| # | Title | Artist | Rating | Length |
|---|
| 1 | Are You Gonna Go My Way- additional engineer:
- David Domanich
- assistant engineer:
- Greg DiGesu
- engineer and mixer:
- Henry Hirsch
- producer:
- Lenny Kravitz
- acoustic guitar and electric guitar:
- Craig Ross (in 1998-12)
- bass:
- Lenny Kravitz (in 1998-01) and Tony Breit (in 1998-12)
- drums (drum set), drums (drum set) [junkanoo] and background vocals and lead vocals:
- Lenny Kravitz (in 1998-12)
- synthesizer [arp string ensemble]:
- Henry Hirsch (in 1998-12)
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1993) and Virgin Records America, Inc. (in 1993)
- recording of:
- Are You Gonna Go My Way (in 1998-12)
- lyricist:
- Lenny Kravitz
- composer:
- Henry Hirsch, Lenny Kravitz and Craig Ross
- publisher:
- BMG Gold Songs, EMI Music Publishing Scandinavia AB, Miss Bessie Music, Shukat Arrow Hafer Weber & Herbsman, LLP, Warner/Chappell Music Scandinavia AB, Wigged Music, ヤマハミュージックエンタテインメントホールディングス , ワーナー・チャペル音楽出版 Synch事業部 , フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present)
| Lenny Kravitz | 3.9 | 3:31 |
| 2 | American Woman- assistant recording engineer:
- Ed Schnabl and Russ Vestuto
- recording engineer:
- Brian Christian
- producer:
- Jack Richardson
- arranger:
- The Guess Who
- phonographic copyright (℗) by:
- RCA Records (in 1969, in 1970) and BMG Music (in 1970)
- recorded at:
- RCA's Mid-America Recording Center in Chicago, Illinois, United States
- edit of:
- American Woman by The Guess Who
- recording of:
- American Woman
- writer:
- Randy Bachman , Burton Cummings, Jim Kale and Garry Peterson
- publisher:
- BMG Rights Management (UK) Ltd. , Bug Music , Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control , Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music and Unichappell Music, Inc.
| The Guess Who | 4.2 | 3:47 |
| 3 | Poison- recording engineer:
- Sir Arthur Payson (from 1988 until 1989)
- synthesizer programming:
- Steve Deutsch
- assistant engineer:
- George Cowan , Ben Fowler, Lolly Grodner, Robert Hart , John Herman , Don Peterkofsky, Duane Seykora, Brian Sterber and Mark Tanzer
- producer:
- Desmond Child
- mixer:
- Michael Barbiero and Steve Thompson
- additional keyboard:
- Paul Chiten (from 1988 until 1989) and Gregg Mangiafico (from 1988 until 1989)
- additional other instruments [special effects]:
- Gregg Mangiafico (from 1988 until 1989)
- bass guitar:
- Hugh McDonald (from 1988 until 1989)
- drums (drum set):
- Bobby Chouinard (from 1988 until 1989)
- guitar:
- John McCurry (from 1988 until 1989)
- keyboard:
- Alan St. John (from 1988 until 1989)
- background vocals:
- Alan St. John (from 1988 until 1989), Michael Anthony (from 1988 until 1989), Desmond Child (from 1988 until 1989), Diana Grasselli (from 1988 until 1989), Jango (from 1988 until 1989), Louie Merlino (from 1988 until 1989), Hugh McDonald (from 1988 until 1989), Jamie Sever (from 1988 until 1989), Bernie Shanahan (from 1988 until 1989), Stiv Bator (from 1988 until 1989), Tom Teeley (from 1988 until 1989), Joe Turano (from 1988 until 1989), Myriam Valle (from 1988 until 1989) and Maria Vidal (from 1988 until 1989)
- lead vocals:
- Alice Cooper (from 1988 until 1989)
- phonographic copyright (℗) by:
- CBS Records Inc. (in 1989), Epic Records (in 1989), Sony BMG Music Entertainment (in 1989), Sony Music Entertainment (in 1989) and Sony Music Entertainment Inc. (in 1989)
- recorded at:
- Bearsville Studios in Bearsville, New York, United States (from 1988 until 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, United States (from 1988 until 1989), Grog Kill Studio in Woodstock, New York, United States (from 1988 until 1989), Mediasound Studios in New York, New York, United States (from 1988 until 1989), Power Station Studios in Hell's Kitchen, New York, New York, United States (from 1988 until 1989), Right Track Recording in Manhattan, New York, New York, United States (from 1988 until 1989), Sigma Sound Studios in New York, New York, United States (from 1988 until 1989), The Complex Studios in Los Angeles, California, United States (from 1988 until 1989), The Record Plant in Hollywood, Los Angeles, California, United States (from 1988 until 1989) and The Village Recorder in Los Angeles, California, United States (from 1988 until 1989)
- recording of:
- Poison (from 1988 until 1989)
- writer:
- Desmond Child, Alice Cooper and John McCurry
- publisher:
- Desmobile Inc., Desmobile Music Co., Inc. , EMI April Music Inc., EMI Music Publishing Australia Pty. Limited , EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, from 1989 to present), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, from 1989 to ????), SBK Songs Ltd., Songs of Universal, Inc. , Sony Music Publishing , Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal , Universal Music Publishing , Universal Music Publishing Group, Universal Music Publishing Ltd. , Universal PolyGram International Publishing, Inc. , Universal/MCA Music Ltd. , Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB , Warner–Tamerlane Publishing Corp. and Ezra Music Corp. (from 1989 to present)
- sub-publisher:
- シンコーミュージック・エンタテイメント , ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
| Alice Cooper | 4.45 | 4:28 |
| 4 | Not an Addict | K’s Choice | 4.4 | 4:46 |
| 5 | More Than a Feeling- assistant engineer:
- Bruce Hensal, Deni King and Doug Rider
- engineer:
- Warren Dewey and Tom Scholz
- producer:
- John Boylan and Tom Scholz
- assistant mixer:
- Steve Hodge
- acoustic guitar, bass guitar, guitar [lead guitar] and guitar [rhythm guitar]:
- Tom Scholz (from 1975 until 1976)
- drums (drum set) and percussion:
- Sib Hashian (from 1975 until 1976)
- lead vocals and lead vocals [Harmony]:
- Brad Delp (from 1975 until 1976)
- arranger:
- Brad Delp and Tom Scholz
- co-arranger:
- Jim Masdea
- phonographic copyright (℗) by:
- CBS Records Inc. (in 1976), CBS, Inc. (in 1976), Epic Records (in 1976), Sony BMG Music Entertainment (in 1976) and Sony Music Entertainment Inc. (in 1976)
- recorded at:
- Foxglove Studios in Watertown, Massachusetts, United States (in 1975), Capitol Studios in Hollywood, Los Angeles, California, United States (in 1976) and The Record Plant in Hollywood, Los Angeles, California, United States (in 1976)
- mixed at:
- Westlake Audio in Los Angeles, California, United States
- earliest release:
- More Than a Feeling by Boston
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 39), Billboard: The 500 Best Pop Songs (number: 194), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 212) and Rolling Stone: 500 Greatest Songs of All Time (number: 500)
- recording of:
- More Than a Feeling (from 1975 until 1976)
- lyricist and composer:
- Tom Scholz
- publisher:
- Copyright Control , PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. , Warner Chappell Music , Warner Chappell Music Ltd. , WB Music Corp. and Pure Songs (in 1976)
| Boston | 3.9 | 4:41 |
| 6 | I Just Wanna Live | Good Charlotte | | 2:44 |
| 7 | All Right Now- engineer:
- Roy Thomas Baker
- additional producer:
- John Kelly
- producer:
- Free
- bass:
- Andy Fraser (in 1970)
- drums (drum set):
- Simon Kirke (in 1970)
- electric bass guitar and piano:
- Andy Fraser
- guitar:
- Paul Kossoff (in 1970)
- lead vocals:
- Paul Rodgers (in 1970)
- vocals:
- Paul Rodgers
- phonographic copyright (℗) by:
- Free (in 1970)
- phonographic copyright (℗) by:
- Island Records (in 1970) and Island Records Ltd. (in 1970)
- recorded at:
- Island Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom (in 1970) and Trident Studios in Soho, Westminster, London , England, United Kingdom (in 1970)
- music videos:
- All Right Now by Free
- part of:
- Billboard Year-End Hot 100 singles of 1970 (number: 27)
- recording of:
- All Right Now (in 1970)
- writer:
- Andy Fraser and Paul Rodgers
- publisher:
- Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control , Irving Music, Inc., Kobalt Music Publishing Ltd. , Polygram Music and Universal Music Publishing
| Free | 4.15 | 5:31 |
| 8 | What’s a Matter Baby | Ellen Foley | | 3:34 |
| 9 | Fools Gold | The Stone Roses | 4.4 | 4:15 |
| 10 | Piece of the Rock | Mother’s Finest | | 3:23 |
| 11 | Time Stood Still | Bad English ft. John Waite | | 5:21 |
| 12 | The River | Lïve | | 2:57 |
| 13 | What I Like About You | Romantics | 4.75 | 2:54 |
| 14 | Open Your Eyes | Guano Apes | | 3:06 |
| 15 | Wherever You Will Go- assistant recording engineer:
- Tiago Becker and Valente Torres
- recording engineer:
- Marc Greene and David Thoener
- producer:
- Marc Tanner
- mixer:
- Chris Lord‐Alge
- additional keyboard:
- Paul Mirkovich
- bass:
- Bob Glaub
- drums (drum set):
- Matt Laug
- guitar, mandolin, sampler [loops] and sitar:
- Aaron Kamin
- percussion:
- Aaron Kamin, Matt Laug and Satnam Ramgotra
- synthesizer [synth strings]:
- Ron Fair
- tabla:
- Satnam Ramgotra
- phonographic copyright (℗) by:
- BMG Entertainment (in 2001) and RCA Records (in 2001)
- recorded at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States
- mixed at:
- Image Recording in Los Angeles, California, United States
- part of:
- Billboard Year-End Hot 100 2002 (number: 5)
- recording of:
- Wherever You Will Go
- writer:
- Alex Band and Aaron Kamin
- publisher:
- Alex Band Music, Amedeo Music, BMG Music Publishing, Inc., BMG Platinum Songs US, BMG Rights Management (UK) Ltd. , Copyright Control , Universal Music Careers and Universal Music Publishing MGB Ltd.
| The Calling | 3.95 | 3:26 |
| 16 | Shut Up and Dance- assistant recording engineer:
- Andrew "Muffman" Luftman
- recording engineer:
- Kuk Harrell (lead vocals, background vocals), Jarett Holmes, Tim Pagnotta and Marcos Tovar (lead vocals, background vocals)
- programming:
- Jarett Holmes, Eli Maiman and Nick Petricca
- assistant engineer:
- Blake Mares and Robert Cohen
- co-producer:
- Ben Berger and Ryan McMahon
- producer:
- Ben Berger (task: vocal production), Ryan McMahon (task: vocal production) and Tim Pagnotta
- assistant mixer:
- Scott Skrzynski
- mixer:
- Neal Avron
- editor:
- Allen Casillas, Ryan Gillmore, Jarett Holmes and Brian Phillips
- bass:
- Kevin Ray
- electric guitar:
- Eli Maiman
- keyboard and lead vocals:
- Nick Petricca
- percussion:
- Nick Petricca and Sean Waugaman
- background vocals:
- Eli Maiman, Kevin Ray and Sean Waugaman
- drums (drum set) technician:
- Mauro Rubbi
- recorded at:
- Rancho Pagzilla in North Hollywood, Los Angeles, California, United States
- mixed at:
- The Casita in Hollywood, Los Angeles, California, United States
- part of:
- Billboard Year-End Hot 100 singles of 2015 (number: 6), Billboard Decade End Chart: Adult Contemporary Songs (number: 21), Billboard: The 500 Best Pop Songs (number: 434) and Indie 88: Top 500 Indie Rock Songs (number: 491)
- recording of:
- Shut Up and Dance
- writer:
- Ben Berger, Eli Maiman, Ryan McMahon, Nicholas Petricca, Kevin Ray and Sean Waugaman
- publisher:
- Anna Sun Music, Benjamin Berger Publishing, Ryan McMahon Publishing, Sony/ATV Allegro, Treat Me Better Tina, Verb to Be Music, WB Music Corp. , What a Raucous and What a Raucous Music
| WALK THE MOON | 4.2 | 3:17 |
| 17 | Don’t Let Him Go | REO Speedwagon | | 3:44 |
| 18 | Love Rears Its Ugly Head | Living Colour | 2 | 4:19 |
| 19 | Shake It | Metro Station | 3.7 | 2:59 |
| 20 | Hazy Sade of Winter | The Bangles | 4.6 | 2:44 |
| 21 | Hi Ho Silver Lining | Jeff Beck | 2 | 2:50 |
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