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~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD: Blues, Jazz, Swing & The Big Bands 1900-1945
#TitleArtistRatingLength
1Maple Leaf Rag
Scott Joplin3:18
2Crazy Blues
Mamie Smith and Her Jazz Hounds3:20
3Dippermouth Blues
King Oliver’s Creole Jazz Band2:16
4Dark Was the Night - Cold Was the Ground
recorded in:
Dallas, Texas, United States (on 1927-12-03)
guitar and other vocals [humming and moaning]:
Blind Willie Johnson (on 1927-12-03)
vocals:
Blind Willie Johnson (on 1927-12-03)
publisher:
Harmony (20s/30s US)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1999)
recording of:
Dark Was the Night, Cold Was the Ground (on 1927-12-03)
writer:
[traditional] (special purpose artist)
composer and arranger:
Blind Willie Johnson
Blind Willie Johnson3.753:20
5Statesboro Blues
guitar:
Blind Willie McTell (on 1928-10-17)
vocals:
Blind Willie McTell (on 1928-10-17)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1992)
recording of:
Statesboro Blues (on 1928-10-17)
lyricist and composer:
Blind Willie McTell
publisher:
Peer International Corporation (BMI)
Blind Willie McTell2:34
6How Long, How Long Blues
recording of:
How Long, How Long Blues
lyricist and composer:
Leroy Carr
publisher:
Compact Music and MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
Leroy Carr3:01
7Pine Top’s Boogie Woogie
Pinetop Smith3:23
8St Louis Blues
recording of:
St. Louis Blues
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
Louis Armstrong3:03
9Ol’ Man River
Paul Robeson2:37
10Gimme a Pigfoot
recorded in:
New York, New York, United States (on 1933-11-24)
banjo and guitar:
Bobby Johnson (US guitarist) (on 1933-11-24)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1933-11-24)
double bass [bass]:
Billy Taylor Sr. (jazz bassist) (on 1933-11-24)
piano:
Buck Washington (on 1933-11-24)
tenor saxophone:
Chu Berry (on 1933-11-24)
trombone:
Jack Teagarden (on 1933-11-24)
trumpet:
Frankie Newton (on 1933-11-24)
vocals:
Bessie Smith (Tennessee blues singer) (on 1933-11-24)
recording of:
Gimme a Pigfoot (and a Bottle of Beer) (on 1933-11-24)
composer:
Wesley A. Wilson
publisher:
Northern Music (song publisher)
Bessie Smith with Buck and His Band3:30
11Minnie the Moocher (The Ho de Ho Song)
Cab Calloway3:11
12Stormy WeatherEthel Waters3:12
13Honeysuckle Rose
recording of:
Honeysuckle Rose
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (1977 musical film soundtrack)
part of:
Thousands Cheer (1943 movie)
Fats Waller2:40
14Hellhound on My Trail
recording engineer:
Vincent Liebler
executive producer:
Art Satherly
producer:
Don Law
guitar:
Robert Johnson (1930s blues legend) (on 1937-06-20)
vocals:
Robert Johnson (1930s blues legend) (on 1937-06-20)
phonographic copyright (℗) by:
Soul Jam Records (in 2015)
recorded at:
a makeshift studio located in the Brunswick Records Building (on 1937-06-20)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1983)
recording of:
Hellhound on My Trail (on 1937-06-20)
lyricist and composer:
Robert Johnson (1930s blues legend)
publisher:
Cadmean Dawn
Robert Johnson42:37
15Good Morning, Schoolgirl
recorded in:
Aurora, Illinois, United States (on 1937-05-05)
guitar:
Robert Lee McCoy (on 1937-05-05) and Big Joe Williams (American Delta blues guitarist, singer and songwriter) (on 1937-05-05)
harmonica and lead vocals:
Sonny Boy Williamson (John Lee “Sonny Boy” Williamson, 1914–1948) (on 1937-05-05)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1990)
recording of:
Good Morning, School Girl (on 1937-05-05)
lyricist:
Sonny Boy Williamson (John Lee “Sonny Boy” Williamson, 1914–1948)
composer:
Sonny Boy Williamson (John Lee “Sonny Boy” Williamson, 1914–1948) (in 1937)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Georgia Music Corp. and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Sonny Boy Williamson3:03
16Jumpin’ at the Woodside
recording of:
Jumpin’ at the Woodside (with lyrics by Jon Hendricks)
lyricist:
Jon Hendricks (in 1957)
composer:
Count Basie (pianist)
publisher:
PW Arrangements, Universal Music Corp. (USA, affiliated with ASCAP), WC Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
version of:
Jumpin’ at the Woodside (original instrumental)
Count Basie3:07
17We Three (My Echo, My Shadow & Me)
recording of:
We Three (My Echo, My Shadow and Me)
writer:
Nelson Cogane (in 1939), Sammy Mysels (songwriter) (in 1939) and Dick Robertson (US jazz vocalist, 1920s-1940s) (in 1939)
composer:
Nelson Cogane and Sammy Mysels (songwriter)
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Penn Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 株式会社 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Ink Spots3:21
18Strange Fruit
recording of:
Strange Fruit
lyricist and composer:
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) and Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Bitter Fruit
Billie Holiday2:55
19Summertime
double bass:
Johnny Williams (jazz bassist) (on 1939-06-08)
drums (drum set):
Sid Catlett (on 1939-06-08)
guitar:
Teddy Bunn (on 1939-06-08)
piano:
Meade Lux Lewis (on 1939-06-08)
soprano saxophone:
Sidney Bechet (on 1939-06-08)
part of:
Blue Note (by matrix number) (number: GM-533-14)
instrumental recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1939-06-08)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Sidney Bechet4:10
20T-Bone BluesT‐Bone Walker with Les Hite & His Orchestra3:16
21God Bless the Child
recording of:
God Bless the Child
lyricist:
Billie Holiday
composer:
Arthur Herzog, Jr.
publisher:
Basart Editions (ended) and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Billie Holiday2:45
22After You’ve Gone
recording of:
After You’ve Gone
lyricist:
Henry Creamer (Lyricist) (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
Roy Eldridge with Gene Krupa and His Orchestra2:38
23I Wonder
Pvt Cecil Gant2:44
24Ko-Ko
recording of:
Ko Ko
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (in 1945)
publisher:
Atlantic Music/BMI (BMI)
Charlie Parker2:57
25Things Ain’t What They Used to Be
recording of:
Things Ain’t What They Used to Be
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
Duke Ellington & His Orchestra3:09
26Straighten Up and Fly Right
recording of:
Straighten Up and Fly Right
writer:
Nat King Cole and Irving Mills
publisher:
American Academy of Music, Inc., EMI Mills Music (ASCAP-affiliated) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
sub-publisher:
Mills Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30)
Nat King Cole2:29
2CD: The Birth of R'n'b 1946-1953
#TitleArtistRatingLength
1That’s All Right
recorded in:
Chicago, Illinois, United States (on 1946-09-06)
double bass:
Ransom Knowling (on 1946-09-06)
drums (drum set):
Lawrence "Judge" Riley (early blues drummer) (on 1946-09-06)
guitar:
Arthur “Big Boy” Crudup (on 1946-09-06)
vocals:
Arthur “Big Boy” Crudup (on 1946-09-06)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 2020/2021)
recording of:
That’s All Right (on 1946-09-06)
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music and Unichappell Music, Inc.
Arthur “Big Boy” Crudup4.52:55
2Let the Good Times Roll
Louis Jordan2:48
3Chicken Shack Boogie
Amos Milburn2:51
4I Can’t Be Satisfied
recording of:
I Can’t Be Satisfied
lyricist and composer:
Muddy Waters (blues musician)
publisher:
Bug Music (music publishing) and Watertoons Music
Muddy Waters2:43
5Good Rockin’ TonightRoy Brown with Bob Ogden & Orchestra32:59
6Up Above My Head I Hear Music in the Air
Sister Rosetta Tharpe & Marie Knight2:29
7We’re Gonna Rock, We’re Gonna Roll
Wild Bill Moore Sextet2:38
8Boogie Chillen’
John Lee Hooker3:09
9All She Wants to Do Is Rock
baritone saxophone:
Bill McLemore (saxophonist) (on 1949-04-13)
double bass:
Gene Ramey (on 1949-04-13)
drums (drum set):
Kelly Martin (US jazz drummer) (on 1949-04-13)
piano:
Elmo Hope (on 1949-04-13)
tenor saxophone:
Freddie Douglas (on 1949-04-13) and Johnny Griffin (on 1949-04-13)
trombone:
Matthew Gee (jazz trombonist) (on 1949-04-13)
trumpet:
Joe Morris (US jazz trumpeter) (on 1949-04-13)
vocals:
Wynonie Harris (R&B singer, known as “Mr. Blues”) (on 1949-04-13)
phonographic copyright (℗) by:
Proper Records Ltd. (company credits only; do NOT use as release label)
recording of:
All She Wants to Do Is Rock (on 1949-04-13)
writer:
Wynonie Harris (R&B singer, known as “Mr. Blues”) and Teddy McRae
Wynonie Harris2:33
10The Fat Man
producer:
Dave Bartholomew
phonographic copyright (℗) by:
United Artists (in 1949) and EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
recorded at:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, United States
recording of:
The Fat Man (on 1949-12-10)
lyricist and composer:
Antoine Dominique Domino (Fats Domino) and Dave Bartholomew
Fats Domino42:37
11Every Day I Have the Blues
Lowell Fulson2:31
12Please Send Me Someone to Love
producer:
Art Rupe
baritone saxophone:
Charles H. Waller (on 1950-08-16)
double bass:
Red Callender (on 1950-08-16)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1950-08-16)
guitar:
Gene Phillips (US jump blues guitarist & singer) (on 1950-08-16)
piano:
Edward Truman Beal (on 1950-08-16)
tenor saxophone [tenor sax]:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”) (on 1950-08-16) and Richard Wells (sax) (on 1950-08-16)
vocals:
Percy Mayfield (on 1950-08-16)
recorded at:
Universal Recorders in Hollywood, Los Angeles, California, United States (on 1950-08-16)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1987)
recording of:
Please Send Me Someone to Love (on 1950-08-16)
lyricist and composer:
Percy Mayfield (until 1950)
publisher:
ATV Music
Percy Mayfield32:55
13Black Night
Charles Brown3:06
14Flamingo
cover recording of:
Flamingo (on 1951-01-10)
lyricist:
Edmund Anderson
composer:
Ted Grouya
publisher:
Edwin H. Morris & Company (a division of MPL Communications Inc.) and Grouya Publishing Int.
Earl Bostic2:42
15Lawdy, Miss Clawdy
alto saxophone:
Joseph Harris (on 1952-03-13)
double bass [bass]:
Frank Fields (on 1952-03-13)
drums (drum set) [drums]:
Earl Palmer (on 1952-03-13)
guitar:
Ernest McLean (on 1952-03-13)
piano:
Fats Domino (on 1952-03-13)
tenor saxophone:
Herb Hardesty (on 1952-03-13)
trumpet:
Dave Bartholomew (on 1952-03-13)
lead vocals:
Lloyd Price (US R&B/soul singer) (on 1952-03-13)
conductor:
Dave Bartholomew (on 1952-03-13)
recorded at:
J&M Record Shop in New Orleans, Louisiana, United States (on 1952-03-13)
recording of:
Lawdy Miss Clawdy (on 1952-03-13)
lyricist and composer:
Lloyd Price (US R&B/soul singer) (in 1952-03)
publisher:
ATV Music, Carlin Music Corporation, Sony/ATV Songs LLC and Venice Music
Lloyd Price2:33
16One Mint Julip
producer:
Ahmet Ertegun (US American Songwriter, producer) and Herb Abrahmson
drums (drum set) [drums]:
Connie Kay (on 1951-12-19)
piano:
Harry Van Walls (R&B pianist) (on 1951-12-19)
tenor saxophone:
Willis Jackson (tenor saxophonist) (on 1951-12-19)
vocals:
The Clovers (US rhythm and blues/doo-wop vocal group) (on 1951-12-19)
recorded at:
Atlantic Studios (234 West 56th St., New York, 1947-1956) in Manhattan, New York, New York, United States (on 1951-12-19)
recording of:
One Mint Julep (on 1951-12-19)
lyricist and composer:
Rudolph Toombs
publisher:
Regent Music (BMI) and Unichappell Music
The Clovers2:29
17Honey Hush
recorded in:
New Orleans, Louisiana, United States (on 1953-05-12)
producer:
Big Joe Turner
alto saxophone:
Dimes Dupont (American saxophonist) (on 1953-05-12)
double bass [bass]:
John Fernandez (bassist) (on 1953-05-12)
drums (drum set) [drums]:
Alonzo Stewart (on 1953-05-12)
guitar:
Edgar Blanchard (on 1953-05-12)
piano:
Kathy Thomas (on 1953-05-12)
tenor saxophone:
Warren Hebrew (on 1953-05-12)
trombone:
Worthia Thomas (trombone) (on 1953-05-12)
trumpet:
Frank Mitchell (trumpet) (on 1953-05-12) and Thomas Sheldon (trumpet) (on 1953-05-12)
vocals:
Big Joe Turner (on 1953-05-12)
orchestra:
Pluma Davis' Orchestra (on 1953-05-12)
arranger:
Pluma Davis
recording of:
Honey Hush (on 1953-05-12)
additional lyricist and additional composer:
Lou Willie Turner
lyricist and composer:
Big Joe Turner
publisher:
Carlin Music Corp.
Big Joe Turner2:43
18Hound Dog
recorded in:
Los Angeles, California, United States (on 1952-08-13)
recording engineer and mixer:
Joel Moss
assistant engineer:
Tom Hardisty (film score engineer), Brandon Harris (US engineer) and Sue McLean
producer:
Hummie Mann, Johnny Otis and Marc Shaiman (American score composer and lyricist)
editor:
Curtis Roush
double bass [bass]:
Albert Winston (R&B bassist) (on 1952-08-13)
drums (drum set):
Leard Bell (R&B drummer) (on 1952-08-13)
guitar:
Pete Lewis (R&B guitarist) (on 1952-08-13)
piano:
Devonia Williams (US R&B pianist/singer) (on 1952-08-13)
vibraphone [vibes]:
Johnny Otis (on 1952-08-13)
vocals:
Big Mama Thornton (on 1952-08-13)
orchestra:
Johnny Otis & His Orchestra (on 1952-08-13)
conductor:
Artie Kane
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 2006)
recording of:
Hound Dog (on 1952-08-13)
lyricist:
Jerry Leiber (on 1952-08-12)
composer:
Mike Stoller (on 1952-08-12)
previously attributed to:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company and Williamson Music, Inc.
Big Mama Thornton4.652:52
19Money Honey
Clyde McPhatter2:58
20Dust My Broom
recording of:
Dust My Broom
additional lyricist and additional composer:
Robert Johnson (1930s blues legend)
lyricist and composer:
Elmore James
publisher:
ARC Music (world and ethnic music label), Flair Publishing and MPCA King of Spades
version of:
I Believe I’ll Dust My Broom
Elmore James3:01
21Smokestack Lightnin’
recording of:
Smokestack Lightning
lyricist and composer:
Chester Arthur Burnett
publisher:
Arc Music (U.S. rock & blues publisher)
Howlin’ Wolf3:05
22Ev’ry Time We Say Goodbye
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ella Fitzgerald3:36
23Crying in the Chapel
cover recording of:
Crying in the Chapel (on 1953-06-30)
lyricist and composer:
Artie Glenn (in 1953)
publisher:
Chappell & Co., Inc. (USA), Chappell Morris Ltd., Hill & Range Songs, Inc. (publisher) and Mijac Music
The Orioles3:04
24Teardrops in My Eyes
recorded in:
New York, New York, United States (in 1950-09)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Herb Abrahmson
tenor saxophone:
Budd Johnson (in 1950-09)
vocals:
Ruth Brown (in 1950-09)
orchestra:
Budd Johnson Orchestra (in 1950-09)
recording of:
Teardrops From My Eyes (in 1950-09)
lyricist and composer:
Rudolph Toombs
publisher:
Rightsong Music Inc. and Simon House
Ruth Brown3:00
25Manhattan
engineer:
Val Valentin (on 1956-08-29)
producer:
Norman Granz
baritone saxophone, bass clarinet and bassoon:
Chuck Gentry (on 1956-08-29)
bass:
Joe Mondragon (from 1956-08-21 until 1956-08-31)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-08-29) and Edgar Lustgarten (on 1956-08-29)
cor anglais [English horn] and oboe:
Arnold Koblentz (Oboe player) (on 1956-08-29)
drums (drum set):
Alvin Stoller (on 1956-08-29)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-29), Bud Shank (on 1956-08-29) and Willie Schwartz (on 1956-08-29)
French horn:
Vince DeRosa (on 1956-08-29)
guitar:
Barney Kessel (on 1956-08-29)
percussion:
Milt Holland (on 1956-08-29)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-29)
viola and violin:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-08-29)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-29)
conductor:
Buddy Bregman (on 1956-08-29)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (on 1956-08-29)
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-29)
cover recording of:
Manhattan (on 1956-08-29)
lyricist:
Lorenz Hart (in 1925)
composer:
Richard Rodgers (composer) (in 1925)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Piedmont Music Company and Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ella Fitzgerald2:53
3CD: The Rock'n'Roll Years 1945-1962
#TitleArtistRatingLength
1Loco-Motion
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1962 (number: 1) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 351)
recording of:
The Loco‐Motion (aka Locomotion) (in 1962)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (until 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (from 1962 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Little Eva22:28
2Johnny B. Goode
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1958-01-06)
drums (drum set):
Jasper Thomas (on 1958-01-06)
guitar and lead vocals:
Chuck Berry (on 1958-01-06)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1958-01-06)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-01-06)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 1), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 3), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 33), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 53) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Johnny B. Goode (on 1958-01-06)
lyricist and composer:
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and ロックンロール ミュージック (Rock ’n’ Roll Music)
part of:
Back to the Future: the Musical
Chuck Berry4.22:40
3Yakety Yak
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 7)
recording of:
Yakety Yak
lyricist:
Jerry Leiber
writer:
Jerry Leiber and Mike Stoller
composer:
Mike Stoller
publisher:
Sony/ATV Songs LLC
part of:
Twins (1988)
The Coasters51:50
4Tutti Frutti
recording of:
Tutti Frutti
lyricist:
Dorothy LaBostrie (American songwriter) and Richard Wayne Penniman
composer:
Dorothy LaBostrie (American songwriter), Joe Lubin and Richard Wayne Penniman
publisher:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and Phonogram GmbH (in 1983)
Little Richard2:25
5Reet Petite (The Finest Girl You Ever Want to Meet)Jackie Wilson42:44
6Duke of Earl
recording of:
Duke of Earl
writer:
Eugene Dixon, Earl Edwards (soul singer-songwriter) and Bernice Williams (songwriter)
publisher:
Conrad Music (publisher; do NOT use as release label)
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present))
Gene Chandler2:16
7Why Do Fools Fall in Love
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 8) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 307)
recording of:
Why Do Fools Fall in Love (in 1955-11)
additional writer:
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) and Herman Santiago (singer for Frankie Lymon & The Teenagers)
writer:
Morris Levy and Frankie Lymon
publisher:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Frankie Lymon & The Teenagers4.52:18
8Hit the Road Jack
recording of:
Hit the Road Jack
lyricist and composer:
Percy Mayfield
publisher:
Tangerine Music, Tangerine Music Corp. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Ray Charles1:56
9Blueberry Hill
producer:
Dave Bartholomew
phonographic copyright (℗) by:
Everest Records (classical), Liberty (a division of UMG Recordings, Inc.) (in 1957) and EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
recorded at:
Master Recorders in Hollywood, Los Angeles, California, United States
edit of:
Blueberry Hill (Imperial) by Fats Domino
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 81) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 147)
cover recording of:
Blueberry Hill (on 1956-06-27)
lyricist:
Al Lewis (Tin Pan Alley era lyricist) and Larry Stock
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company and Victoria Music Publishing Co. Ltd.
part of:
12 Monkeys Soundtrack
Fats Domino4.652:22
10Stand by Me
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1961), Progressive Music Publishing Company Inc. (in 1981) and Trio Music Co., Inc. (in 1981)
recording of:
Stand by Me
publisher:
Mike Stoller
writer:
Ben E. King, Jerry Leiber and Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music and Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King3:00
11My Baby Just Cares for MeNina Simone3.853:36
12Tears on My Pillow
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 30) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 478)
recording of:
Tears on My Pillow
lyricist:
Al Lewis (Tin Pan Alley era lyricist)
composer:
Sylvester Bradford
publisher:
Gladys Music (in 1958), Sovereign Music Co. (in 1958) and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (in 1989)
Little Anthony & the Imperials2.52:16
13Smoke Gets in Your Eyes
recorded in:
Paris, Île-de-France, France (on 1958-09-24)
producer:
Buck Ram
lead vocals:
Tony Williams (lead singer for The Platters)
performer:
The Platters
cover recording of:
Smoke Gets in Your Eyes (on 1958-09-24)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
The Platters3.752:38
14It’s All in the Game
conductor:
Leroy Holmes
arranger:
Leroy Holmes
cover recording of:
It’s All in the Game
lyricist:
Carl Sigman (in 1951)
composer:
Charles Dawes (in 1911)
publisher:
Campbell Connelly & Co. Ltd., Larry Spier Inc., Majorsongs Ltd., Memory Lane Music Ltd., Music Sales (Japan, subsidiary of Shinko Music Entertainment), Music Sales Corporation (American copyright holder in both popular and classical music), Remick Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Bros., Inc. (not for release label use!), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
is based on:
Melody in A major (instrumental)
Tommy Edwards42:38
15Passing Strangers
recording of:
Passing Strangers
writer:
Rita Mann (songwriter) (in 1957) and Mel Mitchell (songwriter) (in 1957)
Billy Eckstine & Sarah Vaughan32:39
16I Can’t Stop Loving You
cover recording of:
I Can’t Stop Lovin’ You
lyricist and composer:
Don Gibson (US songwriter and country musician)
publisher:
Acuff-Rose-Opryland Music Limited (UK), Sony/ATV Songs LLC and Acuff-Rose Publications, Inc. (BMI) (on 1958-02-07)
Ray Charles4:17
17Didn’t It Rain
Mahalia Jackson2:40
18Handy Man
recording of:
Handy Man
writer:
Otis Blackwell (American pianist, singer and songwriter) and Jimmy Jones (writer of “Good Timin’” and “Handy Man”)
publisher:
Bess Music Company, EMI Unart Catalog Inc., Metric Music Company (publisher), Shalimar Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Jimmy Jones1:59
19Will You Love Me Tomorrow
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (in 1960)
kettle drum:
Carole King (in 1960)
piano:
Paul Griffin (American pianist, session musician) (in 1960)
lead vocals:
Shirley Owens (in 1960)
vocals:
Doris Coley (in 1960), Addie Harris (in 1960) and Beverly Lee (singer for The Shirelles) (in 1960)
phonographic copyright (℗) by:
HHO Licensing Ltd.
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 151)
recording of:
Will You Love Me Tomorrow (Carole King song) (in 1960)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Lushmole Music, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Shirelles3.82:41
20Bo Didley
recording of:
Bo Diddley
lyricist and composer:
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (until 1955-03-02)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Good Music Ltd.
Bo Diddley2:29
21Good Golly Miss MollyLittle Richard2:10
22The Twist
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 2), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 249) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 451)
cover recording of:
The Twist
lyricist and composer:
Hank Ballard
publisher:
Carlin Music Corp., J. Albert & Son P/L and Embassy Music Corporation (from 2016-06 to present)
Chubby Checker4.22:37
23Green Onions
recorded in:
Memphis, Tennessee, United States (in 1962-06)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
bass guitar [bass]:
Lewie Steinberg (in 1962-06)
drums (drum set) [drums]:
Al Jackson (Booker T & The MGs drummer) (in 1962-06)
guitar:
Steve Cropper (in 1962-06)
Hammond organ:
Booker T. Jones (in 1962-06)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 181) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 418)
recording of:
Green Onions (in 1962-06)
composer:
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones and Lewie Steinberg
publisher:
Al Jackson Jr. Music, Bug Music (music publishing), Carlin Music Corporation, East/Memphis Music Corp. and Irving Music (BMI)
Booker T. & the MG’s4.152:54
24Sweet Little Sixteen
double bass:
Willie Dixon (in 1957-12)
drums (drum set):
Jasper Thomas (in 1957-12)
guitar and lead vocals:
Chuck Berry (in 1957-12)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (in 1957-12)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (in 1957-12)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 272)
recording of:
Sweet Little Sixteen (in 1957-12)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Fermata do Brasil, Isalee Music Publishing Co. (Chuck Berry’s music publishing company), Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry2.53:12
25It Never Entered My Mind
producer:
Alfred Lion
bass and double bass:
Percy Heath (on 1954-03-06)
drums (drum set):
Art Blakey (on 1954-03-06)
piano:
Horace Silver (on 1954-03-06)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1954-03-06)
phonographic copyright (℗) by:
Blue Note
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1954-03-06)
instrumental cover recording of:
It Never Entered My Mind (on 1954-03-06)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Miles Davis4:03
4CD: Classic Soul, Part 1 1963-1966
#TitleArtistRatingLength
1Dancing in the Street
producer:
William Stevenson (Motown songwriter)
baritone saxophone:
Thomas Bowles (on 1964-06-29)
bass guitar:
James Jamerson (on 1964-06-29)
drums (drum set):
Marvin Gaye (on 1964-06-29)
guitar:
Joe Messina (on 1964-06-29), Robert White (US funk/soul guitarist) (on 1964-06-29) and Eddie Willis (on 1964-06-29)
other instruments [tire iron]:
Ivy Jo Hunter (on 1964-06-29)
percussion, tambourine and vibraphone [vibes]:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (on 1964-06-29)
tenor saxophone:
Henry Cosby (on 1964-06-29)
trombone:
George Bohanon (on 1964-06-29) and Paul Riser (on 1964-06-29)
trumpet:
Russell Conway (trumpet player) (on 1964-06-29) and Herbert Williams (trumpet player) (on 1964-06-29)
background vocals:
Rosalind Ashford (on 1964-06-29), Ivy Jo Hunter (on 1964-06-29), Betty Kelly (on 1964-06-29) and William Stevenson (Motown songwriter) (on 1964-06-29)
lead vocals:
Martha Reeves (on 1964-06-29)
publisher:
EMI Music Publishing (do not use as a release label!)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964) and Universal Music TV (UK, a division of Universal Music Operations Limited) (in 2009)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 130) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 403)
recording of:
Dancing in the Street (on 1964-06-29)
writer:
I. Hunter, M. Gaye and W. Stevenson (Motown songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Martha and the Vandellas3.552:39
2People Get Ready
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 24), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 28) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 122)
recording of:
People Get Ready
lyricist and composer:
Curtis Mayfield
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Impressions42:41
3Rescue Me
producer:
Billy Davis (r&b producer/songwriter/performer Roquel Davis), Raynard Miner and Carl Smith (US songwriter and producer active in Chicago)
lead vocals:
Fontella Bass
arranger:
Phil Wright (American jazz pianist and assistant to Barbara Morrison)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1965) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 31)
recording of:
Rescue Me
writer:
Raynard Miner and Carl Smith (US songwriter and producer active in Chicago)
publisher:
United Artists Music Co., Inc. (ended), Chevis Music Publ. Corp. and Reservoir 416
Fontella Bass4.52:54
4Baby Love
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor) (on 1964-08-13)
bass:
James Jamerson (on 1964-08-13)
drums (drum set):
Richard "Pistol" Allen (on 1964-08-13)
foot stomps [footstomps]:
Michael Valvano (on 1964-08-13)
guitar:
Eddie Willis (on 1964-08-13)
instruments:
The Funk Brothers (on 1964-08-13)
piano:
Earl Van Dyke (on 1964-08-13)
tenor saxophone:
Henry Cosby (on 1964-08-13)
vibraphone:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (on 1964-08-13)
background vocals:
Florence Ballard (on 1964-08-13) and Mary Wilson (on 1964-08-13)
lead vocals:
Diana Ross (on 1964-08-13)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) and UMG Recordings (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (on 1964-08-13)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 324) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 499)
recording of:
Baby Love (on 1964-08-13)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. and Stone Agate Music Division
The Supremes4.452:36
5Reach Out I’ll Be There
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
instruments:
The Funk Brothers (in 1966)
background vocals:
The Andantes (in 1966), Marlene Barrow (in 1966), Renaldo Benson (in 1966), Louvain Demps (in 1966), Abdul “Duke” Fakir (in 1966), Jackie Hicks (in 1966) and Lawrence Payton (in 1966)
lead vocals:
Levi Stubbs (in 1966)
phonographic copyright (℗) by:
Motown Record Company (company credits only; do NOT use as release label) (in 1966)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (in 1966)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 78) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 206)
recording of:
Reach Out, I’ll Be There (in 1966)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Four Tops42:57
6Under the Boardwalk
recorded in:
New York, New York, United States (on 1964-05-21)
producer:
Bert Berns and Mike Leander
double bass [bass]:
Milt Hinton (on 1964-05-21)
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (on 1964-05-21)
guitar:
Everett Barksdale (on 1964-05-21), Bill Suyker (on 1964-05-21), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (on 1964-05-21) and Bob Bushnell (on 1964-05-21)
piano:
Ernie Hayes (American pianist, organist and arranger) (on 1964-05-21)
strings [nine strings]:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1964-05-21)
vibraphone [vibes]:
George Devens (on 1964-05-21)
baritone vocals:
Gene Pearson (vocals, Drifters) (on 1964-05-21)
bass vocals:
Winifred Terry (on 1964-05-21)
lead vocals:
Johnny Moore (soul/rnb vocalist for The Drifters) (on 1964-05-21)
tenor vocals:
Charlie Thomas (The Drifters) (on 1964-05-21)
conductor:
Gary Sherman (mid-20th century composer, arranger & conductor) (on 1964-05-21)
arranger:
Gary Sherman (mid-20th century composer, arranger & conductor) and Teacho Wiltshire
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 304) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 487)
recording of:
Under the Boardwalk (on 1964-05-21)
writer:
Arthur Resnick (songwriter, producer) and Kenny Young
publisher:
Alley Music Corp., Intersong (publisher), TM Music Ltd. and Trio Music Company
The Drifters4.352:43
7Walk on By
vocals:
Dionne Warwick
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 51), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 70), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 129)
recording of:
Walk On By
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Carlin Music Corporation, Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), JAC Music Co., Inc., New Hidden Valley Music Co., Rondor Music (Australia) Pty Ltd, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music, Inc., Windswept Music (London) Ltd., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dionne Warwick4.752:55
8When a Man Loves a Woman
producer:
Marlin Greene (’60s teen artist, writer & engineer) and Quin Ivy
double bass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (on 1966-02-17)
drums (drum set):
Roger Hawkins (on 1966-02-17)
farfisa [farfisa organ]:
Spooner Oldham (on 1966-02-17)
guitar:
Marlin Greene (’60s teen artist, writer & engineer) (on 1966-02-17)
vocals:
Percy Sledge (on 1966-02-17)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, in 1966) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
recorded at:
Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 54) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
When a Man Loves a Woman (on 1966-02-17)
writer:
Calvin Lewis, Percy Sledge and Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1966 to present), Pronto (BMI‐affiliated publishing company) (in 1972) and Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:56
9What Becomes of the Brokenhearted
producer:
William "Mickey" Stevenson (Motown songwriter)
recording of:
What Becomes of the Brokenhearted
writer:
James Dean (US soul songwriter), Paul Riser and William Weatherspoon
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Jobete Music (UK)
Jimmy Ruffin4.653:00
10Mad About the Boy
recorded in:
Chicago, Illinois, United States (on 1961-12-04)
piano:
Jack Wilson (jazz pianist) (on 1961-12-04)
trombone:
Billy Byers (on 1961-12-04)
trumpet:
Joe Newman (US jazz trumpeter) (on 1961-12-04)
vocals:
Dinah Washington
orchestra:
Quincy Jones and His Orchestra (on 1961-12-04)
arranger:
Quincy Jones (on 1961-12-04)
cover recording of:
Mad About the Boy (in 1961)
lyricist and composer:
Noël Coward
publisher:
Chappell & Co. and Chappell Music Ltd.
part of:
Words and Music
Dinah Washington52:48
11My Girl
producer:
Smokey Robinson and Ronald White (soul singer, founding member of The Miracles)
bass:
James Jamerson (from 1964-09-25 until 1964-11-17)
drums (drum set):
Benny Benjamin (US drummer) (from 1964-09-25 until 1964-11-17)
guitar:
Robert White (US funk/soul guitarist) (from 1964-09-25 until 1964-11-17)
instruments:
The Funk Brothers (from 1964-09-25 until 1964-11-17)
strings:
Detroit Symphony Orchestra (from 1964-09-25 until 1964-11-17)
background vocals:
Eddie Kendricks (from 1964-09-25 until 1964-11-17), Otis Williams (US baritone singer, member of The Temptations & The Distants) (from 1964-09-25 until 1964-11-17) and Paul Williams (member of The Temptations) (from 1964-09-25 until 1964-11-17)
lead vocals:
David Ruffin (soul singer, member of The Temptations) (from 1964-09-25 until 1964-11-17)
performer:
The Temptations (Motown soul vocal group) (from 1964-09-25 until 1964-11-17)
strings arranger:
Paul Riser
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1964)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (from 1964-09-25 until 1964-11-17)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 3), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 11), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 43) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 88)
recording of:
My Girl (from 1964-09-25 until 1964-11-17)
lyricist:
Smokey Robinson
composer:
Smokey Robinson and Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Temptations4.52:42
12Try a Little Tenderness
cover recording of:
Try a Little Tenderness
lyricist:
James Campbell (British songwriter and music publisher) and Reginald Connelly
composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Warner Chappell and Campbell Connelly & Co. Ltd. (on 1932-11-04)
Otis Redding3:46
13Tell It Like Is
producer:
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) and Alvin “Red” Tyler (American jazz saxophonist)
recorded at:
Jazz City Studios in New Orleans, Louisiana, United States (in 1966)
recording of:
Tell It Like It Is (in 1966)
writer:
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) and Lee Diamond
publisher:
Conrad Music (publisher; do NOT use as release label) and Olrap Publishing Co., Inc.
Aaron Neville4.352:43
14My Guy
recording of:
My Guy
lyricist and composer:
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
Mary Wells2:46
15In the Midnight Hour
Wilson Pickett2:31
16Harlem Shuffle
phonographic copyright (℗) by:
HHO Licensing Ltd. and HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing)
remaster of:
Harlem Shuffle by Bob & Earl
recording of:
Harlem Shuffle
writer:
Earl Nelson and Bob Relf
publisher:
Bug Music Ltd., Bug Music (music publishing) (in 1988), Keyman Music (publisher) (in 1988) and Marc-Jean Music (publisher) (in 1988)
Bob & Earl22:53
17Shotgun
Jr. Walker & the All Stars2:59
18Papa’s Got a Brand New Bag
recording of:
Papa’s Got a Brand New Bag
lyricist and composer:
James Brown (The Godfather of Soul)
part of:
MJ: The Musical
James Brown2:08
19The Shoop Shoop Song (It’s in His Kiss)
cover recording of:
It’s in His Kiss (The Shoop Shoop Song) (in 1964)
lyricist and composer:
Rudy Clark (US songwriter)
publisher:
By the Bay Music, Pathe Publications (F.E.) Ltd., TM Music Ltd. and Trio Music Company
Betty Everett42:11
20Then He Kissed Me
engineer:
Larry Levine (in 1963-07)
producer:
Phil Spector
lead vocals:
LaLa Brooks (in 1963-07)
arranger:
Jack Nitzsche (American musician and score composer) (in 1963-07)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-07)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 11), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 254) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 493)
recording of:
Then He Kissed Me (in 1963-07)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Malt Shoppe Music, Mother Bertha Music Inc., Steeplechase Music, Trio Music Co., Inc. and Universal–Songs of PolyGram International, Inc.
The Crystals4.652:36
21Knock on Wood
recorded in:
Memphis, Tennessee, United States (on 1966-07-13)
producer:
Steve Cropper
baritone saxophone:
probably Floyd Newman
bass guitar [bass]:
Duck Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1966-07-13)
drums (drum set) [drums]:
Al Jackson (Booker T & The MGs drummer) (on 1966-07-13)
guitar:
Steve Cropper (on 1966-07-13)
organ:
Booker T. Jones (on 1966-07-13)
piano:
Isaac Hayes (on 1966-07-13) and Booker T. Jones (on 1966-07-13)
tenor saxophone:
probably Andrew Love (on 1966-07-13)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1966-07-13)
vocals:
Eddie Floyd (on 1966-07-13)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recording of:
Knock on Wood (on 1966-07-13)
writer:
Steve Cropper and Eddie Floyd
publisher:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
adaptation of:
Potkraj na les
Eddie Floyd43:05
22Where Did Our Love Go
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor) (on 1964-04-08)
bass:
James Jamerson (on 1964-04-08)
drums (drum set):
Richard "Pistol" Allen (on 1964-04-08)
foot stomps [footstomps]:
Michael Valvano (on 1964-04-08)
guitar:
Robert White (US funk/soul guitarist) (on 1964-04-08) and Eddie Willis (on 1964-04-08)
instruments:
The Funk Brothers (on 1964-04-08)
piano:
Earl Van Dyke (on 1964-04-08)
vibraphone:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (on 1964-04-08)
background vocals:
Florence Ballard (on 1964-04-08) and Mary Wilson (on 1964-04-08)
lead vocals:
Diana Ross (on 1964-04-08)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (on 1964-04-08)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 9), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 29) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 472)
recording of:
Where Did Our Love Go (on 1964-04-08)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
writer:
Holland / Dozier / Holland
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. and Jobete Music Co., Inc.
The Supremes52:33
23Uptight (Everything’s Alright)
producer:
Henry Cosby and William Stevenson (Motown songwriter)
lead vocals:
Stevie Wonder (in 1965)
phonographic copyright (℗) by:
Motown Record Company (company credits only; do NOT use as release label) (in 1965)
recording of:
Uptight (Everything’s Alright) (in 1965)
lyricist and composer:
Henry Cosby, Sylvia Moy and Stevie Wonder
publisher:
EMI April Music Inc., Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music and Stone Agate Music
Stevie Wonder4.652:57
24A Love Supreme, Part I (Acknowledgement)
recording engineer:
Rudy van Gelder (on 1964-12-09)
producer:
Bob Thiele (producer & songwriter)
double bass [bass]:
Jimmy Garrison (on 1964-12-09)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-12-09)
piano:
McCoy Tyner (jazz pianist) (on 1964-12-09)
tenor saxophone:
John Coltrane (on 1964-12-09)
vocals:
John Coltrane (in 1964-12)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2002)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-12-09)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 315)
recording of:
A Love Supreme, Part 1: Acknowledgement (on 1964-12-09)
composer:
John Coltrane
publisher:
Jowcol Music
part of:
A Love Supreme (entire suite)
John Coltrane7:48
5CD: Classic Soul, Part 2 1967-1970
6CD: Nu Wave Soul 1971-1974
7CD: Disco Inferno 1975-1979
8CD: Black Pop & Hip Hop Culture, Part 1 1980-1983
9CD: Black Pop & Hip Hop Culture, Part 2 1984-1991
10CD: Urban Explosion 1992-1999