Les 40 Merveilles Du Classique

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Nabucco : Va pensiero (Choeur des esclaves)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Riccardo Muti5:15
2Norma : Casta Diva
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
editor:
Jennifer Howells
choir vocals:
Coro del Teatro alla Scala di Milano (from 1960-09-05 until 1960-09-12)
soprano vocals [Norma]:
Maria Callas (soprano) (from 1960-09-05 until 1960-09-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1960-09-05 until 1960-09-12)
conductor:
Tullio Serafin (conductor) (from 1960-09-05 until 1960-09-12)
chorus master:
Norberto Mola (chorus master) (from 1960-09-05 until 1960-09-12)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1960-09-05 until 1960-09-12)
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (from 1960-09-05 until 1960-09-12)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Tullio Serafin5:34
3Concerto pour piano n°23 en la majeur, K.488 : II Adagio
orchestra:
Deutsche Kammerphilharmonie
conductor:
Mikhail Pletnev (pianist & conductor)
recording of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488: II. Andante (Adagio)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1786 until 1786-03-02)
part of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488
Михаил Васильевич Плетнёв6:19
4Symphonie n°9 en ré mineur, op.125 : IV Ode à la joie (extrait)
baritone vocals:
Thomas Hampson (baritone)
choir vocals:
City of Birmingham Symphony Chorus
contralto vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto)
soprano vocals:
Barbara Bonney (soprano)
tenor vocals:
Kurt Streit (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Simon Rattle (conductor)
partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Sir Simon Rattle6:27
5Le Lac des cygnes : Acte II. Scène (Moderato)
orchestra:
London Symphony Orchestra
conductor:
André Previn (pianist, conductor, composer, arranger)
recording of:
Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: IV. Allegro moderato (Popularly known as "Dance of the Little Swans")
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act II (ed. Drigo)
part of:
Swan Lake, op. 20: Act II, no. 13: Danses des cygnes
André Previn3:01
6Mazurka op.63 n°3
piano:
Alexandre Tharaud (pianist)
recording of:
Mazurka no. 41 in C‐sharp minor, op. 63 no. 3
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Mazurkas, op. 63
Alexandre Tharaud2:37
7Symphonie n°40 en sol mineur, K.550 : I Allegro molto
orchestra:
London Classical Players
conductor:
Sir Roger Norrington (conductor)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Sir Roger Norrington6:57
8Sonate n°14 en ut dièse mineur «Clair de Lune», op.27 n°2 : I Adagio sostenuto
piano:
François‐René Duchâble (French pianist)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
François‐René Duchâble6:17
9La Flûte enchantée : Der Hölle Rache (Air de la Reine de la nuit)
soprano vocals [Königin der Nacht]:
Natalie Dessay (soprano)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Louis Langrée (conductor)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Louis Langrée3:01
10Symphonie n°5 en ut mineur, op.67 : I Allegro con brio
producer:
David R. Murray
orchestra:
London Classical Players (ended, in 1988-04)
conductor:
Roger Norrington (conductor) (ended, in 1988-04)
balance engineer:
Mike Clements (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-04)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (in 1988-04)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Sir Roger Norrington6:33
11Suite pour violoncelle n°1 en sol majeur, BWV 1007 : I Prélude
producer:
John Fraser (UK producer)
cello:
Paul Tortelier (cellist) (in 1982-04, from 1982-04-14 until 1982-04-26)
balance engineer:
Neville Boyling (engineer) (from 1982-04-14 until 1982-04-26)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (from 1982-04-14 until 1982-04-26)
engineered at:
Temple Church in London (Greater London), England, United Kingdom (in 1982-04)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude) (from 1982-04-14 until 1982-04-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Paul Tortelier2:28
12Moment musical n°3 en fa mineur, D 780
piano:
Alexandre Tharaud (pianist)
recording of:
6 Moments musicaux for Piano, op. 94, D. 780: No. 3 in F minor. Allegro moderato
composer:
Franz Schubert (composer)
part of:
6 Moments musicaux for Piano, op. 94, D. 780
Alexandre Tharaud1:55
13Requiem : Lacrimosa
vocals:
London Symphony Chorus
orchestra:
Northern Sinfonia (Royal Northern Sinfonia)
conductor:
Richard Hickox (conductor)
Richard Hickox3:08
14Sonate n°8 en ut mineur «Pathétique», op.13 : II Adagio cantabile
piano:
François‐René Duchâble (French pianist)
recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
François‐René Duchâble5:04
15Symphonie n°3 en fa majeur, op.90 : III Poco allegretto
orchestra:
Deutsche Kammerphilharmonie
conductor:
Daniel Harding (conductor)
recording of:
Sinfonie Nr. 3 F-Dur, op. 90: III. Poco allegretto
composer:
Johannes Brahms (German composer) (in 1883)
part of:
Sinfonie Nr. 3 F-Dur, op. 90 (Symphony no. 3 in F major, op. 90)
Daniel Harding5:57
16Scènes d'enfants : Rêverie
piano:
Jean‐Bernard Pommier (pianist and conductor)
Jean‐Bernard Pommier2:26
17Lakmé : Duo des fleurs : Sous le dôme épais
recording engineer:
Daniel Michel (recording engineer)
mezzo-soprano vocals [Mallika]:
Delphine Haidan (mezzo-soprano) (from 1997-06-24 until 1997-07-02)
soprano vocals:
Natalie Dessay (soprano)
soprano vocals [Lakmé]:
Natalie Dessay (soprano) (from 1997-06-24 until 1997-07-02)
orchestra:
Orchestre du Capitole de Toulouse (from 1997-06-24 until 1997-07-02)
conductor:
Michel Plasson (conductor) (from 1997-06-24 until 1997-07-02)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1997-06-24 until 1997-07-02)
recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika) (from 1997-06-24 until 1997-07-02)
composer:
Léo Delibes (French composer)
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
Michel Plasson4:48
18Suite pour orchestre n°2 en si mineur, BWV 1067 : VII Badinerie
orchestra:
Orchestre de chambre Franz Liszt, Budapest (Franz Liszt Chamber Orchestra, Franz Liszt Chamber Orchestra)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Maurice André1:26
2▼CD
#TitleArtistRatingLength
1Ainsi parlait Zarathustra : L'aube
engineer:
Mike Clements (engineer) and Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David R. Murray
organ:
David Bell (organist)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1986-11-19 until 1989-03-15)
conductor:
Klaus Tennstedt (conductor) (from 1986-11-19 until 1989-03-15)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (from 1986-11-19 until 1989-03-15)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) (from 1986-11-19 until 1989-03-15)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
Klaus Tennstedt1:44
2La Walkyrie : Chevauchée des Walkyries
producer:
John Fraser (UK producer)
orchestra:
Oslo Philharmonic Orchestra (Oslo Philharmonic) (from 1991-08-14 until 1991-08-24)
conductor:
Mariss Jansons (Latvian conductor) (from 1991-08-14 until 1991-08-24)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1992)
recorded at:
Oslo Konserthus (The Oslo Concert Hall) in Oslo, Norway (from 1991-08-14 until 1991-08-24)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries) (from 1991-08-14 until 1991-08-24)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Mariss Jansons4:45
3La Traviata : Choeur des bohémiennes
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
Riccardo Muti2:58
4Sarabande (arr. Hale)
orchestra:
Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields) (in 2002)
conductor:
Alex Briger (Australian conductor) (in 2002)
performer:
Alexander Briger (Australian conductor)
arranger:
Simon Hale
recording of:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande (catch-all for arrangements)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande
Alexander Briger3:23
5Trio pour piano, violon & violoncelle en mi bémol majeur, D.929 : II Andante con moto (extrait)
cello:
Gautier Capuçon (cellist)
piano:
Frank Braley (pianist)
violin:
Renaud Capuçon (violinist)
Renaud Capuçon3:15
6Le Carnaval des animaux : Aquarium
sound engineer:
Daniel Michel (recording engineer)
piano [1st]:
Mikhaïl Rudy (Mikhail Rudy, pianist) (from 1992-01-15 until 1992-01-21)
piano [2nd]:
Tzimon Barto (pianist and conductor) (from 1992-01-15 until 1992-01-21)
orchestra:
Orchestre du Capitole de Toulouse (from 1992-01-15 until 1992-01-21)
conductor:
Michel Plasson (conductor) (from 1992-01-15 until 1992-01-21)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1992-01-15 until 1992-01-21)
recording of:
Le Carnaval des animaux : VII. Aquarium (The Carnival of the Animals: VII. Aquarium) (from 1992-01-15 until 1992-01-21)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Michel Plasson2:57
7Stabat Mater : Stabat Mater dolorosa
countertenor vocals:
Gérard Lesne (countertenor)
soprano vocals:
Véronique Gens (soprano)
orchestra:
Il Seminario Musicale (French baroque music ensemble)
conductor:
Gérard Lesne (countertenor)
recorded at:
Couvent de l'Annonciation (aka "Couvent des Dominicains") in Paris, Île-de-France, France (from 1997-02-02 until 1997-02-06)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Gérard Lesne4:43
8Les quatres saisons : Le printemps : I Allegro
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
editor:
Charlotte Charbonnier and Alessandra Galleron
violin:
Fabio Biondi (conductor/violinist) (from 2000-07 until 2000-10)
orchestra:
Europa Galante (Italian Baroque orchestra) (from 2000-07 until 2000-10)
conductor:
Fabio Biondi (conductor/violinist) (from 2000-07 until 2000-10)
balance engineer:
Frédéric Briant
recorded at:
Studio Tibor Varga in Sion, Valais (Canton of Valais), Switzerland (from 2000-07 until 2000-10)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (“The Four Seasons”: Concerto in E Major, op. 8 no. 1, RV. 269, “Spring”: 1. Allegro) (from 2000-07 until 2000-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Fabio Biondi3:02
9Cantate BWV 147 "Herz und Mund und Tat und Leben" : Jésus que ma joie demeure
producer:
Christopher Bishop (conductor/producer)
choir vocals:
King’s College Choir, Cambridge
orchestra:
Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields)
conductor:
Sir Neville Marriner (conductor) and Sir David Willcocks (UK composer, organist, choral conductor)
balance engineer:
Neville Boyling (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Jesu, Joy of Man’s Desiring (orch. Stokowski)
orchestrator:
Leopold Stokowski (conductor)
lyricist:
Robert Bridges (poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
translated version of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Sir David Willcocks3:30
10Études n°3 in mi majeur «Tristesse», op.10 n°3
piano:
François‐René Duchâble (French pianist)
François‐René Duchâble4:02
11Boléro (extrait)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lorin Maazel (conductor)
partial recording of:
Boléro (catch-all for arrangements)
composer:
Maurice Ravel (French composer)
arrangement of:
Boléro
Lorin Maazel4:00
12Carmen: Prélude
orchestra:
Orchestre du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
recording of:
Carmen : Prélude
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen (Italian lyrics)
part of:
Carmen (German translation, Julius Hopp)
part of:
Carmen (english lyrics, David Parry)
part of:
Carmen, WD 31 (opera by Georges Bizet)
Michel Plasson3:27
13Pavane
choir vocals:
Chœur et Orchestre de Paris
orchestra:
Chœur et Orchestre de Paris
conductor:
Paavo Järvi (conductor)
recording of:
Pavane, op. 50 (catch-all for arrangements and unknown versions)
composer:
Gabriel Fauré (French composer)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Paavo Järvi5:35
14Gymnopédies n°1
piano:
Aldo Ciccolini (pianist) (on 1983-11-07)
recorded at:
Salle Wagram in Paris, Île-de-France, France (on 1983-11-07)
recording of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1) (on 1983-11-07)
composer:
Erik Satie (French composer) (from 1888-02 until 1888-04)
part of:
Classic 100: Piano (2004) (number: 4)
part of:
Gymnopédies
Aldo Ciccolini3:09
15Gnossiennes n°3
piano:
Aldo Ciccolini (pianist)
Aldo Ciccolini2:19
16Peer Gynt : Au matin
producer and balance engineer:
Maido Maadik
orchestra:
Orchestre Symphonique National d'Estonie (Estonian National Symphony Orchestra) (from 2004-09-01 until 2004-09-24)
conductor:
Paavo Järvi (conductor) (from 2004-09-01 until 2004-09-24)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2005)
recorded at:
Estonia kontserdisaal (Estonia Concert Hall) in Tallinn, Harjumaa (Harju County), Estonia (from 2004-09-01 until 2004-09-24)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood) (from 2004-09-01 until 2004-09-24)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
recording of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning (from 2004-09-01 until 2004-09-24)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Paavo Järvi4:11
17Requiem : Pie Jesu
assistant engineer:
Mélina Avenati (from 2011-11-08 until 2011-11-13) and Aude-Marie Piloz (from 2011-11-08 until 2011-11-13)
producer:
Philip Traugott
choir vocals:
Chœur de l'Orchestre de Paris (from 2011-11-08 until 2011-11-13)
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2011-11-08 until 2011-11-13)
vocals:
Philippe Jaroussky (countertenor)
orchestra:
Orchestre de Paris (from 2011-11-08 until 2011-11-13)
conductor:
Paavo Järvi (conductor) (from 2011-11-08 until 2011-11-13)
balance engineer:
Aurélie Messonier (engineer) (from 2011-11-08 until 2011-11-13)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2011)
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (from 2011-11-08 until 2011-11-13)
live recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version) (from 2011-11-08 until 2011-11-13)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
recording of:
Requiem, op. 48: Pie Jesu (for saxophone and orchestra, Bauch)
composer:
Gabriel Fauré (French composer)
arranger:
Ronnie Bauch
arrangement of:
Requiem, op. 48: IV. Pie Jesu (1890, second version)
Paavo Järvi3:38
18Suite bergamasque : III Clair de lune
producer:
Tim Handley (engineer/editor/producer)
piano:
Kun Woo Paik (pianist) (in 1990-01)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano) (in 1990-01)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
part of:
Classic 100: Piano (2004) (number: 3)
part of:
Suite bergamasque, L. 75, CD 82 (for piano)
Kun Woo Paik5:45
19Casse-noisette : Marche
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1972-05-01 until 1972-05-04)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1972-05-01 until 1972-05-04)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-05-01 until 1972-05-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-05-01 until 1972-05-04)
recording of:
Щелкунчик, op. 71: Действие I, Картина I, no. 2. Марш (The Nutcracker, op. 71: March, March) (from 1972-05-01 until 1972-05-04)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие I (The Nutcracker, op. 71: Act 1, The Nutcracker, op. 71: Act 1)
André Previn42:24
20Concerto pour piano n°2 : Moderato (extrait)
recording engineer:
Eberhard Sengpiel (from 2000-09-15 until 2000-09-16)
executive producer:
Wolfgang Mohr
producer:
Friedemann Engelbrecht
piano:
Hélène Grimaud (French pianist) (from 2000-09-15 until 2000-09-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 2000-09-15 until 2000-09-16)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (from 2000-09-15 until 2000-09-16)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 2000-09-15 until 2000-09-16)
edit of:
Piano Concerto no. 2 in C minor, op. 18: I. Moderato by Hélène Grimaud (French pianist), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
partial recording of:
Piano Concerto no. 2 in C minor, op. 18: I. Moderato (from 2000-09-15 until 2000-09-16)
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Sergei Rachmaninoff (Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
Hélène Grimaud4:49
21Suite de jazz n°2 : Valse
orchestra:
Orchestre philharmonique de Radio France
conductor:
Paavo Järvi (conductor)
recording of:
Suite for Variety Orchestra: VII. Waltz II. Allegretto poco moderato (formerly thought to be from 2nd Jazz Suite)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer)
part of:
Suite for Variety Orchestra
Paavo Järvi3:50
22Carmina Burana : O Fortuna
sound engineer and balance engineer:
Daniel Michel (recording engineer)
producer:
Étienne Collard and Alain Lanceron
choir vocals:
Orfeón Donostiarra (Spanish choir) (from 1994-12-02 until 1994-12-06)
orchestra:
Orchestre du Capitole de Toulouse (from 1994-12-02 until 1994-12-06)
conductor:
Michel Plasson (conductor) (from 1994-12-02 until 1994-12-06)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1994-12-02 until 1994-12-06)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (from 1994-12-02 until 1994-12-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Michel Plasson2:31

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ASIN:FR: B00GXHGAHG [info]