Essential Eighties 2 (3CD Set)

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1CD: Volume 1
#TitleArtistRatingLength
1Too Late for Goodbyes
recording of:
Too Late for Goodbyes
lyricist and composer:
Julian Lennon
publisher:
Charisma Music Publishing Ltd and Warner Chappell Music (publisher as Warner/Chappell Music)
Julian Lennon5:59
2Geno
engineer:
Barry Hammond
producer:
Pete Wingfield (keyboardist, singer, producer, songwriter)
recording of:
Geno
writer:
Al Archer and Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexy's Midnight Runners33:26
3Oh Patty (Don’t Feel Sorry for Loverboy)Scritti Politti4:23
4Heart and Soul
engineer:
Jerry Napier
producer:
Roy Thomas Baker (producer)
bass:
Paul Jackson (T'Pau bassist)
drums (drum set) [drums] and percussion:
Tim Burgess (T'Pau drummer)
guitar [rhythm guitar] and other instruments [some bits]:
Ron Rogers (Ronald Phillip Rogers, T'Pau)
keyboard [keyboards]:
Michael Chetwood
other instruments [other bits] and solo guitar [guitar solos]:
Taj Wyzgowski
vocals:
Carol Decker
phonographic copyright (℗) by:
Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1987)
produced for:
RTB Audio Visual Productions USA (Also credited as R.T.B. Audio Visual Productions Inc., RTB Audio Visual Productions (USA) Inc. and other similar variants)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 69)
recording of:
Heart and Soul
writer:
Carol Decker and Ron Rogers (Ronald Phillip Rogers, T'Pau)
publisher:
AMP Publishing Ltd and Virgin Music (Publishing) Ltd.
T’Pau4.254:12
5Girls on Film
engineer and producer:
Colin Thurston
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1998)
recording of:
Girls on Film
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB and Gloucester Place Music Ltd.
version of:
Girls on Film (Pre-Le Bon version)
Duran Duran3.73:29
6I'm on My Way
producer:
Pete Wingfield (keyboardist, singer, producer, songwriter)
recording of:
I’m on My Way
writer:
Charlie Reid and Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Proclaimers33:40
7Everywhere I Go
phonographic copyright (℗) by:
EMI Music Australia Pty. Limited (not for release label use!) (in 1984)
recording of:
Everywhere I Go
writer:
Tony Backhouse and Jenny Morris (NZ‐born Australian singer‐songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
QED3:32
8Talk Talk
recording of:
Talk Talk (Talk Talk)
lyricist and composer:
Ed Hollis (British songwriter and producer) and Mark Hollis
Talk Talk2:58
9Vienna
live recording of:
Vienna
writer:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie and Midge Ure
publisher:
Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher) and Sing Sing Songs Ltd.
Ultravox4:59
10Human
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1986, in 2003)
music videos:
Human by The Human League
recording of:
Human
writer:
James Harris III (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
publisher:
EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) and Flyte Tyme Tunes
The Human League3.53:48
11No Tragedy
phonographic copyright (℗) by:
EMI Music Australia Pty. Limited (not for release label use!) (in 1983)
recording of:
No Tragedy
writer:
Geoff Turner (Australian)
publisher:
Rondor Music (Australia) Pty Ltd
The Radiators4:05
12Senses Working Overtime
engineer:
Hugh Padgham
producer:
Hugh Padgham and XTC (English rock band)
edit of:
Senses Working Overtime by XTC (English rock band)
recording of:
Senses Working Overtime
lyricist and composer:
Andy Partridge
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
XTC4.54:35
13One Perfect Day
bass:
Peter Leslie (bassist)
drums (drum set):
Alan "Clutch" Robertson
keyboard:
Martin Fisher (keyboards, in Dear Enemy)
vocals:
Roger Hart (Australian guitarist, vocalist, songwriter)
phonographic copyright (℗) by:
EMI Music Australia (defunct holding company, not for release label use!) (in 1982) and EMI Music Australia Pty. Limited (not for release label use!) (in 1982)
recording of:
One Perfect Day (Little Heroes song)
writer:
Roger Wells (Roger Garfield Ferrier)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Orient Pacific Music Pty. Ltd.
The Little Heroes3:41
14I Want That Man
additional producer:
Ben Grosse (American producer and engineer)
producer and mixer:
Tom Bailey (UK singer-songwriter / composer / producer) and Eric Thorngren
additional drums (drum set):
Geoff Dugmore
additional guitar:
Chris Stein
remixer:
Ben Grosse (American producer and engineer)
recorded at:
Maison Rouge Studio in London (Greater London), England, United Kingdom
mixed at:
Quad Recording in New York, New York, United States
remixed at:
Pearl Sound in Canton, Michigan, United States
recording of:
I Want That Man
lyricist and composer:
Tom Bailey (Thompson Twins) and Alannah Currie
publisher:
BMG Music, Point Music Ltd. and Point Music America Inc. (in 1989)
Deborah Harry3.63:39
15Save a Prayer
recording of:
Save a Prayer (Duran Duran)
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
publisher:
Gloucester Place Music Ltd.
Duran Duran5:26
16Strut
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
Strut
writer:
Charlie Dore and Julian Littman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and PolyGram Music Publishing
Sheena Easton4:02
2CD: Volume 2
#TitleArtistRatingLength
1A Message to You Rudy
producer:
Elvis Costello
guest trombone:
Rico Rodriguez (Jamaican trombonist)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 132)
cover recording of:
A Message to You, Rudy
lyricist and composer:
Dandy Livingstone
recording of:
A Message to You, Rudy
lyricist and composer:
Dandy Livingstone
The Specials42:54
2Do You Really Want to Hurt Me
assistant engineer:
Gordon Milne (engineer)
engineer and producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist)
drums (drum set) and vibraphone:
Jon Moss
electric piano, guitar and synthesizer:
Roy Hay (Member of Culture Club and composer for film and television)
synclavier:
Keith Miller (Synthesiser Pioneer)
additional vocals:
Helen Terry (UK singer)
lead vocals:
Boy George
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
recorded at:
Red Bus Studios in London (Greater London), England, United Kingdom (in 1982)
music videos:
Do You Really Want to Hurt Me by Culture Club (English pop group)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 58)
recording of:
Do You Really Want to Hurt Me
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. and Virgin Music (Publishers) Ltd.
Culture Club3.954:24
3Black Man Ray
producer:
Walter Becker
recording of:
Black Man Ray
writer:
Gary Daly, Gazza Johnson and Eddie Lundon (China Crisis)
China Crisis33:37
4Love Conquers All
assistant recording engineer and assistant mixer:
Richard Arnold (from 1990-05 until 1991-03)
recording engineer and mixer:
David Bascombe (from 1990-05 until 1991-03)
producer:
David Bascombe, Martin Fry and Mark White (ABC/Vice Versa)
recording of:
Love Conquers All (from 1990-05 until 1991-03)
writer:
Martin Fry and Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd. and Neutron Music
ABC4:58
5Hot in the City
assistant engineer:
Steve Bates (engineer)
engineer:
Brian Reeves
producer:
Keith Forsey (drummer, producer and songwriter)
bass guitar:
Phil Feit
drums (drum set):
Steve Missal
guitar:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
lead vocals:
Billy Idol (English rock singer‐songwriter)
arranger:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982), Chrysalis Records, Inc. (not for release label use!) (in 1982, in 2002) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1984)
recorded at and mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
edit of:
Hot in the City (extended version) by Billy Idol (English rock singer‐songwriter)
music videos:
Hot in the City (uncensored version) by Billy Idol (English rock singer‐songwriter)
recording of:
Hot in the City
lyricist and composer:
Billy Idol (English rock singer‐songwriter)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Boneidol Music, Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Mushroom Music (Mushroom label’s publishing company) and Rare Blue Music Inc
Billy Idol4.53:37
6Bad to the Bone
engineer:
Paul Mufson and John Nagy
assistant producer:
Ken Irwin and John Nagy
producer:
Terry Manning (US recording engineer) and The Delaware Destroyers (George Thorogood & the Destroyers)
mixer:
Ken Irwin, Paul Mufson, John Nagy, George Thorogood and Terry Manning (US recording engineer) (in 1992)
bass:
Bill Blough (from 1981 until 1982)
drums (drum set):
Jeff Simon (from 1981 until 1982)
guitar and lead vocals:
George Thorogood (from 1981 until 1982)
keyboard:
Ian Stewart (piano/keyboard, Rolling Stones member) (from 1981 until 1982)
piano:
Ian Stewart (piano/keyboard, Rolling Stones member)
saxophone:
Hank Carter (Hank "Hurricane" Carter) (from 1981 until 1982)
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1989)
recorded at:
Dimension Sound in Jamaica Plain, Boston, Massachusetts, United States (from 1981 until 1982)
mixed at:
The Mixing Lab in Newton, Massachusetts, United States
recording of:
Bad to the Bone (from 1981 until 1982)
lyricist and composer:
George Thorogood
publisher:
Del Sound Music
George Thorogood4.24:51
7So Long
engineer:
Richard Manwaring (Producer)
producer:
Mike Howlett
bass:
David Graham (bassist, Fisher-Z)
drums (drum set):
Steve Liddle (drummer, Fisher-Z)
guitar and lead vocals:
John Watts
keyboard:
Steve Skolnik
arranger:
John Watts
recorded at and mixed at:
The Manor in Oxfordshire, England, United Kingdom
recording of:
So Long
lyricist and composer:
John Watts
publisher:
Captains Ltd. and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Fischer‐Z55:00
8Missing You
assistant engineer:
Ken Stiger (engineer)
engineer:
Gary Hellman
producer:
Gary Gersh, David Thoener and John Waite
mixer and editor:
John Luongo
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1984), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1984), EMI America Records (holding – file NO releases here!) (in 1984) and EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1984)
recording of:
Missing You
lyricist:
John Waite
composer:
Mark Leonard, Chas Sandford and John Waite
publisher:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, in 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Fallwater Music (in 1984), Markeem Music (publisher) (in 1984), The Hudson Bay Music Co. (publisher) (in 1984) and WC Music Corp. (from 2019-05-28 to present)
John Waite54:02
9Running Up That Hill
assistant engineer:
Pearse Dunne
engineer:
Haydn Bendall (producer and engineer), James Guthrie, Paul Hardiman, Del Palmer, Brian Tench and Nigel Walker (UK producer/engineer/guitarist)
producer:
Kate Bush
mixer:
Brian Tench
balalaika:
Paddy Bush
bass:
Del Palmer
drums (drum set):
Stuart Elliott (session drummer, member of Cockney Rebel)
guitar:
Alan Murphy (UK session guitarist)
vocals:
Kate Bush
phonographic copyright (℗) by:
EMI America Records (holding – file NO releases here!) (in 1985), EMI Korea (in 1985), EMI Records (not for release label use!) (in 1985), EMI Records Group N.A. (in 1985), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985), Noble & Brite Ltd. (in 1985), Novercia Ltd. (in 1985), Oasis (in 1985), CEMA Special Markets (a division of Capitol‐EMI Music, Inc.) (in 1993), Universal Domestic Division (do not use as a release label! sub-division of Universal Music GmbH) (in 2006), Noble and Brite (in 2011) and Noble & Brite Ltd (in 2018)
recorded at:
Wickham Farm Home Studio in Welling, Bexley (London Borough of Bexley), London (Greater London), England, United Kingdom
engineered at:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
music videos:
Running Up That Hill (music video) by Kate Bush
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 7), Billboard Year-End Hot 100 singles of 2022 (number: 23), Billboard Hot 100: 2026-01-17 (number: 46), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 60), BILLIONS CLUB and Indie 88: Top 500 Indie Rock Songs (number: 279)
recording of:
Running Up That Hill
lyricist and composer:
Kate Bush
publisher:
EMI Music Publishing Germany GmbH (2008–today), EMI Music Publishing Ltd. (PRS‐affiliated), Kate Bush Ltd., Noble & Brite Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing LLC (1995–2020) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Kate Bush3.955:01
10Living in a Box
co-producer:
Tom Lord Alge
producer:
Richard James Burgess
phonographic copyright (℗) by:
BMG Ariola München GmbH (in 1987)
produced for:
The Burgess Worldco
recording of:
Living in a Box
lyricist and composer:
Steve Piggott and Marcus Vere
publisher:
Brampton Music International, Brampton Music Ltd. (publisher) and Empire Music Ltd.
Living in a Box3.353:04
11Kayleigh
recording engineer:
Thomas Stiehler (from 1985-03 until 1985-05)
producer:
Chris Kimsey
mixer:
Mark Freegard and Chris Kimsey
bass guitar:
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (from 1985-03 until 1985-05)
drums (drum set) and percussion:
Ian Mosley (from 1985-03 until 1985-05)
guitar:
Steve Rothery (from 1985-03 until 1985-05)
keyboard:
Mark Kelly (Marillion keyboardist) (from 1985-03 until 1985-05)
lead vocals:
Fish (Derek William Dick, ex‐Marillion frontman) (from 1985-03 until 1985-05)
phonographic copyright (℗) by:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (in 1985), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985) and Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1985)
remix of:
Kayleigh (alternative mix) by Marillion (British progressive rock band)
edit of:
Kayleigh by Marillion (British progressive rock band)
recording of:
Kayleigh (from 1985-03 until 1985-05)
lyricist:
Derek William Dick
composer:
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery and Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
publisher:
Chappell, Charisma Music Publishing Co Ltd., Charisma Music Publishing Ltd. and Marillion Music
Marillion4.353:37
12If I Was
guest performer:
Mark King
recording of:
If I Was
writer:
Danny Mitchell (Scottish songwriter and member of Messengers) and Midge Ure
Midge Ure34:44
13Summer of '81Mondo Rock3:56
14Weak in the Presence of Beauty
recording of:
Weak in the Presence of Beauty
writer:
Robert E. Clarke and Michael Ward (UK saxophonist and songwriter, aka Mick Somerset)
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (Publishers) Ltd.
Floy Joy3:25
15Tarzan Boy
producer:
Maurizio Bassi
arranger:
Maurizio Bassi
recording of:
Tarzan Boy
lyricist:
Naimy Hackett
composer:
Maurizio Bassi
publisher:
EMI Music Publishing (do not use as a release label!) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Baltimora43:26
16All Fired Up
assistant engineer:
Clif Norrell
engineer:
Paul Lini
producer:
Keith Forsey (drummer, producer and songwriter) and Neil Giraldo
assistant mixer:
Tim Leitner
mixer:
Chris Lord‐Alge
bass guitar:
Fernando Saunders
drums (drum set):
Myron Grombacher
guitar:
Neil Giraldo
percussion:
Bo Castro
lead vocals:
Pat Benatar
recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
cover recording of:
All Fired Up
lyricist and composer:
Kerryn Tolhurst (Australian musician)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Pat Benatar54:30
3CD: Volume 3
#TitleArtistRatingLength
1Comin' On Strong
recording of:
Comin' On Strong
writer:
Steve Elson (founder of UK rock band Broken English; songwriter, producer)
publisher:
Steve Elson Business
Broken English3:38
2When You Walk in the Room
producer:
Christopher Neil
phonographic copyright (℗) by:
BMG Ariola München GmbH (in 1987) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1987)
cover recording of:
When You Walk in the Room
lyricist and composer:
Jackie DeShannon
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Unart Catalog Inc., EMI United Partnership Ltd., Metric Music Company (publisher), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), SBK Songs (publisher) (in 1987) and United Partnership Ltd. (in 1987)
Paul Carrack2.653:24
3Searchin’
recording of:
Searchin’ (I Gotta Find a Man)
lyricist and composer:
Ian Anthony Stephens
Hazell Dean3:10
4T’ain’t What You Do It’s the Way That You Do ItFun Boy Three & Bananarama2:54
5Nineteen
producer:
Paul Hardcastle
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1985)
music videos:
19 (music video) by Paul Hardcastle
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 73)
recording of:
19
lyricist:
Bill Couturié, Paul Hardcastle and Jonas McCord
composer:
Paul Hardcastle
publisher:
Oval Music and Virgin Music (Publishing) Ltd.
Paul Hardcastle3.63:39
6Your Mama Don’t Dance
engineer:
Duane Baron
producer:
Tom Werman
mixer:
Duane Baron, John Purdell and Tom Werman
bass guitar:
Bobby Dall
drums (drum set):
Rikki Rockett
guitar:
C.C. DeVille
lead vocals:
Bret Michaels
performer:
Poison (US glam metal band)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1996)
cover recording of:
Your Mama Don’t Dance
writer:
Kenny Loggins and Jim Messina
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Jasperilla Music Co., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Universal Music Corp. (USA, affiliated with ASCAP) and Universal Music Publishing (use ONLY if no country‐specific information is available)
recording of:
Your Mama Don’t Dance
writer:
Kenny Loggins and Jim Messina
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Jasperilla Music Co., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Universal Music Corp. (USA, affiliated with ASCAP) and Universal Music Publishing (use ONLY if no country‐specific information is available)
Poison43:02
7The Stroke
assistant recording engineer:
Garry Rindfuss
recording engineer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Mack (German rock producer/engineer Reinhold Mack) and Billy Squier
drums (drum set):
Bobby Chouinard
guitar and lead vocals:
Billy Squier
background vocals:
Mark Clarke (Rock, UK) and Alan St. Jon
additionally recorded at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
mixed at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 59)
recording of:
The Stroke
lyricist and composer:
Billy Squier
publisher:
Songs of the Knight
Billy Squier3.753:39
8Too Much Pressure
recording of:
Too Much Pressure
lyricist and composer:
Neol Davies (British musician and founder of The Selecter)
The Selecter3:50
9Golden Brown
co-producer:
Steve Churchyard
producer:
Steve Churchyard and The Stranglers
mixer:
Tony Visconti
performer:
The Stranglers
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Golden Brown
writer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. and Plumbshaft-Ltd.
The Stranglers4.43:29
10She Blinded Me With Science
drum machine and other instruments [wave computer] programming:
Thomas Dolby
producer:
Thomas Dolby and Tim Friese‐Greene
guest Moog [Moog bass]:
Matthew Seligman (in 1982-08)
violin:
Simon House (in 1982-08)
background vocals:
Robert John “Mutt” Lange (Robert John Lange) (in 1982-08) and Miriam Stockley (in 1982-08)
spoken vocals:
Magnus Pyke (in 1982-08)
vocals:
Thomas Dolby (in 1982-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983)
recorded at:
Odyssey Studio (London) in London (Greater London), England, United Kingdom (in 1982-08)
mixed at:
Odyssey Studio (London) in London (Greater London), England, United Kingdom
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 76)
recording of:
She Blinded Me With Science (in 1982-08)
lyricist:
Thomas Dolby and Tim Kerr (songwriter working with Thomas Dolby)
composer:
Thomas Dolby
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Participation Music Inc.
Thomas Dolby43:43
11Don’t Want to Wait Anymore
recording of:
Don’t Want to Wait Anymore
writer:
Rick Anderson (bassist for The Tubes), Michael Cotten, David Foster (Canadian music producer, arranger and composer), Prairie Prince, Bill Spooner, Roger Steen, Fee Waybill and Vince Welnick
publisher:
Boones Tunes, Decomposition Music, Foster Frees Music Inc., Irving Music (BMI), Peermusic III, Ltd. (BMI) and Sony/ATV Songs LLC
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Tubes3:49
12Here I Go Again
producer:
Kevin Elson, Keith Olsen (US producer and engineer) and Mike Stone (producer and engineer, 1960s–80s)
mixer:
Keith Olsen (US producer and engineer)
drums (drum set) and percussion:
Aynsley Dunbar
electric bass guitar:
Neil Murray (British bass guitar player)
electric guitar and background vocals:
John Sykes
guest keyboard and keyboard:
Don Airey and Bill Cuomo
solo electric guitar:
Adrian Vandenberg
lead vocals:
David Coverdale
phonographic copyright (℗) by:
Geffen Records (in 1987) and Whitesnake Productions (Overseas) Ltd. (in 1987)
mixed at:
Goodnight LA Studios in Van Nuys, California, United States
music videos:
Here I Go Again ’87 by Whitesnake
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 17)
recording of:
Here I Go Again
writer:
David Coverdale and Bernie Marsden
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) (ended), EMI Music Publishing (WP) Ltd., EMI Music Publishing Scandinavia AB, Seabreeze Music Ltd., Songs of Windswept Pacific, Warner/Chappell Music Scandinavia AB, Windswept Pacific Music Ltd., Windswept Pacific Music Ltd. (publishing company), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Whitesnake4.054:34
13Tomorrow People
phonographic copyright (℗) by:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1988)
recording of:
Tomorrow People
lyricist and composer:
Ziggy Marley
Ziggy Marley and The Melody Makers43:37
14Ride Like the Wind
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989)
cover recording of:
Ride Like the Wind
lyricist and composer:
Christopher Cross (US singer‐songwriter)
publisher:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher) and Universal Music–MGB Songs
sub-publisher:
Shinko Music Entertainment Co., Ltd. and Universal Music Publishing, Synch Division
Saxon3.64:27
15Back to Life (However Do You Want Me)
producer:
Nellee Hooper and Jazzie B
guest lead vocals:
Caron Wheeler (English singer, songwriter, and record producer)
recording of:
Back to Life
writer:
Nellee Hooper, Simon Law (Soul II Soul), Beresford Romeo and Caron Wheeler (English singer, songwriter, and record producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Law Music, Virgin Music (Publishers) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Soul II Soul43:46
16This Is Not a Love Song
producer and mixer:
Martin Atkins (UK drummer) and John Lydon (Johnny Rotten of the Sex Pistols)
arranger:
Martin Atkins (UK drummer) and John Lydon (Johnny Rotten of the Sex Pistols)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only)
recording of:
This Is Not a Love Song
writer:
Martin Atkins (UK drummer), Keith Levene and John Lydon (Johnny Rotten of the Sex Pistols)
publisher:
Complete Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Virgin Music Publishing and Warner/Chappell Music Ltd. (1996–2019)
version of:
Love Song
P.I.L.44:13

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:EMI Music Australia (defunct holding company, not for release label use!) (in 1999)