Room 335

~ Release by Larry Carlton (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleRatingLength
1Room 335 (Long Version)
additional recording engineer:
Paul Dobbe
assistant engineer:
Steve Carlton
engineer and producer:
Larry Carlton
bass guitar:
Abraham Laboriel
drums (drum set):
Jeff Porcaro
guitar:
Larry Carlton
keyboard:
Greg Mathieson
percussion:
Paulinho da Costa (Brazilian percussionist)
concertmaster:
Gerald Vinci (American violinist and strings conductor)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
produced for:
Larry Carlton Productions
additionally recorded at:
Western Studio #1 in Hollywood, Los Angeles, California, United States
recorded at and mixed at:
Room 335 in Hollywood, Los Angeles, California, United States
recording of:
Room 335
composer:
Larry Carlton (in 1973)
publisher:
Pal‐Dog Music
5:39
2Sleepwalk
additional engineer:
Al Schmitt
assistant engineer:
Steve Carlton and Jim Hodgson
engineer and producer:
Larry Carlton
bass guitar:
Robert Popwell
drums (drum set):
John Ferraro
electric guitar [Valley Arts Stratocaster]:
Larry Carlton
Rhodes piano:
Don Freeman and Terry Trotter
conductor:
Larry Carlton
remixer:
Larry Carlton
strings arranger:
Larry Carlton
concertmaster:
Assa Drori
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
produced for:
Larry Carlton Productions
additionally engineered at:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, United States
engineered at and remixed at:
Room 335 in Hollywood, Los Angeles, California, United States
cover recording of:
Sleep Walk (original instrumental)
composer:
Ann Farina, Johnny Farina and Santo Farina
publisher:
Aniraf Music, Artemis Muziekuitgeverij B V, Carbert Music Inc., Trio Music (publisher), Trio Music Company, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:35
310:00 P.M.
additional engineer:
Al Schmitt
assistant engineer:
Steve Carlton and Jim Hodgson
engineer and producer:
Larry Carlton
bass guitar:
Abe Laboriel
drums (drum set):
Jeff Porcaro
electric guitar [Valley Arts Stratocaster]:
Larry Carlton
Rhodes piano:
Terry Trotter
conductor:
Larry Carlton
remixer:
Larry Carlton
strings arranger:
Larry Carlton
concertmaster:
Assa Drori
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
produced for:
Larry Carlton Productions
additionally engineered at:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, United States
engineered at and remixed at:
Room 335 in Hollywood, Los Angeles, California, United States
recording of:
10:00 P.M.
composer:
Larry Carlton
publisher:
Pal‐Dog Music and Victor Music Arts
5:03
4You Gotta Get It While You Can
assistant engineer:
Steve Carlton and Jim Hodgson
engineer and producer:
Larry Carlton
bass guitar:
Abe Laboriel
drums (drum set):
Steve Gadd (drummer)
electric guitar [Gibson ES 335]:
Larry Carlton
Minimoog and synthesizer [Prophet]:
Brian Mann (keyboardist, accordionist, composer)
organ:
Don Freeman
percussion:
Paulinho da Costa (Brazilian percussionist)
piano, Rhodes piano and synthesizer [Prophet]:
Greg Mathieson
remixer:
Larry Carlton
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
produced for:
Larry Carlton Productions
engineered at and remixed at:
Room 335 in Hollywood, Los Angeles, California, United States
recording of:
You Gotta Get It While You Can
composer:
Larry Carlton
publisher:
Pal‐Dog Music and Victor Music Arts
4:57
5Fingerprints
54:58
6Song for Katie
assistant engineer:
Steve Carlton and Jim Hodgson
engineer and producer:
Larry Carlton
bass guitar:
Abe Laboriel
drums (drum set):
Jeff Porcaro
electric guitar [Valley Arts Stratocaster, Gibson ES 335]:
Larry Carlton
Rhodes piano:
Terry Trotter
synthesizer [Prophet]:
Brian Mann (keyboardist, accordionist, composer)
remixer:
Larry Carlton
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
produced for:
Larry Carlton Productions
engineered at and remixed at:
Room 335 in Hollywood, Los Angeles, California, United States
recording of:
Song for Katie
composer:
Larry Carlton
publisher:
Pal‐Dog Music and Victor Music Arts
3:49
7Nite Crawler
5:24
8Last Night
additional engineer:
Al Schmitt
assistant engineer:
Steve Carlton and Jim Hodgson
engineer and producer:
Larry Carlton
bass guitar:
Abe Laboriel
drums (drum set):
Steve Gadd (drummer)
electric guitar [rhythm guitar]:
Carlos Rios (producer/guitarist)
electric guitar [Valley Arts Stratocaster]:
Larry Carlton
percussion:
Paulinho da Costa (Brazilian percussionist)
Rhodes piano:
Terry Trotter
conductor:
Larry Carlton
remixer:
Larry Carlton
strings arranger:
Larry Carlton
concertmaster:
Assa Drori
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
produced for:
Larry Carlton Productions
additionally engineered at:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, United States
engineered at and remixed at:
Room 335 in Hollywood, Los Angeles, California, United States
recording of:
Last Nite
composer:
Larry Carlton
publisher:
Pal‐Dog Music and Victor Music Arts
5:18
9Blues Bird
assistant engineer:
Steve Carlton and Jim Hodgson
engineer and producer:
Larry Carlton
bass guitar:
Abe Laboriel
drums (drum set):
Jeff Porcaro
electric guitar [Guild Blues Bird]:
Larry Carlton
Rhodes piano:
Terry Trotter
synthesizer [Prophet]:
Brian Mann (keyboardist, accordionist, composer)
Wurlitzer electric piano:
Don Freeman
remixer:
Larry Carlton
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
produced for:
Larry Carlton Productions
engineered at and remixed at:
Room 335 in Hollywood, Los Angeles, California, United States
recording of:
Blues Bird
composer:
Larry Carlton
publisher:
Pal‐Dog Music and Victor Music Arts
4:32
10Point It Up
assistant engineer:
Steve Carlton
engineer and producer:
Larry Carlton
bass guitar:
Abraham Laboriel
drums (drum set):
Jeff Porcaro
guitar:
Larry Carlton
keyboard:
Greg Mathieson
percussion:
Paulinho da Costa (Brazilian percussionist)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
produced for:
Larry Carlton Productions
recorded at and mixed at:
Room 335 in Hollywood, Los Angeles, California, United States
recording of:
Point It Up
composer:
Larry Carlton
publisher:
Pal‐Dog Music
4:59
11(It Was) Only Yesterday
additional recording engineer:
Paul Dobbe
assistant engineer:
Steve Carlton
engineer and producer:
Larry Carlton
bass guitar:
Abraham Laboriel
drums (drum set):
Jeff Porcaro
guitar:
Larry Carlton
keyboard:
Greg Mathieson
percussion:
Paulinho da Costa (Brazilian percussionist)
concertmaster:
Gerald Vinci (American violinist and strings conductor)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
produced for:
Larry Carlton Productions
additionally recorded at:
Western Studio #1 in Hollywood, Los Angeles, California, United States
recorded at and mixed at:
Room 335 in Hollywood, Los Angeles, California, United States
recording of:
(It Was) Only Yesterday
composer:
Larry Carlton
publisher:
Pal‐Dog Music
4:35
12Chicks with Kickstands
55:29
13All Thru the Night
54:59
14Deep Into It
membranophone programming:
Carl Burnett (American jazz and R&B guitarist)
producer:
Paul Brown (smooth jazz performer/producer) and Larry Carlton
mixer:
Paul Brown (smooth jazz performer/producer)
editor:
Stewart Whitmore
additional keyboard:
Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
bass guitar, guitar and keyboard:
Carl Burnett (American jazz and R&B guitarist)
guitar:
Larry Carlton
organ:
Deron Johnson
percussion:
Lenny Castro
saxophone:
Dan Higgins (saxophonist and woodwind recording artist) and Kirk Whalum
mixed at:
Schnee Studios in North Hollywood, Los Angeles, California, United States
4:21
15Gracias
guitar:
Vince Gill
56:11
16Put It Where You Want It
producer:
Paul Brown (smooth jazz performer/producer) and Larry Carlton
mixer:
Paul Brown (smooth jazz performer/producer)
editor:
Stewart Whitmore
bass:
Chris Kent
drums (drum set):
Billy Kilson (American jazz drummer)
electric piano:
Rick Jackson
guitar:
Larry Carlton
organ:
Ricky Peterson (American keyboardist)
percussion:
Paulinho da Costa (Brazilian percussionist)
saxophone:
Chris Potter (jazz saxophonist)
mixed at:
Schnee Studios in North Hollywood, Los Angeles, California, United States
4:14
17Rio Samba
assistant engineer:
Steve Carlton
engineer and producer:
Larry Carlton
bass guitar:
Abraham Laboriel
drums (drum set):
Jeff Porcaro
guitar:
Larry Carlton
keyboard:
Greg Mathieson
percussion:
Paulinho da Costa (Brazilian percussionist)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
produced for:
Larry Carlton Productions
recorded at and mixed at:
Room 335 in Hollywood, Los Angeles, California, United States
recording of:
Rio Samba
composer:
Larry Carlton (in 1978)
publisher:
Pal‐Dog Music
6:59
18It's a Groove Thang
producer:
Paul Brown (smooth jazz performer/producer) and Larry Carlton
mixer:
Paul Brown (smooth jazz performer/producer)
editor:
Stewart Whitmore
additional keyboard:
Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
bass:
Chris Kent
drums (drum set):
Billy Kilson (American jazz drummer)
guitar:
Larry Carlton
keyboard:
Rick Jackson
percussion:
Paulinho da Costa (Brazilian percussionist)
saxophone:
Dan Higgins (saxophonist and woodwind recording artist) and Chris Potter (jazz saxophonist)
trombone:
Bill Reichenbach, Jr. (jazz trombonist)
trumpet:
Jerry Hey
mixed at:
Schnee Studios in North Hollywood, Los Angeles, California, United States
4:45
19Closer to Home
producer:
Paul Brown (smooth jazz performer/producer) and Larry Carlton
mixer:
Paul Brown (smooth jazz performer/producer)
editor:
Stewart Whitmore
additional keyboard:
Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
bass:
Chris Kent
drums (drum set):
Billy Kilson (American jazz drummer)
electric piano:
Rick Jackson
guitar:
Larry Carlton
percussion:
Paulinho da Costa (Brazilian percussionist)
piano:
Ricky Peterson (American keyboardist)
saxophone:
Chris Potter (jazz saxophonist)
mixed at:
Schnee Studios in North Hollywood, Los Angeles, California, United States
3:47
20Silky Smooth
54:49
21Lazy Susan
55:44
22Crying Hands
57:05
23Upper Kern
additional engineer:
Al Schmitt
assistant engineer:
Steve Carlton and Jim Hodgson
engineer and producer:
Larry Carlton
bass guitar:
Abe Laboriel
drums (drum set):
Jeff Porcaro
electric guitar [Gibson ES 335]:
Larry Carlton
organ:
Greg Mathieson
percussion:
Paulinho da Costa (Brazilian percussionist)
Rhodes piano:
Terry Trotter
saxophone:
David Sanborn
conductor:
Larry Carlton
remixer:
Larry Carlton
strings arranger:
Larry Carlton
concertmaster:
Assa Drori
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
produced for:
Larry Carlton Productions
additionally engineered at:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, United States
engineered at and remixed at:
Room 335 in Hollywood, Los Angeles, California, United States
recording of:
Upper Kern
composer:
Larry Carlton
publisher:
Pal‐Dog Music and Victor Music Arts
7:34
24Don't Give It Up
assistant engineer:
Steve Carlton
engineer and producer:
Larry Carlton
bass guitar:
Abraham Laboriel
drums (drum set):
Jeff Porcaro
guitar:
Larry Carlton
keyboard:
Greg Mathieson
percussion:
Paulinho da Costa (Brazilian percussionist)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
produced for:
Larry Carlton Productions
recorded at and mixed at:
Room 335 in Hollywood, Los Angeles, California, United States
recording of:
Don’t Give It Up
composer:
Larry Carlton
publisher:
Pal‐Dog Music
6:06
25Frenchman's Flat
assistant engineer:
Steve Carlton and Jim Hodgson
engineer and producer:
Larry Carlton
bass guitar:
Robert Popwell
drums (drum set):
Jeff Porcaro
electric guitar [Gibson ES 335]:
Larry Carlton
Rhodes piano:
Greg Mathieson
synthesizer [Prophet]:
Brian Mann (keyboardist, accordionist, composer)
remixer:
Larry Carlton
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
produced for:
Larry Carlton Productions
engineered at and remixed at:
Room 335 in Hollywood, Los Angeles, California, United States
recording of:
Frenchman’s Flat
composer:
Larry Carlton
publisher:
Pal‐Dog Music and Victor Music Arts
4:34
26I Can't Tell You Why
drum machine programming:
Shai (R&B soul quartet)
producer:
Paul Brown (smooth jazz performer/producer) and Larry Carlton
mixer:
Paul Brown (smooth jazz performer/producer)
editor:
Stewart Whitmore
additional keyboard:
Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
guitar:
Larry Carlton
keyboard:
Shai (R&B soul quartet)
vocals:
Shai (R&B soul quartet)
arranger:
Shai (R&B soul quartet)
mixed at:
Schnee Studios in North Hollywood, Los Angeles, California, United States
4:28
27Like Butta'
producer:
Paul Brown (smooth jazz performer/producer) and Larry Carlton
mixer:
Paul Brown (smooth jazz performer/producer)
editor:
Stewart Whitmore
additional keyboard:
Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
bass:
Chris Kent
drums (drum set):
Billy Kilson (American jazz drummer)
electric piano and organ:
Ricky Peterson (American keyboardist)
guitar:
Larry Carlton
percussion:
Paulinho da Costa (Brazilian percussionist)
piano:
Rick Jackson
saxophone:
Dan Higgins (saxophonist and woodwind recording artist) and Chris Potter (jazz saxophonist)
trombone:
Bill Reichenbach, Jr. (jazz trombonist)
trumpet:
Jerry Hey
mixed at:
Schnee Studios in North Hollywood, Los Angeles, California, United States
5:07
28Slave Song
54:53
29Don't Break My Heart
producer:
Paul Brown (smooth jazz performer/producer) and Larry Carlton
mixer:
Paul Brown (smooth jazz performer/producer)
editor:
Stewart Whitmore
guitar:
Larry Carlton
percussion:
Lenny Castro
mixed at:
Schnee Studios in North Hollywood, Los Angeles, California, United States
4:01
30Morning Magic
keyboard programming:
Carl Burnett (American jazz and R&B guitarist)
producer:
Paul Brown (smooth jazz performer/producer) and Larry Carlton
mixer:
Paul Brown (smooth jazz performer/producer)
editor:
Stewart Whitmore
additional flute, keyboard and saxophone:
Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
flugelhorn:
Jerry Hey
guitar:
Larry Carlton
percussion:
Lenny Castro
mixed at:
Schnee Studios in North Hollywood, Los Angeles, California, United States
4:18
31The Storyteller
56:48
32'Til I Hurt You
vocals:
Michael McDonald (R&B & soul singer)
54:18
33I Apologize
assistant engineer:
Steve Carlton
engineer and producer:
Larry Carlton
bass guitar:
Abraham Laboriel
drums (drum set):
Jeff Porcaro
guitar and lead vocals:
Larry Carlton
keyboard:
Greg Mathieson
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
William D. “Smitty” Smith (organist/keyboardist)
vocals:
Larry Carlton
background vocals arranger:
William D. “Smitty” Smith (organist/keyboardist)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
produced for:
Larry Carlton Productions
recorded at and mixed at:
Room 335 in Hollywood, Los Angeles, California, United States
recording of:
I Apologize
writer:
Eric Mercury and William D. “Smitty” Smith (organist/keyboardist)
publisher:
Jobete Music Co., Inc. and Patramani Music
4:19
34Where Did You Come From
assistant engineer:
Steve Carlton
engineer and producer:
Larry Carlton
bass guitar:
Abraham Laboriel
drums (drum set):
Jeff Porcaro
guitar and lead vocals:
Larry Carlton
keyboard:
Greg Mathieson
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
William D. “Smitty” Smith (organist/keyboardist)
vocals:
Larry Carlton
background vocals arranger:
William D. “Smitty” Smith (organist/keyboardist)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
produced for:
Larry Carlton Productions
recorded at and mixed at:
Room 335 in Hollywood, Los Angeles, California, United States
recording of:
Where Did You Come From
writer:
Eric Mercury and William D. “Smitty” Smith (organist/keyboardist)
publisher:
Coconut Grove Musicworks, Curb Songs, Patramani Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:34