Now That’s What I Call Music! 18

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 4 disponibili)

Elenco tracce

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1▼Audiocassetta: Cassette 1
#TitoloArtistaValutazioneDurata
1A Little Time
tecnico:
Rupert Coulson (sound engineer), Ben Kape e Lance Phillips
produttore:
Mike Hedges (UK producer/recording engineer)
diritti fonografici (℗) detenuti da:
Go! Discs Ltd. (company credits only; do NOT use as release label) (nel 1990)
video musicali:
A Little Time di The Beautiful South
registrazione di:
A Little Time
paroliere:
Paul Heaton
compositore:
Paul Heaton e Dave Rotheray
editore:
Island Music Ltd. e Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
The Beautiful South33:00
2The Joker
assistente tecnico e assistente tecnico di missaggio:
Gene Hicks
tecnico e tecnico di missaggio:
Jay Ranellucci
produttore:
Steve Miller (leader of Steve Miller Band)
diritti fonografici (℗) detenuti da:
Sailor Music (nel 1973)
registrazione di:
The Joker
autore:
Eddie Curtis (songwriter), Ahmet Ertegun (US American Songwriter, producer) e Steve Miller (leader of Steve Miller Band)
editore:
Cotillion Music Inc. (BMI), Jim Rooster Music, Sailor Music, Unichappell Music, Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) e Warner Chappell Music, Inc. (Warner/Chappell Music, Inc.)
Steve Miller Band4.153:36
3Sacrifice
assistente tecnico di registrazione:
Karl Lever
tecnico di registrazione e tecnico:
David Nicholas (Australian recording engineer and producer)
produttore:
Chris Thomas (UK record producer / remixer)
batteria :
Jonathan Moffett
chitarra basso :
Romeo Williams
tastiera :
Guy Babylon, Elton John (English singer, songwriter, pianist, and composer) e Fred Mandel
voce di accompagnamento:
Davey Johnstone
voce principale:
Elton John (English singer, songwriter, pianist, and composer)
diritti fonografici (℗) detenuti da:
Happenstance Ltd. (record and publishing company) (nel 1989)
registrata presso:
Puk Recording Studios in Gjerlev, Central Denmark Region, Danimarca
registrazione di:
Sacrifice
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer)
editore:
Big Pig Music Ltd. (publisher), Rocket Music Ltd. e Universal–Songs of PolyGram International, Inc.
Elton John2.95:08
4It Must Have Been Love
programmazione:
Clarence Öfwerman (dal 1987 al 1990)
tecnico:
Anders Herrlin e Alar Suurna
produttore:
Clarence Öfwerman
tecnico di missaggio:
Humberto Gatica
batteria :
Pelle Alsing (dal 1987 al 1990)
chitarra elettrica [electric guitars] :
Jonas Isacsson (dal 1987 al 1990)
synclavier e tastiera [keyboards] :
Clarence Öfwerman (dal 1987 al 1990)
voce:
Marie Fredriksson (dal 1987 al 1990) e Per Gessle (Swedish singer and guitarist) (dal 1987 al 1990)
diritti fonografici (℗) detenuti da:
EMI Svenska AB (not for release label use!) (nel 1990) e Parlophone Music Sweden AB (not for release label use, for copyrights use only) (nel 1990)
registrata presso:
Audio Sweden in Stockholm, Stockholms län (Stockholm county), Svezia (dal 1987 al 1990) e EMI Studios in Stockholm, Stockholms län (Stockholm county), Svezia (dal 1987 al 1990)
mixata presso:
Ground Control Studios in Santa Monica, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 466)
registrazione di:
It Must Have Been Love (dal 1987 al 1990)
paroliere e compositore:
Per Håkan Gessle (Swedish singer and guitarist)
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) e Jimmy Fun Music
Roxette3.154:19
5Something Happened on the Way to Heaven
registrazione di:
Something Happened on the Way to Heaven
autore:
Phil Collins (of Genesis) e Daryl Stuermer
editore:
Bug Music Ltd., Imagem Music, Hit & Run Music (Publishing) Ltd (nel 1989) e Philip Collins Ltd. (nel 1989)
Phil Collins4:38
6Hold On
produttore:
Glen Ballard
produttore esecutivo:
Charles Koppelman (American businessman and musician)
voce:
Chynna Phillips, Carnie Wilson e Wendy Wilson
diritti fonografici (℗) detenuti da:
SBK Records (nel 1990)
registrazione di:
Hold On
autore:
Glen Ballard, Chynna Phillips e Carnie Wilson
editore:
Get Out Songs, Smooshie Music, Aerostation Corporation (nel 1990), EMI Blackwood Music Inc. (nel 1990), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (nel 1990, nel 2003), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (nel 1990, nel 2003), Wilphill Music (nel 1990) e Universal Music Corp. (USA, affiliated with ASCAP) (nel 2003)
Wilson Phillips33:40
7Nothing Compares 2 U
tecnico:
Chris Birkett
produttore:
Nellee Hooper e Sinéad O’Connor (Irish singer‐songwriter)
tecnico di missaggio:
Chris Birkett, Fachtna Ó Ceallaigh e Sinéad O’Connor (Irish singer‐songwriter)
voce:
Sinéad O’Connor (Irish singer‐songwriter)
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1990) e Ensign Records Ltd. (company; do NOT use as release label) (nel 1990)
video musicali:
Nothing Compares 2 U (music video) di Sinéad O’Connor (Irish singer‐songwriter)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 4), AUX: 10 Cover Songs Better Than The Orignials, Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 87), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 162), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 184) e Indie 88: Top 500 Indie Rock Songs (numero: 413)
registrazione cover di:
Nothing Compares 2 U
paroliere e compositore:
Prince (“The Artist Formerly Known as…”)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), NPG Publishing e Warner Chappell (Warner/Chappell Music, Inc.)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sinéad O’Connor4.35:04
8Unchained Melody
tecnico:
Larry Levine
produttore:
Phil Spector
voce principale solista:
Bobby Hatfield (nel 1965-03)
arrangiatore:
Jack Nitzsche (American musician and score composer)
diritti fonografici (℗) detenuti da:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965, nel 1968) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1966)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (nel 1965-03)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 269) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 366)
registrazione cover di:
Unchained Melody (nel 1965-03)
editore:
Hy Zaret
paroliere:
Hy Zaret
compositore:
Alex North (US composer)
editore:
Frank Music Corp. (conclusa), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing e Unchained Melody Publishing, LLC
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 2)
The Righteous Brothers33:36
9(We Want) The Same Thing
produttore:
Rick Nowels
diritti fonografici (℗) detenuti da:
Artist Management Services Ltd. (nel 1989) e Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (nel 2019)
registrazione di:
(We Want) The Same Thing
autore:
Rick Nowels e Ellen Shipley
editore:
BMG Bumblebee (A BMI-affiliated publishing entity of BMG Rights Management), Bug Music Ltd., Future Furniture Music (nel 1988), Shipwreck Music (publisher) (nel 1988) e Virgin Songs, Inc. (nel 1988)
Belinda Carlisle3.54:16
10Anniversary Waltz, Part 1
registrazione di:
The Anniversary Waltz, Part 1
medley di:
Let’s Dance
medley di:
Red River Rock
medley di:
No Particular Place to Go
medley di:
The Wanderer
medley di:
I Hear You Knocking
medley di:
Lucille
medley di:
Great Balls of Fire
Status Quo5:31
11Suicide Blonde
programmazione:
Jon e Kirk
assistente tecnico:
Brendan Morley e Andy Strange
tecnico:
David Nicholas (Australian recording engineer and producer)
produttore:
Chris Thomas (UK record producer / remixer)
editor:
Tim Young (mastering engineer)
basso e basso elettrico [bass] :
Garry Gary Beers
batteria [drums] :
Jon Farris
batteria e tastiera [keyboards] :
Jon Farriss
chitarra e chitarra elettrica [guitar] :
Andrew Farriss (in band INXS), Tim Farriss e Kirk Pengilly
sassofono e voce di accompagnamento [vocals]:
Kirk Pengilly
tastiera [keyboards] :
Andrew Farriss (in band INXS) e Jon Farris
voce:
Michael Hutchence e Kirk Pengilly
voce principale [vocals]:
Michael Hutchence
diritti fonografici (℗) detenuti da:
INXS (nel 1990)
diritti fonografici (℗) detenuti da:
INXS (label and copyrights holder for INXS) (nel 1990)
registrata presso:
Rhinoceros Studio 2 in Sydney, New South Wales, Australia e Rhinoceros Studio 2 in Sydney, New South Wales, Australia
mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Suicide Blonde
paroliere:
Michael Hutchence
compositore:
Andrew Farriss (in band INXS)
editore:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) e Tol Muziek (nel 1990)
INXS4.13:53
12Don't Ask Me
tecnico:
Susan Rogers (US sound engineer)
produttore:
Tony Berg (record producer, executive, and session guitarist)
tecnico di missaggio:
Mike Shipley (audio engineer, mixer, producer)
registrazione di:
Don’t Ask Me
autore:
Allan Dias, John Lydon (Johnny Rotten of the Sex Pistols) e John McGeoch
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Warner/Chappell Music Ltd. (1996–2019)
Public Image Ltd.3:43
13It's My Life
produttore:
Tim Friese‐Greene
diritti fonografici (℗) detenuti da:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (nel 1984) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1984)
registrazione di:
It’s My Life
autore:
Tim Friese‐Greene e Mark Hollis
editore:
F‐Sharp Productions Ltd., Hollis Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Zomba Enterprises, Inc., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) e Zomba Music Publishing (music publisher – add no releases here!)
Talk Talk3.753:52
14There She Goes
tecnico:
Dave Charles (British drummer as well as producer & engineer)
produttore:
Bob Andrews (keyboardist and producer)
tecnico di missaggio:
Steve Lillywhite
batteria :
Chris Sharrock
chitarra basso e voce di accompagnamento:
John Power (of The La’s and Cast)
chitarra elettrica :
John Byrne (John 'Boo' Byrne, electric guitarist)
voce principale:
Lee Mavers
diritti fonografici (℗) detenuti da:
Go! Discs Ltd. (company credits only; do NOT use as release label) (nel 1988)
parte di:
NME: Greatest “Indie” Anthems Ever: 2007 (numero: 45), TV Cream: Real 100 Best Singles Ever (numero: 62) e Indie 88: Top 500 Indie Rock Songs (numero: 418)
registrazione di:
There She Goes (The La’s)
paroliere e compositore:
Lee Mavers
editore:
Go! Discs Music Ltd. (publisher) e Kobalt Music Publishing Ltd. (UK)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The La’s42:42
15Be Tender With Me Baby
produttore:
Dan Hartman
registrazione di:
Be Tender With Me Baby
autore:
Albert Hammond e Holly Knight
editore:
Albert Hammond Music, BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), EMI Music Publishing Ltd. (PRS‐affiliated), Fujipacific Music, Inc., Knighty-Knight Music, Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e Universal/Empire Music Ltd.
Tina Turner24:17
16I'll Be Your Baby Tonight
produttore:
Robert Palmer (English singer‐songwriter)
tecnico di missaggio:
Eric "E.T." Thorngren
esecutore:
UB40
registrazione cover di:
I’ll Be Your Baby Tonight
paroliere e compositore:
Bob Dylan (dal 1967-10 al 1967-11)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946) e Dwarf Music (nel 1968)
Robert Palmer feat. UB404.653:26
2▼Audiocassetta: Cassette 2
#TitoloArtistaValutazioneDurata
1So Hard
tecnico:
Bob Kraushaar e Brian Reeves
produttore:
Harold Faltermeyer
tecnico di missaggio:
Julian Mendelsohn (Australian record producer and engineer)
diritti fonografici (℗) detenuti da:
Pet Shop Boys Partnership Ltd. (nel 1990) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1991)
registrazione di:
So Hard
autore:
Chris Lowe (1/2 of Pet Shop Boys) e Neil Tennant
editore:
10 Music Ltd. e Cage Music Ltd.
Pet Shop Boys44:00
2Fascinating Rhythm
tecnico:
Dave Chelsea e Richard Dight
produttore e tecnico di missaggio:
William Orbit (English musician, composer and record producer)
voce:
Inna One Step e Sharon Musgrave
esecutore:
William Orbit (English musician, composer and record producer)
registrazione di:
Fascinating Rhythm
compositore:
Inna One Step, Laurie Mayer, Sharon Musgrave, William Orbit (English musician, composer and record producer) e Steve Roberts (in Ramshackle)
Bassomatic24:09
3Missing You
voce ospite:
Kym Mazelle
registrazione di:
Missing You (vocal version)
autore:
Simon Law (Soul II Soul), Kym Mazelle e Beresford Romeo
Soul II Soul4:50
4Tom's Diner
produttore aggiunto:
DNA (90s UK dance, key tracks “Tom’s Diner”, “Can You Handle It?”)
voce e esecutore:
Suzanne Vega (American singer-songwriter)
remixer:
DNA (90s UK dance, key tracks “Tom’s Diner”, “Can You Handle It?”)
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (UK) (nel 1990) e A&M Records (nel 1991)
campionamenti:
Tom’s Diner di Suzanne Vega (American singer-songwriter)
registrazione di:
Tom’s Diner
paroliere e autore:
Suzanne Vega (American singer-songwriter)
compositore:
Suzanne Vega (American singer-songwriter) (nel 1982)
editore:
Waifer Songs Ltd., Warner Chappell North America e WB Music Corp. (1929–2019)
DNA feat. Suzanne Vega3.93:48
5An Englishman in New York
produttore:
Neil Dorfsman e Sting (singer, songwriter & member of The Police)
assistente tecnico di missaggio:
Mark McKenna (engineer) e Bob Vogt
tecnico di missaggio:
Neil Dorfsman e Hugh Padgham
voce principale:
Sting (singer, songwriter & member of The Police)
arrangiatore:
Sting (singer, songwriter & member of The Police)
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1997)
video musicali:
Englishman in New York di Sting (singer, songwriter & member of The Police)
registrazione di:
Englishman in New York
paroliere e autore:
Gordon Matthew Sumner (singer, songwriter & member of The Police)
editore:
Songs of Universal, Inc. (BMI)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sting44:29
6Close to Me (closest mix)
tecnico:
Steve Osborne (producer)
produttore:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) e Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
batteria :
Boris Williams
chitarra basso :
Simon Gallup
corno [horns] :
Rent Party (UK swing band)
tastiera :
Porl Thompson e Lol Tolhurst
voce principale:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
remixer:
Paul Oakenfold (nel 1990-06)
edit di:
Close to Me (Closer mix) di The Cure
registrazione di:
Close to Me
paroliere e compositore:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
editore:
APB Music Co. e Fiction Songs Ltd.
The Cure4.354:19
7I've Got You Under My Skin
registrazione cover di:
I’ve Got You Under My Skin
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
The 9th Academy Award for Best Original Song (numero: 2)
parte di:
Born to Dance
Neneh Cherry3:44
8Little Brother
tecnico:
Andy Falconer, Thrash (UK electronic producer Kris Weston) e Tyrrell (Joel LeBlanc)
produttore:
Youth (producer/bassist Martin Glover)
produttore aggiunto:
Howard Gray (UK producer, engineer, and electronic musician)
tecnico di missaggio:
Howard Gray (UK producer, engineer, and electronic musician)
registrazione di:
Little Brother
compositore:
Martin Glover, Durga McBroom e Guy Pratt
precedentemente attribuito a:
Youth (producer/bassist Martin Glover)
Blue Pearl24:04
9Step Back in Time
produttore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
registrazione di:
Step Back in Time
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
All Boys Music Ltd., Mike Stock Publishing Limited e Sid’s Songs Limited
Kylie Minogue33:04
10Don't Worry
registrazione di:
Don’t Worry
autore:
Kim Appleby e Craig Logan
Kim Appleby2.353:32
11Megamix
registrazione di:
Megamix
autore:
Jo Bogaert (Belgian producer), Manuela Kamosi (Belgian‐Congolese singer Manuela Kamosi), Eric Martin (member of Technotronic) e Thomas de Quincey (Belgian producer Jo Bogaert [Technotronic])
medley di:
This Beat Is Technotronic
medley di:
Rockin' Over the Beat
medley di:
Pump Up the Jam
medley di:
Get Up! (Before the Night Is Over)
Technotronic24:17
12Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini
tecnico:
Robin Sellers
produttore:
Nigel Wright (British producer, orchestrator and songwriter)
produttore esecutivo:
Les McCutcheon e Andrew Lloyd Webber (English composer and impresario of musical theatre)
registrata presso:
Skratch Studios in Surrey, England, Regno Unito
campionamenti:
Bongo Rock '73 di Incredible Bongo Band, Here We Go (live at the Funhouse) di Run‐D.M.C., The Bottle (12" version) di Gil Scott‐Heron & Brian Jackson (American keyboardist, flautist, singer, composer & producer) e Think (About It) di Lyn Collins
registrazione cover di:
Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini
autore:
Lee Pockriss e Paul Vance (US songwriter and producer)
editore:
Campbell Connelly & Co. Ltd., Emily Music Corp. (publisher) e Music Sales Corporation (American copyright holder in both popular and classical music)
Bombalurina1.53:39
13Where Are You Baby
registrazione di:
Where Are You Baby?
paroliere e compositore:
Alison Clarkson (British dance music singer-songwriter)
editore:
Rhythm King Music (Publishing arm of Rhythm King Records)
Betty Boo3:32
14Dirty Cash (Money Talks)
registrazione di:
Dirty Cash (Money Talks)
autore:
Stevie Vincent e Mick Walsh (UK vocalist)
Adventures of Stevie V24:03
15Have You Seen Her
edit di:
Have You Seen Her di M.C. Hammer
registrazione di:
Have You Seen Her (Rap Version)
autore:
Barbara Acklin e Eugene Record
rivista da:
MC Hammer
si basa su:
Have You Seen Her
MC Hammer2.53:53
16To Love Somebody
produttore:
Stephen Hague
diritti fonografici (℗) detenuti da:
FFRR Records Ltd. (company name, NOT a label!) (nel 1990)
registrazione cover di:
To Love Somebody
scritta a:
New York, New York, Stati Uniti (nel 1967)
autore:
Barry Gibb (nel 1967) e Robin Gibb (nel 1967)
editore:
Abigail Music, BMG Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. (BMI) e Universal Music Careers
parte di:
50/50
Jimmy Somerville14:17

Accreditamenti

Pubblicazione

design/illustrazioni e progetto grafico:Qd Design Ltd.
compilatore:Ashley Abram
ASIN:UK: B0015OR35A [info]