
- publisher:
- Easy Action Music, Rocknocker Music Co., Universal Music–MGB Songs and WB Music Corp.
| 38 Special | 3.8 | 4:39 |
| 61 | All Right Now- engineer:
- Roy Thomas Baker
- additional producer:
- John Kelly
- producer:
- Free
- bass:
- Andy Fraser (in 1970)
- drums (drum set):
- Simon Kirke (in 1970)
- electric bass guitar and piano:
- Andy Fraser
- guitar:
- Paul Kossoff (in 1970)
- lead vocals:
- Paul Rodgers (in 1970)
- vocals:
- Paul Rodgers
- phonographic copyright (℗) by:
- Free (in 1970)
- phonographic copyright (℗) by:
- Island Records (in 1970) and Island Records Ltd. (in 1970)
- recorded at:
- Island Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom (in 1970) and Trident Studios in Soho, Westminster, London , England, United Kingdom (in 1970)
- music videos:
- All Right Now by Free
- part of:
- Billboard Year-End Hot 100 singles of 1970 (number: 27)
- recording of:
- All Right Now (in 1970)
- writer:
- Andy Fraser and Paul Rodgers
- publisher:
- Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control , Irving Music, Inc., Kobalt Music Publishing Ltd. , Polygram Music and Universal Music Publishing
| Free | 4.15 | 5:33 |
| 62 | Wild World | Yusuf / Cat Stevens | 3.9 | 3:18 |
| 63 | The Passenger | Iggy Pop | 4.6 | 4:41 |
| 64 | Bang a Gong (Get It On) (remastered version)- engineer:
- Roy Thomas Baker , Malcolm Cecil, Rik Pekkonen and Martin Rushent
- producer:
- Tony Visconti
- drums (drum set):
- Bill Legend (from 1971-03 until 1971-06)
- electric bass guitar:
- Steve Currie (from 1971-03 until 1971-06)
- electric guitar and lead vocals:
- Marc Bolan (from 1971-03 until 1971-06)
- keyboard:
- Rick Wakeman (from 1971-03 until 1971-06)
- percussion:
- Mickey Finn (from 1971-03 until 1971-06)
- background vocals:
- Howard Kaylan (from 1971-03 until 1971-06) and Mark Volman (from 1971-03 until 1971-06)
- phonographic copyright (℗) by:
- Essex Music International Ltd. (in 1971), Straight Ahead Productions Ltd. (in 1971, in 2001) and Tarantula Productions (in 1971)
- part of:
- Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 22), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and NME: 50 Greatest Guitar Riffs of All Time (number: 41)
- recording of:
- Get It On (from 1971-03 until 1971-06)
- lyricist and composer:
- Marc Bolan
- publisher:
- Essex Music International, Essex Music International, Inc., Essex Musikförlaget, Essex Musikvertrieb GmbH, The Richmond Organization, TRO Essex Music International, Inc. and Westminster Music Ltd.
| T. Rex | 4.65 | 4:26 |
| 65 | Believer- engineer and producer:
- Mattman & Robin
- mixer:
- John Hanes
- phonographic copyright (℗) by:
- Interscope Records (in 2017) and KIDinaKORNER (in 2017)
- a cappella versions:
- Believer (Live at Dolby Studios) by Tufts Beelzebubs
- part of:
- Billboard Year-End Hot 100 singles of 2017 (number: 9), Billboard Year-End Hot 100 singles of 2018 (number: 100) and Indie 88: Top 500 Indie Rock Songs (number: 401)
- recording of:
- Believer
- writer:
- Robin Fredriksson , Justin Drew Tranter , Mattias Larsson , Ben McKee , Daniel Platzman, Dan Reynolds and Wayne Sermon
- publisher:
- Imagine Dragons Publishing, Justin’s School for Girls, KIDinaKORNER, Ma-Jay Publishing, Neue Welt Musikverlag GmbH & Co. KG , Universal MCA Music Publishing , Warner Bros., Inc. , Warner Chappell Music Scandinavia, Warner–Tamerlane Music Corp. and Wolf Cousins
| Imagine Dragons | 3.45 | 3:26 |
| 66 | Mr. Brightside | The Killers | 4.3 | 3:43 |
| 67 | Naive | The Kooks | 3.55 | 3:23 |
| 68 | Come On Eileen (single edit) | Dexys Midnight Runners | 4.15 | 4:07 |
| 69 | Everybody Wants to Rule the World | Tears for Fears | 3.9 | 4:08 |
| 70 | Don’t You (Forget About Me) (12″ version) | Simple Minds | 1.5 | 6:28 |
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