Once Upon a Song

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

| |
1▼CD
Nr.TitelKünstlerBewertungLänge
1American Pie
Techniker(in):
Tom Flye
Produzent(in):
Ed Freeman (producer, arranger, musician, and photographer)
E-Gitarre:
David Spinozza (von 1971-05 bis 1971-06)
Klavier:
Paul Griffin (American pianist, session musician) (von 1971-05 bis 1971-06)
vocals:
Don McLean (von 1971-05 bis 1971-06)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1971, in 2000)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1971-05 bis 1971-06)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 131)
recording of:
American Pie (von 1971-05 bis 1971-06)
Texter und Komponist(in):
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd und Yahweh Tunes, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean4.38:34
2A Horse With No Name
Techniker(in):
Robin Black (engineer) und Ken Scott (UK record producer & engineer)
Produzent(in):
America (US folk/soft rock band), Jeff Dexter, George Martin (producer, arranger, composer, conductor, audio engineer, and musician) und Ian Samwell
zusätzliche(r) Produzent(in):
America (US folk/soft rock band) und Jeff Dexter
Mix:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Akustikgitarre und Sologesang:
Dewey Bunnell (in 1971)
Bassgitarre:
Dan Peek (in 1971)
Perkussion:
Ray Cooper (percussionist) (in 1971)
Schlagzeug:
Kim Haworth (in 1971)
zwölfsaitige Gitarre:
Gerry Beckley (in 1971)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971, in 1972), Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (in 1972) und Rhino Entertainment Company (not for release label use!) (in 2011)
aufgenommen bei:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1971)
recording of:
A Horse With No Name (in 1971)
Texter und Komponist(in):
Dewey Bunnell
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
America4.34:10
3Maggie May
Produzent(in):
Rod Stewart
Akustikgitarre:
Martin Quittenton (guitarist for Steamhammer) (in 1971)
Bassgitarre, E-Gitarre und zwölfsaitige Gitarre:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1971)
Becken und membranophone:
Micky Waller (in 1971)
Celesta:
Pete Sears (in 1971)
Hammond-Orgel:
Ian McLagan (in 1971)
Mandoline:
Ray Jackson (in 1971) und David Lindley (in 1971)
Sologesang:
Rod Stewart (in 1971)
phonographisches Urheberrecht (℗) von:
Mercury Records Inc. (copyrights use only) (in 1971), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1971), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1971) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1971)
recording of:
Maggie May (in 1971)
publisher:
Rod Stewart
Verfasser(in):
Mike Peters, Martin Quittenton (guitarist for Steamhammer) und Rod Stewart
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell und Warner Chappell Music (publisher as Warner/Chappell Music)
Rod Stewart4.25:14
4At Seventeen
Bearbeitung von:
At Seventeen von Janis Ian
recording of:
At Seventeen
Texter und Komponist(in):
Janis Ian (in 1974)
publisher:
EMI Blackwood Music Inc. und Mine Music Ltd.
Janis Ian4.53:57
5Cat’s in the Cradle
Produzent(in):
Paul Leka
arranger:
Paul Leka
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead), Elektra/Asylum/Nonesuch Records (not for release label use! a division of Warner Communications Inc.) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1974)
aufgenommen bei:
Connecticut Recording Studios in Connecticut, Vereinigte Staaten
recording of:
Cat’s in the Cradle
Verfasser(in):
Sandra Campbell Chapin und Harry F Chapin
publisher:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Harry Chapin3.83:39
6Me and Bobby McGee
Techniker(in):
Phil Macy (50s-70s engineer)
Produzent(in):
Paul Rothchild
Akustikgitarre und Sologesang:
Janis Joplin (am 1970-09-25)
Bassgitarre:
Brad Campbell (bassist, member of Full Tilt Boogie) (am 1970-09-25)
Gast-Bongos und Gast-Conga:
Bobbye Hall
Gast-Bongos und Conga:
Bobbye Hall (am 1970-09-25)
Gast-Tamburin:
Sandra Crouch (am 1970-09-25)
Gitarre:
John Till (rock guitarist) (am 1970-09-25)
Klavier:
Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (am 1970-09-25)
Orgel:
Ken Pearson (am 1970-09-25)
Schlagzeug:
Clark Pierson (am 1970-09-25)
Hintergrundgesang:
Phil Badella (am 1970-09-25), Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (am 1970-09-25), Brad Campbell (bassist, member of Full Tilt Boogie) (am 1970-09-25), John Cooke (am 1970-09-25), Janis Joplin (am 1970-09-25), Vince Mitchell (am 1970-09-25), Ken Pearson (am 1970-09-25), Clark Pierson (am 1970-09-25) und John Till (rock guitarist) (am 1970-09-25)
Interpret(in):
Full Tilt Boogie (am 1970-09-25)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1970-09-25)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 31) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 148)
cover recording of:
Me and Bobby McGee (am 1970-09-25)
Texter und Komponist(in):
Fred Foster und Kris Kristofferson
publisher:
Combine Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Keith Prowse Music Publishing Co. Ltd.
Janis Joplin4.34:30
7Mr. Bojangles
phonographisches Urheberrecht (℗) von:
Capitol Records Nashville (in 1974)
cover recording of:
Mr. Bojangles
Texter und Komponist(in):
Jerry Jeff Walker
publisher:
Gotillion Music (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell Music Australia Pty. Ltd.
The Nitty Gritty Dirt Band53:36
8Bad Bad Leroy Brown
vocals:
Jim Croce (am 1972-06-02)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (am 1972-06-02)
recording of:
Bad, Bad Leroy Brown (am 1972-06-02)
Texter und Komponist(in):
Jim Croce
publisher:
American Broadcasting Music, Inc., Blendingwell Music, Inc., Denjac Music Co., DenJac Music Company, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996)
Jim Croce53:00
9Alone Again (Naturally)
Produzent(in):
Gordon Mills (60s/70s UK producer and songwriter)
phonographisches Urheberrecht (℗) von:
O.S.M. Inc. (in 1972)
recording of:
Alone Again (Naturally)
Texter und Komponist(in):
Gilbert O’Sullivan
publisher:
Grand Upright Music Ltd. und 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
Gilbert O’Sullivan53:38
10Please Come to Boston
Bearbeitung von:
Please Come to Boston von Dave Loggins
recording of:
Please Come to Boston
Texter und Komponist(in):
Dave Loggins
Dave Loggins4:08
11Atlantis
Produzent(in):
Mickie Most (English record producer)
Akustikgitarre:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1968-11)
Bass:
Bobby Ray (60s/70s US folk artist/bassist) (in 1968-11)
E-Gitarre:
Ricki (in 1968-11)
Keyboard:
Gabriel Mekler (in 1968-11)
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos) (in 1968-11)
Hintergrundgesang:
Donovan's fans ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1968-11)
vocals:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1968-11)
arranger:
Gabriel Mekler
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1968)
aufgenommen bei:
American Recording Co. (original Los Angeles location, 1959–1982) in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1968-11)
recording of:
Atlantis (Donovan song) (in 1968-11)
Texter und Komponist(in):
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan (Music) Ltd., Peer International Corporation (BMI), Peer Musikverlag (Peermusic Musikverlag GesmbH), Peer Southern Music (publisher), peermusic (publisher) und Peer Southern Music (publisher) (in 1968)
Donovan3.755:01
12Spill the Wine
Techniker(in):
Chris Huston
Produzent(in):
Jerry Goldstein (producer, record label owner and publisher)
Bassgitarre [bass]:
Morris "B.B." Dickerson
flute:
Charles Miller (US saxophonist & flutist, member of War)
Gitarre:
Howard Scott (US funk/rock guitarist, member of War)
Mundharmonika:
Lee Oskar
Orgel:
Lonnie Jordan
Perkussion:
Thomas "Papa Dee" Allen
Schlagzeug [drums]:
Harold Brown
Sologesang:
Eric Burdon
aufgenommen bei:
Wally Heider Recording Studio (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten (in 1970)
recording of:
Spill the Wine
Verfasser(in):
Papa Dee Allen, Harold Brown, B.B. Dickerson, Lonnie Jordan, Charles Miller (US saxophonist & flutist, member of War), Lee Oskar und Howard E. Scott (US funk/rock guitarist, member of War)
publisher:
Far Out Music, Inc.
cover recording of:
Spill the Wine
Verfasser(in):
Papa Dee Allen, Harold Brown, B.B. Dickerson, Lonnie Jordan, Charles Miller (US saxophonist & flutist, member of War), Lee Oskar und Howard E. Scott (US funk/rock guitarist, member of War)
publisher:
Far Out Music, Inc.
Eric Burdon & War44:05
13Family Affair
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 57) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 138)
recording of:
Family Affair
Texter und Komponist(in):
Sylvester Stewart
publisher:
Mijac Music
Sly & the Family Stone4.353:00
14Mama Told Me Not to Come
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1970)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 11)
cover recording of:
Mama Told Me (Not to Come)
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), January Music, January Music Corp., Supersongs Unlimited, Unichappell Music, Inc. und Warner/Chappell North America
Three Dog Night4.653:19
15The Devil Went Down to Georgia
Assistent recording engineer:
Steve Goostree (audio engineer, producer, mixer/ AV production)
recording engineer, Techniker(in) und Mix:
Paul Grupp
Produzent(in):
John Boylan
assistierende(r) Mix:
Dave Rideau (engineer) und Erik Zobler
Bassgitarre:
Charlie Hayward (Member of The Charlie Daniels Band)
Fiddle und Sologesang:
Charlie Daniels
Gitarre und Hintergrundgesang:
Tom Crain
Keyboard [keyboards]:
Joel "Taz" DiGregorio
Schlagzeug:
Fred Edwards (drummer and songwriter) und Jim Marshall (photographer)
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1979), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1979) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
produced for:
Sir Charles Productions
aufgenommen bei:
Woodland Studios in Nashville, Tennessee, Vereinigte Staaten
Musikvideos:
The Devil Went Down to Georgia von The Charlie Daniels Band
recording of:
The Devil Went Down to Georgia
Verfasser(in):
Charlie Daniels, Joel "Taz" DiGregorio, Fred Edwards (drummer and songwriter), Charlie Hayward (Member of The Charlie Daniels Band), John Crain und James W. Marshall
publisher:
Songs of Universal, Inc. (BMI) und Hat Band Music (in 1979)
The Charlie Daniels Band4.653:36
16A Boy Named Sue
Techniker(in):
Bob Breault und Neil Wilburn
Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
Gitarre:
Carl Perkins (American pioneer of rockabilly music)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1969) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1969)
aufgenommen bei:
San Quentin State Prison in Marin County, California (Kalifornien), Vereinigte Staaten (am 1969-02-24)
live recording of:
A Boy Named Sue (am 1969-02-24)
Texter und Komponist(in):
Shel Silverstein
Johnny Cash4.43:45
2▼CD
Nr.TitelKünstlerBewertungLänge
1Ode to Billy Joe
phonographisches Urheberrecht (℗) von:
Capitol Records Nashville (in 1967)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 51), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 191) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 412)
recording of:
Ode to Billie Joe (in 1967-03)
Texter und Komponist(in):
Bobbie Gentry
publisher:
Larry Shayne Music, Inc. und Universal/MCA Music Publishing Pty Ltd
Bobbie Gentry54:14
2Papa Was a Rolling Stone
Produzent(in):
Norman Whitfield
Sologesang:
Dennis Edwards (US soul & R’n’B singer) (in 1972), Damon Harris (in 1972) und Richard Street (in 1972)
conductor:
Paul Riser (in 1972)
arranger:
Paul Riser
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) und Motown Record Corporation (company credits only; do NOT use as release label) (in 1972)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 168) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 333)
cover recording of:
Papa Was a Rollin’ Stone (in 1972)
Texter und Komponist(in):
Barrett Strong und Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Diamond Music Corporation, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Temptations46:55
3Midnight Train to Georgia
recording of:
Midnight Train to Georgia
Texter und Komponist(in):
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips4:37
4Brother Louie
Interpret(in):
Ian Lloyd (of Stories)
phonographisches Urheberrecht (℗) von:
Kama Sutra (in 1973) und Kama Sutra Records (in 1973)
cover recording of:
Brother Louie
Verfasser(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) und Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
EMI Music Publishing (PRS‐affiliated), Finchley Music und RAK Publishing Ltd.
Stories4.353:56
5Proud Mary
cover recording of:
Proud Mary
Texter und Komponist(in):
John Fogerty
publisher:
Burlington Music Co., Ltd., Burlington Music Ltd., Cierco Music, Warner Chappell, Jondora Music (am 1968-12-27) und Jondora Musikverlag (publisher) (in 1970)
Ike & Tina Turner3:21
6Delta Dawn
Produzent(in):
Tom Catalano
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1973)
cover recording of:
Delta Dawn
Verfasser(in):
Larry Collins und Alex Harvey (American country singer of the early 70s)
publisher:
Big Ax Music, EMI April Music Inc., EMI Catalogue, EMI U Catalog Inc. (publisher; do NOT use as release label), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Helen Reddy3:08
7Polk Salad Annie
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 1969)
recording of:
Polk Salad Annie
Texter und Komponist(in):
Tony Joe White
publisher:
Combine Music Corp. und EMI Blackwood Music Inc.
Tony Joe White3:42
8Harper Valley P.T.A.
Produzent(in):
Shelby Singleton
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 78)
recording of:
Harper Valley PTA (am 1968-07-26)
Texter und Komponist(in):
Tom T. Hall
publisher:
Unichappell Music, Inc.
Jeannie C. Riley43:15
9Take a Letter Maria
recorded in:
Muscle Shoals, Alabama, Vereinigte Staaten (am 1969-08-19)
Produzent(in):
Ahmet Ertegun (US American Songwriter, producer)
Saiteninstrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1969-08-19)
vocals:
R.B. Greaves (am 1969-08-19)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1969-08-19)
conductor:
Arif Mardin (am 1969-08-19)
arranger:
Arif Mardin
recording of:
Take a Letter Maria (am 1969-08-19)
Texter und Komponist(in):
R.B. Greaves
publisher:
PolyGram Music Publishing
R.B. Greaves42:45
10Indian Reservation
cover recording of:
Indian Reservation (The Lament of the Cherokee Reservation Indian)
Texter und Komponist(in):
John D. Loudermilk
Paul Revere and the Raiders2:53
11The Night the Lights Went Out in Georgia
recording of:
The Night the Lights Went Out in Georgia
Texter und Komponist(in):
Bobby Russell
Vicki Lawrence3:36
12Brandy (You’re a Fine Girl)
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 2), Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 11) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 40)
recording of:
Brandy (You’re a Fine Girl) (in 1972)
Texter und Komponist(in):
Elliot Lurie
Looking Glass4.253:04
13The Night Chicago Died
Koproduzent(in):
Peter Callander (vom 1974 bis heute) und Mitch Murray (vom 1974 bis heute)
Bass:
Cliff Fish (bassist for Paper Lace) (in 1974)
Gitarre:
Chris Morris (Member of Paper Lace) (in 1974) und Mick Vaughan (in 1974)
Schlagzeug und Sologesang:
Phil Wright (Lead singer and drummer of Paper Lace) (vom 1974 bis heute)
Hintergrundgesang:
Cliff Fish (bassist for Paper Lace) (in 1974), Chris Morris (Member of Paper Lace) (in 1974) und Mick Vaughan (in 1974)
aufgenommen bei:
Majestic Studios in Clapham, Lambeth, London (Greater London), England, Vereinigtes Königreich (in 1974)
recording of:
The Night Chicago Died
Texter:
Peter Callander
Komponist(in):
Mitch Murray
Paper Lace3:31
14Billy Don’t Be a Hero
recording of:
Billy, Don’t Be a Hero
Verfasser(in):
Peter Callander und Mitch Murray
publisher:
Universal–Songs of PolyGram International, Inc.
sub-publisher:
Imudico AB
Bo Donaldson and the Heywoods3:39
15Tie a Yellow Ribbon Round the Ole Oak Tree
phonographisches Urheberrecht (℗) von:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1973)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 52)
recording of:
Tie a Yellow Ribbon Round the Ole Oak Tree
Verfasser(in):
Lawrence Russell Brown (lyricist) und Irwin Levine
publisher:
Irwin Levine Music (BMI-affiliated), Larball Publishing Co., Inc. und peermusic (publisher)
Tony Orlando & Dawn53:21
16Seasons in the Sun
Produzent(in):
Terry Jacks
arranger:
Terry Jacks
phonographisches Urheberrecht (℗) von:
Bell Records Inc. (record company behind the Bell Records and Mala labels) (in 1973), Arista Records, LLC (holding company - file NO releases here!) (in 1974) und Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1980)
produced for:
Poppy Family Productions Ltd.
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 19)
cover recording of:
Seasons in the Sun
Texter und Übersetzer:
Rod McKuen
Komponist(in):
Jacques Brel
publisher:
E.B. Marks Music Corp. und Francis, Day & Hunter Ltd. (in 1973)
übersetzte Version von:
Le Moribond
Terry Jacks3.23:29
17Honey
phonographisches Urheberrecht (℗) von:
Capitol Records Nashville (in 1968)
cover recording of:
Honey (am 1968-01-30)
Texter und Komponist(in):
Bobby Russell
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Bobby Goldsboro44:00
18One Tin Soldier (The Legend of Billy Jack)
Coven3:21

Nennungen

Veröffentlichung

ASIN:US: B000BTI9JO [Info]