Here Comes Frank Foster / George Wallington: Showcase

~ Release by Frank Foster (see all versions of this release, 2 available)

Tracklist

1▼Vinyl
#TitleRatingLength
1Little Red
recording engineer:
Rudy van Gelder (on 1954-05-05)
producer:
Alfred Lion
bass:
Percy Heath (on 1954-05-05)
drums (drum set):
Kenny Clarke (on 1954-05-05)
piano:
Gildo Mahones (on 1954-05-05)
tenor saxophone:
Frank Foster (saxophonist) (on 1954-05-05)
trombone:
Benny Powell (on 1954-05-05)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1954-05-05)
3:55
2How I Spent the Night
recording engineer:
Rudy van Gelder (on 1954-05-05)
producer:
Alfred Lion
bass:
Percy Heath (on 1954-05-05)
drums (drum set):
Kenny Clarke (on 1954-05-05)
piano:
Gildo Mahones (on 1954-05-05)
tenor saxophone:
Frank Foster (saxophonist) (on 1954-05-05)
trombone:
Benny Powell (on 1954-05-05)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1954-05-05)
5:02
3Blues for Benny
recording engineer:
Rudy van Gelder (on 1954-05-05)
producer:
Alfred Lion
bass:
Percy Heath (on 1954-05-05)
drums (drum set):
Kenny Clarke (on 1954-05-05)
piano:
Gildo Mahones (on 1954-05-05)
tenor saxophone:
Frank Foster (saxophonist) (on 1954-05-05)
trombone:
Benny Powell (on 1954-05-05)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1954-05-05)
3:49
4Out of Nowhere
recording engineer:
Rudy van Gelder (on 1954-05-05)
producer:
Alfred Lion
bass:
Percy Heath (on 1954-05-05)
drums (drum set):
Kenny Clarke (on 1954-05-05)
piano:
Gildo Mahones (on 1954-05-05)
tenor saxophone:
Frank Foster (saxophonist) (on 1954-05-05)
trombone:
Benny Powell (on 1954-05-05)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1954-05-05)
3:37
5Gracias
recording engineer:
Rudy van Gelder (on 1954-05-05)
producer:
Alfred Lion
bass:
Percy Heath (on 1954-05-05)
drums (drum set):
Kenny Clarke (on 1954-05-05)
piano:
Gildo Mahones (on 1954-05-05)
tenor saxophone:
Frank Foster (saxophonist) (on 1954-05-05)
trombone:
Benny Powell (on 1954-05-05)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1954-05-05)
4:14
6The Heat's On
recording engineer:
Rudy van Gelder (on 1954-05-05)
producer:
Alfred Lion
bass:
Percy Heath (on 1954-05-05)
drums (drum set):
Kenny Clarke (on 1954-05-05)
piano:
Gildo Mahones (on 1954-05-05)
tenor saxophone:
Frank Foster (saxophonist) (on 1954-05-05)
trombone:
Benny Powell (on 1954-05-05)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1954-05-05)
3:48
7How I Spent the Night (alt. take)
recording engineer:
Rudy van Gelder (on 1954-05-05)
producer:
Alfred Lion
bass:
Percy Heath (on 1954-05-05)
drums (drum set):
Kenny Clarke (on 1954-05-05)
piano:
Gildo Mahones (on 1954-05-05)
tenor saxophone:
Frank Foster (saxophonist) (on 1954-05-05)
trombone:
Benny Powell (on 1954-05-05)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1954-05-05)
4:19
8Frankie and Johnnie
producer:
Alfred Lion
baritone saxophone:
Danny Bank (reeds) (on 1954-05-12)
bass:
Oscar Pettiford (on 1954-05-12)
drums (drum set):
Kenny Clarke (on 1954-05-12)
piano:
George Wallington (on 1954-05-12)
tenor saxophone:
Frank Foster (saxophonist) (on 1954-05-12)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1954-05-12)
trumpet:
Dave Burns (trumpet) (on 1954-05-12)
arranger:
Quincy Jones
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Audio-Video Studios (NYC) in New York, New York, United States (on 1954-05-12)
instrumental recording of:
Frankie and Johnny (traditional song, version of “Frankie and Albert”) (on 1954-05-12)
publisher:
Hughie Cannon (in 1904) and Carl Sandburg (in 1927)
lyricist, writer and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 254)
is based on:
You’re My Baby
4:08
9Baby Grand
producer:
Alfred Lion
baritone saxophone:
Danny Bank (reeds) (on 1954-05-12)
bass:
Oscar Pettiford (on 1954-05-12)
drums (drum set):
Kenny Clarke (on 1954-05-12)
piano:
George Wallington (on 1954-05-12)
tenor saxophone:
Frank Foster (saxophonist) (on 1954-05-12)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1954-05-12)
trumpet:
Dave Burns (trumpet) (on 1954-05-12)
arranger:
Quincy Jones
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Audio-Video Studios (NYC) in New York, New York, United States (on 1954-05-12)
4:03
10Christina
producer:
Alfred Lion
baritone saxophone:
Danny Bank (reeds) (on 1954-05-12)
bass:
Oscar Pettiford (on 1954-05-12)
drums (drum set):
Kenny Clarke (on 1954-05-12)
piano:
George Wallington (on 1954-05-12)
tenor saxophone:
Frank Foster (saxophonist) (on 1954-05-12)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1954-05-12)
trumpet:
Dave Burns (trumpet) (on 1954-05-12)
arranger:
Quincy Jones
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Audio-Video Studios (NYC) in New York, New York, United States (on 1954-05-12)
3:39
11Summertime
producer:
Alfred Lion
baritone saxophone:
Danny Bank (reeds) (on 1954-05-12)
bass:
Oscar Pettiford (on 1954-05-12)
drums (drum set):
Kenny Clarke (on 1954-05-12)
piano:
George Wallington (on 1954-05-12)
tenor saxophone:
Frank Foster (saxophonist) (on 1954-05-12)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1954-05-12)
trumpet:
Dave Burns (trumpet) (on 1954-05-12)
arranger:
Quincy Jones
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Audio-Video Studios (NYC) in New York, New York, United States (on 1954-05-12)
instrumental recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1954-05-12)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
3:55
12Festival
producer:
Alfred Lion
baritone saxophone:
Danny Bank (reeds) (on 1954-05-12)
bass:
Oscar Pettiford (on 1954-05-12)
drums (drum set):
Kenny Clarke (on 1954-05-12)
piano:
George Wallington (on 1954-05-12)
tenor saxophone:
Frank Foster (saxophonist) (on 1954-05-12)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1954-05-12)
trumpet:
Dave Burns (trumpet) (on 1954-05-12)
arranger:
Quincy Jones
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Audio-Video Studios (NYC) in New York, New York, United States (on 1954-05-12)
4:01
13Bumpkins
producer:
Alfred Lion
baritone saxophone:
Danny Bank (reeds) (on 1954-05-12)
bass:
Oscar Pettiford (on 1954-05-12)
drums (drum set):
Kenny Clarke (on 1954-05-12)
piano:
George Wallington (on 1954-05-12)
tenor saxophone:
Frank Foster (saxophonist) (on 1954-05-12)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1954-05-12)
trumpet:
Dave Burns (trumpet) (on 1954-05-12)
arranger:
Quincy Jones
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Audio-Video Studios (NYC) in New York, New York, United States (on 1954-05-12)
3:51
14Frankie and Johnnie (alt. take)
producer:
Alfred Lion
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Audio-Video Studios (NYC) in New York, New York, United States (on 1954-05-12)
instrumental recording of:
Frankie and Johnny (traditional song, version of “Frankie and Albert”) (on 1954-05-12)
publisher:
Hughie Cannon (in 1904) and Carl Sandburg (in 1927)
lyricist, writer and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 254)
is based on:
You’re My Baby
4:06
15Summertime (alt. take)
producer:
Alfred Lion
baritone saxophone:
Danny Bank (reeds) (on 1954-05-12)
bass:
Oscar Pettiford (on 1954-05-12)
drums (drum set):
Kenny Clarke (on 1954-05-12)
piano:
George Wallington (on 1954-05-12)
tenor saxophone:
Frank Foster (saxophonist) (on 1954-05-12)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1954-05-12)
trumpet:
Dave Burns (trumpet) (on 1954-05-12)
arranger:
Quincy Jones
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Audio-Video Studios (NYC) in New York, New York, United States (on 1954-05-12)
instrumental recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1954-05-12)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
3:55
16Bumpkins (alt. take)
producer:
Alfred Lion
baritone saxophone:
Danny Bank (reeds) (on 1954-05-12)
bass:
Oscar Pettiford (on 1954-05-12)
drums (drum set):
Kenny Clarke (on 1954-05-12)
piano:
George Wallington (on 1954-05-12)
tenor saxophone:
Frank Foster (saxophonist) (on 1954-05-12)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1954-05-12)
trumpet:
Dave Burns (trumpet) (on 1954-05-12)
arranger:
Quincy Jones
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Audio-Video Studios (NYC) in New York, New York, United States (on 1954-05-12)
3:43
17[unknown]
producer:
Alfred Lion
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Audio-Video Studios (NYC) in New York, New York, United States (on 1954-05-12)
3:44