Rock’mantique Top 100, Vol. 3

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Se bastasse una canzone
phonographic copyright (℗) by:
DDD (La Drogueria di Drugolo, Italian label) (in 1990)
recording of:
Se bastasse una canzone
lyricist:
Adelio Cogliati and Eros Ramazzotti
composer:
Piero Cassano and Eros Ramazzotti
Eros Ramazzotti5:06
2Cuts Both Ways
programming:
Jorge Casas and Clay Ostwald
additional assistant engineer:
Carlos Nieto (engineer, mostly for Latin music)
engineer:
Eric Schilling
producer:
Jorge Casas, Emilio Estefan, Jr. and Clay Ostwald
mixer:
Phil Ramone and Eric Schilling
lead vocals:
Gloria Estefan
arranger:
Jorge Casas, John Hill DeFaria and Clay Ostwald
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
recording of:
Cuts Both Ways
lyricist and composer:
Gloria Estefan
publisher:
EMI Songs Ltd.
Gloria Estefan33:13
3Ordinary World
recording of:
Ordinary World
lyricist:
Warren Cuccurullo, John Nigel Taylor (UK bassist for Duran Duran), Simon Le Bon (singer for Duran Duran) and Nick Rhodes
composer:
Warren Cuccurullo, Simon Le Bon (singer for Duran Duran), Nick Rhodes and John Taylor (UK bassist for Duran Duran)
publisher:
KMR Music Royalties II SCSp, Kobalt Music Publishing Ltd. (UK), Kobalt Music Services America Inc., American Skintrade Music Inc (from 1993 to present), EMI April Music Inc. (from 1993 to present) and Private Parts Musicall (from 1993 to present)
Duran Duran4:40
4I Turn to You
recording engineer:
Mario Luccy
programming and producer:
Guy Roche
assistant engineer:
"Famous" David Nash (engineer) and Tom Bender (engineer)
mixer:
Mick Guzauski
guitar [guitars]:
Tim Pierce (US session guitarist) and Michael Thompson (session guitarist)
Moog:
Jon Glaser
background vocals:
Christina Aguilera and Sue Ann Carwell
arranger:
Guy Roche
music videos:
I Turn to You by Christina Aguilera
part of:
The Downloader’s Music Source Book (number: 265)
cover recording of:
I Turn to You
lyricist and composer:
Diane Warren (US songwriter)
publisher:
Realsongs, Warner Olive Music LLC and WB Music Corp. (1929–2019)
Christina Aguilera3.54:35
5Cats in the Cradle
engineer and mixer:
Mark Dodson (UK producer) and Randy Long
producer:
Mark Dodson (UK producer)
bass guitar:
Cordell Crockett (in 1992)
drums (drum set):
Mark Davis (US drummer for Ugly Kid Joe) (in 1992)
guitar:
Klaus Eichstadt (in 1992) and Dave Fortman (in 1992)
background vocals:
Jennifer Barry (in 1992)
lead vocals:
Whitfield Crane (in 1992)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1992) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1992)
cover recording of:
Cat’s in the Cradle (in 1992)
writer:
Sandra Campbell Chapin and Harry F Chapin
publisher:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Ugly Kid Joe3.754:03
6Flying Without Wings
programming:
Chris Laws (engineer, keyboardist & songwriter)
engineer:
Chris Laws (engineer, keyboardist & songwriter) and Daniel Pursey (UK engineer)
producer:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
mixer:
Matt Howe (producer and engineer) and Steve Mac (British pop producer/songwriter Steve McCutcheon)
bass guitar:
Steve Pearce (UK bassist)
guitar:
Paul Gendler
keyboard:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
choir vocals:
Benny Diggs
chorus master:
Benny Diggs
strings arranger:
Richard Niles
arranger:
Wayne Hector and Steve Mac (British pop producer/songwriter Steve McCutcheon)
music videos:
Flying Without Wings by Westlife
recording of:
Flying Without Wings
lyricist:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
composer:
Wayne Hector and Steve Mac (British pop producer/songwriter Steve McCutcheon)
publisher:
Rokstone Music Ltd., Rondor Music (London) Ltd. and Songs of Windswept Pacific
Westlife23:36
7Hurts to Be in Love
recording of:
Hurts to Be in Love
lyricist and composer:
Gino Vannelli
publisher:
En Forme Music, Whirling Rainbow Music and フジパシフィックミュージック (Fujipacific Music, Inc.)
Gino Vannelli33:42
8Keep On Loving You
assistant engineer:
Tom Cummings (engineer) and Jeff Eccles
engineer:
Kevin Beamish
co-producer:
Alan Gratzer
producer:
Kevin Beamish, Kevin Cronin and Gary Richrath
acoustic guitar:
Kevin Cronin
bass:
Bruce Hall (US bassist for REO Speedwagon)
drums (drum set):
Alan Gratzer
guitar:
Gary Richrath
Hammond organ:
Neal Doughty
background vocals:
Kevin Cronin, Tom Kelly (songwriter) and Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
arranger:
Kevin Cronin
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1980), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1980), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1980, in 1981) and CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 67)
recording of:
Keep On Loving You (on 1980-09-03)
lyricist and composer:
Kevin Cronin
publisher:
Bucks Music Group Ltd. (Bucks Music Group), Bug Music Ltd., Fate Music, HoriPro Entertainment Group, Hornall Brothers Music Ltd. (limited company), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd., The International Music Network and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Taiyō Music
REO Speedwagon3.73:21
9Cry for Help
edit of:
Cry for Help by Rick Astley (English singer, songwriter and radio personality)
recording of:
Cry for Help
writer:
Rick Astley (English singer, songwriter and radio personality) and Rob Fisher (UK keyboardist, in Naked Eyes)
publisher:
Cruz Music (Rick Astley's label) and Universal Music Publishing MGB Ltd.
Rick Astley4:18
10All Out of Love
executive producer:
Clive Davis (record producer, A&R executive and music industry chief executive)
producer:
Robie Porter
assistant mixer:
Linda Corbin
mixer:
Jim Hilton
bass guitar:
Criston Barker
drums (drum set):
Ralph Cooper (drummer)
guitar [lead guitar]:
David Moyse
guitar [rhythm guitar]:
Graham Russell (Air Supply)
keyboard:
Frank Esler‐Smith and Sam McNally
background vocals:
Criston Barker, Tommy Dassalo (percussionist and backing vocalist for Air Supply), Russell Hitchcock, Marcy Levy, David Moyse and Graham Russell (Air Supply)
lead vocals:
Russell Hitchcock
vocals:
Graham Russell (Air Supply)
arranger:
Air Supply and Robie Porter
orchestrator:
Frank Esler‐Smith and Robie Porter
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1980), Arista Records, LLC (holding company - file NO releases here!) (in 1980), Big Time Phonograph Recording Co. (in 1980), Big Time Phonograph Recording Co. Pty Ltd. (in 1980) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1980)
recorded at:
Paradise Studios (Sydney) in Sydney, New South Wales, Australia and Studios 301 (Byron Bay) in Byron Bay (Byron Bay, New South Wales), New South Wales, Australia
mixed at:
Larrabee Sound Studios (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California, United States
part of:
The Downloader’s Music Source Book (number: 290)
recording of:
All Out of Love
writer:
Clive Davis (record producer, A&R executive and music industry chief executive) and Graham Russell (Air Supply)
publisher:
Arista Music, Inc., BMG Music Publishing Ltd., BRM Publishing, Careers–BMG Music Publishing, Inc., DJDMP, Inc., Nottsongs, Riva Music Ltd., Universal Music Careers, Universal Music Publishing MGB Ltd., Warner Chappell Music (publisher as Warner/Chappell Music) and Warner/Chappell Music Ltd. (1996–2019)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Air Supply4.454:01
11They Don’t Play Our Lovesong Anymore
producer:
Martin Duiser
arranger:
Hans Hollestelle
phonographic copyright (℗) by:
Arcade (Brussels-based branch of Dutch "Arcade" label that served the Benelux market; this is not an imprint!) (in 1985) and BMG Ariola Benelux BV (not for release label use!) (in 1987)
mixed at:
Soundpush II in Blaricum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
cover recording of:
They Don’t Play Our Love Song Anymore
lyricist and composer:
Mike d’Abo (English singer‐songwriter, former frontman of Manfred Mann)
Anita Meyer3:42
12There’ll Be Sad Songs (To Make You Cry)
phonographic copyright (℗) by:
Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
recording of:
There’ll Be Sad Songs (to Make You Cry)
writer:
Wayne Brathwaite, Barry Eastmond and Billy Ocean
publisher:
Zomba Enterprises, Inc.
Billy Ocean34:51
13Baker Street
bass:
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel) (in 1977)
drums (drum set):
Henry Spinetti (in 1977)
guitar [lead guitar]:
Hugh Burns (in 1977)
guitar [rhythm guitar]:
Nigel Jenkins (in 1977)
keyboard:
Tommy Eyre (in 1977)
percussion:
Glen LeFleur (in 1977)
saxophone:
Raphael Ravenscroft (in 1977)
lead vocals:
Gerry Rafferty (in 1977)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978, in 1980), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1978) and United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1978)
recorded at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom (in 1977)
edit of:
Baker Street by Gerry Rafferty
recording of:
Baker Street (in 1977)
lyricist and composer:
Gerry Rafferty
publisher:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) and Universal–Songs of PolyGram International, Inc.
Gerry Rafferty4.154:04
14Cherish
recording of:
Cherish
writer:
Clifford Adams (trombonist in Kool & the Gang), Robert “Kool” Bell, Ronald Bell, Jim Bonnefond, George Brown (US percussionist of Kool & the Gang), Curtis Williams (keyboardist/percussionist of Kool & The Gang), James Taylor (US R&B vocalist for Kool & the Gang) and Claydes Smith
publisher:
Delightful Music Ltd., Planetary Nom (London) Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Windswept Pacific Music Ltd.
Kool & the Gang4:01
15Daughters
guitar and lead vocals:
John Mayer (US singer‐songwriter)
percussion:
Lenny Castro
recording of:
Daughters
lyricist and composer:
John Mayer (US singer‐songwriter)
John Mayer2.53:58
16Reunited
recording of:
Reunited
writer:
Dino Fekaris and Freddie Perren
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Peaches & Herb3:30
17Smoke Gets in Your Eyes
cover recording of:
Smoke Gets in Your Eyes
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
The Platters2:39
18Any Love
recording engineer, engineer and mixer:
Ray Bardani
synthesizer programming:
Jason Miles (jazz producer/keyboardist)
producer:
Marcus Miller (jazz musician) and Luther Vandross
assistant mixer:
Marc DeSisto
bass and synthesizer [keyboard synthesizer]:
Marcus Miller (jazz musician)
drums (drum set):
Buddy Williams (drummer)
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
background vocals and lead vocals:
Luther Vandross
arranger:
Marcus Miller (jazz musician)
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1988)
mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Any Love
writer:
Marcus Miller (jazz musician) and Luther Vandross
publisher:
EMI April Music Inc., WB Music Corp. (1929–2019), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1988), SBK April Music Inc. (in 1988), Sunset Burgundy, Inc. (in 1988) and Uncle Ronnie’s Music Company Inc. (in 1988)
Luther Vandross4:59
19There Goes My Everything
recording engineer:
Bill Porter (engineer) (on 1971-01-27)
recorded at:
International Hotel in Winchester, Nevada, United States (on 1971-01-27)
live cover recording of:
There Goes My Everything (1965 song) (on 1971-01-27)
lyricist and composer:
Dallas Frazier (American songwriter and musician)
publisher:
Acuff-Rose Music Limited (UK), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Elvis Presley Music Inc., Acuff-Rose Publications, Inc. (BMI) (on 1965-11-24), Blue Crest Music, Inc. (on 1965-11-24) and Husky Music (on 1965-11-24)
version of:
En gång är ingen gång
Elvis Presley2:47
20Sacrifice
recording of:
Sacrifice
composer:
O. Bouman and S. van Amerongen
publisher:
T.B.M. International CV
Anouk3:58
2CD
#TitleArtistRatingLength
1Mmm Mmm Mmm Mmm
additional recording engineer:
David Vartanian
recording engineer:
Tommy Lipnick
engineer:
Dan Harjung
producer:
Crash Test Dummies and Jerry Harrison (Talking Heads & producer)
mixer:
Tom Lord‐Alge
editor:
Patrick Murphy (engineer)
accordion, keyboard [keyboards], piano and background vocals [back-up vocals]:
Ellen Reid (Canadian keyboardist and singer)
acoustic guitar [acoustic guitars], electric guitar [electric guitars] and lead vocals:
Brad Roberts (of Crash Test Dummies)
phonographic copyright (℗) by:
BMG Music Canada Inc. (in 1991, in 1993) and BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (in 1993)
recorded at:
DV Productions in Milwaukee, Wisconsin, United States, Mindscape in Chicago, Illinois, United States and Music Head Recording in Lake Geneva, Wisconsin, United States
mixed at:
Music Head Recording in Lake Geneva, Wisconsin, United States
produced at:
God Of Thunder Studios
music videos:
Mmm Mmm Mmm Mmm by Crash Test Dummies
recording of:
Mmm Mmm Mmm Mmm
lyricist and composer:
Brad Roberts (of Crash Test Dummies)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Door Number Two Music (in 1993), Dummies Productions Inc. (in 1993) and PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1993)
Crash Test Dummies3.953:53
2How to Save a Life
assistant recording engineer:
Kevin Loyal and James Masterson
recording engineer and editor:
Paul Mahern
additional engineer:
Tim Hoagland and Aaron Johnson (producer/mixer/engineer, worked with The Fray)
assistant engineer:
Alex Uychocde
producer:
Mike Flynn (A&R executive) and Aaron Johnson (producer/mixer/engineer, worked with The Fray)
mixer:
Mark Endert
additional editor:
Warren Huart
music video for:
How to Save a Life (first variant) by The Fray (US alternative rock band)
music videos:
How to Save a Life (third variant) by The Fray (US alternative rock band)
recording of:
How to Save a Life
writer:
Joe King (guitarist and vocalist in The Fray) and Isaac Slade
publisher:
Aaron Edwards Publishing, EMI April Music Inc. and EMI Music Publishing Ltd. (PRS‐affiliated)
The Fray4.24:22
3Another Day
recording of:
Another Day
writer:
Bill Gable, Branford Marsalis (saxophonist) and Frank McComb
Buckshot LeFonque3:33
4Sylvia’s Mother
producer:
Ron Haffkine
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
recording of:
Sylvia’s Mother
lyricist and composer:
Shel Silverstein
publisher:
Essex Music, Essex Music of Australia Pty. Ltd. and Evil Eye Music Inc.
Dr. Hook43:49
5Brown Eyed Girl
recording engineer:
Brooks Arthur (on 1967-03-28)
producer:
Bert Russell Berns
bass guitar:
Eric Gale (on 1967-03-28)
drums (drum set):
Gary Chester (studio drummer and educator) (on 1967-03-28)
guitar:
Al Gorgoni (on 1967-03-28), Hugh McCracken (on 1967-03-28) and Van Morrison (on 1967-03-28)
organ:
Garry Sherman (mid-20th century composer, arranger & conductor) (on 1967-03-28)
background vocals:
The Sweet Inspirations (on 1967-03-28)
lead vocals:
Van Morrison (on 1967-03-28)
performer:
Van Morrison (on 1967-03-28)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967), Charly Records (in 1968) and Exile Productions Ltd. (not for Label Release) (in 1973)
recorded at:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, United States (on 1967-03-28) and A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (on 1967-04-07)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 71) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 109)
recording of:
Brown Eyed Girl (Van Morrison song) (from 1967-03-28 until 1967-04-07)
lyricist and composer:
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) and Polygram Publishing AB (in 1992)
Van Morrison3.253:01
6With You
part of:
Billboard Year-End Hot 100 singles of 2008 (number: 9)
recording of:
With You
writer:
Johntá Austin (American singer-songwriter, arranger, producer, vocalist and rapper), Amund Bjørklund, Tor Erik Hermansen, Espen Lind and Mikkel Eriksen
Chris Brown2.54:14
7Dear Lie
recording of:
Dear Lie
writer:
Babyface (R&B musician Kenny Edmonds) and Tionne “T‐Boz” Watkins
TLC3:57
8Out of LoveToto35:54
9Daydream
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) and Kama Sutra (in 1966)
recording of:
Daydream (in 1966-02)
lyricist and composer:
John B. Sebastian
publisher:
Robbins Music Corp. Ltd.
The Lovin’ Spoonful3.752:19
10Blue Velvet
producer:
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
cover recording of:
Blue Velvet
writer:
Lee Morris (US songwriter) and Bernie Wayne
publisher:
Bernie Wayne Music Co., Chappell/Morris Ltd., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bobby Vinton4.352:48
11Simple Song of Freedom
cover recording of:
Simple Song of Freedom
lyricist and composer:
Bobby Darin
Tim Hardin3:52
12Shake You Down
producer:
Gregory Abbott
bass:
T.M. Stevens (US bass player Thomas Michael Stevens)
membranophone:
David Beal
background vocals:
Gregory Abbott, Robert Deadmon and Aida Foreman
lead vocals:
Gregory Abbott
arranger:
Gregory Abbott
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
part of:
The Downloader’s Music Source Book (number: 69)
recording of:
Shake You Down
lyricist and composer:
Gregory Abbott
publisher:
EMI Songs Ltd. and Grabbitt Music (publisher)
Gregory Abbott3.654:06
13Young Girl
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1968)
recording of:
Young Girl
lyricist and composer:
Jerry Fuller
publisher:
EMI Music Publishing (S.E. Asia) Ltd. (EMI Music Publishing (S.E. Asia) Limited)
Gary Puckett & the Union Gap43:13
14Baby Come to Me
recording of:
Baby Come to Me
writer:
Jeffrey Cohen (70s/80s US funk/soul producer/songwriter) and Narada Michael Walden
publisher:
BMG Gold Songs, Gratitude Sky Music, Inc., Penzafire Music, WB Music Corp. (1929–2019), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Regina Belle4:12
15Lovin’ You
mastering:
Kent Duncan
additional engineer:
Gary Olazabal
engineer:
Malcolm Cecil and Robert Margouleff
bass drum, cymbal, harmonica, membranophone and piano:
El Toro Negro
bass guitar:
Reggie McBride
congas:
Rocki Dzidzornu
guitar:
Michael Sembello
membranophone:
Ollie E. Brown (US drummer, session musician & record producer)
background vocals:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) and Yvonne Wright
lead vocals:
Minnie Riperton
arranger:
Wonderlove (Stevie Wonder alias used to do work outside of Motown)
recording of:
Lovin’ You
writer:
Minnie Riperton and Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
publisher:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-publisher:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton23:45
16My Guy
bass:
James Jamerson (in 1964)
drums (drum set):
Benny Benjamin (US drummer) (in 1964)
guitar:
Robert White (US funk/soul guitarist) (in 1964) and Eddie Willis (in 1964)
instruments:
The Funk Brothers (in 1964)
organ:
Earl Van Dyke (in 1964)
piano:
Johnny Griffith (in 1964)
trombone:
George Bohanon (in 1964) and Paul Riser (in 1964)
trumpet:
Russell Conway (trumpet player) (in 1964) and Herbert Williams (trumpet player) (in 1964)
vibraphone:
Dave Hamilton (US guitar/vibraphone player) (in 1964)
background vocals:
The Andantes (in 1964), Marlene Barrow (in 1964), Louvain Demps (in 1964) and Jackie Hicks (in 1964)
lead vocals:
Mary Wells (Motown singer) (in 1964)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (in 1964)
recording of:
My Guy (in 1964)
lyricist and composer:
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
Mary Wells4.22:50
17Wires
assistant recording engineer:
Ian Davenport (UK based recording engineer) and Mark Duggan (engineer)
producer:
Athlete and Victor van Vugt
assistant mixer:
Keith Gary
mixer:
Michael H Brauer (engineer)
strings:
London Metropolitan Orchestra
conductor:
Adam Peters
strings arranger:
Adam Peters
concertmaster:
David Juritz (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Quad Recording Studios in New York, New York, United States
recording of:
Wires
writer:
Joel Pott, Steve Roberts (drummer of Athlete), Tim Wanstall and Carey Willets
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Athlete3.54:19
18Endless Love
recording engineer:
Reggie Dozier
producer:
Lionel Richie
mixer:
Guy Costa
additional guest performer:
Diana Ross
arranger:
Gene Page
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1981)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 20)
recording of:
Endless Love
lyricist and composer:
Lionel Richie
publisher:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing (Warner/Chappell Music, Inc.) and Warner/Chappell North America
part of:
The 54th Academy Award for Best Original Song (number: 2)
Diana Ross & Lionel Richie3.54:26
19A Woman’s Worth
programming and producer:
Alicia Keys
mixer:
Manny Marroquin
guitar:
Arty White
background vocals:
Paul L. Green and Alicia Keys
arranger:
Alicia Keys
mixed at:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
recording of:
A Woman’s Worth
writer:
Alicia Keys and Erika Rose (President of Alicia Keys' multimedia company, AK Worldwide; co-wrote "A Woman's Worth")
publisher:
EMI Music Publishing (do not use as a release label!), Lellow Music Publishing and Skyhy Publishing
Alicia Keys4:14
20The Power of Love
recording of:
The Power of Love
writer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) and Rubet Music Publishing, Inc.
Frankie Goes to Hollywood4:02
3CD
#TitleArtistRatingLength
1You’re the First, the Last, My EverythingBarry White3.753:23
2No Air
additional performer:
Chris Brown (US R&B/pop singer and dancer)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2007)
part of:
Billboard Year-End Hot 100 singles of 2008 (number: 6) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 427)
recording of:
No Air
writer:
Erik Griggs (Erik “Blu2th” Griggs, American record producer), James Fauntleroy, Harvey Mason Jr. (hip hop/R&B producer, part of Underdogs), Steve “The Chef” Russell (engineer/producer) and Damon Thomas
Jordin Sparks & Chris Brown3.74:24
3You Left Me a Song
recording of:
You Left Me a Song
lyricist and composer:
Heather Nova
Heather Nova3:38
4Wish I Didn’t Miss You
producer:
Swizz Beatz (US hip hop producer)
phonographic copyright (℗) by:
J Records (US R&B) (from 2001 to present)
samples:
Back Stabbers by The O’Jays
recording of:
Wish I Didn’t Miss You
writer:
Leon Huff II (hip hop producer, aka Pop Trax, son of Leon Huff), Andrea Martin (singer/songwriter for various dance/soul artists), Ivan Matias, Gene McFadden and John Whitehead
Angie Stone44:28
5Homeward Bound
producer:
Bob Johnston (US record producer and early rockebilly singer)
mixer:
Vic Anesini
performer:
Art Garfunkel, Simon & Garfunkel and Paul Simon (of Simon & Garfunkel)
recording of:
Homeward Bound (on 1965-12-14)
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Pattern Music Ltd (publisher) and Paul Simon Music
Simon & Garfunkel42:29
6In a Lifetime
producer:
Steve Nye (producer, engineer and pianist)
additional vocals:
Bono (singer of U2)
performer:
Bono (singer of U2)
recording of:
In a Lifetime
lyricist and composer:
Ciarán Ó Braonáin and Pól Ó Braonáin
publisher:
BMG Music Publishing Ltd. and Clannad Music Ltd.
Clannad53:04
7One Moment Your MindTotal Touch4:19
8Too Shy
drums (drum set) programming:
Jez Strode
engineer:
Colin Thurston
producer:
Nick Rhodes and Colin Thurston
bass guitar:
Nick Beggs
ebow [e bow] and guitar:
Steve Askew
synthesizer:
Stuart Croxford Neale
additional vocals:
Nick Beggs and Stuart Croxford Neale
lead vocals:
Limahl
arranger:
Kajagoogoo
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982, in 1983)
music videos:
Too Shy by Kajagoogoo
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 9) and VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 27)
recording of:
Too Shy
lyricist:
Nick Beggs and Christopher Hamill
composer:
Steve Askew, Nick Beggs, Christopher Hamill, Stuart Croxford Neale and Jez Strode
publisher:
EMI Songs and Tritec Music Ltd. (publisher and copyrights holder)
Kajagoogoo3.653:44
9Kiss and Say Goodbye
instruments:
MFSB
background vocals:
Carla Benson, Evette Benton, Barbara Ingram and The Manhattans (New Jersey vocal group, notable for “Kiss and Say Goodbye”)
lead vocals [singing voice on 1st lead]:
Gerald Alston
spoken vocals [spoken voice on 2nd lead]:
Winfred Lovett (Lovett Winfred Lorenzo)
recording of:
Kiss and Say Goodbye
lyricist and composer:
Winfred Lovett (Lovett Winfred Lorenzo)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. and EMI Songs Ltd.
The Manhattans3.54:27
10I Don’t Believe in MiraclesColin Blunstone3:04
11Real to Me
producer:
Guy Chambers (English songwriter and record producer) and Richard Flak (producer/engineer)
vocals:
Brian McFadden
mixed at:
Metrophonic Studios in London (Greater London), England, United Kingdom
recording of:
Real to Me
writer:
Guy Chambers (English songwriter and record producer) and Brian McFadden
Brian McFadden3:44
12No Worries
recording of:
No Worries
Simon Webbe3:28
13When I Fall in Love
producer:
David Foster (Canadian music producer, arranger and composer)
mixer:
Humberto Gatica
vocals:
Céline Dion and Clive Griffin
arranger:
Jeremy Lubbock
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1993)
mixed for:
Hum Inc. Productions
produced for:
Chartmaker Inc.
cover recording of:
When I Fall in Love
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Céline Dion & Clive Griffin44:20
14Wouldn’t It Be Good
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistant engineer:
Roger Howorth
producer:
Peter Collins (producer)
mixer:
Julian Mendelsohn (Australian record producer and engineer)
lead vocals:
Nik Kershaw (in 1983)
horn arranger:
Jerry Hey and Nik Kershaw
arranger:
Nik Kershaw
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983, in 1984) and MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 88)
recording of:
Wouldn’t It Be Good (in 1983)
lyricist and composer:
Nik Kershaw
publisher:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
part of:
Gotcha! (1985 film soundtrack)
Nik Kershaw44:25
15I Touch Myself
assistant engineer:
Chris Albert (US engineer) and Vince Caro (engineer, music editor, producer)
producer:
Divinyls (Australian rock band), Howard Shore (Canadian score composer) and David Tickle
phonographic copyright (℗) by:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1989, in 1990) and Virgin Records (imprint + company, only for releases with Virgin RECORDS logo) (in 1990)
recorded at:
BMG Recording Studios in Theater District, New York, New York, United States
remixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 326)
recording of:
I Touch Myself
lyricist and composer:
Christina Amphlett, Mark McEntee, Tom Kelly (songwriter) and William Steinberg
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. and Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16)
Divinyls3.53:46
16Nothing’s Gonna Stop Us Now
performer:
Starship (continuation of Jefferson Starship) (in 1987)
phonographic copyright (℗) by:
BMG Music (in 1985, in 1987), BMG Entertainment (in 1987) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1987)
recording of:
Nothing’s Gonna Stop Us Now (in 1987)
writer:
Albert Hammond and Diane Warren (US songwriter)
arranger:
Narada Michael Walden
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) and Windswept Pacific Music Ltd. (publishing company)
part of:
The 60th Academy Award for Best Original Song (number: 2)
Starship44:28
17Love Hurts
additional recording engineer and additional mixer:
John Punter
recording engineer:
Tony Taverner
producer:
Manny Charlton
bass guitar:
Pete Agnew
drums (drum set):
Darrell Sweet
guitar and synthesizer:
Manny Charlton
background vocals:
Pete Agnew and Darrell Sweet
lead vocals:
Dan McCafferty
phonographic copyright (℗) by:
Mountain Records (British record company, established early 1970s, best known act is Nazareth) (in 1974) and USM Copyrights Ltd. (in 1975)
recorded at:
Associated Recording Studios in London (Greater London), England, United Kingdom and Escape Studios in Kent, England, United Kingdom
part of:
New York Post: 100 Greatest Covers (2007) (number: 75)
cover recording of:
Love Hurts
lyricist and composer:
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. and Acuff-Rose Publications, Inc. (BMI) (on 1960-08-30)
sub-publisher:
Acuff-Rose Music Limited (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Nazareth4.453:52
18All of My Heart
producer:
Trevor Horn
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
recording of:
All of My Heart
writer:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton and Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., EMI 10 Music Ltd., Neutron Music and Virgin Music (Publishers) Ltd.
part of:
Mantrap (ABC long-form film)
ABC4:50
19TrueSpandau Ballet5:14
20If You Come to Me
recording of:
If You Come to Me
writer:
Julian Gallagher (songwriter, producer), Martin Harrington, Ash Howes (British mixer, writer and musician), Sharon Murphy and Richard “Biff” Stannard
Atomic Kitten3:44
4CD
#TitleArtistRatingLength
1I Would Stay
recording of:
I Would Stay (in 2000)
lyricist and composer:
Jacqueline Govaert (Dutch singer, songwriter and pianist)
Krezip43:50
2Better in Time
recording engineer:
Greg Ogan
producer:
J.R. Rotem
mixer:
Serban Ghenea
instruments:
J.R. Rotem
instruments arranger:
J.R. Rotem
phonographic copyright (℗) by:
Simco Limited (not for release label use, for copyright/licensor use only) (in 2007, in 2008)
produced for:
Beluga Heights
recorded at:
Chalice Recording Studios in Hollywood, Los Angeles, California, United States
part of:
Billboard Year-End Hot 100 singles of 2008 (number: 53)
recording of:
Better in Time
writer:
Jonathan Rotem and Andrea Martin (singer/songwriter for various dance/soul artists)
publisher:
Gods Crying Publishing (ASCAP-affiliated), Jonathan Rotem Music, Sony/ATV Tunes LLC (ASCAP) and Southside Independent Music Publishing
Leona Lewis33:54
3Just Hold Me
recording of:
Just Hold Me
lyricist:
Maria Mena
composer:
Maria Mena and Arvid Solvang
Maria Mena4:23
4Love That Girl
recording of:
Love That Girl
composer:
Bobby Ozuna and Raphael Saadiq
Raphael Saadiq3:03
5Hold Me Now
recording engineer, engineer and mixer:
Phil Thornalley
drums (drum set) programming:
Tom Bailey (Thompson Twins)
producer:
Tom Bailey (Thompson Twins) and Alex Sadkin
congas and synthesizer [Prophet V]:
Joe Leeway
double bass [contrabass], guitar, harmonica, piano and synthesizer:
Tom Bailey (Thompson Twins)
drums (drum set), marimba, percussion and xylophone:
Alannah Currie
background vocals:
Alannah Currie and Joe Leeway
vocals:
Tom Bailey (Thompson Twins)
phonographic copyright (℗) by:
Arista Records Ltd. (not for release label use!) (in 1983), BMG Arista Records Ltd. (in 1983), BMG Eurodisc Ltd. (in 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983), Arista Records Ltd. (not for release label use!) (in 1984) and Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1984)
music videos:
Hold Me Now by Thompson Twins
recording of:
Hold Me Now (Thompson Twins song)
writer:
Alannah Joy Currie, Joseph Martin Leeway and Thomas Alexander Bailey (Thompson Twins)
vocals arranger:
Tom Bailey (Thompson Twins), Alannah Currie and Joe Leeway
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Point Music (publisher) and Point Music Ltd.
Thompson Twins4.54:45
6Burn
assistant recording engineer:
Tadd Mingo (a.k.a. “Rowdy Rik”; writer and technical)
recording engineer:
Brian Frye
producer:
Bryan Michael Cox (US R&B/hip‐hop producer/songwriter) and Jermaine Dupri (American rapper, record producer, actor & DJ)
assistant mixer:
John Horesco IV
mixer:
Jermaine Dupri (American rapper, record producer, actor & DJ) and Phil Tan (Malaysian-American audio engineer)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 2004)
produced for:
Blackbaby Inc. and So So Def Productions, Inc.
recorded at and mixed at:
Southside Studios in Atlanta, Georgia, United States
music videos:
Burn by Usher (American R&B singer‐songwriter)
recording of:
Burn
writer:
Bryan Michael Cox (US R&B/hip‐hop producer/songwriter), Jermaine Dupri (American rapper, record producer, actor & DJ) and Usher Raymond (American R&B singer‐songwriter)
publisher:
Babyboy’s Little Publishing Co., EMI-April Music, Inc., Noontime South, Shaniah Cymone Music, UR IV Music and WB Music Corp. (1929–2019)
Usher3.354:16
7Arms of Mary
producer:
Howard Albert and Ron Albert
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1975)
recording of:
Arms of Mary (in 1976)
lyricist and composer:
Iain Sutherland (Sutherland Brothers)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Island Music Ltd., Skerry Rock Ltd. and Smash Brothers Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sutherland Brothers & Quiver52:37
8Love You MoreRacoon43:16
9If You Love Me
phonographic copyright (℗) by:
MJJ Music (from 1994 to present)
recording of:
If You Love Me
lyricist:
Gordon Chambers (American singer-songwriter, and producer) and Nichole Gilbert
composer:
Dave "Jam" Hall (producer a.k.a. Jam)
publisher:
Brown Girl Music, Orisha Music, Paisley Park, Stone Jam Publishing Inc., The Night Rainbow Music (publisher) and WC Music Corp.
Brownstone53:44
10Building a MysterySarah McLachlan44:07
11As I Lay Me Down
vocals:
Sophie B. Hawkins
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1994)
recording of:
As I Lay Me Down
lyricist and composer:
Sophie B. Hawkins
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Sophie B. Hawkins54:09
12Longer
engineer:
Jeff Guercio and Marty Lewis (engineer)
producer:
Dan Fogelberg, Marty Lewis (engineer) and Norbert Putnam
mixer:
Marty Lewis (engineer)
acoustic guitar:
Dan Fogelberg
harp:
Gayle Levant (American studio musician, harpist)
solo flugelhorn:
Jerry Hey
vocals:
Dan Fogelberg
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) and Sony Music (global brand, excluding JP, owned by Sony Music Entertainment) (in 1980)
mixed at:
Quadrafonic Sound Studios in Nashville, Tennessee, United States
recording of:
Longer
lyricist and composer:
Dan Fogelberg
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Hickory Grove Music
Dan Fogelberg3.153:15
13Sara Smile
producer:
Chris Bond (producer, active circa 1970s) and Daryl Hall & John Oates
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1975)
recording of:
Sara Smile
lyricist:
Daryl Hall and John Oates
composer:
Daryl Hall
publisher:
Unichappell Music, Inc.
Hall & Oates4.253:08
14I Will Always Love YouDolly Parton53:04
15Follow Me
Do4:19
16Still Got the Blues (For You)
assistant engineer and assistant mixer:
Haydn Bendall (producer and engineer), Stuart Day, Markus Dravs, Steve Fitzmaurice (Irish mixer, songwriter and producer), Noel Harris and Greg Muden
engineer and mixer:
Ian Taylor (rock producer/engineer)
producer:
Gary Moore (Thin Lizzy, blues guitar) and Ian Taylor (rock producer/engineer)
bass guitar:
Andy Pyle
drums (drum set):
Graham Walker (UK drummer)
guest strings:
Gavyn Wright (UK violinist, conductor)
guitar and lead vocals:
Gary Moore (Thin Lizzy, blues guitar)
keyboard:
Don Airey
piano:
Nicky Hopkins (pianist and organist)
conductor:
Don Airey
strings arranger:
Don Airey and Gary Moore (Thin Lizzy, blues guitar)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1990)
recording of:
Still Got the Blues (for You)
lyricist and composer:
Gary Moore (Thin Lizzy, blues guitar)
publisher:
BMG 10 Music Ltd., BMG Platinum Songs, BMG VM Music France, Bonuswise Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Virgin Music Publishing Scandinavia AB, Gary Moore Songs and Mushroom Music Pty. Ltd.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Gary Moore44:09
17My Cherie Amour
recording of:
My Cherie Amour
writer:
Henry Cosby, Sylvia Moy and Stevie Wonder
publisher:
Black Bull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music, Stone Agate Music and 大洋音楽 (Taiyō Music)
Stevie Wonder2:52
18Something in the Air
producer:
Pete Townshend (of The Who)
recording of:
Something in the Air (in 1969)
lyricist and composer:
John Keen (“Speedy”)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Fabulous Music, Ltd. (this is a publisher, not an imprint!) and Songs of Windswept Pacific
Thunderclap Newman43:53
19Avalon
producer:
Rhett Davies and Roxy Music
mixer:
Bob Clearmountain
bass guitar:
Alan Spenner (from 1981 until 1982)
drums (drum set):
Andy Newmark (from 1981 until 1982)
guitar:
Neil Hubbard (from 1981 until 1982) and Phil Manzanera (from 1981 until 1982)
keyboard and lead vocals:
Bryan Ferry (from 1981 until 1982)
percussion:
Jimmy Maelen (percussion) (from 1981 until 1982)
saxophone:
Andy Mackay (of Roxy Music) (from 1981 until 1982)
background vocals:
Yannick Etienne (from 1981 until 1982) and Fonzi Thornton (from 1981 until 1982)
performer:
Roxy Music (from 1981 until 1982)
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (from 1982 to present, in 1982), Virgin EG Records Ltd. (in 1982) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982, in 1999)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1981 until 1982)
recording of:
Avalon (from 1981 until 1982)
lyricist and composer:
Bryan Ferry
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. and E.G. Music Ltd. (publisher) (in 1982)
Roxy Music4.154:15
20Family Portrait
edit of:
Family Portrait by P!nk (American singer/songwriter)
recording of:
Family Portrait (in 2001)
lyricist and composer:
Alecia Moore (American singer/songwriter) and Scott Storch (producer)
publisher:
EMI April Music Inc., Left Handed Lover Music, Reservoir Media Music and Scott Storch Music
P!nk3:46
5CD
#TitleArtistRatingLength
1Hallelujah
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1994, in 2008) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1994)
cover recording of:
Hallelujah
lyricist and composer:
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Bad Monk Publishing, Leonard Cohen Stranger Music Inc., SM Publishing Argentina S.R.L., Sony/ATV Music LLC, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs (SOCAN), Sony/ATV Songs LLC and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
sub-publisher:
Sony/ATV Music Publishing (Hong Kong)
Jeff Buckley54:15
2Save Room
mixer:
Tony Maserati (engineer / mixer)
samples:
Stormy by Gábor Szabó
recording of:
Save Room
writer:
Buddy Buie, James B. Cobb Jr., John Legend, William Adams (American rapper and producer) and Jessyca Wilson
John Legend4.33:56
3Broken Wings
phonographic copyright (℗) by:
BMG Music (in 1985) and BMG Music International (in 1985)
recording of:
Broken Wings
writer:
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) and Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
publisher:
Ali‐Aja Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Mr. Mister45:25
4Thinking of You (I Drive Myself Crazy)
recording engineer:
Adam Barber
producer:
Veit Renn
assistant mixer:
Adam Barber
mixer:
Joe Smith (US recording/mixing engineer)
guitar:
Tony Battaglia
membranophone [live drums]:
Billy Ashbaugh
phonographic copyright (℗) by:
Trans Continental Records, Inc. (in 1997) and Trans Continental Records, Inc. (in 1998)
recorded at:
TransContinental Studios in Orlando, Florida, United States
mixed at:
Crescent Moon Studios in Miami, Florida, United States
recording of:
I Drive Myself Crazy
composer:
Rick Nowels, Allan Rich and Ellen Shipley
*NSYNC3.654:00
5I Bruise EasilyNatasha Bedingfield3:43
6Hold Me Now
engineer and mixer:
John Sonneveld
producer:
Rinus Gerritsen (bass player), Barry Hay, George Kooymans and John Sonneveld
drums (drum set) and percussion:
Cesar Zuiderwijk (Dutch drummer, member of Golden Earring)
electric bass guitar, harmonica and keyboard:
Rinus Gerritsen (bass player)
guitar:
Rinus Gerritsen (bass player), Barry Hay and George Kooymans
vocals:
Rinus Gerritsen (bass player), Barry Hay and George Kooymans
phonographic copyright (℗) by:
Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (in 1994)
recording of:
Hold Me Now
writer:
Barry Hay and George Kooymans
Golden Earring33:43
7Beautiful People
cover recording of:
Beautiful People
lyricist and composer:
Melanie (US singer‐songwriter Melanie Safka)
Mathilde Santing3:37
8All the Love in the World
engineer:
Karl Richardson
producer:
Albhy Galuten, Barry Gibb and Karl Richardson
bass guitar:
George “Chocolate” Perry (bassist aka "Chocolate")
drums (drum set):
Steve Gadd (drummer)
electric guitar:
Tim Renwick
background vocals:
Barry Gibb
lead vocals:
Dionne Warwick
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1982)
produced for:
Karlbhy Productions
recorded at:
Middle Ear Studio in Miami Beach, Florida, United States
recording of:
All the Love in the World
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music Publishing Ltd., Crompton Songs, Gibb Brothers Music (, in 1982), Unichappell Music, Inc., Universal Music Publishing International MGB Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Dionne Warwick3:27
9When I See You Smile
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989)
recording of:
When I See You Smile
lyricist and composer:
Diane Warren (US songwriter)
publisher:
EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Universal/MCA Music Ltd. (not for release label use!)
Bad English44:18
10Mr. Tambourine Man
recorded in:
Hollywood, Los Angeles, California, United States (on 1965-01-20)
producer:
Terry Melcher
12 string guitar:
Jim McGuinn (on 1965-01-20)
bass guitar:
Chris Hillman (on 1965-01-20)
drums (drum set):
Michael Clarke (drummer for the 1960s rock group The Byrds) (on 1965-01-20)
guitar:
David Crosby (on 1965-01-20)
tambourine:
Gene Clark (US singer-songwriter; founder of The Byrds) (on 1965-01-20)
vocals:
Gene Clark (US singer-songwriter; founder of The Byrds) (on 1965-01-20), David Crosby (on 1965-01-20), Chris Hillman (on 1965-01-20) and Jim McGuinn (on 1965-01-20)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1965) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1965)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 79) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 230)
cover recording of:
Mr. Tambourine Man (on 1965-01-20)
lyricist and composer:
Bob Dylan (from 1964-02 until 1964-04)
publisher:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1964 until 1992) and Special Rider Music (from 1992 to present)
The Byrds4.152:17
11Purest of Pain
Cali Aleman & The Original Latin All Stars3:31
12Heavy on My Heart
recording engineer:
Mike Fennel and Bill Malina
assistant engineer:
Jeff Burns (US composer of electronic and orchestral music/recording engineer), JD Andrews, Anthony Kilhoffer and Tom Sweeney (US engineer)
producer:
Glen Ballard and Billy Mann (US songwriter/producer)
assistant mixer:
Keith Armstrong (US engineer)
mixer:
Chris Lord‐Alge
bass:
Lance Morrison
drums (drum set):
Matt Laug
guitar:
Michael Landau and Tim Pierce (US session guitarist)
keyboard:
Glen Ballard and Randy Kerber
background vocals:
Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”) and Billy Mann (US songwriter/producer)
recorded at:
Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, United States, Larrabee East in Los Angeles, California, United States, Record One in Sherman Oaks, Los Angeles, California, United States and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
mixed at:
Image Recording Studios in Los Angeles, California, United States
music videos:
Heavy on My Heart by Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
recording of:
Heavy on My Heart (in 2004)
writer:
Anastacia Newkirk (USA pop singer from Chicago, IL, best known for “I’m Outta Love”) and Billy Mann (US songwriter/producer)
publisher:
BMG Silver Songs US, Po Ho Productions, Sony/ATV Sounds LLC, Turtle First Music and Universal Music Corp. (USA, affiliated with ASCAP)
Anastacia24:28
13Why Me?Linda Martin3:24
14Albatross
producer:
Mike Vernon
drums (drum set):
Mick Fleetwood (on 1968-10-06)
electric bass guitar:
John McVie (on 1968-10-06)
guitar:
Peter Green (former member of Fleetwood Mac) (on 1968-10-06) and Danny Kirwan (Fleetwood Mac) (on 1968-10-06)
phonographic copyright (℗) by:
Blue Horizon Records (in 1968) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1968)
recording of:
Albatross (on 1968-10-06)
composer:
Peter Green (former member of Fleetwood Mac)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Crosstown Songs UK Ltd., Kingstreet Media Publishing Limited and Palan Music Publishing Ltd.
Fleetwood Mac4.23:10
15Weak
Hind3:39
16What’s the Reason?
Silkstone3:43
17Eye in the Sky
additional recording engineer and additional producer:
Chris Blair (senior mastering engineer at Abbey Road Studios, London, UK)
assistant engineer:
Tony Richards (recording engineer)
engineer and producer:
Alan Parsons (of The Alan Parsons Project)
executive producer:
Eric Woolfson
acoustic guitar and electric guitar:
Ian Bairnson
bass guitar:
David Paton (of Pilot)
drums (drum set) and percussion:
Stuart Elliott (session drummer, member of Cockney Rebel)
electric piano and lead vocals:
Eric Woolfson
keyboard:
Alan Parsons (of The Alan Parsons Project) and Eric Woolfson
saxophone:
Mel Collins
synthesizer:
Alan Parsons (of The Alan Parsons Project)
background vocals:
Chris Rainbow
conductor:
Andrew Powell (known for contributions to Alan Parsons Project)
chorus master:
Bob Howes (percussionist)
orchestrator:
Andrew Powell (known for contributions to Alan Parsons Project)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1982), Arista Records, LLC (holding company - file NO releases here!) (in 1982) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1982, in 2007)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 21)
recording of:
Eye in the Sky
writer and composer:
Alan Parsons (of The Alan Parsons Project) and Eric Woolfson
publisher:
Careers Music, Inc., Careers–BMG Music Publishing, Inc., Universal Music Publishing International MGB Ltd. and Woolfsongs Ltd.
The Alan Parsons Project4.34:36
18Send Me an Angel
assistant engineer:
Shay Baby, Attie Bauw, Albert Boekholt and Tom Fletcher (engineer)
engineer:
Erwin Musper and Keith Olsen (US producer and engineer)
producer:
Keith Olsen (US producer and engineer) and Scorpions (German rock band)
mixer:
Shay Baby, Erwin Musper and Keith Olsen (US producer and engineer)
acoustic guitar, electric guitar [lead guitar] and electric guitar [rhythm guitar]:
Matthias Jabs and Rudolf Schenker
bass guitar:
Francis Buchholz
drums (drum set) and percussion:
Herman Rarebell (drummer, Germany)
electric guitar and slide guitar:
Matthias Jabs
guest keyboard:
Jim Vallance
background vocals:
Francis Buchholz, Matthias Jabs, Klaus Meine, Herman Rarebell (drummer, Germany) and Rudolf Schenker
lead vocals:
Klaus Meine
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1990)
recorded at:
Goodnight LA Studios in Van Nuys, California, United States and Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
mixed at:
Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Send Me an Angel (Scorpions song)
lyricist:
Klaus Meine
composer:
Rudolf Schenker
publisher:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present))
Scorpions44:32
19Don’t You (Forget About Me)
producer:
Keith Forsey (drummer, producer and songwriter)
mixer:
Jez Coad
performer:
Simple Minds (Scottish rock band) (on 1984-07-10)
phonographic copyright (℗) by:
Simple Minds Ltd
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 25) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 340)
recording of:
Don’t You (Forget About Me) (on 1984-07-10)
writer:
Keith Forsey (drummer, producer and songwriter) and Steve Schiff
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. and Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:21
20I Just Can’t Stop Loving You
recording engineer and mixer:
Bruce Swedien
synthesizer programming:
Steve Porcaro
co-producer:
Michael Jackson (“King of Pop”)
producer:
Quincy Jones
bass:
Nathan East
drums (drum set):
Ndugu Chancler
guitar:
Dann Huff
percussion:
Paulinho da Costa (Brazilian percussionist)
piano:
John Barnes (US soul songwriter, keyboardist, synthesizer & pianist aka LA Jay)
synclavier:
Christopher Currell (arranger)
synthesizer:
David Paich and Greg Phillinganes
background vocals and lead vocals:
Michael Jackson (“King of Pop”)
guest lead vocals:
Siedah Garrett
other instruments [rhtyhm] arranger:
Quincy Jones
synthesizer arranger:
Quincy Jones and David Paich
vocals arranger:
Michael Jackson (“King of Pop”)
phonographic copyright (℗) by:
MJJ Productions Inc. (rights holder, not an imprint) (in 1987)
recording of:
I Just Can’t Stop Loving You
lyricist and composer:
Michael Jackson (“King of Pop”)
publisher:
Mijac Music
Michael Jackson3.64:11