Greatest Ever! Sad Songs

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Words
Produzent(in):
Ian Curnow und Phil Harding (engineer, producer and remixer)
Sologesang:
Ronan Keating
vocals:
Keith Duffy (Member of Boyzone), Stephen Gately, Mikey Graham und Shane Lynch
zusätzlich Hintergrundgesang [backing vocals]:
Andy Caine und Tubbs Williams (UK bass player, producer, vocalist)
phonographisches Urheberrecht (℗) von:
Polydor Ireland (in 1996) und Polygram Ireland Ltd. (in 1996)
produced for:
P&E Music Limited (production and publishing company owned by Phil Harding and Ian Curnow)
cover recording of:
Words
geschrieben in:
London (Greater London), England, Vereinigtes Königreich
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
Abigail Music, BMG Publishing, Careers–BMG Music Publishing, Inc., Casserole Music, Inc., Chappell Music Ltd., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. (BMI) und Universal Music Careers
Boyzone24:06
2Get Here
Produzent(in):
David Bascombe und Roland Orzabal (UK musician, songwriter and producer)
Bass:
Pino Palladino
Keyboard und Klavier:
Oleta Adams
Perkussion:
Luís Jardim
Schlagzeug:
John Cushon
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (London) (company name, NOT a label!), Mercury Records Ltd. (not for release label use!) (in 1990) und Mercury Records Ltd. (London) (for copyrights use only) (in 1990)
Teil von:
The Downloader’s Music Source Book (Nummer: 191)
cover recording of:
Get Here
Texter und Komponist(in):
Brenda Russell (US singer-songwriter & keyboardist)
publisher:
Rutland Road Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und WB Music Corp. (1929–2019)
Oleta Adams44:35
3The Sun Ain’t Gonna Shine Anymore
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (not for release label use!) (in 1966) und PolyGram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1966)
cover recording of:
The Sun Ain’t Gonna Shine (Anymore) (in 1966)
Verfasser(in):
Bob Crewe und Bob Gaudio
publisher:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), Seasons Four Music und Warner Chappell Music (publisher as Warner/Chappell Music)
The Walker Brothers3.53:04
4How Can You Mend a Broken Heart?
Produzent(in):
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
E-Bass:
Leroy Hodges
guitar family:
Mabon Hodges (“Teenie”, soul guitarist)
Orgel und Klavier:
Charles Hodges (soul organist)
Posaune:
Jack Hale (trombone)
Saxophon:
James Mitchell (US saxophonist/arranger)
Schlagzeug:
Howard Grimes und Al Jackson, Jr. (Booker T & The MGs drummer)
Tenorsaxophon:
Ed Logan
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
Hintergrundgesang:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes und Sandra Rhodes
aufgenommen bei:
Royal Studios in Memphis, Tennessee, Vereinigte Staaten
cover recording of:
How Can You Mend a Broken Heart
geschrieben in:
Kensington, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
Verfasser(in):
Barry Gibb und Robin Gibb
publisher:
Abigail Music (London) Ltd. (publisher), BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Robin Gibb Publishing Ltd., Songs of Universal, Inc. (BMI), Universal Music Careers und Universal Music Publishing International MGB Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Al Green3.76:20
5All Out of Love
leitende(r) Produzent(in):
Clive Davis (record producer, A&R executive and music industry chief executive)
Produzent(in):
Robie Porter
assistierende(r) Mix:
Linda Corbin
Mix:
Jim Hilton
Bassgitarre:
Criston Barker
Gitarre [lead guitar]:
David Moyse
Gitarre [rhythm guitar]:
Graham Russell (Air Supply)
Keyboard:
Frank Esler‐Smith und Sam McNally
Schlagzeug:
Ralph Cooper (drummer)
Hintergrundgesang:
Criston Barker, Tommy Dassalo (percussionist and backing vocalist for Air Supply), Russell Hitchcock, Marcy Levy, David Moyse und Graham Russell (Air Supply)
Sologesang:
Russell Hitchcock
vocals:
Graham Russell (Air Supply)
arranger:
Air Supply und Robie Porter
Orchestrator(in):
Frank Esler‐Smith und Robie Porter
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1980), Arista Records, LLC (holding company - file NO releases here!) (in 1980), Big Time Phonograph Recording Co. (in 1980), Big Time Phonograph Recording Co. Pty Ltd. (in 1980) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1980)
aufgenommen bei:
Paradise Studios (Sydney) in Sydney, New South Wales, Australien und Studios 301 (Byron Bay) in Byron Bay, New South Wales, Australien
mixed at:
Larrabee Sound Studios (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California (Kalifornien), Vereinigte Staaten
Teil von:
The Downloader’s Music Source Book (Nummer: 290)
recording of:
All Out of Love
Verfasser(in):
Clive Davis (record producer, A&R executive and music industry chief executive) und Graham Russell (Air Supply)
publisher:
Arista Music, Inc., BMG Music Publishing Ltd., BRM Publishing, Careers–BMG Music Publishing, Inc., DJDMP, Inc., Nottsongs, Riva Music Ltd., Universal Music Careers, Universal Music Publishing MGB Ltd., Warner Chappell Music (publisher as Warner/Chappell Music) und Warner/Chappell Music Ltd. (1996–2019)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Air Supply4.454:04
6Ain’t No Sunshine
recording engineer:
Bill Halverson (in 1971) und Bill Lazarus (in 1971)
Produzent(in):
Booker T. Jones
Mix:
John Golden (mastering engineer)
Akustikgitarre:
Stephen Stills (in 1971)
E-Bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1971)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1971)
Sologesang:
Bill Withers (in 1971)
Saiteninstrumente arranger:
Booker T. Jones
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1971) und Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
Teil von:
BILLIONS CLUB, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 179), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 280) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 309)
recording of:
Ain’t No Sunshine (in 1971)
Texter und Komponist(in):
Bill Withers
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) und EMI Songs Ltd.
Bill Withers4.52:05
7Unchained Melody
Techniker(in):
Larry Levine
Produzent(in):
Phil Spector
Solo Sologesang:
Bobby Hatfield (in 1965-03)
arranger:
Jack Nitzsche (American musician and score composer)
phonographisches Urheberrecht (℗) von:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965, in 1968) und Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1966)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1965-03)
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 269) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
Texter:
Hy Zaret
Komponist(in):
Alex North (US composer)
publisher:
Frank Music Corp. (beendet), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing und Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
The Righteous Brothers33:39
8I Just Don’t Know What to Do With Myself
Dusty Springfield3:04
9Fool If You Think It’s Over
cover recording of:
Fool (If You Think It’s Over)
Texter und Komponist(in):
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Elkie Brooks4:49
10Leavin’
Shelby Lynne3:14
11What Becomes of the Brokenhearted?
Produzent(in):
William "Mickey" Stevenson (Motown songwriter)
recording of:
What Becomes of the Brokenhearted
Verfasser(in):
James Dean (US soul songwriter), Paul Riser und William Weatherspoon
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Jobete Music (UK)
Jimmy Ruffin4.652:57
12If You Don’t Know Me by Now
Produzent(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
Hintergrundgesang:
The Blue Notes (Harold Melvin’s group, 1954–mid‐1960s) (in 1972)
Sologesang:
Harold Melvin (in 1972)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972, in 1991)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1972)
recording of:
If You Don’t Know Me by Now (in 1972)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und Warner/Chappell Music Australia Pty. Ltd.
Harold Melvin & The Blue Notes3.753:25
13Used Ta Be My Girl
recording of:
Use ta Be My Girl
Texter und Komponist(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays34:04
14Everything I Own
cover recording of:
Everything I Own
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Laetrec Music, Screen Gems, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd. und Sony/ATV Music Publishing (UK) Ltd.
Ken Boothe3:47
15Tell It Like It Is
recording engineer:
Cosimo Matassa (in 1966-11)
Produzent(in):
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe)
E-Bass [electric bass]:
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) (in 1966-11)
Gitarre:
"Deacon" John Moore (in 1966-11)
Klavier:
Willie Tee (US keyboardist, vocalist, songwriter and producer) (in 1966-11)
Kontrabass [acoustic bass]:
Chuck Badie (US jazz/R&B bassist) (in 1966-11)
Schlagzeug [drums]:
Albert (June) Gardner (US jazz drummer and bandleader) (in 1966-11)
Tenorsaxophon:
Alvin “Red” Tyler (American jazz saxophonist) (in 1966-11)
Trompete:
Emery Thomas (in 1966-11)
Hintergrundgesang [backup vocal]:
Tami Lynn (in 1966-11)
vocals:
Aaron Neville (in 1966-11)
aufgenommen bei:
Cosimo Matassa's Studio (New Orleans, circa 1956-1968) in New Orleans, Louisiana, Vereinigte Staaten (in 1966-11)
recording of:
Tell It Like It Is
Verfasser(in):
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) und Lee Diamond
publisher:
Conrad Music (publisher; do NOT use as release label) und Olrap Publishing Co., Inc.
Aaron Neville2:40
16And I Love Her
Grady Tate4:48
17Reflections of My Life
recording of:
Reflections of My Life
Verfasser(in):
Junior Campbell und Thomas McAleese
Marmalade4:13
18Love Hurts
recording engineer:
Tony Taverner
zusätzlich recording engineer und zusätzliche(r) Mix:
John Punter
Produzent(in):
Manny Charlton
Bassgitarre:
Pete Agnew
Gitarre und Synthesizer:
Manny Charlton
Schlagzeug:
Darrell Sweet
Hintergrundgesang:
Pete Agnew und Darrell Sweet
Sologesang:
Dan McCafferty
phonographisches Urheberrecht (℗) von:
Mountain Records (British record company, established early 1970s, best known act is Nazareth) (in 1974) und USM Copyrights Ltd. (in 1975)
aufgenommen bei:
Associated Recording Studios in London (Greater London), England, Vereinigtes Königreich und Escape Studios in Kent, England, Vereinigtes Königreich
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 75)
cover recording of:
Love Hurts
Texter und Komponist(in):
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. und Acuff-Rose Publications, Inc. (BMI) (am 1960-08-30)
sub-publisher:
Acuff-Rose Music Limited (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Nazareth4.453:53
19Cry
Produzent(in):
Godley & Creme und Trevor Horn
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1985) und Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1985)
recording of:
Cry
Verfasser(in):
Lol Creme und Kevin Godley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und St. Anne’s Music Ltd. (in 1985)
Godley & Creme43:57
20Mad World
Programmierung:
Manny Elias, Chris Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) und Ian Stanley
Produzent(in):
Ross Cullum und Chris Hughes (producer, aka “Merrick”)
Bassgitarre:
Curt Smith
Gitarre:
Roland Orzabal (UK musician, songwriter and producer)
Keyboard:
Roland Orzabal (UK musician, songwriter and producer), Curt Smith und Ian Stanley
Perkussion:
Chris Hughes (producer, aka “Merrick”)
Schlagzeug:
Manny Elias
vocals:
Curt Smith
conductor:
Chris Hughes (producer, aka “Merrick”)
Interpret(in):
Ross Cullum und Phil Palmer (guitarist)
Musikvideos:
Mad World von Tears for Fears
recording of:
Mad World
Texter und Komponist(in):
Roland Orzabal (UK musician, songwriter and producer)
publisher:
BMG Blue, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Publishing und Virgin Music Ltd.
Tears for Fears4.23:32
2▼CD
Nr.TitelKünstlerBewertungLänge
1Hello
Produzent(in):
James Anthony Carmichael und Lionel Richie
Interpret(in):
Ocobamba
Blechblasinstrumente [horn] arranger und Saiteninstrumente [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael und Lionel Richie
vocals arranger:
Lionel Richie
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1983)
recording of:
Hello
Texter und Komponist(in):
Lionel Richie
Verfasser(in):
James Anthony Carmichael
publisher:
Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Lionel Richie3.854:12
2Leaving Me Now
recording of:
Leaving Me Now
Verfasser(in):
Wally Badarou, Phil Gould und Mark King
publisher:
BMG Publishing Ltd., Chappell Music Ltd., Island Visual Arts, Level 42 Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Level 423:35
3Where Is the Love?
cover recording of:
Where Is the Love
Verfasser(in):
Ralph MacDonald und William Salter
publisher:
Antisia Music Inc. und BMG Ruby Songs
Mica Paris3:29
4Un-Break My Heart
recording of:
Un-Break My Heart
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Realsongs
Toni Braxton3:50
5How Am I Supposed to Live Without You
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989)
recording of:
How Am I Supposed to Live Without You
Verfasser(in):
Michael Bolton und Doug James (Songwriter / Composer / Keyboards)
publisher:
EMI Blackwood Music Inc., EMI Songs Ltd. und Is Hot Music Ltd.
sub-publisher:
フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Michael Bolton44:16
6Labelled With Love
Produzent(in):
Roger Bechirian und Elvis Costello
Bass:
John Bentley (UK bassist, member of Squeeze)
Gitarre:
Chris Difford und Glenn Tilbrook
Keyboard:
Paul Carrack
Schlagzeug:
Gilson Lavis
Sologesang:
Glenn Tilbrook
recording of:
Labelled With Love
Texter:
Chris Difford
Komponist(in):
Glenn Tilbrook
Squeeze3.54:33
7The Bitterest Pill (I Ever Had to Swallow)
Produzent(in):
Peter Wilson (UK Producer)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.)
aufgenommen bei:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (am 1982-07-16)
recording of:
The Bitterest Pill (I Ever Had to Swallow) (am 1982-07-16)
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
Notting Hill Music (UK) Ltd. und Stylist Music Ltd.
The Jam43:32
8I’m Not in Love
recording engineer:
10cc (in 1974)
Techniker(in) und Mix:
Eric Stewart
Produzent(in):
10cc
Bass und Gitarre:
Graham Gouldman (in 1974)
Effektgerät [musical effects], Hybrid-Piano und Sologesang:
Eric Stewart (in 1974)
Klavier:
Lol (in 1974)
Moog:
Kevin (in 1974)
Synclavier [control desk]:
Graham Gouldman (in 1974), Kevin (in 1974), Lol (in 1974) und Eric Stewart (in 1974)
Hintergrundgesang:
Graham Gouldman (in 1974), Kevin (in 1974) und Lol (in 1974)
sonstiger Gesang [whisper vocals]:
Kathy Redfern (in 1974)
phonographisches Urheberrecht (℗) von:
Mercury Records Limited (not for release label use!) (in 1975), Mercury Records Ltd. (London) (for copyrights use only) (in 1975), Phonogram, Inc. (in 1975), Phonogram Ltd. (not for release label use!) (in 1979) und Mercury Records Ltd. (not for release label use!) (in 1996)
aufgenommen bei:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Vereinigtes Königreich (in 1974)
Musikvideos:
I’m Not in Love von 10cc
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 319)
recording of:
I’m Not in Love (in 1974)
Verfasser(in):
Graham Gouldman und Eric Stewart
publisher:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, in 1975), Schubert Music Publishing, St. Anne's Music und St. Anne’s Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
10cc3.86:01
9When I Need You
recording engineer:
Howard Steele (US producer, sound engineer) (in 1976)
assistierende(r) Techniker(in):
Dana Latham
Produzent(in):
Richard Perry (producer)
Bass:
Willie Weeks (US bass player) (in 1976)
Gitarre:
Dean Parks (American session guitarist) (in 1976)
Hybrid-Piano:
Michael Omartian (in 1976)
Saxophon:
George Palisky, Jr. (in 1976)
Schlagzeug:
Jeff Porcaro (in 1976)
Synthesizer:
James Newton Howard (American score composer) (in 1976)
vocals:
Leo Sayer (in 1976)
Synthesizer arranger:
James Newton Howard (American score composer)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1976), Chrysalis Records, Inc. (not for release label use!) (in 1976), Rhino Records, Inc. (company credits only; not for release label use!) (in 1977), Silverbird Ltd. (in 1977) und Warner Music H.K. Ltd. (in 1997)
cover recording of:
When I Need You (in 1976)
Verfasser(in):
Carole Bayer Sager und Albert Hammond
publisher:
Albert Hammond Enterprises, Inc., April Music, Begonia Melodies Inc., Chappell Music (UK), Chappell Music Ltd., Empire Music Ltd., Leonard Cohen Stranger Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), P and P Songs Limited, R & M Music Inc., R & M Music Productions, Inc., Sis ’n Bro Music Company, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC, Sony/ATV Tree Publishing, Spoiled Rotten Kiddies Publishing, Unichappell Music, Inc., Universal/MCA Music Ltd. (not for release label use!), Warner/Chappell North America, WB Music Corp. (1929–2019), Windswept Music (London) Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
recording of:
When I Need You
Verfasser(in):
Carole Bayer Sager und Albert Hammond
publisher:
Albert Hammond Enterprises, Inc., April Music, Begonia Melodies Inc., Chappell Music (UK), Chappell Music Ltd., Empire Music Ltd., Leonard Cohen Stranger Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), P and P Songs Limited, R & M Music Inc., R & M Music Productions, Inc., Sis ’n Bro Music Company, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC, Sony/ATV Tree Publishing, Spoiled Rotten Kiddies Publishing, Unichappell Music, Inc., Universal/MCA Music Ltd. (not for release label use!), Warner/Chappell North America, WB Music Corp. (1929–2019), Windswept Music (London) Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Leo Sayer44:11
10Don’t It Make My Brown Eyes Blue
recording of:
Don’t It Make My Brown Eyes Blue
Texter und Komponist(in):
Richard Leigh (American country music songwriter and singer)
publisher:
EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI U Catalog Inc. (publisher; do NOT use as release label) und EMI United Partnership Ltd.
Crystal Gayle2:45
11It’s a Heartache
Produzent(in):
Dave Mackay (producer), David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) und Steve Wolfe (producer, songwriter and guitar player)
Akustikgitarre und Hintergrundgesang:
Steve Wolfe (producer, songwriter and guitar player)
Bass:
Kevin Dunne
Perkussion und Schlagzeug:
Micky Gibbins (drummer for Badfinger)
vocals:
Bonnie Tyler
phonographisches Urheberrecht (℗) von:
Castle Copyrights Ltd. (in 1977), RCA Ltd. (UK arm of RCA) (in 1977), Sanctuary Copyrights Ltd. (in 1977), Soundbarrier Ltd. (production company) (in 1977, in 1978) und Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1995)
produced for:
Soundbarrier Ltd. (production company)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 24)
recording of:
It’s a Heartache
Verfasser(in):
Ronnie Scott (a British pop music promoter, group manager and songwriter) und Steve Wolfe (producer, songwriter and guitar player)
publisher:
BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Lojo Music, Scott/Wolfe Songs Ltd., Universal Music Publishing International Ltd., Mighty Music (publisher) (in 1977) und RAK Publishing (in 1977)
Bonnie Tyler3.83:31
12The End of the World
Techniker(in):
Bill Porter (engineer)
Produzent(in):
Chet Atkins
vocals:
Skeeter Davis
recording of:
The End of the World (in 1962)
Texter:
Sylvia Dee (American lyricist)
Komponist(in):
Arthur Kent
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) und Summit Music Corp, (ASCAP-affiliated)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Skeeter Davis4.152:39
13Crazy
Produzent(in):
Owen Bradley
vocals:
Patsy Cline
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1961)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 3), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 85) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 195)
recording of:
Crazy (Willie Nelson song) (in 1961)
Texter und Komponist(in):
Willie Nelson
publisher:
Acuff-Rose Music Limited (UK), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tree Publishing
Patsy Cline4.152:47
14Save the Best for Last
Produzent(in):
Keith Thomas (CCM, country, pop producer & songwriter)
arranger:
Keith Thomas (CCM, country, pop producer & songwriter)
zusätzlich arranger:
Vanessa Williams (US pop/R&B vocalist/producer)
recording of:
Save the Best for Last
Verfasser(in):
Phil Galdston, Jon Lind und Wendy Waldman
publisher:
Big Mystique Music, EMI Longitude Music, EMI Music Publishing Ltd. (PRS‐affiliated), Kazzoom Music, Inc., Moon and Stars Music, PolyGram Music Publishing, The International Music Network Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Vanessa Williams3.353:40
15Suspicious Minds
cover recording of:
Suspicious Minds
Texter und Komponist(in):
Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Songs LLC
Candi Staton3:53
16Tears in Heaven
cover recording of:
Tears in Heaven
Verfasser(in):
Eric Clapton und Will Jennings
publisher:
Blue Sky, EC Music (UK work publisher for Eric Clapton), Rondor Music (London) Ltd. und Warner Chappell Music Ltd (no slash; used 1988–1996)
Ann Peebles24:31
17Alone Again (Naturally)
Produzent(in):
Gordon Mills (60s/70s UK producer and songwriter)
phonographisches Urheberrecht (℗) von:
O.S.M. Inc. (in 1972)
recording of:
Alone Again (Naturally)
Texter und Komponist(in):
Gilbert O’Sullivan
publisher:
Grand Upright Music Ltd. und 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
Gilbert O’Sullivan53:40
18My Sentimental Friend
Eartha Kitt3:35
19I’d Rather Go Blind
recording engineer und Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
E-Bass:
David Hood (Muscle Shoals, AL guitarist and trombonist)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) und Albert Lowe Jr. (American guitarist, bassist, and songwriter)
Klavier:
Dewey Oldham
Orgel:
Carl Banks und Dewey Oldham
Saxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Floyd Newman und Aaron Varnell
Schlagzeug:
Roger Hawkins
Trompete:
Gene “Bowlegs” Miller (American trumpeter)
Sologesang:
Etta James
arranger:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
aufgenommen bei:
FAME Studios in Muscle Shoals, Alabama, Vereinigte Staaten (am 1967-08-23)
recording of:
I’d Rather Go Blind (am 1967-08-23)
Texter:
Billy Foster (American singer, member of The Medallions and songwriter)
Komponist(in):
Ellington Jordan
publisher:
The Jewel Music Co. Ltd. (publisher; do NOT use as release label)
Etta James42:36
3▼CD
Nr.TitelKünstlerBewertungLänge
1It Must Be Love
cover recording of:
It Must Be Love
Texter und Komponist(in):
Labi Siffre
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated)
recording of:
It Must Be Love
Texter und Komponist(in):
Labi Siffre
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated)
Madness43:23
2Don’t Turn Around
cover recording of:
Don’t Turn Around
Texter und Komponist(in):
Albert Hammond und Diane Warren (US songwriter)
publisher:
Albert Hammond Music, BMG Music, Edition Sunset Publishing, EMI Music (do not use as release label! this is a music publisher), Empire Music Ltd., Intersong Music Ltd., Realsongs und Warner Chappell
Aswad2.53:20
3If Tomorrow Never Comes
recording of:
If Tomorrow Never Comes
Verfasser(in):
Kent Blazy (American singer songwriter) und Garth Brooks
publisher:
BMG Music Publishing Ltd., Hornall Brothers Music Ltd. (limited company), Major Bob Music Co. Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック (Fujipacific Music, Inc.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Ronan Keating3:37
4Stop
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1988)
recording of:
Stop
Verfasser(in):
Bruce Brody, Sam Brown (UK singer/songwriter) und Gregg Sutton
publisher:
Doolittle Music, Irving Music (BMI), Rondor Music Ltd. (publisher) und WayBlue Ltd. (publisher)
Sam Brown43:59
5Don’t Leave Me
recording of:
Don’t Leave Me
Verfasser(in):
Karen Anderson (US R&B/hip-hop singer and songwriter), Chauncey Hannibal, Teddy Riley (US R&B singer & producer) und Roosevelt Harrell III
Blackstreet4:24
6I Wonder Why
recording of:
I Wonder Why
Verfasser(in):
Glen Ballard und Curtis Stigers
publisher:
Aerostation Corporation, Arlovol Music, C. Montrose’s Music, Inc., MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony Music Publishing (worldwide except Japan, ended 1995) und Sony Tunes, Inc.
Curtis Stigers4:28
7How You Remind Me
Produzent(in):
Chad Kroeger, Mike Kroeger, Rick Parashar, Ryan Peake und Ryan "Nik" Vikedal
Mix:
Randy Staub
Bass:
Mike Kroeger
Gitarre [guitars]:
Chad Kroeger und Ryan Peake
Schlagzeug [drums]:
Ryan "Nik" Vikedal
Sologesang:
Chad Kroeger
vocals:
Ryan Peake
phonographisches Urheberrecht (℗) von:
The All Blacks B.V. (company, for copyrights purposes) (in 2001)
Musikvideos:
How You Remind Me von Nickelback
Teil von:
Billboard Year-End Hot 100 2002 (Nummer: 1) und BILLIONS CLUB
recording of:
How You Remind Me
Texter:
Chad Kroeger
Komponist(in):
Chad Kroeger, Mike Kroeger, Ryan Peake und Ryan Vikedal
publisher:
Arm Your Dillo Publishing Inc., M. Kroeger Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Zero-G Music Inc.
Nickelback3.653:45
8Love and Affection
recording of:
Love and Affection
Texter und Komponist(in):
Joan Armatrading
publisher:
Irving Music (BMI)
Joan Armatrading4:28
9More Than Words
assistierende(r) Techniker(in):
Craig Doubet (recording engineer)
Techniker(in):
Bob St. John
Produzent(in) und Mix:
Michael Wagener
Bassgitarre:
Pat Badger
Gitarre, Keyboard, Perkussion und Klavier und Hintergrundgesang:
Nuno Bettencourt
Schlagzeug und Perkussion:
Paul Geary
Hintergrundgesang und Sologesang:
Gary Cherone
phonographisches Urheberrecht (℗) von:
A&M Records (in 1990)
recording of:
More Than Words
Verfasser(in):
Nuno Bettencourt und Gary Cherone
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und Funky Metal Publishing
Extreme3.755:47
10Piece of My Heart
Produzent(in):
Bert Russell Berns
vocals:
Erma Franklin (in 1967-08)
conductor:
Gary Sherman (mid-20th century composer, arranger & conductor) (in 1967-08)
arranger:
Gary Sherman (mid-20th century composer, arranger & conductor)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
recording of:
Piece of My Heart (in 1967-08)
Verfasser(in):
Bert Russell und Jerry Ragovoy
publisher:
Campbell Connelly, MPL Music Publishing Inc., Sloopy II Music, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Unichappell Music, Inc., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Web IV Music Inc. und Wren Music Co.
Erma Franklin3.752:34
11Everybody’s Got to Learn Sometime
phonographisches Urheberrecht (℗) von:
Action Replay Records (in 1990)
recording of:
Everybody’s Got to Learn Sometime
Texter und Komponist(in):
James Warren (English singer and guitarist)
publisher:
Warner Chappell Music Ltd. (1996–2019), Heath Music Ltd. (publisher) (in 1980) und Warner Bros. Ltd. (publisher) (in 1980)
The Korgis4.054:23
12Letter Full of Tears
Gladys Knight & the Pips2:42
13Kiss the Rain
vocals:
Billie Myers (UK rock singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1998)
recording of:
Kiss the Rain
Verfasser(in):
Eric Bazilian, Desmond Child und Billie Myers (UK rock singer‐songwriter)
publisher:
DESMOPHOBIA PolyGram International Publishing, Inc. (in 1997), EMI Blackwood Music (in 1997), Human Boy (in 1997) und WB Music Corp. (1929–2019) (in 1997)
Billie Myers34:11
14(I Know) I’m Losing You
Produzent(in):
Norman Whitfield
Sologesang:
David Ruffin (soul singer, member of The Temptations)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1966)
recording of:
(I Know) I’m Losing You (von 1966-09-12 bis 1966-09-16)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Cornelius Grant (soul, funk and disco producer and songwriter) und Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Stone Agate Music und Stone Agate Music Division
The Temptations42:30
15Crying
Techniker(in):
Billy Sherrill (US songwriter/producer/arranger)
Produzent(in):
Larry Butler (US country music producer, songwriter & pianist)
mixed at und engineered at:
Jack Clement Recording Studio in Nashville, Tennessee, Vereinigte Staaten
cover recording of:
Crying
Texter:
Joe Melson (in 1961) und Roy Orbison (in 1961)
Komponist(in):
Joe Melson und Roy Orbison
publisher:
Acuff Rose Music Ltd. (UK), Acuff Rose Music, Inc. (not for publishing), Barbara Orbison Music Company, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Orbi-Lee Music, R-Key Darkus Music, Rondor Music, Rondor Music (Australia) P/L, Universal/MCA Music Publishing Pty Ltd und Acuff-Rose Publications, Inc. (BMI) (am 1961-08-16)
Teil von:
50/50
Don McLean33:51
16Martha’s Harbour
Techniker(in):
Tony Phillips (engineer, mix, remix credits)
Produzent(in):
Paul Samwell-Smith
Gitarre:
Tim Bricheno (in 1987)
vocals:
Julianne Regan (in 1987)
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1988)
aufgenommen bei:
Ridge Farm in Dorking, Surrey, England, Vereinigtes Königreich (in 1987) und The Manor in Oxfordshire, England, Vereinigtes Königreich (in 1987)
Teil von:
The Downloader’s Music Source Book (Nummer: 369)
recording of:
Martha’s Harbour (in 1987)
Verfasser(in):
Tim Bricheno, Andy Cousin und Julianne Regan
publisher:
BMG Music Publishing Ltd.
All About Eve3.53:05
17Don’t Give Up on Us
vocals:
David Soul
phonographisches Urheberrecht (℗) von:
David Soul (in 1976)
phonographisches Urheberrecht (℗) von:
David Soul (in 1976), Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1976) und Private Stock (in 1977)
recording of:
Don’t Give Up on Us (in 1976)
Texter und Komponist(in):
Tony Macaulay
publisher:
Macaulay Music Ltd., PolyGram Music Publishing Ltd. und Universal Music Publishing International Ltd.
David Soul33:38
18Anyone Who Had a Heart
cover recording of:
Anyone Who Had a Heart
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Carlin Music Corp., WB Music Corp. (1929–2019), Blue Seas Music, Inc. (in 1963), JAC Music Co., Inc. (in 1963) und U.S. Songs, Inc. (in 1963)
Barbara Dickson5:01
19The First Time Ever I Saw Your Face
Mel Tormé3:48
20The Power of Love
Techniker(in):
Stuart Bruce und Stephen Lipson
Produzent(in):
Trevor Horn
zusätzliche(r) Produzent(in):
Stephen Lipson
Bassgitarre:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
Gast-Keyboard:
Andrew Richards (Strawbs keyboard player/record producer) und Anne Dudley (English score composer)
Gast-Perkussion:
Luís Jardim
Gitarre:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
Schlagzeug:
Peter Gill (UK drummer for Frankie Goes to Hollywood)
Sologesang:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) und Paul Rutherford (member of Frankie Goes to Hollywood)
Saiteninstrumente arranger und zusätzlich arranger:
Anne Dudley (English score composer)
phonographisches Urheberrecht (℗) von:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recording of:
The Power of Love
Verfasser(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und Rubet Music Publishing, Inc.
Frankie Goes to Hollywood45:31

Nennungen

Veröffentlichungsgruppe

Teil von:Greatest Ever! The Definitive Collection (Reihenfolge: 14)