Herbert von Karajan Complete Recordings on Deutsche Grammophon and Decca 4

~ Release by Herbert von Karajan (see all versions of this release, 6 available)

Tracklist

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95▼CD: Robert Schumann: Symphonien Nr. 1 "Frühling" ("Spring"), Nr. 4
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1Symphony no. 1 in B-flat major "Spring", op. 38: 1. Andante un poco maestoso - Allegro molto vivace
producer:
Hermann Hirsch and Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-04 until 1971-02-15)
conductor:
Herbert von Karajan (conductor) (from 1971-01-04 until 1971-02-15)
balance engineer:
Günter Hermanns (producer/engineer) (in 1971-01) and Heinz Wildhagen (engineer, producer) (from 1971-01-04 until 1971-02-15)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-04 until 1971-02-15)
recording of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”: I. Andante un poco maestoso - Allegro molto vivace (from 1971-01-04 until 1971-02-15)
composer:
Robert Schumann (German classical composer) (from 1841-01-23 until 1841-02-20)
part of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”
Robert Schumann10:47
2Symphony no. 1 in B-flat major "Spring", op. 38: 2. Larghetto
producer:
Hermann Hirsch and Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-04 until 1971-02-15)
conductor:
Herbert von Karajan (conductor) (from 1971-01-04 until 1971-02-15)
balance engineer:
Günter Hermanns (producer/engineer) (in 1971-01) and Heinz Wildhagen (engineer, producer) (from 1971-01-04 until 1971-02-15)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-04 until 1971-02-15)
recording of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”: II. Larghetto - (attacca:) (from 1971-01-04 until 1971-02-15)
composer:
Robert Schumann (German classical composer) (from 1841-01-23 until 1841-02-20)
part of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”
Robert Schumann6:17
3Symphony no. 1 in B-flat major "Spring", op. 38: 3. Scherzo. Molto vivace
producer:
Hermann Hirsch and Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-04 until 1971-02-15)
conductor:
Herbert von Karajan (conductor) (from 1971-01-04 until 1971-02-15)
balance engineer:
Günter Hermanns (producer/engineer) (in 1971-01) and Heinz Wildhagen (engineer, producer) (from 1971-01-04 until 1971-02-15)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-04 until 1971-02-15)
recording of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”: III. Scherzo: Molto vivace (from 1971-01-04 until 1971-02-15)
composer:
Robert Schumann (German classical composer) (from 1841-01-23 until 1841-02-20)
part of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”
Robert Schumann5:53
4Symphony no. 1 in B-flat major "Spring", op. 38: 4. Allegro animato e grazioso
producer:
Hermann Hirsch and Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-04 until 1971-02-15)
conductor:
Herbert von Karajan (conductor) (from 1971-01-04 until 1971-02-15)
balance engineer:
Günter Hermanns (producer/engineer) (in 1971-01) and Heinz Wildhagen (engineer, producer) (from 1971-01-04 until 1971-02-15)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-04 until 1971-02-15)
recording of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”: IV. Allegro animato e grazioso (from 1971-01-04 until 1971-02-15)
composer:
Robert Schumann (German classical composer) (from 1841-01-23 until 1841-02-20)
part of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”
Robert Schumann7:27
5Symphony no. 4 in D Minor, op. 120: 1. Ziemlich langsam - Lebhaft - attacca
producer:
Hermann Hirsch and Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-04 until 1971-02-15)
conductor:
Herbert von Karajan (conductor) (from 1971-01-04 until 1971-02-15)
balance engineer:
Günter Hermanns (producer/engineer) (in 1971-01) and Heinz Wildhagen (engineer, producer) (from 1971-01-04 until 1971-02-15)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-04 until 1971-02-15)
recording of:
Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft (1851 revision) (from 1971-01-04 until 1971-02-15)
composer:
Robert Schumann (German classical composer) (in 1841)
revised by:
Robert Schumann (German classical composer) (in 1851)
part of:
Symphony no. 4 in D minor, op. 120 (1851 revision)
revision of:
Symphony no. 4 in D minor, op. 120: I. Andante con moto - Allegro di molto (1841 version)
Robert Schumann10:39
6Symphony no. 4 in D Minor, op. 120: 2. Romanze. Ziemlich langsam - attacca
producer:
Hermann Hirsch and Hans Weber (producer/engineer)
violin:
Michel Schwalbé (Polish violinist) (in 1971-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-04 until 1971-02-15)
conductor:
Herbert von Karajan (conductor) (from 1971-01-04 until 1971-02-15)
balance engineer:
Günter Hermanns (producer/engineer) (in 1971-01) and Heinz Wildhagen (engineer, producer) (from 1971-01-04 until 1971-02-15)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-04 until 1971-02-15)
recording of:
Symphony no. 4 in D minor, op. 120: II. Romanze. Ziemlich langsam (1851 revision) (from 1971-01-04 until 1971-02-15)
composer:
Robert Schumann (German classical composer) (in 1841)
revised by:
Robert Schumann (German classical composer) (in 1851)
part of:
Symphony no. 4 in D minor, op. 120 (1851 revision)
revision of:
Symphony no. 4 in D minor, op. 120: II. Romanza: Andante (1841 original version)
Robert Schumann4:42
7Symphony no. 4 in D Minor, op. 120: 3. Scherzo.Lebhaft - attacca
producer:
Hermann Hirsch and Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-04 until 1971-02-15)
conductor:
Herbert von Karajan (conductor) (from 1971-01-04 until 1971-02-15)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1971-01-04 until 1971-02-15)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-04 until 1971-02-15)
recording of:
Symphony no. 4 in D minor, op. 120: III. Scherzo. Lebhaft (1851 revision) (from 1971-01-04 until 1971-02-15)
composer:
Robert Schumann (German classical composer) (in 1841)
revised by:
Robert Schumann (German classical composer) (in 1851)
part of:
Symphony no. 4 in D minor, op. 120 (1851 revision)
revision of:
Symphony no. 4 in D minor, op. 120: III. Scherzo: Presto (1841 original version)
Robert Schumann5:46
8Symphony no. 4 in D Minor, op. 120: 4. Langsam - Lebhaft
producer:
Hermann Hirsch and Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-04 until 1971-02-15)
conductor:
Herbert von Karajan (conductor) (from 1971-01-04 until 1971-02-15)
balance engineer:
Günter Hermanns (producer/engineer) (in 1971-01) and Heinz Wildhagen (engineer, producer) (from 1971-01-04 until 1971-02-15)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-04 until 1971-02-15)
recording of:
Symphony no. 4 in D minor, op. 120: IV. Langsam, Lebhaft (1851 revision) (from 1971-01-04 until 1971-02-15)
composer:
Robert Schumann (German classical composer) (in 1841)
revised by:
Robert Schumann (German classical composer) (in 1851)
part of:
Symphony no. 4 in D minor, op. 120 (1851 revision)
revision of:
Symphony no. 4 in D minor, op. 120: IV. Largo - Finale: Allegro vivace (1841 original version)
Robert Schumann8:52
96▼CD: Robert Schumann: Symphonie Nr. 2 / Ouvertüre, Scherzo und Finale E-dur (in E major), op. 52
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1Symphony no. 2 in C major, op.61: 1. Sostenuto assai - Allegro, ma non troppo - Con fuoco
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-02-16 until 1971-02-17)
conductor:
Herbert von Karajan (conductor) (from 1971-02-16 until 1971-02-17)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-02-16 until 1971-02-17)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-02-16 until 1971-02-17)
recording of:
Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Un poco più vivace - Allegro ma non troppo - Con fuoco (from 1971-02-16 until 1971-02-17)
composer:
Robert Schumann (German classical composer) (from 1845-12 until 1846-10)
part of:
Symphony no. 2 in C major, op. 61
Robert Schumann10:49
2Symphony no. 2 in C major, op.61: 2. Scherzo. Allegro vivace
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-02-16 until 1971-02-17)
conductor:
Herbert von Karajan (conductor) (from 1971-02-16 until 1971-02-17)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-02-16 until 1971-02-17)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-02-16 until 1971-02-17)
recording of:
Symphony no. 2 in C major, op. 61: II. Scherzo. Allegro vivace (from 1971-02-16 until 1971-02-17)
composer:
Robert Schumann (German classical composer) (from 1845-12 until 1846-10)
part of:
Symphony no. 2 in C major, op. 61
Robert Schumann7:05
3Symphony no. 2 in C major, op.61: 3. Adagio espressivo
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-02-16 until 1971-02-17)
conductor:
Herbert von Karajan (conductor) (from 1971-02-16 until 1971-02-17)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-02-16 until 1971-02-17)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-02-16 until 1971-02-17)
recording of:
Symphony no. 2 in C major, op. 61: III. Adagio espressivo (from 1971-02-16 until 1971-02-17)
composer:
Robert Schumann (German classical composer) (from 1845-12 until 1846-10)
part of:
Symphony no. 2 in C major, op. 61
Robert Schumann10:39
4Symphony no. 2 in C major, op.61: 4. Allegro molto vivace
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-02-16 until 1971-02-17)
conductor:
Herbert von Karajan (conductor) (from 1971-02-16 until 1971-02-17)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-02-16 until 1971-02-17)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-02-16 until 1971-02-17)
recording of:
Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace (from 1971-02-16 until 1971-02-17)
composer:
Robert Schumann (German classical composer) (from 1845-12 until 1846-10)
part of:
Symphony no. 2 in C major, op. 61
Robert Schumann7:50
5Overture, Scherzo and Finale in E major, op. 52: 1. Overture. Andante con moto - allegro
producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon) and Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1971-02-16)
conductor:
Herbert von Karajan (conductor) (on 1971-02-16)
balance engineer:
Günter Hermanns (producer/engineer) (on 1971-02-16)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1971-02-16)
recording of:
Overture, Scherzo and Finale, op. 52: I. Overture. Andante con moto - Allegro (on 1971-02-16)
composer:
Robert Schumann (German classical composer) (in 1841)
part of:
Overture, Scherzo and Finale, op. 52
Robert Schumann6:57
6Overture, Scherzo and Finale in E major, op. 52: 2. Scherzo. Vivo - Trio. L'istesso tempo - Coda
producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon) and Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1971-02-16)
conductor:
Herbert von Karajan (conductor) (on 1971-02-16)
balance engineer:
Günter Hermanns (producer/engineer) (on 1971-02-16)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1971-02-16)
recording of:
Overture, Scherzo and Finale, op. 52: II. Scherzo. Vivo (on 1971-02-16)
composer:
Robert Schumann (German classical composer) (in 1841)
part of:
Overture, Scherzo and Finale, op. 52
Robert Schumann4:24
7Overture, Scherzo and Finale in E major, op. 52: 3. Finale. Allegro molto vivace
producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon) and Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1971-02-16)
conductor:
Herbert von Karajan (conductor) (on 1971-02-16)
balance engineer:
Günter Hermanns (producer/engineer) (on 1971-02-16)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
engineered at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1971-02-16)
recording of:
Overture, Scherzo and Finale, op. 52: III. Finale. Allegro molto vivace (on 1971-02-16)
composer:
Robert Schumann (German classical composer) (in 1841)
part of:
Overture, Scherzo and Finale, op. 52
Robert Schumann5:40
98▼CD: Peter Tschaikowsky: Schwanensee (Swan Lake) / Dornröschen (The Sleeping Beauty)
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1Swan Lake, Suite op. 20a: 1. Scène. Moderato
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-04 until 1971-02-17)
conductor:
Herbert von Karajan (conductor) (from 1971-01-04 until 1971-02-17)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-01-04 until 1971-02-17)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-04 until 1971-02-17)
recording of:
The Swan Lake (suite from the ballet), op. 20a: I. Scène (lake in the moonlight) (from 1971-01-04 until 1971-02-17)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский2:48
2Swan Lake, Suite op. 20a: 2. Valse. Tempo di valse
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-04 until 1971-02-17)
conductor:
Herbert von Karajan (conductor) (from 1971-01-04 until 1971-02-17)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-01-04 until 1971-02-17)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-04 until 1971-02-17)
recording of:
The Swan Lake (suite from the ballet), op. 20a: II. Valse (from 1971-01-04 until 1971-02-17)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский7:05
3Swan Lake, Suite op. 20a: 3. Danse des cygnes. Allegro moderato
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-04 until 1971-02-17)
conductor:
Herbert von Karajan (conductor) (from 1971-01-04 until 1971-02-17)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-01-04 until 1971-02-17)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-04 until 1971-02-17)
recording of:
The Swan Lake (suite from the ballet), op. 20a: III. Danse des cygnes (from 1971-01-04 until 1971-02-17)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский1:47
4Swan Lake, Suite op. 20a: 4. Scêne. Andante
producer:
Hans Weber (producer/engineer)
violin:
Michel Schwalbé (Polish violinist) (from 1971-01-04 until 1971-02-17)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-04 until 1971-02-17)
conductor:
Herbert von Karajan (conductor) (from 1971-01-04 until 1971-02-17)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-01-04 until 1971-02-17)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-04 until 1971-02-17)
recording of:
The Swan Lake (suite from the ballet), op. 20a: IV. Scène (from 1971-01-04 until 1971-02-17)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский6:51
5Swan Lake, Suite op. 20a: 5. Danse hongroise (Czardas). Moderato assai - Allegro moderato - Vivace
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-04 until 1971-02-17)
conductor:
Herbert von Karajan (conductor) (from 1971-01-04 until 1971-02-17)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-01-04 until 1971-02-17)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-04 until 1971-02-17)
recording of:
The Swan Lake (suite from the ballet), op. 20a: V. Czardas: Danse hongroise (from 1971-01-04 until 1971-02-17)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский3:52
6Swan Lake, Suite op. 20a: 6. Scêne final. Allegro agitato - Allegro vivace
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-04 until 1971-02-17)
conductor:
Herbert von Karajan (conductor) (from 1971-01-04 until 1971-02-17)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-01-04 until 1971-02-17)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-04 until 1971-02-17)
recording of:
The Swan Lake (suite from the ballet), op. 20a: VI. Scène (from 1971-01-04 until 1971-02-17)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
Пётр Ильич Чайковский5:01
7The Sleeping Beauty, Suite op. 66a: 1. Introduction. La Fée des Lilas. Allegro vivace - Andantino - Andante sostenuto
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-04 until 1971-02-17)
conductor:
Herbert von Karajan (conductor) (from 1971-01-04 until 1971-02-17)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-01-04 until 1971-02-17)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-04 until 1971-02-17)
recording of:
The Sleeping Beauty Suite, op. 66a: I. Introduction. La Fée des Lilas (from 1971-01-04 until 1971-02-17)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Пётр Ильич Чайковский5:45
8The Sleeping Beauty, Suite op. 66a: 2. Adagio. Pas d'action. Andante - Adagio maestoso - Molto sostenuto, quasi più andante - Tempo I
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-04 until 1971-02-17)
conductor:
Herbert von Karajan (conductor) (from 1971-01-04 until 1971-02-17)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-01-04 until 1971-02-17)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-04 until 1971-02-17)
recording of:
The Sleeping Beauty Suite, op. 66a: II. Adagio. Pas d'action (from 1971-01-04 until 1971-02-17)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Пётр Ильич Чайковский7:01
9The Sleeping Beauty, Suite op. 66a: 3. Pas de caractère: Le Chat botté et la Chatte blanche
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-04 until 1971-02-17)
conductor:
Herbert von Karajan (conductor) (from 1971-01-04 until 1971-02-17)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-01-04 until 1971-02-17)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-04 until 1971-02-17)
recording of:
The Sleeping Beauty Suite, op. 66a: III. Pas de caractère (from 1971-01-04 until 1971-02-17)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty, op. 66: Acte III, no. 26. Pas de caractère: b. Cendrillon et le prince Fortuné (from 1971-01-04 until 1971-02-17)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte III
Пётр Ильич Чайковский1:58
10The Sleeping Beauty, Suite op. 66a: 4. Panorama. Andantino
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-04 until 1971-02-17)
conductor:
Herbert von Karajan (conductor) (from 1971-01-04 until 1971-02-17)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-01-04 until 1971-02-17)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-04 until 1971-02-17)
recording of:
The Sleeping Beauty Suite, op. 66a: IV. Panorama (from 1971-01-04 until 1971-02-17)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Пётр Ильич Чайковский3:23
11The Sleeping Beauty, Suite op. 66a: 5. Valse. Allegro. Tempo di valse
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-04 until 1971-02-17)
conductor:
Herbert von Karajan (conductor) (from 1971-01-04 until 1971-02-17)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-01-04 until 1971-02-17)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-04 until 1971-02-17)
recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse (from 1971-01-04 until 1971-02-17)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Пётр Ильич Чайковский4:19
99▼CD: Offenbach: Gaité Parisienne / Gounod: Ballettmusik und Walzer aus Margarete (Faust)
#TitleArtistRatingLength
1Gaîté Parisienne: Overture
recording engineer:
Günter Hermanns (producer/engineer)
engineer:
Hans Weber (producer/engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon) and Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-23 until 1971-02-15)
conductor:
Herbert von Karajan (conductor) (from 1971-01-23 until 1971-02-15)
arranger:
Manuel Rosenthal (French conductor & composer)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-01-23 until 1971-02-15)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-23 until 1971-02-15)
recording of:
Gaîté Parisienne: I. Allegro (Ouverture) (from « La Vie parisienne ») (from 1971-01-23 until 1971-02-15)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach2:15
2Gaîté Parisienne: 1. Allegro brillante
recording engineer:
Günter Hermanns (producer/engineer)
engineer:
Hans Weber (producer/engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon) and Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-23 until 1971-02-15)
conductor:
Herbert von Karajan (conductor) (from 1971-01-23 until 1971-02-15)
arranger:
Manuel Rosenthal (French conductor & composer)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-01-23 until 1971-02-15)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-23 until 1971-02-15)
recording of:
Gaîté Parisienne: II. Allegro brillante (from « Mesdames de la halle ») (from 1971-01-23 until 1971-02-15)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach0:23
3Gaîté Parisienne: 2. Polka
recording engineer:
Günter Hermanns (producer/engineer)
engineer:
Hans Weber (producer/engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon) and Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-23 until 1971-02-15)
conductor:
Herbert von Karajan (conductor) (from 1971-01-23 until 1971-02-15)
arranger:
Manuel Rosenthal (French conductor & composer)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-01-23 until 1971-02-15)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-23 until 1971-02-15)
recording of:
Gaîté Parisienne: III. Polka (from « Voyages dans la lune ») (from 1971-01-23 until 1971-02-15)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach1:44
4Gaîté Parisienne: 6. Allegro
recording engineer:
Günter Hermanns (producer/engineer)
engineer:
Hans Weber (producer/engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon) and Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-23 until 1971-02-15)
conductor:
Herbert von Karajan (conductor) (from 1971-01-23 until 1971-02-15)
arranger:
Manuel Rosenthal (French conductor & composer)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-01-23 until 1971-02-15)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-23 until 1971-02-15)
recording of:
Gaîté Parisienne: IV. Ländler. Allegro (from « Lieschen et Fritzchen ») (from 1971-01-23 until 1971-02-15)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
recording of:
Gaîté Parisienne: VII. Allegro (Danse péruvienne)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach1:10
5Gaîté Parisienne: 8. Valse. Lento
recording engineer:
Günter Hermanns (producer/engineer)
engineer:
Hans Weber (producer/engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon) and Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-23 until 1971-02-15)
conductor:
Herbert von Karajan (conductor) (from 1971-01-23 until 1971-02-15)
arranger:
Manuel Rosenthal (French conductor & composer)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-01-23 until 1971-02-15)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-23 until 1971-02-15)
recording of:
Gaîté Parisienne: IX. Valse lente (from « Orphée aux enfers ») (from 1971-01-23 until 1971-02-15)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach3:17
6Gaîté Parisienne: 9. [Marche]
recording engineer:
Günter Hermanns (producer/engineer)
engineer:
Hans Weber (producer/engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon) and Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-23 until 1971-02-15)
conductor:
Herbert von Karajan (conductor) (from 1971-01-23 until 1971-02-15)
arranger:
Manuel Rosenthal (French conductor & composer)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-01-23 until 1971-02-15)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-23 until 1971-02-15)
recording of:
Gaîté Parisienne: X. Tempo di marcia (from « Trombalcazar ») (from 1971-01-23 until 1971-02-15)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach0:52
7Gaîté Parisienne: 10. Valse, Moderato
recording engineer:
Günter Hermanns (producer/engineer)
engineer:
Hans Weber (producer/engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon) and Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-23 until 1971-02-15)
conductor:
Herbert von Karajan (conductor) (from 1971-01-23 until 1971-02-15)
arranger:
Manuel Rosenthal (French conductor & composer)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-01-23 until 1971-02-15)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-23 until 1971-02-15)
recording of:
Gaîté Parisienne: XI. Valse (from « La Périchole ») (from 1971-01-23 until 1971-02-15)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach2:06
8Gaîté Parisienne: 11. Allegro vivo
recording engineer:
Günter Hermanns (producer/engineer)
engineer:
Hans Weber (producer/engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon) and Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-23 until 1971-02-15)
conductor:
Herbert von Karajan (conductor) (from 1971-01-23 until 1971-02-15)
arranger:
Manuel Rosenthal (French conductor & composer)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-01-23 until 1971-02-15)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-23 until 1971-02-15)
recording of:
Gaîté Parisienne: XII. Allegro vivo (from 1971-01-23 until 1971-02-15)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach0:12
9Gaîté Parisienne: 12. Valse
recording engineer:
Günter Hermanns (producer/engineer)
engineer:
Hans Weber (producer/engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon) and Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-23 until 1971-02-15)
conductor:
Herbert von Karajan (conductor) (from 1971-01-23 until 1971-02-15)
arranger:
Manuel Rosenthal (French conductor & composer)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-01-23 until 1971-02-15)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-23 until 1971-02-15)
recording of:
Gaîté Parisienne: XIII. Valse (from 1971-01-23 until 1971-02-15)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach2:05
10Gaîté Parisienne: 13. Allegro Vivace - Misterioso - Lento
recording engineer:
Günter Hermanns (producer/engineer)
engineer:
Hans Weber (producer/engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon) and Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-23 until 1971-02-15)
conductor:
Herbert von Karajan (conductor) (from 1971-01-23 until 1971-02-15)
arranger:
Manuel Rosenthal (French conductor & composer)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-01-23 until 1971-02-15)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-23 until 1971-02-15)
recording of:
Gaîté Parisienne: XIV. Allegro vivace – Misterioso (from 1971-01-23 until 1971-02-15)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach2:10
11Gaîté Parisienne: 14. Valse. Moderato
recording engineer:
Günter Hermanns (producer/engineer)
engineer:
Hans Weber (producer/engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon) and Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-23 until 1971-02-15)
conductor:
Herbert von Karajan (conductor) (from 1971-01-23 until 1971-02-15)
arranger:
Manuel Rosenthal (French conductor & composer)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-01-23 until 1971-02-15)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-23 until 1971-02-15)
recording of:
Gaîté Parisienne: XV. Valse moderato (Pas de deux) (from 1971-01-23 until 1971-02-15)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach3:12
12Gaîté Parisienne: 15. Allegro vivo
recording engineer:
Günter Hermanns (producer/engineer)
engineer:
Hans Weber (producer/engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon) and Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-23 until 1971-02-15)
conductor:
Herbert von Karajan (conductor) (from 1971-01-23 until 1971-02-15)
arranger:
Manuel Rosenthal (French conductor & composer)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-01-23 until 1971-02-15)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-23 until 1971-02-15)
recording of:
Gaîté Parisienne: XVI. Allegro vivo (from 1971-01-23 until 1971-02-15)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach0:27
13Gaîté Parisienne: 16. Cancan. Allegro
recording engineer:
Günter Hermanns (producer/engineer)
engineer:
Hans Weber (producer/engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon) and Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-23 until 1971-02-15)
conductor:
Herbert von Karajan (conductor) (from 1971-01-23 until 1971-02-15)
arranger:
Manuel Rosenthal (French conductor & composer)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-01-23 until 1971-02-15)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-23 until 1971-02-15)
recording of:
Gaîté Parisienne: XVII. Cancan (from 1971-01-23 until 1971-02-15)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach2:09
14Gaîté Parisienne: 17. Polka
recording engineer:
Günter Hermanns (producer/engineer)
engineer:
Hans Weber (producer/engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon) and Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-23 until 1971-02-15)
conductor:
Herbert von Karajan (conductor) (from 1971-01-23 until 1971-02-15)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-01-23 until 1971-02-15)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-23 until 1971-02-15)
recording of:
Gaîté Parisienne: XVIII. Quadrille (from « Orphée aux enfers ») (from 1971-01-23 until 1971-02-15)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach1:22
15Gaîté Parisienne: 18. --
recording engineer:
Günter Hermanns (producer/engineer)
engineer:
Hans Weber (producer/engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon) and Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-23 until 1971-02-15)
conductor:
Herbert von Karajan (conductor) (from 1971-01-23 until 1971-02-15)
arranger:
Manuel Rosenthal (French conductor & composer)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-01-23 until 1971-02-15)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-23 until 1971-02-15)
recording of:
Gaîté Parisienne: XIX. Allegro moderato (from « Orphée aux enfers ») (from 1971-01-23 until 1971-02-15)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach0:45
16Gaîté Parisienne: 22. Vivo
recording engineer:
Günter Hermanns (producer/engineer)
engineer:
Hans Weber (producer/engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon) and Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-23 until 1971-02-15)
conductor:
Herbert von Karajan (conductor) (from 1971-01-23 until 1971-02-15)
arranger:
Manuel Rosenthal (French conductor & composer)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-01-23 until 1971-02-15)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-23 until 1971-02-15)
recording of:
Gaîté Parisienne: XXII. Vivo (from « Orphée aux enfers ») (from 1971-01-23 until 1971-02-15)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach1:09
17Gaîté Parisienne: 23. Barcarole. Allegro moderato
recording engineer:
Günter Hermanns (producer/engineer)
engineer:
Hans Weber (producer/engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon) and Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-23 until 1971-02-15)
conductor:
Herbert von Karajan (conductor) (from 1971-01-23 until 1971-02-15)
arranger:
Manuel Rosenthal (French conductor & composer)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-01-23 until 1971-02-15)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-23 until 1971-02-15)
recording of:
Gaîté Parisienne: XXIII. Barcarolle (from « Les Contes d'Hoffmann ») (from 1971-01-23 until 1971-02-15)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
arrangement of:
Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités)
part of:
Gaîté parisienne
Jacques Offenbach4:02
18Faust, Ballet Music: 1. Allegretto. Mouvement de Valse
recording engineer:
Günter Hermanns (producer/engineer)
engineer:
Hans Weber (producer/engineer)
producer:
Michel Glotz, Hans Hirsch (producer at Deutsche Grammophon) and Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-23 until 1971-02-15, from 1978-12-29 until 1978-12-31, on 1979-01-03)
conductor:
Herbert von Karajan (conductor) (from 1971-01-23 until 1971-02-15, from 1978-12-29 until 1978-12-31, on 1979-01-03)
balance engineer:
Wolfgang Gülich (engineer) and Günter Hermanns (producer/engineer) (from 1971-01-23 until 1971-02-15)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-23 until 1971-02-15) and Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-12-29 until 1978-12-31, on 1979-01-03)
recording of:
Faust : Acte V. Ballet I. Danse des Nubiennes: Allegretto (valse) (from 1971-01-23 until 1971-02-15)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte V. Ballet (La Nuit de Walpurgis)
recording of:
Faust : Acte V. Ballet I. Danse des Nubiennes: Allegretto (valse) (from 1978-12-29 until 1979-01-03)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte V. Ballet (La Nuit de Walpurgis)
Charles‐François Gounod2:33
19Faust, Ballet Music: 2. Adagio
recording engineer:
Günter Hermanns (producer/engineer)
engineer:
Hans Weber (producer/engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon) and Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-23 until 1971-02-15)
conductor:
Herbert von Karajan (conductor) (from 1971-01-23 until 1971-02-15)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-01-23 until 1971-02-15)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-23 until 1971-02-15)
recording of:
Faust : Acte V. Ballet II. Adagio (from 1971-01-23 until 1971-02-15)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte V. Ballet (La Nuit de Walpurgis)
Charles‐François Gounod4:06
20Faust, Ballet Music: 3. Danse antique. Allegretto
recording engineer:
Günter Hermanns (producer/engineer)
engineer:
Hans Weber (producer/engineer)
producer:
Michel Glotz, Hans Hirsch (producer at Deutsche Grammophon) and Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-23 until 1971-02-15, from 1978-12-29 until 1978-12-31, on 1979-01-03)
conductor:
Herbert von Karajan (conductor) (from 1971-01-23 until 1971-02-15, from 1978-12-29 until 1978-12-31, on 1979-01-03)
balance engineer:
Wolfgang Gülich (engineer) and Günter Hermanns (producer/engineer) (from 1971-01-23 until 1971-02-15)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-23 until 1971-02-15) and Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-12-29 until 1978-12-31, on 1979-01-03)
recording of:
Faust : Acte V. Ballet III. Danse antique: Allegretto (from 1971-01-23 until 1971-02-15)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte V. Ballet (La Nuit de Walpurgis)
recording of:
Faust : Acte V. Ballet III. Danse antique: Allegretto (from 1978-12-29 until 1979-01-03)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte V. Ballet (La Nuit de Walpurgis)
Charles‐François Gounod1:48
21Faust, Ballet Music: 4. Variations de Cléopâtre. Moderato maestoso
recording engineer:
Günter Hermanns (producer/engineer)
engineer:
Hans Weber (producer/engineer)
producer:
Michel Glotz, Hans Hirsch (producer at Deutsche Grammophon) and Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-23 until 1971-02-15, from 1978-12-29 until 1978-12-31, on 1979-01-03)
conductor:
Herbert von Karajan (conductor) (from 1971-01-23 until 1971-02-15, from 1978-12-29 until 1978-12-31, on 1979-01-03)
balance engineer:
Wolfgang Gülich (engineer) and Günter Hermanns (producer/engineer) (from 1971-01-23 until 1971-02-15)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-23 until 1971-02-15) and Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-12-29 until 1978-12-31, on 1979-01-03)
recording of:
Faust : Acte V. Ballet IV. Variations de Cléopâtre: Moderato maestoso (from 1971-01-23 until 1971-02-15)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte V. Ballet (La Nuit de Walpurgis)
recording of:
Faust : Acte V. Ballet IV. Variations de Cléopâtre: Moderato maestoso (from 1978-12-29 until 1979-01-03)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte V. Ballet (La Nuit de Walpurgis)
Charles‐François Gounod1:46
22Faust, Ballet Music: 5. Les Troyens. Moderato con moto
recording engineer:
Günter Hermanns (producer/engineer)
engineer:
Hans Weber (producer/engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon) and Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-23 until 1971-02-15)
conductor:
Herbert von Karajan (conductor) (from 1971-01-23 until 1971-02-15)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-01-23 until 1971-02-15)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-23 until 1971-02-15)
recording of:
Faust : Acte V. Ballet V. Les Troyens: Moderato con moto (from 1971-01-23 until 1971-02-15)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte V. Ballet (La Nuit de Walpurgis)
Charles‐François Gounod2:55
23Faust, Ballet Music: 6. Variations du miroir. Allegretto
recording engineer:
Günter Hermanns (producer/engineer)
engineer:
Hans Weber (producer/engineer)
producer:
Michel Glotz, Hans Hirsch (producer at Deutsche Grammophon) and Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-23 until 1971-02-15, from 1978-12-29 until 1978-12-31, on 1979-01-03)
conductor:
Herbert von Karajan (conductor) (from 1971-01-23 until 1971-02-15, from 1978-12-29 until 1978-12-31, on 1979-01-03)
balance engineer:
Wolfgang Gülich (engineer) and Günter Hermanns (producer/engineer) (from 1971-01-23 until 1971-02-15)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-23 until 1971-02-15) and Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-12-29 until 1978-12-31, on 1979-01-03)
recording of:
Faust : Acte V. Ballet VI. Variations du Miroir: Allegretto (from 1971-01-23 until 1971-02-15)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte V. Ballet (La Nuit de Walpurgis)
recording of:
Faust : Acte V. Ballet VI. Variations du Miroir: Allegretto (from 1978-12-29 until 1979-01-03)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte V. Ballet (La Nuit de Walpurgis)
Charles‐François Gounod2:04
24Faust, Ballet Music: 7. Danse de Phryné. Allegro vivo
recording engineer:
Günter Hermanns (producer/engineer)
engineer:
Hans Weber (producer/engineer)
producer:
Michel Glotz, Hans Hirsch (producer at Deutsche Grammophon) and Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-23 until 1971-02-15, from 1978-12-29 until 1978-12-31, on 1979-01-03)
conductor:
Herbert von Karajan (conductor) (from 1971-01-23 until 1971-02-15, from 1978-12-29 until 1978-12-31, on 1979-01-03)
balance engineer:
Wolfgang Gülich (engineer) and Günter Hermanns (producer/engineer) (from 1971-01-23 until 1971-02-15)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-23 until 1971-02-15) and Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-12-29 until 1978-12-31, on 1979-01-03)
recording of:
Faust : Acte V. Ballet VII. Danse de Phryné: Allegro vivo (from 1971-01-23 until 1971-02-15)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte V. Ballet (La Nuit de Walpurgis)
recording of:
Faust : Acte V. Ballet VII. Danse de Phryné: Allegro vivo (from 1978-12-29 until 1979-01-03)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte V. Ballet (La Nuit de Walpurgis)
Charles‐François Gounod2:36
25La Valse de Faust. Tempo di Valse
recording engineer:
Günter Hermanns (producer/engineer)
engineer:
Hans Weber (producer/engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon) and Hermann Hirsch
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-23 until 1971-02-15)
conductor:
Herbert von Karajan (conductor) (from 1971-01-23 until 1971-02-15)
balance engineer:
Hans Weber (producer/engineer) (from 1971-01-23 until 1971-02-15)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-02-14 until 1971-02-16)
recording of:
Concert Waltz (from Faust) (for orchestra) (from 1971-01-23 until 1971-02-15)
composer:
Charles Gounod (French composer)
arrangement of:
Faust : Acte II. No. 9 Valse et chœur « Ainsi que la brise légère … » (Chœur, Méphistophélès, Faust, Siebel) (Valse de Faust, Waltz; Faust-Walzer)
recording of:
Deux épisodes d’après le Faust de Lenau, S. 110: II. Der Tanz in der Dorfschenke (Erster Mephisto-Walzer) (for orchestra)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
orchestration of:
Mephisto Waltz no. 1, S. 514 "Der Tanz in der Dorfschenke" (for piano solo)
part of:
Deux épisodes d’après le Faust de Lenau, S. 110 (for orchestra)
Charles‐François Gounod5:27
100▼CD: Opernballette
#TitleArtistRatingLength
1Prince Igor: Dance of the Polovtsian Maidens
recording engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon) and Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-12-29 until 1971-01-08)
conductor:
Herbert von Karajan (conductor) (from 1970-12-29 until 1971-01-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-12-29 until 1971-01-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-12-29 until 1971-01-08)
recording of:
Polovtsian Dances no. 8, “Dance of the Polovtsian Maidens”: Presto, 6/8, F major (from 1970-12-29 until 1971-01-08)
orchestrator:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) and Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
arrangement of:
Prince Igor: Act II. Dance of the Polovtsian Maidens
part of:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890)
recording of:
Prince Igor: Act II. Dance of the Polovtsian Maidens
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
part of:
Prince Igor: Act II
Александр Порфирьевич Бородин2:15
2Prince Igor: Polovtsian Dances
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
Александр Порфирьевич Бородин11:56
3Eugene Onegin: Polonaise
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1971-01)
conductor:
Herbert von Karajan (conductor) (in 1971-01)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1971-01)
recording of:
Евгений Онегин, op. 24: Действие III, картина 1, no. 19. Полонез (Polonaise) (in 1971-01)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Eugen Onegin: Akt III
part of:
Евгений Онегин, op. 24: Действие третье (Eugene Onegin, op. 24: Act III)
Пётр Ильич Чайковский5:04
4Eugene Onegin: Valse
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1971-01)
conductor:
Herbert von Karajan (conductor) (in 1971-01)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1971-01)
recording of:
Excerpt from Eugene Onegin, op. 24: Act II Scene I: Waltz (Excerpt) (in 1971-01)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Евгений Онегин, op. 24: Действие II, картина 1, no. 13. Вальс с сценой и хором "Вот так сюрприз" (Waltz with Scene and Chorus "Vot tak syurpriz")
Пётр Ильич Чайковский6:39
5Aida: Sacred Dance of the Priestesses
recording engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon) and Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-12-29 until 1971-01-08)
conductor:
Herbert von Karajan (conductor) (from 1970-12-29 until 1971-01-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-12-29 until 1971-01-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-12-29 until 1971-01-08)
recording of:
Aida: Atto I, scena 2. Danza sacra delle Sacerdotesse: “Immenso Fthà!…” / “Mortal, diletto ai Numi” (Sacerdotesse, Ramfis, Sacerdoti) (from 1970-12-29 until 1971-01-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
partial recording of:
Aida: Atto I, scena 2. Danza sacra delle Sacerdotesse: “Immenso Fthà!…” / “Mortal, diletto ai Numi” (Sacerdotesse, Ramfis, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi2:18
6Aida: Dance of the Young Moorish Slaves
recording engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon) and Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-12-29 until 1971-01-08)
conductor:
Herbert von Karajan (conductor) (from 1970-12-29 until 1971-01-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-12-29 until 1971-01-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-12-29 until 1971-01-08)
recording of:
Aida: Atto II, scena 1. Danza degli schiavi mori (orchestra) (from 1970-12-29 until 1971-01-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi1:33
7Aida: Ballet
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Aida: Atto II, scena 2. Ballabile (orchestra)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
Giuseppe Verdi4:28
8Otello: Ballet Music
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1971-01)
conductor:
Herbert von Karajan (conductor) (in 1971-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1971-01)
recording of:
Otello: Atto III. Ballabile (Ballet Music) (in 1971-01)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
part of:
Otello: Atto III
Giuseppe Verdi6:39
9La Gioconda: Dance of the Hours
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1971-01)
conductor:
Herbert von Karajan (conductor) (in 1971-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1971-01)
recording of:
La Gioconda: Atto III, scena 2. Danza delle ore (in 1971-01)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Fantasia (Disney soundtrack)
part of:
La Gioconda: Atto III. Cà d'Oro
Amilcare Ponchielli10:35
101▼CD: Edvard Grieg: Peer Gynt-Suiten 1 & 2 / Sigurd Jorsalfar
#TitleArtistRatingLength
1Peer Gynt-Suite no. 1, op. 46: 1. Morning Mood. Allegretto pastorale
recording engineer:
Hans Weber (producer/engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1971-09)
conductor:
Herbert von Karajan (conductor) (in 1971-09)
balance engineer:
Günter Hermanns (producer/engineer) (in 1971-09)
phonographic copyright (℗) by:
Polydor International GmbH, Hamburg (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1971-09)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood) (in 1971-09)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg3:59
2Peer Gynt-Suite no. 1, op. 46: 2. Åse's Death. Andante doloroso
recording engineer:
Hans Weber (producer/engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1971-09)
conductor:
Herbert von Karajan (conductor) (in 1971-09)
balance engineer:
Günter Hermanns (producer/engineer) (in 1971-09)
phonographic copyright (℗) by:
Polydor International GmbH, Hamburg (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1971-09)
recording of:
Peer Gynt Suite no. 1, op. 46: II. Åses død (Peer Gynt Suite no. 1, op. 46: II. Åse’s Death) (in 1971-09)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 3. akt: Åses død
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg4:48
3Peer Gynt-Suite no. 1, op. 46: 3. Anitra's Dance. Tempo di Mazurka
recording engineer:
Hans Weber (producer/engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1971-09)
conductor:
Herbert von Karajan (conductor) (in 1971-09)
balance engineer:
Günter Hermanns (producer/engineer) (in 1971-09)
phonographic copyright (℗) by:
Polydor International GmbH, Hamburg (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1971-09)
recording of:
Peer Gynt Suite no. 1, op. 46: III. Anitras dans (Peer Gynt Suite no. 1, op. 46: III. Anitra’s Dance) (in 1971-09)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt: Anitras dans
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg3:47
4Peer Gynt-Suite no. 1, op. 46: 4. In the Hall of the Mountain King. Alla marcia e molto marcato
recording engineer:
Hans Weber (producer/engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1971-09)
conductor:
Herbert von Karajan (conductor) (in 1971-09)
balance engineer:
Günter Hermanns (producer/engineer) (in 1971-09)
phonographic copyright (℗) by:
Polydor International GmbH, Hamburg (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1971-09)
recording of:
Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall (Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King) (in 1971-09)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg2:12
5Peer Gynt-Suite no. 2, op. 55: 1. The Abduction of the Bride / Ingrid's Lament. Allegro furioso - Andante
recording engineer:
Hans Weber (producer/engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1971-09)
conductor:
Herbert von Karajan (conductor) (in 1971-09)
balance engineer:
Günter Hermanns (producer/engineer) (in 1971-09)
phonographic copyright (℗) by:
Polydor International GmbH, Hamburg (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1971-09)
recording of:
Peer Gynt Suite no. 2, op. 55: I. Bruderovet. Ingrids klage (Peer Gynt Suite no. 2, op. 55: I. The Abduction of the Bride. Ingrid’s Lament) (in 1971-09)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 2. akt, prelude: Bruderovet. Ingrids klage
part of:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg4:56
6Peer Gynt-Suite no. 2, op. 55: 2. Arabian Dance. Allegretto vivace
recording engineer:
Hans Weber (producer/engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1971-09)
conductor:
Herbert von Karajan (conductor) (in 1971-09)
balance engineer:
Günter Hermanns (producer/engineer) (in 1971-09)
phonographic copyright (℗) by:
Polydor International GmbH, Hamburg (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1971-09)
recording of:
Peer Gynt Suite no. 2, op. 55: II. Arabisk dans (Peer Gynt Suite no. 2, op. 55: II. Arabian Dance) (in 1971-09)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 4. akt: Arabisk dans
part of:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg4:41
7Peer Gynt-Suite no. 2, op. 55: 3. Peer Gynt's Homecomming. Allegro agitato
recording engineer:
Hans Weber (producer/engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1971-09)
conductor:
Herbert von Karajan (conductor) (in 1971-09)
balance engineer:
Günter Hermanns (producer/engineer) (in 1971-09)
phonographic copyright (℗) by:
Polydor International GmbH, Hamburg (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1971-09)
recording of:
Peer Gynt Suite no. 2, op. 55: III. Peer Gynts hjemfart (Stormfull aften på havet) (Peer Gynt Suite no. 2, op. 55: III. Peer Gynt’s Homecoming (Stormy Evening on the Coast)) (in 1971-09)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 5. akt: Peer Gynts hjemfart
part of:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg2:44
8Peer Gynt-Suite no. 2, op. 55: 4. Solveig's Song. Andante - Allegretto tranquillamente
recording engineer:
Hans Weber (producer/engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1971-09)
conductor:
Herbert von Karajan (conductor) (in 1971-09)
balance engineer:
Günter Hermanns (producer/engineer) (in 1971-09)
phonographic copyright (℗) by:
Polydor International GmbH, Hamburg (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1971-09)
recording of:
Peer Gynt Suite no. 2, op. 55: IV. Solveigs sang (Peer Gynt Suite no. 2, op. 55: IV. Solveig’s Song, do not use if there is a singer) (in 1971-09)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 4. akt: Solveigs sang
part of:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg6:22
9Sigurd Jorsalfar, op. 56: 1. Prelude (In the King's hall). Allegretto simplice
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1971-09)
conductor:
Herbert von Karajan (conductor) (in 1971-09)
balance engineer:
Günter Hermanns (producer/engineer) (in 1971-09)
phonographic copyright (℗) by:
Polydor International GmbH, Hamburg (not for release label use!) (from 1972 to present)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1971-09)
recording of:
Tre Orkesterstykker fra Sigurd Jorsalfar, op. 56: I. Prelude: I kongens hall (in 1971-09)
composer:
Edvard Grieg (composer)
version of:
Sigurd Jorsalfar, op. 22: III. Ved mannjevningen
part of:
Tre Orkesterstykker fra Sigurd Jorsalfar, op. 56 (3 Orchestral Pieces from "Sigurd Jorsalfar")
Edvard Grieg3:46
10Sigurd Jorsalfar, op. 56: 2. Intermezzo (Borghild's Dream). Poco Andante - Allegro agitato - Andante espressivo
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1971-09)
conductor:
Herbert von Karajan (conductor) (in 1971-09)
balance engineer:
Günter Hermanns (producer/engineer) (in 1971-09)
phonographic copyright (℗) by:
Polydor International GmbH, Hamburg (not for release label use!) (from 1972 to present)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1971-09)
recording of:
Tre Orkesterstykker fra Sigurd Jorsalfar, op. 56: II. Intermezzo: Borhilds Drøm (in 1971-09)
composer:
Edvard Grieg (composer)
version of:
Sigurd Jorsalfar, op. 22: II. Borghilds drøm (Intermezzo)
part of:
Tre Orkesterstykker fra Sigurd Jorsalfar, op. 56 (3 Orchestral Pieces from "Sigurd Jorsalfar")
Edvard Grieg3:16
11Sigurd Jorsalfar, op. 56: 3. Homage March. Allegro molto - Allegretto marciale - Maestoso
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1971-09)
conductor:
Herbert von Karajan (conductor) (in 1971-09)
balance engineer:
Günter Hermanns (producer/engineer) (in 1971-09)
phonographic copyright (℗) by:
Polydor International GmbH, Hamburg (not for release label use!) (from 1972 to present)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1971-09)
recording of:
Tre Orkesterstykker fra Sigurd Jorsalfar, op. 56: III. Hyldningsmarsj (3 Orchestral Pieces from "Sigurd Jorsalfar": III. Homage March) (in 1971-09)
composer:
Edvard Grieg (composer)
version of:
Sigurd Jorsalfar, op. 22: V. Hyldningsmarsj
part of:
Tre Orkesterstykker fra Sigurd Jorsalfar, op. 56 (3 Orchestral Pieces from "Sigurd Jorsalfar")
Edvard Grieg9:47
102▼CD: Weber, Berlioz, Liszt, Smetana, Dvorak: Aufforderung zum Tanz
#TitleArtistRatingLength
1Aufforderung zum Tanz, op. 65
producer:
Hans Weber (producer/engineer)
orchestra:
Berlin Philharmonic Orchestra (from 1971-09-22 until 1971-09-24)
conductor:
Herbert von Karajan (conductor) (from 1971-09-22 until 1971-09-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-09-22 until 1971-09-24)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-09-22 until 1971-09-24)
recording of:
Aufforderung zum Tanz, J. 260 (Invitation to the Dance, J. 260, orchestrated by Berlioz) (from 1971-09-22 until 1971-09-24)
orchestrator:
Hector Berlioz (French composer)
composer:
Carl Maria von Weber (composer)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 90)
orchestration of:
Aufforderung zum Tanze, op. 65 (Invitation to the Dance, op. 65, for piano)
Carl Maria von Weber8:52
2La Damnation de Faust, op. 24: Ballet des Sylphes. Allegro (tempdi valse)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-09-22 until 1971-09-24)
conductor:
Herbert von Karajan (conductor) (from 1971-09-22 until 1971-09-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-09-22 until 1971-09-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-09-22 until 1971-09-24)
recording of:
La Damnation de Faust : Deuxième Partie : Scène 7. Ballet des sylphes (Orchestre) (from 1971-09-22 until 1971-09-24)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Deuxième Partie
Hector Berlioz2:28
3La Damnation de Faust, op. 24: Menuet des Follets. Moderato - Presto e leggiero
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1971-09, from 1971-09-22 until 1971-09-24)
conductor:
Herbert von Karajan (conductor) (in 1971-09, from 1971-09-22 until 1971-09-24)
balance engineer:
Günter Hermanns (producer/engineer) (on 1971-09-22)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1971-09) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-09-22 until 1971-09-24)
recording of:
La Damnation de Faust : Troisième Partie : Scène 12. Menuet des Feux follets … « Maintenant, chantons à cette belle … » (Méphistophélès) (from 1971-09-22 until 1971-09-24)
composer:
Hector Berlioz (French composer)
librettist:
Hector Berlioz (French composer) and Almire Gandonnière (librettiste français)
part of:
La Damnation de Faust, op. 24: Troisième Partie
recording of:
La Damnation de Faust : Troisième Partie : Scène 12. Menuet des Feux follets … « Maintenant, chantons à cette belle … » (Méphistophélès) (in 1971-09)
composer:
Hector Berlioz (French composer)
librettist:
Hector Berlioz (French composer) and Almire Gandonnière (librettiste français)
part of:
La Damnation de Faust, op. 24: Troisième Partie
Hector Berlioz6:12
4Mephisto Waltz No. 1 (The Dance in the Village Inn), S 110/2
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1971-09)
conductor:
Herbert von Karajan (conductor) (in 1971-09)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1971-09)
recording of:
Deux épisodes d’après le Faust de Lenau, S. 110: II. Der Tanz in der Dorfschenke (Erster Mephisto-Walzer) (for orchestra) (in 1971-09)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
orchestration of:
Mephisto Waltz no. 1, S. 514 "Der Tanz in der Dorfschenke" (for piano solo)
part of:
Deux épisodes d’après le Faust de Lenau, S. 110 (for orchestra)
Franz Liszt11:11
5The Bartered Bride: Polka. Moderato
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1971-09)
conductor:
Herbert von Karajan (conductor) (in 1971-09)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1971-09)
recording of:
Die verkaufte Braut: I. Polka (The Bartered Bride: I. Polka) (in 1971-09)
composer:
Bedřich Smetana (composer) (from 1863 until 1870)
part of:
Three Dances from "The Bartered Bride"
Bedřich Smetana5:31
6The Bartered Bride: Furiant. Allegro energico
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-09-22 until 1971-09-24)
conductor:
Herbert von Karajan (conductor) (from 1971-09-22 until 1971-09-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-09-22 until 1971-09-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-09-22 until 1971-09-24)
recording of:
Die verkaufte Braut: II. Furiant (The Bartered Bride: II. Furiant) (from 1971-09-22 until 1971-09-24)
composer:
Bedřich Smetana (composer) (from 1863 until 1870)
part of:
Three Dances from "The Bartered Bride"
Bedřich Smetana2:30
7The Bartered Bride: Dance of the Comedians. Vivace
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1971-09)
conductor:
Herbert von Karajan (conductor) (in 1971-09)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1971-09)
recording of:
Die verkaufte Braut: III. Komödiantenszene (The Bartered Bride: III. Dance of the Comedians) (in 1971-09)
composer:
Bedřich Smetana (composer) (from 1863 until 1870)
part of:
Three Dances from "The Bartered Bride"
Bedřich Smetana5:39
8Scherzo capriccioso, op. 66: Allegro confuoco - Poco tranquillo - Grandioso - Tempo I - Presto
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-09-22 until 1971-09-24)
conductor:
Herbert von Karajan (conductor) (from 1971-09-22 until 1971-09-24)
balance engineer:
Günter Hermanns (producer/engineer) (on 1971-09-22)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-09-22 until 1971-09-24)
recording of:
Scherzo capriccioso, op. 66, B. 131 (for orchestra) (from 1971-09-22 until 1971-09-24)
composer:
Antonín Dvořák (composer) (from 1883-04-04 until 1883-05-02)
premiered at:
[concert] (1883-05-16)
publisher:
Bote & Bock (in 1884)
part of:
Works of Antonín Dvořák by opus number (number: op. 66) and Antonín Dvořák: Thematický katalog (Antonín Dvořák: Thematic Catalogue, Burghauser [B.]) (number: B. 131)
Antonín Dvořák13:06
103▶CD: The European Anthem / National Anthems / Beethoven: Symphony No. 9 in D minor, op. 125 (Final Chorus)
104▶CD: Giuseppe Verdi: Messa da Requiem (1)
105▶CD: Giuseppe Verdi: Messa da Requiem (2)
106▶CD: Antonio Vivaldi: Le Quattro Stagioni
107▶CD: Carl Maria von Weber: Ouvertüren
108▶CD: Richard Strauss: Till Eulenspiegel / Salomes Tanz / Don Juan / Tod und Verklärung
109▶CD: Richard Strauss: Also sprach Zarathustra / Vier letzte Lieder
110▶CD: Gustav Mahler: 5. Symphonie
111▶CD: Gustav Mahler: Das Lied von der Erde
112▶CD: Felix Mendelssohn: Symphonie Nr. 1
113▶CD: Felix Mendelssohn: Symphonie Nr. 2 "Lobgesang"
114▶CD: Johann Sebastian Bach: Matthäus-Passion (1)
115▶CD: Johann Sebastian Bach: Matthäus-Passion (3)
116▶CD: Johann Sebastian Bach: Matthäus-Passion (2)
117▶CD: Felix Mendelssohn Bartholdy: Symphonie Nr. 4 / Symphonie Nr. 5

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