10 Symphonien

~ Release by Mahler; Claudio Abbado (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Symphonie no. 1: I. Langsam. Schleppend. Wie Ein Naturlaut - Im Anfang Sehr Gemächlich
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1989-12)
conductor:
Claudio Abbado (conductor) (in 1989-12)
balance engineer:
Klaus Hiemann (engineer/producer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1989-12)
live recording of:
Symphony no. 1 in D major “Titan”: I. Langsam. Schleppend (in 1989-12)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler16:13
2Symphonie no. 1: II. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1989-12)
conductor:
Claudio Abbado (conductor) (in 1989-12)
balance engineer:
Klaus Hiemann (engineer/producer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1989-12)
live recording of:
Symphony no. 1 in D major “Titan”: II. Kräftig bewegt (in 1989-12)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler7:23
3Symphonie no. 1: III. Feierlich und gemessen, ohne zu schleppen
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1989-12)
conductor:
Claudio Abbado (conductor) (in 1989-12)
balance engineer:
Klaus Hiemann (engineer/producer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1989-12)
live recording of:
Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen (in 1989-12)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
quotes music from:
Frère Jacques
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler10:32
4Symphonie no. 1: IV. Stürmisch bewegt
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1989-12)
conductor:
Claudio Abbado (conductor) (in 1989-12)
balance engineer:
Klaus Hiemann (engineer/producer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1989-12)
live recording of:
Symphony no. 1 in D major “Titan”: IV. Stürmisch bewegt (in 1989-12)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler20:46
5Symphonie no. 2 "Auferstehungs-Symphonie": I. Allegro maestoso [Totenfeier]. Mit durchaus ernstem und feierlichem Ausdruck
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso (Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso) (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
version of:
Totenfeier (Funeral Rites)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler6:02
6Symphonie no. 2 "Auferstehungs-Symphonie": I, Ziffer 7. Sehr mäßig und zurückhaltend
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso (Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso) (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
version of:
Totenfeier (Funeral Rites)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler5:35
7Symphonie no. 2 "Auferstehungs-Symphonie": I, Ziffer 15. Schnell
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso (Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso) (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
version of:
Totenfeier (Funeral Rites)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler4:07
8Symphonie no. 2 "Auferstehungs-Symphonie": I, 5 Takte nach Ziffer 20. Tempo I
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso (Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso) (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
version of:
Totenfeier (Funeral Rites)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler3:27
9Symphonie no. 2 "Auferstehungs-Symphonie": I, Ziffer 24. Tempo sostenuto
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso (Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso) (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
version of:
Totenfeier (Funeral Rites)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler3:12
2▼CD
#TitleArtistRatingLength
1Symphonie no. 2 "Auferstehungs-Symphonie": II. Andante moderato. Sehr gemächlich
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": II. Andante moderato (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler1:28
2Symphonie no. 2 "Auferstehungs-Symphonie": II, 1 Takt vor Ziffer 3. Nicht eilen. Sehr gemächlich
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": II. Andante moderato (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler1:34
3Symphonie no. 2 "Auferstehungs-Symphonie": II, Ziffer 5. In Tempo I zurückkehren
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": II. Andante moderato (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler1:43
4Symphonie no. 2 "Auferstehungs-Symphonie": II, Ziffer 6. Energisch bewegt
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": II. Andante moderato (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler2:27
5Symphonie no. 2 "Auferstehungs-Symphonie": II, Ziffer 12. Wieder ins Tempo zurückgehen. Tempo I
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": II. Andante moderato (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler3:28
6Symphonie no. 2 "Auferstehungs-Symphonie": III. [Scherzo]. In ruhig fließender Bewegung
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
is based on:
Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler5:11
7Symphonie no. 2 "Auferstehungs-Symphonie": III, Ziffer 40. Sehr getragen und gesangvoll
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
is based on:
Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler1:27
8Symphonie no. 2 "Auferstehungs-Symphonie": III, Ziffer 43. Zum Tempo I zurückkehren - attacca:
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
is based on:
Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler4:58
9Symphonie no. 2 "Auferstehungs-Symphonie": IV. "Urlicht". Sehr feierlich, aber schlicht "O Röschen rot!" - attacca:
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
solo contralto vocals:
Waltraud Meier (mezzo-soprano) (in 1992-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
recording of:
Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht (Symphony no. 2 in C minor “Resurrection”: 4. Primeval Light. Very solemn, but simple) (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
[anonymous] (special purpose artist)
arrangement of:
Des Knaben Wunderhorn: Urlicht
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler5:27
10Symphonie no. 2 "Auferstehungs-Symphonie": V. Im tempo des Scherzos. Wild herausfahrend
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler1:50
11Symphonie no. 2 "Auferstehungs-Symphonie": V, Ziffer 3. Langsam
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler4:11
12Symphonie no. 2 "Auferstehungs-Symphonie": V, Ziffer 7. Im Anfang sehr zurückgehaltenn
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler1:24
13Symphonie no. 2 "Auferstehungs-Symphonie": V, Ziffer 10. Wieder sehr breit
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler3:14
14Symphonie no. 2 "Auferstehungs-Symphonie": V, 3 Takte vor Ziffer 14. Molto ritenuto. Maestoso
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler4:31
15Symphonie no. 2 "Auferstehungs-Symphonie": V, Ziffer 21. Wieder zurückhaltend
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler3:51
16Symphonie no. 2 "Auferstehungs-Symphonie": V, Ziffer 29. Sehr langsam und gedehnt
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler2:37
17Symphonie no. 2 "Auferstehungs-Symphonie": V, Ziffer 31. Langsam. Misterioso "Auferstehn, ja auferstehn wirst du"
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Arnold Schoenberg Chor (in 1992-11)
solo soprano vocals:
Cheryl Studer (soprano) (in 1992-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
chorus master:
Erwin Ortner (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler3:35
18Symphonie no. 2 "Auferstehungs-Symphonie": V, Ziffer 35. Langsam ppp. Nicht schleppen "Wieder aufzublühn, wirst du gesät"
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Arnold Schoenberg Chor (in 1992-11)
soprano vocals:
Cheryl Studer (soprano) (in 1992-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
chorus master:
Erwin Ortner (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler3:23
19Symphonie no. 2 "Auferstehungs-Symphonie": V, Ziffer 39. Etwas bewegter "O glaube, mein Herz, o glaube"
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Arnold Schoenberg Chor (in 1992-11)
solo contralto vocals:
Waltraud Meier (mezzo-soprano) (in 1992-11)
solo soprano vocals:
Cheryl Studer (soprano) (in 1992-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
chorus master:
Erwin Ortner (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler3:32
20Symphonie no. 2 "Auferstehungs-Symphonie": V, Ziffer 44. Mit Aufschwung, aber nicht eilen "O Schmerz! Du Alldurchdringer!"
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Arnold Schoenberg Chor (in 1992-11)
solo contralto vocals:
Waltraud Meier (mezzo-soprano) (in 1992-11)
solo soprano vocals:
Cheryl Studer (soprano) (in 1992-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
chorus master:
Erwin Ortner (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler4:58
3▼CD
#TitleArtistRatingLength
1Symphonie no. 3: Abteilung I: I. Kräftig. Entschieden
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-09)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1980-09)
partial recording of:
Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden (in 1980-09)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler7:02
2Symphonie no. 3: Abteilung I: I, Ziffer 13. Langsam. Schwer
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-09)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1980-09)
partial recording of:
Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden (in 1980-09)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler2:40
3Symphonie no. 3: Abteilung I: I, Ziffer 18. Tempo I
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-09)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1980-09)
partial recording of:
Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden (in 1980-09)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler5:03
4Symphonie no. 3: Abteilung I: I, Ziffer 29. a tempo
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-09)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1980-09)
partial recording of:
Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden (in 1980-09)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler6:09
5Symphonie no. 3: Abteilung I: I, Ziffer 43. Immer dasselbe Tempo (Marsch)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-09)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1980-09)
partial recording of:
Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden (in 1980-09)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler3:16
6Symphonie no. 3: Abteilung I: I, 3 Takte nach Ziffer 54. (Allegro moderato)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-09)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1980-09)
partial recording of:
Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden (in 1980-09)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler5:10
7Symphonie no. 3: Abteilung I: I, Ziffer 62. Tempo I
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-09)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1980-09)
partial recording of:
Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden (in 1980-09)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler5:06
8Symphonie no. 3: Abteilung II: II. Tempo di Menuetto. Sehr mäßig
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-09)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1980-09)
partial recording of:
Symphony no. 3 in D minor, Part II: II. Tempo di Menuetto (Sehr mäßig) (in 1980-09)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler3:05
9Symphonie no. 3: Abteilung II: II, Ziffer 6. a tempo
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-09)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1980-09)
partial recording of:
Symphony no. 3 in D minor, Part II: II. Tempo di Menuetto (Sehr mäßig) (in 1980-09)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler3:32
10Symphonie no. 3: Abteilung II: II, Ziffer 14. Ganz plötzlich gemächlich. Tempo di Menuetto
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-09)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1980-09)
partial recording of:
Symphony no. 3 in D minor, Part II: II. Tempo di Menuetto (Sehr mäßig) (in 1980-09)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler2:51
11Symphonie no. 3: Abteilung II: III. Comodo. Scherzando. Ohne Hast
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-09)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1980-09)
partial recording of:
Symphony no. 3 in D minor, Part II: III. Comodo. Scherzando (Ohne Hast) (in 1980-09)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
is based on:
Lieder und Gesänge: XI. Ablösung im Sommer (for voice and piano)
part of:
Symphony no. 3 in D minor
Gustav Mahler2:34
12Symphonie no. 3: Abteilung II: III, Ziffer 6. Wieder sehr gemächlich, wie zu Anfang
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-09)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1980-09)
partial recording of:
Symphony no. 3 in D minor, Part II: III. Comodo. Scherzando (Ohne Hast) (in 1980-09)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
is based on:
Lieder und Gesänge: XI. Ablösung im Sommer (for voice and piano)
part of:
Symphony no. 3 in D minor
Gustav Mahler3:05
13Symphonie no. 3: Abteilung II: III, Ziffer 14. Sehr gemächlich (Posthorn)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-09)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1980-09)
partial recording of:
Symphony no. 3 in D minor, Part II: III. Comodo. Scherzando (Ohne Hast) (in 1980-09)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
is based on:
Lieder und Gesänge: XI. Ablösung im Sommer (for voice and piano)
part of:
Symphony no. 3 in D minor
Gustav Mahler4:28
14Symphonie no. 3: Abteilung II: III, 2 Takte vor Ziffer 17. Tempo I
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-09)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1980-09)
partial recording of:
Symphony no. 3 in D minor, Part II: III. Comodo. Scherzando (Ohne Hast) (in 1980-09)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
is based on:
Lieder und Gesänge: XI. Ablösung im Sommer (for voice and piano)
part of:
Symphony no. 3 in D minor
Gustav Mahler2:59
15Symphonie no. 3: Abteilung II: III, Ziffer 27. Wieder sehr gemächlich, beinahe langsam
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-09)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1980-09)
partial recording of:
Symphony no. 3 in D minor, Part II: III. Comodo. Scherzando (Ohne Hast) (in 1980-09)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
is based on:
Lieder und Gesänge: XI. Ablösung im Sommer (for voice and piano)
part of:
Symphony no. 3 in D minor
Gustav Mahler3:51
4▼CD
#TitleArtistRatingLength
1Symphonie no. 3: Abteilung II: IV. Sehr langsam. Misterioso. Durchaus ppp
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
solo soprano vocals:
Jessye Norman (soprano) (in 1980-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-09)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1980-09)
partial recording of:
Symphony no. 3 in D minor, Part II: IV. Sehr langsam (Misterioso. Durchaus ppp) ('O Mensch! Gib acht!') (in 1980-09)
lyricist:
Friedrich Nietzsche
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler5:45
2Symphonie no. 3: Abteilung II: IV, 6 Takte nach Ziffer 6. Più mosso subito
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
solo soprano vocals:
Jessye Norman (soprano) (in 1980-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-09)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1980-09)
partial recording of:
Symphony no. 3 in D minor, Part II: IV. Sehr langsam (Misterioso. Durchaus ppp) ('O Mensch! Gib acht!') (in 1980-09)
lyricist:
Friedrich Nietzsche
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler4:58
3Symphonie no. 3: Abteilung II: V. Lustig im Tempo und keck im Ausdruck
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1980-09) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1980-09)
solo contralto vocals:
Jessye Norman (soprano) (in 1980-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-09)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1980-09) and Michael G. Gormley (organist) (in 1980-09)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1980-09)
recording of:
Symphony no. 3 in D minor, Part II: V. Lustig im Tempo und keck im Ausdruck ('Es sungen drei Engel') (in 1980-09)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
is based on:
Es sungen drei Engel
part of:
Symphony no. 3 in D minor
Gustav Mahler4:32
4Symphonie no. 3: Abteilung II: VI. Langsam. Ruhevoll. Empfunden
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-09)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1980-09)
partial recording of:
Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden (in 1980-09)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler4:24
5Symphonie no. 3: Abteilung II: VI, Ziffer 4. Nicht mehr so breit
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-09)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1980-09)
partial recording of:
Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden (in 1980-09)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler3:08
6Symphonie no. 3: Abteilung II: VI, Ziffer 9. Tempo I. Ruhevoll
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-09)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1980-09)
partial recording of:
Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden (in 1980-09)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler4:02
7Symphonie no. 3: Abteilung II: VI, Ziffer 14. a tempo (Etwas bewegter)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-09)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1980-09)
partial recording of:
Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden (in 1980-09)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler4:17
8Symphonie no. 3: Abteilung II: VI, Ziffer 21. Tempo I
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-09)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1980-09)
partial recording of:
Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden (in 1980-09)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler3:13
9Symphonie no. 3: Abteilung II: VI, Ziffer 25. Langsam. Tempo I
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-09)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1980-09)
partial recording of:
Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden (in 1980-09)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler7:36
5▼CD
#TitleArtistRatingLength
1Symphonie no. 4: I. Bedächtig. Nicht eilen
recording engineer:
Volker Martin (engineer) (in 1977-05)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1977-05)
conductor:
Claudio Abbado (conductor) (in 1977-05)
balance engineer:
Günter Hermanns (producer/engineer) (in 1977-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1977-05)
recording of:
Symphonie Nr. 4 in G-Dur: I. Bedächtig. Nicht eilen - Recht gemächlich (in 1977-05)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler16:05
2Symphonie no. 4: II. In gemächlicher Bewegung. Ohne Hast
recording engineer:
Volker Martin (engineer) (in 1977-05)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1977-05)
conductor:
Claudio Abbado (conductor) (in 1977-05)
balance engineer:
Günter Hermanns (producer/engineer) (in 1977-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1977-05)
recording of:
Symphonie Nr. 4 in G-Dur: II. In gemächlicher Bewegung. Ohne Hast (in 1977-05)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler9:11
3Symphonie no. 4: III. Ruhevoll
recording engineer:
Volker Martin (engineer) (in 1977-05)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1977-05)
conductor:
Claudio Abbado (conductor) (in 1977-05)
balance engineer:
Günter Hermanns (producer/engineer) (in 1977-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1977-05)
recording of:
Symphonie Nr. 4 in G-Dur: III. Ruhevoll. Poco adagio (in 1977-05)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler23:26
4Symphonie no. 4: IV. Sehr behaglich "Wir genießen die himmlischen Freuden"
recording engineer:
Volker Martin (engineer) (in 1977-05)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
soprano vocals:
Frederica von Stade (mezzo-soprano) (in 1977-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1977-05)
conductor:
Claudio Abbado (conductor) (in 1977-05)
balance engineer:
Günter Hermanns (producer/engineer) (in 1977-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1977-05)
recording of:
Symphonie Nr. 4 in G-Dur: IV. Sehr behaglich. „Wir genießen die himmlischen Freuden“ (in 1977-05)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
revision of:
Des Knaben Wunderhorn: Das himmlische Leben
Gustav Mahler9:03
6▼CD
#TitleArtistRatingLength
1Symphony no. 5: Teil I: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
recording engineer:
Jürgen Bulgrin (sound engineer) (in 1993-05)
producer:
Christopher Alder (editor/engineer/producer)
mixer and balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1993-05)
conductor:
Claudio Abbado (conductor) (in 1993-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1993-05)
live recording of:
Symphony no. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) (in 1993-05)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler12:36
2Symphony no. 5: Teil I: II. Stürmisch bewegt, mit größter Vehemenz
recording engineer:
Jürgen Bulgrin (sound engineer) (in 1993-05)
producer:
Christopher Alder (editor/engineer/producer)
mixer and balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1993-05)
conductor:
Claudio Abbado (conductor) (in 1993-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1993-05)
live recording of:
Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz (in 1993-05)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler14:46
3Symphony no. 5: Teil II: III. Scherzo. Kräftig, nicht zu schnell
recording engineer:
Jürgen Bulgrin (sound engineer) (in 1993-05)
producer:
Christopher Alder (editor/engineer/producer)
mixer and balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
solo horn:
Gerd Seifert (horn player) (in 1993-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1993-05)
conductor:
Claudio Abbado (conductor) (in 1993-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1993-05)
live recording of:
Symphony no. 5 in C-sharp minor: III. Scherzo. Kräftig, nicht zu schnell (in 1993-05)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler17:26
4Symphony no. 5: Teil III: IV. Adagietto. Sehr langsam
recording engineer:
Jürgen Bulgrin (sound engineer) (in 1993-05)
producer:
Christopher Alder (editor/engineer/producer)
mixer and balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1993-05)
conductor:
Claudio Abbado (conductor) (in 1993-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1993-05)
live recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (in 1993-05)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler9:01
5Symphony no. 5: Teil III: V. Rondo-Finale. Allegro - Allegro giocoso. Frisch
recording engineer:
Jürgen Bulgrin (sound engineer) (in 1993-05)
producer:
Christopher Alder (editor/engineer/producer)
mixer and balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1993-05)
conductor:
Claudio Abbado (conductor) (in 1993-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1993-05)
live recording of:
Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro - Allegro giocoso. Frisch (in 1993-05)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler15:40
7▼CD
#TitleArtistRatingLength
1Symphony no. 6 in A minor, I. Allegro energico, ma non troppo. Heftig, aber markig
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
orchestra:
Chicago Symphony Orchestra (in 1979-02, in 1980-02)
conductor:
Claudio Abbado (conductor) (in 1979-02, in 1980-02)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Orchestra Hall (Chicago) in Chicago, Illinois, United States (in 1979-02, in 1980-02) and Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1980-02)
recording of:
Symphonie Nr. 6 in a-Moll: I. Allegro energico, ma non troppo. Heftig, aber markig (in 1979-02)
composer:
Gustav Mahler (composer) (from 1903 until 1904-08)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
recording of:
Symphonie Nr. 6 in a-Moll: I. Allegro energico, ma non troppo. Heftig, aber markig (in 1980-02)
composer:
Gustav Mahler (composer) (from 1903 until 1904-08)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler23:35
2Symphony no. 6 in A minor, II. Scherzo. Wuchtig
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
orchestra:
Chicago Symphony Orchestra (in 1979-02, in 1980-02)
conductor:
Claudio Abbado (conductor) (in 1979-02, in 1980-02)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Orchestra Hall (Chicago) in Chicago, Illinois, United States (in 1979-02, in 1980-02) and Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1980-02)
recording of:
Symphonie Nr. 6 in a-Moll: III. Scherzo. Wuchtig (sometimes II.) (in 1979-02)
composer:
Gustav Mahler (composer) (in 1903)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
recording of:
Symphonie Nr. 6 in a-Moll: III. Scherzo. Wuchtig (sometimes II.) (in 1980-02)
composer:
Gustav Mahler (composer) (in 1903)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler13:19
3Symphony no. 6 in A minor, III. Andante moderato
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
orchestra:
Chicago Symphony Orchestra (in 1979-02, in 1980-02)
conductor:
Claudio Abbado (conductor) (in 1979-02, in 1980-02)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Orchestra Hall (Chicago) in Chicago, Illinois, United States (in 1979-02, in 1980-02) and Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1980-02)
recording of:
Symphonie Nr. 6 in a-Moll: II. Andante moderato (sometimes III.) (in 1979-02)
composer:
Gustav Mahler (composer) (in 1903)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
recording of:
Symphonie Nr. 6 in a-Moll: II. Andante moderato (sometimes III.) (in 1980-02)
composer:
Gustav Mahler (composer) (in 1903)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler15:53
8▼CD
#TitleArtistRatingLength
1Symphony no. 6 in A minor: IV. Finale. Allegro moderato - Allegro energico
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
orchestra:
Chicago Symphony Orchestra (in 1979-02, in 1980-02)
conductor:
Claudio Abbado (conductor) (in 1979-02, in 1980-02)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Orchestra Hall (Chicago) in Chicago, Illinois, United States (in 1979-02, in 1980-02) and Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1980-02)
recording of:
Symphonie Nr. 6 in a-Moll: IV. Finale. Allegro moderato (in 1979-02)
composer:
Gustav Mahler (composer) (from 1903 until 1904-08)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
recording of:
Symphonie Nr. 6 in a-Moll: IV. Finale. Allegro moderato (in 1980-02)
composer:
Gustav Mahler (composer) (from 1903 until 1904-08)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler30:56
2Symphony no. 8: Teil 1. Hymnus "Veni, creator spiritus": 1. "Veni, creator spiritus"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Prager Philharmonischer Chor (Czech Philharmonic Chorus, Prague Philharmonic Choir) (in 1994-02) and Rundfunkchor Berlin (Berlin Radio Chorus) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02) and Pavel Kühn (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: a. Veni creator spiritus (Chor) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler1:33
3Symphony no. 8: Teil 1. Hymnus "Veni, creator spiritus": 2. "Imple superna gratia"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Maria Aegyptiaca]:
Rosemarie Lang (mezzo-soprano) (in 1994-02)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
baritone vocals [Pater ecstaticus]:
Bryn Terfel (bass‐baritone opera singer) (in 1994-02)
bass vocals [Pater profundus]:
Jan‐Hendrik Rootering (bass‐baritone) (in 1994-02)
choir vocals:
Prager Philharmonischer Chor (Czech Philharmonic Chorus, Prague Philharmonic Choir) (in 1994-02) and Rundfunkchor Berlin (Berlin Radio Chorus) (in 1994-02)
soprano vocals [Magna Peccatrix]:
Sylvia McNair (soprano) (in 1994-02)
soprano vocals [Una poenitentium]:
Cheryl Studer (soprano) (in 1994-02)
tenor vocals [Doctor Marianus]:
Peter Seiffert (tenor) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02) and Pavel Kühn (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: b. Imple superna gratia (7 Soli, Chor) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler3:35
4Symphony no. 8: Teil 1. Hymnus "Veni, creator spiritus": 3. "Infirma nostri corporis"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Maria Aegyptiaca]:
Rosemarie Lang (mezzo-soprano) (in 1994-02)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
baritone vocals [Pater ecstaticus]:
Bryn Terfel (bass‐baritone opera singer) (in 1994-02)
bass vocals [Pater profundus]:
Jan‐Hendrik Rootering (bass‐baritone) (in 1994-02)
choir vocals:
Prager Philharmonischer Chor (Czech Philharmonic Chorus, Prague Philharmonic Choir) (in 1994-02) and Rundfunkchor Berlin (Berlin Radio Chorus) (in 1994-02)
soprano vocals [Magna Peccatrix]:
Sylvia McNair (soprano) (in 1994-02)
soprano vocals [Una poenitentium]:
Cheryl Studer (soprano) (in 1994-02)
tenor vocals [Doctor Marianus]:
Peter Seiffert (tenor) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02) and Pavel Kühn (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: c. Infirma nostri corporis (7 Soli, Chor) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler2:10
5Symphony no. 8: Teil 1. Hymnus "Veni, creator spiritus": 4. Tempo I. (Allegro, etwas hastig)
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: d. Tempo I (Allegro, etwas hastig) (in 1994-02)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler1:17
6Symphony no. 8: Teil 1. Hymnus "Veni, creator spiritus": 5. "Infirma nostri corporis"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Maria Aegyptiaca]:
Rosemarie Lang (mezzo-soprano) (in 1994-02)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
baritone vocals [Pater ecstaticus]:
Bryn Terfel (bass‐baritone opera singer) (in 1994-02)
bass vocals [Pater profundus]:
Jan‐Hendrik Rootering (bass‐baritone) (in 1994-02)
soprano vocals [Magna Peccatrix]:
Sylvia McNair (soprano) (in 1994-02)
soprano vocals [Una poenitentium]:
Cheryl Studer (soprano) (in 1994-02)
tenor vocals and tenor vocals [Doctor Marianus]:
Peter Seiffert (tenor) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: e. Infirma nostri corporis (7 Soli) (in 1994-02)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler2:45
7Symphony no. 8: Teil 1. Hymnus "Veni, creator spiritus": 6. "Accende lumen sensibus"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Maria Aegyptiaca]:
Rosemarie Lang (mezzo-soprano) (in 1994-02)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
baritone vocals [Pater ecstaticus]:
Bryn Terfel (bass‐baritone opera singer) (in 1994-02)
bass vocals [Pater profundus]:
Jan‐Hendrik Rootering (bass‐baritone) (in 1994-02)
choir vocals:
Prager Philharmonischer Chor (Czech Philharmonic Chorus, Prague Philharmonic Choir) (in 1994-02), Rundfunkchor Berlin (Berlin Radio Chorus) (in 1994-02) and Tölzer Knabenchor (Tölz Boys’ Choir) (in 1994-02)
soprano vocals [Magna Peccatrix]:
Sylvia McNair (soprano) (in 1994-02)
soprano vocals [Una poenitentium]:
Cheryl Studer (soprano) (in 1994-02)
tenor vocals [Doctor Marianus]:
Peter Seiffert (tenor) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: f. Accende lumen sensibus, infunde amorem cordibus (7 Soli, Chor, Knaben Chor) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler4:54
8Symphony no. 8: Teil 1. Hymnus "Veni, creator spiritus": 7. "Veni, creator spiritus"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Maria Aegyptiaca]:
Rosemarie Lang (mezzo-soprano) (in 1994-02)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
baritone vocals [Pater ecstaticus]:
Bryn Terfel (bass‐baritone opera singer) (in 1994-02)
bass vocals [Pater profundus]:
Jan‐Hendrik Rootering (bass‐baritone) (in 1994-02)
choir vocals:
Prager Philharmonischer Chor (Czech Philharmonic Chorus, Prague Philharmonic Choir) (in 1994-02), Rundfunkchor Berlin (Berlin Radio Chorus) (in 1994-02) and Tölzer Knabenchor (Tölz Boys’ Choir) (in 1994-02)
contralto vocals:
Rosemarie Lang (mezzo-soprano) (in 1994-02) and Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
soprano vocals [Magna Peccatrix]:
Sylvia McNair (soprano) (in 1994-02)
soprano vocals [Una poenitentium]:
Cheryl Studer (soprano) (in 1994-02)
tenor vocals [Doctor Marianus]:
Peter Seiffert (tenor) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: g. Veni creator spiritus (reprise) (7 Soli, Chor, Knaben Chor) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler4:13
9Symphony no. 8: Teil 1. Hymnus "Veni, creator spiritus": 8. "Gloria sit Patri Domino"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Maria Aegyptiaca]:
Rosemarie Lang (mezzo-soprano) (in 1994-02)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
baritone vocals [Pater ecstaticus]:
Bryn Terfel (bass‐baritone opera singer) (in 1994-02)
bass vocals [Pater profundus]:
Jan‐Hendrik Rootering (bass‐baritone) (in 1994-02)
choir vocals:
Prager Philharmonischer Chor (Czech Philharmonic Chorus, Prague Philharmonic Choir) (in 1994-02), Rundfunkchor Berlin (Berlin Radio Chorus) (in 1994-02) and Tölzer Knabenchor (Tölz Boys’ Choir) (in 1994-02)
soprano vocals [Magna Peccatrix]:
Sylvia McNair (soprano) (in 1994-02)
soprano vocals [Una poenitentium]:
Cheryl Studer (soprano) (in 1994-02)
tenor vocals [Doctor Marianus]:
Peter Seiffert (tenor) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: h. Gloria sit Patri Domino (7 Soli, Chor, Knaben Chor) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler2:57
9▼CD
#TitleArtistRatingLength
1Symphonie no. 8: Teil 2. Schlußszene aus Goethes "Faust II": 1. Poco Adagio
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler6:50
2Symphonie no. 8: Teil 2. Schlußszene aus Goethes "Faust II": 2. Più mosso (Allegro moderato)
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:16
3Symphonie no. 8: Teil 2. Schlußszene aus Goethes "Faust II": 3. "Waldung, sie schwankt heran"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Prager Philharmonischer Chor (Czech Philharmonic Chorus, Prague Philharmonic Choir) (in 1994-02) and Rundfunkchor Berlin (Berlin Radio Chorus) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02) and Pavel Kühn (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: c. "Waldung, sie schwankt heran" (Chor und Echo) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:46
4Symphonie no. 8: Teil 2. Schlußszene aus Goethes "Faust II": 4. "Ewiger Wonnebrand"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
baritone vocals [Pater ecstaticus]:
Bryn Terfel (bass‐baritone opera singer) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1994-02) and Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: d. Ewiger Wonnebrand (Pater Ecstaticus) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:54
5Symphonie no. 8: Teil 2. Schlußszene aus Goethes "Faust II": 5. 'Wie Felsenabgrund mir zu Füßen"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Pater profundus]:
Jan‐Hendrik Rootering (bass‐baritone) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:42
6Symphonie no. 8: Teil 2. Schlußszene aus Goethes "Faust II": 6. "Gerettet ist das edle Glied' - 'Hände verschlinget"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
choir vocals:
Prager Philharmonischer Chor (Czech Philharmonic Chorus, Prague Philharmonic Choir) (in 1994-02), Rundfunkchor Berlin (Berlin Radio Chorus) (in 1994-02) and Tölzer Knabenchor (Tölz Boys’ Choir) (in 1994-02)
soprano vocals [Mater gloriosa]:
Andrea Rost (Hungarian lyric soprano) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor)) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:03
7Symphonie no. 8: Teil 2. Schlußszene aus Goethes "Faust II": 7. "Jene Rosen, aus den Händen"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus) (in 1994-02)
soprano vocals [Mater gloriosa]:
Andrea Rost (Hungarian lyric soprano) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g1. "Jene Rosen, aus den Händen" (Engel - Chor) (in 1994-02)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:53
8Symphonie no. 8: Teil 2. Schlußszene aus Goethes "Faust II": 8. "Uns bleibt ein Erdenrest"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
choir vocals:
Prager Philharmonischer Chor (Czech Philharmonic Chorus, Prague Philharmonic Choir) (in 1994-02)
soprano vocals [Mater gloriosa]:
Andrea Rost (Hungarian lyric soprano) (in 1994-02)
tenor vocals [Doctor Marianus]:
Peter Seiffert (tenor) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Pavel Kühn (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo)) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler2:04
9Symphonie no. 8: Teil 2. Schlußszene aus Goethes "Faust II": 9. "Ich spür' soeben", "Freudig empfangen wir", "Hier ist die Aussicht frei"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus) (in 1994-02) and Tölzer Knabenchor (Tölz Boys’ Choir) (in 1994-02)
soprano vocals [Mater gloriosa]:
Andrea Rost (Hungarian lyric soprano) (in 1994-02)
tenor vocals [Doctor Manianus]:
Peter Seifert (tenor) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor)) (in 1994-02)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h2. "Hier ist die Aussicht frei" (Doctor Marianus, Knaben Chor) (in 1994-02)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:19
10Symphonie no. 8: Teil 2. Schlußszene aus Goethes "Faust II": 10. "Höchste Herrscherin der Welt"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Prager Philharmonischer Chor (Czech Philharmonic Chorus, Prague Philharmonic Choir) (in 1994-02) and Rundfunkchor Berlin (Berlin Radio Chorus) (in 1994-02)
tenor vocals [Doctor Marianus]:
Peter Seifert (tenor) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02) and Pavel Kühn (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:02
11Symphonie no. 8: Teil 2. Schlußszene aus Goethes "Faust II": 11. "Dir, der Unberührbaren" - "Du schwebst zu Höhen"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Prager Philharmonischer Chor (Czech Philharmonic Chorus, Prague Philharmonic Choir) (in 1994-02) and Rundfunkchor Berlin (Berlin Radio Chorus) (in 1994-02)
solo soprano vocals [Una Poenitentium]:
Cheryl Studer (soprano) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02) and Pavel Kühn (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium)) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:53
12Symphonie no. 8: Teil 2. Schlußszene aus Goethes "Faust II": 12. "Bei der Liebe", "Bei dem Bronn", "Bei dem hochgeweihten Orte"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Maria Aegyptiaca]:
Rosemarie Lang (mezzo-soprano) (in 1994-02)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
soprano vocals [Magna Peccatrix]:
Sylvia McNair (soprano) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:57
13Symphonie no. 8: Teil 2. Schlußszene aus Goethes "Faust II": 13. "Neige, neige, du Ohnegleiche"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals [Una poenitentium]:
Cheryl Studer (soprano) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: l. "Neige, Neige, du Ohnegleiche" (Una Poenitentium) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler0:54
14Symphonie no. 8: Teil 2. Schlußszene aus Goethes "Faust II": 14. "Er überwächst uns schon", "Vom edlen Geisterchor umgeben"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Prager Philharmonischer Chor (Czech Philharmonic Chorus, Prague Philharmonic Choir) (in 1994-02) and Tölzer Knabenchor (Tölz Boys’ Choir) (in 1994-02)
soprano vocals [Mater gloriosa]:
Andrea Rost (Hungarian lyric soprano) (in 1994-02)
soprano vocals [Una poenitentium]:
Cheryl Studer (soprano) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: m. "Er überwächst uns schon" (Knaben Chor, Una Poenitentium) (in 1994-02)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor) (in 1994-02)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:24
15Symphonie no. 8: Teil 2. Schlußszene aus Goethes "Faust II": 15. "Komm! hebe dich zu höhern Sphären", "Blicket auf zum Retterblick"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Prager Philharmonischer Chor (Czech Philharmonic Chorus, Prague Philharmonic Choir) (in 1994-02), Rundfunkchor Berlin (Berlin Radio Chorus) (in 1994-02) and Tölzer Knabenchor (Tölz Boys’ Choir) (in 1994-02)
soprano vocals [Mater gloriosa]:
Andrea Rost (Hungarian lyric soprano) (in 1994-02)
tenor vocals [Doctor Marianus]:
Peter Seiffert (tenor) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler7:16
16Symphonie no. 8: Teil 2. Schlußszene aus Goethes "Faust II": 16. "Alles Vergängliche"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Maria Aegyptiaca]:
Rosemarie Lang (mezzo-soprano) (in 1994-02)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
baritone vocals [Pater ecstaticus]:
Bryn Terfel (bass‐baritone opera singer) (in 1994-02)
bass vocals [Pater profundus]:
Jan‐Hendrik Rootering (bass‐baritone) (in 1994-02)
choir vocals:
Prager Philharmonischer Chor (Czech Philharmonic Chorus, Prague Philharmonic Choir) (in 1994-02), Rundfunkchor Berlin (Berlin Radio Chorus) (in 1994-02) and Tölzer Knabenchor (Tölz Boys’ Choir) (in 1994-02)
soprano vocals [Magna Peccatrix]:
Sylvia McNair (soprano) (in 1994-02)
soprano vocals [Una poenitentium]:
Cheryl Studer (soprano) (in 1994-02)
tenor vocals [Doctor Marianus]:
Peter Seiffert (tenor) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler5:43
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11▶CD
12▶CD

Credits

Release

ASIN:DE: B000009MCC [info]