The Complete College Classics Collection

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD: Disc One
#TitleArtistRatingLength
1Crazy Little Thing Called Love
engineer:
Mack (German rock producer/engineer Reinhold Mack)
co-producer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Mack (German rock producer/engineer Reinhold Mack), Brian May (Queen guitarist), Queen (UK rock group) and Roger Taylor (Queen drummer)
acoustic guitar [acoustic rhythm guitar] and lead vocals:
Freddie Mercury (from 1979-06 until 1979-07)
bass, bass guitar, guitar and keyboard:
John Deacon (from 1979-06 until 1979-07)
drums (drum set):
Roger Taylor (Queen drummer) (from 1979-06 until 1979-07)
electric guitar and solo guitar:
Brian May (Queen guitarist) (from 1979-06 until 1979-07)
handclaps:
John Deacon (from 1979-06 until 1979-07), Brian May (Queen guitarist) (from 1979-06 until 1979-07), Freddie Mercury (from 1979-06 until 1979-07) and Roger Taylor (Queen drummer) (from 1979-06 until 1979-07)
background vocals:
Brian May (Queen guitarist) (from 1979-06 until 1979-07), Freddie Mercury (from 1979-06 until 1979-07) and Roger Taylor (Queen drummer) (from 1979-06 until 1979-07)
phonographic copyright (℗) by:
Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1979, in 2014), Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1979, in 2011) and Raincloud Productions Ltd. (in 1979, in 2014)
recorded at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (from 1979-06 until 1980-05)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 371)
recording of:
Crazy Little Thing Called Love (from 1979-06 until 1979-07)
lyricist and composer:
Freddie Mercury (in 1979)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), Beechwood Music Corp. (in 1979), Queen Music Ltd. (in 1979) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
included in:
We Will Rock You (German version of the Queen musical)
Queen3.552:48
2Locomotive Breath
engineer:
John Burns (engineer/producer for Genesis)
executive producer:
Terry Ellis (UK producer & band manager)
producer:
Ian Anderson (of Jethro Tull) and Terry Ellis (UK producer & band manager)
acoustic guitar and flute and lead vocals:
Ian Anderson (of Jethro Tull) (on 1971-02-12)
bass guitar and treble recorder / alto recorder:
Jeffrey Hammond Hammond (on 1971-02-12)
drums (drum set) and percussion:
Clive Bunker (on 1971-02-12)
electric guitar and soprano recorder:
Martin Barre (on 1971-02-12)
Hammond organ, piano, piano accordion and synthesizer and mellotron, organ and piano:
John Evan (on 1971-02-12)
conductor:
Dee Palmer (aka David Palmer, of Jethro Tull) (on 1971-02-12)
remixer:
Robin Black (engineer)
orchestrator:
Dee Palmer (aka David Palmer, of Jethro Tull)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1971)
recorded at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1971-02-12)
remixed at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
Locomotive Breath (on 1971-02-12)
lyricist and composer:
Ian Anderson (of Jethro Tull)
Jethro Tull4.454:29
3Highway Star
recorded in:
Montreux, Vaud (Canton of Vaud), Switzerland (in 1971-12)
producer:
Deep Purple
drums (drum set):
Ian Paice (in 1971-12)
electric bass guitar:
Roger Glover (in 1971-12)
electric guitar:
Ritchie Blackmore (in 1971-12)
Hammond organ:
Jon Lord (in 1971-12)
lead vocals:
Ian Gillan (in 1971-12)
remixer:
Peter Denenberg (in 1997) and Roger Glover (in 1997)
recorded at:
Rolling Stones Mobile Studio in United Kingdom (in 1971-12)
recording of:
Highway Star (in 1971-12)
writer:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
publisher:
EMI Music Publishing (do not use as a release label!), Glenwood Music Corp., HEC Music and Henrees Music co.
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Japan C.F. division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Deep Purple56:34
4Still Loving YouScorpions6:13
5Jealous Guy
producer:
Rhett Davies and Bryan Ferry
mixer:
Bob Clearmountain
electric guitar:
Phil Manzanera
keyboard:
David Skinner (Twice As Much)
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1981) and Northern Songs Ltd. (in 1981)
cover recording of:
Jealous Guy
lyricist and composer:
John Lennon (The Beatles)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., Chappell Music Ltd., EMI Blackwood Music (Canada) Ltd., EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Lenono Music, Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
sub-publisher:
Fujipacific Music, Inc. Division 2
revision of:
Child of Nature
Roxy Music46:16
6Eye in the Sky
additional recording engineer and additional producer:
Chris Blair (senior mastering engineer at Abbey Road Studios, London, UK)
assistant engineer:
Tony Richards (recording engineer)
engineer and producer:
Alan Parsons (of The Alan Parsons Project)
executive producer:
Eric Woolfson
acoustic guitar and electric guitar:
Ian Bairnson
bass guitar:
David Paton (of Pilot)
drums (drum set) and percussion:
Stuart Elliott (session drummer, member of Cockney Rebel)
electric piano and lead vocals:
Eric Woolfson
keyboard:
Alan Parsons (of The Alan Parsons Project) and Eric Woolfson
saxophone:
Mel Collins
synthesizer:
Alan Parsons (of The Alan Parsons Project)
background vocals:
Chris Rainbow
conductor:
Andrew Powell (known for contributions to Alan Parsons Project)
chorus master:
Bob Howes (percussionist)
orchestrator:
Andrew Powell (known for contributions to Alan Parsons Project)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1982), Arista Records, LLC (holding company - file NO releases here!) (in 1982) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1982, in 2007)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 21)
recording of:
Eye in the Sky
writer and composer:
Alan Parsons (of The Alan Parsons Project) and Eric Woolfson
publisher:
Careers Music, Inc., Careers–BMG Music Publishing, Inc., Universal Music Publishing International MGB Ltd. and Woolfsongs Ltd.
The Alan Parsons Project4.34:41
7American Pie
engineer:
Tom Flye
acoustic guitar and banjo:
Don McLean (on 1971-05-26)
bass:
Bob Rothstein (on 1971-05-26)
drums (drum set) and percussion:
Roy Markowitz (on 1971-05-26)
electric guitar:
David Spinozza (on 1971-05-26)
electric piano:
Ray Colcord (on 1971-05-26)
marimba and vibraphone:
Mike Mainieri (on 1971-05-26)
piano:
Paul Griffin (American pianist, session musician) (on 1971-05-26)
choir vocals:
West 44th Street Rhythm and Noise Choir (on 1971-05-26)
vocals:
Bob Rothstein (on 1971-05-26) and Don McLean (on 1971-05-26)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1971), EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1971) and United Artists Records (for bootlegs and counterfeit) (in 1971)
partial recording of:
American Pie (on 1971-05-26)
lyricist and composer:
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd and Yahweh Tunes, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean54:16
8Dont Worry Be Happy
recording of:
Don’t Worry, Be Happy
lyricist and composer:
Bobby McFerrin
writer:
Steve Sidwell (English composer & wind instrumentalist)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Probnoblem Music
Bobby McFerrin3:56
9Sadeness
producer:
Enigma (new-age project created by Michael Cretu)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1990)
recorded at:
A.R.T. Studios (Enigma) in Ibiza, Illes Balears (Balearic Islands), Spain (in 1990)
recording of:
Sadeness, Part 1
lyricist:
Michael Cretu (Romanian-born German musician, composer and record producer), Curly M.C., David Fairstein, F. Gregorian and Frank Peterson
composer:
Michael Cretu (Romanian-born German musician, composer and record producer), Curly M.C., David Fairstein and Frank Peterson
publisher:
Manuskript (not for release label use! this is only for copyrights and publishing relationships)
part of:
Principles of Lust
part of:
Principles of Lust
Enigma4.154:18
10All I Need Is a Micacle
Mike + the Mechanics5:44
11Karma Chameleon
engineer:
Simon Humphrey, Gordon Milne (engineer) and Mike Ross‐Trevor (engineer)
producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist) (in 1983)
drums (drum set) and percussion:
Jon Moss (in 1983)
electric sitar, guitar, keyboard, piano and sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
guest keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1983)
harmonica:
Judd Lander (in 1983)
background vocals:
Helen Terry (UK singer) (in 1983)
lead vocals:
Boy George (in 1983)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (in 1983) and Red Bus Studios in London (Greater London), England, United Kingdom (in 1983)
music videos:
Karma Chameleon by Culture Club (English pop group)
recording of:
Karma Chameleon (in 1983)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss and Phil Pickett (songwriter, producer, keyboard player)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and BMG VM Music Ltd. (from 2013-05 to present)
Culture Club3.754:09
12Wild Would
phonographic copyright (℗) by:
10 Records Ltd. (company and copyright holder for 10 Records) (in 1988)
cover recording of:
Wild World
lyricist and composer:
Cat Stevens (now known as Yusuf Islam)
publisher:
Sony Tunes, Inc. (ended), Island Music Ltd., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Salafa Ltd., Freshwater Music Ltd. (from 1970 to present) and Irving Music, Inc. (from 1970 to present)
Maxi Priest3.53:40
13Still Got the BluesGary Moore4:16
14Living Next Door to Alice
associate producer:
Nicky Chinn
producer:
Mike Chapman (Australian producer and songwriter) and G. Kasper (German sound engineer & producer, "Mr. Cool")
phonographic copyright (℗) by:
Chinnichap Records Ltd. (in 1976) and RAK Records Ltd. (in 1976)
produced for:
Chinnichap (production company and publisher)
cover recording of:
Living Next Door to Alice (Original by New World)
lyricist:
Nicky Chinn
composer:
Mike Chapman (Australian producer and songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Musik-Edition Discoton and Universal Music Publishers MGB Australia Pty Ltd
recording of:
Living Next Door to Alice (Original by New World)
lyricist:
Nicky Chinn
composer:
Mike Chapman (Australian producer and songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Musik-Edition Discoton and Universal Music Publishers MGB Australia Pty Ltd
Smokie4.153:33
15Nothing Gonna Stop Us Now
performer:
Starship (continuation of Jefferson Starship) (in 1987)
phonographic copyright (℗) by:
BMG Music (in 1985, in 1987), BMG Entertainment (in 1987) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1987)
recording of:
Nothing’s Gonna Stop Us Now (in 1987)
writer:
Albert Hammond and Diane Warren (US songwriter)
arranger:
Narada Michael Walden
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) and Windswept Pacific Music Ltd. (publishing company)
part of:
The 60th Academy Award for Best Original Song (number: 2)
Starship44:33
16Red Red Wine
producer:
Ray “Pablo” Falconer and UB40
arranger:
UB40
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982, in 1983) and DEP International (UB40) (in 1983)
cover recording of:
Red Red Wine
lyricist and composer:
Neil Diamond (in 1967)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label) and Bang Records (Bert Berns label) (in 1968)
UB403.83:02
2CD: Disc Two
#TitleArtistRatingLength
1I Want to Break Free
recording of:
I Want to Break Free
lyricist and composer:
John Deacon
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Queen Music Ltd.
included in:
We Will Rock You (Queen musical)
included in:
We Will Rock You (German version of the Queen musical)
Queen3.354:18
2Smoke on the Water
recorded in:
Montreux, Vaud (Canton of Vaud), Switzerland (in 1971-12)
assistant engineer:
Jeremy Gee
engineer:
Martin Birch
producer:
Deep Purple
drums (drum set):
Ian Paice (in 1971-12)
electric bass guitar:
Roger Glover (in 1971-12)
electric guitar:
Ritchie Blackmore (in 1971-12)
Hammond organ:
Jon Lord (in 1971-12)
lead vocals:
Ian Gillan (in 1971-12)
phonographic copyright (℗) by:
Deep Purple (Overseas) Ltd. (in 1973)
recorded at:
Rolling Stones Mobile Studio in United Kingdom (in 1971-12)
part of:
SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (number: 8), SWR1 Hitparade 2008 (Baden-Württemberg) (number: 10), SWR1 Hitparade 2009 (Baden-Württemberg) (number: 10), SWR1 Hitparade 2012 (Baden-Württemberg) (number: 10), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 11), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 13), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 34) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Smoke on the Water (in 1971-12)
writer:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Publishing (do not use as a release label!), Glenwood Music Corp., HEC Music and Henrees Music co.
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Scandinavia AB, EMI Music Publishing Japan C.F. division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Deep Purple4.155:40
3Pinball Wizard (live)
producer and mixer:
Bob Clearmountain, Clive Franks and Billy Nicholls (English singer, songwriter, composer, record producer, and musical director)
assistant mixer:
Andy Bradfield
recorded at:
Radio City Music Hall in Midtown Manhattan, New York, New York, United States (on 1989-06-27)
live recording of:
Pinball Wizard (on 1989-06-27)
lyricist:
Pete Townshend (of The Who)
composer:
Pete Townshend (of The Who) (in 1969)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Eel Pie Publishing Ltd., Fabulous Music, Ltd. (this is a publisher, not an imprint!) and Towser Tunes, Inc.
The Who4:22
4I’m Going Home (live)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1971)
live recording of:
I’m Going Home (Ten Years After)
lyricist and composer:
Alvin Lee
publisher:
EMI Unart Catalog Inc. and EMI United Partnership Ltd.
Ten Years After9:32
5Roll Over Beethoven
recording of:
Roll Over Beethoven
lyricist and composer:
Chuck Berry (in 1956-01)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-publisher:
Fujipacific Music, Inc. and Rock ’n’ Roll Music
Electric Light Orchestra4:33
6Mony Mony
cover recording of:
Mony Mony
writer:
Bobby Bloom (US singer-songwriter), Ritchie Cordell, Bo Gentry and Tommy James (American musician, singer, songwriter and record producer)
publisher:
Big Seven Music Corp., EMI Blackwood Music (Canada) Ltd., EMI Music Publishing (WP) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB and Planetary Nom (London) Ltd.
Billy Idol4:10
7Rock You Like a Hurricane
engineer:
Mike Beiriger, Dieter Dierks, David Hewitt (engineer) and Gerd Rautenbach
producer:
Dieter Dierks
mixer:
Mike Beiriger, Dieter Dierks and Scorpions (German rock band)
acoustic guitar and electric guitar:
Rudolf Schenker (in 1984)
bass guitar:
Francis Buchholz (in 1984)
drums (drum set) and percussion:
Herman Rarebell (drummer, Germany) (in 1984)
electric guitar [lead guitar] and electric guitar [rhythm guitar]:
Matthias Jabs (in 1984) and Rudolf Schenker (in 1984)
slide guitar:
Matthias Jabs (in 1984)
background vocals:
Francis Buchholz (in 1984), Matthias Jabs (in 1984), Klaus Meine (in 1984), Herman Rarebell (drummer, Germany) (in 1984) and Rudolf Schenker (in 1984)
lead vocals:
Klaus Meine (in 1984)
arranger:
Dieter Dierks
phonographic copyright (℗) by:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)) (in 1984, in 2018), Breeze Music (in 1984), EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1984), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1984) and BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)) (in 2015)
recorded at:
Dierks Studios in Pulheim, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1983 until 1984)
part of:
Alan Cross: Hurricane Songs (number: 5), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 18) and Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 36)
recording of:
Rock You Like a Hurricane (in 1984)
lyricist:
Klaus Meine and Herman Rarebell (drummer, Germany)
composer:
Rudolf Schenker
publisher:
Arabella Music Edition München, Arabella Musikverlag GmbH and Universal Music Publishing (use ONLY if no country‐specific information is available)
Scorpions4.054:14
8The House of the Rising Sun
recording of:
House of the Rising Sun
lyricist and composer:
[traditional] (special purpose artist)
publisher:
Beechwood Music Corp., Ole Cantaloupe Music and Sonet Publishing Ltd.
The Animals4:29
9Vincent
engineer:
Tom Flye
producer:
Ed Freeman (producer, arranger, musician, and photographer)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1971-05 until 1971-06)
recording of:
Vincent (Starry Starry Night)
lyricist and composer:
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) and Universal/MCA Music Ltd. (not for release label use!)
translated version of:
Wim
Don McLean4.43:59
10With a Little Help From My Friends
producer:
Denny Cordell
mixer:
Tony Visconti
bass guitar:
Chris Stainton (keyboard player, session musician and songwriter)
drums (drum set):
Barrie James Wilson
guitar:
Jimmy Page
organ:
Tommy Eyre
background vocals:
Madeline Bell, Rosetta Hightower and Sunny Weetman
phonographic copyright (℗) by:
Straight Ahead Productions Ltd. (in 1968)
part of:
New York Post: 100 Greatest Covers (2007) (number: 86)
cover recording of:
With a Little Help From My Friends
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
ATV (Northern Songs Catalog), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. (, in 1967), Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC (ASCAP) (from 1967 to present)
Joe Cocker3.85:08
11Oh Carol
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Terry Uttley (English bassist, singer and songwriter)
drums (drum set) and percussion:
Pete Spencer (UK drummer/songwriter, in Smokie)
guitar:
Chris Norman (English soft rock singer) and Alan Silson
keyboard and lead vocals:
Chris Norman (English soft rock singer)
produced for:
Chinnichap (production company and publisher)
recording of:
Oh Carol
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Smokie3:40
12What's Love Got to Do With It
engineer and mixer:
John Hudson (producer, recording and mixing engineer)
producer:
Terry Britten
drums (drum set):
Graham Jarvis (UK session drummer)
guitar:
Terry Britten
keyboard:
Nick Glennie‐Smith and Billy Livsey
percussion:
Simon Morton
background vocals:
Terry Britten and Tessa Niles
lead vocals:
Tina Turner
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1984, in 1997) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recorded at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 134), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 160) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 309)
recording of:
What’s Love Got to Do With It
writer:
Graham Lyle and Terence Ernest Britten
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (1929–2019) (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Tina Turner4.053:48
13Horse With No Name (live)
live recording of:
A Horse With No Name
lyricist and composer:
Dewey Bunnell
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
America53:56
14Baker Street
bass:
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel) (in 1977)
drums (drum set):
Henry Spinetti (in 1977)
guitar [lead guitar]:
Hugh Burns (in 1977)
guitar [rhythm guitar]:
Nigel Jenkins (in 1977)
keyboard:
Tommy Eyre (in 1977)
percussion:
Glen LeFleur (in 1977)
saxophone:
Raphael Ravenscroft (in 1977)
lead vocals:
Gerry Rafferty (in 1977)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978, in 1980), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1978) and United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1978)
recorded at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom (in 1977)
edit of:
Baker Street by Gerry Rafferty
recording of:
Baker Street (in 1977)
lyricist and composer:
Gerry Rafferty
publisher:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) and Universal–Songs of PolyGram International, Inc.
Gerry Rafferty4.154:08
15Year of the Cat
producer:
Alan Parsons (of The Alan Parsons Project)
phonographic copyright (℗) by:
Al Stewart (UK folk singer/songwriter) (in 1976)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
mixed at:
Davlen Sound Studios in North Hollywood, Los Angeles, California, United States
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 13)
recording of:
Year of the Cat
writer:
Al Stewart (UK folk singer/songwriter) and Peter Wood (UK keyboardist/pianist)
publisher:
Carlin Music Corporation, Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Gwyneth Music Ltd., Pepper Music Inc., PolyGram Music Publishing, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Songs (publisher), Universal–Songs of PolyGram International, Inc., Victoria Music Ltd., Victoria Music Publishing Co. Ltd., Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Al Stewart4.36:34
16Leaving on a Jet Plane
producer:
Milt Okun
lead vocals:
John Denver
arranger:
John Denver and Milt Okun
recording of:
Leaving on a Jet Plane (on 1969-05-29)
lyricist and composer:
John Denver
publisher:
BMG Ruby Songs, Cherry Lane Music Publishing Inc, Cherry Lane Music, Inc., Reservoir Media Music (B) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
John Denver4.353:38
3CD: Disc Three
#TitleArtistRatingLength
1Radio Ga Ga
additional recording engineer:
Mike Beiriger (from 1983-08 until 1984-01)
assistant recording engineer:
Eddie DeLena (engineer) (from 1983-08 until 1984-01) and Stephan Wissnet (from 1983-08 until 1984-01)
recording engineer and programming:
Mack (German rock producer/engineer Reinhold Mack) (from 1983-08 until 1984-01)
synthesizer programming:
Fred Mandel (from 1983-08 until 1984-01)
engineer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Mack (German rock producer/engineer Reinhold Mack) and Queen (UK rock group)
bass guitar:
John Deacon (from 1983-08 until 1984-01)
drum machine, drums (drum set), vocoder and background vocals:
Roger Taylor (Queen drummer) (from 1983-08 until 1984-01)
guest sampler and guest synthesizer:
Fred Mandel (from 1983-08 until 1984-01)
guitar:
Brian May (Queen guitarist) (from 1983-08 until 1984-01)
sampler:
Freddie Mercury (from 1983-08 until 1984-01) and Roger Taylor (Queen drummer) (from 1983-08 until 1984-01)
lead vocals:
Freddie Mercury (from 1983-08 until 1984-01)
synthesizer arranger:
Fred Mandel
phonographic copyright (℗) by:
Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1984, in 2011) and Raincloud Productions Ltd. (in 1984)
recorded at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (from 1983-08 until 1984-01) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1983-08 until 1984-01)
produced at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (from 1983-08 until 1984-01) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1983-08 until 1984-01)
recording of:
Radio Ga Ga (from 1983-08 until 1984-01)
lyricist and composer:
Roger Taylor (Queen drummer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Queen Music Ltd.
included in:
We Will Rock You (Queen musical)
included in:
We Will Rock You (German version of the Queen musical)
Queen3.855:44
2Aqualung
engineer:
John Burns (engineer/producer for Genesis)
producer:
Ian Anderson (of Jethro Tull) and Terry Ellis (UK producer & band manager)
acoustic guitar and flute:
Ian Anderson (of Jethro Tull) (from 1970-12 until 1971-02)
bass guitar and treble recorder / alto recorder:
Jeffrey Hammond Hammond (from 1970-12 until 1971-02)
drums (drum set) and percussion:
Clive Bunker (from 1970-12 until 1971-02)
electric guitar and soprano recorder:
Martin Barre (from 1970-12 until 1971-02)
mellotron, organ and piano:
John Evan (from 1970-12 until 1971-02)
vocals:
Ian Anderson (of Jethro Tull) (from 1970-12 until 1971-02)
conductor:
Dee Palmer (aka David Palmer, of Jethro Tull) (from 1970-12 until 1971-02)
orchestrator:
Dee Palmer (aka David Palmer, of Jethro Tull)
recorded at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 90)
recording of:
Aqualung (Jethro Tull) (on 1971-02-12)
lyricist:
Ian Anderson (of Jethro Tull) and Jennie Franks
composer:
Ian Anderson (of Jethro Tull)
Jethro Tull4.46:37
3Burn
recorded in:
Montreux, Vaud (Canton of Vaud), Switzerland (in 1973-11)
assistant engineer:
Tapani Tapanainen (in 2004)
engineer:
Martin Birch
drums (drum set):
Ian Paice (in 1973-11)
electric bass guitar:
Glenn Hughes (UK rock bassist and vocalist) (in 1973-11)
electric guitar:
Ritchie Blackmore (in 1973-11)
Hammond organ and keyboard:
Jon Lord (in 1973-11)
lead vocals:
David Coverdale (in 1973-11)
vocals:
Glenn Hughes (UK rock bassist and vocalist) (in 1973-11)
recorded at:
Rolling Stones Mobile Studio in United Kingdom (in 1973-11)
recording of:
Burn (in 1973-11)
writer:
Ritchie Blackmore, David Coverdale, Jon Lord and Ian Paice
publisher:
Deep Purple Music (Overseas) Ltd. and 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
Deep Purple54:32
4Holiday
recording of:
Holiday
lyricist:
Klaus Meine
composer:
Rudolf Schenker
publisher:
Arabella Musikverlag GmbH
Scorpions6:23
5The Look
programming:
Anders Herrlin (in 1988-08) and Clarence Öfwerman (in 1988-08)
engineer:
Anders Herrlin and Alar Suurna
producer:
Clarence Öfwerman
mixer:
Marie Fredriksson, Per Gessle (Swedish singer and guitarist), Clarence Öfwerman and Alar Suurna
bass guitar:
Anders Herrlin (in 1988-08)
classical guitar:
Erik Borelius (in 1988-08)
drums (drum set) and hi-hat:
Pelle Alsing (in 1988-08)
electric guitar:
Jonas Isacsson (in 1988-08)
keyboard:
Clarence Öfwerman (in 1988-08)
saxophone:
Erik Häusler (in 1988-08)
slide guitar:
Janne Oldaeus (in 1988-08)
background vocals:
Marie Fredriksson (in 1988-08), Per Gessle (Swedish singer and guitarist) (in 1988-08) and Clarence Öfwerman (in 1988-08)
lead vocals:
Marie Fredriksson (in 1988-08) and Per Gessle (Swedish singer and guitarist) (in 1988-08)
phonographic copyright (℗) by:
EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) and EMI Svenska AB (not for release label use!)
recorded at:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Sweden (in 1988-08)
mixed at:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Sweden
recording of:
The Look (in 1988-08)
lyricist and composer:
Per Gessle (Swedish singer and guitarist)
publisher:
Jimmy Fun Music
Roxette3.63:58
6The Best
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989)
cover recording of:
The Best
writer:
Holly Knight and Michael Chapman (Australian producer and songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner4:11
7(I Can’t Help) Falling in Love With You
cover recording of:
Can’t Help Falling in Love
writer:
Luigi Creatore, Hugo Peretti and George David Weiss
publisher:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (German publisher), Luigi Creatore Music (ASCAP) and The Manor Music Co. Ltd.
sub-publisher:
日音 (NICHION INC.) (ended), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Plaisir d’amour (Romance du chevrier)
recording of:
Can’t Help Falling in Love
writer:
Luigi Creatore, Hugo Peretti and George David Weiss
publisher:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (German publisher), Luigi Creatore Music (ASCAP) and The Manor Music Co. Ltd.
sub-publisher:
日音 (NICHION INC.) (ended), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Plaisir d’amour (Romance du chevrier)
UB403.253:26
8Return to Innocence
assistant recording engineer:
E-Magic (Italian Italodance project also known as "E-Magic") and Euphonix
additional vocals:
Angel (German vocalist Andy Jonas)
recorded at:
A.R.T. Studios (Enigma) in Ibiza, Illes Balears (Balearic Islands), Spain
samples:
When the Levee Breaks (original studio mix) by Led Zeppelin
recording of:
Return to Innocence
lyricist and composer:
Michael Cretu (Romanian-born German musician, composer and record producer)
Enigma4.44:17
9Do You Really Want to Hurt Me
assistant engineer:
Gordon Milne (engineer)
engineer and producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist)
drums (drum set) and vibraphone:
Jon Moss
electric piano, guitar and synthesizer:
Roy Hay (Member of Culture Club and composer for film and television)
synclavier:
Keith Miller (Synthesiser Pioneer)
additional vocals:
Helen Terry (UK singer)
lead vocals:
Boy George
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
recorded at:
Red Bus Studios in London (Greater London), England, United Kingdom (in 1982)
music videos:
Do You Really Want to Hurt Me by Culture Club (English pop group)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 58)
recording of:
Do You Really Want to Hurt Me
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. and Virgin Music (Publishers) Ltd.
Culture Club3.954:24
10You Can Do Magic
engineer:
Chuck Kirkpatrick
producer:
Russ Ballard
bass guitar [bass]:
Mike Porcaro
drums (drum set):
Jeff Porcaro and Alvin Taylor (drummer)
guitar [guitars]:
Gerry Beckley, Michael Mirage and Rick Neigher
keyboard [keyboards]:
Chris Coté (songwriting partner with Rick Neigher) and Jai Winding (pianist, composer, vocal)
synthesizer:
Chris Coté (songwriting partner with Rick Neigher), Mark Isham (American musician and score composer) and Jai Winding (pianist, composer, vocal)
vocals:
Gerry Beckley and Dewey Bunnell
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982)
produced for:
Rujo Productions
engineered at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Criteria Studios in Miami, Florida, United States
recording of:
You Can Do Magic
lyricist and composer:
Russ Ballard
publisher:
EMI April Music Inc., Russell Ballard Ltd and Union Square Music Songs Ltd.
live recording of:
You Can Do Magic
lyricist and composer:
Russ Ballard
publisher:
EMI April Music Inc., Russell Ballard Ltd and Union Square Music Songs Ltd.
America3.653:51
11Jesus He Knows Me
assistant recording engineer:
Mike Bowen (from 1991-03 until 1991-09) and Geoff Callingham (from 1991-03 until 1991-09)
assistant engineer:
Mark Robinson (assistant engineer)
engineer:
Nick Davis (producer, engineer)
producer:
Robert Colby (live sound engineer & producer, notably for Phil Collins), Nick Davis (producer, engineer) and Genesis (English rock band)
bass and guitar:
Mike Rutherford (from 1991-03 until 1991-09)
drums (drum set), percussion and lead vocals:
Phil Collins (of Genesis) (from 1991-03 until 1991-09)
keyboard:
Tony Banks (Genesis) (from 1991-03 until 1991-09)
background vocals:
Tony Banks (Genesis) (from 1991-03 until 1991-09) and Mike Rutherford (from 1991-03 until 1991-09)
recorded at:
The Farm (of Genesis fame) in Surrey, England, United Kingdom (from 1991-03 until 1991-09)
recording of:
Jesus He Knows Me (from 1991-03 until 1991-09)
lyricist:
Phil Collins (of Genesis)
composer:
Tony Banks (Genesis), Phil Collins (of Genesis) and Mike Rutherford
publisher:
Anthony Banks Ltd., Concord Sounds, Hit & Run Music (Publishing) Ltd, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Michael Rutherford Ltd., Philip Collins Ltd. and EMI Music Publishing Ltd. (PRS‐affiliated) (from 2007 to present)
Genesis3.354:17
12Drive
recording engineer:
Nigel Green (engineer)
producer:
The Cars and Robert John “Mutt” Lange (Robert John Lange)
mixer:
Mike Shipley (audio engineer, mixer, producer)
bass:
Benjamin Orr (co-lead singer for The Cars)
drums (drum set):
David Robinson (US rock drummer)
guitar:
Elliot Easton and Ric Ocasek
keyboard:
Greg Hawkes
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr (co-lead singer for The Cars)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
music videos:
Drive by The Cars
recording of:
Drive
publisher:
Ric Ocasek (in 1983)
lyricist and composer:
Ric Ocasek
publisher:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) and Warner/Chappell Music Ltd. (1996–2019)
The Cars43:57
13Little LiesFleetwood Mac3:39
14Over My Shoulder
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1995)
recorded at:
The Farm (of Genesis fame) in Surrey, England, United Kingdom
recording of:
Over My Shoulder
writer:
Paul Carrack and Mike Rutherford
publisher:
EMI Music Publishing (do not use as a release label!), Hit & Run Music (Publishing) Ltd and Plangent Visions Music Ltd.
Mike + the Mechanics3.23:39
15Avalon
recording of:
Avalon
lyricist and composer:
Bryan Ferry
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. and E.G. Music Ltd. (publisher) (in 1982)
Roxy Music4:16
16Rhinestone Cowboy
phonographic copyright (℗) by:
Nashville Records (country label, used to be under Starday Records in Nashville, TN, today under Capitol Records, Inc.) (in 1975) and Capitol Records Nashville (in 2003)
recording of:
Rhinestone Cowboy (on 1975-02-24)
lyricist and composer:
Larry Weiss (American singer-songwriter)
publisher:
House of Weiss Music Co, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
Glen Campbell43:11
17We’re an American Band
assistant recording engineer:
Seth Snyder
engineer and producer:
Todd Rundgren
acoustic guitar, congas, electric piano and guitar:
Mark Farner
bass:
Mel Schacher
clavinet, Moog, organ and piano:
Craig Frost
drums (drum set) and percussion:
Don Brewer (drummer for Grand Funk Railroad)
vocals:
Don Brewer (drummer for Grand Funk Railroad) and Mark Farner
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1973, in 1987, in 1991)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 99) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
We’re an American Band
lyricist and composer:
Don Brewer (drummer for Grand Funk Railroad)
publisher:
Brew Music Company
Grand Funk Railroad4.153:27
18Rio
producer:
Colin Thurston
recording of:
Rio
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
Duran Duran45:11