Original Album Series

~ Release by Madonna (see all versions of this release, 1 available)

Annotation

5 CDs in cardsleeve & outer card slipcase.

Different Cat#: On the box 8122797405, on sleeves and CD 8122797404
All five CDs are exactly the same as in this issue r3498444.

This collection ℗&© 2012 Warner Bros. Record Inc., a Warner Music Group Company, for the U.S and WEA International Inc. for the world outside the U.S. Manufactured in the E.U.

Annotation last modified on 2019-11-26 04:37 UTC.

Tracklist

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1▼CD: True Blue
#TitleRatingLength
1Papa Don’t Preach
producer:
Stephen Bray and Madonna (“Queen of Pop”)
lead vocals:
Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986)
recording of:
Papa Don’t Preach
additional lyricist:
Madonna (“Queen of Pop”)
lyricist and composer:
Brian Elliot (singer‐songwriter, also wrote “Papa Don’t Preach”)
publisher:
Elliot/Jacobsen Music Publishing and Warner / Chappell Music Publishing (Warner/Chappell Music, Inc.)
4.24:29
2Open Your Heart
producer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986)
recording of:
Open Your Heart
writer:
Gardner Cole, Madonna (“Queen of Pop”) and Peter Rafelson
publisher:
Bertus Pub., Bleu Disque Music Co., Inc. (publisher), Doraflo Music, Inc., Rafelson Music, Warner / Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner–Tamerlane Pub. Corp. (publisher; do NOT use as release label), WB Music Corp. (1929–2019) and Webo Girl Publishing, Inc.
4.354:14
3White Heat
membranophone programming:
Stephen Bray and Patrick Leonard (producer, songwriter and pianist)
producer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986)
recording of:
White Heat
writer:
Patrick Leonard (producer, songwriter and pianist) and Madonna Louise Veronica Ciccone (“Queen of Pop”)
3.54:40
4Live to Tell
drums (drum set) programming:
Patrick Leonard (producer, songwriter and pianist)
producer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
mixer:
Michael Verdick
drums (drum set):
Jonathan Moffett
guitar family:
Bruce Gaitsch (American guitarist, producer, engineer and arranger)
keyboard:
Patrick Leonard (producer, songwriter and pianist)
lead vocals:
Madonna (“Queen of Pop”)
vocals:
Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986)
recording of:
Live to Tell
writer:
Patrick Leonard (producer, songwriter and pianist) and Madonna Louise Veronica Ciccone (“Queen of Pop”)
publisher:
Bleu Disque Music Co., Inc. (publisher), Johnny Yuma Music (publisher), WB Music Corp. (1929–2019) and Webo Girl Publishing, Inc.
4.355:53
5Where’s the Party
producer:
Stephen Bray, Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986)
recording of:
Where's the Party
writer:
Stephen Bray, Patrick Leonard (producer, songwriter and pianist) and Madonna Louise Veronica Ciccone (“Queen of Pop”)
3.654:21
6True Blue
producer:
Stephen Bray and Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986)
recording of:
True Blue
writer:
Stephen Bray and Madonna Louise Veronica Ciccone (“Queen of Pop”)
publisher:
Bleu Disque Music Co. (publisher), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), WB Music Corp. (1929–2019) and Webo Girl Publishing, Inc.
3.654:19
7La isla bonita
drums (drum set) programming:
Patrick Leonard (producer, songwriter and pianist)
producer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
lead vocals:
Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986)
recording of:
La isla bonita
writer:
Bruce Gaitsch (American guitarist, producer, engineer and arranger), Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
publisher:
Bleu Disque Music Co. (publisher), Edge of Fluke Music, EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Johnny Yuma Music (publisher), Orangejello Music (BMI-affiliated), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing LLC (1995–2020), Warner / Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) (, until 2019-05-28), Webo Girl (publisher), Webo Girl Publishing, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), WC Music Corp. (from 2019-05-28 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
3.74:03
8Jimmy Jimmy
engineer:
Michael Hutchinson
producer:
Stephen Bray and Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986)
recording of:
Jimmy Jimmy
writer:
Stephen Bray and Madonna Louise Veronica Ciccone (“Queen of Pop”)
3.53:56
9Love Makes the World Go Round
membranophone programming:
Stephen Bray and Patrick Leonard (producer, songwriter and pianist)
producer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986)
recording of:
Love Makes the World Go Round
writer:
Patrick Leonard (producer, songwriter and pianist) and Madonna Louise Veronica Ciccone (“Queen of Pop”)
44:36
10True Blue (The Color mix)
additional producer:
Shep Pettibone
producer:
Stephen Bray and Madonna (“Queen of Pop”)
remixer:
Shep Pettibone
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986)
remix of:
True Blue by Madonna (“Queen of Pop”)
recording of:
True Blue
writer:
Stephen Bray and Madonna Louise Veronica Ciccone (“Queen of Pop”)
publisher:
Bleu Disque Music Co. (publisher), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), WB Music Corp. (1929–2019) and Webo Girl Publishing, Inc.
46:39
11La isla bonita (extended remix)
producer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
remixer:
Chris Lord‐Alge
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986)
remix of:
La isla bonita by Madonna (“Queen of Pop”)
recording of:
La isla bonita
writer:
Bruce Gaitsch (American guitarist, producer, engineer and arranger), Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
publisher:
Bleu Disque Music Co. (publisher), Edge of Fluke Music, EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Johnny Yuma Music (publisher), Orangejello Music (BMI-affiliated), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing LLC (1995–2020), Warner / Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) (, until 2019-05-28), Webo Girl (publisher), Webo Girl Publishing, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), WC Music Corp. (from 2019-05-28 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
55:26
2▼CD: Like a Prayer
#TitleRatingLength
1Like a Prayer
additional engineer:
Michael Vail Blum
assistant engineer:
Stacy Baird, Robert Salcedo and Joe Schiff
engineer and mixer:
Bill Bottrell
producer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
bass guitar:
Guy Pratt
lead vocals:
Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recorded at:
Johnny Yuma Recording in Burbank, California, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States and Saturn Sound in Burbank, California, United States
mixed at:
Smoketree Studios in Chatsworth, California, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 6), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 12), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 55) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 300)
recording of:
Like a Prayer
writer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
publisher:
Bleu Disque Music Co., Inc. (publisher), EMI Blackwood Music Inc., Orangejello Music (BMI-affiliated), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner / Chappell Music Publishing (Warner/Chappell Music, Inc.), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Johnny Yuma Music (publisher) (in 1988), Webo Girl Publishing, Inc. (in 1988), WB Music Corp. (1929–2019) (from 1989 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
4.155:42
2Express Yourself
additional engineer:
Michael Vail Blum
assistant engineer:
Stacy Baird, Robert Salcedo and Joe Schiff
engineer and mixer:
Bill Bottrell
producer:
Stephen Bray and Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recorded at:
Johnny Yuma Recording in Burbank, California, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States and Saturn Sound in Burbank, California, United States
mixed at:
Smoketree Studios in Chatsworth, California, United States
recording of:
Express Yourself
writer:
Stephen Bray and Madonna (“Queen of Pop”)
publisher:
Bleu Disque Music Co. (publisher), Island Music (Island Music Ltd.), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28), Black Lion Music, Inc. (publisher; do NOT use as release label) (in 1988), Webo Girl Publishing, Inc. (in 1988) and WC Music Corp. (from 2019-05-28 to present)
4.54:39
3Love Song
assistant engineer:
Stacy Baird, Robert Salcedo and Joe Schiff
engineer:
Bill Bottrell, Heidi Hanschu, Eddie Miller (US recording engineer) and Stephen Shelton (Engineer, late '80s)
producer:
Madonna (“Queen of Pop”) and Prince (“The Artist Formerly Known as…”)
mixer:
Bill Bottrell
vocals:
Prince (“The Artist Formerly Known as…”)
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recorded at:
Johnny Yuma Recording in Burbank, California, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States, Paisley Park Studios in Chanhassen, Minnesota, United States and Saturn Sound in Burbank, California, United States
mixed at:
Smoketree Studios in Chatsworth, California, United States
engineered at:
Paisley Park Studios in Chanhassen, Minnesota, United States
recording of:
Love Song
writer:
Madonna (“Queen of Pop”) and Prince (“The Artist Formerly Known as…”)
publisher:
WB Music Corp. (1929–2019), Girlsongs (publisher) (in 1988) and Webo Girl Publishing, Inc. (in 1988)
34:53
4Till Death Do Us Part
additional engineer:
Michael Vail Blum
assistant engineer:
Stacy Baird, Robert Salcedo and Joe Schiff
engineer and mixer:
Bill Bottrell
producer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recorded at:
Johnny Yuma Recording in Burbank, California, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States and Saturn Sound in Burbank, California, United States
mixed at:
Smoketree Studios in Chatsworth, California, United States
recording of:
Till Death Do Us Part
writer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
publisher:
WB Music Corp. (1929–2019), Johnny Yuma Music (publisher) (in 1988) and Webo Girl Publishing, Inc. (in 1988)
45:18
5Promise to Try
additional engineer:
Michael Vail Blum
assistant engineer:
Stacy Baird, Robert Salcedo and Joe Schiff
engineer and mixer:
Bill Bottrell
producer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recorded at:
Johnny Yuma Recording in Burbank, California, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States and Saturn Sound in Burbank, California, United States
mixed at:
Smoketree Studios in Chatsworth, California, United States
recording of:
Promise to Try
writer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
publisher:
WB Music Corp. (1929–2019), Johnny Yuma Music (publisher) (in 1988) and Webo Girl Publishing, Inc. (in 1988)
3.53:38
6Cherish
additional engineer:
Michael Vail Blum
assistant engineer:
Stacy Baird, Robert Salcedo and Joe Schiff
engineer and mixer:
Bill Bottrell
producer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recorded at:
Johnny Yuma Recording in Burbank, California, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States and Saturn Sound in Burbank, California, United States
mixed at:
Smoketree Studios in Chatsworth, California, United States
recording of:
Cherish
writer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
publisher:
Bleu Disque Music Co. (publisher), WB Music Corp. (1929–2019), Johnny Yuma Music (publisher) (in 1988) and Webo Girl Publishing, Inc. (in 1988)
4.355:04
7Dear Jessie
additional engineer:
Michael Vail Blum
assistant engineer:
Stacy Baird, Robert Salcedo and Joe Schiff
engineer and mixer:
Bill Bottrell
producer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recorded at:
Johnny Yuma Recording in Burbank, California, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States and Saturn Sound in Burbank, California, United States
mixed at:
Smoketree Studios in Chatsworth, California, United States
recording of:
Dear Jessie
writer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
publisher:
WB Music Corp. (1929–2019), Johnny Yuma Music (publisher) (in 1988) and Webo Girl Publishing, Inc. (in 1988)
44:21
8Oh Father
additional engineer:
Michael Vail Blum
assistant engineer:
Stacy Baird, Robert Salcedo and Joe Schiff
engineer and mixer:
Bill Bottrell
producer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recorded at:
Johnny Yuma Recording in Burbank, California, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States and Saturn Sound in Burbank, California, United States
mixed at:
Smoketree Studios in Chatsworth, California, United States
recording of:
Oh Father
writer:
Madonna Ciccone (“Queen of Pop”) and Patrick Leonard (producer, songwriter and pianist)
publisher:
Johnny Yuma Music (publisher) (in 1988), WB Music Corp. (1929–2019) (in 1988) and Webo Girl Publishing, Inc. (in 1988)
4.654:59
9Keep It Together
additional engineer:
Michael Vail Blum
assistant engineer:
Stacy Baird, Robert Salcedo and Joe Schiff
engineer and mixer:
Bill Bottrell
producer:
Stephen Bray and Madonna (“Queen of Pop”)
guitar:
Prince (“The Artist Formerly Known as…”)
lead vocals:
Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recorded at:
Johnny Yuma Recording in Burbank, California, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States and Saturn Sound in Burbank, California, United States
mixed at:
Smoketree Studios in Chatsworth, California, United States
recording of:
Keep It Together
writer:
Stephen Bray and Madonna (“Queen of Pop”)
publisher:
Island Music Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Black Lion Music, Inc. (publisher; do NOT use as release label) (in 1988), Webo Girl Publishing, Inc. (in 1988) and WC Music Corp. (from 2019-05-28 to present)
45:03
10Spanish Eyes
additional engineer:
Michael Vail Blum
assistant engineer:
Stacy Baird, Robert Salcedo and Joe Schiff
engineer and mixer:
Bill Bottrell
producer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recorded at:
Johnny Yuma Recording in Burbank, California, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States and Saturn Sound in Burbank, California, United States
mixed at:
Smoketree Studios in Chatsworth, California, United States
recording of:
Spanish Eyes (Madonna)
writer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
publisher:
WB Music Corp. (1929–2019), Johnny Yuma Music (publisher) (in 1988) and Webo Girl Publishing, Inc. (in 1988)
55:18
11Act of Contrition
recording of:
Act of Contrition
writer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
5:20
3▼CD: Ray of Light
#TitleRatingLength
1Drowned World/Substitute for Love
producer:
Madonna (“Queen of Pop”) and William Orbit (English musician, composer and record producer)
drums (drum set):
Fergus Gerrand
contains samples by:
The San Sebastian Strings
samples:
Why I Follow the Tigers by The San Sebastian Strings
recording of:
Drowned World/Substitute for Love
writer:
David Collins (Writer of Drowned World/Substitute for Love), Anita Kerr, Madonna Louise Veronica Ciccone (“Queen of Pop”), Rod McKuen and William Orbit (English musician, composer and record producer)
publisher:
Anita Kerr Publishing (from 1998 to present), Rondor Music (London), Limited (from 1998 to present), Stanyan Music Group (from 1998 to present), WB Music Corp. (1929–2019) (from 1998 to present) and Webo Girl Publishing, Inc. (from 1998 to present)
is based on:
Why I Follow the Tigers
4.055:09
2Swim
producer:
Madonna (“Queen of Pop”) and William Orbit (English musician, composer and record producer)
drums (drum set):
Fergus Gerrand
flute:
Pablo Cook
recording of:
Swim
writer:
Madonna Louise Veronica Ciccone (“Queen of Pop”) and William Orbit (English musician, composer and record producer)
publisher:
Rondor Music (London), Limited (from 1998 to present), WB Music Corp. (1929–2019) (from 1998 to present) and Webo Girl Publishing, Inc. (from 1998 to present)
3.65:01
3Ray of Light
engineer:
Pat McCarthy
producer:
Madonna (“Queen of Pop”) and William Orbit (English musician, composer and record producer)
music videos:
Ray of Light by Madonna (“Queen of Pop”)
part of:
Grammy Award: Best Dance/Electronic Recording nominees (number: 1999 winner)
recording of:
Ray of Light
writer:
Dave Curtiss, Christine Leach, Madonna Louise Veronica Ciccone (“Queen of Pop”), Clive Muldoon and William Orbit (English musician, composer and record producer)
publisher:
Purple Music Limited (from 1998 to present), Rondor Music (London), Limited (from 1998 to present), WB Music Corp. (1929–2019) (from 1998 to present) and Webo Girl Publishing, Inc. (from 1998 to present)
4.055:21
4Candy Perfume Girl
producer:
Madonna (“Queen of Pop”) and William Orbit (English musician, composer and record producer)
recording of:
Candy Perfume Girl
writer:
Madonna Louise Veronica Ciccone (“Queen of Pop”), Susannah Melvoin and William Orbit (English musician, composer and record producer)
publisher:
Chrysalis Music Limited (music publisher, affiliated with PRS) (from 1998 to present), Rondor Music (London), Limited (from 1998 to present), WB Music Corp. (1929–2019) (from 1998 to present) and Webo Girl Publishing, Inc. (from 1998 to present)
3.154:37
5Skin
producer:
Marius de Vries, Madonna (“Queen of Pop”) and William Orbit (English musician, composer and record producer)
guitar:
Marc Moreau (Universal Music Africa / Amadou & Mariam / All Other)
recording of:
Skin
writer:
Patrick Leonard (producer, songwriter and pianist) and Madonna Louise Veronica Ciccone (“Queen of Pop”)
publisher:
No Tomato Music (from 1998 to present), WB Music Corp. (1929–2019) (from 1998 to present) and Webo Girl Publishing, Inc. (from 1998 to present)
4.26:22
6Nothing Really Matters
additional drum machine programming:
Steve Sidelnyk
producer:
Marius de Vries, Madonna (“Queen of Pop”) and William Orbit (English musician, composer and record producer)
additional drum machine:
Steve Sidelnyk
background vocals:
Donna De Lory and Niki Harris (US singer and dancer)
recording of:
Nothing Really Matters
writer:
Patrick Leonard (producer, songwriter and pianist) and Madonna Louise Veronica Ciccone (“Queen of Pop”)
publisher:
No Tomato Music (from 1998 to present), WB Music Corp. (1929–2019) (from 1998 to present) and Webo Girl Publishing, Inc. (from 1998 to present)
3.84:27
7Sky Fits Heaven
producer:
Patrick Leonard (producer, songwriter and pianist), Madonna (“Queen of Pop”) and William Orbit (English musician, composer and record producer)
recording of:
Sky Fits Heaven
writer:
Patrick Leonard (producer, songwriter and pianist) and Madonna Louise Veronica Ciccone (“Queen of Pop”)
publisher:
No Tomato Music (from 1998 to present), WB Music Corp. (1929–2019) (from 1998 to present) and Webo Girl Publishing, Inc. (from 1998 to present)
3.74:48
8Shanti / Ashtangi
producer:
Madonna (“Queen of Pop”) and William Orbit (English musician, composer and record producer)
recording of:
Shanti/Ashtangi
writer:
Madonna Louise Veronica Ciccone (“Queen of Pop”) and William Orbit (English musician, composer and record producer)
publisher:
Rondor Music (London), Limited (from 1998 to present), WB Music Corp. (1929–2019) (from 1998 to present) and Webo Girl Publishing, Inc. (from 1998 to present)
3.154:29
9Frozen
additional programming:
Marius de Vries
producer:
Patrick Leonard (producer, songwriter and pianist), Madonna (“Queen of Pop”) and William Orbit (English musician, composer and record producer)
keyboard:
Marius de Vries
lead vocals:
Madonna (“Queen of Pop”)
strings arranger:
Craig Armstrong (Scottish score composer)
additional arranger:
Patrick Leonard (producer, songwriter and pianist)
arranger:
Craig Armstrong (Scottish score composer)
music videos:
Frozen (music video) by Madonna (“Queen of Pop”)
recording of:
Frozen
writer:
Patrick Leonard (producer, songwriter and pianist) and Madonna Louise Veronica Ciccone (“Queen of Pop”)
additional arranger:
Patrick Leonard (producer, songwriter and pianist)
arranger:
Craig Armstrong (Scottish score composer)
publisher:
No Tomato Music (from 1998 to present), WB Music Corp. (1929–2019) (from 1998 to present) and Webo Girl Publishing, Inc. (from 1998 to present)
4.256:13
10The Power of Good‐Bye
producer:
Patrick Leonard (producer, songwriter and pianist), Madonna (“Queen of Pop”) and William Orbit (English musician, composer and record producer)
strings arranger:
Craig Armstrong (Scottish score composer)
arranger:
Craig Armstrong (Scottish score composer)
music videos:
The Power of Good-Bye by Madonna (“Queen of Pop”)
recording of:
The Power of Good-Bye
writer:
Madonna Louise Veronica Ciccone (“Queen of Pop”) and Rick Nowels
arranger:
Craig Armstrong (Scottish score composer)
publisher:
EMI Virgin Music, Inc. (from 1998 to present), Future Furniture Music (from 1998 to present), WB Music Corp. (1929–2019) (from 1998 to present) and Webo Girl Publishing, Inc. (from 1998 to present)
4.054:12
11To Have and Not to Hold
producer:
Patrick Leonard (producer, songwriter and pianist), Madonna (“Queen of Pop”) and William Orbit (English musician, composer and record producer)
recording of:
To Have and Not to Hold
writer:
Madonna Louise Veronica Ciccone (“Queen of Pop”) and Rick Nowels
publisher:
EMI Virgin Music, Inc. (from 1998 to present), Future Furniture Music (from 1998 to present), WB Music Corp. (1929–2019) (from 1998 to present) and Webo Girl Publishing, Inc. (from 1998 to present)
3.55:23
12Little Star
additional drum machine programming:
Steve Sidelnyk
producer:
Marius de Vries and Madonna (“Queen of Pop”)
additional drum machine:
Steve Sidelnyk
recording of:
Little Star
writer:
Madonna Louise Veronica Ciccone (“Queen of Pop”) and Rick Nowels
publisher:
EMI Virgin Music, Inc. (from 1998 to present), Future Furniture Music (from 1998 to present), WB Music Corp. (1929–2019) (from 1998 to present) and Webo Girl Publishing, Inc. (from 1998 to present)
3.85:18
13Mer Girl
producer:
Madonna (“Queen of Pop”) and William Orbit (English musician, composer and record producer)
percussion:
Fergus Gerrand
samples:
Space by Gábor Szabó
recording of:
Mer Girl
writer:
Madonna Louise Veronica Ciccone (“Queen of Pop”) and William Orbit (English musician, composer and record producer)
publisher:
Rondor Music (London), Limited (from 1998 to present), WB Music Corp. (1929–2019) (from 1998 to present) and Webo Girl Publishing, Inc. (from 1998 to present)
2.95:32
4▼CD: Music
#TitleRatingLength
1Music
programming:
Mirwais Ahmadzaï and Sean Spuehler
assistant engineer:
Aaron Prattley, Tom Hannen, Iain Robertson (UK recording engineer), Tim Lambert, Dan Milazzo, Chris Ribando and Dan Vickers
engineer:
Mark Endert, Geoff Foster (sound engineer), Branwen Munn and Sean Spuehler
producer:
Madonna (“Queen of Pop”) and Mirwais Ahmadzaï
mixer:
Mark “Spike” Stent (producer, engineer)
editor:
Jake Davies
keyboard [keybaords]:
Mirwais Ahmadzaï
lead vocals:
Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2000)
recorded at:
Guerilla Beach in Los Angeles, California, United States, Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
samples:
Never Young Again by Mirwais
music videos:
Music by Madonna (“Queen of Pop”)
recording of:
Music
writer:
Madonna (“Queen of Pop”) and Mirwais Ahmadzaï
publisher:
1000 Lights Music Ltd., Warner–Tamerlane Pub. Corp. (publisher; do NOT use as release label), Webo Girl Publishing, Inc., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
3.33:45
2Impressive Instant
programming:
Mirwais Ahmadzaï and Sean Spuehler
assistant engineer:
Aaron Prattley, Tom Hannen, Iain Robertson (UK recording engineer), Tim Lambert, Dan Milazzo, Chris Ribando and Dan Vickers
engineer:
Mark Endert, Geoff Foster (sound engineer), Branwen Munn and Sean Spuehler
producer:
Madonna (“Queen of Pop”) and Mirwais Ahmadzaï
mixer:
Mark “Spike” Stent (producer, engineer)
editor:
Jake Davies
keyboard [keyboards]:
Mirwais Ahmadzaï
lead vocals:
Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2000)
recorded at:
Guerilla Beach in Los Angeles, California, United States, Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Impressive Instant
writer:
Madonna (“Queen of Pop”) and Mirwais Ahmadzaï
publisher:
1000 Lights Music Ltd., Warner–Tamerlane Pub. Corp. (publisher; do NOT use as release label), Webo Girl Publishing, Inc., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
3.63:38
3Runaway Lover
programming:
Sean Spuehler
assistant engineer:
Aaron Prattley, Tom Hannen, Iain Robertson (UK recording engineer), Tim Lambert, Dan Milazzo, Chris Ribando and Dan Vickers
engineer:
Mark Endert, Geoff Foster (sound engineer), Branwen Munn and Sean Spuehler
producer:
Madonna (“Queen of Pop”) and William Ørbit (William Orbit, English musician, composer and record producer)
mixer:
Mark “Spike” Stent (producer, engineer)
editor:
Jake Davies
drums (drum set):
Steve Sidelnyk
guitar [guitars] and keyboard [keyboards] and background vocals [backing vocals]:
William Ørbit (William Orbit, English musician, composer and record producer)
lead vocals:
Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2000)
recorded at:
Guerilla Beach in Los Angeles, California, United States, Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Runaway Lover
writer:
Madonna (“Queen of Pop”) and William Ørbit (William Orbit, English musician, composer and record producer)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rondor Music (London) Ltd., WB Music Corp. (1929–2019) and Webo Girl Publishing, Inc.
3.64:47
4I Deserve It
programming:
Mirwais Ahmadzaï and Sean Spuehler
assistant engineer:
Aaron Prattley, Tom Hannen, Iain Robertson (UK recording engineer), Tim Lambert, Dan Milazzo, Chris Ribando and Dan Vickers
engineer:
Mark Endert, Geoff Foster (sound engineer), Branwen Munn and Sean Spuehler
producer:
Madonna (“Queen of Pop”) and Mirwais Ahmadzaï
mixer:
Mark “Spike” Stent (producer, engineer)
editor:
Jake Davies
acoustic guitar and keyboard [keyboards]:
Mirwais Ahmadzaï
lead vocals:
Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2000)
recorded at:
Guerilla Beach in Los Angeles, California, United States, Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
I Deserve It
writer:
Madonna (“Queen of Pop”) and Mirwais Ahmadzaï
publisher:
1000 Lights Music Ltd., Warner–Tamerlane Pub. Corp. (publisher; do NOT use as release label), WB Music Corp. (1929–2019) and Webo Girl Publishing, Inc.
3.24:24
5Amazing
programming:
Sean Spuehler
assistant engineer:
Aaron Prattley, Tom Hannen, Iain Robertson (UK recording engineer), Tim Lambert, Dan Milazzo, Chris Ribando and Dan Vickers
engineer:
Mark Endert, Geoff Foster (sound engineer), Branwen Munn and Sean Spuehler
producer:
Madonna (“Queen of Pop”) and William Ørbit (William Orbit, English musician, composer and record producer)
mixer:
Mark “Spike” Stent (producer, engineer)
editor:
Jake Davies
drums (drum set):
Steve Sidelnyk
guitar [guitars] and keyboard [keybaords] and background vocals [backing vocals]:
William Ørbit (William Orbit, English musician, composer and record producer)
lead vocals:
Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2000)
recorded at:
Guerilla Beach in Los Angeles, California, United States, Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Amazing
writer:
Madonna (“Queen of Pop”) and William Ørbit (William Orbit, English musician, composer and record producer)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rondor Music (London) Ltd., WB Music Corp. (1929–2019) and Webo Girl Publishing, Inc.
3.253:43
6Nobody’s Perfect
programming:
Mirwais Ahmadzaï and Sean Spuehler
assistant engineer:
Aaron Prattley, Tom Hannen, Iain Robertson (UK recording engineer), Tim Lambert, Dan Milazzo, Chris Ribando and Dan Vickers
engineer:
Mark Endert, Geoff Foster (sound engineer), Branwen Munn and Sean Spuehler
producer:
Madonna (“Queen of Pop”) and Mirwais Ahmadzaï
mixer:
Mark “Spike” Stent (producer, engineer)
editor:
Jake Davies
keyboard [keyboards]:
Mirwais Ahmadzaï
lead vocals:
Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2000)
recorded at:
Guerilla Beach in Los Angeles, California, United States, Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Nobody's Perfect
writer:
Madonna (“Queen of Pop”) and Mirwais Ahmadzaï
publisher:
1000 Lights Music Ltd., Warner–Tamerlane Pub. Corp. (publisher; do NOT use as release label), WB Music Corp. (1929–2019) and Webo Girl Publishing, Inc.
3.754:59
7Don’t Tell Me
programming:
Mirwais Ahmadzaï and Sean Spuehler
assistant engineer:
Aaron Prattley, Tom Hannen, Iain Robertson (UK recording engineer), Tim Lambert, Dan Milazzo, Chris Ribando and Dan Vickers
engineer:
Mark Endert, Geoff Foster (sound engineer), Geoff Foster (sound engineer) (strings), Branwen Munn and Sean Spuehler
producer:
Madonna (“Queen of Pop”) and Mirwais Ahmadzaï
mixer:
Mark “Spike” Stent (producer, engineer)
editor:
Jake Davies
acoustic guitar [acoustic guitars] and keyboard [keyboards]:
Mirwais Ahmadzaï
lead vocals:
Madonna (“Queen of Pop”)
strings arranger:
Michel Colombier (French score composer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2000)
recorded at:
Air Lindhurst Sudios in United Kingdom (strings), Guerilla Beach in Los Angeles, California, United States, Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Don't Tell Me
writer:
Joe Henry (US singer-songwriter, guitarist & producer), Madonna (“Queen of Pop”) and Mirwais Ahmadzaï
publisher:
1000 Lights Music Ltd., Lemz Music, True North Music, Warner–Tamerlane Pub. Corp. (publisher; do NOT use as release label), Webo Girl Publishing, Inc., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
44:40
8What It Feels Like for a Girl
programming:
Guy Sigsworth and Sean Spuehler
assistant engineer:
Aaron Prattley, Tom Hannen, Iain Robertson (UK recording engineer), Tim Lambert, Dan Milazzo, Chris Ribando and Dan Vickers
engineer:
Mark Endert, Geoff Foster (sound engineer), Branwen Munn and Sean Spuehler
producer:
Madonna (“Queen of Pop”), Guy Sigsworth and Mark “Spike” Stent (producer, engineer)
mixer:
Mark “Spike” Stent (producer, engineer)
editor:
Jake Davies
guitar [guitars] and keyboard [keyboards]:
Guy Sigsworth
lead vocals:
Madonna (“Queen of Pop”)
other vocals:
Charlotte Gainsbourg
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2000)
recorded at:
Guerilla Beach in Los Angeles, California, United States, Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
music videos:
What It Feels Like for a Girl by Madonna (“Queen of Pop”)
recording of:
What It Feels Like for a Girl
writer:
Madonna (“Queen of Pop”), Guy Sigsworth and David Torn (guitarist/composer aka SPLaTTeRCeLL)
publisher:
Universal Music Publishing Limited (UK subsidiary of Universal Music Publishing Group), Webo Girl Publishing, Inc., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
3.34:44
9Paradise (Not for Me)
programming:
Sean Spuehler
assistant engineer:
Aaron Prattley, Tom Hannen, Iain Robertson (UK recording engineer), Tim Lambert, Dan Milazzo, Chris Ribando and Dan Vickers
engineer:
Mark Endert, Geoff Foster (sound engineer), Branwen Munn and Sean Spuehler
producer:
Madonna (“Queen of Pop”) and Mirwais Ahmadzaï
mixer:
Mark “Spike” Stent (producer, engineer)
editor:
Jake Davies
lead vocals:
Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2000)
recorded at:
Guerilla Beach in Los Angeles, California, United States, Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Paradise (Not for Me)
lyricist:
Madonna (“Queen of Pop”)
composer:
Madonna (“Queen of Pop”) and Mirwais Ahmadzaï
publisher:
1000 Lights Music Ltd., Warner–Tamerlane Pub. Corp. (publisher; do NOT use as release label), WB Music Corp. (1929–2019) and Webo Girl Publishing, Inc.
46:34
10Gone
programming:
Sean Spuehler
assistant engineer:
Aaron Prattley, Tom Hannen, Iain Robertson (UK recording engineer), Tim Lambert, Dan Milazzo, Chris Ribando and Dan Vickers
engineer:
Mark Endert, Geoff Foster (sound engineer), Branwen Munn and Sean Spuehler
producer:
Madonna (“Queen of Pop”), Mark “Spike” Stent (producer, engineer) and William Ørbit (William Orbit, English musician, composer and record producer)
mixer:
Mark “Spike” Stent (producer, engineer)
editor:
Jake Davies
acoustic guitar:
Paul Stacey (UK producer, engineer & guitarist)
drums (drum set):
Steve Sidelnyk
electric guitar [FX guitars] and keyboard [keyboards]:
William Ørbit (William Orbit, English musician, composer and record producer)
lead vocals:
Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2000)
recorded at:
Guerilla Beach in Los Angeles, California, United States, Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Gone
publisher:
Damian LeGassick and Nik Young
writer:
Damian LeGassick, Madonna (“Queen of Pop”) and Nik Young
publisher:
WB Music Corp. (1929–2019) and Webo Girl Publishing, Inc.
3.53:29
11American Pie
programming:
Rico Conning and Sean Spuehler
engineer:
Jake Davies, Mark Endert and Sean Spuehler
producer:
Madonna (“Queen of Pop”) and William Orbit (English musician, composer and record producer)
mixer:
Mark “Spike” Stent (producer, engineer)
keyboard:
Damian LeGassick
background vocals [backup vocals]:
Rupert Everett
lead vocals:
Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2000) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2000)
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
cover recording of:
American Pie
lyricist and composer:
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd and Yahweh Tunes, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3.54:36
5▼CD: Confessions on a Dance Floor
#TitleRatingLength
1Hung Up
recording engineer:
Stuart Price
producer:
Madonna (“Queen of Pop”) and Stuart Price
mixer:
Mark "Spike" Stent (producer, engineer)
lead vocals:
Madonna (“Queen of Pop”)
recorded at:
Shirland Road studios in Westminster, London (Greater London), England, United Kingdom
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
samples:
Gimme! Gimme! Gimme! (A Man After Midnight) by ABBA (Swedish pop group)
recording of:
Hung Up
writer:
Benny Andersson (ABBA), Madonna Louise Veronica Ciccone (“Queen of Pop”), Stuart Price and Björn Ulvaeus
publisher:
EMI Grove Park Music, Inc., EMI Waterford Music, Union Songs Music and Webo Girl Publishing, Inc.
is based on:
Gimme! Gimme! Gimme! (A Man After Midnight)
4.155:36
2Get Together
recording engineer:
Stuart Price
producer:
Madonna (“Queen of Pop”) and Stuart Price
mixer:
Mark "Spike" Stent (producer, engineer)
remixer:
redLymb
recorded at:
Shirland Road studios in Westminster, London (Greater London), England, United Kingdom
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Get Together
composer:
Peer Astrom, Anders Bagge, Madonna Louise Veronica Ciccone (“Queen of Pop”) and Stuart Price
3.355:31
3Sorry
recording engineer:
Stuart Price
producer:
Madonna (“Queen of Pop”) and Stuart Price
mixer:
Mark "Spike" Stent (producer, engineer)
recorded at:
Shirland Road studios in Westminster, London (Greater London), England, United Kingdom
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
samples:
Can You Feel It (album version) by The Jacksons (formerly “The Jackson 5”)
recording of:
Sorry
composer:
Madonna Louise Veronica Ciccone (“Queen of Pop”) and Stuart Price
publisher:
Darkdancer and Webo Girl Publishing, Inc.
3.94:43
4Future Lovers
recording engineer:
Stuart Price
additional membranophone [drum] programming:
Stuart Price
programming:
Mirwais Ahmadzaï
audio engineer:
Paul ‘P Dub’ Walton
producer:
Madonna (“Queen of Pop”) and Mirwais Ahmadzaï
mixer:
Mark "Spike" Stent (producer, engineer)
recorded at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Future Lovers
composer:
Madonna Louise Veronica Ciccone (“Queen of Pop”) and Mirwais Ahmadzaï
3.54:51
5I Love New York
recording engineer:
Stuart Price
producer:
Madonna (“Queen of Pop”) and Stuart Price
mixer:
Mark "Spike" Stent (producer, engineer)
recorded at:
Shirland Road studios in Westminster, London (Greater London), England, United Kingdom
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
part of:
Q50 – December 2005 (number: 18)
recording of:
I Love New York
composer:
Madonna Louise Veronica Ciccone (“Queen of Pop”) and Stuart Price
3.554:12
6Let It Will Be
recording engineer:
Stuart Price
producer:
Madonna (“Queen of Pop”) and Stuart Price
mixer:
Mark "Spike" Stent (producer, engineer)
recorded at:
Shirland Road studios in Westminster, London (Greater London), England, United Kingdom
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Let It Will Be
writer:
Madonna Louise Veronica Ciccone (“Queen of Pop”), Mirwais Ahmadzaï and Stuart Price
publisher:
1000 Lights Music Ltd., Darkdancer and Webo Girl Publishing, Inc.
3.54:19
7Forbidden Love
recording engineer:
Stuart Price
producer:
Madonna (“Queen of Pop”) and Stuart Price
mixer:
Stuart Price
recorded at and mixed at:
Shirland Road studios in Westminster, London (Greater London), England, United Kingdom
recording of:
Forbidden Love (Confessions on a Dance Floor track)
composer:
Madonna Louise Veronica Ciccone (“Queen of Pop”) and Stuart Price
3.54:22
8Jump
recording engineer:
Stuart Price
producer:
Madonna (“Queen of Pop”) and Stuart Price
mixer:
Mark "Spike" Stent (producer, engineer)
recorded at:
Shirland Road studios in Westminster, London (Greater London), England, United Kingdom
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Jump
composer:
Joe Henry (US singer-songwriter, guitarist & producer), Madonna Louise Veronica Ciccone (“Queen of Pop”) and Stuart Price
publisher:
Blood Count Music, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Darkdancer and Webo Girl Publishing, Inc.
3.453:46
9How High
recording engineer:
Stuart Price
co-producer:
Stuart Price
producer:
Bloodshy and Avant and Madonna (“Queen of Pop”)
mixer:
Mark "Spike" Stent (producer, engineer)
recorded at:
Murlyn Studios in Stockholm, Stockholms län (Stockholm county), Sweden and Shirland Road studios in Westminster, London (Greater London), England, United Kingdom
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
How High
composer:
Henrik Jonback (Swedish producer, engineer, songwriter, guitarist), Christian Karlsson (Swedish producer, remixer, songwriter, DJ, piano, guitar), Madonna Louise Veronica Ciccone (“Queen of Pop”) and Pontus Winnberg (Swedish composer, lyricist, producer, engineer, multi-instrumentalist)
3.34:40
10Isaac
recording engineer:
Stuart Price
producer:
Madonna (“Queen of Pop”) and Stuart Price
mixer:
Mark "Spike" Stent (producer, engineer)
additional vocals:
Yitzhak Sinwani
recorded at:
Shirland Road studios in Westminster, London (Greater London), England, United Kingdom
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Isaac
composer:
Madonna Louise Veronica Ciccone (“Queen of Pop”) and Stuart Price
3.26:04
11Push
recording engineer:
Stuart Price
producer:
Madonna (“Queen of Pop”) and Stuart Price
mixer:
Mark "Spike" Stent (producer, engineer)
recorded at:
Shirland Road studios in Westminster, London (Greater London), England, United Kingdom
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Push
composer:
Madonna Louise Veronica Ciccone (“Queen of Pop”) and Stuart Price
3.23:57
12Like It or Not
recording engineer:
Stuart Price
additional programming:
Stuart Price
producer:
Bloodshy and Avant and Madonna (“Queen of Pop”)
mixer:
Mark "Spike" Stent (producer, engineer)
acoustic guitar:
Monte Pittman
bass guitar [bass] and guitar [mango guitar]:
Henrik Jonback (Swedish producer, engineer, songwriter, guitarist)
recorded at:
Murlyn Studios in Stockholm, Stockholms län (Stockholm county), Sweden and Shirland Road studios in Westminster, London (Greater London), England, United Kingdom
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Like It or Not
composer:
Henrik Jonback (Swedish producer, engineer, songwriter, guitarist), Christian Karlsson (Swedish producer, remixer, songwriter, DJ, piano, guitar), Madonna Louise Veronica Ciccone (“Queen of Pop”) and Pontus Winnberg (Swedish composer, lyricist, producer, engineer, multi-instrumentalist)
34:32

Credits

Release group

includes:Confessions on a Dance Floor
Like a Prayer
Music
Ray of Light
True Blue
part of:Original Album Series (Rhino / Warner 5 album compilations) (order: 26)