The Story of The Clash, Volume 1 (CDM on rear)

~ Release by The Clash (see all versions of this release, 10 available)

Annotation

Identical to this release but has a CDM code on the rear.

Matrix CD1: 1-CDCBS-460244 23 A2 MASTERED BY DADC AUSTRIA
No SID codes
DiscID CD1: Zm5XG3QEpHTFmkxZhvV8jgyn6nA-
Matrix CD2: 2-CDCBS-460244 11 B1 MANUFACTURED BY DADC AUSTRIA
No SID codes
DiscID CD2: RzN8MkRMEdxcuVdBIjBC2uueRfY-

Annotation last modified on 2022-10-11 14:30 UTC.

Tracklist

| |
1▼CD
#TitleRatingLength
1The Magnificent Seven
producer:
The Clash (70s–80s British punk rock band)
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1980)
recording of:
The Magnificent Seven
writer:
Topper Headon, Mick Jones (The Clash/Big Audio Dynamite), Paul Simonon and Joe Strummer
publisher:
Nineden Ltd.
44:29
2Rock the Casbah
engineer:
Bob Clearmountain
drums (drum set):
Topper Headon
electric bass guitar:
Paul Simonon
electric guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
background vocals:
Joe Strummer
lead vocals:
Mick Jones (The Clash/Big Audio Dynamite)
recording of:
Rock the Casbah
writer:
Topper Headon, Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
3:43
3This Is Radio Clash
producer:
The Clash (70s–80s British punk rock band)
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
recording of:
This Is Radio Clash
writer:
The Clash (70s–80s British punk rock band)
44:10
4Should I Stay or Should I Go
engineer:
Bob Clearmountain
producer:
Guy Stevens
mixer:
Glyn Johns
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
guest vocals:
Joe Ely
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1982)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 42), Indie 88: Top 500 Indie Rock Songs (number: 183) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 228)
recording of:
Should I Stay or Should I Go
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
publisher:
Nineden Ltd. and Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
4.553:09
5Straight to Hell
mixer:
Glyn Johns
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
recording of:
Straight to Hell
writer:
Topper Headon, Mick Jones (The Clash/Big Audio Dynamite), Paul Simonon and Joe Strummer
3.65:31
6Armagideon Time
producer:
The Clash (70s–80s British punk rock band)
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
cover recording of:
Armagideon Time
writer:
Willi Williams (Jamaican reggae artist)
composer:
Clement “Coxsone” Dodd
is based on:
Real Rock (riddim)
43:52
7Clampdown
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03) and Joe Strummer (from 1979-01 until 1979-03)
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
recording of:
Clampdown (from 1979-01 until 1979-03)
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
is based on:
Working and Waiting
3.653:50
8Train in Vain
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set):
Topper Headon
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer (from 1979-01 until 1979-03)
guitar family:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03)
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 213) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 292)
recording of:
Train in Vain (from 1979-01 until 1979-03)
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
4.153:13
9The Guns of Brixton
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03) and Joe Strummer (from 1979-01 until 1979-03)
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
recording of:
The Guns of Brixton (from 1979-01 until 1979-03)
lyricist and composer:
Paul Simonon
publisher:
Nineden Ltd.
is based on:
Paul’s Tune
3.753:12
10I Fought the Law
producer:
The Clash (70s–80s British punk rock band) and Bill Price (UK producer/engineer)
bass guitar:
Paul Simonon (on 1978-12-28)
drums (drum set):
Topper Headon (on 1978-12-28)
electric guitar:
Mick Jones (The Clash/Big Audio Dynamite) (on 1978-12-28) and Joe Strummer (on 1978-12-28)
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
background vocals:
Mick Jones (The Clash/Big Audio Dynamite) (on 1978-12-28) and Paul Simonon (on 1978-12-28)
lead vocals:
Joe Strummer (on 1978-12-28)
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom (on 1978-12-28)
part of:
New York Post: 100 Greatest Covers (2007) (number: 33) and Indie 88: Top 500 Indie Rock Songs (number: 266)
live cover recording of:
I Fought the Law (on 1978-12-28)
lyricist and composer:
Sonny Curtis
publisher:
Acuff-Rose Publications, Inc. (BMI), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
4.32:40
11Somebody Got Murdered
producer:
The Clash (70s–80s British punk rock band)
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
lead vocals:
Mick Jones (The Clash/Big Audio Dynamite)
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1980)
recording of:
Somebody Got Murdered
writer:
Topper Headon, Mick Jones (The Clash/Big Audio Dynamite), Paul Simonon and Joe Strummer
arranger:
The Clash (70s–80s British punk rock band)
publisher:
Nineden Ltd.
3.253:35
12Lost in the Supermarket
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03) and Joe Strummer (from 1979-01 until 1979-03)
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
recording of:
Lost in the Supermarket (from 1979-01 until 1979-03)
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
3.853:49
13Bankrobber
producer:
Mikey Dread
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
recording of:
Bankrobber
additional lyricist:
Half Pint (Jamaican reggae/dancehall singer)
lyricist, writer and composer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
34:33
2▼CD
#TitleRatingLength
1(White Man) In Hammersmith Palais
producer:
The Clash (70s–80s British punk rock band)
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
recording of:
(White Man) In Hammersmith Palais
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
4:01
2London’s Burning
producer:
Mickey Foote
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
recording of:
London’s Burning
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
3.752:10
3Janie Jones
producer:
Mickey Foote
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
recording of:
Janie Jones
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
4.22:05
4Tommy Gun
recording engineer and mixer:
Corky Stasiak
producer:
Sandy Pearlman
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
recording of:
Tommy Gun
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
3.73:17
5Complete Control
producer:
Mickey Foote and Lee Perry (aka The Upsetter)
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 362)
recording of:
Complete Control
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
43:14
6Capital Radio
producer:
The Clash (70s–80s British punk rock band) and Bill Price (UK producer/engineer)
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
recording of:
Capital Radio (Capital Radio One)
writer and composer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
5:19
7White Riot
producer:
Mickey Foote
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
recording of:
White Riot
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
3.51:59
8Career Opportunities
producer:
Mickey Foote
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
recording of:
Career Opportunities
writer:
Topper Headon, Mick Jones (The Clash/Big Audio Dynamite), Paul Simonon and Joe Strummer
41:52
9Clash City Rockers
producer:
Mickey Foote
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
recording of:
Clash City Rockers
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
3.53:48
10Safe European Home
recording engineer and mixer:
Corky Stasiak
producer:
Sandy Pearlman
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
recording of:
Safe European Home
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
3.653:50
11Stay Free
recording engineer and mixer:
Corky Stasiak
producer:
Sandy Pearlman
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
recording of:
Stay Free
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
3.43:40
12London Calling
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03) and Joe Strummer (from 1979-01 until 1979-03)
vocals:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03) and Joe Strummer (from 1979-01 until 1979-03)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1979) and Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 15), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 42), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 63), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 143)
recording of:
London Calling (from 1979-01 until 1979-03)
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
publisher:
Nineden Ltd., Nineden Music (publisher) and Virgin Music (Publishers) Ltd.
4.13:20
13Spanish Bombs
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03) and Joe Strummer (from 1979-01 until 1979-03)
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
recording of:
Spanish Bombs (from 1979-01 until 1979-03)
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
3.653:18
14English Civil War
recording engineer and mixer:
Corky Stasiak
producer:
Sandy Pearlman
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
arranger:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
recording of:
English Civil War (When Johnny Comes Marching Home)
writer:
[traditional] (special purpose artist) and The Clash (70s–80s British punk rock band)
arranger:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
is based on:
When Johnny Comes Marching Home (trad.)
3.52:36
15Police & Thieves
producer:
Mickey Foote
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
cover recording of:
Police and Thieves
writer:
Junior Murvin and Lee “Scratch” Perry (aka The Upsetter)
3.656:01

Credits

Release

manufactured in:Austria
printed in:Holland, Kingdom of the Netherlands
liner notes:Albert Transom
rights society:BIEM (international rights organization representing member societies from 58 countries)
MCPS (UK rights society; do not use this as a label or work publisher!)
STEMRA (Netherlands rights society for composers and music publishers)
distributed by:CBS Disques S.A. (not for release label use; FR subsidiary of the older CBS Records)
CBS Records (manufacturer/distributor, not for release label use!)
copyrighted (©) by and phonographic copyright (℗) by:CBS Records (manufacturer/distributor, not for release label use!) (in 1988)
glass mastered by:DADC Austria
Discogs:https://www.discogs.com/release/7378287 [info]
other databases:https://www.musik-sammler.de/release/246287/ [info]