Aida

~ Release by Verdi; Caballé, Domingo, Muti (see all versions of this release, 14 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Aida: Preludio
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Preludio (standard opening to the opera, ~4min) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Aida
part of:
Aida (German lyrics)
Giuseppe Verdi3:37
2Aida: Atto I, scena 1. Introduzion e scena. "Sì, corre voce che l'Etiope ardisca" (Ramfis, Radamès)
bass vocals [Ramfis]:
Nicolaï Ghiaurov (operatic bass) (in 1974-07)
tenor vocals [Radamès]:
Plácido Domingo (tenor) (in 1974-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto I, scena 1. Introduzione e scena “Sì, corre voce che l’Etiope ardisca” (Ramfis, Radamès) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi1:35
3Aida: Atto I, scena 1. Romanza. "Se quel guerrier io fossi!" (Radamès) / "Celeste Aida" (Radamès)
engineer:
Stuart Eltham (engineer)
producer:
John Mordler (producer)
tenor vocals [Radamès]:
Plácido Domingo (tenor) (from 1974-07-02 until 1974-07-11)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1974-07-02 until 1974-07-11)
conductor:
Riccardo Muti (conductor) (from 1974-07-02 until 1974-07-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1974-07-02 until 1974-07-11)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (from 1974-07-02 until 1974-07-11)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi4:20
4Aida: Atto I, scena 1. Duetto. "Quale insolita gioia nel tuo sguardo!" (Amneris, Radamès)
mezzo-soprano vocals [Amneris]:
Fiorenza Cossotto (mezzo-soprano) (in 1974-07)
tenor vocals [Radamès]:
Plácido Domingo (tenor) (in 1974-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto I, scena 1. Duetto “Quale insolita gioia nel tuo sguardo!” – “Dessa” (Amneris, Radamès) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi3:21
5Aida: Atto I, scena 1. Terzetto. "Vieni, o diletta appressati" (Amneris, Aida, Radamès)
mezzo-soprano vocals [Amneris]:
Fiorenza Cossotto (mezzo-soprano) (in 1974-07)
soprano vocals [Aida]:
Montserrat Caballé (soprano) (in 1974-07)
tenor vocals [Radamès]:
Plácido Domingo (tenor) (in 1974-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto I, scena 1. Terzetto: “Vieni, o diletta appressati” – “Ohimé, di guerre fremere” (Amneris, Aida, Radamès) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi2:44
6Aida: Atto I, scena 1. Scena e pezzo d'assieme. "Alta cagion v'aduna" (Il Re, Messaggero, Aida, Radamès, Amneris, Ministri, Capitani)
bass vocals [Il re]:
Luigi Roni (operatic bass) (in 1974-07)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1974-07)
mezzo-soprano vocals [Amneris]:
Fiorenza Cossotto (mezzo-soprano) (in 1974-07)
soprano vocals [Aida]:
Montserrat Caballé (soprano) (in 1974-07)
tenor vocals [Radamès]:
Plácido Domingo (tenor) (in 1974-07)
tenor vocals [Un messagero]:
Nicola Martinucci (tenor) (in 1974-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto I, scena 1. Scena e pezzo d’assieme: “Alta cagion v’aduna” … “Il sacro suolo dell'Egitto” (Il Re, Messaggero, Aida, Radamès, Amneris, Ministri, Capitani) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi3:24
7Aida: Atto I, scena 1. Scena e pezzo d'assieme. "Su! del Nilo al sacro lido" (Il Re, Messaggero, Aida, Radamès, Amneris, Ministri, Capitani)
bass vocals [Il re]:
Luigi Roni (operatic bass)
bass vocals [Ramfis]:
Nicolaï Ghiaurov (operatic bass)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
mezzo-soprano vocals [Amneris]:
Fiorenza Cossotto (mezzo-soprano)
soprano vocals [Aida]:
Montserrat Caballé (soprano)
tenor vocals [Radamès]:
Plácido Domingo (tenor)
tenor vocals [Un messagero]:
Nicola Martinucci (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto I, scena 1. Scena e pezzo d’assieme “Su! del Nilo al sacro lido” (Il Re, Ramfis, Ministri, Capitani, Aida, Radamès, Amneris, Sacerdoti, Messaggero)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi2:48
8Aida: Atto I, scena 1. Scena. "Ritorna vincitor!" (Aida)
soprano vocals [Aida]:
Montserrat Caballé (soprano) (from 1974-07-02 until 1974-07-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1974-07-02 until 1974-07-11)
conductor:
Riccardo Muti (conductor) (from 1974-07-02 until 1974-07-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1974-07-02 until 1974-07-11)
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (from 1974-07-02 until 1974-07-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi6:57
9Aida: Atto I, scena 2. Gran scena della consacrazione. "Possente, possente Fthà" / "Tu che dal nulla hai tratto" (Sacerdotessa, Ramfis, Sacerdoti, Sacerdotesse)
bass vocals [Ramfis]:
Nicolaï Ghiaurov (operatic bass) (in 1974-07)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1974-07)
soprano vocals [Sacerdotessa]:
Esther Casas (soprano) (in 1974-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto I, scena 2. Gran scena della consacrazione: “Possente, possente Fthà” / “Tu che dal nulla hai tratto” (Sacerdotessa, Ramfis, Sacerdoti, Sacerdotesse) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi3:27
10Aida: Atto I, scena 2. Danza sacra delle Sacerdotesse. "Immenso Fthà!..." / "Mortal, diletto ai Numi" (Sacerdotesse, Ramfis, Sacerdoti)
bass vocals [Ramfis]:
Nicolaï Ghiaurov (operatic bass)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto I, scena 2. Danza sacra delle Sacerdotesse: “Immenso Fthà!…” / “Mortal, diletto ai Numi” (Sacerdotesse, Ramfis, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi3:20
11Aida: Atto I, scena 2. Finale 1. "Nume, custode e vindice" (Ramfis, Rademès, Sacerdoti, Sacerdotesse, Sacerdotessa)
bass vocals [Ramfis]:
Nicolaï Ghiaurov (operatic bass) (in 1974-07)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1974-07)
soprano vocals [Sacerdotessa]:
Esther Casas (soprano) (in 1974-07)
tenor vocals [Radamès]:
Plácido Domingo (tenor) (in 1974-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto I, scena 2. Finale I “Nume, custode e vindice” (Ramfis, Radamès, Sacerdoti, Sacerdotesse, Sacerdotessa) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi4:15
2▼CD
#TitleArtistRatingLength
1Aida: Atto II, scena 1. Introduzione - Scena e coro di donne. "Chi mai fra gl'inni e i plausi" (Schiave, Amneris)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1974-07)
mezzo-soprano vocals [Amneris]:
Fiorenza Cossotto (mezzo-soprano) (in 1974-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto II, scena 1. Introduzione, scena e coro di donne: “Chi mai fra gl’inni e i plausi” (Schiave, Amneris) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:49
2Aida: Atto II, scena 1. Danza di schiavi mori (Orchestra)
producer:
John Mordler (producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1974-07-02 until 1974-07-09, on 1974-07-11)
conductor:
Riccardo Muti (conductor) (from 1974-07-02 until 1974-07-09, on 1974-07-11)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1974-07-02 until 1974-07-09, on 1974-07-11)
recording of:
Aida: Atto II, scena 1. Danza degli schiavi mori (orchestra) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi1:27
3Aida: Atto II, scena 1. Danza di schiavi mori. "Vieni, sui crin ti piovano" (Schiave, Amneris)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1974-07)
mezzo-soprano vocals [Amneris]:
Fiorenza Cossotto (mezzo-soprano) (in 1974-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto II, scena 1. “Vieni, sul crin ti piovano” (Schiave, Amneris) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi1:37
4Aida: Atto II, scena 1. Scena e duetto. "Fu la sorte dell'armi a'tuoi funesta" (Amneris, Aida)
mezzo-soprano vocals [Amneris]:
Fiorenza Cossotto (mezzo-soprano) (from 1974-07-02 until 1974-07-11)
soprano vocals [Aida]:
Montserrat Caballé (soprano) (from 1974-07-02 until 1974-07-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1974-07-02 until 1974-07-11)
conductor:
Riccardo Muti (conductor) (from 1974-07-02 until 1974-07-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1974-07-02 until 1974-07-11)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Silenzio! Aida verso noi s'avanza” – “Fu la sorte dell’armi a'tuoi funesta” – “Ebben, qual nuovo fremito t'assal, gentile Aida?” (Amneris, Aida) (from 1974-07-02 until 1974-07-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi5:35
5Aida: Atto II, scena 1. Scena e duetto. "Pietà ti prenda del mio dolor" (Amneris, Aida) / "Su! del Nilo al sacro lido" (Amneris, Aida, Coro) / "Numi pietà" (Amneris, Aida, Coro)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
mezzo-soprano vocals [Amneris]:
Fiorenza Cossotto (mezzo-soprano)
soprano vocals [Aida]:
Montserrat Caballé (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Pietà ti prenda del mio dolor” (Amneris, Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Su! del Nilo al sacro lido” / “Numi pietà” (Amneris, Aida, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi4:45
6Aida: Atto II, scena 2. Gran finale II. "Gloria all'Egitto, ad Iside" (Popolo, Sacerdoti)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1974-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
partial recording of:
Aida: Atto II, scena 2. “O Re, pei sacri Numi” / “Gloria all’Egitto” (Tutti) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi3:02
7Aida: Atto II, scena 2. Marcia trionfale (Orchestra)
producer:
John Mordler (producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1974-07-02 until 1974-07-09, on 1974-07-11)
conductor:
Riccardo Muti (conductor) (from 1974-07-02 until 1974-07-09, on 1974-07-11)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1974-07-02 until 1974-07-09, on 1974-07-11)
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
Giuseppe Verdi1:27
8Aida: Atto II, scena 2. Ballabile (Orchestra)
producer:
John Mordler (producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1974-07-02 until 1974-07-09, on 1974-07-11)
conductor:
Riccardo Muti (conductor) (from 1974-07-02 until 1974-07-09, on 1974-07-11)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1974-07-02 until 1974-07-09, on 1974-07-11)
recording of:
Aida: Atto II, scena 2. Ballabile (orchestra) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
Giuseppe Verdi4:07
9Aida: Atto II, scena 2. "Vieni, o guerriero vindice" (Popolo, Sacerdoti)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1974-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto II, scena 2. “Vieni, o guerriero vindice” (Popolo, Sacerdoti) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:20
10Aida: Atto II, scena 2. "Salvator della patria" (Is Re, Radamès, Ramfis, Sacerdoti)
bass vocals [Il Re]:
Luigi Roni (operatic bass) (in 1974-07)
bass vocals [Ramfis]:
Nicolaï Ghiaurov (operatic bass) (in 1974-07)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1974-07)
tenor vocals [Radamès]:
Plácido Domingo (tenor) (in 1974-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974, in 1974-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto II, scena 2. “Salvator della patria” – “Concedi in pria” (Il Re, Radamès, Ramfis, Sacerdoti) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:11
11Aida: Atto II, scena 2. "Che veggo! Egli? Mio padre!" / "Anch'io pugnai" / "Ma tu, Re, tu signore possente" (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo)
baritone vocals [Amonasro]:
Piero Cappuccilli (baritone)
bass vocals [Il re]:
Luigi Roni (operatic bass)
bass vocals [Ramfis]:
Nicolaï Ghiaurov (operatic bass)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
mezzo-soprano vocals [Amneris]:
Fiorenza Cossotto (mezzo-soprano)
soprano vocals [Aida]:
Montserrat Caballé (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi3:36
12Aida: Atto II, scena 2. "Il dolor che in quel volto favella" / "Ma tu, o Re" (Tutti)
baritone vocals [Amonasro]:
Piero Cappuccilli (baritone)
bass vocals [Ramfis]:
Nicolaï Ghiaurov (operatic bass)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
mezzo-soprano vocals [Amneris]:
Fiorenza Cossotto (mezzo-soprano)
soprano vocals [Aida]:
Montserrat Caballé (soprano)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974, in 1974-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto II, scena 2. “Il dolor che in quel volto favella” (Tutti) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:43
13Aida: Atto II, scena 2. "O Re, pei sacri Numi" / "Gloria all'Egitto" (Tutti)
baritone vocals and baritone vocals [Amonasro]:
Piero Cappuccilli (baritone)
bass vocals:
Nicolaï Ghiaurov (operatic bass) and Luigi Roni (operatic bass)
bass vocals [Ramfis]:
Nicolaï Ghiaurov (operatic bass)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (from 1974-07-02 until 1974-07-11)
mezzo-soprano vocals [Amneris]:
Fiorenza Cossotto (mezzo-soprano) (from 1974-07-02 until 1974-07-11)
soprano vocals [Aida]:
Montserrat Caballé (soprano) (from 1974-07-02 until 1974-07-11)
tenor vocals [Radamès]:
Plácido Domingo (tenor) (from 1974-07-02 until 1974-07-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1974-07-02 until 1974-07-11)
conductor:
Riccardo Muti (conductor) (from 1974-07-02 until 1974-07-11)
chorus master:
Douglas Robinson (chorus master)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07, from 1974-07-02 until 1974-07-11)
recording of:
Aida: Atto II, scena 2. “O Re, pei sacri Numi” / “Gloria all’Egitto” (Tutti) (from 1974-07-02 until 1974-07-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi5:32
3▼CD
#TitleArtistRatingLength
1Aida: Atto III. Introduzione - Preghiera. "O tu che sei d'Osiride" / "Vieni d'Iside al Tempero" (Coro, Ramfis, Amneris)
bass vocals [Ramfis]:
Nicolaï Ghiaurov (operatic bass)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
mezzo-soprano vocals [Amneris]:
Fiorenza Cossotto (mezzo-soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto III: Introduzione-Preghiera: “Vieni d’Iside al tempio” (Sacerdotesse, Sacerdoti, Ramfis, Amneris)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
recording of:
Aida: Atto III: Introduzione; Preghiera “O tu che sei d’Osiride” (Sancerdotesse, Sacerdoti, Ramfis, Amneris)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi4:23
2Aida: Atto III. Romanza. "Qui Radamès verrà!"
soprano vocals [Aida]:
Montserrat Caballé (soprano) (in 1974-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
partial recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi1:37
3Aida: Atto III. Romanza. "O patria mia" (Aida)
soprano vocals [Aida]:
Montserrat Caballé (soprano) (in 1974-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
partial recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi5:17
4Aida: Atto III. Duetto. "Ciel! mio padre!" / "Rivedrai le foreste imbalsamate" (Aida, Amonasro)
baritone vocals:
Piero Cappuccilli (baritone) (from 1974-07-02 until 1974-07-11)
soprano vocals [Aida]:
Montserrat Caballé (soprano) (from 1974-07-02 until 1974-07-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1974-07-02 until 1974-07-11)
conductor:
Riccardo Muti (conductor) (from 1974-07-02 until 1974-07-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1974-07-02 until 1974-07-11)
recording of:
Aida: Atto III: Duetto: “Rivedrai le foreste imbalsamate” – “In armi ora si desta il popol nostro” – “Padre, a costoro schiava non sono” (Aida, Amonasro) (from 1974-07-02 until 1974-07-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
recording of:
Aida: Atto III. Duetto “Ciel! mio padre!” … “A te grave cagion m’adduce” (Aida, Amonasro) (from 1974-07-02 until 1974-07-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi8:09
5Aida: Atto III. Duetto. "Pur ti riveggo, mia dolce Aida..." / "Nel fiero anelito" (Radamès, Aida)
soprano vocals [Aida]:
Montserrat Caballé (soprano)
tenor vocals [Radamès]:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto III. Duetto “Pur ti riveggo, mia dolce Aida…” (Radamès, Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi3:16
6Aida: Atto III. Duetto. "Fuggiam gli ardori inospiti" / "Là, tra foreste vergini" (Aida, Amonasro)
soprano vocals [Aida]:
Montserrat Caballé (soprano)
tenor vocals [Radamès]:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto III: Duetto: “Fuggiam gli ardori inospiti” / “Là, tra foreste vergini” (Aida, Radamès)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi6:35
7Aida: Atto III. Finale III. "Ma dimmi; per qual via" (Aida, Radamès)
baritone vocals [Amonasro]:
Piero Cappuccilli (baritone)
bass vocals [Ramfis]:
Nicolaï Ghiaurov (operatic bass)
mezzo-soprano vocals [Amneris]:
Fiorenza Cossotto (mezzo-soprano)
soprano vocals [Aida]:
Montserrat Caballé (soprano)
tenor vocals [Radamès]:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto III: Finale III: “Ma dimmi; per qual via” – “Ah no! ti calma, ascoltami” –“Traditor! … Muori! … Arresta, insano” (Aida, Radamès, Amonasro, Amneris, Ramfis)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi3:30
8Aida: Atto IV, scena 1. Scena. "L'abborita rivale a me sfuggia" (Amneris)
mezzo-soprano vocals [Amneris]:
Fiorenza Cossotto (mezzo-soprano) (in 1974-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto IV, scena 1: Scena: “L’abborrita rivale a me sfuggia” … “Io l'amo, io l'amo sempre” (Amneris) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi3:15
9Aida: Atto IV, scena 1. Duetto. "Già i sacerdoti adunansi" (Amneris, Radamès)
mezzo-soprano vocals and mezzo-soprano vocals [Amneris]:
Fiorenza Cossotto (mezzo-soprano)
tenor vocals and tenor vocals [Radamès]:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto IV, scena 1: Duetto: “Già i sacerdoti adunansi” – “Ah! Tu deî vivere” – “Misero appien mi festi” – ”Chi ti salva, sciagurato” (Amneris, Radamès)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi6:33
10Aida: Atto IV, scena 1. Scena del giudizio. "Ohimà! morir mi sento!" / "Spirto del Nume"
bass vocals [Ramfis]:
Nicolaï Ghiaurov (operatic bass)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
mezzo-soprano vocals [Amneris]:
Fiorenza Cossotto (mezzo-soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “Ohimè! morir mi sento!” (Amneris)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “Spirto del nume” (Amneris, Ramfis, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi8:24
11Aida: Atto IV, scena 1. Scena del giudizio. "A lui vivo, la tomba!" / "Sacerdoti: compiste un delitto!" (Amneris, Ramfis, Sacerdoti)
bass vocals [Ramfis]:
Nicolaï Ghiaurov (operatic bass)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
mezzo-soprano vocals [Amneris]:
Fiorenza Cossotto (mezzo-soprano)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974, in 1974-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “A lui vivo, la tomba” / “Sacerdoti: compiste un delitto!” (Amneris, Ramfis, Sacerdoti) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi3:37
12Aida: Atto IV, scena 2. Scena e duetto. "La fatal pietra sovra me si chiuse" / Finale ultimo. "Immenso Fthà" (Sacerdotesse, Sacerdoti, Aida, Radamès)
bass vocals [Ramfis]:
Nicolaï Ghiaurov (operatic bass)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
soprano vocals [Aida]:
Montserrat Caballé (soprano)
tenor vocals [Radamès]:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto IV, scena 2: Finale ultimo: “Immenso Fthà” – “Triste canto” (Sacerdotesse, Sacerdoti, Aida, Radamès)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi5:54
13Aida: Atto IV, scena 2. Finale ultimo. "O terra addio" (Aida, Radamès, coro, Amneris)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1974-07)
mezzo-soprano vocals [Amneris]:
Fiorenza Cossotto (mezzo-soprano) (in 1974-07)
soprano vocals [Aida]:
Montserrat Caballé (soprano) (in 1974-07)
tenor vocals [Radamès]:
Plácido Domingo (tenor) (in 1974-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto IV, scena 2: Finale Ultimo: “O terra addio” (Aida, Radamès, coro, Amneris) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi4:43